illustrated poetry dominos and books

A Creative Life, animals in art, art exhibit, art techniques, Art Word Combinations, artist book, author illustrator, games in art, illustrated poem, illustrated shorts, poetry, visual thinking, words and pictures, writing, writing and illustrating

I’ve been thinking about how reading books is similar to playing dominos or sharing a meal with friends. In all of these activities we practice cooperating with others and peaceably bringing forth the world together.

Here’s a limerick poem I wrote and illustrated that playfully reflects my thoughts:

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original poem and illustration titled “There Once Was A Tom Cat…” by Clancy

This poem and illustration somewhat relates to my nested-ideas concept that I’m working with for my upcoming fine art exhibit. And this poem (along with others) could become an artist book to accompany my exhibit but I’m still playing around and not sure where all of this is going. This is one of the things I like about being an artist; getting to practice being flexible, playing and letting things unfold as they will.

Kind of like reading a novel, playing a game or sharing a meal with friends allows us to practice “letting things unfold…”.

On a technical note: To create the above poem and illustration I used pen and ink and gouache on a greyish off white handmade paper. It looks sharp in real life, and the paper is a dream to work on, but the scan accented the grey color of the paper more than the naked eye perceives in person. The scan looks good enough, I’m not unhappy … however, note to self; use white paper for things that will be scanned and leave this lovely greyish handmade paper for fine art stuff that will be photographed and not scanned.

I’m still learning!

reading and mutts in art

A Creative Life, animals in art, art exhibit, art gallery, artistic inspirations, Books In Art, creative thinking, dog portrait, Dogs in Art, fine art, food in art, reading in art, still life, visual story, visual thinking

On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.

Fast forward to my currently in progress reading and books in art series – and the wonderful mutt I’d met made an appearance:

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“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019

Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…

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“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board

The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.

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“Gala” by Clancy – acrylic and gouache on board

The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.

I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.

As you can tell I’m still thinking about “nesting ideas” and stories within stories…

 

 

crossword puzzle books in art

A Creative Life, animals in art, art exhibit, Art Word Combinations, artist book, artistic inspirations, Books In Art, dog portrait, Dogs in Art, fine art, poetry, still life, visual thinking

Here’s a new painting in my “reading and books in art” series.  I confess that I love printed dictionaries, thesaurus’s and puzzle/game related books. In my art studio resource shelves I have 8 dictionaries, 3 thesaurus’s and 5 puzzle/game related books. Art idea gold-mines in my opinion. Naturally a Boston Terrier would consult one of these books…

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“The Arf Thesaurus” by Clancy – 16 x 20 inches – acrylic and gouache on board —- image copyright 2019

The puzzle in the painting is actually work-able – at least somewhat – if you could get the Boston Terrier to move his arm.  It was fun to imagine a puzzle related to sounds (words?) a dog makes.

If you look in the upper corner of this painting you’ll see that I’ve spoofed another painting that I did earlier.

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“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board – image copyright 2019

As I’ve worked toward this exhibit theme of reading and books in art I’ve become aware again of my love of words so I’ve also been experimenting with abecedarian poems, nonsense poems and made up words. This is in conjunction with thinking about constructing some artist books related to my upcoming reading and books themed art exhibit.

Still noodling about this concept of nesting-ideas-within-nested-ideas I’d mentioned in my last post. We’ll see where it goes.

And yes, I love it when I take the time to sit and work a crossword puzzle. I’m not up to The New York Times puzzle level yet. Someday perhaps. I’ve known two people who could do the Sunday NYT puzzle in ink. They impressed me enough with their level of education/smarts that I started on the bunny-slope level of crosswords. They inspired me reading more widely too. I like to think I’ve gotten a little better at puzzling since then.

Do you like crossword puzzles?

reading and books in art

A Creative Life, animals in art, art exhibit, artist book, artistic inspirations, Books In Art, dog portrait, Dogs in Art, fine art, food in art, visual story, visual thinking, words and pictures

I’ve begun a new series of fine art pieces intended for exhibits later this year. (Yes, I’ve a deadline dragon) And I’ve been thinking of how when I walk into a library or bookstore I feel like I’m entering a galaxy.  Words and ideas that are interrelated with other words and ideas, like an array of planets and stars, or like nesting dolls or stuffed vegetables.

Also in my thoughts; the way I can experience something first hand but when I read about that same experience in a book I have a delightful momentary shock of recognition and I better understand my experience.

So I’m exploring these thoughts, as best I can, within my new series.

Here’s one of my new pieces:

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“Good Smells: A Memoir of A Lifelong Pursuit” by Clancy – image copyright Sue Clancy 2019

You’ll notice, I’m sure, the “nesting” ideas of the coffee and mints. There’s a real still life, also by me, which is spoofed within the above painting that I will also include in my upcoming exhibit. I love the idea that a viewer could find the real-life painting that is referred to within another painting – sort of a “find the image” puzzle exhibit.

