A horrible but predictable insurrection happened in the US last week. My book shaped box to hold the original artwork for Pembral Forgets was at the needs-to-dry stage the day before, so Wednesday, January 6, 2021, the day of the attempted coup, I nervously read a lot of news. And thought of how a seditious insurrection was the inevitable outcome of the right-wing rhetoric of the last several weeks, months, years. But I don’t want to blog on that…. after time spent on the news Wednesday I drew in my sketchbook and read fiction to give myself a mental space from the violent seditious insurrection, to calm down and think.
So on to a more pleasant topic: here’s a few photos of the printed and bound version of Pembral Forgets – you can see more on my portfolio page. The print book is available on Blurb here.
The printed book is slightly different from the original artist book. Same content just a different presentation and minor differences in the book-info pages and, most obviously, the cover. There’s several reasons for this: an original artist book can only be enjoyed in person. And we’re in a pandemic so going to galleries isn’t an option for most people. Multiple printed books can be mailed directly to someone and can be enjoyed by many.
Yet when I create a book to be printed and widely enjoyed I still end up with a physical one-of-a-kind set of paintings. Since I’m a fine artist first and foremost I gravitate towards making things that can be hung on walls or displayed on stands/shelves. But see aforementioned pandemic which has made the use of other means of art production and distribution i.e. Blurb.com or Zazzle.com or Society6.com or Spoonflower.com on-demand shops helpful.
Even so I love making handmade boxes and used to regularly make them for the artist Deloss McGraw and others. So I look for excuses to make boxes…and am loving this box for Pembral Forgets!
Below is a series of photos of the box for Pembral Forgets that you saw a bit of in my last post. In this first photo I have laid the naked box on the handmade hand stenciled paper that I’ll use to cover the box. I lay the box on the paper and try to position it so the paper will be placed well when I glue it on.
I “mark” my choice of placement by creasing the paper slightly. Pencil marks would show through this delicate paper.
Glue is applied to the paper within the crease “marks”, the open box is laid onto the glue, then the box now loosely covered with glue-y paper is gently closed. I use a roller to press the paper firmly in place, wiping away any excess glue. Next, as in the photo below, I add glue to the flaps of paper and fold them around the edges of the box using a bone folder to get the creases smooth.
Then after carefully gluing all edges I turned the box over to check the paper placement.
Inserting wax paper allows me to close the just glued box without accidentally gluing the box shut.
At this point, Tuesday evening, I let the book box dry for a few days. It will be dry to the touch within hours but I have learned the hard way that too much handling too soon can cause the paper to slip.
Then the next day saw the news of the insurrection…
Here’s the fiction book I read as a spirit restorative…
The beverage in the picture is Clancy’s Special Chocolate and here’s the sketchbook drawing I did about how to make it. Whenever I feel stressed it helps to draw whatever is in front of me.
In case you wonder: I get my archival glue and other book-box-making supplies from Twinrocker.com
A helpful technique book about making boxes by hand is by Franz Zeier titled Books, Boxes and Portfolios; binding, construction and design step by step.
There’s still more to do on this project. So I hope to see you here next Monday after, hopefully, a more quiet week – but I know it’s not likely to be quiet here in the US – but no matter what kind of week it is I wish you some calm creative moments.
I’ve illustrated Pembral Forgets written by Steve Tubbs and in my last post I talked about my process of creating the cover and my leaf motif that flows through the book.
Well here, below, are some of the finished illustrations with the text so you can see what I mean.
Later on in the story there are some really large leaves… but as you can tell from the images above I depict leaves from a distance as well as nearer to hand.
I also use leaf shapes as logos on story related objects… for example in the photo below look for the leaf on the sugar and the market sacks. I do this in multiple places within the story in order to emphasize the fall leaves aspect of the story – and to visually bring the leaf motif and good food motifs together.
There are illustrations on every one of the 38 pages of Pembral Forgets… lots of leaves blowing through this book!
Since the author Steve Tubbs was inspired by thoughts of himself as a kid and memories of his own mother – I wanted my illustrations to have a warm soft nostalgic feeling in addition to the colors of Fall. So I used a cream colored handmade watercolor paper for my ink and gouache illustrations.
