As I alluded in my last post life and art are correlated. In the comments Sherri said it’s like a braid. That’s certainly true for me; life, creative projects and self-care weave together. It’s not a work slash life balance so much as it is what can I do that makes both life and creativity sustainable and as fun as possible? Art and life can teach each other what they need when I’m listening to what makes me glad to be alive at that moment. The thumbtacked quote below is one of my favorites.
Here’s another painting in my Odditerrarium series titled “Teacher”. Like the others is is 10 x 8 inches and created using ink, gouache and collage on board. It will join the rest of the series for my upcoming exhibit at Burnt Bridge Cellars via the Caplan Art Designs Gallery.
I’ve been framing artwork almost every day like I mentioned last post in an adjustable rhythm of spray varnish two and frame two. Slowly but steadily I’m getting all 20 framed.
The back looks like this when I finish the framing and write the title of the painting on the backing paper in ink. Then I slip it into a protective sleeve and then into a box with its fellows.
Two of the 20 finished paintings are smaller at 7 x 5 inches but all of the rest are 10 x 8 inches.
At the end of the week I got the the rest of the frames I need from the Aurora Gallery! The new frames are outside the box and the box is full of artwork that’s already been framed. So if I keep this work rhythm going I will have all of the framing finished a week early before delivery. I like giving myself some time to relax before delivery day.
Breakfast one day this past week was lemon scones made by my wife! They were yummy! And here’s my sketchbook page that day.
This week besides my spray two frame two work routine also had a leaking dishwasher in it. We’ve ordered a new one. Then another morning we were having breakfast (not the scones) when suddenly the water heater beeped frantically. We frowned at it. Rusty our dachshund barked at it. We looked at the instruction book and at the app for our heater. Nothing we tried helped. So we called our regular handyman and before our coffee got cold Kyle had our issue fixed! We’re sending him a big thank you by postcard… (postcard art by Clancy)
Since we’re hand washing dishes until the new dishwasher is installed I made my homemade simple sauce (recipe card here) and added chunky veggies – zucchini, onion, bell peppers – it was very good over pasta! Several meals were had with easy clean up – just the pot I boiled pasta in and the bowls and forks we ate with! The sauce was reheated in the pot it was original cooked in.
When things go wrong I refer to this thumbtacked note on my studio wall.
And that concept of seeing possibilities includes remembering especially during difficult or stressful times to see the beautiful things. Here’s some beauty I enjoyed seeing in my wife’s garden.
And also this thumbtacked thought was good to remember…
… and it was good to practice. Just for fun we got some Daniel Smith watercolors that have shiny aspects; interference, iridescent and duochrom to the colors – and both of us played with them on watercolor paper. Taking time to play is important especially in stressful times. The cat helps too.
Below is another days breakfast and sketchbook page. Since this week had stressful times with household appliances in addition to maintaining my work rhythm I mostly let go of my social media posting and responding. Letting go of the social media part of living a creative life helped too. I will pick it back up… and the break was/is nice. (Thank you in advance if you share this post on your social media.)
This next week besides the framing and will focus on website and promotion prep for the opening of Odditerrarium. It’ll also have some more rest and recreation in it before the opening of Odditerrarium on June 3!! Wahoo!!
I hope all of your household appliances work smoothly or are easily fixed this week! I also hope you make time to see the beauty around you and to play. See you next Monday.
I’ve been thinking lately of how important the ability to imagine is. What if “let’s pretend…” is one of the most useful skills to cultivate all of one’s life? Besides being lots of fun to do using your imagination is an essential mental health skill. I quote from this article “So when you choose to develop your imagination and your ability to focus and direct your imagination, you gain the ability to guide and shift and direct your emotions as well. And when you have the ability to direct your imagination and modulate your emotions, then you also have the ability to influence the neurochemicals in your brain and in your body, too. Like all things mental, this ability is learned, and, like all things learned, this ability is made proficient through repetition. You do not learn to read overnight. You learn to read through repetition. Repetition makes proficiency.”
A new painting in my Odditerrarium series portraits (see last post) is titled “Pretending”. It’s 10 x 8 inches and made with gouache and ink on board. It is for an exhibit via Caplan Art Designs later this year.
A close up view…
I’ve also made progress on a new book for Storyberries that I had begun in my last post – the cat reaching thought I was telling you about got some color.
In thinking of how important imagination is I’ve also been thinking of the scope of it: imagination is first a personal skill, then it becomes something shared with friends, then it is something shared with the wider public – even intergenerationally – and that cycles back to us personally. And it does this cycle as long as we’re alive. Art and imagination are an ongoing conversation we have over time with ourselves, our friends and our community… and most importantly with life itself.
So I’m proud to see in this article that one of my art projects, the paintings in the photo behind Amy Russell, the executive director of the Curtis Children’s Justice Center is still on the walls there! That’s one of my public art projects that I’m most proud of doing. Keeping kids safe and developing good mental health coping skills are causes I care deeply about – and I think art can help with that. Long ago when I was a small child living in Oklahoma I was on the recieving end of child abuse in my biological family and had my own memorable encounters with police officers, social workers etc. The art on the walls in all of the buildings and the drawings on boxes of animal crackers helped me almost as much as the kind people who tried to help. Fast forward to today – the idea of having one place for a child to go for assistance is phenomenal and I’m glad and grateful for the existence of the Curtis Children’s Justice Center and I’m grateful for the kind people who help the children who need their services. I am deeply honored to have my artwork on their walls. https://www.columbian.com/news/2022/mar/26/childrens-justice-center-child-abuse-up-since-covid/
An art collector friend sent me these photos (below) of a art commission I had done for them over 10 years ago – it has been reframed and is in this gorgeous private place!!
I did this collage of handmade paper to tell a very personal and delightful story of a lovely family!
The pet portraits are some I have done of this same family’s pets over the years – they got reframed too and don’t they look nice?!
I just adore getting to love people throughout the years with my artwork!!
