Crows, writing, art and the odd sandwich

A Creative Life, animals in art, art exhibit, art gallery, Art Word Combinations, artistic inspirations, author illustrator, books, children's book, fine art, household surrealism, magic realism, publications - publishing, published art, recipe illustration, sketchbook, sketchbook suppers, visual thinking, whimsical art, wordless story, writing, writing and illustrating

This week in the Odditorium aka household  surrealism I thought of how often I use the same pens to write and draw with.

It’s not surprising really as elsewhere in this blog I have written about the similarities I see between art making and writing. Here’s a link about that… https://sueclancy.com/similarities-of-art-and-writing/

These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.

From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.

With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.

And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.

Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.

Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)

After I posted “Enjoyment” on social  media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.

Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.

It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )

The Crow and the Water Jug – a wordless Aesop counting story – by Clancy https://www.blurb.com/b/10109198-the-crow-and-the-water-jug

More details about this children’s  book project on my portfolio page.

As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium.  Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:

Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?

I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.

That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.

No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.

So I hope you have a very good week. See you next Monday?

This rabbit likes books and breakfast

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My newest artist book for children “This Rabbit” is rolling out! It’s a whimsical look at self-awareness with lots of different rabbits liking a variety of things. As I mentioned in my last post “This Rabbit” shares a cover design similarity with some of my other artist books that also have a bunch of different characters exploring a life concept. In the photo below you can see the covers for my series of books.

Here’s a closer look at the hardcover version of “This Rabbit

https://www.blurb.com/b/10612530-this-rabbit

And here’s a look at the page design. I made the artwork large so that it mostly fills each page with a small space at the bottom for the poem lines.

More of the inside of “This Rabbit” can be seen on my portfolio page here or as a preview on the page where the book can be ordered here

Book signing during a pandemic is a challenge. I’m solving that in a few ways and one of those is by placing a few signed books at the Aurora Gallery. Some of the original artwork for many of my books is there too. In the photo below is an assortment of books signed and destined for the Aurora Gallery. https://auroragalleryonline.com/

And while I waited this week for my copies of “This Rabbit” to arrive from the printer I worked in my sketchbook and over short bursts of time towards a new painting using all of my recent rabbit research. This painting is one of several that will be in new art exhibits later this year.

While working this week I was thinking about human development. In addition to learning what you like as one lives you also learn and practice attention to your feelings. With that in mind I’ve been thinking of what Dr Bob says in the book I illustrated some time ago…”feelings are guides not gods to be obeyed“. For example we’ve all done things like cleaning up yucky messes even when we didn’t feel like doing it at the time – but once it was done we were glad it had been done. So we’re capable of using our executive brain to decide when to listen to our feelings and when to go ahead and do something despite our feelings.

In the picture above is my breakfast: overnight oats (made in a small wide mouth mason jar) along with coffee. And here’s a recipe article link about this quick-easy meal. I like quick-easy breakfasts so I can spend more time in the morning drinking coffee, reading and sketching.

In the photo below I’m working (after breakfast) on a new painting. There’s a collage bit in it from the falling apart copy of Jane Austen’s Pride and Prejudice that I’d talked about in another post.

Here below is what the new painting became: “Attention To The Feelings” – 12 x 9 – acrylic and collage on board.

“Attention To The Feelings” – by Clancy – 12 x 9 inches – acrylic and collage on board

One of my favorite authors who write about sketching and creative efforts is Danny Gregory. Here’s what he wrote about dealing with feelings in his book “Art Before Breakfast” :

This is inner-voice phenomen is true for any creative effort. Including trying a new recipe for breakfast.

So please be gentle with yourself and the other people in your life this week. We’re all just muddling though trying to remember what we like, trying to pay attention to our feelings – but not too much attention – and trying to regularly eat a good meal.

See you here next Monday? Hope so…

This Rabbit likes Irish Coffee

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My newest children’s book “This Rabbit” is about noticing what you like. For the book description I write “This rabbit likes one thing. This rabbit likes another thing. So many things to like and do! Which do you like to do?”

