Frankly, I’m tired. But it’s the I’ve-played-hard good kind of tired. So more pictures and less text in this post and you get a special peek … I’ve been thinking about Kurt Vonnegut’s book If this isn’t nice what is? Here’s an article I enjoyed about this Vonnegut book. Here’s a photo of the book in my library with other Vonnegut titles.
Below is one of the poems I read during breakfast this week in a book called Animal Poems. It’s one of the titles in the Pocket Poetry series by Everyman’s Library. (I love this series! Especially with breakfast!) The poem in the photo is by Wiliam Cowper. I love the last line “The comfort of a reasonable joy.” So I’ve also been thinking how important it is to have regular reasonable enjoyments. I take the phrase “reasonable enjoyments” to mean the simple kind that don’t require lots of money, a travel agent or dressy clothes. Anyway, here’s the poem.
In my last post I talked about the pace of creative life. I’ve still been thinking about the skill of crafting daily rhythms and here’s a link to an inspiring article I read on the topic: https://www.wired.com/story/calendar-tips-post-pandemic-reentry-organization/ Maintaining a daily rhythm has enabled me – to get very tired 🤣 – but also to have nearly everything completely finished two weeks early prior to delivery of all the art and books for my Odditorium exhibit. Being early gives me flexibility to have time to rest as well as to deal with any unexpected issues.
Below are some of my sketchbook pages … and some kitchen gadgets I looked at and thought about as I worked on one of the last paintings for this exhibit.
Here’s a photo my spouse took of me working out how flamingos might carry things.
Below is the finished painting on my easel drying. Below that is a close up of the dry painting. I titled it “Is Not This Nice?” The title fits with my thoughts recently and echos the collage text I found in my falling apart copy of Jane Austen’s Pride and Prejudice. It was fun to find text written by Austen that was similar to what Vonnegut said.
If the background of my painting reminds you of the ocean….we went there recently and seeing the sea lingered in my mind. The Pacific Ocean isn’t far from our house. I find it soothing to visit.
The other way I’ve been earning my tired is that I’ve been working on the exhibit catalog aka a picture book of my Odditorium exhibit. In addition to that I’ve been working on a kid friendly version of my exhibit catalog. Children need fine art in their lives too in my opinion. When I was a kid I would have loved to see a book talking about looking at fine art. That’s why I took the extra steps to make a children’s book version too. I have sent the kid friendly version to Storyberries.com and they have an exciting plan for the book design! Below is a screenshot of a post they did on Instagram about it!
Here’s a special early peek into the Odditorium – at my exhibit book!!! And a link so you can see the whole book!!! Even in the midst of being tired I’m excited!!
One of my reasonable enjoyments this week was my spouse’s homemade biscuits for breakfast. The recipe is in my kitchen sketchbook Favorites So Far and you can see more of it here.
More next Monday about the Odditorium exhibit book and the other fun stuff…after I have a bit of rest. Hope you have a good week full of relaxation and reasonable enjoyments.
One of the gifts of travel is the awareness that things don’t have to be what you’re used to in order to be enjoyable.
Since the beginning of the pandemic in 2020 I’ve been looking at household things with the eye of a traveler. I’m practicing being okay with things as they are, seeing them in new ways and enjoying them – like how I would enjoy things on a trip. Along the way it occurred to me that domestic arrangements are one place in life where things can be more or less to our preferences. Home is a place of fairly reliable comforts. There’s a gift of comfort in that.
The sketchbook I began this, ahem, journey in has been published as Another Sketchbook. I decided at first to view household things as if they were public monuments, things we might travel to see. Then I decided that was too distant…the people too small and far away. Then I decided I didn’t want to draw people after all because animals feel more comforting. Anyway, here are a few pages from Another Sketchbook…I’m hoping you can see how I got to my present Odditorium art series via this trail.
Here below is the book cover and a link where you can look through the entire book.
Of course after publishing Another Sketchbook I’ve kept on keeping a sketchbook. I post these new pages now and then on my social media. Here’s a few pages from my new sketchbook that are relevant to the painting you’ll see in this post.
While musing about the crows I often see in my yard I thought of how the kitchen gadgets I have are so useful. And I love herbs and spices – especially those from Penzeys. So I took a photo of the kitchen tools and spices I was about to use at that moment.