My artist heart is happy and full ❤ !! Thanks so much to my friend for sharing this with me!!!
Three kids are the apples of this art collectors eyes and I did these paintings to represent the specialness of each kid… the kids are all grown up now and still cherished! Since I’d posted the art collections (above) of my fine art earlier on my social media that are still loved all these years later… this art lover and I wanted to share these beloved apples!! So much love worthy of sharing!!! ❤❤❤
A friend gave us these flowers this week…
….I painted them in my sketchbook and posted my page on my social media…
…. another friend saw my sketchbook page online and asked me to make an art print of it. So I got out my big camera and did that! As you can see the colors and details show up even better now! You can see more about the print here.
My wife saw a unique mushroom in our yard and showed it to me. I looked carefully and photographed it and began a drawing in my sketchbook – then the next morning I finished it.
Then we got to visit some very special friends and a special cat and dog! Here I am being honored by the cat.
Here’s my wife being honored by the dog.
On the wall behind our friends is a collection of my artworks. Sharp eyes may recognize the cat and dog from our laps in some of the portraits on the wall.
One of our friends is the author and historian Pat Jollota – you can see some of her books here – she’s an amazing storyteller. If someday I can tell stories half as well as she does I’ll be proud.
I brought to our gathering some illustrations I’ve made and an idea for a holiday gift book. Together all of us imagined what my illustrated characters might be saying to each other. It was a fun party game that will become an actual book that I hope other people will have fun imagining with too.
My adopted Dad’s favorite quote is by Anatole France and I put it in my sketchbook along with a drawing this week. It was in keeping with my thoughts about “let’s pretend…”.
I hope your week is full of the kinds of imaginings and let’s pretend games that fill you with pleasure and happiness. See you next Monday.
I painted an unauthorized portrait of a playful cat that I’ve met courtesy of a dear friend. This portrait is titled “Wholly Bent” and is 10 x 8 inches. This is me just playing and working towards future art exhibits.
Here’s a closer view of “Wholly Bent” it is 10 x 8 inches, ink, gouache and collage on board.
As you may remember I’ve been reading “The Annotated Arabian Nights” by Horta and Seale most evenings. I’ve been struck by how much the book talks about being true to yourself – accepting that you’re “bent” in your own ways- while also being an ethical contributing member of a community. So I’ve been pondering ethics in my sketchbook.
The above photo shows my spouse’s homemade blueberry lemon scones. Seriously yummy… but I digress.
These thoughts reminded me of an eon ago when I asked my adopted mom how to know when someone is “for real” i.e. ethical, honest, kind. Her response was “watch what someone says and does over time.” In my art journal I recorded a conversation we had on that same topic years after I’d asked the question originally.
In my last post I showed a hint of an art print project I’m working towards that I can’t talk much about yet… but a sneak peek is here (the grid of 6). Now I’ll wait to see what happens.
My last post also talked of book banning, a topic I’m following… well, on the attempts to ban books (and a thrilling subtext) there’s this article which reminded me of the skills I learned to use when dealing with people in Oklahoma who were in my face wanting to ban my artwork (see a prior post for details). This page below from Dr Bob’s Emotional Repair Program First Aid Kit gives details about the skills.
Speaking of coping skills: some students in Missouri are suing the school board because of the book bans. (Article here.) Sometimes standing up for your right to read anything you want is neccessary. As said in the article “The lawsuit alleges that the district’s decision to remove books was based on the “dislike of the ideas or opinions contained in the books by policymakers, school officials, community members, or a combination of those.” Additionally, the lawsuit alleges that the district’s removal of books violated the students’ First and Fourteenth Amendment rights “by restricting their access to ideas and information for an improper purpose.”
I’m proud of and inspired by the students and their efforts to maintain a wide intellectual world. Restricting access to ideas and information can have serious negative consequences for both individuals and society. The larger our intellectual world the better we’re able to cope with whatever comes in life and then, having coped personally we’re then able to help our community cope – and the people in our community are better able to help us…
Also the more expansive our mental life is the more fun rabbit holes there are to explore that can also help one personally as well as one’s society.
Anyway, here’s a post from Austin Kleon that reflects my feelings about the importance of taking time to read widely and pursue the rabbit holes of your own making.
On a related topic I also read this article about how our attention span is not a product to be bought or sold. Our attention isn’t solely a vein of data to be extracted by a corporation. Our attention isn’t something to be controlled or abused at the will of someone else’s religious or political ideology. Our attention is a precious gift that deserves to be treated respectfully. And it’s up to us to protect, preserve and defend our attention as well as to carefully curate and cultivate it.
Having wide access to ideas and thoughts – lots of books – is how we learn over time what is worthy of our attention. Our attention span is ours to exercise and explore throughout life. What we get for our payment when we “pay” attention is the power to choose.
I find that having a wide range of books to read helps me stimulate and cultivate my own ability to pay attention where it nurtures my creativity the most. My sketchbook is where I practice noticing/tracking (accounting?) where I pay attention and how helpful it is or isn’t. It’s where I play with ideas and cook up my own “good wolf food”. It’s where I live and work with the questions. It’s where I “stick around and find out”. 🤣
As a creative person I want to be respectful of my readers/viewers time. So I enjoy creating “short” things: art, stories or poems that can be understood in a glance yet there’s more to be seen if a reader chooses to take the time to look. (My Monday blog is possibly the longest form I work in… 🤣)
Speaking of sketchbooks and reading: I feel a sense of urgency to create more books for children that are “artsy” and perhaps a little “different” from the usual kids books. So I’ve been reading about poetry in two books: “Writing incredibly short plays poems stories” by James H Norton and Francis Gretton and “The Intimate art of writing poetry” by Ottone M. Riccio. And I’ve been brainstorming in my poetry sketchbook (the orange book in the foreground) some visual poem ideas for my new “experimental art book” category on Storyberries.