Since the warm, creamy, yet fall colors are what I wanted for the pages in the artist book reproductions – I’m also making the original artist book box (talked about in my last post) have a similar cream color on the book-shaped box edges where pages are.
I still have lots of work to do on the one-of-a-kind artist book box that will hold all of the original illustrations and text. Also there’s a few more pages for the one-of-a-kind book to do…. more about that in future posts.
And I’m in the process of making a webpage about Pembral Forgets. It includes a short conversation with the author, Stev Tubbs, as well as images of more of the finished art. You can see it here: https://sueclancy.com/portfolio/pembral-forgets/
But in case you think I came up with the cover and these illustrations perfectly right from the first: Here’s a leaf motif pattern I tried before hitting upon the motif and color scheme I finished with.
I decided this leaf pattern was too green and too uniformly regular. Then I proceeded to do the pattern I showed you in my last post and what you see on the Pembral Forgets finished book cover. But as a pattern design goes this more-green autumn leaf pattern was fine – it just didn’t fit the creamy nostalgic vibe I wanted for Pembral Forgets.
I’m still happily reading “European Travel for the Monstrous Gentlewoman” by Theodora Goss – and taking things a wee bit slower but I’ll see you here next Monday! Stay safe – and here’s hoping for a better new year for everyone.
Mid November 2020 I was asked to illustrate Pembral Forgets by Steve Tubbs. It’s a story about fall leaves, good food and an absentminded boy who forgets something important.
In mid December I took a social media break in order to focus more intensely on my illustrations. (There’s 38 pages of illustrations!) I’m glad I took the break as I think my illustrations for Pembral Forgets are some of my best work so far. The story written by Steve Tubbs was great inspiration!
I finished the illustrations and uploaded the digital files for the artist book reproductions on December 21 and told the author Steve Tubbs that Pembral Forgets by Steve Tubbs was now available! (You can preview the reproductions of the artist book via this link here)
Then I shut off my screens and have since been recovering from my creative efforts. Reading books and cooking are my go-to restoration methods and it’s really helped to spend time deeply reading in a novel! And trying new-to-me recipes! Truth be told I’m still in this hibernate and recovery mode.
Still, because it may amuse, I wanted to share some of my working process on this artist book project.
Since fall leaves are a theme in Pembral Forgets I studied leaves I found in my yard and neighborhood. I both drew them in my sketchbook and photographed them….here’s two of the photos
Then out of thick mylar (a sheet of clear plastic) I drew the leaf shapes with a marker and then hand cut stencils in the shapes of several different kinds of leaves. The masking tape tabs on the edges of the mylar make it easier to lift and move the stencil when in use.
With a sheet of handmade paper taped to a board on my easel I set about using the 5 different stencils I’d made. I mixed acrylic paint colors and used a natural sponge to dab into the color and then onto the stencil. This overall leaf pattern was done over a multiple day period to allow for layers to dry.
My spouse snapped the above photos so they could be shared digitally with the author Steve Tubbs and his wife. The pandemic being what it is – the project discussions between the writer and myself were all virtual.
Here’s what the finished leaf pattern looked like while it was on my easel with still wet paint.
And here’s what the cover for the artist book reproductions looks like:
Variations of this leaf motif carries throughout Pembral Forgets….
When I create books I think of them, as an art object. With the attending artistic concerns about rhythm, balance, beauty and, in my case, pleasantness. For this project I was inspired artistically Steve Tubbs’s story Pembral Forgets and did my own artistic response to his story.
My way of working also means that most of the time my book creations have, in addition to the multiple print and ebook reproductions, a physical one-of-a-kind book-like-art-object.
Anyway, here’s the book-box for Pembral Forgets that I’m still in the process of constructing.
I will show pages and talk about my illustrations for Pembral Forgets in coming blog posts. My hand is still very tired so I will write more later…like next Monday.
If you’re curious: I’ve been reading the novel “European Travel for the Monstrous Gentlewoman” by Theodora Goss.
One of the meals I’ve enjoyed cooking recently is a pasta, cheese and pepper dish I’d read about on the Food In Books blog – https://wp.me/p75xYM-1bY – I don’t know if I’d read the novel talked about in that blog post but it’s fun to see the novel that inspired the blogger’s recipe. I can tell you, for certain, that the pasta, cheese and pepper recipe in the post is a winner!
