I’m emulating the bunnies in my recent paintings and artist books and taking a short social media break. I’m busy getting ready for upcoming art exhibits via Caplan Art Designs. I do plan to release a special artist book this week on my email newsletter A.M. Sketching but otherwise if I have any spare time I’m going to read books and cook something. Thank you for your support and encouragement. I’ll be back soon.
Here’s an advance peek at new paintings…
There’s a bunny taking a break in this recent artist book…
There’s a bunny taking a break in this artist book too…
I hope you’ll also have a break whenever you need one!
A friend asked how I maintain creativity while doing a commission. My reply: a schedule and lots of joy breaks. I deliberately make the mundane magical. Especially via joy breaks.
Joy breaks, also called “Joy Snacks“, is purposefully taking time to recognize and savor small pleasures. Think of the old fashioned coffee breaks office workers were allowed within a work day but for me now it’s a scheduled “check in” with whatever seems pleasant to me at regular intervals throughout a day. It’s allowing myself to fully feel the pleasure I feel however small the feeling may be. I add a corollary that it’s also avoiding killjoy thoughts – including those U.S. Southern style self depreciating cynical put downs of my own pleasures. It’s taking time to make note of a memorable moment in my journal/sketchbook each day. Yes, notes of things I’m grateful for but also just things I enjoyed and the surprising things that pleasantly caught my attention during the day. It’s also taking a moment to maintain awareness of what is within my control and what isn’t – a crucial thing to remember during creative deadlines – while allowing myself to relax and let go of some things in the Stoic philosophical manner.
In a technical/physical sense while doing an art commission (my current one is for the Caplan Art Designs Gallery) there are times I need to wait for parts of the commission to dry before doing other parts. There are also times when I have extra paint that I mixed for the commission leftover. So part of the mundane creativity task is to monitor the commission as it dries – to stay on task – and yet also use up any excess paint. This week I did a painting of a pig titled “Red Eye Gravy Train”… (details of the painting, the related limerick and a view of my sketchbook is on my Substack https://sueclancy.substack.com/p/early-starts )
Red Eye Gravy Train by Clancy
I had mixed a pink color for my commission and had a wee bit leftover so I added a bit more of the white and used it on “Red Eye Gravy Train”.
During another days work on my commission I was mixing a particular shade of light blue and the tube of blue suddenly smooged out too much color in a gush. So I had a huge amount of leftover blue color to deal with.
So I consulted my sketchbook for ideas and with a watercolor pencil quickly drew a design and filled in with the extra blue paint (and the wee bit extra green too).
Even after painting that there was still extra blue paint left so I covered two boards edge to edge with the blue till the paint was used up. No clue at this point how I’ll use these new blue boards…but that’s what creative thinking is for!
Since I’ve been so busy working we’ve had lots of beans and rice for our lunches. I have a keeper of my precooked magic beans in the fridge so I toss a scoop or two in on top of the rice in my “push here dummy” rice cooker, to quote my adopted Mom’s phrase for simple kitchen appliances.
I add spices, freshly chopped onions and other vegetables to vary the dishes from meal to meal, press the cook button and head back to the studio to work some more.
Even though these beans and rice bowls I make are simple and cooked in a busy-artist-hands-free-cooking way they still feel like homemade comfort food. (My beans and grains bowl recipe/strategy can be found in my kitchen sketchbook “Favorites So Far“)
I like handwritten works, homemade food and just about anything made by hand. So I enjoyed this post by Austin Kleon about how AI (and algorithms) can’t kill anything worth keeping.
And I admit to getting a joy snack style chuckle from this article about today’s teenagers going luddite and ditching social media and smartphones in favor of handmade real life!
The additional poetry book title by Andrea Gibson, the new favorite poet I wrote about last post arrived this week! I love it that it looks handwritten. I know it’s a font…but I like the look. Gibson’s words feel so true to my own experiences and the semi-handwritten hand illustrated look adds a sense of comradeship for me.
Speaking of handwritten poetry… I read a fun article about a park ranger who got creative and made a free little library style kiosk for poetry in the park!
One of the most delightful joy breaks was this video of what happened when a girl gave a street musician a coin.
And I hope today’s post itself gave you a small joy break. Remember to take breaks and notice pleasant things. See you next Monday or thereabouts.
This week was about completing projects that have been in progress for the last few months. Now my focus turns towards feeding my creativity via my Bradbury Reading Program – more on that in a sec.
I so appreciate Bonnie for helping get the word out about the cookbook. And a deep heartfelt thank you to all the other people who have shared about it too!
This week I delivered the finished 3D box I’ve titled “Dogs On The Block” to the Caplan Art Designs Gallery for the upcoming holiday exhibit.
It has come to my attention that I’ve not explicitly shown that in the mornings I use two small books, both referred to as “sketchbooks”, one for writing and thinking in words: my efforts at poetry, stories, and plans about my artist books and art exhibits. The other book is art, drawing and painting focused. From either sketchbook I work on more finished versions of the art, poems and stories. Here’s a few photos of what I mean and there are more details on my email newsletter.
