feature article in The Columbian about my art

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Here’s a link to an article written by Scott Hewitt for The Columbian about my art exhibit “Dear Readers” that is currently at Burnt Bridge Cellars! And a picture of the front page of the newspaper with a bit of my artwork on it and pictures of the other 2 pages.  I was relieved to see that my artwork reproduced so well in print. Even though by now I know very well how to create images for reproduction I still breathe a sigh of relief when I see them looking good in glorious color print. Anyway, here’s the newspaper link all spelled out: https://www.columbian.com/news/2019/jul/18/vancouver-artists-ties-together-dogs-books-in-whimsical-ways/

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Both gouache paints and acrylic paints reproduce well (even in newsprint!) but to my eye the gouache reproduces best of all. But then gouache was originally created for use in illuminating manuscripts back in the days, around the 16th century, when all “books” were hand written, hand illustrated and hand bound – one at a time.

Acrylic, a medium that originated in the late 1940’s, tends to be shinier and more difficult to photograph and thus get a good reproduction quality image.

Have I mentioned lately that I really like gouache??

absurd things on rainy days

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For this new painting I’ve combined several thoughts together: rainy day activities, the contrast between rainy Pacific Northwest and the Southwestern (USA) desert region (Arizona), and the Bonneville Dam’s fish ladder. I’ve found the fish ladder fascinating – here’s a video of it – and have done some fun sketching at the Bonneville Dam  trying to capture the patterns I see.

I enjoy the patterns the fish form as they flow by.  I also enjoy the patterns of the needles/leaves on cactus and succulents which seem visually similar, in my eyes, to the “flow” of the fish as seen from various angles.

Yes, I spend a lot of time thinking about visual fractals in general and specifically fractals in nature

Plus the absurdity of comparing fish with cactus tickled my funny bone. At any rate those were some of my thoughts as I created this gouache painting I’ve titled “100 Things To Do On A Rainy Day”.

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“100 Things To Do On A Rainy Day” by Clancy – 11 x 14 inches – ink and gouache on board

the feeling of milkshakes

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One of my favorite desserts uses fresh fruit from our garden and or the local farmers market. Naturally I meditated on what I feel like when I’m eating one of these milkshakes and described it with my recipe illustration. (clue: a parade…)

I used ink and gouache on handmade paper to create the original art-plus-recipe. The handmade paper is very absorbent so the gouache looks more like “watercolor” than it does when I work on board.

The recipe is called “sloppy” because I don’t bother to blend the ingredients before serving the milkshake. I like the big chunks of fruit. Anyway, If you make the recipe I hope you’ll enjoy it as much as I did!

SloppyMilkshakes

Sloppy milkshakes by Sue Clancy (original art and recipe) – 6 x 18 inches – ink and gouache on handmade paper

pie in the sky

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Been thinking of how people can focus too much on things that are unlikely to happen and forget to see what really is possible – such as enjoying the here-and-now moments. I’ve also thought of related quotes and phrases: “Life is not a dress rehearsal” and “Take tarts when tarts are passed” and “If not now, when?”.  These thoughts baked in my brain pan a while and out came this painting I’ve titled “Pie In The Sky”

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Pie In The Sky – by Clancy – 8 x 10 inches – ink and gouache on board

pie places and mapping the mundanely magical

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In my early 20’s I worked as a graphic designer for the Center For Economic Management Research where I took business statistics and turned them into maps and all sorts of illustrations. It was fun to learn that there are magical people behind those dry lists of mundane numbers!

Well fast forward to today – and I still like maps. I think of map-making as sorting mundane information via my imagination. For example; I’ve recently taken my running around sketchbook pages that depict places where good pie can be found and have turned the accumulated info into a map titled “Pie Places in Vancouver WA”. You can find this map and my other maps here and here.

And yes, you can really go and get a yummy slice of pie from any of these real-life places:

PiePlacesVanWa

Pie Places in Vancouver WA – https://www.theydrawandtravel.com/artists/sue-clancy

 

 

mixing the mundane and magical

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I’ve been reading “Whiskey Galore” by Compton Mackenzie. Once again I realize that I enjoy the mix of real-life and a whimsical imaginative look at real-life. Mackenzie used a real-life event as the inspiration for his whimsy and did the mix extremely well.

Already I’ve been doing some of this mixing in my work – but I want to do even more of that mundane/imagination mixing in my various art projects. Here’s what I did most recently: it’s 8 x 18 inches, ink and gouache on board – I’ve titled it “The Soup Book: Starting With Ingredients”

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“The Soup Book: Starting With Ingredients” by Clancy

It mixes the real-life (mundane) action of consulting a cookbook recipe, perhaps for chicken soup, with a (magical) chicken rescue. “The Soup Book: Starting With Ingredients” will be one of several new works for an upcoming one-person art exhibit in September at Caplan Art Designs in Portland Oregon. I’ll post the new artworks here as I get them done.

But back to the artwork itself: I enjoyed doing a panoramic visual story that continues what I began doing for my “Dear Readers” exhibit currently on display at Burnt Bridge Cellars. The new wider format let me put in more details, more “story-ness”.

“The Soup Book…..” was such fun to create that I plan to do more in this format! And of course do more general mixing of metaphors, more blurring the lines between the mundane and the magical in all of my work. We’ll see how it all goes of course.

