I’m steadily progressing on my children’s book “The Professional Dog”. Here are three art pieces together so you can see how the colors flow from one piece to the next. This project will be both a book an art exhibit. So each piece needs to both work with the others and stand alone. My last post tells more about this project.
Below are closer looks at each of these pieces. The text for the book is below the art.
Progress is also happening at an even more rapid pace on my holiday box project for the Caplan Art Designs Gallery. I’ve been in touch with the Gallery, sharing photos of my progress privately with them and it’s been agreed that I won’t post much publicly yet about this project. It wouldn’t be good to get too far ahead in posting… the art isn’t due at the Gallery till November and the exhibit is later still… so we don’t want to give too many clues too early.
It’s hard to keep my excitement to myself but I can do this. Right? Right?
I trust it won’t be too much of a spoiler to say that doing dog paintings in black and white is helpful when I’m also doing a series of dog portraits in color. Nothing like painting in black, white and shades of grey to sharpen my observation skills. Very carefully I made sure that both of my main projects are dog related. This way the project concepts strengthen each other. Kind of like how doing similar but different physical exercises strengthen muscles better that just doing one kind of exercise.
Anyway, here’s a few sketchbook pages related to this holiday box project that we’re very carefully not talking about too much yet. Mums the word. Shhhh…
I heard this week from someone who got one of my fabricdesigns so they could sew nice things for a teacher in their life!! This makes my heart happy that my reading, literacy, fabricpattern on Spoonflower made someone smile!
Anyway, speaking of taking care… it’s soup weather here in the Pacific Northwest! So I got out one of our favorite cookbooks “The Big Book Of Soups and Stews” by Vollstedt and made the recipe for chicken noodle soup. I used precooked chicken as a shortcut but otherwise followed the recipe. It’s so yummy and really feels kind to the soul.
Speaking of kindness – I saw this in my local newspaper and took a photo so I could save it and share it. It feels important to me. Crucial even.
One of the other ways I’ve been gentle with myself this week is knocking off work a wee bit earlier so I can spend more time reading. I finished the George Saunders title I was reading in my last post. Saunders talked about and included stories from Chekhov which I enjoyed. So I’m reading more of Chekhov’s work.
I’m also reading “A Perry Mason Casebook” by Erle Stanley Gardner. Talk about two almost polar opposite kinds of writers! Chekhov’s characters, generally speaking, consider the feelings of other characters – the stories seem emotion driven. Gardner’s characters, generally, don’t consider or respond much to the emotion of other characters – these stories seem situation driven.
My response to each book is so very different that it almost seems unfair to compare them at all. They were written in such different era’s. Chekhov wrote in the late 1800’s to early 1900’s. Gardner wrote in the 1950’s. But reading both books at the same time is a fun mental contrast – rather like the experience of contrasts that I remember from visiting the state fair; enjoying the quiet exhibits of quilts, animals, jams and jellies alongside noisy rides, carnival games, street performers and aerial acrobats.
Anyway, my spouse and I got a nice syrah wine from Burnt Bridge Cellars and had a glass of wine with our books in the evenings. Such fun!
Here’s hoping your week will give you many opportunities to be gentle and tender with yourself and the people in your life. See you next Monday.
My childrens book “The Professional Dog” has moved into color! Over the last week I’ve inked more than 12 of the illustrations just so I could see where I was going. Now I’m doing the same testing with colors. I’m using my butterfly palette (a post about that here) – it’s a fun challenge to paint dogs using a palette based in a scientific study of the color variations of butterflies. I have been using a few extra colors – most notably dark brown- but my primary color scheme is butterflies!
Below is a look at three of my Professional Dog illustrations together so you can see how the colors look.
Then here’s a closer look at each of those illustrations: my book text for each portrait is below.
Progress has also been happening on my holiday box project for an upcoming exhibit at Caplan Art Designs. I now have the overall design plan somewhat in view. In the photos below I’m working in my sketchbook to see if my plan has legs so to speak.
I’ll do more sketchbook work over the coming days towards this holiday box project. The box project has a firm deadline attached to it so I’m playing with it every day.
This is true now too of The Professional Dog. There’s a deadline but it’s not as firm as the box project deadline. Even so I have two main projects to work on every day! How nice is that?!
I am still planning to add to my ongoing “For Pleasant Encouragement” art print project and to my “odd greeting cards” project but progress on both of these is primarily in my sketchbook now. My daily focus is on my two main projects but I’m making regular notes in my sketchbook of my ideas for future cards and art prints for when I have time to do them!
If you’re curious about where I’m filming these chats here’s a blog post from some time ago that has a fun photo of the spot in my studio. It is still true for me what I write in that post that art is love made visible and that this spot in my studio is where I practice loving.
This week for the main special get-creative-in-the-kitchen project I added sauteed zucchini but otherwise mostly followed this creamy gnocchi sauce recipe https://www.acouplecooks.com/easy-creamy-gnocchi-sauce/ It was tasty but a bit more heavy than we like to eat so I probably won’t make this again. Still, I’ve not cooked gnocchi very often so it was fun to try it.
Contrary to what it may seem like having two main art projects with deadlines actually frees up my brain time. In addition to playing in my sketchbook I can get some reading done! I’m within whiskers of finishing “A Swim In The Pond In The Rain” by George Saunders for the 2nd time. Gosh I’m glad I bought my own printed copy of this book … it’s such a good source of creative encouragement!
Here’s hoping you have many sources of encouragement this week and that your cat similarly saves a chair for you in your happy place.
The Professional Dog text for my in-progress childrens book is solid enough that this week I focused on the illustrations. I’ve done about 12 of them in ink and have established a pattern for the artwork that relates to the text. I’m working on bringing the illustrations up to the same semi solid level of preparation as the text.
As per my last post I’m still looking at this project somewhat sideways. It’s more in focus and it’s now moved into my “main project” work time slot but it is still becoming itself, so rather that looking at it head on and making declarative statements about it – it’s just a project I’m working on every day now. That attitude helps me keep it playful.
