art exhibit statement in pictures

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, creative thinking, dog portrait, drawing as thinking, fine art, pattern design, public art, published art, sketchbook, visual thinking, words and pictures

I’ve been working on an exhibit statement for my upcoming one-person exhibit at Burnt Bridge Cellars http://www.burntbridgecellars.com/ via Caplan Art Designs http://www.caplanartdesigns.com/index.htm and making it as visual as possible. Here’s what I’ve come up with (with slight variations for my on-line only audience):

Dogs In The Winery by Sue Clancy

I’ve been inspired by many of the drinks, restaurants and music events in Vancouver and the Pacific Northwest. Whenever I am inspired I make notes in my “running around loose” sketchbook – real-life observations – that often end up on a page looking like this:

CestLaVie

Back in my studio I run those notes through my imagination and do a new sketch, in black and white, that uses elements of what I’d seen in real life but transforms that real-life data symbolically. In this way, my work becomes a visual story about enjoying something. For me drawing is thinking – and storytelling. My newly imagined art-sketch becomes something like this:

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Pierre by Clancy (ink on handmade paper)

Then I add to my story concept thoughts of color, patterns and textures – to create a surface design on handmade paper that reflects my thoughts/feelings. In this step, I’m designing and creating hand-made patterns onto handmade papers using a number of techniques. Each pattern is designed to be another story element.

I put together the real-life data – my re-configured imaginary sketch idea and my color/pattern surface design thoughts – by cutting shapes out of my handmade papers and literally gluing the cut paper pieces together to create my fine artwork.

To show you what I mean here is a picture of me making a surface pattern design on handmade paper:

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Sue Clancy creating a pattern on paper using a stencil-paste paper technique

And here I’m using an Xacto knife cutting out shapes from paper that was previously dyed:

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Cutting dyed paper into a shape

The end result is a multi-layered fine art piece in color – like what you see in this exhibit or that you can see on my website fine art page https://sueclancy.com/fine-art/ Or like this finished fine art piece titled “Café Paix”

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“Café Paix” by Clancy – 14 x 11 inches – hand dyed paper, handmade paste paper and acrylic on cradled board

This exhibit shows a progression of my artistic thoughts about life in the Pacific Northwest – a visual story collection – with various dogs as symbolic characters. For me a dog represents an exuberance, a gladness, about being alive and is a fitting representative for pleasant life experiences.

You can download, free, 18 pages from my “running around loose” sketchbook – the real-life data that inspired this exhibit from my website here: https://sueclancy.com/artist-books/  I’ve titled this (free eBook) sketchbook “Glad To Be Alive Sketchbook – drinks and music edition 2017”.  Direct link to the free eBook here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

The imaginative art-sketches developed from the “Glad to be Alive…” sketchbook can be seen in the printed book “Dogs by Sue Clancy” (available in this exhibit or via Amazon and other booksellers or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy ). If you are able to visit my art exhibit at Burnt Bridge Cellars I’m sure you can identify (in “where’s Waldo” puzzle fashion) which sketchbook page led to which black and white art-sketch and which of those became color fine artwork.

For a “mind map” of my thinking process see the diagram here: https://sueclancy.com/2017/05/16/mind-map-of-a-clancy-art-exhibit/

mind map of a Clancy art exhibit

A Creative Life, animals in art, art exhibit, Art Licensing, art techniques, artist book, artistic inspirations, creative thinking, dog portrait, Dogs in Art, fine art, functional art, pattern design, public art, published art, sketchbook, surface design, visual story, visual thinking, words and pictures

I’ve been busy getting ready for my one-person art exhibit to open June 2nd at Burnt Bridge Cellars – a winery in Vancouver WA.  Part of doing an exhibit is to write an exhibit statement. But before posting my finished exhibit statement I wanted to share my thoughts behind my art exhibit design.  Here’s a sketch diagram, a mind-map:

MindMapOfExhibit

For the last year I’ve been running-around-loose in the Vancouver WA and Portland OR area documenting, in my sketchbook, my experiences at local music events, restaurants, wineries, cafes and pubs.  You can see a free eBook of my sketchbook titled “Glad To Be Alive – drinks and music edition 2017” here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

Then I processed through my imagination all of that data I’d collected in my sketchbook and for each pleasant thought I imagined a dog character-actor and made a new sketch/visual story, an ink study, using a sumi brush and ink. You can see a printed book, titled “Dogs by Sue Clancy” with of some of these ink sketches via Amazon or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

After doing a whole bunch of these dog portrait studies, almost 100 of them, I selected several and refined them, adding color and pattern and shape thoughts to my visual story describing metaphorically my experiences in real life.  These refinements have become finished fine art pieces that are in color using my mixed media cut handmade paper technique.  Both some of the finished color artworks and some of the black and white ink pieces (framed) will be at my upcoming exhibit.