The act of noticing what you like sounds deceptively simple but it’s easy to be swept along in a tide of what’s popular, trendy or what people tell you that you “should” like. It’s easy to forget what you-yourself really really like.

For our entire lives it’s helpful to practice being aware of our inner self and our preferences as they change over time.

Anyway, here’s a few poem lines and illustrations from “This Rabbit”

This rabbit likes doing hair

This rabbit likes the outdoor air

Here’s a look at those same illustrations in the digital book layout I’ve designed in prep for making both print and ebook formats. As I mentioned in my last post I’m making these illustrations large in each page with a small space for the poem line running along the bottom of the page.

Below is a look at the cover art. The cover layout is similar to some of the other books I’ve done: Alphapets, Alphapets Too and Numpurrs. I did this cover design similarity on purpose because I’m working on a series of artworks and books that play with concepts using a variety of characters. This cover layout allows me to show many of the different characters right on the book covers. The cover similarities emphasize that each individual book is an art series collected on a topic that exists within a larger series of artist books.

By now the book “This Rabbit” is finished and will be released world wide on Storyberries Mar 29. I will continue to tease out the book a bit on my social media till then. But for my followers here’s the advance link to the finished printed book: https://www.blurb.com/b/10612530-this-rabbit Yes, you could get a copy of this book early, in time for Easter! (On average it takes 7 to 11 business days after placing your order to get a book)

Copies available via this link: https://www.blurb.com/b/10612530-this-rabbit

Before the digital files could be made I began “This Rabbit” by creating a series of ink and gouache artworks depicting rabbits enjoying activities. Then I wrote a poem on a legal pad with a fountain pen – prior blog posts here and here tell more of my working process. Anyway here’s a look at my legal pad scribbling and the illustrations. I like to emphasize the non-digital parts of my book creations – the digital reproduction, in print/ebook formats, are simply an allowance for kids messy fingers – the book is still intended as a work of fine art and of love.

On to other non-rabbit thoughts: Saint Patrick’s Day is coming up and we can celebrate the holiday and also drink to celebrate my new book “This Rabbit” – so here’s a recipe for an Irish drink I really like perhaps you will like it too? No matter what you’re drinking – “Sláinte!” 

A page from my kitchen sketchbook Favorites So Far – https://www.blurb.com/b/9759759-favorites-so-far

Saint Patrick’s Day is one of my favorite holidays so my evening lounging-about-before-going-to-bed reading is an anthology of Irish writers mystery stories. The book title is “Murder Most Irish” edited by Ed Gorman, Larry Segriff and Martin H. Greenberg. Some of the stories are so enchanting that I’ve looked up almost surprised to find that I’m not in Ireland following behind a sleuth on a cold rainy night but sitting in my warm living room instead. The book pairs well with Irish Coffee….or peppermint tea.

Happy Saint Patrick’s Day in advance and thank you for following my progress on “This Rabbit”! See you next Monday?

This Rabbit some lunch and books

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This week was filled with photographing my illustrations for a new children’s book tentatively titled “This Rabbit” (as I wrote last week). Then I uploaded the photos checking the digital images against the original artwork for accuracy of color. Sometimes I had to retake a photo.

Once all of the illustrations were digitally correct, more or less, I uploaded them into the software I use to make the printed books. My art studio supervisor cat, as you can see, helped with the process.

What I’m aiming for as I process the photos: I want to make an album of my fine artwork that just happens to be for kids. Kids need fine art too, in my opinion. So I’m striving for digitally capturing as much of the range of color and detail in the original artwork as possible. No camera or screen matches the capability of the human eye but I do the best with what I’ve got. I’m also trying to keep the soft feel of the original artwork on the off-white handmade papers.

My root idea with this new book “This Rabbit” is cultivating the skill of enjoying the many things there are to like and do. So that is always in the back of my mind as I work.

Here are the two poem lines I wrote to go with the two illustrations below:

This rabbit likes pretty pearls

This rabbit likes doing curls

This rabbit likes pretty pearls
This rabbit likes doing curls

After the photos of all 32 illustrations were digitized to suit me, it takes me a lot of time to do the digitizing to suit because I am the original Ms. Picky, but when I had the images as I wanted them then I worked on the books graphic layout and design. As I proceed with the layout/design part of this project I may need to take new photos of some of the artwork depending on how they look as I place them side by side in the book design … we will see how things go.