Then as the days progressed I began a new acrylic painting full of my thoughts about my ongoing efforts to dance and appeal, so to speak, to the various gods of good-food cooking. My spouse snapped this photo of me working.
As I worked I tried a new-to-me color scheme that includes magenta, an orange-red, a light pink, grass green, a grey-blue and a creamy yellow. The crows aren’t really black there’s a lot of dark purple and deep blues to their feathers. The color nuance shows more when you see the painting with a human eye. I have another camera that shows more of the color range that I use when taking pictures of the art for publication. Anyway, I’ve titled this new painting Domestic Comforts
Another thing I keep thinking about is the different speed of time at home. When traveling in the past I have tended to be very rushed and scheduled. But at home and in my art studio, which is in my house, I tend to be scheduled but usually much less rushed. In fact for quite some time – even before the pandemic – I have intentionally tried to maintain the habit of a steady but relaxed pace in my studio and home. Sustainability of energy is my focus. No, I don’t do this perfectly it’s an ongoing goal. During the pandemic this goal has strengthened as I’ve realized this habit also maintains a critical space for long-form thinking.
Long form thinking is a term usually applied to reading and literacy. It’s a discussion of cultivating the ability to pay attention. There’s an article by James Patterson here and another related article here on the long form thinking as it relates to literacy.
I think of the term long form thinking as applying more generally to creative efforts that stretch over a longer span of time. The actual work may be done in fits and starts or in short bursts of actual hands on time but a thought is held in mind, come what may, over an extended time period. Long-form thinking, in my opinion, allows for a sustained leisurely attitude towards time for art, for reading and writing. Creativity requires time to meander and travel in ones mind – even while cooking dinner or mowing the lawn one plays with the thought topics currently being considered.
Long-form thinking purposefully includes time for making homemade cookies or any other bits of meandering fun. This week I tried a cinnamon sugar cookie recipe. I cut this recipe in half, dumped all the ingredients in my Cuisinart (kitchen gadget!) blended the dough and otherwise followed the recipe directions.
The cookies turned out very yummy!! As hinted above taking the time to read books is an essential part of my creative process – with or without hot from the oven cookies and hot chocolate. Here’s one of the books I’m reading…
My art is a part of my life and vice versa. Creativity is a continuous thing I’m committed to doing within and amongst all of the various domestic concerns and that’s-life stuff.
In fact I view the public aspect of my creative life of making artist books and art exhibits as like the game of musical chairs. I do steady continuous studio work then about a month before the fine art exhibit goes up the music stops. As in the hands on action of creating paintings temporarily stops, and I start framing, photographing, publishing everything I finished up to that point.
It is exciting as I frame and publish the artwork to both see and feel my Odditorium series coming together. The work that I began last year will be exhibited this year in June and July at Burnt Bridge Cellars and when my work is on their walls that will add to my ongoing Odditorium thoughts. Then there’s another exhibit at the Caplan Art Designs Gallery in September. After delivering art to Burnt Bridge Cellars later this month the music (active painting) starts again – specifically the thoughts I have when seeing my works hung together will inspire more work in the series. Then I will begin making the new art in this Odditorium series with an eye towards the next exhibit. Some of the art at Burnt Bridge Cellars along with the freshly made new art will go to Caplan Art Designs when the music stops again at the end of August. This is the way my exhibits grow and travel.
So yes I like long-form thinking. I like projects that stretch over a years time. This allows me to explore a topic from several angles as well as to change my approach as I’ve described in this post. It’s risky as I don’t know at the beginning where my thoughts will go. Plus I do all of the hands on work in short bursts of time each day so I “live in” small slices of my thoughts. My sketchbook is the way I both develop the exhibit idea and keep track of my thoughts – but still the uncertainty is there. I’ve just learned to ride with it.
My long-form working process is like reading a long novel – when you have a few minutes you read a paragraph or a page or two a day. When you begin reading you’ve no idea where the book is going. But if you keep reading a bit per day pretty soon you’ve read the whole book and you know the book conclusion. Same goes with creating an art exhibit.
There’s an excellent article here about the counterculture of commitment. It describes well what I’m talking about. I see this concept of long-form thinking (aka commitment) as similar to the idea of slow food/ home cooked food but about the subject of creativity. Inherent in this notion is the acceptance that things can develop slowly over time and that slowness allows for uncertainty and changes of mind.
