This Rabbit some lunch and books

A Creative Life, animals in art, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, Books In Art, fine art, graphic design, home hare care, illustrated recipe, mental health, poetry, printed books, publications - publishing, published art, rabbits in art, reading in art, recipe illustration, visual story, visual thinking, whimsical art, words and pictures, writing, writing and illustrating

This week was filled with photographing my illustrations for a new children’s book tentatively titled “This Rabbit” (as I wrote last week). Then I uploaded the photos checking the digital images against the original artwork for accuracy of color. Sometimes I had to retake a photo.

Once all of the illustrations were digitally correct, more or less, I uploaded them into the software I use to make the printed books. My art studio supervisor cat, as you can see, helped with the process.

What I’m aiming for as I process the photos: I want to make an album of my fine artwork that just happens to be for kids. Kids need fine art too, in my opinion. So I’m striving for digitally capturing as much of the range of color and detail in the original artwork as possible. No camera or screen matches the capability of the human eye but I do the best with what I’ve got. I’m also trying to keep the soft feel of the original artwork on the off-white handmade papers.

My root idea with this new book “This Rabbit” is cultivating the skill of enjoying the many things there are to like and do. So that is always in the back of my mind as I work.

Here are the two poem lines I wrote to go with the two illustrations below:

This rabbit likes pretty pearls

This rabbit likes doing curls

This rabbit likes pretty pearls
This rabbit likes doing curls

After the photos of all 32 illustrations were digitized to suit me, it takes me a lot of time to do the digitizing to suit because I am the original Ms. Picky, but when I had the images as I wanted them then I worked on the books graphic layout and design. As I proceed with the layout/design part of this project I may need to take new photos of some of the artwork depending on how they look as I place them side by side in the book design … we will see how things go.

This new book is part of a series of children’s books I’m creating. So it will have a have similar cover design (and other format elements) to fit with the book series. However, for “This Rabbit” I decided to make the illustration images on each page larger, filling two thirds of the page or perhaps a bit more, filling almost to the three edges of each page.

I chose this layout because I’ve included small details within many of the artworks that might be missed if the images were smaller. My poem text is one single line within a small white space on the bottom of each page.

I will serialize some of “This Rabbit” on my Instagram page and give you more details of my working process (and my creative life) here on this blog each week.

Anyway, now you know what a busy week I’ve had. Needless to say lunches were quick-fix affairs. Like this broccoli pasta dish.

Here’s the recipe – a loose guide or philosophy really rather than a recipe. When I made the dish this week I used short pasta and added spinach. But the rest of the recipe was followed. It’s a recipe from my Favorites So Far kitchen sketchbook.

Copies of Favorites So Far are available here:
https://www.blurb.com/b/9759759-favorites-so-far

Despite being busy I still carved out time to read most evenings. In my last post I was still reading “The Mexican Tree Duck” by James Crumley. I finished that book and loved it! I’ll miss the main character Sughrue. Sughrue was a decent guy, a good friend to other characters in the story, someone who cared. I liked that! Crumley’s character and his writing style will be a hard act to follow.

As I cast about for which book to read next I realize that I want another protagonist with a strong decency streak. Not moralistic, self righteous, preachy or anything like that. I want a character who is just plain caring and kind. Even if they have flaws, faults and difficulties I want there to be a core of goodness, a sense of concern for their community, at the heart of the main character.

I’m ready for the good people to win a few … damnit!

So from my book shelves I pulled this book selection for consideration: The Nine Tailors by Dorothy Sayers, Rumpole A La Carte by John Mortimer and Death of A Bore by M. C. Beaton.

A few more cups of coffee and I’ll decide which book to read more of later after my working day is done.

See you next Monday with more of my progress on “This Rabbit”? (And yes…so far my working title has stuck.)

Leaf fabric, greeting cards, books and rabbits

A Creative Life, animals in art, Art Word Combinations, artist book, artistic inspirations, author illustrator, fabric design, functional art, greeting cards, illustrated recipe, kitchen art, mental health, pattern design, printed books, product design, publications - publishing, published art, rabbits in art, sketchbook, small things, surface design, visual story, visual thinking, whimsical art, words and pictures, writing and illustrating

In a prior post I showed a fabric design in progress. This week I got a fabric swatch proof, pictured below, which I approved and have made publicly available now. I like the bright colors of it.

In the most recent children’s book I illustrated, Pembral Forgets, I used a leaf motif thought the book.  The story Steve Tubbs wrote was about fall leaves. good food and a mother’s love. So as I was doing a version of the leaf motif for fabric naturally my thoughts ran towards the possibilities of the leaf fabric as napkins and table runners – things for kitchens. Anyway, the fabric is on my Spoonflower shop now as well as on the Pembral Forgets portfolio page.

https://www.spoonflower.com/en/home-decor/dining/table-runner/11145198-leaves-from-pembral-by-sueclancy

In my last post I talked of using things I enjoy as a guide for subject matter in my art.

Well, that also applies to the types of creative pursuits to which I choose to apply my artwork. For example I’ve been thinking for some time now about how much I enjoy sending and receiving greeting cards in the snail mail.

