How the cow went over the moon, a dragon and got books that were banned

A Creative Life, animals in art, art gallery, art techniques, artist book, artistic inspirations, author illustrator, books, cat portrait, Cats in art, ebook, fine art, handmade books, handmade papers, humor in art, illustrated poem, miniature art, Narrative Art, pet portraits, poetry, printed books, publications - publishing, published art, whimsical art, wordless story, words and pictures

In my last post I shared my methods of making the original artist books “How The Cow Went Over The Moon” and “Tiny Notes”.Β  The handmade original one-of-a-kind books are the basis for a printed version, newly released, titled “How The Cow Went Over The Moon and Tiny Note To The Sun” (https://www.blurb.com/b/11033023-how-the-cow-went-over-the-moon-and-tiny-notes-to)

Almost exclusively I used to do unique books as art objects that were displayed in art gallery exhibits. My one-of-a-kind books were then sold and that was that. Well, in 2020 after the pandemic began the galleries closed to the public and I began publishing my artist books in an on-demand way. My book is printed at the time it is ordered and mailed to the buyer. I did this so I could still share my visual stories and they could still be fairly unique i.e. not printed in large quantities. And as my portfolio page attests that’s the way I’ve now done twelve different artist book projects. As the galleries have adapted to the pandemic since March 2020 allowing the public to handle one-of-a-kind books, wisely I think, hasn’t come back into vogue.

When making a printed version of my original artist books I try as best I can to maintain the look of the original work. I do very little – or ideally absolutely no – digital manipulation of my content. At most some text is typed. I even prefer to handwrite as much as possible. It’s important to me that people – especially kids – get to have a wide variety of homemade or handmade comforts whether it’s dinners, cookies, fine art or books.

Anyway, in the case of my new “How the cow…” book I typed the about the book and the dedication page text. But those pages and the covers are the only typed text. (I’ve learned the hard way that having these pages typed rather than handwritten helps the book be found via a search.)

I also scanned the handmade pattern I used for the cow book slipcase and the found sheet music I used for the tiny notes book cover. I scanned my handwritten text summary for the cow story. I did digitally “erase” the page number marks on my handwritten text because those numbers did not apply to the printed book. Other than erasing the pages numbers the handwritten page is the same in the printed book as it is in the original.

With those very few digital documents in my 28 page book layout I created end papers of a sort to flank or wrap each story within the printed book. The original artist books are themselves covered with these patterns.

https://www.blurb.com/b/11033023-how-the-cow-went-over-the-moon-and-tiny-notes-to

The scanned blue bubble pattern was the basis for the printed book cover.

As you can see the covers of both the original book and the printed version are similar.

The artwork in the cow story is just a bit smaller in the printed version than the original. But as you can see the colors are a very close match! Also the printed book is conventionally bound so I set up my layout like a comic book rather than in the folded concertina form of the original. I don’t yet know of any printer who prints and mails concertina style books. The two illustrations per page layout allowed me to fill the seven inch square printed pages. (In the photos below the original handmade book is at the top)

The “Tiny Notes” original artwork is reproduced at a much larger size in the printed book. The original book is 2.25 inches square. The printed book is 7 inches square. Again the colors printed are pretty close to what’s in the original!

So you can see the scales of the books in relation to a human. My spouse took these photos of me and the books…

The original concertina format cow book unfolds to four feet long. Almost as tall as me!

The original concertina tiny notes book is only 20 inches long unfolded.

You can see more of these book pages and details on my portfolio site. I’ve no idea if these original artist books will someday go to an art gallery even for display under glass.

For now I’m having fun making books intentionally for printing and mailing directly to people. It may sound odd to say this but this new way of sharing my books feels more personal and I feel like many more people are able to see and own my work this way.

And adding to my fun is that Storyberries.com will distribute, next week, free ebook versions of “How The Cow Went Over The Moon” and “Tiny Notes To The Sun“. More details in my next blog post.

This week my coloring book poem “How To Draw A Dragon” was read aloud on Kidz Stories And More !!! You can see it here
https://youtu.be/EUVeDjqiz30 When we were discussing the creation of this video Kidz Stories and I decided to make my book pages so they could be downloaded for free so kids could color along with the video! The download is available here and the directions are also in the video link. I’m seeing this as possibly another fun new way to share my artist books!

