drawing more dogs in the winery

A Creative Life, animals in art, art exhibit, art gallery, artist book, books, dog portrait, Dogs in Art, Sue Draws Dogs

Next week at Burnt Bridge Cellars the evening of the 27th I’ll be doing another art demo and signing copies of my book “Dogs by Sue Clancy”.  This means that you can drink wine while watching me draw dogs in permanent ink.

I’ve a whole exhibit’s worth of artwork hanging in Burnt Bridge Cellars. My exhibit is titled “Dogs In The Winery” and in this post are a few examples of what you’ll see at the exhibit.  The new artworks I’ll make on the 27th while you watch will be like the black and white ones you see in this post – and in my book “Dogs By Sue Clancy” https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

More relevant links:  www.burntbridgecellars.com  www.caplanartdesigns.com

paws for coffee and art

A Creative Life, animals in art, art exhibit, art gallery, artistic inspirations, creative thinking, dog portrait, Dogs in Art, drawing as thinking, fine art, visual thinking

Here’s another new artwork for my upcoming exhibit at Burnt Bridge Cellars http://www.burntbridgecellars.com  – it’s titled

Paws For Coffee by Clancy – 16 x 12 x 2 inches – hand dyed paper, found paper and acrylic on cradled board.

Here’s what inspired it: I can sometimes get so busy that I forget to take time to be present in the moment, to pause and smell the coffee. This is me – remembering.

The diamond motif is because I was thinking of the maze-like labyrinth quality that a busy life sometimes has.  I chose a dachshund character for that breeds digging ability, chosen as an inspiration for me to “dig out” from the (a)maze-ing world what’s really important to me.

Paws For Coffee by Clancy

Paws for Coffee By Clancy 16 x12 x 2 inches Hand dyed paper, found paper and acrylic on cradled board

Labrador dog art in the winery

A Creative Life, animals in art, art exhibit, art gallery, Art Licensing, artistic inspirations, dog portrait, Dogs in Art, sketchbook

As you know from other posts I’m getting ready for a one-person fine art exhibit to open June 2nd at Burnt Bridge Cellars www.burntbridgecellars.com.  For this art exhibit I’ve been meditating, you might say, on how important it is to practice enjoying ordinary life. When I have a glass of wine I’m reminded to breathe, taste and savor everything – not just the wine.  I chose a Labrador dog as my “character” actor in my art (pictured) because a Labrador’s restrained-alert-excitement reflects how I feel while tasting some wines.

Here’s one of my artworks for the show:

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Lad by Clancy – 30 x 22 inches – sumi ink on handmade paper

On my website page https://sueclancy.com/artist-books/ you can find a link to a sketchbook titled “Glad to Be Alive Sketchbook – drinks and music edition 2017”  where you can download, for free, my sketches that inspired this work.

You can also see some greeting cards with this image – and others – here https://society6.com/sueclancy

art exhibit statement in pictures

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, creative thinking, dog portrait, drawing as thinking, fine art, pattern design, public art, published art, sketchbook, visual thinking, words and pictures

I’ve been working on an exhibit statement for my upcoming one-person exhibit at Burnt Bridge Cellars http://www.burntbridgecellars.com/ via Caplan Art Designs http://www.caplanartdesigns.com/index.htm and making it as visual as possible. Here’s what I’ve come up with (with slight variations for my on-line only audience):

Dogs In The Winery by Sue Clancy

I’ve been inspired by many of the drinks, restaurants and music events in Vancouver and the Pacific Northwest. Whenever I am inspired I make notes in my “running around loose” sketchbook – real-life observations – that often end up on a page looking like this:

CestLaVie

Back in my studio I run those notes through my imagination and do a new sketch, in black and white, that uses elements of what I’d seen in real life but transforms that real-life data symbolically. In this way, my work becomes a visual story about enjoying something. For me drawing is thinking – and storytelling. My newly imagined art-sketch becomes something like this:

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Pierre by Clancy (ink on handmade paper)

Then I add to my story concept thoughts of color, patterns and textures – to create a surface design on handmade paper that reflects my thoughts/feelings. In this step, I’m designing and creating hand-made patterns onto handmade papers using a number of techniques. Each pattern is designed to be another story element.