In my last post I spoke of picking up a box, a cube really, from the Caplan Art Designs gallery. The Gallery asked several of their artists to do something in their art style for what the Gallery is calling the “holiday box project”. Over this week I put 3 coats of gesso on my box. I also did some brainstorming in my sketchbook about what I might do with the cube.
Allowing time for gesso to dry between coats gave me time to think and try stuff with The Professional Dog project as I mentioned above and also experiment with other things…
… one of the things I thought about is this: It feels urgent to me to practice patience and to encourage decency as much as I can. The selfish meaness of a small group of people during this time in U.S. history is toxic. The majority of people are generous and kindhearted but I see the kind people, particularly my friends in the medical and teaching professions, being worn out by the few meanies. Sometimes even I feel worn out. So I have taken it as a creative challenge to do whatever I can to give the kind people a bit of care. Yes, my attempts to give care via art sometimes feels small, it feels like trying to refill a dry lake by the teacups full. But art is what I can do. And I do firmly believe this quote on my studio wall pictured below. Art is all we have. It’s certainly all I have.
Every time we’re kind, loving and supportive of each other – even in small ways – we’re enabling ourselves to not only survive but thrive. When we share art and beauty we help each others spirits – moment by moment. These moments add up. We are truly stronger together. And helping each other helps us feel better too. Self-care is community care and vice versa.
As I waited for gesso to dry I rummaged in my files, and my sketchbook for art pieces I’ve done that might encourage people. So I’m beginning a “For pleasant encouragement” art prints series on my Society 6 shop. Perhaps this series may also become a book someday? Anyway here’s one from this series.
Also while gesso dried I added a few more recipe postcards and odd cards to my collections on my Zazzle shop. I have been enjoying mailing cards to friends and they’ve seemed to like getting them – so these cards fit with my overall project of encouraging people.
This week my book This Rabbit was featured on the Read Aloud by Kidz Stories And More YouTube channel! I am honored to be called a “favorite author”! Kidz Stories And More reads childrens books aloud very well and they welcome submissions from self published childrens book authors. They can be contacted via social media.
As I mentioned above during one of my “gotta let the gesso dry” times I set up my new video thingamajig and did my first Creativity Chat!
I haven’t figured out how to embed video in blog posts yet so to view it you’ll have to click here.
I’ve written short scripts for about 15 of these chats so far and my main point of doing these is to encourage people and discuss the intersection I see between creativity and good mental health. Some time ago I had planned to do another version of Dr Bob’s Emotional Repair Program First Aid Kit and focus the new book on creativity. But other projects took precedence … so I’m excited about doing videos on this topic! I can squeeze a short chat on video into my busy life!
The yummy comfort food this week was homemade biscuits and gravy! See recipe postcards above or via these links: Judy’s Biscuits and Good Gravy. It was a fun collaborative brunch!
Some books I’m reading in the evenings: Death in D Minor by Alexia Gordon – a mystery novel with a ghost in it. (It is October after all.) I’m finishing A Swim In The Pond In The Rain by George Saunders. Both are very delightful to read and transport me to other worlds smoothly! Technically I’m rereading the Saunders – I read it first as an ebook and am rereading a print version now and making notes. Thank goodness, I say almost daily, for writers – how dismal our lives would be without good soul-satisfying books.
Temperatures here in the Pacific Northwest are now cool to cold as the sun goes down so my reading evenings often have hot chocolate or hot tea to go with a book. Last night as I returned to my chair I thought “this is one of my happy places” so I took a photo.
I hope you get to spend time this week in one of your happy places. See you next Monday.
In my last post I talked about how I manage art projects and time. I have an heretical approach and I was asked for more details. Here goes:
One of my longtime interests is in how humans think, learn and how to maintain good mental health. I read on the topics often. Here’s a few of my bookshelves full of books on these topics.
I’ve learned that humans tend to learn best by hearing stories or anecdotes or metaphors or allegories. Or by seeing examples or demonstrations. Rarely does a direction “do it like this” get followed. This includes self-directions related to art projects and time management. Even if the direction is followed often the purpose for “doing it like this” is rarely fully understood at the time. This includes self-directions.
Let me tell a story to illustrate what I mean: Once there was a mother, with a very tiny kitchen, who always cut her pot roasts in half before cooking them. She taught her daughter to cook pot roast by explaining and demonstrating. Her daughter grew up and had a daughter of her own. One day the grandmother was visiting. The daughter was in her very large kitchen demonstrating cooking a pot roast to her young daughter. She said proudly “In our family we always cut the roast in half first. Isn’t that right mom?” The grandmother replied “Oh, no! The only reason I cut my roast in half was that I didn’t have a pot or a stove big enough to hold a whole roast!”
Being aware of this attribute of human thought and attention I approach self-directions about my own art projects and time use rather sideways. More details below.
The other interesting thing I’ve learned about human thinking is that good mental health and happiness often happens while we’re busy doing something else. Often with, and for, other people. I think the same is true of creativity.
Similarly when humans feel good about, curious about or interested in something they’re more likely to do it. If we make activities we want to do fun and easier to do it increases the likelihood that they’ll be done.
So I give myself directions about my projects in terms of what I *want* to do rather than what I must do and I accept that I may not fully understand what I’m doing, or why, until after the project is completed. I’m also careful to keep lots of projects in various stages of production so that I’m “busy doing something else” and not as likely to get too focused (and too critical) about one project.
I’ve mentioned it before but my approach to creative projects and time management has it’s roots in a mental health book I illustrated “Dr Bob’s Emotional Repair Program First Aid Kit“. Below are a few of the pages that relate to what I’m blogging about today.
For much of my creative life I have taken these concepts about human thinking/emotional health and applied them to my overall approach to creative projects and time management. It has helped me to consistently get projects done in a sustainable and enjoyable way. I say my approach is heretical because I have known art coaches and art teachers who advocate, for example, “strict discipline to do one thing till it’s done” as if we are machines and I strongly reject that notion. That’s too much like lunging and grabbing at a stray cat. That’s a sure fire way to spook the cat – or the ideas – away!