Kidz Stories And More https://youtu.be/EUVeDjqiz30

Speaking of interactive downloads: This weeks homemade yumminess was from the recipe by  @indianeskitchen called Budget Friendly Beef Stroganoff. Both my spouse and I liked it!! I didn’t have long flat pasta on hand so I used short pasta and…Yum!!
https://indianeskitchen.com/2022/01/23/budget-friendly-beef-stroganoff/

Also this week someone shared this photo saying how happy they are with a portrait I painted of their cat and how it has been framed by the Aurora Gallery!! That makes me happy!!!!!

“The King Of Hearts” by Clancy – 3.5 x 2.5 inches – ink, gouache and color pencil on board

My spouse mentioned the current news about book banning and that one of the titles banned is “A Light in the Attic” by Shel Silverstein. We have that book in our dining room poetry collection. It’s a favorite! Hearing that news led to both of us looking up what other books we have on our shelves that are banned. It was a fun scavenger hunt of sorts! 🀣 Turns out we have a large number of banned titles throughout our book collection. Two shelves in our dining room alone yield 4 books/authors who have been banned… even as recently as 2022.

Here’s one of the articles we read about banned books. Naturally we got online and ordered more banned books from our local independent bookstore. 😁 One of the banned books I tried to order was Maus by Art Spiegelman (here’s an article about that book) but all of my usual indy bookstores were sold out! But there were other banned books available which we happily bought.

I’ll leave some memes about book banning here just in case someone wants one.

I hope your week is similarly filled with subversive literary delights and some homemade comforts.

See you next Monday.

Miniature art, books, dogs, a cow, a bird, a dragon and a rabbit review

A Creative Life, Alphapets, animals in art, art commissions, art gallery, art techniques, artist book, artistic inspirations, author illustrator, book design and layout, books, Cats in art, children's book, dog portrait, Dogs in Art, fine art, miniature art, poetry, publications - publishing, published art, reading in art, visual story, whimsical art, wordless story, words and pictures, writing and illustrating

This week I finished the dog painting you saw in my sketchbook and on my easel in my last post. The cow is still active in the field of my imagination as is a wee bird. More on that later in this post.

Here’s the completed dog portrait titled “Being exquisite”. Like the dog portrait in my last post this new one is 8 x 10 inches and uses that nifty new brush technique (last post)! I’m having such fun with all of these tiny details!

Like the fur between his eyes and the nose… below are two photo views so you can see.

And the details of the dandelions! Oh that was fun!!

This past week has been filled with gluing the cow artwork pages onto a piece of paper cut 4.25 inches x 4 feet long and folding it so that it zigzags  into panels 4.25 x 6.25 inches in size. Plus the week was spent making a slipcase for my book which can be called a leporello, a concertina or an accordion format. Everything was made from scratch: raw archival book binders board, white flat paper and glue. When the story pages are folded they’re almost 1 inch thick so the slipcase accounts for that. Below are photos of the slipcase and the concertina book.

For more details on the Leporello,  Concertina or Accordion style folded books here’s a good link https://wp.me/p4va0m-gU

Here’s a reference book I’ve used for years when I’m constructing books and making boxes from scratch. I altered methods described in this book to make the cow book slipcase. The book is Books Boxes and Portfolios by Franz Zeier

Behind these analog scenes I’ve been working on the digital files for a printed version of “How the cow went over the moon”. In pre-pandemic days I’d have made this one handmade book and sent it to a gallery like the 23 Sandy who would have exhibited it and sold it to a private collection or to a public collection. For example the UCLA Fine arts library has one of my books, so does the Bainbridge Island Art Museum.

Then the pandemic happened and I began making reproductions of my books available via Blurb which can print then mail my books directly to the buyer. That seemed a more pandemic safe way to share my artist books. It is also why I say that I approach self-publishing from a fine art perspective.

When I did the first printed book, Alphapets, in early 2020, I was contacted by Storyberries who wanted to distribute the ebook version. Well it’s been so much fun to make my books available in an on-demand way (my books are only printed when they’re ordered) and even more fun to share with readers on Storyberries that this fun is now factored in to my book designs.

For example: as I’ve been making the digital files for the printed book (and for Storyberries) I took the photos below of the handmade books with a piece of candy to show scale. I did this because it might amuse readers to see the original books in the printed book version. And perhaps help the younger readers be aware that books are made by people just like them.

This week I’ve also been talking with Storyberries and – dear blog reader you’re getting this news first – they’ll be making an “art experimental” story category for my work!! How fun is that? I so wanted arty quirky books when I was a kid… and now I’m making them and getting to fill a whole childrens book category with ebook versions of my artist books!!! I’m over-the-moon excited and yes that pun was intended! 🀣

As I wrote in my last post I’ve been reading The Annotated Arabian Nights and I sat up and took notice when the annotation mentioned a literary genre called “mirrors for princes”.  So as a companion to my “How the cow went over the moon” book message (?) about not being too serious and remaining down-to-earth I’ve been thinking of the importance of remembering joy.