The writing sketchbook has lighter weight pages which are nice to write on with fountain pens and suit light pen drawings. When I want to really explore an image idea I redraw it in my art sketchbook which has thicker paper that can deal with heavy pen drawings or whatever other art materials I want to use. Here’s an example of that. The writing book is on the left, the art book on the right.
Anyway, the little poem book for children that I’ve been working on for Storyberries is finished now, titled Patchwork Poems and will be released as an ebook on Storyberries.com this week on Nov 12!! Because you follow this blog here’s advance access and a full preview of the entire book along with a look at the cover!
There are promotional things still to do about Patchwork Poems but the active creation part is done.
Whenever I’ve finished most of my current art projects to refuel my creativity I turn my attention to what I call my “Bradbury Reading Program For a More Creative Life”. I’ve practiced this program fairly constantly for more than a decade by now and firmly believe it has helped me be as creative and prolific as I am. Here’s the “Bradbury Reading Program” in a nutshell: for the next 1000 days read one poem, one short story and one essay on any topic. Even if I don’t actually manage 1000 consecutive days I aim for as many in a row as possible. If life happens and I miss a day I forgive myself and get back to it asap. Here is a video of Ray Bradbury himself talking about this reading program. https://www.instagram.com/reel/CkdkDiuvNrR/?igshid=YmMyMTA2M2Y=
In the mornings I play in my writing or art sketchbooks in response to whatever is on my mind in the mornings while I’m still in that groggy half asleep state. I am *not* a morning person and this is my superpower: dawdling, doodling and dream-noodling over coffee and breakfast.
The poetry and short stories I read each day are seriously short. Towards evening I randomly pull a book from my shelves, read the poem or story within a few minutes, replace the book on the shelf and go on with making dinner. To show you what I mean… here’s a bookshelf with poetry books on it…
…the book I chose is titled Comic Poems – Everyman’s Library Pocket Poets…
… I open it randomly and read the 4 line poem by Ogden Nash. I replace the book on the shelf and the poem section of today’s Bradbury Reading Program is done.
Now from part of my short story bookshelves…
… I select Tales of the Dervishes by Idries Shah and open it at random…
… to a half page sized story titled The Oath. I read the story and replace the book on my shelf. Now the short story part of the Bradbury Reading Program is done. And possibly dinner is ready too – or will be shortly.
I shared this photo below in my last post but I’m still happily reading these books each day after dinner. The top most book, The Book of Delights by Ross Gay, is a book of short essays that fits with my “Bradbury Reading Program”. The essays generally are two pages long, sometimes a bit shorter or longer. It doesn’t take long to read an essay after dinner prior to clearing the table and doing dishes. I’ve been reading these essays aloud to my wife just so I can keep my voice in practice while I’m basically without hearing aids.
The titles by Salman Rushdie were chosen because I enjoy reading biographies of artists alongside one or more of their creative works. In this way I learn so much about living the creative life. These Rushdie books are what I’m reading each night for about an hour before bedtime. Usually with a mug of hot chocolate.
Details about the books in the above photos are available on my public bookshelves on @bookshop_org – and book sales from this link benefit indiebookstores https://bookshop.org/shop/clancy
The only book pictured in this post but not listed on my public bookshelves is Comic Poems by the Everyman’s Library Pocket Poets. Sadly it seems well and truly out of print however they offer many other small books with short poems https://knopfdoubleday.com/imprint/everymans-library/
I hope your week is pleasant and full of creativity! See you next Monday.
My exhibit “For You By Sue the ABC’s: Art, Books, Cards” opened at the Aurora Gallery. It was my first art event since my adopted Mom passed so it was hard in many ways. But I spent time talking with my spouse and being in touch with family and friends so that helped. I didn’t attend my art opening in person because I’m still being careful re Covid and, frankly, I didn’t want to cry in public. Even so I heard nice comments via social media from people who saw my exhibit during the opening and took the time to tell me they enjoyed it. It’s safe to say quite a wide spectrum of my emotions were covered.
Which made me glad that I’d spent time reading Marcus Aurelius recently. Over on A.M. Sketching I thought, as I sketched, about a quote from Marcus Aurelius – regarding not needing to always have opinions and the practice of letting opinions float by as they will. I find this is true of my emotions too – they come and go if I just let them alone. So, it helped this weekend to just let my emotions come and go without forming an opinion about how I felt. Not forming opinions about my emotions helped me to sustain both my creativity and my ability to do the business end, so to speak, of living a creative life during a personally difficult time.
This last week I made an effort towards my new drawing tutorial gig via Nil-tech. I did a demo of drawing “Hedgehog in Shade“.
It’s a beginning… here’s a link if you’d like to see my very short tutorial effort.
Here’s a book I’m reading and enjoying. I find the main character’s way of cheerfully adapting to difficult circumstances very refreshing.
I’m going to read and rest some more. Thank you for reading and for your kind comments. See you next Monday.