This new book is part of a series of children’s books I’m creating. So it will have a have similar cover design (and other format elements) to fit with the book series. However, for “This Rabbit” I decided to make the illustration images on each page larger, filling two thirds of the page or perhaps a bit more, filling almost to the three edges of each page.

I chose this layout because I’ve included small details within many of the artworks that might be missed if the images were smaller. My poem text is one single line within a small white space on the bottom of each page.

I will serialize some of “This Rabbit” on my Instagram page and give you more details of my working process (and my creative life) here on this blog each week.

Anyway, now you know what a busy week I’ve had. Needless to say lunches were quick-fix affairs. Like this broccoli pasta dish.

Here’s the recipe – a loose guide or philosophy really rather than a recipe. When I made the dish this week I used short pasta and added spinach. But the rest of the recipe was followed. It’s a recipe from my Favorites So Far kitchen sketchbook.

Copies of Favorites So Far are available here:
https://www.blurb.com/b/9759759-favorites-so-far

Despite being busy I still carved out time to read most evenings. In my last post I was still reading “The Mexican Tree Duck” by James Crumley. I finished that book and loved it! I’ll miss the main character Sughrue. Sughrue was a decent guy, a good friend to other characters in the story, someone who cared. I liked that! Crumley’s character and his writing style will be a hard act to follow.

As I cast about for which book to read next I realize that I want another protagonist with a strong decency streak. Not moralistic, self righteous, preachy or anything like that. I want a character who is just plain caring and kind. Even if they have flaws, faults and difficulties I want there to be a core of goodness, a sense of concern for their community, at the heart of the main character.

I’m ready for the good people to win a few … damnit!

So from my book shelves I pulled this book selection for consideration: The Nine Tailors by Dorothy Sayers, Rumpole A La Carte by John Mortimer and Death of A Bore by M. C. Beaton.

A few more cups of coffee and I’ll decide which book to read more of later after my working day is done.

See you next Monday with more of my progress on “This Rabbit”? (And yes…so far my working title has stuck.)

Leaf fabric, greeting cards, books and rabbits

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In a prior post I showed a fabric design in progress. This week I got a fabric swatch proof, pictured below, which I approved and have made publicly available now. I like the bright colors of it.

In the most recent children’s book I illustrated, Pembral Forgets, I used a leaf motif thought the book.  The story Steve Tubbs wrote was about fall leaves. good food and a mother’s love. So as I was doing a version of the leaf motif for fabric naturally my thoughts ran towards the possibilities of the leaf fabric as napkins and table runners – things for kitchens. Anyway, the fabric is on my Spoonflower shop now as well as on the Pembral Forgets portfolio page.

https://www.spoonflower.com/en/home-decor/dining/table-runner/11145198-leaves-from-pembral-by-sueclancy

In my last post I talked of using things I enjoy as a guide for subject matter in my art.

Well, that also applies to the types of creative pursuits to which I choose to apply my artwork. For example I’ve been thinking for some time now about how much I enjoy sending and receiving greeting cards in the snail mail.

In the photo below you’re looking at my fireplace at home and the cards I’ve gotten by mail displayed there on the mantel. Some are handmade cards. Some are vintage cards. Some are postcards and folded cards found in stores. I like them all and love the connections with the people who sent them!

I have dabbled in card making most of my life. But only in the last few years have I been semi serious about it. This week, however, I had the thought “What if greeting cards are little illustrated story books?” and my dabbling is suddenly more focused.

Below are a few of my greeting cards which are now on my Zazzle shop here. Some of my cards have rabbit characters but there are other animals too.

I want to make more cards now, for many reasons. But I realized this week that there’s a big reason: my pleasant memories of whenever my adopted Mom, Dad and I met in a bookstore cafe for lunch.