So here’s a look at what will be the second wordless poem in the printed  book. This poem is titled “Tiny notes to the sun”

This book too is a leporello format but instead of a slip cover it’s got hardback covers. This book is 2.25 inches square when closed and opens out to 20 inches in length.

The photos below that have a peppermint candy in them are the pics I’ll put into the printed book version because it might amuse people to see them too.

As I mentioned earlier I’ve been working simultaneously on the book layout and design for the printed version of “How the cow went over the moon” … and I’m using visual elements of the original artist books … here’s a look. πŸ‘‡

This week the Caplan Art Designs Gallery sent photos of my 3d box project “All the Chances” in it’s new space! And look, the client’s pet rabbit approved!!

And someone else sent me photos of their dog approving the dog portrait I painted and the way the Aurora Gallery framed the portrait! So glad their dog approved!!

Here below is the framed portrait on the dog’s “Clancy art” wall!! Isn’t that sweet?! A whole wall!! Wow!! This makes my artist heart so happy!!

In the coming days Kidz Stories plans to read my book “How to draw a dragon” out loud on their YouTube channel and, since it’s a coloring book, they’re hosting a color-along!! I’ll post a link to the video when I have it. In preparation to help kids to be able to color-along I’ve made my coloring book a free download here on my portfolio page!

I hope your week is full of your favorite colors and comforts. See you next Monday.

Miniature art, dogs, cows and books

A Creative Life, art book review, art techniques, artist book, artistic inspirations, author illustrator, books, Books In Art, creative thinking, dog portrait, Dogs in Art, drawing as thinking, fine art, handmade books, household surrealism, humor in art, miniature art, poetry, sketchbook, small things, Sustainable creativity, visual thinking, whimsical art, wordless story, words and pictures

This week had a cow in it (more on that in this post) and a dog portrait. I selected one of my sketchbook drawings as an idea for what to paint using the new brush technique I learned from the book, Miniature Art by Joan Cornish Willies that I talked about in my last post. Here’s the sketchbook page.

This ink, gouache and watercolor painting below is 8 x 10 inches in size, well within the “miniature art” definitions. The brush method recommended in the book “Miniature Art” by Joan Cornish Willies is to lay a round pointer brush on its side in the paint and rolling it to absorb the paint while maintaining the point on the brush.  Dipping, pressing or stabbing the brush point in the paint, however gently, makes the brush point spread out and thus makes doing fine detail within a painting more difficult.

Here’s a look at the whole painting I’ve finished and titled “A Tale-carrier”

The new brush technique did help me get more fine details. Particularly around the dog’s eyes, nose and on the books. Here’s a closer look…

I’m loving the way creating finer details enables me to combine the human senses of touch and sight in this new miniature work! And I enjoyed making a miniature that knows it’s a miniature! Lol! It’s amazing what a gift awareness can be! Here’s an even closer look…

I do feel a bit of “well, duh”… of course laying a brush on its side and rotating the brush in the paint would help retain the brush point even while loading it with pigment! Ah well! Just goes to show that you really can teach an artist with 25 plus years of experience a new trick or two! Lol!

This week someone asked if I would pretty please make a mug with my “green leprechaun man” on it…

…so I did. https://www.zazzle.com/inhale_exhale_morning_mug-168743417915348054

https://www.zazzle.com/inhale_exhale_morning_mug-168743417915348054

Also this week another printed book on the topic of miniature art came in the mail from one of my local bookstores. The Big Book Of Tiny Art by Karen Libecap is just plain fun to look at and read. It does have a good review of pencil techniques as well as use of color. The main attraction for me is the “watch-it-develop” sequences of photos that document ways to achieve tiny details. Oh, and the gallery of examples of finished miniature artworks is a treat. This book is encouraging and pleasing in tone – which will make it nice to have on my shelves. No Earth shattering art technique BFO (Blinding Flash of the Obvious) moments in this book like there was in reading Miniature Art by Joan Cornish Willies. But the friendly can-do spirit and lack of snooty-ness in the Tiny Art book by Libecap, I think, means more people- myself included- are more likely to keep trying this art form. Plus I just love it that these tiny art techniques are so applicable to what I do in my sketchbooks.

So now when I draw in my sketchbook I’m trying for more details – like the feathers on this bird.