As I alluded in my last post life and art are correlated. In the comments Sherri said it’s like a braid. That’s certainly true for me; life, creative projects and self-care weave together. It’s not a work slash life balance so much as it is what can I do that makes both life and creativity sustainable and as fun as possible? Art and life can teach each other what they need when I’m listening to what makes me glad to be alive at that moment. The thumbtacked quote below is one of my favorites.
Here’s another painting in my Odditerrarium series titled “Teacher”. Like the others is is 10 x 8 inches and created using ink, gouache and collage on board. It will join the rest of the series for my upcoming exhibit at Burnt Bridge Cellars via the Caplan Art Designs Gallery.
I’ve been framing artwork almost every day like I mentioned last post in an adjustable rhythm of spray varnish two and frame two. Slowly but steadily I’m getting all 20 framed.
The back looks like this when I finish the framing and write the title of the painting on the backing paper in ink. Then I slip it into a protective sleeve and then into a box with its fellows.
Two of the 20 finished paintings are smaller at 7 x 5 inches but all of the rest are 10 x 8 inches.
At the end of the week I got the the rest of the frames I need from the Aurora Gallery! The new frames are outside the box and the box is full of artwork that’s already been framed. So if I keep this work rhythm going I will have all of the framing finished a week early before delivery. I like giving myself some time to relax before delivery day.
Breakfast one day this past week was lemon scones made by my wife! They were yummy! And here’s my sketchbook page that day.
This week besides my spray two frame two work routine also had a leaking dishwasher in it. We’ve ordered a new one. Then another morning we were having breakfast (not the scones) when suddenly the water heater beeped frantically. We frowned at it. Rusty our dachshund barked at it. We looked at the instruction book and at the app for our heater. Nothing we tried helped. So we called our regular handyman and before our coffee got cold Kyle had our issue fixed! We’re sending him a big thank you by postcard… (postcard art by Clancy)
Since we’re hand washing dishes until the new dishwasher is installed I made my homemade simple sauce (recipe card here) and added chunky veggies – zucchini, onion, bell peppers – it was very good over pasta! Several meals were had with easy clean up – just the pot I boiled pasta in and the bowls and forks we ate with! The sauce was reheated in the pot it was original cooked in.
When things go wrong I refer to this thumbtacked note on my studio wall.
And that concept of seeing possibilities includes remembering especially during difficult or stressful times to see the beautiful things. Here’s some beauty I enjoyed seeing in my wife’s garden.
And also this thumbtacked thought was good to remember…
… and it was good to practice. Just for fun we got some Daniel Smith watercolors that have shiny aspects; interference, iridescent and duochrom to the colors – and both of us played with them on watercolor paper. Taking time to play is important especially in stressful times. The cat helps too.
Below is another days breakfast and sketchbook page. Since this week had stressful times with household appliances in addition to maintaining my work rhythm I mostly let go of my social media posting and responding. Letting go of the social media part of living a creative life helped too. I will pick it back up… and the break was/is nice. (Thank you in advance if you share this post on your social media.)
This next week besides the framing and will focus on website and promotion prep for the opening of Odditerrarium. It’ll also have some more rest and recreation in it before the opening of Odditerrarium on June 3!! Wahoo!!
I hope all of your household appliances work smoothly or are easily fixed this week! I also hope you make time to see the beauty around you and to play. See you next Monday.
Dancing smoothly nowadays as I near time to deliver all 20 of my Odditerrarium artworks for exhibit via Caplan Art Designs which opens in June at Burnt Bridge Cellars.
All 20 artworks are finished. In progress is the framing, the exhibit paperwork, the delivery and the social media about it all. An artist’s work is never done…it’s a lot like a cooks work that way.
But here’s one of my paintings titled “Learning Almost Anything”. Like the others in my Odditerrarium series it is 10 x 8 inches, created with ink, gouache and collage on board.
Here’s a closer view so you can see what this dog is thinking.
Doing fine art exhibits, like writing for publication, requires both being organized and resisting tempting parking spots. I have two phrases thumbtacked to my studio wall to help me remember.
When I began my Odditerrarium painting series in 2021 I did enough planning in my sketchbook that I knew the sizes I wanted to work in. I created 5 or so of the paintings to see if my series idea had legs. Then over a month ago I ordered frames from the Aurora Gallery. The frames are made by hand and that takes time. The first box of frames is in my studio ready for action. A second box of frames is due soon.
Now that creation of the paintings is done I set up a system, a working routine, so that I don’t wear out my hand doing the varnishing or framing processes.
Elsewhere in my blog I’ve talked about working in short bursts as a way to make time, energy and the financial components of a creative life sustainable. This is true too of the varnish and frame stage.
More than a month ago I also ordered the cans of varnish I knew I’d need along with a few other art supplies from my local Artist and Craftsman. My dachshund supervisor made sure the order was correct when it came.
