Month: May 2022

Unwearied fancie, the flowers, the books and the stew

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, comfort food, creative thinking, fine art, gift books, hopepunk, household surrealism, mental health, Odditerrarium, published art, recipe illustration, sketchbook, Sustainable creativity, writing and illustrating

Unlike ball obsessed dogs I get tired and need a break even from my most favorite activity in the world: making art. In my last post I talked of finishing most of the prep for my upcoming Odditerrarium exhibit a week or so early in order to give myself time to rest and recharge before the exhibit opens at Burnt Bridge Cellars via Caplan Art Designs.

Here’s one of my portraits for the exhibit titled “Unwearied Fancie”. It, like the others, is 10 x 8 inches created with ink, gouache and collage on board.

And here’s a closer look at what this dog is obsessed by er um I mean thinking about.

This week the massacre in Uvalde Texas happened. I’m so very tired of unnecessary deaths. I’m bone weary of gun violence. Generally I keep my comments about current events off of this blog but I’m very upset about all of the unnecessary deaths due to one word said by one political party in the U.S. One morning I grabbed a scrap of paper and wrote…

So more than just my hand and arm felt a need for rest this week…

Anyway, all of the frames have been filled with artwork now. Here’s some photos of just-framed works still on my work bench.

My dachshund has a bed near my work area. (See the photo below). As I finished framing the last painting I imagined…

“Is that number 20?” Asked my dachshund art studio supervisor.

“Yes! All 20 of the Odditerrarium series paintings are framed now!” I replied.

“Let’s order new artsupplies and then let’s go wander the yard, eat something, read books and rest.” says the dachshund.

“Great idea!” I said reaching for the phone to order new supplies.

I already have sketchbook notes (due to my almost daily sketchbook routine) and plans for other creative projects that I haven’t talked about on this blog – or anywhere on social media – because they’re in flux. But I know generally from these plans what art supplies I need to buy.

All of the Odditerrarium artwork is now packed in boxes ready to be delivered at the appropriate time. So it’s “all done except for the shouting” as I sometimes refer to the exhibit promotions. Tired ole me is very grateful to have help spreading the word about the exhibit from Burnt Bridge Cellars and the Caplan Art Designs gallery. I’m also beyond grateful to the fans of my work who share about it online. Your encouragement and support helps me a lot! Thank you!

The paperwork for the Odditerrarium exhibit has been done and already sent in to the gallery. I’ve also finished the webpage about the exhibit which includes images of all of the art and access to the printed artist book. As I get photos of the exhibit on the winery walls I’ll add them and other related things to my portfolio page. All of these things are my efforts to make sharing about my exhibit easier plus the portfolio page and the book make it possible for people to participate in my exhibit without coming in person to the winery.

My ultimate point is that you, my dear blog reader, besides seeing behind the scenes in my studio as I have worked towards this exhibit are also the first to see all of the Odditerrarium artwork together and have early access to the book!

I hope you like it! Here’s a few photos of the book…

https://www.blurb.com/b/11149506-odditerrarium

Here’s the visit to the yard my supervisor dachshund and I talked about earlier. The Japanese Iris’s are blooming now and I really love the odd shapes of them! The other flowers in my wife’s garden are pretty too.

In my last post I told about our dishwasher troubles… this week a new one was installed! To celebrate having a dishwasher again I made one of our favorites and served the Coddle in the big mugs that are hard to handwash. Our new dishwasher did a great job!

https://www.blurb.com/b/10863384-favorites-so-far

Here are pictures of my art studio supervisors resting.

My reading stack this week: I finished Christopher Moore’s “Island of the Sequined Love Nun” and P. M. Carlson’s “Murder Misread”. Both of those transported me to a better frame of mind.

Being upset about current events also has me reaching back in history for a somewhat similar past era and the artistic responses to the issues of that time and how, these many years later, that turned out…

Now I’m reading Alan Watt’s “Zen and the Beat Way” alongside some of the Beat writers work in Ann Charters’s “The Portable Beat Reader”. (Here’s a good link about the history of the Beat generation aka hippies.) It occurs to me that many discussions of the 1960’s and 1970’s have focused on pooh-poohing the long hair, the beadwork, the lack of shoe wearing, the organic vegetable growing/eating habits instead of grappling with the ideas contained in the written works of that era. Many of that generation’s artist’s were responding artistically, critically, via literature, poetry, music, etc, to the Mccarthyism, the Vietnam war, the various conventional cultural cruelties of that time period. The conservatives, or squares as they were called in the 60’s, said “no” a lot back then too.