Generally I’ve been thinking of how important it is, for living well (and good mental health), to be able to view mundane life with a “glass half full” attitude, to be able to see what is good/delightful, and to use curiosity and imagination (and good books) to stimulate ones own inner life. Which is why I aspire to do an even better artistic job of mixing the mundane and the magical.

BTW: “Whiskey Galore” has been made into a movie – and a very well done movie too! The book version has a bit more story to it – but the movie is wonderful and it’s not always that both the book and movie are equals in quality.

Now for a wee dram….. Slàinte mhath!

 

 

the point of it all

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As per my last post I’ve been starting new projects in my studio. I’m also having some down time to rest and recharge. While starting new projects I’m keeping in mind my studio statement.  Here it is on a 2 by 3 inch paper thumbtacked to my art studio wall.

ClancyStudioStatement

I jokingly say that my mission in life is to wear pencils down to nubs. And I do think that’s true on one level at least – I practice drawing and writing daily and lots of pencils get used. So that must be the point right?!

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Yes, daily practice is indeed the point! (And yes, I like the Blackwing pencils a whole lot!)

But, seriously, these statements are true in my experience: “What you repeat sticks. What you don’t repeat goes away.” – “Anything worth doing is worth doing poorly at first.” and “Nothing has to go right today” – all of these concepts come from an artist book I did. (More about that here).

It has been crucial for me to purposefully design my daily artistic habits (repetitions!). And to focus on maintaining the habit-ness of creativity rather than being out-come based about my creative output. (it’s okay if today’s artwork is not perfect!)

It’s also important to take breaks. Both the design of daily creative habits and the breaks from them are part of making my creative life sustainable. The point is to have fun being creative and to keep it fun!

Over on my Instagram page I’ll post a pic of at least one of the things I’m doing to rest and recharge…

Dear Readers on view and my art opening jitters remedy

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All of the 28 artworks for my Dear Readers exhibit have been delivered to Burnt Bridge Cellars now – and hung. Over on my Instagram page you can see a fun pic of the curator looking at a table full of my artwork deciding what art goes where.  Here, just above the wine taps the winery uses to fill wine growlers, is the perfect place where the curator chose to hang my painting “Party Pointers”:

PartyPointersOverTapsI’ll try to post other views of the exhibit – most likely on Instagram – but don’t hold your breath for many more posts from me about Dear Readers – because I’ll be getting started on my tried and true opening party jitters remedy: getting on with other art projects.

Too often, early on in my art career, I had the “what if I throw a party and nobody comes” jitters during the week between art delivery and the opening party. That wasn’t helpful. Quickly I learned that starting on new artwork well before the official opening  for an exhibition is the best exhibit-opening-jitters and general exhibit-up-and-running-I-feel-naked-now remedy. My blog posts, from here on, are likely to reflect new projects I’m working on.  For additional views and information about my Dear Readers exhibit – which will run from June through the end of July – please watch the various Burnt Bridge Cellars social media pages.

Now that the Dear Readers exhibit is hung all that needs to be done, from my point of view, is to do laundry, dress reasonably and show up at the opening party June 7th. More details about the opening party, including the chef’s menu here.  So I’m focusing now on sharpening pencils, taking inventory of the art supplies, looking at my sketchbooks and starting new things.

Thank you again for all of your support and encouragement as I have worked on my Dear Readers exhibit!

 

Dear Readers exhibit prep

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I’ve been busy getting the framing, wiring and labeling done for all of the artwork destined for my “Dear Readers” exhibit that opens June 7th, the first Friday, at Burnt Bridge Cellars. There are 28 new artworks by me for this one-person exhibit – titled “Dear Readers” – this photo only shows a fraction of the artworks, wrapped up, packed in boxes ready to be delivered. Lots more to do!

DearReadersExhibitPacking

I got my frames from a local independent frame shop called Aurora Gallery. Most of the rest of my art supplies came from a local (Portland Or) art supply called Artists And Craftsman.

The exhibit content, of course, came from my mind and personal life. More about that here and in my recent blog posts.

What did I eat and drink while doing all of this work? Well I’ve posted about that over on my Instagram page.

And yes, I carefully save and reuse packing material like you wouldn’t believe.

Or maybe you would.

 

Dear Readers exhibit pun

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Since my upcoming fine art exhibit, opening June 7, at Burnt Bridge Cellars is titled “Dear Readers” and contains nested ideas – for the additional pun of it I’ll have some artist books available. So here’s a pic of a few of the books I’ll have at the exhibit.

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There’s my Dogs and Cats and a Cookbook I illustrated (with Chef Kim Mahan’s recipes). And yes – there’s a little tiny mini-guide to drawing dogs! How’s that for a visual pun in an art exhibit full of paintings of dogs reading?

There are also cats and food depicted in my artwork… and of course books! So my books relate to my artwork which relates to my books…

Basically I’ve had a lot of fun playing with nested ideas!

BTW the “How to Draw Dogs” mini-guide is only available via the Brooklyn Art Library in New York …. except for the few I’ll have in my exhibit in Vancouver WA. 

A link to my Dear Readers exhibit statement that explains my thinking behind this exhibit is here.

More generally about my artist books here.

And now to get back to work framing and labeling everything…