Happy Jolabokaflod in advance! In my last post I hinted that I’d have a gift book for you. I have several! And some hot chocolate. Some assembly required… If you’re just joining this party – welcome! – and if you’re not familiar here’s another meme that tells what Jolabokaflod is.
As we fast approach the deadline for shipping presents I begin to oogle the coffee, the tea and the buns. Let the Jolabokaflod begin! Let the hot chocolate flow! Bring out the books!
Here’s a quick meme to explain what Jolabokaflod is in case you’ve not yet had the pleasure…
My family officially begins our Jolabokaflod festivities around the 13th or so of December – if not earlier. Okay, truth be told, we celebrate Jolabokaflod all December long.
We did this in the pre-pandemic Before Times because by mid December most of the art gallery exhibit openings and parties have already happened. So we could enjoy ourselves with more time to read books. This pandemic year things are, well, weird. So I’m reveling in the Jolabokaflod normalcy. Plus the whole idea of Jolabokaflod is tailor made for a pandemic.
The following books are all books that were Jolabokaflod gifts, starting in early December. These are the ones that have been opened already.
Whiskey Galore by Compton Mackenzie was a surprise in the mail gift from my spouse who knew I had wanted my own copy. I’d read the library copy several times and had listed this title as a “book to cheer up by”. This book paired well with English Breakfast tea blend and candied orange slices. And occasionally had a shot of whiskey on the side.
A friend suggested, and gifted, by no-contact dropoff, “The Strange Case of the Alchemist’s Daughter” because it was a book she really enjoyed. I paired this book with a strong French Roast coffee regularly and added this book to my “fun lighthearted reads list”. The cinnamon bread was good with it too! Now my spouse is reading this one…so we’ll not say more about the book.
And then another friend said one of his favorite authors is James Crumley and he mailed a copy of Dancing Bear to me. I opened it and was hooked right from the start. I read the first 3 chapters without hardly being able to put the book down. I did, however, at some point manage to tear myself away from the book and make a hot chocolate to go with my reading.
Naturally my sketchbook figures in prominently this time of year too. It’s a book too so I include it in the festival! And I see Jolabokaflod generally as a chance to doodle and play and share books with friends and read with no strings attached.
When reading books or sketching I like to have a coaster or Mug Mats as I call them under my cup so that my beverages don’t moisten a table or a book. Consequently my sketching practice lately has run to making coasters too… here’s a collection of my Mug Mat designs https://www.zazzle.com/collections/mug_mats-119756908126091756
Also as part of my sketchbook practice I’ve written a short story that explains what happens to beverages when you’re reading. It’s like this:
In case you’ve wondered where the coffee goes: There are tiny rabbits, who creep up while you’re busy reading, install a drain spigot on the side of your cup and dispense coffee to the entire tiny rabbit crew. When your cup has been completely drained they remove and repair the spigot hole and run away.
All of this happens so fast you usually can’t see it – you’re left with the “I swear I’d just poured myself a cup of coffee and now it’s gone” sensation.
Watch for the tiny rabbits. Here’s a new odd mug to help…
Tiny rabbits like to hide in fabric things like placemats and pillows. In the photo below the tiny rabbits are somewhat hidden. They’re lounging and drinking coffee on a pillowcase. If you look carefully you can see them.
So the moral of my visual story is to watch for the tiny rabbits!
And please put a coaster under your mug in case a tiny rabbit spills a bit when siphoning out of your cup.
If I see you here next Monday there may be a book gift to you from me…
Stockings were hung by the whimsy with care in hopes of the giggling soon to be there…
Okay so that’s not how the poem really goes. Still I’m thinking of ways to keep up my sense of humor and share a chuckle with other people. Imaginative play and laughter are crucial to mental health and humor seems more important this year, 2020, than ever.
My what a creative challenge this year has been on all levels. For example, instead of the usual holiday art gallery openings and parties my galleries are doing things differently: open by appointment, digitally showing work, shipping and delivering directly. Some are also doing limited hours “popup” shops with items that can be picked up curbside or quickly and safely in the gallery.
Through all of the changes my creative efforts still focus on hopefully making you grin.