Both books about poetry cover techniques to keep things short. I’m translating in my mind the advice in the books regarding writing words into what may also work when I’m making visual images. As you see in the above photo of my poetry sketchbook I’m thinking that the poetic concepts of rhythm, rhyme, repetition and surprise can work within images too. But we’ll see how it goes… more in upcoming posts.
Dinner recently was a favorite potato soup recipe from a favorite cookbook. Even in the solitary pandemic days I love reading about community being formed around shared soup.
When there’s a yellow sticky note on a page in one of the cookbooks in our collection … that’s a reliably good recipe! Add a star and the phrase “Judy likes” and you’ll know it’s a real good one. Then there’s the penciled in variations and now you know this recipe is a great one! It has consistently proven itself over time!
We had mugs of soup with a grilled cheddar cheese sandwich split between us. Yum!
For fun I’ve added James Thurber to my evening reading. He too talks about ethics and community while also being whimsical.
Thanks to a friend on Twitter I’ve just learned about a genre called “Hopepunk” – here’s one of the articles I read about hopepunk that defines the genre and has examples (book list!) of literary works within it. To quote from the article “…Hopepunk says that kindness and softness doesn’t equal weakness, and that in this world of brutal cynicism and nihilism, being kind is a political act. An act of rebellion… Hopepunk is a reaction to our times, an insistence that a hollow world built of hatred and financial ambition is NOT the norm. It is stories of resistance, stories that celebrate friendship and truth and the things that make us human.”
I have more to learn but I’m feeling like I’ve found another genre that possibly fits me and my work well! Discovering the “hopepunk” genre feels exciting like my discovery of the “miniature art” and “gift book” genres! With my creativity I do want to share whimsy and hope while also being thoughtful and real.
Yes, I’m finding it good to know more about the ways I’m wholly bent and to be able to find books and people bent in ways I enjoy.
Thank you for honoring me with some of your attention. I hope you have a playful week of more or less your own design, a week bent in all the ways you find fun. See you next Monday?
Book banning is a hot topic with me because I’ve been on the receiving end of bans. Those occurrences happened in Oklahoma over 10 years ago when I lived there. To name just one example, in 2008 I was to have a one person art exhibit at the Oklahoma State Capital. More than a few of my paintings were banned from the Capital exhibit. I called my Tulsa Oklahoma gallery, Joseph Gierek Fine Art, to tell about being banned. The Gallery owner, Joe, said “Stay right there, I’ll come and pick them up!” Tulsa is about a 200 mile drive away from the Oklahoma Capital but Joe was there with his van in a trice. Then the Joseph Gierek Fine Art gallery did a special exhibit behind yellow caution tape in Tulsa and we called my one person exhibit “View At Your Own Risk” with a statement telling a bit about my work being banned. Oh my, was the Gierek Gallery brave! So that very weird experience of being banned turned out very well for me and for Joe!
After my spouse and I had newly relocated to Washington state I had an interview with the Caplan Art Designs Gallery. Having just moved I brought along to Caplan’s the finished artworks I had on hand which was some of my then recently banned-in-Oklahoma artwork. The Caplan Gallery immediately signed me up as a gallery artist and sold 4 of my paintings before the ink on my contract was dry! In Oklahoma my work had often been considered “subversive” or even “offensive” (there were a number of bans of and objections regarding my artwork) but in the Pacific Northwest my work – the very same artwork! – is considered “charming” and even “delightful” and “whimsical”. What a pleasant shift of perspective!
This painting below is one of my paintings that had been banned in Oklahoma but quite welcome in the Pacific Northwest. Allegedly this painting was banned in Oklahoma because of the semi nudity. 🙄 This photo is of the same banned art newly located in the Pacific Northwest where instead of offending adults it amused adults and children!! (Yes, I have found my happy place!!)
More to the point of my blog post today – in 2010 the public library where we then lived in Oklahoma was going to display a few LGBTQ friendly books under glass deep inside in the library. It seemed like almost the entire town turned out to protest in a 4 hours long city council event. The majority of the speakers were vehemently homophobic. After the event one young gay person committed suicide. It was that vitriolic. After the event we contacted a realtor in Washington state and asked her to please find us a home and that we would even consider a hole in the ground with a tarp on it. We needed out! Long story short we, with the help of a wonderful realtor, found and bought our Washington house sight-unseen over the internet and within 6 months of that Oklahoma council meeting we had moved! One of the best things we ever did!! Being gay in Washington is no big deal at all! Also no big deal: being an artist, a book reader or being deaf.
I don’t for one minute think that every book has to resemble and reflect the superficial attributes of a reader in order to be a book worth reading. As an adult I enjoy reading work about, and by, people unlike me but I can see how it would help young people to be able once and a while to see, in a book, a superficial likeness of themselves. It helps to feel less alone, even safe, wanted and welcome somewhere – even if that place is in a book.
I went though my entire childhood – as an avid, dare I say obsessive, reader – never once reading about a gay deaf artistically inclined tomboy girl living primarily with her grandmother and enduring “visits to hell” with her abusive biological uber-religious parents.
The only deaf person I ever read about in a book was Helen Keller and that didn’t feel relatable to me.
The Outsiders by S.E. Hinton was the first time I read of violence and family dysfunction happening to someone besides me and that was SO relatable – even though all of the characters were boys. That book helped me feel less alone then and I can still quote verbatim from that book today.
Judy Blume’s “Are You There God, It’s Me, Margaret” helped me address my confusion about cruelty/weirdness about bodies that was done in the name of religion.
I didn’t encounter a gay character in any book until I went to college in 1986 and read “Oranges Are Not The Only Fruit” by Jeanette Winterson which had been written in 1985. And that book felt like a welcome healing salve to my 18 year old psyche.
I could go on naming books – many of them now banned – that really helped me get through things as a young person. But I’m sure you’re getting the idea of why wide availability of books (and art) matters so much to me.
So naturally my spouse and I in response to the spate of book banning in 2022 went looking for lists of banned books so we could buy copies of those books. If you too want to use banned book lists as book buying recommendations 😁 Below are the lists we found.