Now my daily routine includes a “spray two frame two” dance. It goes like this: just before lunch I take two paintings to my garage where I spray a coat of varnish. Then we have lunch. After lunch I spray another coat of varnish on those same two paintings. Here’s a photo of me in the respirator mask I use when I spray varnish.
Those just varnished paintings stay out in the garage the rest of the day. When I quit working for the day, around dinner time, I bring them into the studio and put them on the easel to finish drying. In the photo below you see two just-varnished paintings on my easel. To the right of the easel is a framing station. My painting supplies are still out because there are other projects in progress just to the left of this photo. There are other creative projects that get a short burst of work each day so that’s another reason why the just-varnished stay out in the garage till the day is done.
Here are two getting framed. Having the varnished art on the easel puts them within easy reach of my frame station. Doing the varnishing around lunchtime the previous day means that by the time they get put into frames 24 or so hours have passed and the varnish is completely dry.
Besides checking in the new art supplies my dachshund supervisor also oversees the framing. He’s very busy, perhaps more busy than usual lately, but like I do, he paces himself so that it’s sustainable.
Like the quote thumbtacked just above the light switch in the photo below says about dancing and magic happening, being organized doesn’t guarentee smoothly run projects. (Another mantra I use often: “Nothing has to go right today”) Organization gives my projects a sporting chance to be sustainable, it gives me the possibility of meeting deadlines with a smile. Besides I deeply despise chaos and rushing about so I prefer to pace myself (and dance) at a calm speed.
And I treasure time each day to read and learn almost anything.
I hope your week goes at your preferred pace. Take care of yourself. See you next Monday.
My new childrens book, The Professional Dog, is progressing nicely. I’ve been thinking of this as a fine art dog portrait album inspired by the idea of the 19th century parlor game The Minister’s Cat. My book concept is an excuse to talk to my friends about their dogs and see if I can do 40 portraits of dogs whose owners are people I know. It just so happens that I know people occupying an alphabets worth of professions! How fun is that?! Anyway, here are three of the dog portraits together.
Below the larger portrait is the text I’ve written for the book.
The Helper’s dog is a hopeful dog.The Inventory Manager’s dog is an insightful dog.The Judge’s dog is a jolly dog.
Besides keeping on my work schedule for The Professional Dog I’ve been working closely with two of my galleries. We’re doing fine art commissions and studio visits in prep for the upcoming gift giving season. It’s beginning to resemble Santa’s workshop around here.
For example I created, then delivered, an art commission to Aurora this week for someone’s holiday gifts (shhhh!). Then while I was in the Gallery I got to see a glorious display of my own work! That sight inspired and encouraged me to keep making my stuff. https://auroragalleryonline.com/
The Aurora Gallery does such a good job displaying my wide variety of differently sized things – artistbooks, greetingcards and fineart – I love it that someone can see my books and around the corner nearby in the art gallery they can see the original artwork in the books!
Since we’re not talking about the fine art commission I just did for the Aurora Gallery here’s the art studio dachshund keeping mum with me.
And as I mentioned in my last post we’re still very definitely not talking about the Caplan Art Designs upcoming holiday box project.
Also there’s another event upcoming at Caplan Art Gallery that… well, we’ll talk more about that later. (There is a hint on my Instagram page about that however 😉)
Suffice it to say that I was extremely busy this week, working in both short and long bursts, on several projects I can’t talk about publicly.
Thank goodness I can talk about my childrens book project The Professional Dog! The book is farther along than my posts make it appear. And I’m excited about this book! I believe kids need fine art in their lives too so I’m taking great pleasure in making an album of fine art paintings and producing the work in such a way that while being an art object itself – as in I am personally making an artistic reproduction of my original artwork – my finished book will be affordable and will also withstand little hands with grape jelly on them!
I’ve been so slowly posting about this work because when I run out of time in a day it’s the online posting that drops off my to-do list. Creative work comes first. Talking about it comes later.
Similarly there wasn’t time for one of my Creativity Chats this week. I wrote notes for it though.
Food got simplified this week too. I threw ingredients for this recipe from a blog I follow called In Diane’s Kitchen into my slow cooker, pressed buttons and went to work in my studio. The reheated leftovers were even better the next two days.
And you bet your sweet bippy that I am still taking the time, up to an hour or so every evening, to read books and have hot chocolate before bedtime. It’s the way I keep calm and carry on during busy times.
My secrets to maintaining this level of creativity? In the mornings 5 or 10 minutes daily playing around with my sketchbook. In the evenings 30 minutes to an hour playing with books – print books I own as well as ebooks from my local library. (I especially love cozy mysteries, fiction, short story collections, poetry…)
And between those daily just-for-me fun times I play with whatever project is at hand. I just charge ahead with my project in my best imitation of a child arriving enthusiastically at a playground.
Yep, those are my secrets to a sustainable creative life which could be distilled to “Play and have fun every day come heck or high water!”.
I hope your week is a playful one no matter what else is happening. See you next Monday.