Toward that goal here’s a few of my gouache and ink paintings available via the Caplan Art Designs gallery www.caplanartdesigns.com
Here, below, are a few paintings at the Joseph Gierek Fine Art Gallery in Tulsa, Oklahoma
And there are more than a few paintings – artwork that is reproduced in my artist books for children – many of my artist books (signed) and other stocking stuffers at the Aurora Gallery – www.auroragalleryonline.com
Besides fine art and artist books for the Aurora Gallery popup event, Dec 12 from 12 to 4 pm, I’ve created some small stocking stuffers: book mark ribbons, playing cards, drink coasters and other items not pictured below.
Besides paintings that include socks, I even made a few largish non holiday theme stockings that can hold smaller gifts.
Perhaps you’re noticing some common themes in my work: books, beverages, music and funky socks. All various comforts that can be enjoyed at home.
And it’s all whimsical. Humor is important to me because a sense of humor is one of our best tools for thinking and living well – despite circumstances.
Anyway, I’ve been enjoying the puns within puns… my fine art about reading books that becomes a bookmark ribbon for a reader. Or my fine art that includes a beverage becoming a drink coaster…
No, I don’t expect that everyone will understand all of my jokes – certainly not the “meta” ones – I’m just hoping you’ll get a surprise and a smile from my work.
Please do whatever you need to do this week to maintain your sense of humor and whimsy. Playfulness helps us cope.
A good laugh heals a lot of hurts – Madeline L’Engle
Since I’ve been asked by several people: here’s info about the art media gouache, why it makes me grin and my working cycles with it.
Gouache is a water based paint. It’s more opaque than watercolor. Using gouache feels like spreading soft butter on toast. Applied gouache dries quickly but is easily made moist and workable again. It dries to a matte non sticky appearance which makes it suitable for use in bound sketchbooks, in folded artist books as well as for fine art to be framed. Gouache also reproduces well via various printing mechanisms on fabrics, in printed books and on many other surfaces.
In the studio, because I don’t have to worry about my gouache paints becoming unusable on my palette before I can use them (as is sometimes an issue with acrylics), gouache is suited to my busy life. I call this my gouache and grin cycle.
I prefer to work on multiple art projects at a time in “short bursts” on each project. Rather than count on a long span of uninterrupted time I dash in and work a bit on an art project, then go make lunch or do whatever stuff-of-life or other work matter that needs to be done. Then I cycle back to an art project…
To borrow a sports analogy I just try to advance the ball, my various art projects, a little bit each day rather than doing a project all at once. I try to amuse myself with whimsical art making, aka spreading color, for at least a few minutes every day no matter what else is happening in life. The qualities and attributes of gouache help me to do this, to keep my creative games in play – come heck or high water.
Here’s a series of photos showing my gouache working methods in my sketchbook. (This is also my work method for fine art and other projects.) In the first photo you see my 3 x 5 inch watercolor sketchbook held open with clips. Also pictured from the top left and rotating clockwise: paper towel, peppermint candy model, graphite pencil, 3 watercolor pencils, 2 waterproof ink pens, a water brush and my lidded paint palette with its wells of various dry gouache colors.
In the photo below I begin 3 demo peppermints: the top left mint is sketched in graphite pencil and waterproof ink pens. The bottom left mint is drawn in watercolor pencil only. The mint on the bottom right page was doodled in all of the above; graphite pencil, ink and watercolor pencil. [The quote was just on the sketchbook page I chose to use for this demo.]
So you can see what they look like here in the photo below are two tubes of gouache paints. I like the Holbein Artist Designers Gouache brand best but the Winsor and Newton brand is good too. (There’s a monster called “acryla gouache” also available on the market which I avoid like a character would avoid a flesh eating zombie in a horror film.)
I begin painting by laying down the local color – the general color an item is supposed to be. At this point I don’t worry about shadows or highlights or details. I just get the color shapes down – in this case for the peppermint candies.
I did not squeeze out new paint from my tubes when I began. I got my water brush wet and put a few drops of water on the dried red gouache already on my palette so I can use the newly moistened color. I add a small amount of moisture to a portion of the dried chunk of red gouache until that portion feels like soft butter, then I paint the candy stripes.
Here’s a closer look.