My approach to creativity is similar to the method for befriending a shy cat. You see a cat hiding in the bushes and you can’t see enough of the cat to know what breed it is, whether it’s healthy or not or whether it’s wearing a collar. So you get some cat treats and with very slow movements place the treats strategically to coax the cat into visibility. You remove yourself, slowly, to a short distance where you do your best to act as if you’re *not* interested in the cat. With patience the cat will emerge at it’s own pace and you can see it. No lunging and grabbing is necessary on your part!
My morning work in my sketchbook is akin to the cat treats strategically placed. I wake up and I just play with words in my poetry sketchbook or with images in my mixed media sketchbook. I do *not* take these efforts seriously. This is just something fun to do while still half asleep waiting while the coffee percolates. Of course I hope something good will come from this work and often it does but that “good” is to be determined much later. At the time I’m drawing or writing in my sketchbook I’m thinking of it as a fun gentle way to ease into the day.
I literally keep these sketchbooks handy in my breakfast nook along with a few pens and a small gouache watercolor set. The sketchbooks and the watercolor set are small 3 x 5 inches or so. Seldom have I spent more than 10 minutes on these efforts. You see, I’m busy doing something else besides creating – I’m making breakfast and eating it with my spouse. But I have this regular habit of luring ideas into my sketchbook.
Here’s a few recent sketchbook pages.
When my idea-cat begins to emerge from several weeks of my sketchbook morning work I’ll begin gently, tentatively, feeding and petting the idea. I do this by reading books somewhat related to my idea, by writing about my idea on a legal pad, brainstorming in a what-if-I manner.
After doing enough sketchbook work and legal pad what-if work that I feel I’ve got something, some idea emerging into visibility, I’ll sometimes draw a series of thumbnail drawings on loose paper in color to try different color arrangements. Or perhaps I make a folded paper dummy of a book idea. Perhaps I’ll make larger drawings – redrawing images from my sketchbook onto art paper. I am still just playing around and seeing what could happen.
The intention is to test the idea in my sketchbooks to see if it might become something more than a sketch in my sketchbook. A bit more time is spent, 20 or 30 mins in this phase of idea attracting. These writings and drawings are kept in a 3 ring binder by topic or perhaps with a tentative working title related to what my idea may become: an art exhibit series? A childrens book? A greeting card??? Things are left very open ended.
Still I am busy doing other things – specifically my main art project of the moment – the binder is just a way to keep all of my notions on a theme handy in one spot. This is like giving that still shy cat a temporary foster home. This way we’ll keep track of kitty, give it some time to adjust, learn about kitty and see how it goes.
Here’s my shelf of 3 ring binders
Here’s some photos from the 3 ring binder for my currently in progress “How To Draw A Dragon” project. There are several folded paper book dummies, several rewrites of the poem and many drawings.
If a 3 ring binder project collection goes well and the idea begins to show promise – by ‘promise I mean ‘potential to be fun’ – then it may move to the “main project” status. The idea cat has been adopted…however we’re still in the probationary period. Anything could happen. This is where I currently am on my ” How To Draw A Dragon” project.
Here’s a few of the “Dragon” pages I did this week.
A main project has the serious art supplies out for it. It has the studio space devoted to it. Time during a day will be set aside for it, but not an entire day, I mean an hour or two. Time is set aside in a task-oriented way not a from-when-to-when on the clock way. I have a master list of tasks to be done on a main project and each day I pick from 1 to 3 of those tasks and set them as a goal to accomplish that day. That’s the establishing a working rhythm that I spoke of last post.
The main project is taken a tiny bit more seriously as in I will erase and redraw whereas in my sketchbooks, legal pads or binders I’ll leave a drawing however it is. I will also write and rewrite with attention to spelling and grammar on a main project. As I go I’m feeling my way along. The uncertainty is normal. Perhaps my idea cat isn’t ready for such attention. Or perhaps it will thrive on it. We will take it slowly and see. My “How To Draw A Dragon” so far seems to be thriving meaning it is still growing and becoming and I’m having fun with it.
Below is a studio photo showing that “How To Draw A Dragon” is filling my easel and overflowing into nearby surfaces. My art supplies used for this project are left out and handy. I don’t open windows in my studio so no breeze disturbs my papers. If you were to visit my house today we would stay far away from my studio because I have things in a careful order for my projects sake. My cat and dog are trained to not disturb things in my studio. There’s a door to my studio and I use it to remain undisturbed. A main project filling the studio is a tender kitten. I handle gently. I have heard art coaches speak of clearing ones working area at the end of each workday — that’s another area where I heretically scream *nooooo!*
Even with the extra attention given to a main project I carefully keep it fun and playful. I will find ways to “feed” a project- to feed my unconscious mind – for example by reading books related to the topic I’m making art about. For my current How To Draw A Dragon project I’m reading about creativity – about creating poetry in particular- and the interplay between our left brains and right brains, between our inner adult selves and our inner child selves. The topical reading is kept up for a duration of a project as it helps with my focus and fun. I simply cannot stress this enough *keep a project fun* and the project will likely get finished.
Another helpful way I keep going on a main project is that I *dedicate* the project to someone – I give the project a purpose, a reason for being (something *not* related to money or fame). I give it something beyond myself. The person or people I dedicate my work to often never know. But I am busy making my main project *for* somebody. During this pandemic openly dedicating works, or embedding symbols a friend might recognize, has been a fun way to stay in touch.
Here’s the dedication page for my Dragon book. Dedications for my fine art most often just happens in my mind.
It may be that I work on something as a main project for a while and it stalls. The stall could happen at the 3 ring binder stage or earlier in the sketchbook stage. A project may fluidly move back and forth between these three stages over a lengthy time period. This is another part of my business of art/creative heresy – I think this fluidity is perfectly normal and fine! Uncertainty is okay! I see it as part of the creative process, part of the ways a creative mind (and a subconscious mind) naturally works. Human brains are not linear machines! This is another reason I work on multiple projects – one stalls and I shift attention to another until the stalled one wants attention again.