In the photo below you’re looking at my fireplace at home and the cards I’ve gotten by mail displayed there on the mantel. Some are handmade cards. Some are vintage cards. Some are postcards and folded cards found in stores. I like them all and love the connections with the people who sent them!

I have dabbled in card making most of my life. But only in the last few years have I been semi serious about it. This week, however, I had the thought “What if greeting cards are little illustrated story books?” and my dabbling is suddenly more focused.

Below are a few of my greeting cards which are now on my Zazzle shop here. Some of my cards have rabbit characters but there are other animals too.

I want to make more cards now, for many reasons. But I realized this week that there’s a big reason: my pleasant memories of whenever my adopted Mom, Dad and I met in a bookstore cafe for lunch.

In addition to looking at the books no visit was complete without a visit to the greeting card section of the store. Dad was a psychiatrist and he used to tell me that sometimes when he had a patient with depression he would prescribe weekly visits to stores that sold greeting cards. He would ask that the patient write down descriptions of the cards that amused them to share in future appointments with him. Bonus points (so to speak) if they bought a card and mailed it to someone.

So yes, I want to make more cards in addition to my other artwork – in the “Hi Mom and Dad. 👋” sense of things as well as for my “help others share their stories” sensibility with which I run my creative business.

(Btw: this reasoning is why I do my fabric designs too)

Anyway you’re the first to see the whole collection of cards I’ve done so far. Plus these below…

https://www.zazzle.com/hoppy_birthday_card-256207685042397378
https://www.zazzle.com/hoppy_birthday_card-256207685042397378
https://www.zazzle.com/nurse_cat_folded_note_card-256284055535885605
https://www.zazzle.com/nurse_cat_folded_note_card-256284055535885605
https://www.zazzle.com/good_wishes_rabbits_greeting_card-256150049299175963
https://www.zazzle.com/good_wishes_rabbits_greeting_card-256150049299175963

Needless to say I’ve been busy this week. Fortunately I made a big batch of my “Simple Sauce” and stored it in a jar in my fridge for quick easy to prepare meals. Naan bread makes such a nice pizza crust: just spread on a spoonful of sauce, chop and add desired toppings then bake in a 425 degree oven.

My “Simple Sauce” recipe is in my kitchen sketchbook Favorites So Far. The whole book can be previewed here and you’re welcome to capture my recipe below.

https://www.blurb.com/b/9759759-favorites-so-far
https://www.blurb.com/b/9759759-favorites-so-far

For one meal my spouse and I were in the mood for bell peppers, onions and olives on the Naan bread crust. Yummy!

Speaking of good things, books and rabbits: I’m starting a new children’s book. One question I get asked “which comes first the art or the words?” and in the case of this new book the art largely came first. Here’s an array of the illustrations I’ve done so far along with my legal pad on which I’m scribbling book text drafts by hand using my fountain pen. More about this project in future posts.

More too about a new painting currently in progress…

Hope your week is full of your favorites too. See you next Monday?

Leaves books and rabbits

A Creative Life, animals in art, Art Licensing, art techniques, artist book, artistic inspirations, author illustrator, books, creative thinking, fabric design, pattern design, printed books, product design, published art, rabbits in art, reading in art, recipe illustration, sketchbook, small things, surface design, Sustainable creativity, visual story, words and pictures, writing, writing and illustrating

After finishing my Pembral Forgets project I was asked if I would make a fabric design from the leaf pattern I had created for the book Pembral Forgets which was written by Steve Tubbs and illustrated by me – (details here)

So this week I’ve been making a fabric pattern of leaves that I’m calling “Leaves From Pembral” and here’s my process…

First I cut out a 12 inch square area of the original hand stenciled paper I did for the Pembral Forgets book. Carefully I chose an area that wouldn’t have leaves touching the 4 edges of the paper. Then I used acrylic paints and created more stenciled leaves to fill in where there were gaps, trying to make the new design square balanced and interesting.

When the above was dry I “cut up my darling” – to borrow from advice given to writers about editing – and made all 4 outer edges now be on the inside of my 12 x 12 inch square paper. Basically I turn my design inside out.

Next I fill in the new gaps with more stenciled leaves.

Then when that was dry I photographed the finished design, trying to keep the soft creamy look of the original and keep the pattern square with my camera. This is easier said than done. After several attempts I was happy with this image below.

Next I uploaded my digital photos into my laptop and used the Spoonflower system to set up my pattern for a basic repeat…so my pattern will flow across any length of fabric without interruptions.

As I worked on the digital file I was thinking of leaves falling and then laying on a wet sidewalk.

What you see below is a screenshot of my finished pattern as I set it up to be repeated on a “fat quarter” an 18 x 21 inch area.

Now I’m waiting to get a proof sample from Spoonflower which I will approve – or not – before it gets added to my public shop on Spoonflower. https://www.spoonflower.com/profiles/sueclancy After that I will tell the person who requested this fabric pattern that it’s there and will hope they’re pleased. In the meantime I hope this blog post will amuse…

I enjoyed playing with leaves in my sketchbook, too, this week – with my rabbits. Another bit of advice for writers is to develop a character and use them to explore ideas and situations instead of creating a new character each time one sits down to write. This technique is most obviously used by mystery novelists who create a character (or two) that repeat over a series of books.