In addition to looking at the books no visit was complete without a visit to the greeting card section of the store. Dad was a psychiatrist and he used to tell me that sometimes when he had a patient with depression he would prescribe weekly visits to stores that sold greeting cards. He would ask that the patient write down descriptions of the cards that amused them to share in future appointments with him. Bonus points (so to speak) if they bought a card and mailed it to someone.

So yes, I want to make more cards in addition to my other artwork – in the “Hi Mom and Dad. 👋” sense of things as well as for my “help others share their stories” sensibility with which I run my creative business.

(Btw: this reasoning is why I do my fabric designs too)

Anyway you’re the first to see the whole collection of cards I’ve done so far. Plus these below…

https://www.zazzle.com/hoppy_birthday_card-256207685042397378
https://www.zazzle.com/hoppy_birthday_card-256207685042397378
https://www.zazzle.com/nurse_cat_folded_note_card-256284055535885605
https://www.zazzle.com/nurse_cat_folded_note_card-256284055535885605
https://www.zazzle.com/good_wishes_rabbits_greeting_card-256150049299175963
https://www.zazzle.com/good_wishes_rabbits_greeting_card-256150049299175963

Needless to say I’ve been busy this week. Fortunately I made a big batch of my “Simple Sauce” and stored it in a jar in my fridge for quick easy to prepare meals. Naan bread makes such a nice pizza crust: just spread on a spoonful of sauce, chop and add desired toppings then bake in a 425 degree oven.

My “Simple Sauce” recipe is in my kitchen sketchbook Favorites So Far. The whole book can be previewed here and you’re welcome to capture my recipe below.

https://www.blurb.com/b/9759759-favorites-so-far
https://www.blurb.com/b/9759759-favorites-so-far

For one meal my spouse and I were in the mood for bell peppers, onions and olives on the Naan bread crust. Yummy!

Speaking of good things, books and rabbits: I’m starting a new children’s book. One question I get asked “which comes first the art or the words?” and in the case of this new book the art largely came first. Here’s an array of the illustrations I’ve done so far along with my legal pad on which I’m scribbling book text drafts by hand using my fountain pen. More about this project in future posts.

More too about a new painting currently in progress…

Hope your week is full of your favorites too. See you next Monday?

Leaves books and rabbits

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After finishing my Pembral Forgets project I was asked if I would make a fabric design from the leaf pattern I had created for the book Pembral Forgets which was written by Steve Tubbs and illustrated by me – (details here)

So this week I’ve been making a fabric pattern of leaves that I’m calling “Leaves From Pembral” and here’s my process…

First I cut out a 12 inch square area of the original hand stenciled paper I did for the Pembral Forgets book. Carefully I chose an area that wouldn’t have leaves touching the 4 edges of the paper. Then I used acrylic paints and created more stenciled leaves to fill in where there were gaps, trying to make the new design square balanced and interesting.

When the above was dry I “cut up my darling” – to borrow from advice given to writers about editing – and made all 4 outer edges now be on the inside of my 12 x 12 inch square paper. Basically I turn my design inside out.

Next I fill in the new gaps with more stenciled leaves.

Then when that was dry I photographed the finished design, trying to keep the soft creamy look of the original and keep the pattern square with my camera. This is easier said than done. After several attempts I was happy with this image below.

Next I uploaded my digital photos into my laptop and used the Spoonflower system to set up my pattern for a basic repeat…so my pattern will flow across any length of fabric without interruptions.

As I worked on the digital file I was thinking of leaves falling and then laying on a wet sidewalk.

What you see below is a screenshot of my finished pattern as I set it up to be repeated on a “fat quarter” an 18 x 21 inch area.

Now I’m waiting to get a proof sample from Spoonflower which I will approve – or not – before it gets added to my public shop on Spoonflower. https://www.spoonflower.com/profiles/sueclancy After that I will tell the person who requested this fabric pattern that it’s there and will hope they’re pleased. In the meantime I hope this blog post will amuse…

I enjoyed playing with leaves in my sketchbook, too, this week – with my rabbits. Another bit of advice for writers is to develop a character and use them to explore ideas and situations instead of creating a new character each time one sits down to write. This technique is most obviously used by mystery novelists who create a character (or two) that repeat over a series of books.