In my last post I talked about how I manage art projects and time. I have an heretical approach and I was asked for more details. Here goes:
One of my longtime interests is in how humans think, learn and how to maintain good mental health. I read on the topics often. Here’s a few of my bookshelves full of books on these topics.
I’ve learned that humans tend to learn best by hearing stories or anecdotes or metaphors or allegories. Or by seeing examples or demonstrations. Rarely does a direction “do it like this” get followed. This includes self-directions related to art projects and time management. Even if the direction is followed often the purpose for “doing it like this” is rarely fully understood at the time. This includes self-directions.
Let me tell a story to illustrate what I mean: Once there was a mother, with a very tiny kitchen, who always cut her pot roasts in half before cooking them. She taught her daughter to cook pot roast by explaining and demonstrating. Her daughter grew up and had a daughter of her own. One day the grandmother was visiting. The daughter was in her very large kitchen demonstrating cooking a pot roast to her young daughter. She said proudly “In our family we always cut the roast in half first. Isn’t that right mom?” The grandmother replied “Oh, no! The only reason I cut my roast in half was that I didn’t have a pot or a stove big enough to hold a whole roast!”
Being aware of this attribute of human thought and attention I approach self-directions about my own art projects and time use rather sideways. More details below.
The other interesting thing I’ve learned about human thinking is that good mental health and happiness often happens while we’re busy doing something else. Often with, and for, other people. I think the same is true of creativity.
Similarly when humans feel good about, curious about or interested in something they’re more likely to do it. If we make activities we want to do fun and easier to do it increases the likelihood that they’ll be done.
So I give myself directions about my projects in terms of what I *want* to do rather than what I must do and I accept that I may not fully understand what I’m doing, or why, until after the project is completed. I’m also careful to keep lots of projects in various stages of production so that I’m “busy doing something else” and not as likely to get too focused (and too critical) about one project.
I’ve mentioned it before but my approach to creative projects and time management has it’s roots in a mental health book I illustrated “Dr Bob’s Emotional Repair Program First Aid Kit“. Below are a few of the pages that relate to what I’m blogging about today.
For much of my creative life I have taken these concepts about human thinking/emotional health and applied them to my overall approach to creative projects and time management. It has helped me to consistently get projects done in a sustainable and enjoyable way. I say my approach is heretical because I have known art coaches and art teachers who advocate, for example, “strict discipline to do one thing till it’s done” as if we are machines and I strongly reject that notion. That’s too much like lunging and grabbing at a stray cat. That’s a sure fire way to spook the cat – or the ideas – away!
My approach to creativity is similar to the method for befriending a shy cat. You see a cat hiding in the bushes and you can’t see enough of the cat to know what breed it is, whether it’s healthy or not or whether it’s wearing a collar. So you get some cat treats and with very slow movements place the treats strategically to coax the cat into visibility. You remove yourself, slowly, to a short distance where you do your best to act as if you’re *not* interested in the cat. With patience the cat will emerge at it’s own pace and you can see it. No lunging and grabbing is necessary on your part!
My morning work in my sketchbook is akin to the cat treats strategically placed. I wake up and I just play with words in my poetry sketchbook or with images in my mixed media sketchbook. I do *not* take these efforts seriously. This is just something fun to do while still half asleep waiting while the coffee percolates. Of course I hope something good will come from this work and often it does but that “good” is to be determined much later. At the time I’m drawing or writing in my sketchbook I’m thinking of it as a fun gentle way to ease into the day.
I literally keep these sketchbooks handy in my breakfast nook along with a few pens and a small gouache watercolor set. The sketchbooks and the watercolor set are small 3 x 5 inches or so. Seldom have I spent more than 10 minutes on these efforts. You see, I’m busy doing something else besides creating – I’m making breakfast and eating it with my spouse. But I have this regular habit of luring ideas into my sketchbook.
Here’s a few recent sketchbook pages.
When my idea-cat begins to emerge from several weeks of my sketchbook morning work I’ll begin gently, tentatively, feeding and petting the idea. I do this by reading books somewhat related to my idea, by writing about my idea on a legal pad, brainstorming in a what-if-I manner.
Here’s a look at my legal pad list that eventually became my book This Rabbit and here’s my portfolio page about that project including links to blog posts detailing my work process for that project.
After doing enough sketchbook work and legal pad what-if work that I feel I’ve got something, some idea emerging into visibility, I’ll sometimes draw a series of thumbnail drawings on loose paper in color to try different color arrangements. Or perhaps I make a folded paper dummy of a book idea. Perhaps I’ll make larger drawings – redrawing images from my sketchbook onto art paper. I am still just playing around and seeing what could happen.
The intention is to test the idea in my sketchbooks to see if it might become something more than a sketch in my sketchbook. A bit more time is spent, 20 or 30 mins in this phase of idea attracting. These writings and drawings are kept in a 3 ring binder by topic or perhaps with a tentative working title related to what my idea may become: an art exhibit series? A childrens book? A greeting card??? Things are left very open ended.