I’ve borrowed this concept for writing and applied it to my fine art and artist books… I have certain motifs and characters – selected species really – which repeat in various ways throughout my projects within a span of time.

In my sketchbook page below I have leaves, books and rabbits. For almost a year now rabbits have been a constant character… (previously I have done series of Dogs and Cats … click on the word Dogs or Cats to see a collection within an artist book)

I posted the above photo on my social media pages and someone asked for an art print of my sketchbook page. So I created an art print of the sketchbook page on my Society 6 shop. The unframed print looks like this (below)

In the evenings I’ve been reading about meditation and, of course, reading a mystery novel. Thinking of little things; leaves, drops of water, ones breath are ways of calming oneself for meditation. Little things; scraps of paper, drops of blood, air quality are often clues in a mystery novel. So I keep thinking of little things…

I broke up a chocolate mint and put it in my hot chocolate. It was a tasty little touch – Yum!

I know it’s not a holiday but little pleasures really do make an ordinary day feel special.

Speaking of feeling special; my artwork was featured on Louise Primeau’s website https://louiseprimeau.com/featured-artist-sue-clancy-from-vancouver-wa/ Thank you for your kindness Louise!

Hope we all have many small pleasures to enjoy this week. See you here next Monday?

A box of leaves – Pembral Forgets

A Creative Life, art techniques, artist book, artistic inspirations, books, Books In Art, handmade books, handmade papers, Narrative Art, pattern design, Pembral Forgets, printed books, publications - publishing, published art, visual story, visual thinking, words and pictures

The inside of a book is made up of pages which are called “leaves”. The handmade box I’ve been constructing holds all of the “loose leaves” for Pembral Forgets. I love the pun…a story about fall leaves housed in a box covered with a pattern of leaves, containing loose leaf pages….

Yes, I know…🤣 … Anyway…

Pembral Forgets is a story, written by Steve Tubbs and illustrated by me, about fall leaves, good food and an absent-minded boy who forgets something very important.

Below is a photo of me remembering to spray fix all of the loose pages to prevent smudges.

When I talked with the writer, Steve Tubbs, he expressed concern about the pages being properly protected. So in addition to spray fixing them I slipped each page into an archival clear sleeve.

After making doubly certain that the pages in the archive sleeves would still fit in the book shaped box I set about giving the box an “old book” trompe l’oeil effect using layered acrylic paints over handmade papers.

Multiple layers were needed to create the well-thumbed golden edged book pages appearance to the box sides. (In the background of the photo below you can see some of my character sketches for this book. I keep all such sketches until a project is absolutely finished…just in case.)

Once my book-pages effect on the edges of the box was dry enough to handle I applied the cover title. I had hand lettered, with ink, the Pembral Forgets title onto some of the same tissue-thin delicate paper I had used to make the overall leaf pattern cover paper. [See my previous blog post for details] I applied my archival book glue to the back of the handlettered bit of paper and carefully placed it onto the box.

I wanted the lettering to have a matte look and blend into the cover so that the only shiny, bold, parts to the cover are the stenciled pattern of leaves. (The photos in this post are “in progress” pics. My portfolio page has more photos of the finished project)

Because the paper is thin the applied paper with lettering on it lies flush with the cover itself. Since this box/book may be stored on a shelf just like any other book I don’t want any edges sticking up to catch on anything.

In addition to showing the flatness of the cover the photo below also shows the box edges more clearly.

While the cover title lettering was drying I applied similar lettering to the spine of the book. And worked on a colophon page… more on that in a bit.

I use various sizes of paperweights to hold just-glued papers flat while they dry. (In case you’re wondering beanbags make great paperweights.)

While things dried I created another tree scene – with ink and gouache – this one with frost on the ground and a pond. This tree image is unique to this artist book box version of Pembral Forgets and doesn’t appear in the printed book reproductions.

There are many reasons for having unique pages in the box but the main reason is I have a more flexible page count in a one-of-a-kind book with loose leaves than I do when creating book reproductions.

The photo below shows my handmade box without the loose leaf content pages in it so you can see the bottom of the box. There’s a raised area (the leaf pattern to the right) that has a recessed “valley” near the box walls to allow fingers to pick up the last loose leaf page easily. Also attached to that raised area in the well of the box is a black ribbon for the pages to rest on so they can easily be lifted out.

Here’s the bookmark ribbon with the loose leaf content pages in place

Below is a close view of the colophon page. A colophon gives info about a book authorship, publication and any information that’s relevant to the book creation. I glued it onto the inside front cover aka the inside lid of the box. Since I handmade the box I signed the colophon page.

The box lid has a “tray” which fits inside the box when closed. (Yes, that was very tricky to measure and create. Have I mentioned that I like puzzles?)

Anyway, perhaps in the photo below you can see how that brown tray edge on the box lid fits into the inside of the box. Or perhaps clicking on the video link below the photo gives you a better idea.

Here is a video look at this project

https://youtu.be/p5By-g5AR6E

This week wasn’t necessarily calmer politically speaking than I wrote of in my last post but in a personal sense I stayed busier. So that in itself was calming. I was glad to see that Trump was impeached for a second time. I am nervous about the upcoming inauguration of President Joe Biden – I want his administration to be safe…

So I will do creative work, read, cook, go for walks and find solace anywhere I can while I wait and hope.