I have a quote by Christopher Morley thumbtacked to my art studio wall. The quote applies, in my view anyway, to ones sense of time and space too.
It’s okay maybe even good to be a little odd. It’s not a goal to have domestic life or travel or art projects or life in general be perfect. The goal is to have the coping skills to deal well with imperfections when they happen. To be able to do the domestic dances and appeal well enough to the gods (metaphorically) of home cooking. Or to the gods of plumbing or whatever the household issues may be. To be relaxed and calm enough that one’s able to see the solutions, comforts and enjoyments near to hand. This is my approach to art projects too. Slow but steady, to have the coping skills to fix artistic mistakes, to adjust, to try something new.
Since this month began – besides framing the artwork a bit per day – I’ve been creating an exhibit catalog, a coffee table picture book of my exhibit. Last year during the worst of the pandemic it seemed to please fans of my artwork that they were able to get a printed book or an ebook of my entire art exhibit. So that’s why I’m doing a book this year too.
Additionally I’m doing a few greeting cards and coffee mugs with my art from this series. Both the cards and mugs are in keeping with the root idea of my Odditorium series – taking an uncommon view of ordinary household things and surreally creating souvenirs of pleasant moments. Here below is an example of a note card with the artwork I wrote about in my last post.
Yes, the temptation to stress, to worry, to rush is there, especially as the day nears to deliver all of the artwork. But I remember those pre-pandemic travels when I rushed mightily because the day the trip ended was coming nearer and I didn’t want to miss anything … what I remember now of those trips isn’t the scenery or the food but the stress and rush. So I try to remain calm now and go slowly as I continue towards the exhibit. And I rest knowing my thinking-work will continue …
Thanks for reading! I hope you have many enjoyable domestic comforts this week – and if you try the cookies I hope you like them. See you next Monday?
This Rabbit, my newest children’s book, is now a free ebook and audiobook on Storyberries.com! How fun is that? Click here to both see the book and/or listen to it read aloud! Basically This Rabbit is now officially available worldwide! Wahoo!
The Aurora Gallery also now has my signed books – This Rabbit being one title – along with a number of the original illustrations from the books framed and on the Gallery walls!
For example the Numpurrs book and some of the artworks in that book are there at the Aurora Gallery too.
Since rabbits can deliver more than just treats for kids this time of year in addition to making lots of rabbits for a children’s book I’ve also made a collection of my rabbits available on my Zazzle shop. These are intended as fun gifts for grownups; greeting cards, jigsaw puzzles and coffee mugs. (The photos below are a small sample of what’s available on my shop.)
Since we’re nearing Easter naturally my thoughts turn from rabbits to eggs. This week I tried, in the name of I’m-to-busy-to-cook, a sheet pan breakfast with eggs, bacon, green bell peppers and sweet potato chunks. It worked reasonably well … one set of eggs got a little more firm than I like but everything – including the eggs – were quite enjoyably edible. And enjoyably edible counts!
This week I rearranged the most important bookshelf in my house: the one in the bathroom. It seems that the average person spends 1 hour and 42 minutes per week in the bathroom. Or to put it another way during an average lifetime we will spend at least 92 full days in the john. Might as well use that time for some encouraging reading. Here below is a photo of my bathroom bookshelf. The purple ceramic thing serves as a bookend as well as holding the extra roll of TP.
For the same reason I have inspiring books in my bathroom – notice all the books by Austin Kleon! – I also like having good artwork there too. Keeping good books and art where they’re viewed often is a way to keep my own creativity sustainable. The framed art you see in this photo is by another Pacific Northwest artist named Jill Mayberg https://jillmayberg.com/ I like the colors and textures in Jill’s work.
We’re here, so we might as well get comfortable. Reading books about writing and creativity are where we learn about, and practice, being human. I’ve written elsewhere in this blog (see links here and here) about the similarities I see between the creative acts of writing and making fine art. Verbal storytelling, writing, drawing and reading are such quintessentially human activities. Are we completely human if we don’t do those things?
These thoughts are why I find it such fun to depict animals reading books and doing other typically human behaviors – it’s my way of pondering what in means to be fully human.