Now I get the general color and shape down for the wrapper in the same method. I put a drop or two of water on my blue gouache color, get my brush damp, dab at the blue paint a second or two to get a portion of it moistened and softened – then I paint.
Now I create the cast shadows using a watery mixture of the red and blue gouache colors. To make the watery mixture on the lid of my palette I dipped my brush on the now moist blue color, dab on an area of the lid, then dab the brush clean on the paper towel, then dipping into the now moist red and adding it to the tiny blue puddle, mixing till it’s a purple color I want for the shadow. Then I add a tiny bit of plain water to the newly mixed purple till it’s a small fingernail size puddle of watery purple – this enables me to do the cast shadows in a faint shadowy way.
Now I do squeeze out a tiny amount of the white gouache from the tube and use it, fresh from the tube, to make the highlights on the candy and wrappers. Note in the photo below how the white gouache can completely obscure the darkest ink lines. This is part of what I love about gouache – any mistake can be covered with the opaque paints. If an edge in a painting needs to be softened or a color edge blended all I need is a wet brush.
Then in a few minutes, perhaps the length of time it takes for a decent sip or two of coffee, when the paint is dry I go back over the paint with ink lines or watercolor pencil lines to snap the details into sharper focus.
Now that I’ve finished painting I leave my sketchbook and my palette open and let them dry completely. I even leave the shadow color mixture on my palette lid to dry. All I will need to do to reuse the mixed color in the future is to get my brush wet and dip in.
Peppermints are one of my guaranteed-to-make-me-grin art subjects that don’t require a lot of time or planning. I’ve learned over years of painting peppermints that different candy makers have their own peppermint candy look. And I don’t mean the wrapper.
Here’s a fabric pattern I did of peppermints for my Spoonflower shop. I used the gouache techniques I describe above to create this pattern. But do you notice how these mints are different from the ones I did in the demo above? Different candy maker… yummy too!
To illustrate what I mean about working in short bursts despite life situations. A hot water pipe burst on our hot water heater recently. (Talk about heck and high water! 🤦♀️) After we got the immediate crisis dealt with I did little quick bouts of drawing as a self calming technique. Also while waiting for plumbers etc restoration crews I doodled and painted in my sketchbook. Gouache makes it easy for me do short bursts of spreading color which makes me smile. And having had a brief grin makes dealing with life much better.
Anyway, there’s a new artist book I’ve done for children called “B Mouse Reads A Book”. In it you can see my original ink and gouache artwork, and how the art media is on folded paper in this video on my YouTube channel. Because this book was meant to be handled in a gallery I used a spray fix varnish to make sure the gouache wouldn’t smear or run.
But since the pandemic hit there’s no going to art galleries to handle or view artist books in person. So I was lucky enough to have “B Mouse Reads A Book” published as an ebook here on Storyberries.com! They also included the book B Mouse is reading too…it’s another artist book I created as part of the B Mouse Reads A Book story…there’s a link at the bottom of the B Mouse book that you can click to see the companion book.
I’m sure you can recognize in the image above the ways I did my combinations of ink and gouache. The video shows how flexible gouache can be when applied on paper bound or folded as pages. The ebook shows how well the nuances of the colors show even as a digital image.
If you look at my portfolio pages you can see my ink and gouache work as both fine art framed in an art gallery setting as well as reproduced in printed books.
That reminds me to tell of another practical matter: if you apply gouache too thickly it can pop or flake off. Especially in a folded or bound paper book. And when scanning or photographing gouache artwork for reproduction a too-thick gouache application can cast shadows unrelated to the artwork subject. So I apply gouache as if I were basting bread with semi melted or melted butter.
I hope you’ve enjoyed reading this and found it helpful for when you try gouache yourself.
See you here next Monday. And in case you’d like to know even more about gouache – here below are a few links to more information about painting with gouache:
All 4 of these books are from my sketchbook keeping practice. All are about ways to take care of ourselves and others. The 2 book that are most obviously from my sketchbooks, and are also about finding comfort during difficult times, say “sketchbook” on the cover.
From the Dr Bob’s Emotional Repair Program First Aid Kit I learned that when in a difficult situation (like a pandemic) that’s beyond your control a strategy for dealing with it is to recognize the reality and the feelings – “I don’t like it” – but refrain from getting stuck there. Acknowledge what’s going on but then go on to find something you can enjoy despite the situation. In my sketchbook “Another Sketchbook” I tried to practice this.