I’ve borrowed this concept for writing and applied it to my fine art and artist books… I have certain motifs and characters – selected species really – which repeat in various ways throughout my projects within a span of time.

In my sketchbook page below I have leaves, books and rabbits. For almost a year now rabbits have been a constant character… (previously I have done series of Dogs and Cats … click on the word Dogs or Cats to see a collection within an artist book)

I posted the above photo on my social media pages and someone asked for an art print of my sketchbook page. So I created an art print of the sketchbook page on my Society 6 shop. The unframed print looks like this (below)

In the evenings I’ve been reading about meditation and, of course, reading a mystery novel. Thinking of little things; leaves, drops of water, ones breath are ways of calming oneself for meditation. Little things; scraps of paper, drops of blood, air quality are often clues in a mystery novel. So I keep thinking of little things…

I broke up a chocolate mint and put it in my hot chocolate. It was a tasty little touch – Yum!

I know it’s not a holiday but little pleasures really do make an ordinary day feel special.

Speaking of feeling special; my artwork was featured on Louise Primeau’s website https://louiseprimeau.com/featured-artist-sue-clancy-from-vancouver-wa/ Thank you for your kindness Louise!

Hope we all have many small pleasures to enjoy this week. See you here next Monday?

A box of leaves – Pembral Forgets

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The inside of a book is made up of pages which are called “leaves”. The handmade box I’ve been constructing holds all of the “loose leaves” for Pembral Forgets. I love the pun…a story about fall leaves housed in a box covered with a pattern of leaves, containing loose leaf pages….

Yes, I know…🤣 … Anyway…

Pembral Forgets is a story, written by Steve Tubbs and illustrated by me, about fall leaves, good food and an absent-minded boy who forgets something very important.

Below is a photo of me remembering to spray fix all of the loose pages to prevent smudges.

When I talked with the writer, Steve Tubbs, he expressed concern about the pages being properly protected. So in addition to spray fixing them I slipped each page into an archival clear sleeve.

After making doubly certain that the pages in the archive sleeves would still fit in the book shaped box I set about giving the box an “old book” trompe l’oeil effect using layered acrylic paints over handmade papers.

Multiple layers were needed to create the well-thumbed golden edged book pages appearance to the box sides. (In the background of the photo below you can see some of my character sketches for this book. I keep all such sketches until a project is absolutely finished…just in case.)

Once my book-pages effect on the edges of the box was dry enough to handle I applied the cover title. I had hand lettered, with ink, the Pembral Forgets title onto some of the same tissue-thin delicate paper I had used to make the overall leaf pattern cover paper. [See my previous blog post for details] I applied my archival book glue to the back of the handlettered bit of paper and carefully placed it onto the box.

I wanted the lettering to have a matte look and blend into the cover so that the only shiny, bold, parts to the cover are the stenciled pattern of leaves. (The photos in this post are “in progress” pics. My portfolio page has more photos of the finished project)

Because the paper is thin the applied paper with lettering on it lies flush with the cover itself. Since this box/book may be stored on a shelf just like any other book I don’t want any edges sticking up to catch on anything.

In addition to showing the flatness of the cover the photo below also shows the box edges more clearly.

While the cover title lettering was drying I applied similar lettering to the spine of the book. And worked on a colophon page… more on that in a bit.

I use various sizes of paperweights to hold just-glued papers flat while they dry. (In case you’re wondering beanbags make great paperweights.)

While things dried I created another tree scene – with ink and gouache – this one with frost on the ground and a pond. This tree image is unique to this artist book box version of Pembral Forgets and doesn’t appear in the printed book reproductions.

There are many reasons for having unique pages in the box but the main reason is I have a more flexible page count in a one-of-a-kind book with loose leaves than I do when creating book reproductions.

The photo below shows my handmade box without the loose leaf content pages in it so you can see the bottom of the box. There’s a raised area (the leaf pattern to the right) that has a recessed “valley” near the box walls to allow fingers to pick up the last loose leaf page easily. Also attached to that raised area in the well of the box is a black ribbon for the pages to rest on so they can easily be lifted out.