A juicy oh-so-delectible list of banned books for grownups at Powell’s one of my local Pacific Northwest independent bookstores. (I think most of my high school and college required reading is on this list!🤯)
I mentioned last post about Maus by Art Spiegelman being banned … well here is a great article about why that book is important and why it is shocking that, to quote from the article, “people could be more upset by mild profanity than they are by genocide.”
And another article speculating about why book banning and even book burning has become “a thing” in late 2021 and early 2022.
There’s also an article about a Texas lawmaker who wants to ban and burn 850 book titles statewide… but enough of that.
When things begin to feel overwhelming I find it helpful to look for one specific thing I can do something about. This is in the vein of “How do you eat an elephant? One bite at a time”
Here’s an article we found about one specific library in Mississippi whose funding is being withheld by the mayor because he disapproves of some LGBTQ books. My wife and I chose this library and donated money. Then we spent time tweeting and sharing the info in hopes of getting more donations for them.
Here’s a portion of the letter we got after donating which has the libraries snail mail address if that is preferred.
Two days later we saw that they had achieved their funding goal with still more time to spare!!! We’re hoping even more donations will happen!
Since I took the above screenshot the Ridgeland Library has adjusted their goal upwards… and is reaching the new goal too!! Yippee!!! Click this link to see up-to-the-minute progress. I’ve been monitoring and boy is it fun to see the library succeed!!!
Anyway, for me public libraries are intimately interconnected with basic human rights. Images and words make up the human mind much like air and water make up the human body – we need trusted sources for all of these. Humans are social beings intertwined mentality and physically with the community around them. Here’s a poem that illustrates this idea that I have written off by hand and thumbtacked to my studio wall where I see it often.
And that’s why I make artist books. It’s my “why” for most of my creative efforts really. It’s part of why I feel it’s important to be a participant in a community of artists, writers and readers. It’s why having an egalitarian community – at least on the gallery walls and the library shelves matters so much to me.
Books and art are communal in nature and utilizing them often is part of being fully human within a community.
I thought about my Vancouver USA downtown and how I love it that the 5 story library and the independent theatre are some of the tallest most iconic buildings. I also thought about the scrubjay blue birds that are native here.
Then I wondered just how did Mother Goose’s cow travel over the moon… and how do birds remember their songs?
Storyberries has even created a new book category for my work called “experimental art”!! Oh I’m gleefully looking forward to making more books for them to distribute!!!
So it can very truthfully be said that my new artistbook is a direct result of community !! Thank you all!! And I love you all too!! ❤🙌
I’ll repeat myself here because I am so excited and grateful to the Storyberries community for this new “experimental art books” category! Thanks for giving me such a valuable space to just be me! I’m so looking forward to sharing the fun of playing with imagination and creativity this way!
Speaking of imagination and being creative: there’s a wonderful article on creativity written by Luzemy Romero and Fleur Rodgers on Storyberries – and I have an illustration in it! But what’s fun is that these creativity tips the authors write about are things I do… Every. Single. Day! Especially the reading part!!! And if you go by chronological age I’m a grownup… so… the authors ideas apply to all ages. Anyway there are some really great creativity tips here https://www.storyberries.com/creativity-kids-how-to-help-your-child-to-be-creative-storyberries-parenting-portal/
Here’s my illustration within the article by Gamboa and Rodgers and a bit of the article text. We need a wide variety of stories in order to practice flexibility in our thinking and creativity. A variety of material, some of it liked, some disliked, gives our minds something to respond to within our own creativity.
Also on the intersection of creativity and libraries there’s a fun article right here about an 8 year old who wrote and illustrated a handmade book and slipped it into the public library collection in Boise Idaho!
This week our copies of Maus by Art Spiegelman came by mail from one of our local bookstores Daedalus Books!
I had posted on my Instagram page that I was looking online at our local indiebookstores to see if anyone had Maus and didn’t see it – as they indicated sold put or it wasn’t listed. Well @daedalusbookspdx commented on my post that they didn’t have all of their books online but that they *did* have copies of Maus!!! So I called them immediately and bought the copies of Maus!
In the past when we’ve visited Daedalus Books in person I’ve relished their “books about books” section… While I had the store on the phone I named a price range and asked the store to pick a book for me from that section and include it with our Maus copies… I also asked that they *not* tell me what title they selected! I love a good book surprise!
Here in the photos below is my surprise book! It’s perfect!!! It’s a book about giftbooks – which is what I create!!! (See my portfolio page) I’m beyond happy with my surprise book! I immediately wrote a postcard to tell Daedalus thank you!!! Wow! What a treat!!! I am so glad Daedalus had copies of Maus too!!
The last photo has contact info for Daedalus…and as I’ve learned you can just call them up, ask politely and they’ll hand you a smile in the form of a book !! Wow!!!
Come to think of it becoming a semi-vegetarian while in college in fried-meat-and-fried-potatoes Oklahoma was another, ahem, “interesting” experience. I’m not, and have never been, a strict vegetarian (I don’t want to be strict about anything) I just do like vegetables and well vegetarian meals frequently happen. But I remember accidentally shocking people in Oklahoma with vegetarian fare now and then. 🤷♀️
Back to the present yumminess… the mushroom chili was served in big mugs with crackers and a side of books to read. I’m lucky to have married a fellow avid book reader!
Here’s another favorite quote about books that I’ve handwritten and thumbtacked to my studio wall.
I hope your week is full of subversive literary, artistic and culinary delights and that you’re able to radically and wholeheartedly enjoy them!
Almost exclusively I used to do unique books as art objects that were displayed in art gallery exhibits. My one-of-a-kind books were then sold and that was that. Well, in 2020 after the pandemic began the galleries closed to the public and I began publishing my artist books in an on-demand way. My book is printed at the time it is ordered and mailed to the buyer. I did this so I could still share my visual stories and they could still be fairly unique i.e. not printed in large quantities. And as my portfolio page attests that’s the way I’ve now done twelve different artist book projects. As the galleries have adapted to the pandemic since March 2020 allowing the public to handle one-of-a-kind books, wisely I think, hasn’t come back into vogue.