In reading about all of it I wonder is peace, love and understanding really so radical, so threatening that we must distract from those ideas by ridiculing the clothing and eating habits of those advocating kindness?

On the topic of 1960 era food: here’s a review of a book by Jonathan Kaufman titled “Hippie Food”. And here’s another article about the healthy food (brown rice, beans, organic whole foods etc) efforts that began back then. I’m now aware of very real kitchen table progress that has been made because of the ideas originating in the countercultural 1960’s, things we benefit from today such as more food safety, better quality, more wide spread availability of fresh vegetables and more diversity of vegetables and grains.

I have ordered another book, that hasn’t come yet, about the women writers, poets and artists of the Beat era. I’m impressed, by what I’m reading in the titles by Watts and the Charters, with how much work the women of that era did to expand the life possibilities for women living, working, cooking and being creative – things we benefit from today. (See also this tangentially related article) I look forward to reading more. It may be a cliche but we do indeed stand on the shoulders of giants. And I’m finding comfort and hope from what turned out to be the many Beat generation countercultural successes despite the frustration they felt in the 1960’s and 70’s.

As you can probably tell I spent more of my time just reading this week. I took a break from social media too. Here’s an article I read with ways to be aware of current events and still take care of your mental health. Here’s my sketchbook page where I gave myself permission…

I hope your week is as full of peace, love and understanding as you can make it. Please take carrot …

See you next Monday

Teacher, the creative path and seeing beauty

A Creative Life, art exhibit, art gallery, artistic inspirations, cat portrait, fine art, greeting cards, Odditerrarium, recipe illustration, sketchbook, Sustainable creativity, whimsical art

As I alluded in my last post life and art are correlated. In the comments Sherri said it’s like a braid. That’s certainly true for me; life, creative projects and self-care weave together. It’s not a work slash life balance so much as it is what can I do that makes both life and creativity sustainable and as fun as possible? Art and life can teach each other what they need when I’m listening to what makes me glad to be alive at that moment. The thumbtacked quote below is one of my favorites.

Here’s another painting in my Odditerrarium series titled “Teacher”. Like the others is is 10 x 8 inches and created using ink, gouache and collage on board. It will join the rest of the series for my upcoming exhibit at Burnt Bridge Cellars via the Caplan Art Designs Gallery.

A closer look at what this cat is thinking.

Here’s a short Reel on Instagram of me working on this cat portrait- https://www.instagram.com/reel/CdqmKrRphr6/?igshid=YmMyMTA2M2Y=

I’ve been framing artwork almost every day like I mentioned last post in an adjustable rhythm of spray varnish two and frame two. Slowly but steadily I’m getting all 20 framed.

The back looks like this when I finish the framing and write the title of the painting on the backing paper in ink. Then I slip it into a protective sleeve and then into a box with its fellows.

Two of the 20 finished paintings are smaller at 7 x 5 inches but all of the rest are 10 x 8 inches.

At the end of the week I got the the rest of the frames I need from the Aurora Gallery! The new frames are outside the box and the box is full of artwork that’s already been framed. So if I keep this work rhythm going I will have all of the framing finished a week early before delivery. I like giving myself some time to relax before delivery day.

Breakfast one day this past week was lemon scones made by my wife! They were yummy! And here’s my sketchbook page that day.

This week besides my spray two frame two work routine also had a leaking dishwasher in it. We’ve ordered a new one. Then another morning we were having breakfast (not the scones) when suddenly the water heater beeped frantically. We frowned at it. Rusty our dachshund barked at it. We looked at the instruction book and at the app for our heater. Nothing we tried helped. So we called our regular handyman and before our coffee got cold Kyle had our issue fixed!
We’re sending him a big thank you by postcard… (postcard art by Clancy)

Since we’re hand washing dishes until the new dishwasher is installed I made my homemade simple sauce (recipe card here) and added chunky veggies – zucchini, onion, bell peppers – it was very good over pasta! Several meals were had with easy clean up – just the pot I boiled pasta in and the bowls and forks we ate with! The sauce was reheated in the pot it was original cooked in.

When things go wrong I refer to this thumbtacked note on my studio wall.