Here’s a picture of the still life referred to in the painting above:

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“After Dinner” by Clancy – copyright Sue Clancy 2019

I’m also thinking it’ll be fun to also include at least one artist book version of an imaginary book depicted in one of my paintings – so the viewer could look at the painting and then leaf through a copy of the book depicted in the painting. But we’ll have to see how that works out.

Posting progress as I go… thanks for staying tuned.

 

carried away by a book illustrated poem

A Creative Life, art techniques, Art Word Combinations, author illustrator, illustrated poem, illustrated shorts, illustration, visual story, words and pictures

I’ve decided recently to practice my poetry and short-short story writing by writing something, no matter how bad, every day. If there’s anything illustration worthy I’ll illustrate it.  Out of all I’ve done thus far this seemed worthy:

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poem and illustration by Clancy

Doing the poem text with a brush was new and different for me. It was looser and I think I like it. Typically I’ve used a dip-pen and been “tight” about it. I’ve also tended toward handwritten capital letters as you know from my illustrated recipes. It’s a text-style habit that harkens back to my years as a professional cartoonist and biological illustrator.

But for this poem when I used capital letters via ink-and-brush the text seemed too thick and shout-y.  I’m now thinking I’ll experiment with all lower case writing. And a smaller brush.  Or maybe a fountain pen rather than a dip-pen.

I’ll try a different hand-written style, and technique, if I happen to write another illustration worthy poem. We’ll see… I’ve got a lot of bad poetry to write between now and then I suspect.

What do you think about the all capital letters via brush style?

books and creativity

A Creative Life, art techniques, artistic inspirations, creative thinking, food for thought, food in art, mental health, still life, Sustainable creativity

It’s been my experience that one’s reading is the fertile soil from which all other creativity grows. So I find books like this one, “1000 Books To Read Before You Die” by James Mustich, an essential art studio tool.

The Mustich title is especially useful as it’s more like a restaurant guide than most “read-this” books; the suggested titles are sorted alphabetically by author, there are readable book note details about the genre/subject, when it was written, and other notable works by the author are listed. A “further reading” section about the author’s life and work or on the book’s subject is included. There’s a “try this” section listing other books by other authors suggested for the reader if they enjoyed the featured book. Helpfully “adaptions” of the featured title are also noted: films, plays, musical compositions and audio books. Hints are given whether you could read the book “in a sitting” or not. There is also a section of Mustich’s book that lists books sorted by genre/section: my favorites (so far) are “Lol”, “Mysterious Matters”, “Soul Food” and “Animal World”.

I find all of this pre-sorted book sorting helpful by making it easier to find books related to my creative topic. For example I’ve been reading books about objects lately since I’ve been doing some still life paintings. So yes, that has meant reading Marcel Proust and John Ruskin among other authors.

As you know I’ve been doing both food themed fine-art paintings as well as several food-recipe illustrations – so reading mystery novels that have food in them has been a good way to keep the “creative fun” going in my head while I wait for paint to dry.  BTW, I found an online source for culinary themed mystery novels; https://www.cozy-mystery.com/blog/cozy-mystery-authors-with-culinary-themes-part-1.html)

One of my favorite things to do is sit for an hour or so before bed and read with my beverage of choice handy.  If you follow my Instagram page occasionally I post what I’m reading and what I’m drinking.  While it looks (and often feels) like pure indulgence I’d say that my time spent reading is one of the most important things I do to develop and maintain my creativity.

Anyway, here’s a photo of the book by Mustich – alongside one of my favorite wines by Burnt Bridge Cellars. And, don’t worry, I was sharing the bottle of wine with my wife… 😉

1000BooksToRead

1000 Books To Read Before You Die by James Mustich

BTW, a local newspaper had a wonderful interview with James Mustich about what books did and didn’t get included in his “1000….”.  Oh, and here’s a link to a local bookstore for more info about the book itself.

cats book progress

A Creative Life, animals in art, artist book, artistic inspirations, books, Cats in art, Dogs in Art, Narrative Art, published art, travel art and writing, visual story, visual thinking, words and pictures, writing

I do better now, writing words-in-a-row, than I did once upon a time. Reading text has never been a problem for me – but speaking, and writing. Whew! Lets just say good speech therapists, theatre-acting coaches and writing class instructors are worth their weights in all the precious things in the world combined. As a kid practicing speaking by reading aloud from a comic book or a picture book felt less intimidating than reading aloud from a text-only book.

Even today I enjoy visiting art museums and galleries and looking at the artwork first, reading the labels last. I enjoy looking at coffee-table books with big glorious pictures – forming my own thoughts first – reading the words later.

Nowadays I read plenty of books cover to cover that have text only, no pictures at all. I even give demo’s and talk in front of 200 or more people without as much as a blink. (Wish my 10 year old self, who threw up at the thought of giving an oral book report, could see me now!)

So it has become a philosophical point to ponder with me – when is text important? When is an image important? When to have the words? When to have the pictures? How much of either?