Very carefully as I’m in the process of making artwork I avoid any sweeping declarative statements, to myself or anyone else, like “this is dumb” or “this is awesome”. I use moderate language statements, if a statement is needed and I can’t avoid it, I’ll say something like “so far so good” or “it’s a fun challenge”. To make a hard sweeping definitive declaration like “this is horrible” is to force a still-in-progress project into a labled pigeon hole. What may not work as a painting might be a good greeting card. I don’t know yet! When a project is in process I may think I am making X only to discover when I’ve finished that I’ve made Y instead. I deliberately leave linguistic and mental room for such progress! (See my pot roast story above) Harsh declarations make it hard to extract a project from the dispair/elation and continue. It makes it harder to allow a work to change from a painting to a greeting card. I prefer to leave room for discovering and being surprised by what a project becomes. It’s more fun that way. I would no more force an art project to become something than I would force a stray cat to accept a grooming before feeding it and earning its trust.
Here’s more from Dr Bob about being careful about self talk.
The tendency all humans have to take things too seriously- even obsessively – is another reason why I deliberately have multiple projects at various stages. One main studio project -or possibly two main projects- at a time but several other projects are being developed in my sketchbooks, legal pads and binders. This helps me not be too “precious” about any one of them. I work on something a while then stop working *while it’s still fun* and do something else. I find it helpful to try to stop working before I am too fatigued, while I’m still interested or enjoying my work and then move on to something else.
So I am always busy “doing something else” which allows my idea-cats space to breathe without micro-attention. This method allows my subconscious mind to work on my projects. I can trust that my inner voice will say “oh, let’s work on this!” when the next part of my idea is ripe. I can trust that I will keep returning to a project until it is finished.
When a main studio project is finished there is usually another project in a binder that’s developed enough that it’s ready for attention at my easel. No force to finish or start a project is needed. No strictness. No machine-like “discipline”. Knowing and accepting the way human minds are naturally has worked well for me. I work with my brain not against it. I am just playing around with topics that interest me. Like most real life fur covered cats I can trust that my idea-cats will tell me when it’s dinner time.
Speaking of dinner. The outstanding dinner of the week was broccoli pasta. I was out of fettuccine so I used short noodles but the recipe in my Favorites So Far kitchen sketchbook is still yummy!
Earlier this year I was asked to make some gender neutral fabric designs and put them on my Spoonflower shop so someone could get fabric with my designs and sew some bibs and blankets for a new baby.
Here’s a photo of me working at that time on the fabric pattern.
Here’s the finished original art
This week I was given, by the person who had requested the fabric patterns, pictures of some of the finished baby things they’ve made and permission to post about them! It was lovely having something fun like this to post about as my Dragon project is still becoming and is in the gawky teenage stage and camera shy.
Where I tend to run out of time in a day is the social media promotion thing. And frankly there are times, especially when I’m busy, that I’d rather just do my art projects than talk about them. But talking about them is necessary and most of the time I enjoy doing it so… Anyway, I really appreciate it when people share what I post or when someone sends me photos of themselves with my fine art or artist books or share photos of what they sewed with my fabric designs! It helps and is such fun to see!
Anyway, here’s the photos of a burp cloth and a few blankets my friend created with my fabrics! They turned out so well!! The sewing is marvelous!
Hope this description of how I manage my art projects and deal with time was interesting and even helpful to you as you do your own creative projects! Have a creative week and I’ll see you next Monday.
June 25 through the 28th we had an intense heatwave here in the Pacific Northwest. It was hot enough to melt cables on the streetcar. It was hotter than the Mojave desert. My spouse and I stayed in the room of our house with the ceiling fan and the portable air conditioning unit. We drank water like it was a career. We ate salty snacks to help stay hydrated. We hugged ice packs to help cool our cores.
Most homes in the Pacific Northwest don’t have A/C because normal summer temperatures average in the mid 70’s to low 80’s. Very rarely are the temps higher than 90 degrees. A strategy of opening windows and doors in the cool of morning and at night then closing them just before the temperature gets to the 70’s is usually enough to keep a house comfortable all day.
Allegedly the recent heatwave was a once in a thousand year heat dome exacerbated by the climate crisis. Whatever you want to call it – it was very hot. And it took me most of a week to recover. 118 degrees outside and 93 degrees inside even with the air conditioning running full blast feels hotter than you can imagine. Hugging an ice pack like a teddy bear really helped.
During the heat wave I did a lot of reading and by habit I continued my daily drawing in my sketchbook. But my new crocodile project (prior post) is spread out in my studio where it was far too hot to stay more than a few minutes. So the only progress on my crocodile was an email discussion with the folks at Storyberries about formats. Still some forward motion and I’m glad of that!
Anyway, here’s some random sketchbook pages created under the ceiling fan next to the A/C. And yes, besides water we did drink our morning coffee.
What do you eat for meals when it’s record-breaking hot? Milkshakes, salads and sandwiches. Here’s the relevant pages from our Favorites So Far kitchen sketchbook. I was glad I had made a book of our favorite foods to pull from because it was too hot to think properly much less be creative in the kitchen.
The process of dealing with the heat was something of a learning curve. Did I mention that heat is not normal for the cool rainy Pacific Northwest?! Here in case it’s needed – which I hope it won’t be – is an article about being safe in extreme heat.
Then later, July 2nd, there were my art openings at Burnt Bridge Cellars and at the Aurora Gallery! Fortunately I felt enough better by then to do social media to share about them.
Here below is what the Aurora Gallery shared of part of the Gallery exhibit. My “Bear, Matt” original art and a few of the prints can be seen in the lower left corner.
My original “Bear, Matt” painting was done on a beermat coaster I’d gotten on a trip to Buoy Beer. (details in an earlier post) So the back of the original art shows the brewpub logo. You can see both sides below.
In case you missed it here’s a blog post about my “Bear, Matt” project. The photo below shows a few of the prints. You know it’s a print because the back is plain except for my studio logos.
It was a treat this week, a real bright spot, to hear from my favorite college art history professor! She wrote of her delight in having gotten a copy of my new childrens book On Looking At Odditorium and her pleasure at still having one of my paintings in her dining room! Wow!! How nice is that?!
Back when her children were young I had the thrill of having her children as two of my “favorite fans” – one of her girls had even specifically picked out artwork of mine to buy for their very own collection! Oh, that ranks high in my list of happy memories!
Now this week my professor added to my happiness by sending me this photo!! In the top left corner you can see one of my artworks circa 20 years ago give or take. I remember being so excited back then when my painting found a home with this professor!
