ode to fountain pens

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On a recent trip to the library I saw a book titled “How To Draw And Write In Fountain Pen: A Modern Guide” by Ayano Usamura. (book link) The book reminded me that I’ve not talked about this essential studio tool in a while.

I’ve used a fountain pen almost daily since I was in art school at university. An illustration class required a fountain pen, a Pelikan Classic M200 , as one of it’s “textbooks” for the semester. We were taught the care and use of the pen – the pen care section of the book by Usamura mirrors what I was taught exactly.  Part of the class requirement was to draw with the pen daily. The professor would periodically surprise-inspect our pens for proper care/maintenance and would look at our sketchbooks as part of our grade. Woe unto the student who forgot their pen.

Fast forward to now and I’m still drawing with my fountain pen daily. It’s my go-to tool for my on-going art studio philosophy: “Work in short bursts of time. Often.”  When I’ve only a minute or two for creativity work I can easily, quickly, do an ink drawing without having to do any more “studio-set-up” than to open my sketchbook and pull the cap off my pen.  Here’s todays fountain pen drawing:

Hibernation

Nowadays I prefer the Levenger True Writer. It’s the best fountain pen I’ve had yet. Writes and draws smooth lines with no pressure, less mess and less constant care needed than some other pens. I use the Noodlers brand fountain pen ink – the anti-feather black kind (also called “X-feather”). And of course these days I have a whole new appreciation for the environmental friendliness of a fountain pen; less used-up-pen-plastic-parts going into the land-fill.

Anyway, the book “How to Draw and Write in Fountain Pen” happily reminded me of what I’d been taught way back in the day at university. I brought the book home from the library to read and re-remember all the fountain pen tips and tricks. And, if the book was accurate to my fountain pen experience (it was!), I could mention it to you here on my blog – and photograph the book with my Levenger fountain pen for a post on my Instagram page.

Now if you’ll excuse me I’m going to go lovingly re-fill the ink in my fountain pen.

P.S. If you were wondering – I did use a fountain pen to do the graphic-novel style drawings in my recently published book “Dr. Bob’s Emotional Repair Program First Aid Kit“.

Update: After I had written the above post about fountain pens I went to dinner in Portland Oregon. From dinner we all walked to Oblation Papers and Press – where I happily discovered that they have a wide selection of fountain pens!! And staff who know the various pen brands! Here’s a link to their drool-worthy website https://www.oblationpapers.com/

A Readers World

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For your amusement here is a collection of a few artworks in “A Readers World”, my one-person fine art exhibit opening Thursday, Sept 5 at Caplan Art Designs. http://www.caplanartdesigns.com/

I’m playing with the interconnectedness of life; the ways imaginative stories flow out into the readers world. And vice versa of course. Art can stir life. And life can stir art.

As I created these artworks, I thought of how a story is actions mixer. For example, each of these pieces contain ingredients from my experiences, the “actions” I’ve seen as I’ve lived my life, put into the cocktail shaker of my imagination.

Enjoy!

And yes, if you recognize aspects of a person, a pet, a place or a thing and wonder if…. the answer is probably “yes”! (It’s sort of like the “Easter Eggs” that can be found in some films.)

Anyway, if you look at some of my recent blog posts you can see more details of the ingredients of life that I mixed together to make each particular visual story.

Thanks for reading and (ahem) “reading”!

yarns heard around the world

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I realized recently that the “bedtime story” ritual, for both children and adults, is nearly universal across cultures. While there is scientific evidence (see links here and here) that reading printed books before bed can help you sleep and provide other benefits – for me it’s plain indulgence.  Naturally bedtime-reading is subject matter for one of my artworks that will be included in an upcoming exhibit in September at Caplan Art Designs:

YarnsHeardAroundTheWorldSM

Yarns Heard Around The World – by Clancy – 8 x 10 inches – ink, gouache on board

For fun as I created this piece I combined my thoughts about bedtime reading with the concepts of teams and coaches…. counting sheep is a world-wide sport. Right? Lol!

the art technique of attention

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I’ve been very busy getting ready for a one-person fine art exhibit at Caplan Art Designs that will open in September. (So my social media activity has slacked off lately.) Around the edges of creating new fine artwork, framing, paperwork and so forth I’ve been working towards a new print edition of “Dr. Bob’s Emotional Repair Program First Aid Kit”.