I put together the real-life data – my re-configured imaginary sketch idea and my color/pattern surface design thoughts – by cutting shapes out of my handmade papers and literally gluing the cut paper pieces together to create my fine artwork.

To show you what I mean here is a picture of me making a surface pattern design on handmade paper:

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Sue Clancy creating a pattern on paper using a stencil-paste paper technique

And here I’m using an Xacto knife cutting out shapes from paper that was previously dyed:

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Cutting dyed paper into a shape

The end result is a multi-layered fine art piece in color – like what you see in this exhibit or that you can see on my website fine art page https://sueclancy.com/fine-art/ Or like this finished fine art piece titled “Café Paix”

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“Café Paix” by Clancy – 14 x 11 inches – hand dyed paper, handmade paste paper and acrylic on cradled board

This exhibit shows a progression of my artistic thoughts about life in the Pacific Northwest – a visual story collection – with various dogs as symbolic characters. For me a dog represents an exuberance, a gladness, about being alive and is a fitting representative for pleasant life experiences.

You can download, free, 18 pages from my “running around loose” sketchbook – the real-life data that inspired this exhibit from my website here: https://sueclancy.com/artist-books/  I’ve titled this (free eBook) sketchbook “Glad To Be Alive Sketchbook – drinks and music edition 2017”.  Direct link to the free eBook here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

The imaginative art-sketches developed from the “Glad to be Alive…” sketchbook can be seen in the printed book “Dogs by Sue Clancy” (available in this exhibit or via Amazon and other booksellers or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy ). If you are able to visit my art exhibit at Burnt Bridge Cellars I’m sure you can identify (in “where’s Waldo” puzzle fashion) which sketchbook page led to which black and white art-sketch and which of those became color fine artwork.

For a “mind map” of my thinking process see the diagram here: https://sueclancy.com/2017/05/16/mind-map-of-a-clancy-art-exhibit/

fine art commission Bailey At The Lake

A Creative Life, animals in art, art commissions, art gallery, art techniques, artistic inspirations, Dogs in Art

Creating “Bailey At The Lake” By Sue Clancy

(this art commission project was handled by the Downtown Art & Frame gallery in Oklahoma)

Almost 9 years ago I did an art exhibit and someone saw it. Almost 9 years later they remembered my artwork and contacted me wanting me to do a portrait of their dog! (Lucky me!)  After conversation and photos were exchanged I did 2 sketches and some color samples. They selected one of my sketches and they liked the color scheme so I got started on the art!

I dyed handmade papers –  first for the color samples and then I dyed still more handmade papers for the “nuances” of color papers that would be cut up make up each element within the artwork.

Here’s a photo of me dying paper. Each handmade paper starts out white – the colors and patterns you’ll see I put onto the white paper using various processes. This paper dying process was repeated with many different colors using several different paper-dying techniques.  Only one photo of this process is here so I can keep this document brief.

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Below is the “basic” color scheme that was approved.  Then I set about making dyed papers that were the same colors but shades lighter or darker than each of these.  So about 26 papers got dyed. (and a few extra)

Each paper was much larger than the area I intended to use it for because I layer multiple pieces on top of each other to build up the color.

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When all of the dyed papers were dry I cut out the overall basic shapes from each “local color”

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DSC_0002 (4)I glued each of those cut paper shapes to each other – and generally began the layering process….

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Some paper layers go on top, others interlock with each other, some go behind and others on top of what’s on top – basically I design for both 2D and 3D space. To create this art work, I use an Xacto knife to cut out the shapes I need – sometimes scissors.  A tin tray holds the cut pieces – and I use a miniature spatula and several kinds of tweezers to position the paper shapes in the correct position…. Lots of archival glue and glue brushes are used… then a roller to roll it all flat.

