Miniature art, dogs, cows and books

A Creative Life, art book review, art techniques, artist book, artistic inspirations, author illustrator, books, Books In Art, creative thinking, dog portrait, Dogs in Art, drawing as thinking, fine art, handmade books, household surrealism, humor in art, miniature art, poetry, sketchbook, small things, Sustainable creativity, visual thinking, whimsical art, wordless story, words and pictures

This week had a cow in it (more on that in this post) and a dog portrait. I selected one of my sketchbook drawings as an idea for what to paint using the new brush technique I learned from the book, Miniature Art by Joan Cornish Willies that I talked about in my last post. Here’s the sketchbook page.

This ink, gouache and watercolor painting below is 8 x 10 inches in size, well within the “miniature art” definitions. The brush method recommended in the book “Miniature Art” by Joan Cornish Willies is to lay a round pointer brush on its side in the paint and rolling it to absorb the paint while maintaining the point on the brush.  Dipping, pressing or stabbing the brush point in the paint, however gently, makes the brush point spread out and thus makes doing fine detail within a painting more difficult.

Here’s a look at the whole painting I’ve finished and titled “A Tale-carrier”

The new brush technique did help me get more fine details. Particularly around the dog’s eyes, nose and on the books. Here’s a closer look…

I’m loving the way creating finer details enables me to combine the human senses of touch and sight in this new miniature work! And I enjoyed making a miniature that knows it’s a miniature! Lol! It’s amazing what a gift awareness can be! Here’s an even closer look…

I do feel a bit of “well, duh”… of course laying a brush on its side and rotating the brush in the paint would help retain the brush point even while loading it with pigment! Ah well! Just goes to show that you really can teach an artist with 25 plus years of experience a new trick or two! Lol!

This week someone asked if I would pretty please make a mug with my “green leprechaun man” on it…

…so I did. https://www.zazzle.com/inhale_exhale_morning_mug-168743417915348054

https://www.zazzle.com/inhale_exhale_morning_mug-168743417915348054

Also this week another printed book on the topic of miniature art came in the mail from one of my local bookstores. The Big Book Of Tiny Art by Karen Libecap is just plain fun to look at and read. It does have a good review of pencil techniques as well as use of color. The main attraction for me is the “watch-it-develop” sequences of photos that document ways to achieve tiny details. Oh, and the gallery of examples of finished miniature artworks is a treat. This book is encouraging and pleasing in tone – which will make it nice to have on my shelves. No Earth shattering art technique BFO (Blinding Flash of the Obvious) moments in this book like there was in reading Miniature Art by Joan Cornish Willies. But the friendly can-do spirit and lack of snooty-ness in the Tiny Art book by Libecap, I think, means more people- myself included- are more likely to keep trying this art form. Plus I just love it that these tiny art techniques are so applicable to what I do in my sketchbooks.

So now when I draw in my sketchbook I’m trying for more details – like the feathers on this bird.

As you know in the evenings I’ve been reading a print copy of The Annotated Arabian Nights. On my ebook reader, which I read while exercising, is “The Hitchhiker’s Guide to the Galaxy” by Douglas Adams. So in addition to the story-within-stories format of the Nights and the lovely idea (last post) about the genre of “mirrors for princes” that I encountered in the annotations of the Arabian Nights I’m getting a regular therapeutic dose of Adam’s gentle absurdity.

Thus I’ve been pondering just how it is that Mother Goose’s cow went over the moon. And our human habit of having sacred cows… beliefs that take us into the stratosphere away from reality. Consequently there’s a new wordless book in progress on my easel.

Here’s a closer look at the sequence of pages

As I write this blog post I have put these pages under smooth boards with weights on them so they’ll be flat. I’ll be making a physical artist book from these pages and then both a printed book and an ebook version. More about this in upcoming posts.

A dear friend and fellow artist Donna Young https://www.donnayoung.com/ and I used to fairly regularly visit each other’s studios in pre-pandemic times. Recently Donna posted a photo of her studio and asked me to post a photo of mine. Here it is below!