As you know in the evenings I’ve been reading a print copy of The Annotated Arabian Nights. On my ebook reader, which I read while exercising, is “The Hitchhiker’s Guide to the Galaxy” by Douglas Adams. So in addition to the story-within-stories format of the Nights and the lovely idea (last post) about the genre of “mirrors for princes” that I encountered in the annotations of the Arabian Nights I’m getting a regular therapeutic dose of Adam’s gentle absurdity.

Thus I’ve been pondering just how it is that Mother Goose’s cow went over the moon. And our human habit of having sacred cows… beliefs that take us into the stratosphere away from reality. Consequently there’s a new wordless book in progress on my easel.

Here’s a closer look at the sequence of pages

As I write this blog post I have put these pages under smooth boards with weights on them so they’ll be flat. I’ll be making a physical artist book from these pages and then both a printed book and an ebook version. More about this in upcoming posts.

A dear friend and fellow artist Donna Young https://www.donnayoung.com/ and I used to fairly regularly visit each other’s studios in pre-pandemic times. Recently Donna posted a photo of her studio and asked me to post a photo of mine. Here it is below!

I’m sure you’ll recognize one of the dog paintings on my easel. The other dog you’ll probably see next Monday. And I’m sure you’ll notice my new magnifying glass (last post) in use!

If you were standing in my studio, where I took this photo, to your left would be a stack of boards and weights holding down my “How The Cow Went Over The Moon” pages. More about that next Monday too.

Thanks for reading this post. I hope your week is kind to you and I’ll look forward to sharing more with you on Monday!

The Arabian Nights, miniature art and studio equipment

A Creative Life, art prints, art techniques, artistic inspirations, books, creative thinking, Creativity Chats, fine art, household surrealism, mental health, miniature art, publications - publishing, published art, sketchbook, small things, Sustainable creativity, words and pictures, writing and illustrating

This week was … there. Reading Marcus Aurelius helped. So did the oranges, the coffee, the leaves in the yard, the books and art. Talking with my spouse helped too. I kept returning to this quote from Marcus Aurelius so I did this gouache and ink painting. Then I added it to my “for encouragement” art print series on my Society 6 shop.

The Happiness Of Your Life – art print by Clancy – https://society6.com/product/the-happiness-of-your-life6331072_print?sku=s6-22625085p4a1v45#1=45

Here are a few of my sketchbook pages that formed part of my self-care this week.

In my last post I wrote about “discovering” miniature art by way of reading The Annotated Arabian Nights. While reading more about some of the artists and artwork illustrating the Arabian Nights I learned of the uses of magnifying glasses when creating art details within the miniatures. “Well duh! Wouldn’t that be helpful?” I thought.

So when a nice surprise from Storyberries came I used the windfall to get some anti fatigue mat flooring for when I’m standing at my easel and moving about my work area. It has the added benefit of protecting the wood floor! And….

…I got a magnifying glass that clamps on my easel!

Since feelings and dealing well with emotions has been on my mind I used that topic for the first of my Creativity Chats for 2022.

Creativity Chats: feelings – https://youtu.be/KvCfOgtOaMY

Here’s the link:
https://youtu.be/KvCfOgtOaMY
I talk about dealing with feelings and sustaining a creative project over time. Even during difficult times.

I posted my sketchbook page in my last post and someone asked me to put my drawing on a shirt. So amongst everything this week I did that. It was pleasant to remember my mantra this way. https://www.zazzle.com/inhale_exhale_t_shirt-235875329442442858

Books are some of the “good shit” that I inhale. And in stressful times I’ve found it can be hard to “let things get through” even beloved books. All I know to do is to keep reading and trust the process.

Anyway The Annotated Arabian Nights is “getting through to me” more than I’d have guessed. In addition to the miniature art concept I’ve also learned that there’s a genre of writing called “mirrors for princes”. I’ve no idea what, if anything, I’ll do with this awareness. I’m mostly just vividly aware that I sat up and took notice when I learned this.

https://www.powells.com/book/annotated-arabian-nights-tales-from-1001-nights-9781631493638

In looking at online sources for information about miniature art I learned about a book by Joan Cornish Willies titled “Miniature Painting”. It was touted in multiple online sources as a go-to book resource. I contacted an independent bookstore and got a copy mailed to me which I read cover to cover the day it arrived.

According to Joan Cornish Willies I wouldn’t at all be considered a “true” miniature artist because I tend to use multiple media in just about everything I do; a bit of ink, gouache, watercolor, color pencil and collage to name a few of my art mediums. Plus, according to Willies, my typical subject matter isn’t considered within the realm of “traditional” subjects for miniatures. Oh well.