This story from the First Aid Kit has been a good reminder of an art technique I try to practice daily – even when I’m busy:

Attention

Even when I’m very busy I practice taking a moment within my day, wherever I am, in the here-and-now and pay attention to my 5 senses. I try to let go of any preconceived conceptions, to just expand my awareness. I also include, in this exercise, paying attention to my free-associations and my imagination during my 5-senses check-in moment. I’ll note my sensory experience and “watch”, like you’d watch television, the memories, thoughts and associations that cross my mind as a result of the sensory experience.  I’ll often make notes in my sketchbook.

What I “get” for my payment – when I pay attention – is the power to choose what to focus on when I’m at my art easel working.

This practice of paying attention to both sensory input and the content of my mind –  is a version of what Betty Edwards wrote about in her book “Drawing On The Right Side Of The Brain” – in the section where she talks about chairs. How (and I’m paraphrasing) a drawing student first attempting to draw a chair will substitute their knowledge about chairs (4 legs, a square seat and back) and will draw a child-like symbol of a chair. One has to learn to see the shapes of the spaces around the chair as well as the shapes of the chair itself – what is actually seen (3 legs, a trapezoid shaped seat and back).

I find too often – especially when I’m busy – I’m substituting my “knowledge” about the world, my preconceptions, for what “is” in the world. So I find it helpful to practice seeing the shapes of spaces, so to speak, in my sensory experience of the world. And to see the shapes of spaces within my own mind.

Paying attention allows me to merge real-world phenomenon with my mental life and to choose to communicate, via art, in ways that are helpful, playful and fun.

Currently “Dr. Bob’s Emotional Repair Program First Aid Kit” only exists in e-book form. But as I said above, I’m working on that. This book has had such a profound impact on my own creative life that I want to have another print version around.

sea stories

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I live now within a 2 hour drive from the Pacific Ocean. I also live near a river that feeds directly into the sea. So it’s been fun to read and think about stories, both fiction and non-fiction, that have to do with water.  Books like: “The Old Man and the Sea” by Ernest Hemingway, “2000 Leagues Under The Sea” by Jules Verne, “Moby Dick” by Herman Melville, tales about pirates, books about the Lewis And Clark expedition and of course the writings of Mark Twain.

And I often see people reading printed books in town and on beaches along the coast. Their facial expressions make me wish I could see what story they were reading. What if a book being read leaked out from the readers mind and into the world beside them?

These musings led to my gouache painting titled “Sea Stories”:

SeaStories300

“Sea Stories” by Clancy – 8 x 10 inches – ink and gouache on board

feature article in The Columbian about my art

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Here’s a link to an article written by Scott Hewitt for The Columbian about my art exhibit “Dear Readers” that is currently at Burnt Bridge Cellars! And a picture of the front page of the newspaper with a bit of my artwork on it and pictures of the other 2 pages.  I was relieved to see that my artwork reproduced so well in print. Even though by now I know very well how to create images for reproduction I still breathe a sigh of relief when I see them looking good in glorious color print. Anyway, here’s the newspaper link all spelled out: https://www.columbian.com/news/2019/jul/18/vancouver-artists-ties-together-dogs-books-in-whimsical-ways/

DearReadersColumbianArticleP1A

Both gouache paints and acrylic paints reproduce well (even in newsprint!) but to my eye the gouache reproduces best of all. But then gouache was originally created for use in illuminating manuscripts back in the days, around the 16th century, when all “books” were hand written, hand illustrated and hand bound – one at a time.

Acrylic, a medium that originated in the late 1940’s, tends to be shinier and more difficult to photograph and thus get a good reproduction quality image.