As it’s getting colder here where I live in the Pacific Northwest- and since I’ve been staying so busy – reheating a pot of soup was simply easier to manage. Here’s a link to the soup recipe I enjoyed. Lentil Lemon Orzo Soup

I finished the Theodora Goss novel that I’ve been reading during my last several posts. I liked the way Goss writes and I found her monsters a pleasant diversion.

A friend kindly sent me some books by mail – so I’m enjoying them now!

I’ve been requested to make some art prints of a few of the pages from Pembral Forgets so this week I’ll do that and will update my Pembral Forgets portfolio page with those details! What fun!

See you here next Monday. Hope your week is as good as it can be.

A box for Pembral Forgets

A Creative Life, art techniques, artist book, artistic inspirations, books, fine art, food in art, handmade books, handmade papers, illustration, mental health, Narrative Art, Pembral Forgets, printed books, publications - publishing, published art, sketchbook, surface design, Sustainable creativity, visual story, visual thinking, words and pictures

A horrible but predictable insurrection happened in the US last week. My book shaped box to hold the original artwork for Pembral Forgets was at the needs-to-dry stage the day before, so Wednesday, January 6, 2021, the day of the attempted coup, I nervously read a lot of news. And thought of how a seditious insurrection was the inevitable outcome of the right-wing rhetoric of the last several weeks, months, years. But I don’t want to blog on that…. after time spent on the news Wednesday I drew in my sketchbook and read fiction to give myself a mental space from the violent seditious insurrection, to calm down and think.

So on to a more pleasant topic: here’s a few photos of the printed and bound version of Pembral Forgets – you can see more on my portfolio page. The print book is available on Blurb here.

The printed book is slightly different from the original artist book. Same content just a different presentation and minor differences in the book-info pages and, most obviously, the cover. There’s several reasons for this: an original artist book can only be enjoyed in person. And we’re in a pandemic so going to galleries isn’t an option for most people. Multiple printed books can be mailed directly to someone and can be enjoyed by many.

Yet when I create a book to be printed and widely enjoyed I still end up with a physical one-of-a-kind set of paintings. Since I’m a fine artist first and foremost I gravitate towards making things that can be hung on walls or displayed on stands/shelves. But see aforementioned pandemic which has made the use of other means of art production and distribution i.e. Blurb.com or Zazzle.com or Society6.com or Spoonflower.com on-demand shops helpful.

Even so I love making handmade boxes and used to regularly make them for the artist Deloss McGraw and others. So I look for excuses to make boxes…and am loving this box for Pembral Forgets!

Below is a series of photos of the box for Pembral Forgets that you saw a bit of in my last post. In this first photo I have laid the naked box on the handmade hand stenciled paper that I’ll use to cover the box. I lay the box on the paper and try to position it so the paper will be placed well when I glue it on.

I “mark” my choice of placement by creasing the paper slightly. Pencil marks would show through this delicate paper.

Glue is applied to the paper within the crease “marks”, the open box is laid onto the glue, then the box now loosely covered with glue-y paper is gently closed. I use a roller to press the paper firmly in place, wiping away any excess glue. Next, as in the photo below, I add glue to the flaps of paper and fold them around the edges of the box using a bone folder to get the creases smooth.

Then after carefully gluing all edges I turned the box over to check the paper placement.

Inserting wax paper allows me to close the just glued box without accidentally gluing the box shut.

At this point, Tuesday evening, I let the book box dry for a few days. It will be dry to the touch within hours but I have learned the hard way that too much handling too soon can cause the paper to slip.

Then the next day saw the news of the insurrection…

Here’s the fiction book I read as a spirit restorative…

The beverage in the picture is Clancy’s Special Chocolate and here’s the sketchbook drawing I did about how to make it. Whenever I feel stressed it helps to draw whatever is in front of me.

In case you wonder: I get my archival glue and other book-box-making supplies from Twinrocker.com

A helpful technique book about making boxes by hand is by Franz Zeier titled Books, Boxes and Portfolios; binding, construction and design step by step.

There’s still more to do on this project. So I hope to see you here next Monday after, hopefully, a more quiet week – but I know it’s not likely to be quiet here in the US – but no matter what kind of week it is I wish you some calm creative moments.

Art for Pembral Forgets

A Creative Life, art techniques, artist book, artistic inspirations, creative thinking, ebook, fine art, illustration, Narrative Art, Pembral Forgets, publications - publishing, published art, visual story, visual thinking, words and pictures, writing and illustrating

I’ve illustrated Pembral Forgets written by Steve Tubbs and in my last post I talked about my process of creating the cover and my leaf motif that flows through the book.

Well here, below, are some of the finished illustrations with the text so you can see what I mean.

Later on in the story there are some really large leaves… but as you can tell from the images above I depict leaves from a distance as well as nearer to hand.

I also use leaf shapes as logos on story related objects… for example in the photo below look for the leaf on the sugar and the market sacks. I do this in multiple places within the story in order to emphasize the fall leaves aspect of the story – and to visually bring the leaf motif and good food motifs together.

There are illustrations on every one of the 38 pages of Pembral Forgets… lots of leaves blowing through this book!