I’m sure you’ll recognize one of the dog paintings on my easel. The other dog you’ll probably see next Monday. And I’m sure you’ll notice my new magnifying glass (last post) in use!

If you were standing in my studio, where I took this photo, to your left would be a stack of boards and weights holding down my “How The Cow Went Over The Moon” pages. More about that next Monday too.

Thanks for reading this post. I hope your week is kind to you and I’ll look forward to sharing more with you on Monday!

The Arabian Nights, miniature art and studio equipment

A Creative Life, art prints, art techniques, artistic inspirations, books, creative thinking, Creativity Chats, fine art, household surrealism, mental health, miniature art, publications - publishing, published art, sketchbook, small things, Sustainable creativity, words and pictures, writing and illustrating

This week was … there. Reading Marcus Aurelius helped. So did the oranges, the coffee, the leaves in the yard, the books and art. Talking with my spouse helped too. I kept returning to this quote from Marcus Aurelius so I did this gouache and ink painting. Then I added it to my “for encouragement” art print series on my Society 6 shop.

The Happiness Of Your Life – art print by Clancy – https://society6.com/product/the-happiness-of-your-life6331072_print?sku=s6-22625085p4a1v45#1=45

Here are a few of my sketchbook pages that formed part of my self-care this week.

In my last post I wrote about “discovering” miniature art by way of reading The Annotated Arabian Nights. While reading more about some of the artists and artwork illustrating the Arabian Nights I learned of the uses of magnifying glasses when creating art details within the miniatures. “Well duh! Wouldn’t that be helpful?” I thought.

So when a nice surprise from Storyberries came I used the windfall to get some anti fatigue mat flooring for when I’m standing at my easel and moving about my work area. It has the added benefit of protecting the wood floor! And….

…I got a magnifying glass that clamps on my easel!

Since feelings and dealing well with emotions has been on my mind I used that topic for the first of my Creativity Chats for 2022.

Creativity Chats: feelings – https://youtu.be/KvCfOgtOaMY

Here’s the link:
https://youtu.be/KvCfOgtOaMY
I talk about dealing with feelings and sustaining a creative project over time. Even during difficult times.

I posted my sketchbook page in my last post and someone asked me to put my drawing on a shirt. So amongst everything this week I did that. It was pleasant to remember my mantra this way. https://www.zazzle.com/inhale_exhale_t_shirt-235875329442442858

Books are some of the “good shit” that I inhale. And in stressful times I’ve found it can be hard to “let things get through” even beloved books. All I know to do is to keep reading and trust the process.

Anyway The Annotated Arabian Nights is “getting through to me” more than I’d have guessed. In addition to the miniature art concept I’ve also learned that there’s a genre of writing called “mirrors for princes”. I’ve no idea what, if anything, I’ll do with this awareness. I’m mostly just vividly aware that I sat up and took notice when I learned this.

https://www.powells.com/book/annotated-arabian-nights-tales-from-1001-nights-9781631493638

In looking at online sources for information about miniature art I learned about a book by Joan Cornish Willies titled “Miniature Painting”. It was touted in multiple online sources as a go-to book resource. I contacted an independent bookstore and got a copy mailed to me which I read cover to cover the day it arrived.

According to Joan Cornish Willies I wouldn’t at all be considered a “true” miniature artist because I tend to use multiple media in just about everything I do; a bit of ink, gouache, watercolor, color pencil and collage to name a few of my art mediums. Plus, according to Willies, my typical subject matter isn’t considered within the realm of “traditional” subjects for miniatures. Oh well.

Fortunately I’ve read other sources and know that Joan Cornish Willies’s thoughts aren’t the only ones about miniature art and it’s definitions.

Despite the “no true Scotsman…” rhetoric and traditionalist tones in this book by Willies I found several of the technical painting directions of interest and possibly applicable to what I create. The rest of the book I take with a grain of salt or perhaps a large sack of salt. Anyway I’ve no intention, at this time, to participate in the formal miniature art society’s – as suggested by Willies – they sound entirely too rigid and puritanical for my tastes.