My artistic inspirations are elements of ordinary life – so I’ve extended my art-exhibit making to the above mentioned books. Books are an important element of ordinary life so having authored two of them and making them available adds another layer to my art exhibit.

After doing some of the fine artworks I’ve also done some “illustrated things”: I’ve applied some of my artistic thinking for my exhibit to real-life clocks, napkins, tea towels, scarves and many other ordinary consumer items.  This extends my art exhibit thesis to yet another layer or dimension.   You can see some of the items I’ve designed on my web page titled “illustrated things” here: https://sueclancy.com/pattern-design/

To put my exhibit thesis plainly – I think it is very important to remember to enjoy and actively participate in the present moment, to relish ordinary things, places and friendly people.  Once upon a time I lived in a place where quality music events, good restaurants, wineries and pubs were rare. Certainly they didn’t exist in the variety and abundance that they do here in the Pacific Northwest. So I’m aware of what a gift, a treasure, it is to have those things now.

It is also fitting to have my exhibit at a winery – where the people who come to see my artwork can also enjoy award-winning wines and food.

But back to my mind-map: generally at the exhibit my thesis will be available only as a visual story, not spoken or written in literal fashion.  I have a reluctance to preach or otherwise belabor a point.  Besides instead of writing/speaking didactically I’d rather draw.

Now you know.

 

Glad To Be Alive sketchbook by Clancy

A Creative Life, art exhibit, art techniques, artist book, artistic inspirations, drawing as thinking, ebook, visual thinking, words and pictures

I’m getting ready for a one-woman fine art exhibit held at Burnt Bridge Cellars and set up by the Caplan Art Designs gallery – and part of getting ready is writing an “exhibit statement”.  I prefer creating pictures to writing non-fiction/prose so I’m making my exhibit statement as visual as possible.  One thing I’ve done is collect some of my sketchbook pages into a free downloadable eBook.  This eBook relates to my exhibit… more about that in future posts.  Here are pages from my “Glad To Be Alive Sketchbook – drinks and music edition 2017″… you can see more information and download it from my artist book webpage here https://sueclancy.com/artist-books/ or via this direct link: GladToBeAliveDrinkMusicEd  – Enjoy!

www.burntbridgecellars.com  www.caplanartdesigns.com

 

art of onions chopped

A Creative Life, Art Licensing, art techniques, artistic inspirations, commonplace book, drawing as thinking, food for thought, illustration, Not-So-Sketchy-Food, sketchbook, sketchbook suppers, visual story, words and pictures

I finished the artwork I was working on in my last blog post! https://sueclancy.com/2017/04/06/art-of-the-onion/ and then I applied the illustration to some things… a framed print, greeting cards and other items you can find here: https://society6.com/sueclancy

art of the onion

A Creative Life, art techniques, artistic inspirations, commonplace book, drawing as thinking, illustration, Not-So-Sketchy-Food, sketchbook, sketchbook suppers, visual story, words and pictures

About a month ago now Sweetie and I took a cooking class (www.class-cooking.com) as a “date night out”. It was fun and as usual when I do something fun I made notes in my sketchbook. Here is one of the sketchbook pages I did during cooking class with Chef Kim Mahan.

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Then I got very busy with fine art commissions and etc. freelance projects – and life.

But every time I’d cut an onion when cooking supper I’d think about our class and the valuable instructions I’d gotten about onions. Since for me drawing is thinking – I ached to draw onions and the chef’s “how to chop onions” instructions so as to think about and “visualize” them.  So for several weeks now when I’ve had a spare 5 or 10 minutes I’d look at my sketchbook pages and brain-storm about what I wanted to create. After a brain-storm option had been settled upon I spent my spare 5 or 10 minutes drawing and writing in pencil on a larger sheet of Bristol paper the onion art/illustration I’d brain-stormed about. Some days I only erased pencil lines that didn’t work. Other days I re-drew pencil lines. After the pencil lines were settled in my spare few moments I’d do an ink line or two…

We’re talking quick-quick drawing work on the “onion art” then I’d go on with my day-job art projects. Every day though I did something in my spare 5 to 10 minutes to inch the onion art along.

Then today I had 20 whole minutes in a row to spare! Wahoo!! And the pencil work was done and I even had a few ink lines done – so I grabbed my ink pens, watercolors and color pencils…

Here’s what I’ve done today – as it is on my work table – I’ve a bit more work to do but it’s almost finished!