Here’s the bookmark ribbon with the loose leaf content pages in place

Below is a close view of the colophon page. A colophon gives info about a book authorship, publication and any information that’s relevant to the book creation. I glued it onto the inside front cover aka the inside lid of the box. Since I handmade the box I signed the colophon page.

The box lid has a “tray” which fits inside the box when closed. (Yes, that was very tricky to measure and create. Have I mentioned that I like puzzles?)

Anyway, perhaps in the photo below you can see how that brown tray edge on the box lid fits into the inside of the box. Or perhaps clicking on the video link below the photo gives you a better idea.

Here is a video look at this project

https://youtu.be/p5By-g5AR6E

This week wasn’t necessarily calmer politically speaking than I wrote of in my last post but in a personal sense I stayed busier. So that in itself was calming. I was glad to see that Trump was impeached for a second time. I am nervous about the upcoming inauguration of President Joe Biden – I want his administration to be safe…

So I will do creative work, read, cook, go for walks and find solace anywhere I can while I wait and hope.

As it’s getting colder here where I live in the Pacific Northwest- and since I’ve been staying so busy – reheating a pot of soup was simply easier to manage. Here’s a link to the soup recipe I enjoyed. Lentil Lemon Orzo Soup

I finished the Theodora Goss novel that I’ve been reading during my last several posts. I liked the way Goss writes and I found her monsters a pleasant diversion.

A friend kindly sent me some books by mail – so I’m enjoying them now!

I’ve been requested to make some art prints of a few of the pages from Pembral Forgets so this week I’ll do that and will update my Pembral Forgets portfolio page with those details! What fun!

See you here next Monday. Hope your week is as good as it can be.

A box for Pembral Forgets

A Creative Life, art techniques, artist book, artistic inspirations, books, fine art, food in art, handmade books, handmade papers, illustration, mental health, Narrative Art, Pembral Forgets, printed books, publications - publishing, published art, sketchbook, surface design, Sustainable creativity, visual story, visual thinking, words and pictures

A horrible but predictable insurrection happened in the US last week. My book shaped box to hold the original artwork for Pembral Forgets was at the needs-to-dry stage the day before, so Wednesday, January 6, 2021, the day of the attempted coup, I nervously read a lot of news. And thought of how a seditious insurrection was the inevitable outcome of the right-wing rhetoric of the last several weeks, months, years. But I don’t want to blog on that…. after time spent on the news Wednesday I drew in my sketchbook and read fiction to give myself a mental space from the violent seditious insurrection, to calm down and think.

So on to a more pleasant topic: here’s a few photos of the printed and bound version of Pembral Forgets – you can see more on my portfolio page. The print book is available on Blurb here.

The printed book is slightly different from the original artist book. Same content just a different presentation and minor differences in the book-info pages and, most obviously, the cover. There’s several reasons for this: an original artist book can only be enjoyed in person. And we’re in a pandemic so going to galleries isn’t an option for most people. Multiple printed books can be mailed directly to someone and can be enjoyed by many.

Yet when I create a book to be printed and widely enjoyed I still end up with a physical one-of-a-kind set of paintings. Since I’m a fine artist first and foremost I gravitate towards making things that can be hung on walls or displayed on stands/shelves. But see aforementioned pandemic which has made the use of other means of art production and distribution i.e. Blurb.com or Zazzle.com or Society6.com or Spoonflower.com on-demand shops helpful.

Even so I love making handmade boxes and used to regularly make them for the artist Deloss McGraw and others. So I look for excuses to make boxes…and am loving this box for Pembral Forgets!

Below is a series of photos of the box for Pembral Forgets that you saw a bit of in my last post. In this first photo I have laid the naked box on the handmade hand stenciled paper that I’ll use to cover the box. I lay the box on the paper and try to position it so the paper will be placed well when I glue it on.

I “mark” my choice of placement by creasing the paper slightly. Pencil marks would show through this delicate paper.