And that concept of seeing possibilities includes remembering especially during difficult or stressful times to see the beautiful things. Here’s some beauty I enjoyed seeing in my wife’s garden.

And also this thumbtacked thought was good to remember…

… and it was good to practice. Just for fun we got some Daniel Smith watercolors that have shiny aspects; interference, iridescent and duochrom to the colors – and both of us played with them on watercolor paper. Taking time to play is important especially in stressful times. The cat helps too.

Below is another days breakfast and sketchbook page. Since this week had stressful times with household appliances in addition to maintaining my work rhythm I mostly let go of my social media posting and responding. Letting go of the social media part of living a creative life helped too. I will pick it back up… and the break was/is nice. (Thank you in advance if you share this post on your social media.)

This next week besides the framing and will focus on website and promotion prep for the opening of Odditerrarium. It’ll also have some more rest and recreation in it before the opening of Odditerrarium on June 3!! Wahoo!!

I hope all of your household appliances work smoothly or are easily fixed this week! I also hope you make time to see the beauty around you and to play. See you next Monday.

Learning almost anything and the magic dance

A Creative Life, art exhibit, art gallery, art techniques, business of art, fine art, mental health, Odditerrarium, Sustainable creativity

Dancing smoothly nowadays as I near time to deliver all 20 of my Odditerrarium artworks for exhibit via Caplan Art Designs which opens in June at Burnt Bridge Cellars.

All 20 artworks are finished. In progress is the framing, the exhibit paperwork, the delivery and the social media about it all. An artist’s work is never done…it’s a lot like a cooks work that way.

But here’s one of my paintings titled “Learning Almost Anything”. Like the others in my Odditerrarium series it is 10 x 8 inches, created with ink, gouache and collage on board.

Here’s a closer view so you can see what this dog is thinking.

Doing fine art exhibits, like writing for publication, requires both being organized and resisting tempting parking spots. I have two phrases thumbtacked to my studio wall to help me remember.

When I began my Odditerrarium painting series in 2021 I did enough planning in my sketchbook that I knew the sizes I wanted to work in. I created 5 or so of the paintings to see if my series idea had legs. Then over a month ago I ordered frames from the Aurora Gallery. The frames are made by hand and that takes time.  The first box of frames is in my studio ready for action. A second box of frames is due soon.

Now that creation of the paintings is done I set up a system, a working routine, so that I don’t wear out my hand doing the varnishing or framing processes.

Elsewhere in my blog I’ve talked about working in short bursts as a way to make time, energy and the financial components of a creative life sustainable. This is true too of the varnish and frame stage.

More than a month ago I also ordered the cans of varnish I knew I’d need along with a few other art supplies from my local Artist and Craftsman. My dachshund supervisor made sure the order was correct when it came.

Now my daily routine includes a “spray two frame two” dance. It goes like this: just before lunch I take two paintings to my garage where I spray a coat of varnish. Then we have lunch. After lunch I spray another coat of varnish on those same two paintings. Here’s a photo of me in the respirator mask I use when I spray varnish.

Those just varnished paintings stay out in the garage the rest of the day. When I quit working for the day, around dinner time, I bring them into the studio and put them on the easel to finish drying. In the photo below you see two just-varnished paintings on my easel. To the right of the easel is a framing station. My painting supplies are still out because there are other projects in progress just to the left of this photo. There are other creative projects that get a short burst of work each day so that’s another reason why the just-varnished stay out in the garage till the day is done.

Here are two getting framed. Having the varnished art on the easel puts them within easy reach of my frame station. Doing the varnishing around lunchtime the previous day means that by the time they get put into frames 24 or so hours have passed and the varnish is completely dry.

Besides checking in the new art supplies my dachshund supervisor also oversees the framing. He’s very busy, perhaps more busy than usual lately, but like I do, he paces himself so that it’s sustainable.

Like the quote thumbtacked just above the light switch in the photo below says about dancing and magic happening, being organized doesn’t guarentee smoothly run projects. (Another mantra I use often: “Nothing has to go right today”) Organization gives my projects a sporting chance to be sustainable, it gives me the possibility of meeting deadlines with a smile. Besides I deeply despise chaos and rushing about so I prefer to pace myself (and dance) at a calm speed.

And I treasure time each day to read and learn almost anything.

I hope your week goes at your preferred pace. Take care of yourself. See you next Monday.