When making a printed version of my original artist books I try as best I can to maintain the look of the original work. I do very little – or ideally absolutely no – digital manipulation of my content. At most some text is typed. I even prefer to handwrite as much as possible. It’s important to me that people – especially kids – get to have a wide variety of homemade or handmade comforts whether it’s dinners, cookies, fine art or books.
Anyway, in the case of my new “How the cow…” book I typed the about the book and the dedication page text. But those pages and the covers are the only typed text. (I’ve learned the hard way that having these pages typed rather than handwritten helps the book be found via a search.)
I also scanned the handmade pattern I used for the cow book slipcase and the found sheet music I used for the tiny notes book cover. I scanned my handwritten text summary for the cow story. I did digitally “erase” the page number marks on my handwritten text because those numbers did not apply to the printed book. Other than erasing the pages numbers the handwritten page is the same in the printed book as it is in the original.
With those very few digital documents in my 28 page book layout I created end papers of a sort to flank or wrap each story within the printed book. The original artist books are themselves covered with these patterns.
The scanned blue bubble pattern was the basis for the printed book cover.
As you can see the covers of both the original book and the printed version are similar.
The artwork in the cow story is just a bit smaller in the printed version than the original. But as you can see the colors are a very close match! Also the printed book is conventionally bound so I set up my layout like a comic book rather than in the folded concertina form of the original. I don’t yet know of any printer who prints and mails concertina style books. The two illustrations per page layout allowed me to fill the seven inch square printed pages. (In the photos below the original handmade book is at the top)
The “Tiny Notes” original artwork is reproduced at a much larger size in the printed book. The original book is 2.25 inches square. The printed book is 7 inches square. Again the colors printed are pretty close to what’s in the original!
So you can see the scales of the books in relation to a human. My spouse took these photos of me and the books…
The original concertina format cow book unfolds to four feet long. Almost as tall as me!
The original concertina tiny notes book is only 20 inches long unfolded.
You can see more of these book pages and details on my portfolio site. I’ve no idea if these original artist books will someday go to an art gallery even for display under glass.
For now I’m having fun making books intentionally for printing and mailing directly to people. It may sound odd to say this but this new way of sharing my books feels more personal and I feel like many more people are able to see and own my work this way.
This week my coloring book poem “How To Draw A Dragon” was read aloud on Kidz Stories And More !!! You can see it here https://youtu.be/EUVeDjqiz30 When we were discussing the creation of this video Kidz Stories and I decided to make my book pages so they could be downloaded for free so kids could color along with the video! The download is available here and the directions are also in the video link. I’m seeing this as possibly another fun new way to share my artist books!
Also this week someone shared this photo saying how happy they are with a portrait I painted of their cat and how it has been framed by the Aurora Gallery!! That makes me happy!!!!!
My spouse mentioned the current news about book banning and that one of the titles banned is “A Light in the Attic” by Shel Silverstein. We have that book in our dining room poetry collection. It’s a favorite! Hearing that news led to both of us looking up what other books we have on our shelves that are banned. It was a fun scavenger hunt of sorts! 🤣 Turns out we have a large number of banned titles throughout our book collection. Two shelves in our dining room alone yield 4 books/authors who have been banned… even as recently as 2022.
Here’s one of the articles we read about banned books. Naturally we got online and ordered more banned books from our local independent bookstore. 😁 One of the banned books I tried to order was Maus by Art Spiegelman (here’s an article about that book) but all of my usual indy bookstores were sold out! But there were other banned books available which we happily bought.
I’ll leave some memes about book banning here just in case someone wants one.
I hope your week is similarly filled with subversive literary delights and some homemade comforts.
This week I finished the dog painting you saw in my sketchbook and on my easel in my last post. The cow is still active in the field of my imagination as is a wee bird. More on that later in this post.
Here’s the completed dog portrait titled “Being exquisite”. Like the dog portrait in my last post this new one is 8 x 10 inches and uses that nifty new brush technique (last post)! I’m having such fun with all of these tiny details!
Like the fur between his eyes and the nose… below are two photo views so you can see.
And the details of the dandelions! Oh that was fun!!
This past week has been filled with gluing the cow artwork pages onto a piece of paper cut 4.25 inches x 4 feet long and folding it so that it zigzags into panels 4.25 x 6.25 inches in size. Plus the week was spent making a slipcase for my book which can be called a leporello, a concertina or an accordion format. Everything was made from scratch: raw archival book binders board, white flat paper and glue. When the story pages are folded they’re almost 1 inch thick so the slipcase accounts for that. Below are photos of the slipcase and the concertina book.
For more details on the Leporello, Concertina or Accordion style folded books here’s a good link https://wp.me/p4va0m-gU
Here’s a reference book I’ve used for years when I’m constructing books and making boxes from scratch. I altered methods described in this book to make the cow book slipcase. The book is Books Boxes and Portfolios by Franz Zeier
Behind these analog scenes I’ve been working on the digital files for a printed version of “How the cow went over the moon”. In pre-pandemic days I’d have made this one handmade book and sent it to a gallery like the 23 Sandy who would have exhibited it and sold it to a private collection or to a public collection. For example the UCLA Fine arts library has one of my books, so does the Bainbridge Island Art Museum.
Then the pandemic happened and I began making reproductions of my books available via Blurb which can print then mail my books directly to the buyer. That seemed a more pandemic safe way to share my artist books. It is also why I say that I approach self-publishing from a fine art perspective.
When I did the first printed book, Alphapets, in early 2020, I was contacted by Storyberries who wanted to distribute the ebook version. Well it’s been so much fun to make my books available in an on-demand way (my books are only printed when they’re ordered) and even more fun to share with readers on Storyberries that this fun is now factored in to my book designs.