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Then I glue the basic cut paper shapes onto the board – layering what goes behind first and slowly building up.

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OnBoard

When all of the “base papers” are on the board it is allowed to dry for several days.  Then I begin to layer more cut dyed paper shapes on top of what is dry on the board.  This next photo is of me starting that layering process – adding the cut paper “nuances” of color and shape.

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StillMorePaper

And so it goes for quite some time… I’m skipping ahead now and the following photo shows how it looked when I had gotten it to a stage where it had to dry a few days before I could do more detail work.  And yes, in this photo below you can see the sketch that got approved – and some of the many photos of the real-life dog that the client sent to me for reference.

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Once the above stage was dry – I cut and layered in more cut paper shapes.  While working I looked a lot like I did in the earlier photo: tweezers and cut paper in one hand a glue-y glue brush in the other.  I would cut the shapes I needed out of the correctly colored paper using an Xacto knife, lay those cut paper pieces in a tin tray, step to my easel use the tweezers to pick up the cut paper piece, load my brush with glue and apply … and so it went. But I’m keeping this document brief… so please repeat in your mind, a gajillion times, that earlier photo of me with tweezers and glue.

In the photos below you can see that I’ve layered on many more nuances and details since those photos above.

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As you can see my dyed cut paper shapes go around all 4 edges of the board.

The above stages have to dry a while before I can do any finishing touches.

Well, I got so excited when things were dry that I got right to work and finished the artwork without taking any more progress photos. Ah well.

Here it is finished:

“Bailey At The Lake”  By Sue Clancy

6 x 6 inches – Hand dyed paper, handmade paper, handmade paste paper and acrylic on cradled board.

BaileyAtTheLake72

 

 

the art commission Innocent

A Creative Life, animals in art, art commissions, art gallery, art techniques, artistic inspirations, collage, dog portrait, Dogs in Art, fine art

A couple of clients have a Schnauzer and a Labrador retriever – they asked me (via the Caplan Art Designs gallery www.caplanartdesigns.com) to do a dual portrait while also reflecting the owners work/personal life! I have a series of questions I ask (about color preferences etc. details) – I also request photos of the dogs. I was lucky enough to actually meet these dogs in person. Earlier in this blog you got to see my “practice” sketches for the dog breeds in this commission.  After receiving the answers to my questions and photos of the dogs I created 2 pencil drawings to the scale of the proposed finished work.  I also created a number of hand dyed paper swatches to show the proposed color scheme.

Here’s a photo of me dying some paper blue.  I did several layers of this blue color on the paper in order to build up the “proper blue” that best matched the client’s preference.

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To keep this document brief I’ll not show photos of me creating the 20 base colors I created for the “swatch sampler” – so multiply the above photo 19 times at least.

Once the papers were dry – we met and the clients chose one of the two pencil sketches. Small adjustments were made in the color scheme and the drawings. And additional research was done. For example, I studied what vest collars are like, what wing-tip shoes look like, where cuff-links are on a cuff and gold pocket watches how they sit in a pocket and how the chain drapes.  I asked about and investigated what a “bar” in court looks like. I researched how the sleeve of a judges’ robe hangs.

I also “filled in” the other colors of hand dyed paper I’d need to produce the finished painting.  Where a section in a painting will read as “blue” there may be as many as 5 different shades of blue papers which are collaged/layered together.  Where a paper may read as “blond wood grain” there may be multiple layers of color applied to each paper that forms the various tones within the shape.  Yes, it’s complicated and takes a lot of pre-planning and research.

Once all of the papers are done and dry (there are now over 50 pieces of hand dyed paper) I begin cutting out shapes. Here I have cut out the overall shape of the Schnauzer’s head and paw out of a greyish-blue dyed paper. A light pencil marks the future placements of other pieces of darker grey paper and or lighter white-grey paper.

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At this point I’m cutting and gluing together all of the various shapes from the various “base” papers to form the overall characters and aspects of scenery.  With an Xacto knife I cut the needed shape positioning it using tweezers. Then I would adjust the position – often several times – before gluing it together. Then I would press the glued papers flat and let them dry.