Wonders, my adopted Mom and real cheese

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, author illustrator, book design and layout, books, business of art, cat portrait, drawing as thinking, fine art, life of the mind, Odditerrarium, sketchbook, words and pictures

My adopted Mom’s favorite flower is the orchid. Both Dad and Mom enjoyed cats – even though sometimes the cats knocked over plants or books. So I thought those thoughts while creating a portrait of a friends cat. I’ve titled the finished painting “Wonders”. It joins the rest of my Odditerrarium series and is also 10 x 8 inches and made with ink and gouache.

Here’s a closer look at the details.

And here’s a link to the Instagram Reel I did of me painting another layer of yellow on “Wonders” https://www.instagram.com/reel/CdOX5mgpJuj/?igshid=YmMyMTA2M2Y=

Below are some sketchbook pages from this week. In difficult times I find that helps having a sketchbook routine.

When I first met my adopted Mom and Dad I asked “how do I know you’re for real?”. Mom’s response was “Watch what I say and do over time”. So during almost every visit with them I brought my sketchbook along and took notes. Sometimes these notes got illustrated during the visit. Often the notes were rewritten and illustrated more neatly shortly after the visit. As time has marched I have used these sketchbooks as source material for making my books and other creative projects. For example when I put together “Dr Bob’s Emotional Repair Program First Aid Kit” I referenced my sketchbooks and consulted Dad and he shared his original lecture notes.

Here’s a recent video of me reading a story from this book here – it’s still a favorite story all these years later!

https://sueclancy.com/portfolio/dr-bobs-emotional-repair-program-first-aid-kit/

My friend Sherri Kennedy has a great post here related to this topic of imaginations and “feeding” attitudes.

I also see a correlation to what Michael Graeme says in his blog here “Try to go deeper, into the sublime, and feel it.” We can choose what we focus on, we can fully experience our feelings (taking breaks as needed) and fully embrace whatever feeds our good wolves and let that in turn feed our creative souls.

Speaking of feeding things: I remember as a barely in my 20s young person visiting my adopted Mom and Dad. We would get to talking with books and papers strewn about, including my sketchbook and drawing tools, time would fly by and suddenly Mom would put a large plate amongst the books. On this plate would be an assortment of foods, many of which I hadn’t seen before: specialty cheeses, meats, crackers, fruits, vegetables and nuts. The first time that happened Mom explained “charcuterie plates” to me. From that time on during visits when such plates appeared she’d tell me “this is Gruyere cheese” or whatever the new-to-me cheese was, each visit was an ongoing education in life, literature and food. Needless to say all of our visits revolutionized my previous “processed cheese food slices” existence for the better!

Naturally I included Mom’s charcuterie instructions when I got around to reproducing my kitchen sketchbook, along with I hope a sense of the combination of drinks, foods and conversation about books.

https://www.blurb.com/b/10863384-favorites-so-far

Here’s one of my favorite photos of a younger me with Mom and Dad.

Here’s a photo showing how things often looked just before Mom would put a charcuterie plate down.

When I was looking through my photos for this blog I saw this one of Dad looking at one of my wee books.

I miss Dad and I miss Mom being healthy (last post)… I am beyond glad that they (and my 5 siblings) adopted me! I will always carry them on in my life and creativity. This, I think, is part of the idea of “working from life” perhaps even more than the act of looking at a real life object and drawing it.

And I find comfort in loving the colors outside my window and the light and shadows. May have to try painting the grey-blue, greens, browns with that salmon color…

And I get comforts in doing the work of my creative projects. Here’s my art studio dachshund supervisor helping me with the book design and layout for my Odditerrarium exhibit book.

In my last post I was working on my exhibit statement. I edited it this week…chiefly I remembered that I needed to say something in the statement about the art media I work with! Amazing how I could forget something so basic! Ha! Thank goodness for creating books and the editing processes!! Here’s the finished exhibit statement that I’ve sent to the Caplan Art Designs gallery.

A dear friend sent a surprise knowing that I love getting books by mail! Such fun to share a favorite author in common with a friend!

Mom’s self-care directions throughout my life often included advice to “remember to eat mindfully”. Indulgence in her opinion was welcome, necessary and to be done in moderate mindfulness. This week I made macaroni and cheese using onion, garlic with Gruyere and cheddar cheeses. The recipe is here.