For example: as I’ve been making the digital files for the printed book (and for Storyberries) I took the photos below of the handmade books with a piece of candy to show scale. I did this because it might amuse readers to see the original books in the printed book version. And perhaps help the younger readers be aware that books are made by people just like them.
This week I’ve also been talking with Storyberries and – dear blog reader you’re getting this news first – they’ll be making an “art experimental” story category for my work!! How fun is that? I so wanted arty quirky books when I was a kid… and now I’m making them and getting to fill a whole childrens book category with ebook versions of my artist books!!! I’m over-the-moon excited and yes that pun was intended! 🤣
As I wrote in my last post I’ve been reading The Annotated Arabian Nights and I sat up and took notice when the annotation mentioned a literary genre called “mirrors for princes”. So as a companion to my “How the cow went over the moon” book message (?) about not being too serious and remaining down-to-earth I’ve been thinking of the importance of remembering joy.
So here’s a look at what will be the second wordless poem in the printed book. This poem is titled “Tiny notes to the sun”
This book too is a leporello format but instead of a slip cover it’s got hardback covers. This book is 2.25 inches square when closed and opens out to 20 inches in length.
The photos below that have a peppermint candy in them are the pics I’ll put into the printed book version because it might amuse people to see them too.
As I mentioned earlier I’ve been working simultaneously on the book layout and design for the printed version of “How the cow went over the moon” … and I’m using visual elements of the original artist books … here’s a look. 👇
This week the Caplan Art Designs Gallery sent photos of my 3d box project “All the Chances” in it’s new space! And look, the client’s pet rabbit approved!!
And someone else sent me photos of their dog approving the dog portrait I painted and the way the Aurora Gallery framed the portrait! So glad their dog approved!!
Here below is the framed portrait on the dog’s “Clancy art” wall!! Isn’t that sweet?! A whole wall!! Wow!! This makes my artist heart so happy!!
In the coming days Kidz Stories plans to read my book “How to draw a dragon” out loud on their YouTube channel and, since it’s a coloring book, they’re hosting a color-along!! I’ll post a link to the video when I have it. In preparation to help kids to be able to color-along I’ve made my coloring book a free download here on my portfolio page!
I hope your week is full of your favorite colors and comforts. See you next Monday.
This week had a cow in it (more on that in this post) and a dog portrait. I selected one of my sketchbook drawings as an idea for what to paint using the new brush technique I learned from the book, Miniature Art by Joan Cornish Willies that I talked about in my last post. Here’s the sketchbook page.
This ink, gouache and watercolor painting below is 8 x 10 inches in size, well within the “miniature art” definitions. The brush method recommended in the book “Miniature Art” by Joan Cornish Willies is to lay a round pointer brush on its side in the paint and rolling it to absorb the paint while maintaining the point on the brush. Dipping, pressing or stabbing the brush point in the paint, however gently, makes the brush point spread out and thus makes doing fine detail within a painting more difficult.
Here’s a look at the whole painting I’ve finished and titled “A Tale-carrier”
The new brush technique did help me get more fine details. Particularly around the dog’s eyes, nose and on the books. Here’s a closer look…
I’m loving the way creating finer details enables me to combine the human senses of touch and sight in this new miniature work! And I enjoyed making a miniature that knows it’s a miniature! Lol! It’s amazing what a gift awareness can be! Here’s an even closer look…
I do feel a bit of “well, duh”… of course laying a brush on its side and rotating the brush in the paint would help retain the brush point even while loading it with pigment! Ah well! Just goes to show that you really can teach an artist with 25 plus years of experience a new trick or two! Lol!
This week someone asked if I would pretty please make a mug with my “green leprechaun man” on it…
Also this week another printed book on the topic of miniature art came in the mail from one of my local bookstores. The Big Book Of Tiny Art by Karen Libecap is just plain fun to look at and read. It does have a good review of pencil techniques as well as use of color. The main attraction for me is the “watch-it-develop” sequences of photos that document ways to achieve tiny details. Oh, and the gallery of examples of finished miniature artworks is a treat. This book is encouraging and pleasing in tone – which will make it nice to have on my shelves. No Earth shattering art technique BFO (Blinding Flash of the Obvious) moments in this book like there was in reading Miniature Art by Joan Cornish Willies. But the friendly can-do spirit and lack of snooty-ness in the Tiny Art book by Libecap, I think, means more people- myself included- are more likely to keep trying this art form. Plus I just love it that these tiny art techniques are so applicable to what I do in my sketchbooks.
So now when I draw in my sketchbook I’m trying for more details – like the feathers on this bird.
As you know in the evenings I’ve been reading a print copy of The Annotated Arabian Nights. On my ebook reader, which I read while exercising, is “The Hitchhiker’s Guide to the Galaxy” by Douglas Adams. So in addition to the story-within-stories format of the Nights and the lovely idea (last post) about the genre of “mirrors for princes” that I encountered in the annotations of the Arabian Nights I’m getting a regular therapeutic dose of Adam’s gentle absurdity.
Thus I’ve been pondering just how it is that Mother Goose’s cow went over the moon. And our human habit of having sacred cows… beliefs that take us into the stratosphere away from reality. Consequently there’s a new wordless book in progress on my easel.
Here’s a closer look at the sequence of pages
As I write this blog post I have put these pages under smooth boards with weights on them so they’ll be flat. I’ll be making a physical artist book from these pages and then both a printed book and an ebook version. More about this in upcoming posts.
A dear friend and fellow artist Donna Young https://www.donnayoung.com/ and I used to fairly regularly visit each other’s studios in pre-pandemic times. Recently Donna posted a photo of her studio and asked me to post a photo of mine. Here it is below!
I’m sure you’ll recognize one of the dog paintings on my easel. The other dog you’ll probably see next Monday. And I’m sure you’ll notice my new magnifying glass (last post) in use!
If you were standing in my studio, where I took this photo, to your left would be a stack of boards and weights holding down my “How The Cow Went Over The Moon” pages. More about that next Monday too.