Still I am busy doing other things – specifically my main art project of the moment – the binder is just a way to keep all of my notions on a theme handy in one spot. This is like giving that still shy cat a temporary foster home. This way we’ll keep track of kitty, give it some time to adjust, learn about kitty and see how it goes.
Here’s my shelf of 3 ring binders
Here’s some photos from the 3 ring binder for my currently in progress “How To Draw A Dragon” project. There are several folded paper book dummies, several rewrites of the poem and many drawings.
If a 3 ring binder project collection goes well and the idea begins to show promise – by ‘promise I mean ‘potential to be fun’ – then it may move to the “main project” status. The idea cat has been adopted…however we’re still in the probationary period. Anything could happen. This is where I currently am on my ” How To Draw A Dragon” project.
Here’s a few of the “Dragon” pages I did this week.
A main project has the serious art supplies out for it. It has the studio space devoted to it. Time during a day will be set aside for it, but not an entire day, I mean an hour or two. Time is set aside in a task-oriented way not a from-when-to-when on the clock way. I have a master list of tasks to be done on a main project and each day I pick from 1 to 3 of those tasks and set them as a goal to accomplish that day. That’s the establishing a working rhythm that I spoke of last post.
The main project is taken a tiny bit more seriously as in I will erase and redraw whereas in my sketchbooks, legal pads or binders I’ll leave a drawing however it is. I will also write and rewrite with attention to spelling and grammar on a main project. As I go I’m feeling my way along. The uncertainty is normal. Perhaps my idea cat isn’t ready for such attention. Or perhaps it will thrive on it. We will take it slowly and see. My “How To Draw A Dragon” so far seems to be thriving meaning it is still growing and becoming and I’m having fun with it.
Below is a studio photo showing that “How To Draw A Dragon” is filling my easel and overflowing into nearby surfaces. My art supplies used for this project are left out and handy. I don’t open windows in my studio so no breeze disturbs my papers. If you were to visit my house today we would stay far away from my studio because I have things in a careful order for my projects sake. My cat and dog are trained to not disturb things in my studio. There’s a door to my studio and I use it to remain undisturbed. A main project filling the studio is a tender kitten. I handle gently. I have heard art coaches speak of clearing ones working area at the end of each workday — that’s another area where I heretically scream *nooooo!*
Even with the extra attention given to a main project I carefully keep it fun and playful. I will find ways to “feed” a project- to feed my unconscious mind – for example by reading books related to the topic I’m making art about. For my current How To Draw A Dragon project I’m reading about creativity – about creating poetry in particular- and the interplay between our left brains and right brains, between our inner adult selves and our inner child selves. The topical reading is kept up for a duration of a project as it helps with my focus and fun. I simply cannot stress this enough *keep a project fun* and the project will likely get finished.
Another helpful way I keep going on a main project is that I *dedicate* the project to someone – I give the project a purpose, a reason for being (something *not* related to money or fame). I give it something beyond myself. The person or people I dedicate my work to often never know. But I am busy making my main project *for* somebody. During this pandemic openly dedicating works, or embedding symbols a friend might recognize, has been a fun way to stay in touch.
Here’s the dedication page for my Dragon book. Dedications for my fine art most often just happens in my mind.
It may be that I work on something as a main project for a while and it stalls. The stall could happen at the 3 ring binder stage or earlier in the sketchbook stage. A project may fluidly move back and forth between these three stages over a lengthy time period. This is another part of my business of art/creative heresy – I think this fluidity is perfectly normal and fine! Uncertainty is okay! I see it as part of the creative process, part of the ways a creative mind (and a subconscious mind) naturally works. Human brains are not linear machines! This is another reason I work on multiple projects – one stalls and I shift attention to another until the stalled one wants attention again.
Very carefully as I’m in the process of making artwork I avoid any sweeping declarative statements, to myself or anyone else, like “this is dumb” or “this is awesome”. I use moderate language statements, if a statement is needed and I can’t avoid it, I’ll say something like “so far so good” or “it’s a fun challenge”. To make a hard sweeping definitive declaration like “this is horrible” is to force a still-in-progress project into a labled pigeon hole. What may not work as a painting might be a good greeting card. I don’t know yet! When a project is in process I may think I am making X only to discover when I’ve finished that I’ve made Y instead. I deliberately leave linguistic and mental room for such progress! (See my pot roast story above) Harsh declarations make it hard to extract a project from the dispair/elation and continue. It makes it harder to allow a work to change from a painting to a greeting card. I prefer to leave room for discovering and being surprised by what a project becomes. It’s more fun that way. I would no more force an art project to become something than I would force a stray cat to accept a grooming before feeding it and earning its trust.
Here’s more from Dr Bob about being careful about self talk.
The tendency all humans have to take things too seriously- even obsessively – is another reason why I deliberately have multiple projects at various stages. One main studio project -or possibly two main projects- at a time but several other projects are being developed in my sketchbooks, legal pads and binders. This helps me not be too “precious” about any one of them. I work on something a while then stop working *while it’s still fun* and do something else. I find it helpful to try to stop working before I am too fatigued, while I’m still interested or enjoying my work and then move on to something else.