Have I mentioned lately that I really like gouache??

the feeling of milkshakes

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One of my favorite desserts uses fresh fruit from our garden and or the local farmers market. Naturally I meditated on what I feel like when I’m eating one of these milkshakes and described it with my recipe illustration. (clue: a parade…)

I used ink and gouache on handmade paper to create the original art-plus-recipe. The handmade paper is very absorbent so the gouache looks more like “watercolor” than it does when I work on board.

The recipe is called “sloppy” because I don’t bother to blend the ingredients before serving the milkshake. I like the big chunks of fruit. Anyway, If you make the recipe I hope you’ll enjoy it as much as I did!

SloppyMilkshakes

Sloppy milkshakes by Sue Clancy (original art and recipe) – 6 x 18 inches – ink and gouache on handmade paper

pie in the sky

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Been thinking of how people can focus too much on things that are unlikely to happen and forget to see what really is possible – such as enjoying the here-and-now moments. I’ve also thought of related quotes and phrases: “Life is not a dress rehearsal” and “Take tarts when tarts are passed” and “If not now, when?”.  These thoughts baked in my brain pan a while and out came this painting I’ve titled “Pie In The Sky”

PieInTheSky300

Pie In The Sky – by Clancy – 8 x 10 inches – ink and gouache on board

mixing the mundane and magical

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I’ve been reading “Whiskey Galore” by Compton Mackenzie. Once again I realize that I enjoy the mix of real-life and a whimsical imaginative look at real-life. Mackenzie used a real-life event as the inspiration for his whimsy and did the mix extremely well.

Already I’ve been doing some of this mixing in my work – but I want to do even more of that mundane/imagination mixing in my various art projects. Here’s what I did most recently: it’s 8 x 18 inches, ink and gouache on board – I’ve titled it “The Soup Book: Starting With Ingredients”

TheSoupBookStartingWithIngredientsSM

“The Soup Book: Starting With Ingredients” by Clancy

It mixes the real-life (mundane) action of consulting a cookbook recipe, perhaps for chicken soup, with a (magical) chicken rescue. “The Soup Book: Starting With Ingredients” will be one of several new works for an upcoming one-person art exhibit in September at Caplan Art Designs in Portland Oregon. I’ll post the new artworks here as I get them done.

But back to the artwork itself: I enjoyed doing a panoramic visual story that continues what I began doing for my “Dear Readers” exhibit currently on display at Burnt Bridge Cellars. The new wider format let me put in more details, more “story-ness”.

“The Soup Book…..” was such fun to create that I plan to do more in this format! And of course do more general mixing of metaphors, more blurring the lines between the mundane and the magical in all of my work. We’ll see how it all goes of course.

Generally I’ve been thinking of how important it is, for living well (and good mental health), to be able to view mundane life with a “glass half full” attitude, to be able to see what is good/delightful, and to use curiosity and imagination (and good books) to stimulate ones own inner life. Which is why I aspire to do an even better artistic job of mixing the mundane and the magical.

BTW: “Whiskey Galore” has been made into a movie – and a very well done movie too! The book version has a bit more story to it – but the movie is wonderful and it’s not always that both the book and movie are equals in quality.

Now for a wee dram….. Slàinte mhath!

 

 

Dear Readers exhibit prep

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I’ve been busy getting the framing, wiring and labeling done for all of the artwork destined for my “Dear Readers” exhibit that opens June 7th, the first Friday, at Burnt Bridge Cellars. There are 28 new artworks by me for this one-person exhibit – titled “Dear Readers” – this photo only shows a fraction of the artworks, wrapped up, packed in boxes ready to be delivered. Lots more to do!

DearReadersExhibitPacking

I got my frames from a local independent frame shop called Aurora Gallery. Most of the rest of my art supplies came from a local (Portland Or) art supply called Artists And Craftsman.

The exhibit content, of course, came from my mind and personal life. More about that here and in my recent blog posts.

What did I eat and drink while doing all of this work? Well I’ve posted about that over on my Instagram page.

And yes, I carefully save and reuse packing material like you wouldn’t believe.

Or maybe you would.