In the process of reading on this topic I’ve realized what I like about the idea of miniature art is the focus on storytelling, the intimacy and the connection with bookmaking and publishing. I love all of the intricate artistic details that can be achieved by the various methods of working “in the little”. Most of all I relish the way the details created in the smaller sizes are able to be reproduced in print (or online) so clearly! I had already noticed this with my own fine art and book publishing work (see my portfolio). Larger paintings often lose clarity and charm when they’re reproduced at smaller sizes… like in books. So I’m keen to do better at fine detail in smaller sized artwork with an eye toward more publishing.

That’s specifically what has amazed me about the artwork in The Annotated Arabian Nights so many of the illustrations are reproduced at the actual size – or very near it – to the artist’s original artwork! And the artistic details are glorious!

Consequently I’m thinking up a new artist book or two as well as a new fine art series – and deliberately planning smaller sizes now!

Onward into the fog as they say. See you next Monday?

The last Professional dogs and The Arabian Nights

A Creative Life, art prints, art techniques, artist book, artistic inspirations, author illustrator, books, dog portrait, Dogs in Art, fine art, miniature art, printed books, product design, sketchbook, The Professional Dog, visual thinking, words and pictures

Drum roll please… here are the last pages from The Professional Dog. I finished the social media postings of this series on the very last day of 2021. How’s that for timing? Lol!!

So you can see a closer view… and read the accompanying text 👇

The Writer’s dog is a witty dog.
The X-ray Technician’s dog is an xtra large dog.
The Yarn Teller’s dog is a young dog.
The Zoologist’s dog is a zestful dog.

Thank you for following my entire process as I created The Professional Dog fine art and artist book project! The portfolio page on my website contains everything if you want to catch up.

A previous blog post showed our 2021 holiday card being mailed out. Well, I got several requests for art prints of my holiday art image so I did an art print here.

Winter Delivery by Clancy- https://society6.com/product/winter-delivery_print?sku=s6-22732913p4a1v45

And because I thought it was a fun visual pun I put my traveling hedgehog on a travel mug. No one but me requested this mug. 🤣 I certainly don’t have any travel plans but a cup that’ll keep my coffee hot even when I get distracted in my studio might be nice. At any rate designing the mug was fun so I did it.

Here are some sketchbook pages that have happened lately.

Most evenings lately, and especially New Years Eve, have been spent reading The Annotated Arabian Nights by translator Yasmine Seale.

It’s a big book so I prop it on a throw pillow when reading. The book has many enchanting illustrations by the artist Edmund Dulac who painted in the style of Persian miniature paintings.

Consequently I’ve suddenly become aware that my entire fine arts college education focused on paintings larger than 24 inches. Much of my artistic output till now has been on physically larger scale too. Oh sure, I’ve done smaller illustrated hand bound books but fine art paintings, in my mind, were always big. Well, during the pandemic I have done paintings in much smaller sizes and have quite enjoyed sending 25 paintings to a Gallery in one box the size of a thick hardback novel. But in my mind this was a temporary adjustment due to the pandemic.

Now, however, I’m reading in the Annotated Arabian Nights about “the tradition of miniature painting” and have begun reading further about that approach to fine art. Wow!! A whole part of art history that’s new to me!! I’m thinking I’ll learn more about this history and the miniature art techniques and work smaller on purpose now – pandemic notwithstanding.

So you can see the cover of this wildly wonderful book…👇 I love the shiny gold on the cover and the print quality of the artwork inside…

January 1st 2022 I was looking through my sketchbooks and decided the page below is the mantra for now.

Come to think of it all of my sketchbooks are 3.5 x 5.5 inches small… so why am I surprised about miniature art being a “real thing”?! Plus the 40 original artworks for my book The Professional Dog are all 3.5 x 2.5 inches in size!

I guess I’ve been a miniaturist for a while now and didn’t realize it! 🤣

Anyway, Happy New Year! See you next Monday.