Thanks for reading this post. I hope your week is kind to you and I’ll look forward to sharing more with you on Monday!
… maybe not. 🤣 Anyway, below are closer views of each dog portrait and below each is the text line in the book.
As mentioned in a prior post the Aurora Gallery quickly sold out of my book The Professional Dog and asked me to bring more asap. So I did. When I delivered the books I saw the nice display the Gallery has done for The Professional Dog.
They even put this notice on the bin that had held printed copies of my book…
…so they were happy to see me come in with these freshly signed copies.
Here’s a closer look at the display. Someone at the Aurora Gallery does hand lettering extremely well!
Here’s the other display rack at the Gallery with my books and cards. I like it that this rack looks so ordinary as I think it may help people consider getting my books as gifts without feeling too “precious” about it. As regular readers of this blog already know I create my books as I do an art object rather than as a book publisher in the traditional sense.
But I include these sketchbook pages in this post because they’re good descriptions of how we handle our holiday jolly book flood (Jolabokaflod)
As mentioned last post, and hinted above, we started our Jolabokaflod festivities by ordering books online from a number of our local independent bookstores. Our book orders will come to our doorstep in waves, or small tsunami floods.
What we got for each other: “The Boy, the mole, the fox and the horse” by Charlie Mackesy, “A Surprise For Christmas” a collection of short mystery stories from British Library Crimes Classics as well as novels by Kate Carlisle, Sarah Dreher and John Mortimer.
A few days later from the bookstore Another Read Through we got the books pictured below. When we ordered we selected one of their book bundles. A book bundle, according to the bookstore, is a surprise set of books the store selects for you based on your stated preferences. Since both my spouse and I enjoy a good surprise we ordered a small book bundle, told our preferences … and the store sent us titles by Louise Penny and a Christopher Moore! We are both very pleased with our book surprise! Also very pleasant, perhaps even best of all, was the handwritten note from the store owner!
We got all of our holiday cards into the mail. And our mantel is filling with holiday cards sent to us! That’s one of the fun aspects of this time of year, the sending and receiving of cards.
So you can see it better here’s a closer look at the card image I made by hand using ink and gouache and then photographed for reproductions using moo.com
Months ago when I created the artwork my spouse took a photo of me working on it because it might amuse people to see it. Here ’tis 👇
Here’s the sketchbook page drawing had done before beginning the ink and gouache painting of this image idea. I’m sure you can see what parts of the drawing I kept and what I changed when I did the painting version. Most notably I changed the angles of the sled, the ski’s and the pile of books.
Since we’re nearly upon the holiday I’m going to post more sketchbook pages on my social media and on this blog next Monday…
…and as my sketchbook page above says I hope your holiday is full of love in ways that make you glad to be alive.
There are 3 major art gallery exhibits in my life but more on that in a bit. First here are this weeks 3 dogs from The Professional Dog.
Here’s a larger image of each dog portrait with the book text beneath.
In times past I went in person to local exhibits especially when my work was featured. But I haven’t gone physically to one since the start of the pandemic in 2020. The galleries are handling openings much differently too, more videos and social media online, more appointments and more shipping and delivery.
This is now the 2nd year of things working this new way and I have discovered a wonderful benefit – deaf me can “hear” people better because everything is written. Lip reading and trying to hear with my hearing aids in a noisy Gallery isn’t an issue now so I feel like my engagement with people has improved! But because I’ve spent more than 30 years doing in person exhibits and only 2 years doing exhibits virtually I still get nervous about this new method even though I think I like it.
So before the Holiday Box Exhibit began at Caplan Art Designs on Thursday evening I charged up my phone and kept my phone on so I could see and respond to anything happening at the Gallery.
The Caplan Art Designs Gallery began posting on social media in advance of the Thursday opening, sharing 2 or 3 of the 7 artist’s work per post. Then as the opening began Thursday night the Gallery posted videos of the entire exhibit and some photos of people at the Gallery… not the crowds of the pre-pandemic days but safe methods of visiting. It did my artist heart good to see them and know that everyone was so caring!
I tried to quickly share on my social media what the Gallery posted or to echo it at least. People who follow the Gallery social media commented there. People who follow me commented on my pages. I tried to be quickly responsive. The Gallery owner and 2 associates were sharing and replying on the Gallery pages and the artist pages too. Below is an example of one of the Gallery posts prior to the event…
… and the Gallery shared the comments made in person at the Gallery about the work during the evening. One client said my work reminded them of Piero Fornasseti. I had to Google Fornasseti first but after I looked I agreed and made a note to myself to study more!
Early in the evening my work “All The Chances” sold! By the end of the evening 5 out of 7 artists works had sold and it was quickly apparent that the entire 7 piece exhibit would likely be sold before the weekend was over.
I am constantly proud of and amazed by how well and how creatively the Caplan Gallery has dealt with the pandemic challenges.
So it was quite a hectic opening evening even though I (and many others) participated online from home. I was tired at the end of the night but not half as worn out as I have been back in the days of attending exhibits in person and trying to hear in a noisy room. Again this new pandemic way of exhibit openings felt more satisfying like I had been able to more fully engage with people.
When I think about it this new way of doing openings is akin to arts and antique auctions, where there’s the in person bidding, the phone bidding and the online bidding. And somehow everything is kept organized.
Anyway, this photo below got posted within minutes of the sale… and was such a delightful surprise!
The very next night, Friday, was the opening exhibit at the Aurora Gallery!This Gallery too has been amazing in their ability to adapt and respond to pandemic challenges. The Aurora Gallery told me that they sold out of my signed copies of The Professional Dog (and would I please restock asap) and they said that there was a “socially distanced line of people buying Clancy fine art and artist books”!
Several of the people who went to the Aurora Gallery posted on social media about their visit or texted me directly! Oh this is such a fun way to share and enjoy art together!