Btw: there are more animals besides rabbits running around in my brain now. The new critters are getting comfortable too. As I wrote in my last post I’ve been thinking about human development and about dealing with feelings. I’ve also been thinking about Jane Austen and her descriptions of emotions within her novels.
Anyway, I’ll keep thinking and drawing… Share more with you next Monday? Oh, and Happy Easter, aka Rabbit-delivers-fun-things-day, in advance. [Thanks again Kris and Nan for this stuffed rabbit!]
My newest artist book for children “This Rabbit” is rolling out! It’s a whimsical look at self-awareness with lots of different rabbits liking a variety of things. As I mentioned in my last post “This Rabbit” shares a cover design similarity with some of my other artist books that also have a bunch of different characters exploring a life concept. In the photo below you can see the covers for my series of books.
Here’s a closer look at the hardcover version of “This Rabbit“
And here’s a look at the page design. I made the artwork large so that it mostly fills each page with a small space at the bottom for the poem lines.
Book signing during a pandemic is a challenge. I’m solving that in a few ways and one of those is by placing a few signed books at the Aurora Gallery. Some of the original artwork for many of my books is there too. In the photo below is an assortment of books signed and destined for the Aurora Gallery. https://auroragalleryonline.com/
And while I waited this week for my copies of “This Rabbit” to arrive from the printer I worked in my sketchbook and over short bursts of time towards a new painting using all of my recent rabbit research. This painting is one of several that will be in new art exhibits later this year.
While working this week I was thinking about human development. In addition to learning what you like as one lives you also learn and practice attention to your feelings. With that in mind I’ve been thinking of what Dr Bob says in the book I illustrated some time ago…”feelings are guides not gods to be obeyed“. For example we’ve all done things like cleaning up yucky messes even when we didn’t feel like doing it at the time – but once it was done we were glad it had been done. So we’re capable of using our executive brain to decide when to listen to our feelings and when to go ahead and do something despite our feelings.
In the picture above is my breakfast: overnight oats (made in a small wide mouth mason jar) along with coffee. And here’s a recipe article link about this quick-easy meal. I like quick-easy breakfasts so I can spend more time in the morning drinking coffee, reading and sketching.
In the photo below I’m working (after breakfast) on a new painting. There’s a collage bit in it from the falling apart copy of Jane Austen’s Pride and Prejudice that I’d talked about in another post.
Here below is what the new painting became: “Attention To The Feelings” – 12 x 9 – acrylic and collage on board.
One of my favorite authors who write about sketching and creative efforts is Danny Gregory. Here’s what he wrote about dealing with feelings in his book “Art Before Breakfast” :
This is inner-voice phenomen is true for any creative effort. Including trying a new recipe for breakfast.
So please be gentle with yourself and the other people in your life this week. We’re all just muddling though trying to remember what we like, trying to pay attention to our feelings – but not too much attention – and trying to regularly eat a good meal.
I’m having fun with new combinations of colors. In a recent post I tried a yellow and grey color set. After posting about that a friend said she liked pink and grey together. So I tried that combination this week.
I’ve enjoyed playing with odd sized elements so I continued that in this new ink and gouache painting I’ve titled “The Comfort Was Indeed Beyond…”. Again I used some text collage from that falling apart copy of Jane Austen’s Pride and Prejudice I’ve spoken of.
As mentioned in a prior post I’d played with yellow and grey colors while doing a cup pattern for fabrics on my Spoonflower shop… here’s how that turned out. I titled my pattern “Cups Of Comfort”
And thinking of rabbits…I made an encouragement greeting card this week with a rabbit character. Everyone needs encouragement so by making this card I hope to help people encourage others in their life.
Speaking of encouragement to keep going: we have had some serious snow in the Pacific Northwest United States. Over 18 inches! So that’s encouraged me to continue my reading, working in my studio and puttering in the kitchen. Taking everything that happens in life as encouragement to keep going seems a helpful habit of mind.
Speaking of habits of mind: I tend to blur the line between art studio work and my kitchen. Here’s my kitchen sketchbook and the meatball recipe I made this week. I make meatballs to freeze and store in my freezer to add as desired to future meals. I love having ingredients on hand that make other recipes easier.