Glue is applied to the paper within the crease “marks”, the open box is laid onto the glue, then the box now loosely covered with glue-y paper is gently closed. I use a roller to press the paper firmly in place, wiping away any excess glue. Next, as in the photo below, I add glue to the flaps of paper and fold them around the edges of the box using a bone folder to get the creases smooth.

Then after carefully gluing all edges I turned the box over to check the paper placement.

Inserting wax paper allows me to close the just glued box without accidentally gluing the box shut.

At this point, Tuesday evening, I let the book box dry for a few days. It will be dry to the touch within hours but I have learned the hard way that too much handling too soon can cause the paper to slip.

Then the next day saw the news of the insurrection…

Here’s the fiction book I read as a spirit restorative…

The beverage in the picture is Clancy’s Special Chocolate and here’s the sketchbook drawing I did about how to make it. Whenever I feel stressed it helps to draw whatever is in front of me.

In case you wonder: I get my archival glue and other book-box-making supplies from Twinrocker.com

A helpful technique book about making boxes by hand is by Franz Zeier titled Books, Boxes and Portfolios; binding, construction and design step by step.

There’s still more to do on this project. So I hope to see you here next Monday after, hopefully, a more quiet week – but I know it’s not likely to be quiet here in the US – but no matter what kind of week it is I wish you some calm creative moments.

Art for Pembral Forgets

A Creative Life, art techniques, artist book, artistic inspirations, creative thinking, ebook, fine art, illustration, Narrative Art, Pembral Forgets, publications - publishing, published art, visual story, visual thinking, words and pictures, writing and illustrating

I’ve illustrated Pembral Forgets written by Steve Tubbs and in my last post I talked about my process of creating the cover and my leaf motif that flows through the book.

Well here, below, are some of the finished illustrations with the text so you can see what I mean.

Later on in the story there are some really large leaves… but as you can tell from the images above I depict leaves from a distance as well as nearer to hand.

I also use leaf shapes as logos on story related objects… for example in the photo below look for the leaf on the sugar and the market sacks. I do this in multiple places within the story in order to emphasize the fall leaves aspect of the story – and to visually bring the leaf motif and good food motifs together.

There are illustrations on every one of the 38 pages of Pembral Forgets… lots of leaves blowing through this book!

Since the author Steve Tubbs was inspired by thoughts of himself as a kid and memories of his own mother – I wanted my illustrations to have a warm soft nostalgic feeling in addition to the colors of Fall. So I used a cream colored handmade watercolor paper for my ink and gouache illustrations.

If the pages above tempt you to see the whole story. You can see it for free on Storyberries.com where they’ve published both ebook and audiobook versions of Pembral Forgets! Here’s the link https://www.storyberries.com/bedtime-stories-pembral-forgets-short-stories-for-kids/

And here, below, is what the printed artist book cover looks like. My leaf pattern reproduced well and I’m very pleased with the color reproductions! You can access the printed books here https://www.blurb.com/b/10507043-pembral-forgets

Since the warm, creamy, yet fall colors are what I wanted for the pages in the artist book reproductions – I’m also making the original artist book box (talked about in my last post) have a similar cream color on the book-shaped box edges where pages are.

I still have lots of work to do on the one-of-a-kind artist book box that will hold all of the original illustrations and text. Also there’s a few more pages for the one-of-a-kind book to do…. more about that in future posts.

And I’m in the process of making a webpage about Pembral Forgets. It includes a short conversation with the author, Stev Tubbs, as well as images of more of the finished art. You can see it here: https://sueclancy.com/portfolio/pembral-forgets/

But in case you think I came up with the cover and these illustrations perfectly right from the first: Here’s a leaf motif pattern I tried before hitting upon the motif and color scheme I finished with.

I decided this leaf pattern was too green and too uniformly regular. Then I proceeded to do the pattern I showed you in my last post and what you see on the Pembral Forgets finished book cover. But as a pattern design goes this more-green autumn leaf pattern was fine – it just didn’t fit the creamy nostalgic vibe I wanted for Pembral Forgets.