I love hearing from people who are enjoying something I made. Below are some photos shared by someone who’d put my whimsical coasters around their table!
I’ve loved sharing cheerfulness in unexpected ways like this! I like it when people are able to be creative using things I’ve made! My coasters or “mug mats” are available individually on my Zazzle shop…
…and they’re available as sets only at the Aurora Gallery but the gallery will ship anywhere.
I’ve also enjoyed it that people have asked me to make, using my artwork from The Professional Dog series, cups, prints, face masks (for kids and adults) and fabric! There was even a request for a simple 30 piece jigsaw puzzle with extra large pieces for kids!
I wonder if this is how Santa does it, gets requests first and then puts the elves to work? 🤔 Artwork, books and gift giving are about connecting with people so…
December 9 there’s another exhibit with some of my artwork at Joseph Gierek Fine Art in Oklahoma! I will be supporting this exhibit from my Pacific Northwest home too. I’ve worked with Joe for about 25 years and he’s one of the most innovative Gallery people in the business! He tells about selling art from the trunk of his car way back when he was starting out… the things he has dealt with and come out on top over are inspiring. I wish he’d write a book.
Anyway it really helps me to get through these challenging times to be surrounded by creative and encouraging Gallery owners!
Despite all of the past weeks activity I’ve still been managing (mostly) to sketch in the mornings and have hot chocolate and read a bit before bed. (See the hot chocolate recipe above) Perhaps after this week I can rest more? We’ll see…
I hope your upcoming week is a good one! See you next Monday?
Lots to share: The Professional Dog is out in print and as an ebook on Storyberries! In a bit I’m sharing my creative process for my holiday box project. But first, because people tell me they’re enjoying it, I am continuing to feature 3 dogs from The Professional Dog per week so here’s this weeks…
The text in the book, which is also the title of the original artwork, is below each of this weeks featured dogs.
I wanted to share somehow that my original artwork for The Professional Dog is smaller than the finished book. So I did a video look at all of the original artwork for The Professional Dog. Each original dog portrait is 2.5 x 3.5 inches and was made by hand using ink and gouache on board. The finished print book is 6 x 9 inches and as faithfully as possible reproduces the colors and details in the original artwork. I did this because the reproductions do enlarge the details in the artwork. Below is a photo showing a bit of what I’m saying … perhaps you can see both the small original art and the book reproductions?
You could say that Thanksgiving was a nicely quiet event considering it was just my spouse and I and a giant veggie lasagna. But it really felt like we’d hosted a come-and-go party all day as we were in contact with friends and family via text, social media and the voice phone! It was such a fun day and we both went to bed tired-happy feeling like we’d been talking and partying nonstop! We joked that we could get used to partying like this – there was a lot less to clean up afterwards! Lol!
After the holiday I delivered all of the original art for The Professional Dog to the Aurora Gallery. This project was a big one that encompassed multiple months of intense work and it all – all 40 dog portraits – fit into a 5 x 7 x 4 inch box! (Another benefit of making the original art small in size)
Here’s the box of original artwork sitting atop the signed books wrapped in paper for protection during transfer to the Aurora Gallery.
Even though everything is done now including the portfolio page for The Professional Dog I will still be posting the dog portraits in sequence over the next weeks. People have told me that they’re enjoying them.
The Thanksgiving event held by the Caplan Art Designs Gallery also began the day after Thanksgiving. Below is another attempt to include a video in this blog. This video was made by the Gallery and is shared by permission. In case I’ve not gotten the video embedded in this post like I think I do – the video camera pans around a nice large room filled with art by the Caplan Art Designs Gallery artists. You see some of my larger works right at the start. Many of my works are small and not captured in the video. My last post included images of my artworks in this event. Over the weekend the Gallery posted more videos on the Gallery’s Instagram and Facebook pages that showed more of the event! There were many sales of my artwork and of the other Gallery artists work!
And now for the full details about the holiday box project! Back in very early September the Caplan Art Gallery gave certain artists an 8 inch cube to paint in our style. These boxes are to be in a special holiday exhibit opening the first Thursday in December.
Immediately when I got my box and over the next 4 days, I began the process of putting 3 coats of gesso on it even though I didn’t know what I would create.
While the gesso dried over that first week I brainstormed in both my sketchbook and on my legal pad. First I listed over 20 things that I could think of that are square or cube shaped. Then in my sketchbook I played visually with the various items listed to see what might be fun, how I might approach it. During this time my spouse and I had a dear friend come over to our outdoor patio to visit and have dinner. I told her what I was brainstorming and she liked the idea of dice.
At that time I was still in the middle of creating the dog portraits for The Professional Dog so it felt natural to think of dog shelters and dice, the chances for pet adoption, the many names for dogs … so in my brainstorming with my friend and my spouse we thought “what are the odds you’d find 21 dogs named Chance”?
My sketchbook became focused on dice-dot portraits of dogs.
I also rummaged about the house and found some game dice I could use as a model.
Using a ruler I calculated the size of the dots in relation to the size of the cube and I made measurement marks on the gesso using a watercolor pencil. The watercolor pencil marks will blend in and dissolve when I paint over the marks with acrylic paints.
Since the cube is a sculpture and will likely be handled by humans or sat upon by cats I decided from the start to work in acrylic as that’s a permanent waterproof media. I also planned to (and did) varnish it so the dice could be protected and easily cleaned.
I painted a different dog portrait on each dot on my dice using black and white acrylics mixed to form a range of greys. And yes, some of the dog breed research and practice I was already doing for The Professional Dog was applied to this project too.
After painting each dice-dot with a dog using black and white acrylics I painted the body of the dice with white acrylic. Every bit of the gesso got covered! Below you can see the entire dice in 3d plus each dice face separately so you can enlarge it and see the portraits.
I hope you had a yummy and fun Thanksgiving too. I look forward to catching up with some of my fellow bloggers and hearing about your creative projects but some of my days this week might resemble this…
… even if it does I hope you have a delightful week! See you next Monday.