Sue’s art speech text

A Creative Life, animals in art, Art Apparel, art commissions, art exhibit, art gallery, collage, fine art, psychogeography, visual story, words and pictures

On Oct 1st I gave a short talk during my fine art opening at the Daily In The Pearl arranged by Caplan Art Designs.  Since I’d recently written a blog post titled “on writing and giving speeches” I thought it only fair to share with you the text of my speech along with photos. This is a rough approximation of what I said as I can’t re-create the ad-libs and audience participation – it was a fun lively evening! Anyway here goes:

Speech given Oct 1st 2016 by Sue Clancy

Thank you for coming!

I create mixed media handmade paper collage.  I start off with white handmade paper and I give that paper color and pattern using a variety of art techniques; I dye the paper, I stencil it, I print on it, I marble it and use a variety of other methods. This is the “mixed media” aspect of my work.

Here are a few scraps of papers I’ve done so you can handle them, along with a postcard containing photos of me in action.

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Paper samples Sue Clancy handed out during her speech; the paper on the far left is an example of the white paper she starts out with – the other 3 are examples of color/pattern she’s given the white paper

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Postcard Sue made, and handed out during her speech, that shows photos of her giving paper color and pattern.

Once the papers are dry I take an X-acto knife and cut shapes out of them. Then I take the cut-paper-shapes and glue them together to make my art images. There are layers of paper glued on top of other papers. Yes, tweezers are involved.

In “The Read Hat” I cut the chihuahua’s head, 4 paws and tail out of a medium brown paper – then other smaller shapes of darker/lighter brown papers were cut to make his face. The clothes the dog wears was cut out of a green dotted paper, the books out of yellow papers – and so forth – until the image was finished.

That’s my construction method.

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“The Read Hat” By Sue Clancy 14 x 11 x 2 inches Hand dyed paper, handmade paper, hand stenciled paper, found paper and acrylic on cradled board

My ideas and the pattern designs within them come from my life. Take “The Read Hat” as an example again; 5 different life experiences went into this concept.

  • I saw some wet, weathered flyers stapled on some telephone poles during a walk on Hawthorne Street in Portland Or. the pattern of letters overlaying each other transparently made me think about the clarity and legibility of information. (This inspired the background of this artwork.)
  • I met a Chihuahua who has the habit of collecting most things found at floor level onto his dog bed. Yet he still showed a preference for some things over others.  So I began thinking about how I have to select which information in the world to spend time trying to understand since it is impossible to “collect all” the available information.(This inspired my choice of a Chihuahua character)
  • On a trip to the Oregon Coast I drove through Oregon wine country. The hills rise and fall so in several places I had an almost aerial view of the Oregon vineyards. (That inspired the green dotted pattern the Chihuahua is wearing.)
  • The “aerial view” of an Oregon vineyard reminded me of my favorite self-indulgence; I like to put on my pj’s early of an evening, have a glass of wine and read a book for an hour or so before bed. (This is why the character is wearing pj’s and not some other sort of outfit)
  • When I indulge myself this way I often take off my hearing-aids so as to completely relax and focus on what I’m reading. My deafness made me think of how important language is as a framework for understanding the world. Language is a container, a hat, that holds knowledge.

This is generally how I work: pattern designs become symbols in a visual story. When I do special commissions I use this visual story method too – only instead of my life experiences inspiring the pattern designs and story symbols it’s your life experiences that do that.

The titles I give my artworks, the “blurbs” and statements I write about them – or about my  exhibits – are clues to my personal thoughts.  But my use of pattern design symbolically and my use of the Animals in Art genre (it’s a classic genre of fine art like ‘still life’ or ‘landscape painting’) takes my work beyond the personal and into the mythological story or fable.

So this summer when a San Francisco company contacted me about licensing my designs for use as scarves, bags and other apparel I saw a chance to extend my ‘pattern designs as symbols’ concept into the real world. You can see my full apparel collection here: http://www.shopvida.com/collections/sue-clancy

Using the same pattern design in multiple symbolic ways – in different fine artworks, in art apparel and in artist books – is my way of thinking about aspects of nature, culture and other things in contemporary life. Thank you!

Here’s a photo of me giving the above speech.