Also this week I got to sign some of my green dragon bookplates for another dear friend’s two grandkids!! That was another high point!!
It was also an uplift, during the heatwave itself, to post here the conversation I’d had earlier before the heatwave began with Mrs Perry, the guest art teacher I featured, and then to follow the readers comments!!
I just love doing the work I do and I would do it even if there wasn’t anybody around to notice. But I really like creating my artwork as part of an ongoing conversation with friends. And it certainly helped my own spirits this week to hear from friends that my artwork brings them joy!
So note to self: go ahead and write that fan letter, send that card, type that text and tell someone something kind. You might make a really big difference in someone’s week and help them get through a rough spell.
Stay cool and hydrated this week and know that I appreciate it that you follow my blog. See you next Monday.
Clancy: Hi Mrs Perry thanks for being here! What are you up to these days?
Mrs Perry: My crazy thought is to provide all 1879 Elementary schools in Washington State with 18 SEL/ART lessons for free. The SEL/ART lessons can be accessed for free through Mrs Perry’s Art Studio online library.
Clancy: Oooh! Ambitious! But wait a minute what’s SEL?
Mrs. Perry: SEL stands for Social Emotional Learning. With the release of ARP Funding -American Rescue Plan Funding- millions of dollars have been allocated to the school districts. I have been attending ARP webinars and listening to ARP podcasts. Every webinar and podcast I listen to states clearly the importance of covid recovery. They highly recommend SEL – Social Emotional Learning.
Turns out ART is all about SEL. I have been working with East Farms School Counselor, Savannah Maxwell. We are developing a SEL/ART program to address the issues students are experiencing due to the pandemic. We are developing the program for East Farms students but in addition we are adding 18 SEL/ART lessons to Mrs Perry’s Art Studio.
Creating art teaches innovation, problem solving, focus and perseverance. Perhaps more importantly, art helps students express emotion in a meaningful and positive way.
Clancy: Oh yes! I totally agree with you and I use art making as an emotional health tool in my own daily studio practice! My studio is in Western Washington you said your art studio is based in Washington state too is that right? What percentage of the schools here in Washington have art teachers on staff?
Mrs Perry: Yes, I’m on the East side of Washington state in Spokane. Only 7% of Washington Schools have an in house art instructor. In most cases if Elementary students get art it’s provided by the teachers. Mrs Perry’s Art Studio provides fine art lessons teaching OSPI art standards and most lessons can be integrated with student curriculum all designed to bring fine art to every elementary students, making it easy and convenient for the teachers, no prep, just a click of a button.
Clancy: Oh this is a wonderful project! Everyone needs art in their lives no matter how young or old so I think this is great that you’re making it so easy! But what about the art supplies needed for your lessons?
Mrs Perry: No art supplies are required, only pencil and paper is needed for every art project.
Clancy: Keeping the art supply needs simple is a great way to make learning something about art easier for everyone. There’s got to be a lot of pressure currently on teachers and students with the pandemic and distance learning. Doesn’t that add to the need for SEL?
Mrs Perry: Even though the teachers already address SEL daily in their classrooms, teachers are feeling more pressure and overwhelmed with another program to learn. Savannah and I have created the 18 lessons to benefit teachers and the students. SEL/ ART lessons are provided with a click of a button, and a big bonus, no prep.
Clancy: We’re all in this together aren’t we? Hey, can we see one of your lessons and see the kind of thing you’re doing?
Mrs Perry: How about a Monstar? It’s one of the 3 free lessons I offer: Little Monstar is so much fun and teaches art standard for K-1st grades. Zentangle Sea Turtle is loved by 2nd-3rd grade. Zentangle Tree teaches art techniques and art standards for 4th-6th grade. Zentangle is drawing style that uses patterns to help students with focus and concentration.
Art lessons are divided into 2 parts to better accommodate class time availability.
Clancy: Wow! Thank you for your generosity!! These look like such fun!! What’s your website address again and what else can you tell us about your art lessons?
Mrs Perry: Mrs Perry’s Art Studio is a professional online art lesson annual subscription, similar to Mystery Science, but teaches fine art. It is an opportunity to bring art lessons to a school at a fraction of the cost of hiring an art teacher and it makes art lessons easily accessible to all staff and students! Here’s my website https://mrsperrysartstudio.com/
The art lessons were created by me – Sami Perry – a local Spokane Washington Artist and the Resident Artist at East Farms S.T.E.A.M. Magnet School, this flagship program has solidified the “A” for ART!
Each lesson within the online library focuses on developing imagination and creativity while building self esteem. The O.S.P.I. educational art standards are embedded within the art curriculum and is presented in a simple and easy to follow instructional medley complete with supply lists.
Mrs Perry’s Art Studio is a fine arts lesson library filled with over 50 lessons (and growing) for grades K-6th. It’s fun, it’s inspiring and it’s educational. For even more entertainment Mrs Perry’s dog Beulah teaches the art vocabulary. She’s a hit and kids listen!
Clancy: A dog!! I love dogs!! Can we see a picture of Beulah on your website?
Mrs Perry: Yes, here’s Beulah.
Clancy: Oh, what a handsome dog!!!Thanks so much for sharing all of this with me! I wish you the best of luck!! Do you have a favorite quote you’d like to leave us with?
Mrs Perry: “Art has the role in education of helping children become like themselves instead of more like someone else” ~ Sydney Gurewitz Clemens
Last week I took 3 boxes containing all of my Odditorium fineart into Burnt Bridge Cellars where it will be through the end of July. Everything I’ve done over the last year is now in the capable hands of the winery and the Caplan Art Designs art gallery!
My spouse took this photo as I paused with one of the boxes on my way into the back patio door of the winery.
Due to our state’s Covid19 protocols reservations are needed for drinking and eating indoors or outdoors at the winery. Masked people are welcome to drop in to see the fine art and buy bottles or growlers of wines. When not seated masks are required.
While not exactly a full art opening the winery took reservations for a special Friday night dinner: marinated salmon or chicken sate by Class Cooking and of course one could sit and enjoy a variety of wines!! Masks can be removed when seated it’s just when walking about that they’re needed.
