Since my upcoming fine art exhibit, opening June 7, at Burnt Bridge Cellars is titled “Dear Readers” and contains nested ideas – for the additional pun of it I’ll have some artist books available. So here’s a pic of a few of the books I’ll have at the exhibit.
There’s my Dogs and Cats and a Cookbook I illustrated (with Chef Kim Mahan’s recipes). And yes – there’s a little tiny mini-guide to drawing dogs! How’s that for a visual pun in an art exhibit full of paintings of dogs reading?
There are also cats and food depicted in my artwork… and of course books! So my books relate to my artwork which relates to my books…
Basically I’ve had a lot of fun playing with nested ideas!
BTW the “How to Draw Dogs” mini-guide is only available via the Brooklyn Art Library in New York …. except for the few I’ll have in my exhibit in Vancouver WA.
A link to my Dear Readers exhibit statement that explains my thinking behind this exhibit is here.
More generally about my artist books here.
And now to get back to work framing and labeling everything…
My new exhibit this year is titled “Dear Readers” and is book/reading themed. As I’ve worked this last year towards this new one-person fine art exhibit at Burnt Bridge Cellars, that will open June 7 in Vancouver WA, I’ve written lots of hand-written notes in my sketchbooks, on random slips of paper, on post-it notes in the margins of newspaper articles. I wrote down as many thoughts as possible – including quotes from books I’ve read – and kept them together in a binder. When it came time to write my exhibit statement I could reread all of my notes and pull from them.
Here’s a pic of my binder and one of my sketchbooks. And my pen.
Below is the finished “Dear Readers” art exhibit statement – text I wrote that pulled from the data pool in my binder and sketchbooks. This statement will be put on the wall somewhere within my exhibit:
By Sue Clancy
I’ve been thinking about the interconnectedness of everything in life. These thoughts led me to the concept of nested ideas; how one thing leads to another, one food or drink pleasure can lead to another new pleasure in a similar way that one enjoyed book can lead to another new book.
I’ve also thought of how much the written word in general has enhanced our pleasure in and understanding of the sensual world by enabling connections to be made between elements and people across time and space.
So, in this exhibit I’m using the printed-and-bound book as a symbol for “the written word” in its myriad of formats. And I’ve deliberately, whimsically, played with the one-thing-leads-to-another-everything’s-connected concept by including spoofs of my own artwork, my still life paintings, within my other paintings that have dog characters in them. The titles of the still life paintings, the titles of the dog character paintings, the titles of the humans with pet’s paintings all correlate.
Each artwork in my exhibit is related in some way to at least one other artwork in this exhibit. I leave it for you to puzzle out which is connected to which – and in what way.
And yes, you can read my exhibit like you would a mostly wordless comic.
Especially when I’m super busy working on a one-person art exhibit I rely even more on my sustainable creativity technique of “running around loose”. I define “running around loose” as going about my nearby surroundings like a child or a dog in a park; poking about and exploring as if there are no time constraints in the world. My cell phone gets turned off and shoved deep into the bottom of my bag. It is there only for emergency use on the scale of needing to call 911. I don’t use the GPS function on my phone either. “Running loose” involves getting lost, losing track of time and generally living by-guess-by-golly (no preconceived plan) for an afternoon into the evening.
I’ll bring my sketchbook and write, draw and paint but I do it with no agenda, no particular project in mind. The idea is to play like a child or a puppy. To observe my surroundings with curious, free-associative, eyes.
This is particularly helpful as a refresher when I’m coming down to the wire on an art exhibit. I’m to deliver all of the artwork for my upcoming one-person exhibit at the end of May – and before that there’s all the paperwork. So I’ve got to be fresh and remember why I’ve done all this artwork – and even get excited about it again.
I’ve been working toward this exhibit for about one year. I’m a bit tired by the time the exhibit nears. But it wouldn’t do to have a “well whatever” attitude here at the finish line. Thus my mega-recharge session.
Here’s what I did in my sketchbooks when I “ran around loose” recharging my batteries for a whole day in Vancouver Washington and Woodland WA :
I was particularly struck by the various colors of purple that I saw on the grapes I ate for a snack – and the many different colors of purple in the tulip gardens and lilac gardens in Woodland WA. Here are some sketchbook pages:
After running loose for a day I felt pleasantly tired but like I’d had a mini-staycation. Great recharge session!!
Links for where I “ran loose”:
I’ve been thinking about cookbooks and bartending books. And parties. It’s becoming the season here in the Pacific Northwest for drinks with friends outside on patios and decks.
On one of my walks I saw a beautiful Pointer dog. The dog dovetailed with my thoughts about bartending books which give “pointers” – pun intended – for drink mixing.
Here’s the painting those thoughts inspired – titled “Party Pointers”.
Party Pointers by Clancy – 16 x 20 inches – acrylic on board
As I’ve been doing with this “readers series”, my body of work for my upcoming one-person exhibit at Burnt Bridge Cellars, in the background of “Party Pointers” I’ve spoofed several of my own still life paintings. You can see a few of the original still lifes here and I’ll post some over on my Instagram page.
Hope you’ll also get to sit outside and have an adult beverage with a fun companion or two!
Here’s a page from my sketchbook that relates to a recent blog post: https://sueclancy.com/dogs-strawberries-and-cookbooks/
My wife’s garden has at least 100 strawberry plants in it. They currently are in bloom. My favorite dessert is strawberries and shortcake. I only have this dessert in the summer on account of trying to be sensible. Nonetheless I’ve been anticipating “strawberry season” and making new artwork about it.