For example the above sketchbook page says “eventually things will get better, in the meantime here are some drawings.”
That pretty well sums it up my way of coping.
More of the coping skills I practiced in a sketchbook format – and in the kitchen – were cooking related. Having a book of reliably good favorite dishes has been a solace.
A pot of soup cooking on the stove, good hot beverages and fun books to read really do restore my psyche. I find it helpful to remember this and deliberately revel in it.
So this week I started my Home Hare Care series again. This series celebrates the comforts of home. I had begun this series back in March 2020 during the first official lockdown. Now that my home state of Washington has sensibly begun another lockdown… it’s Home Hare Care season again.
So instead of the slaying dragons mode of response to feelings and difficulties I’m actively choosing a kinder more gentle way of responding.
It’s an “I see you” recognition of the dragon and then using calming techniques to soothe one’s self and peacefully cohabitate with the dragon.
So I drew a dragon, gave it a book to read and made a fabric pattern on my Spoonflower shop. Nice dragon, calm dragon, comfy cozy dragon, rest on this fluffy soft pillow dragon…😁
Since hot beverages feature on my list of soothing comforts it seems sensible to create a series of mugs. I’m calling it my Odd Mugs collection on my Zazzle store. I pretended the sides of mugs were sketchbook pages and reproduced some pages from Another Sketchbook.
See you here next Monday? In the meantime please take care of yourself and keep reading, cooking, drawing and doing whatever you do that’s soothing.
Well I didn’t expect that. My books sold out at the Aurora Gallery within 11 days. By request I’ve ordered more books to sign and deliver to the gallery asap.
I began doing this series of kids books as a gift for my friends and their kids and grandkids. When this pandemic began, for safety reasons, I started making my artist books on Blurb.com because they’ll print my books on demand and then mail those books from where they’re printed to any place in the world, including mailing books to my local friends.
Here’s a photo of all 5 of my children’s books. (Accessible on my shop page)
The worldwide aspect of Blurb has turned out to be a good thing also because all 5 of my children’s books are now on Storyberries.com as ebooks and audiobooks worldwide. Storyberries links to where a reader can get the printed books at the bottom of each ebook.
Even so I’ve gotten multiple direct questions about where to get printed versions of my children’s books so I’ve put them on my shop page as well as my portfolio pages.
Also on my portfolio pages are links to blog posts that show my working and thinking processes as I created the books.
What I hadn’t expected was the requests for signed books. I’ve been working on that: I’ve mailed signed labels for the book owner to affix in the book. And I’ve taken, in a pandemic safe way, a few signed books to the Aurora Gallery where they went quickly to new homes. I’ll have a few more signed books at the Aurora Gallery soon and the gallery is able to mail them on to a reader/collector.
Anyway, to be safest of all, I’m focused on working with places that can do the direct shipping of books and other items. I’m also enjoying making downloadable ebooks. (Look at the bottom of my shop page for ebooks I have there)
You see, I keep thinking “what if this pandemic is actually opportunity to slow down and really connect with people?”.
Books are ways to connect, in my opinion, and for that reason I make books. I may dedicate each book and have certain people in mind as I create my books but when I share on social media about my books (and other items) I share for anyone who needs a bit of comfort, a smile and a visual hug.
Here’s a look at the display at the Aurora Gallery before they sold out of my books.
At any rate I’m enjoying making my books available via Blurb and Storyberries and the Aurora Gallery and I’ve enjoyed hearing that my books have given people comfort and enjoyment during this time.
Most days I make an effort to catalog what I’m enjoying and finding comfort in these pandemic days. This is expanding my awareness of things, besides books, that help us connect with each other. But in my list making of comforting things I’ve found books and coffee so comforting so often that, for fun, I did a fabric pattern on the topic.
A friend liked my coffee and books fabric pattern and requested a coffee mug with it. So I did that. It’s fun to think of mugs as gallery walls or as book pages or even as pieces of fabric. And I get comfort from thinking creatively about the ordinary stuff of life and the comforts found there. I’m very grateful that both Spoonflower and Zazzle can ship my designs directly to someone.