So I am always busy “doing something else” which allows my idea-cats space to breathe without micro-attention. This method allows my subconscious mind to work on my projects. I can trust that my inner voice will say “oh, let’s work on this!” when the next part of my idea is ripe. I can trust that I will keep returning to a project until it is finished.
When a main studio project is finished there is usually another project in a binder that’s developed enough that it’s ready for attention at my easel. No force to finish or start a project is needed. No strictness. No machine-like “discipline”. Knowing and accepting the way human minds are naturally has worked well for me. I work with my brain not against it. I am just playing around with topics that interest me. Like most real life fur covered cats I can trust that my idea-cats will tell me when it’s dinner time.
Speaking of dinner. The outstanding dinner of the week was broccoli pasta. I was out of fettuccine so I used short noodles but the recipe in my Favorites So Far kitchen sketchbook is still yummy!
Earlier this year I was asked to make some gender neutral fabric designs and put them on my Spoonflower shop so someone could get fabric with my designs and sew some bibs and blankets for a new baby.
Here’s a photo of me working at that time on the fabric pattern.
Here’s the finished original art
This week I was given, by the person who had requested the fabric patterns, pictures of some of the finished baby things they’ve made and permission to post about them! It was lovely having something fun like this to post about as my Dragon project is still becoming and is in the gawky teenage stage and camera shy.
Where I tend to run out of time in a day is the social media promotion thing. And frankly there are times, especially when I’m busy, that I’d rather just do my art projects than talk about them. But talking about them is necessary and most of the time I enjoy doing it so… Anyway, I really appreciate it when people share what I post or when someone sends me photos of themselves with my fine art or artist books or share photos of what they sewed with my fabric designs! It helps and is such fun to see!
Anyway, here’s the photos of a burp cloth and a few blankets my friend created with my fabrics! They turned out so well!! The sewing is marvelous!
Hope this description of how I manage my art projects and deal with time was interesting and even helpful to you as you do your own creative projects! Have a creative week and I’ll see you next Monday.
A work rhythm has been fairly firmly established. I wrote about that in my last post. My days now have a regularity that goes like this:
Breakfast time contains sketchbook drawings with or without characters from my currently in progress childrens book “How To Draw A Dragon”
Perhaps after eating breakfast I spend a few minutes more reading a poem or working the crossword puzzle with my spouse (we take turns doing 5 or 6 clues) while we finish our coffee. (The poem in the photo below is by Robert Service)
Then I pour another cup of coffee and carry it to the studio. There I look at the work I did last and my project schedule/guide that I described in my last post. I sip my coffee and settle in to work.
By now I’ve done about 10 of the 32 pages but even those, as you can probably see in the photos below, aren’t really finished. Some elements like the text will be the last to be inked and only after all 32 pages have been mostly finished. Similarly I will edit and ink all of the elements of foreshadowing for my poem story after all 32 pages are mostly inked.
As I work I am thinking of the pages both as page spreads and as individual pages.
These pages below have been quickly photographed where they are on my easel for sharing my progress with you here. My set up for photos for book reproductions is another thing entirely- and I’m not at that point yet.
The sharp eyed will probably notice that some changes have been made to my story setting and to my poem text since my last post.
Basically I’m in the early stages of this book project and everything is in flux and there aren’t “for public” images for this project yet.
So instead of anything about this project when I put something on my social media I post about my current art exhibit Odditorium at Burnt Bridge Cellars and about the related items I’ve designed on my Zazzle shop. For example my “Odd mugs” collection.
And my books. I talk about one of the 9 books in my portfolio. Or I talk about one of my 10 books on Storyberries. Or I post a photo of my cat or dog. Or I post nothing at all. Especially as I settle into a project working rhythm I find I’m online less and less. That said I do enjoy finding your kind comments when I check in! And I thank you in advance for them.
Lunch, however, is rarely missed. This week the easiest meals were bean and grain bowls like this photo below and here’s the recipe scheme from my Favorites So Far kitchen sketchbook.
After lunch I head back to the studio for more work on my How To Draw A Dragon book. Generally speaking I get 2 pages finished per day. If I’m lucky I’ll get a start on a 3rd page. But my focus is on maintaining a work rhythm not in a quota of pages. If I have to totally redo a page and thus only get one page done in a day that’s fine! I just keep going! It’s a dance between discipline and the spaciousness of pleasurable play as talked about in this article.
I did take the time this week to go with my spouse to visit a new independent bookstore in our town Birdhouse Books! This was my book haul.
Short stories, poems and short essays give me an intellectual boost without requiring an investment of time like a long novel does. But sometimes a long novel is just the thing to accompany a long creative project. It just depends.
What’s not in question is the fact that time to sit and read each evening is essential to helping me maintain a steady working rhythm.
Hope your week has some good rhythms too! See you next Monday.