Since the author Steve Tubbs was inspired by thoughts of himself as a kid and memories of his own mother – I wanted my illustrations to have a warm soft nostalgic feeling in addition to the colors of Fall. So I used a cream colored handmade watercolor paper for my ink and gouache illustrations.

If the pages above tempt you to see the whole story. You can see it for free on Storyberries.com where they’ve published both ebook and audiobook versions of Pembral Forgets! Here’s the link https://www.storyberries.com/bedtime-stories-pembral-forgets-short-stories-for-kids/

And here, below, is what the printed artist book cover looks like. My leaf pattern reproduced well and I’m very pleased with the color reproductions! You can access the printed books here https://www.blurb.com/b/10507043-pembral-forgets

Since the warm, creamy, yet fall colors are what I wanted for the pages in the artist book reproductions – I’m also making the original artist book box (talked about in my last post) have a similar cream color on the book-shaped box edges where pages are.

I still have lots of work to do on the one-of-a-kind artist book box that will hold all of the original illustrations and text. Also there’s a few more pages for the one-of-a-kind book to do…. more about that in future posts.

And I’m in the process of making a webpage about Pembral Forgets. It includes a short conversation with the author, Stev Tubbs, as well as images of more of the finished art. You can see it here: https://sueclancy.com/portfolio/pembral-forgets/

But in case you think I came up with the cover and these illustrations perfectly right from the first: Here’s a leaf motif pattern I tried before hitting upon the motif and color scheme I finished with.

I decided this leaf pattern was too green and too uniformly regular. Then I proceeded to do the pattern I showed you in my last post and what you see on the Pembral Forgets finished book cover. But as a pattern design goes this more-green autumn leaf pattern was fine – it just didn’t fit the creamy nostalgic vibe I wanted for Pembral Forgets.

But I decided the green autumn leaf pattern would be fun fabric for dinner napkins for a fall table setting. You can access this fabric on my Spoonflower shop here https://www.spoonflower.com/designs/6316427-autumn-leaves-by-sueclancy

Speaking of good food and the fall dinner table: I made this soup this week and it was satisfyingly heart and tummy warming. https://gratefulgrazer.com/home/vegan-potato-soup/

I’m still happily reading “European Travel for the Monstrous Gentlewoman” by Theodora Goss – and taking things a wee bit slower but I’ll see you here next Monday! Stay safe – and here’s hoping for a better new year for everyone.

Pembral Forgets and a holiday

A Creative Life, Alphapets, Alphapets Too, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, Authors, fine art, handmade books, handmade papers, illustration, Narrative Art, pattern design, Pembral Forgets, publications - publishing, published art, surface design, visual story, visual thinking, words and pictures, writing and illustrating

Mid November 2020 I was asked to illustrate Pembral Forgets by Steve Tubbs. It’s a story about fall leaves, good food and an absentminded boy who forgets something important.

In mid December I took a social media break in order to focus more intensely on my illustrations. (There’s 38 pages of illustrations!) I’m glad I took the break as I think my illustrations for Pembral Forgets are some of my best work so far. The story written by Steve Tubbs was great inspiration!

I finished the illustrations and uploaded the digital files for the artist book reproductions on December 21 and told the author Steve Tubbs that Pembral Forgets by Steve Tubbs was now available! (You can preview the reproductions of the artist book via this link here)

Then I shut off my screens and have since been recovering from my creative efforts. Reading books and cooking are my go-to restoration methods and it’s really helped to spend time deeply reading in a novel! And trying new-to-me recipes! Truth be told I’m still in this hibernate and recovery mode.

Still, because it may amuse, I wanted to share some of my working process on this artist book project.

Since fall leaves are a theme in Pembral Forgets I studied leaves I found in my yard and neighborhood. I both drew them in my sketchbook and photographed them….here’s two of the photos

Then out of thick mylar (a sheet of clear plastic) I drew the leaf shapes with a marker and then hand cut stencils in the shapes of several different kinds of leaves. The masking tape tabs on the edges of the mylar make it easier to lift and move the stencil when in use.

With a sheet of handmade paper taped to a board on my easel I set about using the 5 different stencils I’d made. I mixed acrylic paint colors and used a natural sponge to dab into the color and then onto the stencil. This overall leaf pattern was done over a multiple day period to allow for layers to dry.

My spouse snapped the above photos so they could be shared digitally with the author Steve Tubbs and his wife. The pandemic being what it is – the project discussions between the writer and myself were all virtual.

Here’s what the finished leaf pattern looked like while it was on my easel with still wet paint.

And here’s what the cover for the artist book reproductions looks like:

https://www.blurb.com/b/10507043-pembral-forgets

Variations of this leaf motif carries throughout Pembral Forgets….

When I create books I think of them, as an art object. With the attending artistic concerns about rhythm, balance, beauty and, in my case, pleasantness. For this project I was inspired artistically Steve Tubbs’s story Pembral Forgets and did my own artistic response to his story.

My way of working also means that most of the time my book creations have, in addition to the multiple print and ebook reproductions, a physical one-of-a-kind book-like-art-object.

Sometimes there’s a series of framed fine artworks related to the books – see my Alphapets and Alphapets Too projects for examples or my portfolio page generally.