I’m reading an autobiography “The Summer of a Dormouse” by John Mortimer. I love his fiction and his way of writing in general. This autobiography is adding to my good-wolves in that I can read about Mortimer going though difficult times in his personal life while simultaneously creating his pleasant fictional works. I’m reminded that it is possible – normal even – to be able to acknowledge difficulties and still create pleasant things.

I hope you’ll be able to feed your good wolves this week and create pleasant things too. See you next Monday.

Using much eloquence while juggling numbers

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, author illustrator, book design and layout, books, business of art, children's book, handmade books, household surrealism, mental health, miniature art, Odditerrarium, publications - publishing, sketchbook, Storyberries, wordless story, writing and illustrating

A new painting in my Odditerrarium series for upcoming exhibits via Caplan Art Designs is titled “Using Much Eloquence”. Like the others in this series this one is 10 x 8 inches and made with ink, gouache and collage on board.

Here’s a closer view so you can see what this dog is thinking.

Now that I’ve made sufficient progress on my Odditerrarium series – I have 15 of the paintings finished  – it’s time to write the art exhibit statement that will be used both for the Odditerrarium artist book and for the exhibit. I have written before in this blog (here) about writing art exhibit statements or “blurbs” as I call them. Exhibit statements are a short, around 150 words, first person description of what an exhibit is about. I think of it as like the description on the back of a book. Here’s what I’ve come up with.

I also think of a shorter sentence that can be used like a log-line is used in book publishing. For Odditerrarium I’ve written “I wonder what our dogs and cats think about the objects, people and places in their lives so in my Odditerrarium fine art series of portraits I imagine the contents of their thoughts as a terrarium hat.”

Whenever I begin a new series I keep a logbook where I make notes of my thoughts towards the series while I work. I write what I’m excited about, the questions I’m asking, what I learn etc and those notes are what I pull from to write an exhibit statement and logline. Making “notes” includes my sketchbook pages like this one.

Whenever I have finished more than 10 paintings from what I think is a series I’ll spread the finished artwork out where I can see it all, reread my logbook and see which bits fit with the finished artworks and which of the artworks do look like a coherent series. Of course I add these thoughts to my logbook.

My statement writing process is a whole lot like the project narrative writing for grant applications directions (link here) except I don’t apply for any grants with my project narratives aka exhibit statements. I used an informal version of my Odditerrarium statement during discussions with Caplan Art Designs about my proposed exhibit. Whenever I decide the formal written Odditerrarium statement is as good as I can make it I will send it to the gallery.

Putting together the artist book version of my Odditerrarium series will help me know when my statement is done.

Here’s my dachshund supervisor helping me process photos of the finished artwork for use in the book design for Odditerrarium.

My newest artist book “Juggling Numbers” is now out on Storyberries!! In this video I’m showing the original artist book “Juggling Numbers” a handmade artist book that plays in a visual way with the flow of numbers. I made a digital ebook version of this artist book for the experimental art category of Storyberries.com – see it here – a free ebook site for children. I chose the number range from 1 to 25 because a friends grandchildren could count to 20.

https://www.storyberries.com/counting-books-juggling-numbers-by-clancy-experimental-kids-art-books/

Below are a few still photos of the original book – video and links are also on my portfolio page here. The logline for Juggling Numbers is something like this ” … can you count forwards and backwards with a cat?”

I got news this week that my adopted Mom is not doing well health wise (hospice) and big sister, Mom and I visited by phone several times. Mom told me repeatedly to “keep making your art”. I know she’s quite serious about that. So I’ve begun drawing and painting orchids, Mom’s favorite flower. That’s all I know to do whenever I’m sad – channel feelings and love into art. Putting symbolic things in my art is my way of doing a version of Carol Burnett’s ear tug. Printed books whenever they appear in my artwork are for my adopted Dad – in case you wondered.

Grateful for my sketchbook as a way of both holding on and letting go.

A brunch I had with my wife this weekend was particularly lovely: homemade scrambled eggs, bacon, sourdough toast with homemade jam made by our friend Carol. Our coffee cups resting on handmade coasters by our friend Jeannie – and we felt surrounded by the love and support of friendship! And yes I put tobasco sauce on my eggs and tobasco jelly on my toast … is there anything I don’t put Tobasco on? Maybe ice cream. But I haven’t tried that yet so I don’t know for sure.

I hope your week is full of love and friendships. I hope you have plenty of tobasco sauce if you like it. I’ll keep making art because my Mom says so and I hope you’ll keep on keeping on too. See you next Monday.