HowToCutOnionWorkProgress.jpg

 

 

Dogs in bathrooms what art is for and Irish stew

A Creative Life, animals in art, artist book, books, comfort food, Dogs in Art, ebook, fine art, mental health, sketchbook suppers, words and pictures

When my new artist book “Dogs by Sue Clancy” came out (mid Feb 2017) I showed an advance copy to a dear friend who said “I hope this won’t offend you but this would be a perfect bathroom book!”

Of course I wasn’t offended! In fact I think bathrooms are the perfect place for good art and fun/funny books! I think this because of what I think art is for: art is for practicing good mental health skills. Art and books can be mood setters. In a bathroom a person can take a few deep breaths and re-center themselves, re-set their mental mood.

I’ve worked in the genres of “animals in art” and “dogs in art” because of my thoughts about what art is for… but enough about philosophy of art. It’s Saint Patrick’s day! Happy St. Pat’s!!

Here to celebrate and/or up-lift your mood is a page from my book “Dogs by Sue Clancy” https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

pgspread472

Because it’s St. Pat’s – and because the studio of an artist with an Irish sur-name must have sustenance – here is one of my favorite “chop, toss in a pot and let it cook ’till you’re ready to eat it” recipes from my sketchbook:

DublinCoddle172

page from “Coffee, Table, Book” https://store.bookbaby.com/book/coffee-table-book

 

the art of practice and a story inside

A Creative Life, animals in art, art techniques, artist book, artistic inspirations, books, dog portrait, Dogs in Art, ebook, fine art, words and pictures

“Anything worth doing is worth doing poorly at first” – Dr. Bob Hoke.  That quote is one of many from my book Dr. Bob’s Emotional Repair Program First Aid Kit that I’ve found helpful in my life as a professional artist. [a link to that book is here: https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit]

When I begin any commissioned portrait of someone’s special dog (or cat) I make a series of practice sketches of that breed before I attempt a likeness of the special dog. Yes, I’ve been doing these portraits for years but I still find it helpful to start with the basic characteristics of the breed. Then I can look at someone’s special dog and see what makes that dog unique.

I’m currently working on a commissioned portrait that has a schnauzer in it. Here are a couple of practice schnauzers (not pictured are about 5 other practice pieces).

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Shultz by Clancy – ink on handmade paper

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Gustav by Clancy – ink on handmade paper

All of this talk of “practice” has reminded me of a story Dr. Bob told that is not in the above mentioned book. That story went like this:

Once there was an Emperor who had a pet rooster. He decided he wanted a portrait of his beloved rooster to be painted by the best artist in his land. One of the artists was invited to the palace and was asked to make the portrait.  The artist agreed, saying that he would need 3 months in order to do it. Then he would return to the palace and paint the portrait in front of the Emperor.  The Emperor was pleased. The artist went back to his studio and worked hard every day for 3 months. Then he returned to the palace, as agreed, with his art materials.  The Emperor had his pet rooster brought before the artist. The artist watched the rooster for a while and began to paint. In about 3 minutes the painting was finished. The Emperor was thrilled with the portrait and asked for the artist’s fee.  The artist named what sounded like a large sum. “What?!” bellowed the Emperor “That only took you 3 minutes to create! Why do you want so much money? Are you trying to swindle me?” The artist requested that the Emperor travel to his studio by way of a reply. Reluctantly the Emperor did so. When they arrived and the artist flung open the doors of his studio the Emperor saw thousands of rooster drawings. The artist described his work history and extensive training and while the Emperor marveled at all of the rooster portraits the artist added “The portrait of your rooster has actually taken me a lifetime to paint.”  The Emperor happily paid the artist’s fee.

You can see more of my dog practice work in my newest book “Dogs by Sue Clancy”  https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

 

 

art book pet peeves

A Creative Life, animals in art, artist book, artistic inspirations, Dogs in Art, words and pictures

I love books about art including books about individual artists. But I wonder why they’re often the size of a coffee table and weigh as much as a Rottweiler. Why such dense prose in tiny fonts?  So when making my own art books I go for a light-weight book design and few words.

Take my recent book “Dogs by Sue Clancy” for example. It’s 8.5 x 11 inches when closed. And it weighs about 5 ounces. There are 245 words total. And that includes the ISBN info.

You can read my book while holding it in the air above the dog (or cat) currently sleeping on your lap.

Here’s a link with more info about the book: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

Here are some pictures of “Dogs by Sue Clancy”.