Anyway, here’s the book-box for Pembral Forgets that I’m still in the process of constructing.

I will show pages and talk about my illustrations for Pembral Forgets in coming blog posts. My hand is still very tired so I will write more later…like next Monday.

If you’re curious: I’ve been reading the novel “European Travel for the Monstrous Gentlewoman” by Theodora Goss.

One of the meals I’ve enjoyed cooking recently is a pasta, cheese and pepper dish I’d read about on the Food In Books blog – https://wp.me/p75xYM-1bY – I don’t know if I’d read the novel talked about in that blog post but it’s fun to see the novel that inspired the blogger’s recipe. I can tell you, for certain, that the pasta, cheese and pepper recipe in the post is a winner!

Now, back to the novel I am currently reading!

Gouache and grin cycles

A Creative Life, art techniques, artist book, artistic inspirations, author illustrator, books, ebook, fine art, food in art, illustration, mental health, printed books, product design, publications - publishing, published art, Sustainable creativity

Since I’ve been asked by several people: here’s info about the art media gouache, why it makes me grin and my working cycles with it.

Gouache is a water based paint. It’s more opaque than watercolor. Using gouache feels like spreading soft butter on toast. Applied gouache dries quickly but is easily made moist and workable again. It dries to a matte non sticky appearance which makes it suitable for use in bound sketchbooks, in folded artist books as well as for fine art to be framed. Gouache also reproduces well via various printing mechanisms on fabrics, in printed books and on many other surfaces.

In the studio, because I don’t have to worry about my gouache paints becoming unusable on my palette before I can use them (as is sometimes an issue with acrylics), gouache is suited to my busy life. I call this my gouache and grin cycle.

I prefer to work on multiple art projects at a time in “short bursts” on each project. Rather than count on a long span of uninterrupted time I dash in and work a bit on an art project, then go make lunch or do whatever stuff-of-life or other work matter that needs to be done. Then I cycle back to an art project…

To borrow a sports analogy I just try to advance the ball, my various art projects, a little bit each day rather than doing a project all at once. I try to amuse myself with whimsical art making, aka spreading color, for at least a few minutes every day no matter what else is happening in life. The qualities and attributes of gouache help me to do this, to keep my creative games in play – come heck or high water.

Here’s a series of photos showing my gouache working methods in my sketchbook. (This is also my work method for fine art and other projects.) In the first photo you see my 3 x 5 inch watercolor sketchbook held open with clips. Also pictured from the top left and rotating clockwise: paper towel, peppermint candy model, graphite pencil, 3 watercolor pencils, 2 waterproof ink pens, a water brush and my lidded paint palette with its wells of various dry gouache colors.

In the photo below I begin 3 demo peppermints: the top left mint is sketched in graphite pencil and waterproof ink pens. The bottom left mint is drawn in watercolor pencil only. The mint on the bottom right page was doodled in all of the above; graphite pencil, ink and watercolor pencil. [The quote was just on the sketchbook page I chose to use for this demo.]

So you can see what they look like here in the photo below are two tubes of gouache paints. I like the Holbein Artist Designers Gouache brand best but the Winsor and Newton brand is good too. (There’s a monster called “acryla gouache” also available on the market which I avoid like a character would avoid a flesh eating zombie in a horror film.)

I begin painting by laying down the local color – the general color an item is supposed to be. At this point I don’t worry about shadows or highlights or details. I just get the color shapes down – in this case for the peppermint candies.

I did not squeeze out new paint from my tubes when I began. I got my water brush wet and put a few drops of water on the dried red gouache already on my palette so I can use the newly moistened color. I add a small amount of moisture to a portion of the dried chunk of red gouache until that portion feels like soft butter, then I paint the candy stripes.

Here’s a closer look.

Now I get the general color and shape down for the wrapper in the same method. I put a drop or two of water on my blue gouache color, get my brush damp, dab at the blue paint a second or two to get a portion of it moistened and softened – then I paint.

Now I create the cast shadows using a watery mixture of the red and blue gouache colors. To make the watery mixture on the lid of my palette I dipped my brush on the now moist blue color, dab on an area of the lid, then dab the brush clean on the paper towel, then dipping into the now moist red and adding it to the tiny blue puddle, mixing till it’s a purple color I want for the shadow. Then I add a tiny bit of plain water to the newly mixed purple till it’s a small fingernail size puddle of watery purple – this enables me to do the cast shadows in a faint shadowy way.

Now I do squeeze out a tiny amount of the white gouache from the tube and use it, fresh from the tube, to make the highlights on the candy and wrappers. Note in the photo below how the white gouache can completely obscure the darkest ink lines. This is part of what I love about gouache – any mistake can be covered with the opaque paints. If an edge in a painting needs to be softened or a color edge blended all I need is a wet brush.

Then in a few minutes, perhaps the length of time it takes for a decent sip or two of coffee, when the paint is dry I go back over the paint with ink lines or watercolor pencil lines to snap the details into sharper focus.

Now that I’ve finished painting I leave my sketchbook and my palette open and let them dry completely. I even leave the shadow color mixture on my palette lid to dry. All I will need to do to reuse the mixed color in the future is to get my brush wet and dip in.