As I constructed the Schnauzer character I got excited and focused – and I forgot to take photos of the steps of construction.  As I worked kept laughing, imagining the Schnauzer lawyer saying “My client is innocent, I tell you, innocent. My client, the Great Dane you see before you, could not have possibly reached down to such a low table to eat the 4 hams, 5 chickens and the pot roast which is alleged to have been on that table. It was beneath him to have…”

There is a lot of “back and forth” work to get the shapes and positions correct – to adjust the colors and layers. Here is a succession of photos to give you an idea of the test-adjust-test routine.

In the photos below you’ll see my original pencil drawing – which I’m using as a guide.

The Judge’s glasses are made of two pieces of paper: I cut the glasses frames out of a “gold” paper and glued them onto a white paper which acts as the “lenses”.  All elements within the artwork are cut hand dyed papers which interlock.

And so it goes – back and forth – building up each element in both 3 dimensional space as well as 2 dimensional. For example, the watch in the Schnauzer’s pocket is a complete watch – with numbers on it – even if you don’t see all of it in the finished artwork. Behind the suit coat lapels is the entire vest… the tie actually fits under the white shirt collar. The flag is several different colors of paper pieced together and actually hanging from a pole (a cut piece of gold paper).  If you could tell the Schnauzer to move over you’d see the entire “bar” he is standing in front of and behind those is the entire “bench” on which the Labrador judge sits.

Once the “base papers” have been assembled into each element needed for the overall artwork I glue them onto the cradled board.

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I pre-planned for how the various shapes “wrap around” the 4 edges of the board. This way the judges bench actually looks/feels like a 3D bench. All we don’t see are the witness boxes. The flag extends to the side and top edges of the painting. The judge’s arm continues on one edge. As you can see in the photo the floor extends over the bottom edge.

When these base papers are glued on they are pressed flat – and left to dry several days under weight.

Then the excess paper hanging off the edges is trimmed away with my Xacto knife and the now blocked-in painting is put on my easel. There many more cut pieces of paper layered on at my easel – many of them are very tiny pieces of paper, the size of a fingernail or smaller, others are tissue paper thin allowing the underlayment to show through – these papers are cut with my Xacto knife carried to the easel then glued into place.  More building up of paper layers until each element within the artwork has more tonal ranges and dimension. For example, the Judges glasses got more highlights and shadows glued onto them – they went from being made out of 2 pieces of paper to being made out of 6.  The Schnauzer’s eyebrows and whiskers are layered on. And so it goes…

Once again – even though it took quite a bit of time – I got so focused and excited about what I was doing that I forgot to photograph the various steps I did between the above photo and the finished artwork pictured below. (The finished artwork is protected by varnish.)

So here is the finished piece (details of size and media below the photo).

InnocentITellYou72

 “Innocent, I tell you….”

By Clancy

Size 10 x 10 x 2 inches

Media: Hand dyed paper, handmade paste paper, book cloth and acrylic on cradled board

coffee sketches become fine art

A Creative Life, animals in art, art exhibit, art gallery, artistic inspirations, dog portrait, Dogs in Art, fine art, psychogeography, sketchbook, Sue Draws Dogs, travel art and writing

As you know I’ve been doing “coffee/tea cup research” lately. Here is a recent fine artwork I just finished titled “Café Paix”.  Paix is French for “peace”. I’m sure you’ll notice the cup.

cafepaix72

Café Paix by Clancy – hand dyed paper, handmade paste paper and acrylic on cradled board

One day my sweetie and I were on a busy urban street and we ducked into a café for a late brunch. There I was enchanted by the variety of people in the café – as well as outside on the street – and I thought “How wonderful it is to live in a such cosmopolitan region!

In my head I used the word “cosmopolitan” in the sense of “at ease with many different cultures”.  That dovetailed with the café menu (in front of me) which featured coffee drinks and foods from many different areas of the world.  So I made notes in my pocket sketchbook.