And I’m  sure my long time fans will also recognize that in my art book titled “Coffee Table Book” that I played with my whole heavy-coffee-table-size book peeve by deliberately making an art book for smart-phones. More about that here: https://store.bookbaby.com/book/coffee-table-book

Yours in being able to read a book about art without needing a hoist or crane.

just looking and artist details

A Creative Life, animals in art, artist book, artistic inspirations, books, dog portrait, Dogs in Art, psychogeography, published art, Sue Draws Dogs, words and pictures

I’ve recently read a book about Balthus, a Polish – French artist painting in the late 20th century. He was convinced that the biographical details about a painter were not essential to the study of art. He objected to the wordiness of art books and said that a book about his artwork should be a book of pictures not a book of words about pictures.

When someone asked Balthus for biographical details he replied in a telegram:  “No biographical details. Begin: Balthus is a painter of whom nothing is known. Now let us look at the pictures. Regards. B.”

In many ways I share his viewpoint; let the pictures stand alone! Just look! Let each viewer’s own thoughts become the words attached to the art. This is part of why my most recent art book “Dogs by Sue Clancy” is largely wordless. Only 245 words and most of those words are in the very back of the book.

And yet I’m very aware that most people when looking at art also look for something that gives them a clue about what they are looking at – who created this? why? how?

I think some biographical details about the artist can also be helpful clues about the artwork. Art creation is a product of living one’s life and processing it via ones artwork – that includes an artist’s geographical location and era.  For example I came to the art genre of “animals/dogs in art” because of living for a time in Oklahoma where many people assume that climate change is a hoax. Many in Oklahoma have an anthropocentric view of the world, meaning that they see human culture is separate from, above and the whole point of the existence of nature. Humans are the most important being, nature is not important, nature is only for human use.

I did not and do not share that view. I see humans and nature as co-relational. Humans, animals and plants need each other. We are bringing forth the world together.

So I began, over 20 years ago now, to create anthropomorphic artworks depicting a merger of animals and human culture. All species and breeds are included.  Though I have periods when I focus on one species, like I’m doing now with my dogs, my work generally includes a range of life forms.  Even as I’ve worked within the “dogs in art” genre I’ve carefully tried to include a wide diversity of colors and sizes of dogs.  Metaphorically I’m illustrating that we are all in this life together.

Now that I live happily in the Pacific Northwest my artwork has taken on a joy that it didn’t have before. I am still doing my anthropomorphic art-style but my colors, shapes, lines, patterns have changed, my compositions have expanded, there’s more variety/diversity, more humor, there are even more dogs in my artwork and more pleasantness. Here in the culture of the Pacific Northwest there is a celebration of and careful care given to the co-existence of humans and nature. I’ve been learning even more about the relationship between humans and the natural world.  I think some of my thinking is reflected in my new book. In fact I’m not sure I would have created this book if I still lived in Oklahoma…

But enough with the words! Let us now look at a few of the artworks in “Dogs by Sue Clancy” https://store.bookbaby.com/book/Dogs-By-Sue-Clancy :

 

 

dog in the details

A Creative Life, animals in art, artist book, artistic inspirations, dog portrait, Dogs in Art, ebook, fine art, illustration, Sue Draws Dogs, words and pictures

When I was a little kid I remember once telling my Grandmother “I’m bored.” She asked me to look for and find the smallest object in the house and bring it to her. After some time I found a safety-pin about 1/2 inch long and about 1/4 inch wide. She said “I’ll bet you can do better than that.” So off I went again searching. I came back with a needle. It was a bit longer than the safety-pin but much skinnier. Which led to a philosophical discussion of what constituted “small”.

I was not bored any more that day!

Fast forward a hundred years or so and I was working with psychiatrist Dr. Bob Hoke who wanted to publish a book that could be available for his patients. The question was how to “keep the young adults from getting bored” as many of them were not great readers of prose in general and certainly not of books about how to develop and maintain good mental health.

Dr. Bob was a story-teller and holding peoples attention in person was no problem for him. It was in writing where he thought he got “too didactic”.  We hit upon the idea of doing a book in a primarily graphic-novel comic format. (That idea became “Dr. Bob’s Emotional Repair Program First Aid Kit” – more info is on my artist book webpage https://sueclancy.com/artist-books/)

As a result of my work with Dr. Bob on that book (and other projects) I began to focus much more on the “small details” within my fine art work as one way of communicating a story, developing a character and, yes, keeping a viewers visual interest.

So as I’ve been working towards my new book – the one that I’m thinking of calling “Dogs” – I’ve been thinking about which dogs I’ve drawn in ink that include small details, surprising details and even hidden subtle details.

Here’s one:

happy72

“Happy” by Clancy – pen and ink on handmade paper