Peppermints are one of my guaranteed-to-make-me-grin art subjects that don’t require a lot of time or planning. I’ve learned over years of painting peppermints that different candy makers have their own peppermint candy look. And I don’t mean the wrapper.

Here’s a fabric pattern I did of peppermints for my Spoonflower shop. I used the gouache techniques I describe above to create this pattern. But do you notice how these mints are different from the ones I did in the demo above? Different candy maker… yummy too!

More about my “Peppermint Candies” fabric pattern is here: https://www.spoonflower.com/en/fabric/8224417-peppermint-candies-by-sueclancy

To illustrate what I mean about working in short bursts despite life situations. A hot water pipe burst on our hot water heater recently. (Talk about heck and high water! 🤦‍♀️) After we got the immediate crisis dealt with I did little quick bouts of drawing as a self calming technique. Also while waiting for plumbers etc restoration crews I doodled and painted in my sketchbook. Gouache makes it easy for me do short bursts of spreading color which makes me smile. And having had a brief grin makes dealing with life much better.

Anyway, there’s a new artist book I’ve done for children called “B Mouse Reads A Book”. In it you can see my original ink and gouache artwork, and how the art media is on folded paper in this video on my YouTube channel. Because this book was meant to be handled in a gallery I used a spray fix varnish to make sure the gouache wouldn’t smear or run.

But since the pandemic hit there’s no going to art galleries to handle or view artist books in person. So I was lucky enough to have “B Mouse Reads A Book” published as an ebook here on Storyberries.com! They also included the book B Mouse is reading too…it’s another artist book I created as part of the B Mouse Reads A Book story…there’s a link at the bottom of the B Mouse book that you can click to see the companion book.

“B Mouse Reads A Book” by Clancy – https://www.storyberries.com/free-books-for-kids-b-mouse-reads-a-book-by-sue-clancy-bedtime-stories/

I’m sure you can recognize in the image above the ways I did my combinations of ink and gouache. The video shows how flexible gouache can be when applied on paper bound or folded as pages. The ebook shows how well the nuances of the colors show even as a digital image.

If you look at my portfolio pages you can see my ink and gouache work as both fine art framed in an art gallery setting as well as reproduced in printed books.

Most of my jigsaw puzzle designs, greeting cards and odd mugs on my Zazzle shop were also created with my combinations of ink, watercolor pencil and gouache. It’s a very versatile media.

That reminds me to tell of another practical matter: if you apply gouache too thickly it can pop or flake off. Especially in a folded or bound paper book. And when scanning or photographing gouache artwork for reproduction a too-thick gouache application can cast shadows unrelated to the artwork subject. So I apply gouache as if I were basting bread with semi melted or melted butter.

I hope you’ve enjoyed reading this and found it helpful for when you try gouache yourself.

See you here next Monday. And in case you’d like to know even more about gouache – here below are a few links to more information about painting with gouache:

COMBINE WATERCOLOR AND GOUACHE TIPS https://www.erikalancaster.com/art-blog/3-tips-to-combine-watercolor-and-gouache-like-a-pro

GOUACHE INFO (VERY GOOD)
https://www.skillshare.com/blog/learn/7-artists-using-gouache-in-gorgeous-ways

GOUACHE SKILLS
https://www.google.com/amp/s/www.skillshare.com/blog/learn/8-gouache-paint-pro-tips-you-should-know%3Fformat=amp

GOUACHE IN SKETCHBOOKS
https://juliabausenhardt.com/how-to-get-started-with-gouache-paint/

LENA RIVO – GOUACHE
https://www.lenarivo.com/guide-to-gouache and generally see
https://www.lenarivo.com

Hare be books dragons and comforts

A Creative Life, artist book, artistic inspirations, author illustrator, Authors, books, Dogs in Art, home hare care, illustrated recipe, kitchen art, life of the mind, mental health, printed books, publications - publishing, published art, reading in art, recipe illustration, visual thinking, words and pictures, writing, writing and illustrating

In my last post I wrote about my children’s books. Here are 4 of my books for those over age 18:

Dogs by Sue Clancy

Dr Bob’s Emotional Repair Program First Aid Kit

Another Sketchbook

Favorites So Far

All 4 of these books are from my sketchbook keeping practice. All are about ways to take care of ourselves and others. The 2 book that are most obviously from my sketchbooks, and are also about finding comfort during difficult times, say “sketchbook” on the cover.

From the Dr Bob’s Emotional Repair Program First Aid Kit I learned that when in a difficult situation (like a pandemic) that’s beyond your control a strategy for dealing with it is to recognize the reality and the feelings – “I don’t like it” – but refrain from getting stuck there. Acknowledge what’s going on but then go on to find something you can enjoy despite the situation. In my sketchbook “Another Sketchbook” I tried to practice this.

For example the above sketchbook page says “eventually things will get better, in the meantime here are some drawings.”

That pretty well sums it up my way of coping.

More of the coping skills I practiced in a sketchbook format – and in the kitchen – were cooking related. Having a book of reliably good favorite dishes has been a solace.

A pot of soup cooking on the stove, good hot beverages and fun books to read really do restore my psyche. I find it helpful to remember this and deliberately revel in it.