Later when I was back at the studio I did this finished sketch – which was a preliminary study for “Café Paix”:

pierre72

Pierre by Clancy (ink on handmade paper)

The sketch is currently at Caplan Art Designs http://www.caplanartdesigns.com and “Café Paix” will be there too for future exhibits after it has fully dried.

 

of dogs, tequila and recipes

A Creative Life, animals in art, art gallery, artist book, artistic inspirations, books, dog portrait, Dogs in Art, fine art, food for thought, sketchbook

If you have ever enjoyed a margarita – or as I’ve recently discovered – a Mexican coffee remember to thank a bat. The lesser long nosed bat, yes the night flying critter, is very important to the pollination of plants that produce tequila. This bat’s health affects human culture and humans affect the bat. Fortunately the lesser long nosed bat has been removed from the endangered species list recently because lots of humans returned the bat’s favors and helped the bat’s habitat etc.

All of this goes to my on-going thesis that we humans are interconnected with the world. It only seems like human culture is separate from the natural world. Just like sometimes it feels like we are alone as individuals. But the way I figure it even when I’m physically alone in a room there are thousands of humans with me; several people made my furniture, some made my window blinds, others make the inks, brushes and all the art supplies I use. The books that fill my studio and home were written, edited, published and distributed by lots of humans. And I’m grateful to them.

Then I back up a notch and there are mammals, insects, plants as well as water, air and sunlight that also contributed to the materials all the humans used to make everything in my life. And I’m even more grateful.

Which brings me to the dogs. For me dogs represent a “joy at being alive” and dogs are very much a part of our human world. For me they are a direct link to the natural world – they are our “interpreters”, our therapy guide dogs, that help us remember our humanity. You know, enjoy your food, sleep well, be sociable, be kind, go for walks and play like you mean it.

I also enjoy the diversity of the dog-world. The smallest dog and the biggest dog, the hairy dog and the smooth-coated dog are all able to co-exist peaceably (most of the time) in the same dog park. Good examples for the humans I think.

It takes all of us – every being – to create our world. Sort of like a drink recipe, leave out one item and you don’t have the same drink. As Dr. Bob Hoke often quoted “We bring forth the world together”

So for many of the above reasons I depict dogs doing human culture-like things such as having a Mexican coffee.

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Walter by Clancy – ink on handmade paper

And here is one of the best Mexican coffee recipe’s I’ve found so far.

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I never knew there were so many coffee-drinks until I moved to the Pacific Northwest. Lately I’ve been “collecting” such drinks in my sketchbook (like the above recipe) as well as many different shapes of mugs and cups. All of this research is ending up in my fine artwork… I’ll share more about this in another post.

Do you have a favorite dog? Or favorite coffee drink?

In the meantime you can see more of my dog portrait artwork in my new book “Dogs by Sue Clancy” https://store.bookbaby.com/book/Dogs-By-Sue-Clancy or at one of my art galleries: Caplan Art Designs http://www.caplanartdesigns.com  For more of the “Dr. Bob Hoke” I spoke of earlier see also my artist book Dr. Bob’s Emotional Repair Program First Aid Kit https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit

 

Clancy draws a dog

A Creative Life, art exhibit, art gallery, art techniques, artist book, dog portrait, Dogs in Art, fine art, Sue Draws Dogs

Here is a video of me drawing a dog using the same art techniques (dip pen, brush and sumi ink) that I used to create all of the artwork in my new book “Dogs by Sue Clancy” as well as the original artwork currently exhibited at Caplan Art Designs. http://www.caplanartdesigns.com

the art of planning

A Creative Life, animals in art, art commissions, art gallery, Dogs in Art, visual story

When I work on art commissions I cannot imagine telling a prospective client that “It’s gonna be great! Just Yuge! Believe me!” and then refuse to give any details regarding the project plans. I and each of my gallery owners describe in detail what the client can expect at every phase of the art project being asked of me and when they can expect it. Questions are answered as completely as possible as soon as possible.