Friday night there was live music outside on the winery patio. And you could go inside to see my fineart and artistbooks then you could go outside to hear the music or vice versa.
These photos below are a look at my Odditorium artexhibit on the winery walls before people came (there are more photos here).
Below is a photo of the artist books that are in the basket in the photo above.
And my green dragon bookplates did come in time!! I had hoped in my last post to sign a few of the bookplates for the exhibit in case someone wanted one in one of my books.
Anyway, I was very aware all week that in the best of times and conditions I don’t hear well. Add the masks worn sensibly during a fading pandemic and lip reading isn’t an option either. So I made the decision to stay home even though I could have made a reservation at Burnt Bridge Cellars and spent at least some time at the winery during the first Friday my Odditorium art exhibit was available.
But I know myself and I know that if I saw someone looking at my art I’d want to pop up from my seat put my mask on and try to talk with them and try to hear what they’d say even knowing it wouldn’t be likely…. so I just chose to not put myself in that situation.
While it was a sensible decision I still had some upset feelings about it. So I worked on remembering this 👇
Bookstores and libraries have often been my places of consolation. So my spouse and I went and had our first in-person visit to a local independent bookstore Vintage Books ! We’ve both been buying online from Vintage Books for a year now…but the impulse buying when indiebookstore shopping in person can’t be beat!! https://www.vintage-books.net/
Here’s a selfie I snapped inside the store. At the time we went there were only two other customers and two store employees. We were all spread out throughout the store. It was silent (at least to my perception) except for one of the two store cats who sat up when I neared the shelf where she lay and said “meow”. Vintage Books has both new and used books so the store smelled like book heaven even though my mask. I loved the sights of the colorful book spines and book covers displayed on shelves from floor to ceiling. The staff write handwritten notes about books and I enjoy seeing the various handwriting styles in various places on the shelves. There were multiple spaces where books from different topics/genres had been collected together with staff comments like “if you like the topic in this book then you may like these too” – and that’s a sure way to get me to impulse buy! 🤣
Here’s a photo of my book haul.
Then after we got home I used my usual “how to pick a book” method. I’ve described it in Another Sketchbook and also included it on this coffee mug in my Zazzle shop.
It felt so good to have an extended length of time reading!!
Another soul satisfying restorative was finding that my order from Paperblanks came!!! (https://www.paperblanks.com/en/) Yippee!!! I buy blank books 5 or 6 at a time because it gives me the joyous feeling that I can write with impunity. I can draw with abandon. I can liberally spread the sunshine of my imagination. I can run around with my pen… I can…I can… I can…❤❤❤❤🖋🖋🖋☕☕❤❤❤❤
So this weekend I immersed myself in my books, I dipped into novels like a diver into a swimming pool. I also swam freely in my new orange poetry sketchbook book (mentioned last post). The orange book was the last unused book from my last order-of-5 books. Whenever I get to the last few books I order more immediately.
Several meals this week were quick sandwiches: cream cheese, various vegetables chopped up and some spring greens on lavash bread rolled up. A rolled sandwich only requires one hand to hold it which leaves the other hand free to hold a book! The Atoria Lavash are some of the best I’ve tasted and they ship directly from the bakery! Anyway here’s a link to the sandwich rolling technique https://www.atoriasfamilybakery.com/wrap-like-a-pro/
While my Odditorium exhibit will run through the end of July in subsequent posts I’m going to turn this blog towards new projects. I’ve already started new fine art that continues this Odditorium theme. The new art will be destined for exhibit in September. There’s also the children’s book version of my Odditorium exhibit book still to be released. So periodically on this blog I will probably return to this theme. But I’ve also got a different project in progress that I also want to share with you…
More about that next Monday. I hope your week is a good one!
Literature and art are forms of self care and of care work. I’ve thought of this as I have worked in my household surrealism projects. Home is where most of us practice self care and care for others. We all need regular care and comfort, including the care and comforts to be found all of the Arts, so it feels crucial to have fine art, literature and music in ones home.
With that in mind this week I did a short video about why I make art. Spoiler alert: I want to make the visual art equivalent of freshly baked cookies and a kind note. Video here: https://youtu.be/GYiby2CfySc
And as part of those thoughts I’ve changed my avatar for most of my social media to this green dragon reading a book. For me green dragons represent creativity/imagination and books represent love and caring.
When I can I’ve directly signed the artist books I’ve written and illustrated. Often I’ve also doodled something right on the page. Like this…
But there are many times when that isn’t possible so I’ve signed and doodled on a piece of label paper and mailed that to the book owner for the book owner to affix in the book. That’s seemed to work. Finally I had the notion to make a bookplate specifically for this purpose. Hence the green dragon. Will update about the bookplate when I get them from the printer…
Anyway, here’s a look at some of the Odditorium artwork in the frames. I get the frames made at a local frame shop Aurora Gallery (www.auroragalleryonline.com) but I put the art in the frames myself. I think of how my paintings might hang on someone’s wall and lift spirits.
Here below are some of the odd greeting cards I’ve made with some of my Odditorium art. I love the pun of creating household surrealism artwork and then using that to make household items like greeting cards, mugs and coasters. The collection of Odd Cards is here and you can find some of the other items in my Zazzle shop.
These cards are long and skinny and come with an envelope. A message can be written on the back. I imagine someone smiling when getting one of these cards in the mail.
Since I told about the green dragon avatar and upcoming bookplate here’s a look at the two other logos I use on my cards, books and mugs.
Here’s another Odditorium painting “Favorite Walk” in its frame. The idea for this painting was a combination of outdoor walks my spouse and I enjoy along with red shoes a fellow artist family member has depicted in her artwork. So the red shoes are a “hello” to a family member….and they’re just fun!
Here’s us on a recent windy rainy walk in one of our favorite spots. I imagine you can see a relationship between my painting “Favorite Walk” and the landscape in the photos below.