Dogberry’s Strawberry Treats – by Clancy – 20 x 16 inches – acrylic on board
I chose a Bassett Hound as my character because of the breeds easy-going relaxed nature. It’s the way I think of the Pacific Northwest summer.
As I’ve been doing for this series of artworks I’ve spoofed two of my own still life paintings in the background of the above painting titled “Dogberry’s Strawberry Treats”. Below are the two still life’s I’ve spoofed:
June’s Treasure – by Clancy – 7 x 5 inches – acrylic and gouache on board
It Must Be June – by Clancy – 5 x 7 inches – acrylic and gouache on board
Since we have so many strawberry plants – and get lots of produce from them – besides sharing strawberries with neighbors and friends and making strawberry shortcake desserts I’m often looking at cookbooks for ideas of what else to do with an abundance of strawberries.
My one-person art exhibit, which opens the first Friday in June at Burnt Bridge Cellars, is book and reading themed. So naturally, for the exhibit, I had to have a painting with cookbook and a Bassett Hound cook consulting a book while working with strawberries.
And yes, in the exhibit I’ll have all three of the above artworks displayed. I’m hoping that sharp-eyed attendees of my exhibit will connect-the-dots so to speak and see the correlation between the paintings, sort of an in-person story-puzzle effect; the ability to walk about (glass of wine in hand) finding the related art pieces and identifying the story-theme for each.
But whether or not people catch any of the correlations between my paintings I’m hoping the exhibit will be as fun for visitors to see as it’s been for me to create.
Yesterday was a busy day full of play both in the kitchen and on a hike. Somehow in the mix I thought of a new-to-me way to combine my handwritten words and artwork on a page. Late last night I tried it in my sketchbook. Here’s what I did using ink and gouache:
As I mentioned regarding the “Leaves and Grounds: Poems for the Canine Soul” painting I wrote of in my last post here, below, is another artwork with a concept related to, nested within, the afore mentioned painting. Also in this post is a poem that I wrote that relates to the ‘Leaves and Grounds’ concept.
It’s Magic – by Clancy – ink and gouache on paper
A Dog’s Ode To Spring
Oh, there’s sunshine
Makes a dachshund want to roll!
Let me out
To run about
Compost is good for my soul!
Oh, the mounds
Of leaves and grounds
This dog’s heading for the pile!
Where the digging is best
I’ll make my nest
Don’t wait I’ll be here a while!
I may be groomed
But that’s all doomed
‘cause I’ll do what makes me grin!
Oh, the sunshine
I’m here till you shout “get in!”
Been thinking about tea and coffee. And poetry. As readers of my blog know I often read a bit of poetry in the mornings with my coffee. And novels with my tea in the evening. Or vice versa. This bit of my mundane life inspired this painting below along with the thought that Dachshunds like to dig… and writers and readers often “dig” for meanings…
Leaves And Grounds: Poems for the Canine Soul – by Clancy – 20 x 16 inches – acrylic on cradled board
Naturally (organically?) I’ve included, in the painting above, 2 spoofs of my own still life work. Each of the still lives relate to the theme of “Leaves and Grounds: Poems for the Canine Soul”. The titles of the still life’s, in my mind at least, add more information to this “Leaves and Grounds….” painting.
As you can tell I’m still thinking of the nesting ideas concept I’m working with for this body of work (“Readers” is my working title) for an upcoming one-person exhibit.
Here, below, are my still life paintings that are spoofed in the painting above:
A Stirring Occasion by Clancy – 8 x 10 inches – acrylic and gouache on board
“A Novel Morning” – by Clancy – 24 x 18 – acrylic and gouache on board
I’m currently working on yet another nesting aspect related to this concept of leaves, digging and poetry… but that will be another post. Btw: if you follow me on Instagram occasionally I post what I’m currently reading.
Recently I did a post titled Pug Epic Book In Art – (the post is about my painting in which a pug sits in a café reading a book) – since then I’ve also mused about a character who wrote the book the pug in the painting is reading. Here is an illustration of who I imagine is sitting to write the story “Epic Tales of the Pug King” – the book being read by the other pug in the painting:
“Epic” by Clancy – ink and gouache on paper
And I’ve written the full text of the story that I hand lettered on the painted-book within my painting referred to in the prior post – the painting that when my wife saw it said she’d like to read the rest of the story of which only a part was depicted within the painting. So here’s the story:
Epic Tales Of The Pug, King – by Clancy
The Pug King’s elegantly chipped ceramic bowl appeared before him resplendent with gravy, chunks of meat and yams. His Majesty tasted the gravy, then a meat chunk, the gravy again, then a yam, a meat chunk with the gravy and a piece of yam with gravy. He licked his lips, the bowl and his lips again. The Royal Feast was done; the dog sought some sport to aid all digestion and to his owner cried “Sir, Fool! Kneel now and play some ball!” The owner bowed and bent his knee. “Fetch!” he said and flung a mighty fling. The ball arched high into the air across the green expanse of Royal lawn. His Majesty ran flowing, majestically, swiftly, across the grass, conquering the ball and returning back to his owner. Three times, four times they did this at the King’s command. On the 12th time the owner knelt, patted the Monarch’s silken head, saying “Enough now, lets go inside and get ready for bed.” His Royal Majesty barked sharply. “Sir Fool, there’s a King’s personal business still to do…”