The ability to unflinchingly describe plans for a project in easy-to-understand terms, to outline a proposal either verbally or in writing (or both), to answer questions, to give updates and to have “how-we-will-know-we-succeed” goal markers clearly marked is the very foundation of doing business. This is basic business plan/proposal 101 and expected of any person in business.

It is all the more important when the business is creative. Fine art (and all of it’s creative cousins) are notoriously subjective, mysterious and mystical – when viewed from the non-artists point of view. This means that clear communications about plans regarding artistic projects is crucial.  If the client can’t understand what you’ll be doing, and can’t explain it to their spouse or to their organization’s board – why would they commission you do do something artistic for their home, office or organization?

Since a certain U.S. president elect has been so vague regarding his plans for the country  I’ve begun to think that doing “basic business 101” and doing it well is an art and it may also be a revolutionary act.

So to aid, support and show solidarity with my fellow revolutionaries here are questions I ask myself that influence how I communicate my art project plan/proposals:

Why are you doing it/what do you hope to achieve? 

I like to help people preserve, via fine art, the story, the memory, of their life and relationship with their pet; dog or cat.  I often say that “I help people tell their stories visually”.  When talking with prospective clients I talk about this goal and a bit about how my art-making process works, how I use elements from the real-life of the client and dog. Since I work with a number of galleries many of the clients approach the idea of commissioning me to create something special for them already knowing this about my artwork process.

I (or the gallery) asks what the client hopes to get from my work, about the size of artwork the client wants and what fits in their budget.

What exactly will you be doing and approximately when?

During the first conversation we find out if the client wants one of my ink portraits, which has a more simple project plan/process, or if they want a color portrait.  Assuming  for the purposes of this blog that the client wants a color portrait then I (or my gallery owners) tell the client that I have a list of questions and a list of photos of their dog (for example) that I will need in order to create a full color portrait (like the color artwork you see here on my website).

Once those questions have been answered and the photos have been provided I’ll take about a month to create 2 designs for their approval.  A calendar date for our sketch-approval meeting is often set during this conversation. With the gallery as a mutual point of contact the client answers my questions and provides the photos of their pet.  After all of the answers/photos are received (usually within the first week) I set about creating 2 sketches to scale of the proposed finished work along with a set of “color swatches” to give them a tactile idea of my proposed color scheme.

Then, a month later, we meet (me, client and gallery owner) and I show my sketches and talk about the proposal.  Sometimes it’s happened that I deliver the sketches to the gallery and the gallery owner conducts the meeting (without me) to get approval from the client for one of the sketched proposals.  No matter who makes the presentation/proposal, I take care to label my sketches clearly, with color swatches taped into place so that everything is fairly self-explanatory. I allow the client to take a photo of the approved sketch at this time if they desire.

When doing public art commissions I’ve even included copies of the sketches or (as per request) color mock-ups that the client could then take and present to their organizations board.

When a sketch is approved I provide a date when the finished work will be delivered to the gallery.  I set this date far in advance of when I actually think it will be done – because sometimes there is weather that slows down drying time – so I would rather deliver something earlier than a client is expecting it than have to explain why it is late. And I tell the client I’m setting the delivery date out farther than I think it will be finished – and why I’m setting it that way.

Then I get to work.

The gallery is available if the client has any questions or wishes to have updates.  As I work photos of my project’s progress are taken. Those are provided to the gallery who shares them with the client.  At the end of a project I often use those “progress photos” and write a “how I made this” document that summarizes the entire project.

As you can imagine clear communication of plans and procedures  makes the process much smoother for everyone. Clients aren’t left wondering what I’m going to do to them instead of for them.

Here’s a photo of a commission I did some time ago now. The client was very happy with it! It’s titled “Preying for Peas”.  That title seems relevant just now.

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You can download a pdf “project summary” about the “Preying for Peas” project here:  https://sueclancy.files.wordpress.com/2014/12/aboutpreyingforpeas.pdf