So I am glad people will get to see my art in person and will be able to buy some of my artist book titles while enjoying some very good wine! Even given this good news I am continuing my virtual art exhibit efforts with the printed picture book Odditorium and the new (still in progress) portfolio page. And I’m glad my art will also be accessible via Caplan Art Designs. I tell ya it takes a village…
Here are some of the artist books (many of them signed) that will be available during my Odditorium exhibit. All of my books are also accessible digitally here and here. I imagine people looking at my books and enjoying sharing them with others even if they don’t see my original art in person.
Of course I don’t know for certain how my fine art or anything else will be received. Rarely do I actually see my artwork hanging in someone’s home or office. I can only create and imagine and that’s enough motivation for me. I do treasure the comments and photos people have shared with me of their joy and delight in my work!
I like the thought that via my art I may be contributing to people’s happiness. Human minds need books, art, music anything that healthily feeds the imagination. Minds need good nutrition just like bodies do. Mental health also includes the comforts of homemade cookies.
In my studio I keep this quote where I’ll see it often. “One must care about a world one will never see.” Bertrand Russell
Speaking of love and caring: here’s a super yummy homemade cookie recipe of my spouse’s creation!
May you have many pleasant moments of comfort this week with cookies and storytime of your own! See you next Monday?
One of the gifts of travel is the awareness that things don’t have to be what you’re used to in order to be enjoyable.
Since the beginning of the pandemic in 2020 I’ve been looking at household things with the eye of a traveler. I’m practicing being okay with things as they are, seeing them in new ways and enjoying them – like how I would enjoy things on a trip. Along the way it occurred to me that domestic arrangements are one place in life where things can be more or less to our preferences. Home is a place of fairly reliable comforts. There’s a gift of comfort in that.
The sketchbook I began this, ahem, journey in has been published as Another Sketchbook. I decided at first to view household things as if they were public monuments, things we might travel to see. Then I decided that was too distant…the people too small and far away. Then I decided I didn’t want to draw people after all because animals feel more comforting. Anyway, here are a few pages from Another Sketchbook…I’m hoping you can see how I got to my present Odditorium art series via this trail.
Here below is the book cover and a link where you can look through the entire book.
Of course after publishing Another Sketchbook I’ve kept on keeping a sketchbook. I post these new pages now and then on my social media. Here’s a few pages from my new sketchbook that are relevant to the painting you’ll see in this post.
While musing about the crows I often see in my yard I thought of how the kitchen gadgets I have are so useful. And I love herbs and spices – especially those from Penzeys. So I took a photo of the kitchen tools and spices I was about to use at that moment.
Then as the days progressed I began a new acrylic painting full of my thoughts about my ongoing efforts to dance and appeal, so to speak, to the various gods of good-food cooking. My spouse snapped this photo of me working.
As I worked I tried a new-to-me color scheme that includes magenta, an orange-red, a light pink, grass green, a grey-blue and a creamy yellow. The crows aren’t really black there’s a lot of dark purple and deep blues to their feathers. The color nuance shows more when you see the painting with a human eye. I have another camera that shows more of the color range that I use when taking pictures of the art for publication. Anyway, I’ve titled this new painting Domestic Comforts
Another thing I keep thinking about is the different speed of time at home. When traveling in the past I have tended to be very rushed and scheduled. But at home and in my art studio, which is in my house, I tend to be scheduled but usually much less rushed. In fact for quite some time – even before the pandemic – I have intentionally tried to maintain the habit of a steady but relaxed pace in my studio and home. Sustainability of energy is my focus. No, I don’t do this perfectly it’s an ongoing goal. During the pandemic this goal has strengthened as I’ve realized this habit also maintains a critical space for long-form thinking.
Long form thinking is a term usually applied to reading and literacy. It’s a discussion of cultivating the ability to pay attention. There’s an article by James Patterson here and another related article here on the long form thinking as it relates to literacy.
I think of the term long form thinking as applying more generally to creative efforts that stretch over a longer span of time. The actual work may be done in fits and starts or in short bursts of actual hands on time but a thought is held in mind, come what may, over an extended time period. Long-form thinking, in my opinion, allows for a sustained leisurely attitude towards time for art, for reading and writing. Creativity requires time to meander and travel in ones mind – even while cooking dinner or mowing the lawn one plays with the thought topics currently being considered.
Long-form thinking purposefully includes time for making homemade cookies or any other bits of meandering fun. This week I tried a cinnamon sugar cookie recipe. I cut this recipe in half, dumped all the ingredients in my Cuisinart (kitchen gadget!) blended the dough and otherwise followed the recipe directions.
The cookies turned out very yummy!! As hinted above taking the time to read books is an essential part of my creative process – with or without hot from the oven cookies and hot chocolate. Here’s one of the books I’m reading…
My art is a part of my life and vice versa. Creativity is a continuous thing I’m committed to doing within and amongst all of the various domestic concerns and that’s-life stuff.
In fact I view the public aspect of my creative life of making artist books and art exhibits as like the game of musical chairs. I do steady continuous studio work then about a month before the fine art exhibit goes up the music stops. As in the hands on action of creating paintings temporarily stops, and I start framing, photographing, publishing everything I finished up to that point.
It is exciting as I frame and publish the artwork to both see and feel my Odditorium series coming together. The work that I began last year will be exhibited this year in June and July at Burnt Bridge Cellars and when my work is on their walls that will add to my ongoing Odditorium thoughts. Then there’s another exhibit at the Caplan Art Designs Gallery in September. After delivering art to Burnt Bridge Cellars later this month the music (active painting) starts again – specifically the thoughts I have when seeing my works hung together will inspire more work in the series. Then I will begin making the new art in this Odditorium series with an eye towards the next exhibit. Some of the art at Burnt Bridge Cellars along with the freshly made new art will go to Caplan Art Designs when the music stops again at the end of August. This is the way my exhibits grow and travel.
So yes I like long-form thinking. I like projects that stretch over a years time. This allows me to explore a topic from several angles as well as to change my approach as I’ve described in this post. It’s risky as I don’t know at the beginning where my thoughts will go. Plus I do all of the hands on work in short bursts of time each day so I “live in” small slices of my thoughts. My sketchbook is the way I both develop the exhibit idea and keep track of my thoughts – but still the uncertainty is there. I’ve just learned to ride with it.