I find it helpful to create things with specific people in mind. Sometimes the people know about my creation because they requested something or because I wrote a dedication in one of my books. Most often the person I had in mind while I was creating never knows about it.
As Kurt Vonnegut says “Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.”
A side effect of thinking of my artistic creations as gifts for someone I have in mind is that I’ve discovered that my books, fabrics, mugs, puzzles and other items have been purchased as gifts by one person for another person.
And I love this thought that what I make as a gift, in my mind, for someone I know becomes a real-life gift from one person to another person.
It feels like I’m the author of gifts to be given, as if my artistic mediums, my paints so to speak, are love and kindness shared between people. With that in mind I’ve begun making more note cards… like this…
The text on the inside of the card says “wishing you calmness and peace or at least comfortable sweatpants”
Yes, comfortable pants made my list of enjoyed comforts this week. So did thick socks and warm sweaters but this is enough typing for right now.
See you next Monday? Till then please make yourself comfortable and share a comfort with someone else.
It’s election time in the U.S. This year is particularly full of hopes and fears. So I’m focusing on comforts as a topic for my art projects. I’m thinking of the importance of the ability to provide self care, self comfort and to comfort others. To feel ones feelings and to continue on without getting stuck in the feelings.
Here’s a book I illustrated some time ago that I’ve continually found helpful in life – and in my creative life.
In the Dr Bob book there’s discussion of a self-care technique that I find most relevant to my creative life: keeping a list of things that I enjoy thinking about and, when worrying, to deliberately switch my thoughts to one of the things I enjoy thinking about. I’ve found that it’s helpful if at least one of the enjoyed thought topics on my list has gear. Gear; stuff I can buy, look at, use or touch in the real world.
Anyway here’s some items from my personal list of things I enjoy thinking about (in no particular order): fine art, art techniques, art supplies, reading, books, writing techniques, pens, papers, cooking, cooking techniques, food of all kinds, plants, wild animals, house pets, coffee, tea, mugs, cups, coffee urns, tea pots, jigsaw puzzles, playing cards, fabrics, fabric designs, lap blankets….
There are many more items on my list but you get the idea and I got tired of typing.
This strange year, 2020, with its pandemic and, in the U.S., weird political scene, I’ve thought a lot about those topics. As a result I’ve been branching out creatively.
Creating original fine art and one-of-a-kind handmade books for galleries, libraries, public organizations and clients homes and offices has long been my main focus. Well, the pandemic has caused me to adapt my thinking and find ways to put my artwork and books out in the world in ways that people could get them via mail order (or downloads) while at home rather than having to leave home and go to a particular place to see my work.
I still happily work with all of my art galleries and they have adapted to the pandemic as well, delivering and shipping art to clients, doing virtual tours etc. My new work simply augments what work I’ve already been doing with them. For instance people have sought, from my galleries, the original artwork for my books.
Primarily, creating print on demand books and objects has been a way for me to practice my own self care.
Anyway, the result has been the creation of real-life books, fabrics and objects that have been comforting to me as I’ve made them. I’ve been told by other people that they have been comforted by my work too. I have even heard that my work has been given as gifts and the comforts have been spread! I can’t describe adequately how happy that’s made me!
So I’ve been increasingly focused on creating original fine art which leads to creating my artist books on Blurb and also to creating theme related objects on my Zazzle and Spoonflower shops. Then on my portfolio page on my website I’m grouping them together.
For example on my Numpurrs portfolio page you can see images of the original fine art (and the art gallery handling it), my artist book for children titled Numpurrs. Besides info about the printed book there’s a related poster, calendar, jigsaw puzzle and mug. Here below is the Numpurrs mug – wouldn’t it be fun to have Alphabet soup out of this mug?
I’ve also created a new page on my website called “illustrated shorts“. The page has short examples of my thinking of fabric, note cards and coffee mugs as gallery wall spaces, so to speak.
For example here are a few of my illustrated short thoughts about love:
It’s fun, and comforting, for me to think about self care and to create art, books and objects that could be accessible for other people to use for their own self care or to be given to others. So I’m likely to continue such thoughts during the coming weeks as we all prepare for “non-normal” holidays.
Check in again next Monday? In the meantime, please take care of yourself.