Fortunately I’ve read other sources and know that Joan Cornish Willies’s thoughts aren’t the only ones about miniature art and it’s definitions.

Despite the “no true Scotsman…” rhetoric and traditionalist tones in this book by Willies I found several of the technical painting directions of interest and possibly applicable to what I create. The rest of the book I take with a grain of salt or perhaps a large sack of salt. Anyway I’ve no intention, at this time, to participate in the formal miniature art society’s – as suggested by Willies – they sound entirely too rigid and puritanical for my tastes.

In the process of reading on this topic I’ve realized what I like about the idea of miniature art is the focus on storytelling, the intimacy and the connection with bookmaking and publishing. I love all of the intricate artistic details that can be achieved by the various methods of working “in the little”. Most of all I relish the way the details created in the smaller sizes are able to be reproduced in print (or online) so clearly! I had already noticed this with my own fine art and book publishing work (see my portfolio). Larger paintings often lose clarity and charm when they’re reproduced at smaller sizes… like in books. So I’m keen to do better at fine detail in smaller sized artwork with an eye toward more publishing.

That’s specifically what has amazed me about the artwork in The Annotated Arabian Nights so many of the illustrations are reproduced at the actual size – or very near it – to the artist’s original artwork! And the artistic details are glorious!

Consequently I’m thinking up a new artist book or two as well as a new fine art series – and deliberately planning smaller sizes now!

Onward into the fog as they say. See you next Monday?

The last Professional dogs and The Arabian Nights

A Creative Life, art prints, art techniques, artist book, artistic inspirations, author illustrator, books, dog portrait, Dogs in Art, fine art, miniature art, printed books, product design, sketchbook, The Professional Dog, visual thinking, words and pictures

Drum roll please… here are the last pages from The Professional Dog. I finished the social media postings of this series on the very last day of 2021. How’s that for timing? Lol!!

So you can see a closer view… and read the accompanying text πŸ‘‡

The Writer’s dog is a witty dog.
The X-ray Technician’s dog is an xtra large dog.
The Yarn Teller’s dog is a young dog.
The Zoologist’s dog is a zestful dog.

Thank you for following my entire process as I created The Professional Dog fine art and artist book project! The portfolio page on my website contains everything if you want to catch up.

A previous blog post showed our 2021 holiday card being mailed out. Well, I got several requests for art prints of my holiday art image so I did an art print here.

Winter Delivery by Clancy- https://society6.com/product/winter-delivery_print?sku=s6-22732913p4a1v45

And because I thought it was a fun visual pun I put my traveling hedgehog on a travel mug. No one but me requested this mug. 🀣 I certainly don’t have any travel plans but a cup that’ll keep my coffee hot even when I get distracted in my studio might be nice. At any rate designing the mug was fun so I did it.

Here are some sketchbook pages that have happened lately.

Most evenings lately, and especially New Years Eve, have been spent reading The Annotated Arabian Nights by translator Yasmine Seale.

It’s a big book so I prop it on a throw pillow when reading. The book has many enchanting illustrations by the artist Edmund Dulac who painted in the style of Persian miniature paintings.

Consequently I’ve suddenly become aware that my entire fine arts college education focused on paintings larger than 24 inches. Much of my artistic output till now has been on physically larger scale too. Oh sure, I’ve done smaller illustrated hand bound books but fine art paintings, in my mind, were always big. Well, during the pandemic I have done paintings in much smaller sizes and have quite enjoyed sending 25 paintings to a Gallery in one box the size of a thick hardback novel. But in my mind this was a temporary adjustment due to the pandemic.

Now, however, I’m reading in the Annotated Arabian Nights about “the tradition of miniature painting” and have begun reading further about that approach to fine art. Wow!! A whole part of art history that’s new to me!! I’m thinking I’ll learn more about this history and the miniature art techniques and work smaller on purpose now – pandemic notwithstanding.

So you can see the cover of this wildly wonderful book…πŸ‘‡ I love the shiny gold on the cover and the print quality of the artwork inside…

January 1st 2022 I was looking through my sketchbooks and decided the page below is the mantra for now.

Come to think of it all of my sketchbooks are 3.5 x 5.5 inches small… so why am I surprised about miniature art being a “real thing”?! Plus the 40 original artworks for my book The Professional Dog are all 3.5 x 2.5 inches in size!

I guess I’ve been a miniaturist for a while now and didn’t realize it! 🀣

Anyway, Happy New Year! See you next Monday.