For example I love it that signs for the restrooms are often pictograms. You can “read” them no matter what your language – or your linguistic skill level. Much of our international travel culture utilizes visual maps and non-verbal way-finding signs for things like hospitals, airports and government buildings – using pictograms rather than single language dependent text.

As I’ve worked on a new artist book containing my cat themed fine art I’ve thought a lot about whether or not to have text along with the images. If text – how much? Text located where in the book?

When I did my book “Dogs” I had the text at the end – and didn’t include much of it there either. The majority of the book is images.

On the one hand I spend quite a lot of time coming up with the titles for each of my artworks and it seems almost a shame to not list the titles. But I’ve often noticed – at museums and galleries – that people read the label-wall-text and sometimes forget to look at the pictures.

So sometimes I deliberately create text for use in my fine art gallery exhibits… just to be contrary. I’ve even created whole artist books with text and sketches to accompany my fine art exhibits. But sometimes I omit text completely and rely on my art images alone, the curious can ask the person running the gallery for more info. In this way I purposefully encourage people to verbally-talk with each other. Which way I go – words and/or pictures – often depends on the exhibit.

Like I say for me the words and pictures question is an ongoing, almost daily, one.

People seem to enjoy my Dogs book as it is – largely without text. And I’ve noticed that I’ve sold that book fairly well in non-English speaking countries. People of all ages seem to like it. So….

“Cats by Sue Clancy” will be largely wordless too.  Here’s what the cover will look like:

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The front cover of the artist book “Cats by Sue Clancy” – http://www.blurb.com/b/8837851-cats

The book is square, 7×7 in, 18×18 cm and 22 pages – full color.  Here’s an early-reader link to the book http://www.blurb.com/b/8837851-cats  In fact “Cats” has even fewer words than “Dogs” does – but more pictures in full color.

I’m sure I’ll continue to have this words and pictures discussion with myself in every book and every art exhibit I create.  But I’m curious about your thoughts: do you look at words first? Or pictures first? What are your thoughts about wordless books?

cats on a ledge

A Creative Life, animals in art, cat portrait, Cats in art, creative thinking, drawing as thinking

In my town and region I find a lot of cafes, pubs and bistros that have – for the lack of a better term – ledges as tables.  These are swaths of 8 to 12 inch deep “tables”, just big enough to put a coffee cup with a saucer and perhaps a paperback book.  Or they’re just large enough for a drink and a small plate of food.

Many of these ledges run along a wall and the edge of a room. Some ledges run down the center of a room and still others run along a window.  The ledges vary in length according to the space – I’ve seen as many as 18 people sitting along one ledge – but the ledge is rarely deeper than 12 inches.

It’s especially interesting to walk on a busy street and pass by a window and there, inside the eatery, facing the sidewalk, a number of people sit reading, eating, drinking and talking to each other.  I also find it fun to be one of the eatery patrons perched at the window and merely inches from the front of me and my 8 inches of ledge is the whole world passing by!

So I was thinking of such ledges today when I was drawing Burmilla cats.  Burmilla’s have impossibly big eyes. All the better for watching the world go by from your cat-perch at your favorite ledge!

burmillacatsledge

collecting coffee cups and recipes

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Spent a self indulgent morning drinking Irish coffee and reading newspapers, magazines and books – and discussing what I read with my sweetie. Life doesn’t get better that that! I also collected the dishes. Meaning that I went through my various sketchbooks and collected drawings I’d done of coffee cups. Drawings I’d done when we went to various coffee shops or happy hours and had coffee drinks. In my fine artwork I often depict my dogs or cats drinking coffee or tea – so I thought it’d be good to have a collection of “dishes” all in one place to pull from when it’s time to make fine art.

Here’s one page of my coffee cup collection. There are many more pages filled with cups … but one page will give you the idea.

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page from Sue Clancy’s sketchbook

Here below is a “raw” sketchbook page from which I collected one of the coffee cup shapes that was  collected into one of my other “all cups together” sketchbook pages – but the above cups came from “raw” sketchbook pages too.  I say “raw” pages because these small sketchbooks fit in my pocket and are drawn on the fly as life happens. I’ll refine them or re-draw them later.

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page from Sue Clancy’s “raw” pocket sketchbook

Living here in the Pacific Northwest I’ve been fascinated with the variety of coffee drinks available as well as the kinds of cups the drinks are served in. Did you know that there are some 44 different coffee drink types? I didn’t until I started noticing. I’ve not tried them all yet but I have learned to ask my barista questions. Learned a lot that way! And of course while I’m drawing in my sketchbook I write down the recipes as told to me – and then, if I try to make it at home I’ll note in my sketchbook my favorite mix. I think of it as part of my on-going “know thyself” self-education program. The recipes make their way into my fine art too – just less obviously. Here’s my favorite recipe for Irish Coffee.

IrishCoffee

recipe for Irish Coffee made as Sue Clancy likes it