So this week I started my Home Hare Care series again. This series celebrates the comforts of home. I had begun this series back in March 2020 during the first official lockdown. Now that my home state of Washington has sensibly begun another lockdown… it’s Home Hare Care season again.

So instead of the slaying dragons mode of response to feelings and difficulties I’m actively choosing a kinder more gentle way of responding.

It’s an “I see you” recognition of the dragon and then using calming techniques to soothe one’s self and peacefully cohabitate with the dragon.

The concept is really an Inuit one – a variation on it anyway. There’s an article here that describes the concept well titled “How Inuit Parents Teach Kids To Control Their Anger

So I drew a dragon, gave it a book to read and made a fabric pattern on my Spoonflower shop. Nice dragon, calm dragon, comfy cozy dragon, rest on this fluffy soft pillow dragon…😁

Since hot beverages feature on my list of soothing comforts it seems sensible to create a series of mugs. I’m calling it my Odd Mugs collection on my Zazzle store. I pretended the sides of mugs were sketchbook pages and reproduced some pages from Another Sketchbook.

See you here next Monday? In the meantime please take care of yourself and keep reading, cooking, drawing and doing whatever you do that’s soothing.

Illustrated shorts and other comforts

A Creative Life, art techniques, artist book, artistic inspirations, author illustrator, creative thinking, fine art, functional art, illustrated shorts, illustration, life of the mind, mental health, Numpurrs, printed books, product design, publications - publishing, published art, small things, story, visual story, visual thinking, words and pictures, writing and illustrating

It’s election time in the U.S. This year is particularly full of hopes and fears. So I’m focusing on comforts as a topic for my art projects. I’m thinking of the importance of the ability to provide self care, self comfort and to comfort others. To feel ones feelings and to continue on without getting stuck in the feelings.

Here’s a book I illustrated some time ago that I’ve continually found helpful in life – and in my creative life.

Dr Bob’s Emotional Repair Program First Aid Kit – illustrated and collected by Sue Clancy
https://store.bookbaby.com/bookshop/book/index.aspx?bookURL=Dr-Bobs-Emotional-Repair-Program-First-Aid-Kit1

In the Dr Bob book there’s discussion of a self-care technique that I find most relevant to my creative life: keeping a list of things that I enjoy thinking about and, when worrying, to deliberately switch my thoughts to one of the things I enjoy thinking about. I’ve found that it’s helpful if at least one of the enjoyed thought topics on my list has gear. Gear; stuff I can buy, look at, use or touch in the real world.

Anyway here’s some items from my personal list of things I enjoy thinking about (in no particular order): fine art, art techniques, art supplies, reading, books, writing techniques, pens, papers, cooking, cooking techniques, food of all kinds, plants, wild animals, house pets, coffee, tea, mugs, cups, coffee urns, tea pots, jigsaw puzzles, playing cards, fabrics, fabric designs, lap blankets….

There are many more items on my list but you get the idea and I got tired of typing.

This strange year, 2020, with its pandemic and, in the U.S., weird political scene, I’ve thought a lot about those topics. As a result I’ve been branching out creatively.

Creating original fine art and one-of-a-kind handmade books for galleries, libraries, public organizations and clients homes and offices has long been my main focus. Well, the pandemic has caused me to adapt my thinking and find ways to put my artwork and books out in the world in ways that people could get them via mail order (or downloads) while at home rather than having to leave home and go to a particular place to see my work.

I still happily work with all of my art galleries and they have adapted to the pandemic as well, delivering and shipping art to clients, doing virtual tours etc. My new work simply augments what work I’ve already been doing with them. For instance people have sought, from my galleries, the original artwork for my books.

Primarily, creating print on demand books and objects has been a way for me to practice my own self care.

Anyway, the result has been the creation of real-life books, fabrics and objects that have been comforting to me as I’ve made them. I’ve been told by other people that they have been comforted by my work too. I have even heard that my work has been given as gifts and the comforts have been spread! I can’t describe adequately how happy that’s made me!

So I’ve been increasingly focused on creating original fine art which leads to creating my artist books on Blurb and also to creating theme related objects on my Zazzle and Spoonflower shops. Then on my portfolio page on my website I’m grouping them together.

For example on my Numpurrs portfolio page you can see images of the original fine art (and the art gallery handling it), my artist book for children titled Numpurrs. Besides info about the printed book there’s a related poster, calendar, jigsaw puzzle and mug. Here below is the Numpurrs mug – wouldn’t it be fun to have Alphabet soup out of this mug?

Numpurrs mug by Sue Clancy
https://www.zazzle.com/numpurrs_mug-168791615464778032

I’ve also created a new page on my website called “illustrated shorts“. The page has short examples of my thinking of fabric, note cards and coffee mugs as gallery wall spaces, so to speak.

For example here are a few of my illustrated short thoughts about love:

This is a page in my sketchbook
This was a redo of my sketchbook page on “good paper”
This is an “odd mug” I created with my design
https://www.zazzle.com/i_love_you_mug-168999488696149637

It’s fun, and comforting, for me to think about self care and to create art, books and objects that could be accessible for other people to use for their own self care or to be given to others. So I’m likely to continue such thoughts during the coming weeks as we all prepare for “non-normal” holidays.

Check in again next Monday? In the meantime, please take care of yourself.