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Sue Clancy giving a short speech about her artwork

 

exhibiting art

art exhibit, art gallery, art techniques, artistic inspirations, fine art

All of my artwork has been delivered to the Caplan Art Designs gallery for my one-person exhibit opening Oct 1st at The Daily in the Pearl in Portland Oregon! Here’s a pic of me handing one of my new artworks to the owner of the gallery (yeah, okay we’re posing for a photo):

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Sue Clancy (black shirt) with the owner of Caplan Art Designs. Sue was delivering several new artworks for her upcoming one-person exhibit.

I took all of my work to the gallery and a few days later the gallery owner sent me an image of the exhibit – my artwork installed! Looks nice huh? There will be a 3 course dinner with wine pairings on opening night – Oct 1st – hence all the tables and chairs.

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Sue Clancy’s fine art installed by the Caplan Art Designs gallery

I had no clue as to the order the artworks would be hung – that I left up to the gallery owner’s considerable experience – so as I created the works over the last year I tried to make sure all of the art pieces would “make sense” when grouped together no matter what the order turned out to be.  Essentially I worked to a “theme”.

In a blog post titled “pleasure patterns” I talked about my theme development process so I’ll not repeat that here. But here is a photo of the exhibit statement as it is posted on the wall of the exhibit. It’ll give you a clue about the theme I worked toward.

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The fine art exhibit statement by Sue Clancy

Now all that’s left to do before the exhibit opens Oct 1st is the “shouting” – i.e. the P.R., social media stuff, email invitations etc…. here’s an example: http://dailyinthepearl.com/events.html

Thank heavens the Caplan Art Designs gallery and the Daily in the Pearl are also doing P.R. and social media – it’s not completely left to me! This is a prime example of what I’ve talked about before (like in this post titled “riding the P.R. train“) about how the life of a professional artist becomes about many more people than just the artist. It’s a team effort. Thank goodness!

Actually I misspoke – it’ not just the P.R. that’s left to do – I’m also writing and practicing a short 5 minute talk that I’m giving during the opening dinner party.

So… speech-writing… public speaking…. hoo boy, that’s a topic for another day.

riding the PR train

A Creative Life, art exhibit, art gallery, fine art

Kurt Vonnegut once said “Use the time of a total stranger in such a way that he or she will not feel the time was wasted” and I’ve taken those words to heart. I even have Vonnegut’s statement pinned to the wall above my art studio work table. I believe that my creative out-put is not about me. Art-making is not some self-indulgent ego-trip on my part. It’s about the kind of world we are creating together; me and all my friends, pre-friends and strangers. We are all in this together.

Which is why, even after all these years of being a professional artist, I still have mixed feelings when I see PR stuff with my name prominently as the “featured artist”.  On the one hand a one-person fine art exhibit is a culmination of at least a years worth of daily work on my part – so I’m proud of what I’ve accomplished. Yet at the same time I’m very aware that while it may be my name on the marquee, so to speak,  there’s a whole host of people behind me, believing in my artwork, working hard to make the event successful; the gallery owner, the gallery director, the interns and assistants in the gallery to name the obvious ones.  When the opening reception (as it is for my October exhibit) is also a 3 course dinner with wine pairings – there is also the restaurant (Daily in the Pearl!), the chef, the winery (Hip Chicks Do Wine!) – all working hard too.  And I didn’t mention the art supply stores in my beloved Pacific Northwest that provide materials for me to work with… or my spouse, friends, neighbors…. I’ve so many people to be grateful for that I’m not sure the Internet has enough bandwidth to hold my entire list.

So let it suffice to say that while my name may be the most prominent in the PR materials being circulated currently – like this email flyer (below) that the Caplan Art Designs gallery sent out – as well as all the other stuff on Facebook and Twitter etc. This whole exhibit is really about an overall aesthetic experience we’re creating together; my artwork is just the focal point.  Still I have endeavored to use the time of my gallery owners, friends, supporters and strangers as respectfully as I know how… and now I’m riding the PR train, doing my best to support my supporters efforts, prepping for the next stop; the night of the opening. And all the while remembering; It’s not about me, it’s not about me, it’s not about me… choo chooo!!!!

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Caplan Art Designs
Cooks, Corks and Co-conspirators

Saturday, October 1st @6:30

Daily Cafe

Featured Artist

Mixed Media

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 If the menu is not current, please check back, special diet needs are available upon request.
 
Wine pairings by Hip Chicks Do Wine and a special three course dinner.
 
Featured artist, Sue Clancy will be raffling a modal scarf with one of her design pattern used in her work.
Caplan Art Designs
 
1323 NW 16th #1001/entrance on Pettygrove
Portland, OR 97209
503-319-6437
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