My crocodile became a dragon as I’ve been working on a new childrens book. I’ve been alternating work in both my poetry sketchbook, the orange book on the left, and my black visual sketchbook on the right.
Below is a look at my handwritten poem text in my poetry sketchbook.
I also have a 3 ring binder in which I have collected sketches and drafts of the poem text. Initially I was calling my poem “How to paint a crocodile”. My idea was to do a coloring activity book featuring a human child and a realistic crocodile. But the humanness didn’t feel right to me. And the crocodile felt too, well, reptilian.
So in my black sketchbook I tried a few more cartoon-like crocodile drawings. I’ve done many sketches and am only showing a few here in order to keep this post brief. Also not pictured are my sketches of various animals along my way to a decision to make the human child character into a rabbit.
The crocodile kept feeling too sinister in my sketches. So I dropped, temporarily, the coloring book concept and just painted who might be the main adult-like logical no-nonsense left-brain character to play opposite my rabbit right-brain creative playful child-like rabbit. The “adult” character it turns out is a dragon.
So I went with the dragon! In subsequent sketches I resumed my coloring book notion. The working title for my coloring book poem now is “How to draw a dragon”. I’m using the word ‘draw’ in the sense of ‘attract’ in addition to the usual sense of drawing with a pencil. Below are a few sketchbook drawings of the dragon in which I aim for busy adult postures – grumpy perhaps but not sinister.
Besides rewriting my poem in my poetry sketchbook I have also rewritten my poem on scraps of paper which are kept in my binder. There are -tons – more rewrites and sketches than I’ve shared in this post. Here I’m sharing just enough, I hope, to give you a sense of my working process. When I felt my poem was settled, more or less, I wrote it on a stiff paper so it could stand on my easel as I work. You can see it below.
When I spoke in a my last post of “having my crocodile project all over my studio” the photo below perhaps gives you a sense of what I mean. In this photo the papers on my easel look blank but there are pencil drawings on them. There’s also a blizzard of drawings in ink on tracing paper.
Multiple drawings on tracing paper enable me to draw a character similarly but holding or doing different things as the character goes through my story. Below you can propably see what I mean.
Yes, I know there are computer programs that would enable me to copy and paste character elements from one page to another. I have used such programs in the past. But I find it more satisfying to do original hand made drawings for every element within a book. I fancy myself as like a chef who prides herself on using local ingredients and cutting them up fresh when a dish is requested. A chef’s hand made dish is better, I think, than a frozen box meal reheated. But I digress.
Below is a “scene” or a stage set upon which my characters will act. I’ve made a master template in ink on tracing paper which I will use for reference – and for story foreshadowing – throughout my poem book.
Below is a look at some of the rabbit character sketches on tracing paper.
Below is a look at a few of my dragon character sketches. I feel I’ve finally found a balance between a grumpy adult appearance while not being too sinister.
Here’s a closer look at the Rabbit character.
As I build these pages I will do my story foreshadowing using many visual elements. So even after I get the entire book drawn the visual foreshadowing will still need to be carefully edited. But first I’ll get the entire book roughed in. Lots of work to do.
To help get me to my studio work more quickly in the mornings most of the evenings I’ve been making overnight oats. Into lidded mason jars I put some raw uncooked old fashioned oat meal, some milk to cover the oats, maple syrup, fruit like raspberries or blueberries (or both) and yogurt. Then I add a bit more milk as needed, put the lids on and put the jars in my refrigerator. In the mornings I don’t have to think of what’s for breakfast or spend time cooking. I can get right to my sketchbook work!
This week Storyberries added an audiobook to my On Looking At Odditorium book there! How nice is that?
Also this week I delivered the artist books that the Aurora Gallery had requested along with some signed bookplates! You can see more about each of these books on my portfolio page.
My plan is to work steadily on my Dragon, a bit of work almost every day, until it’s finished. Some days only a short burst of work will happen but other days I’ll have more time to spend.
So along with my tracing paper templates I’ve made a strategy, a loose agenda/schedule, of items to be done on this project which I’ll use as a guide to enable me to pick up wherever I left off even if I only have 10 minutes of time to work. I’ll use the same guide if I have hours of time. Such a project schedule is a guideline – a suggested working rhythm – it is not a god to be worshipped or slavishly obeyed. My guide is a way for me to keep this project in small manageable chunks. Keeping it small helps me to maintain momentum and to keep it fun. (There’s even a business article here about the kind of strategy I’m talking about.)
I have already spent months working on this poem and have only just this week outlined, and otherwise prepared, 32 pages to draw, ink and hand letter over the coming weeks. In other words I am just now ready to begin in earnest. Forming a good steady working rhythm now is crucial. So is focusing on the fun.
Some sort of strategy – I like to call it “planning the mundane” – some consideration for keeping long haul projects like this manageable, not overwhelming, is important. But it’s the fun that is the lynchpin of what keeps a creative project sustainable. So I consider having fun the most serious aspect of living a creative life.
Hope your creative week is sustainably fun too! See you next Monday.