My long-form working process is like reading a long novel – when you have a few minutes you read a paragraph or a page or two a day. When you begin reading you’ve no idea where the book is going. But if you keep reading a bit per day pretty soon you’ve read the whole book and you know the book conclusion. Same goes with creating an art exhibit.
There’s an excellent article here about the counterculture of commitment. It describes well what I’m talking about. I see this concept of long-form thinking (aka commitment) as similar to the idea of slow food/ home cooked food but about the subject of creativity. Inherent in this notion is the acceptance that things can develop slowly over time and that slowness allows for uncertainty and changes of mind.
I have a quote by Christopher Morley thumbtacked to my art studio wall. The quote applies, in my view anyway, to ones sense of time and space too.
It’s okay maybe even good to be a little odd. It’s not a goal to have domestic life or travel or art projects or life in general be perfect. The goal is to have the coping skills to deal well with imperfections when they happen. To be able to do the domestic dances and appeal well enough to the gods (metaphorically) of home cooking. Or to the gods of plumbing or whatever the household issues may be. To be relaxed and calm enough that one’s able to see the solutions, comforts and enjoyments near to hand. This is my approach to art projects too. Slow but steady, to have the coping skills to fix artistic mistakes, to adjust, to try something new.
Since this month began – besides framing the artwork a bit per day – I’ve been creating an exhibit catalog, a coffee table picture book of my exhibit. Last year during the worst of the pandemic it seemed to please fans of my artwork that they were able to get a printed book or an ebook of my entire art exhibit. So that’s why I’m doing a book this year too.
Additionally I’m doing a few greeting cards and coffee mugs with my art from this series. Both the cards and mugs are in keeping with the root idea of my Odditorium series – taking an uncommon view of ordinary household things and surreally creating souvenirs of pleasant moments. Here below is an example of a note card with the artwork I wrote about in my last post.
Yes, the temptation to stress, to worry, to rush is there, especially as the day nears to deliver all of the artwork. But I remember those pre-pandemic travels when I rushed mightily because the day the trip ended was coming nearer and I didn’t want to miss anything … what I remember now of those trips isn’t the scenery or the food but the stress and rush. So I try to remain calm now and go slowly as I continue towards the exhibit. And I rest knowing my thinking-work will continue …
Thanks for reading! I hope you have many enjoyable domestic comforts this week – and if you try the cookies I hope you like them. See you next Monday?
This week in household surrealism I’ve been thinking of love. Love in the sense of the poetry, the food, the care for and cleaning of things, generally creating a gentle environment for ourselves and others. Perhaps an environment also filled with souvenirs of loving moments as I wrote in my last post.
My recent children’s book This Rabbit was about knowing what you like. Well, this week I’ve been thinking about how it can take practice as adults to remember to let ourselves love openly, wholeheartedly and to unabashedly enjoy things.
Among these thoughts is the fact that tulips are in bloom when I live in the Pacific Northwest. Here’s a photo from my spouse’s garden.
In the morning sometimes I read a bit of poetry while having my breakfast and coffee. The photo below is a poem by Mary Oliver, from “New and Selected Poems Vol 1”, I see this poem as talking about wholeheartedly living life. A life well lived is lived bit by bit in thousands and thousands of mundane moments. Many of those moments (even in pre-pandemic times) happen at home.
Letting oneself wholeheartedly enjoy and love little parts of daily life – why is that so hard? Perhaps as adults we get caught up in the “gotta do’s” as I call them. We sometimes almost chain-smoke, metaphorically, one gotta-do duty after another forgetting that love and pleasure is often part of the reason we do things. By contrast it feels good to pay attention to whatever interests you and revel in that focused moment. This wholehearted enjoyment is a way to be gentle and loving to yourself and the people you love. Anyway, I thought of that while I doodled in my sketchbook.
Then I worked several days in a row to flesh out my thought using acrylic paint on cradled board. Yes, this is another piece destined for upcoming art exhibits at Burnt Bridge Cellars and at Caplan Art Designs.
Below is the finished painting I titled “The Minutest Concerns”.
The label on the bottle of cleaning fluid the mouse is using in my painting is actually a bit of collage. I’ve been using a falling apart copy of Jan Austen’s book Pride and Prejudice as my collage source. (See my last posts here and here for details)
Basically, in the bigger universal sense, things are okay, you are okay, and it’s okay to relax and enjoy just being yourself and liking and loving the world around you.
For example this photo below is part of my world that I love; I love picking up one of the books and reading a bit, I love just looking at the books on the shelves and I even love dusting them. Of course I confess that often I get distracted and stop dusting to read 😁
I love having lots of books so much that it feels like heaven. So I did this drawing and made a print of it…just in case someone else feels the same way. (This is part of the gift making I talked of last post) Even if I’m the only person who feels like this making a drawing and a print was a fun way to fully enjoy and love the feeling.
I also love the challenge of cooking. It took me a while to figure it out but I can now reliably make meatballs to store in the freezer for use whenever the odd meatball is wanted with pasta or rice or roasted vegetables.
Here’s my recipe as written in my kitchen sketchbook. Yes, this is another souvenir of love! Books and sketchbooks are the best souvenirs!
My sketchbook page will still be there long after the meatballs have all been eaten! Plus I can share this sketchbook page with people and thereby share the love.
That’s part of what I love about poetry, books, gardens and art they each nourish one’s spirit and are shareable. They’re part of how we know we’re loved and part of how we love other people and how we remember to love ourselves and the world around us. They’re part of how we connect emotionally with each other.
A dear friend loaned me this book “The 3000 Mile Garden”. It’s a wonderful almost voyeristic view of two people sharing their love of food and gardens with each other. And we readers get to see their intimate exchange of letters! The book has hand drawn maps and photos too! It’s a fun evening read.
These are the sorts of thoughts that inspire me as I work on my new household surrealism fine art series that I’m titling “Odditorium”. In addition to the art itself I’m also working on an exhibit statement- which is kindof like the synopsis on book covers – a short paragraph or two to interest viewers and help them understand what I’ve created. Wish me luck at crafting the sentences?
Anyway, I hope this week that you’ll remember to allow yourself to love whatever is commonplace in your world. See you next Monday?