But I decided the green autumn leaf pattern would be fun fabric for dinner napkins for a fall table setting. You can access this fabric on my Spoonflower shop here https://www.spoonflower.com/designs/6316427-autumn-leaves-by-sueclancy

Speaking of good food and the fall dinner table: I made this soup this week and it was satisfyingly heart and tummy warming. https://gratefulgrazer.com/home/vegan-potato-soup/

I’m still happily reading “European Travel for the Monstrous Gentlewoman” by Theodora Goss – and taking things a wee bit slower but I’ll see you here next Monday! Stay safe – and here’s hoping for a better new year for everyone.

Pembral Forgets and a holiday

A Creative Life, Alphapets, Alphapets Too, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, Authors, fine art, handmade books, handmade papers, illustration, Narrative Art, pattern design, Pembral Forgets, publications - publishing, published art, surface design, visual story, visual thinking, words and pictures, writing and illustrating

Mid November 2020 I was asked to illustrate Pembral Forgets by Steve Tubbs. It’s a story about fall leaves, good food and an absentminded boy who forgets something important.

In mid December I took a social media break in order to focus more intensely on my illustrations. (There’s 38 pages of illustrations!) I’m glad I took the break as I think my illustrations for Pembral Forgets are some of my best work so far. The story written by Steve Tubbs was great inspiration!

I finished the illustrations and uploaded the digital files for the artist book reproductions on December 21 and told the author Steve Tubbs that Pembral Forgets by Steve Tubbs was now available! (You can preview the reproductions of the artist book via this link here)

Then I shut off my screens and have since been recovering from my creative efforts. Reading books and cooking are my go-to restoration methods and it’s really helped to spend time deeply reading in a novel! And trying new-to-me recipes! Truth be told I’m still in this hibernate and recovery mode.

Still, because it may amuse, I wanted to share some of my working process on this artist book project.

Since fall leaves are a theme in Pembral Forgets I studied leaves I found in my yard and neighborhood. I both drew them in my sketchbook and photographed them….here’s two of the photos

Then out of thick mylar (a sheet of clear plastic) I drew the leaf shapes with a marker and then hand cut stencils in the shapes of several different kinds of leaves. The masking tape tabs on the edges of the mylar make it easier to lift and move the stencil when in use.

With a sheet of handmade paper taped to a board on my easel I set about using the 5 different stencils I’d made. I mixed acrylic paint colors and used a natural sponge to dab into the color and then onto the stencil. This overall leaf pattern was done over a multiple day period to allow for layers to dry.

My spouse snapped the above photos so they could be shared digitally with the author Steve Tubbs and his wife. The pandemic being what it is – the project discussions between the writer and myself were all virtual.

Here’s what the finished leaf pattern looked like while it was on my easel with still wet paint.

And here’s what the cover for the artist book reproductions looks like:

https://www.blurb.com/b/10507043-pembral-forgets

Variations of this leaf motif carries throughout Pembral Forgets….

When I create books I think of them, as an art object. With the attending artistic concerns about rhythm, balance, beauty and, in my case, pleasantness. For this project I was inspired artistically Steve Tubbs’s story Pembral Forgets and did my own artistic response to his story.

My way of working also means that most of the time my book creations have, in addition to the multiple print and ebook reproductions, a physical one-of-a-kind book-like-art-object.

Sometimes there’s a series of framed fine artworks related to the books – see my Alphapets and Alphapets Too projects for examples or my portfolio page generally.

Anyway, here’s the book-box for Pembral Forgets that I’m still in the process of constructing.

I will show pages and talk about my illustrations for Pembral Forgets in coming blog posts. My hand is still very tired so I will write more later…like next Monday.

If you’re curious: I’ve been reading the novel “European Travel for the Monstrous Gentlewoman” by Theodora Goss.

One of the meals I’ve enjoyed cooking recently is a pasta, cheese and pepper dish I’d read about on the Food In Books blog – https://wp.me/p75xYM-1bY – I don’t know if I’d read the novel talked about in that blog post but it’s fun to see the novel that inspired the blogger’s recipe. I can tell you, for certain, that the pasta, cheese and pepper recipe in the post is a winner!

Now, back to the novel I am currently reading!