As I mentioned in my last post I’m working on a new children’s book with lots of rabbit characters. I did the illustrations first this time…mostly. Here I am working on the poem couplets to go with the illustrations. There’s a cup of tea at my side. My spouse took this photo.
I spread out my illustrations on a queen size bed to sort, resort then sort again. As I sort I’m referring to my poetry and rewriting. I have far more illustrations and poetry bits than will fit in a 32 page kids book. So I have still more sorting and winnowing to do.
This is a physical way of creating a book. With real-life illustrations laid out I’ll write the poems on index cards for sorting purposes. After I get them all sorted then I’ll start photographing the illustrations and typing the poem. Lots to be done. More about this project in future blog posts.
When I was thinking of describing, for this blog, my working process towards a children’s book I thought of my recent reading. Here’s a shelf of books I’ve been collecting on the topic of how our physical world, the objects, technology, the environment affect the ways we think. And vice versa: the ways we think affects our physical world.
When I work on a children’s book using physical elements as opposed to abstract outlines, book dummies or computer files it feels much like what I do in the kitchen. It feels like having a full pantry, a stocked freezer and refrigerator to choose from for making meals. “It” exists and all I have to do is rummage till I find it.
The work feels easier this way…and more fun!
For my pleasure reading this week – with coffee, hot tea or hot chocolate depending on the time of day – I’ve been reading a hard-boiled detective mystery.
I hope you’re snug, cozy and are able to rummage for the good things in your life. See you next Monday?
It’s barely been a week and Numpurrs on Storyberries.com has been read over 3000 times! Here’s one kind comment:
“Thank you, this is exactly what teachers are looking for, online opportunities during virtual teaching makes teachers lives so much easier. That was perfect timing! And a beautifully illustrated and written book! The weird thing is, I just did a cat drawing lesson for 1st grade. Now we can read the book and learn how to draw a cat!”
So this week quickly filled with additional efforts to help teachers and parents: I also made a poster, a calendar and then a 676 piece jigsaw puzzle too.
Here’s what the poster looks like. It’s big, 23 inches square, big enough to be seen in the backgrounds of online classes.
My copies of the printed book version of Numpurrs also arrived at my studio this week! So I photographed the book and created a portfolio webpage to hold all of my work on Numpurrs in one spot – to help the teachers find things easier – here’s that page https://sueclancy.com/portfolio/numpurrs/
Below are just a few of the photos of the printed book…you can see more on that portfolio page I just mentioned
I’m pleased with how the book turned out! Of course I can nitpick and find things I could have tweaked – that’s always the case with any creation. I think of art making as similar to cooking, you do your best to create a good meal then you say “good enough, let’s eat” and you go on to the next thing. Perhaps you make a note for yourself on that recipe as to what you’d do differently in the future – but you enjoy the meal as it is and you go on.
Speaking of going on: for years now I’ve been regularly jotting short poems in a small 3 x 5 inch book with my fountain pen. Now, as per discussions with the people at Storyberries, I’m working on illustrating some of the poems for a new book. As I wrote my last post I’d thought I’d do more on this new project this week than ended up happening – so more on these illustrated poems in coming posts.
Here’s a look at my little poetry sketchbook with some of the potential to-be-illustrated poems flagged with sticky notes.
I write with a fountain pen because they’re refillable. Fewer plastic bits of discarded pens to end up in the landfill this way. Besides a fountain pen – if you have a good quality one – can be super smooth to write with.
For those who say a nice pen and hand bound book would be “too precious to use” I reply “your thoughts are precious too”. Buy quality supplies and use them with joy. It’s just stuff on Earth here to be enjoyed. (And if you just can’t bear it then buy whatever supplies you will actually use and get your thoughts written down. But remember that you really deserve the best.)
Below is the dragon poem you can see my handwritten draft of in the photo of my book above and the handwritten poem and illustration I got done this week with ink and gouache on nice paper.
More of that kind of thing here next Monday – I hope. Thanks for reading. Have a good week.
There now! Despite all the odds (see last post) I finished “Numpurrs”! I’ve also sent it in to Storyberries for distribution. When I sent it in this last week Storyberries said “I just LOVE it Sue!!! It has come together so nicely !!!! Thank you so much for sharing your beautiful work with us!!”
So I think it’s safe to say that they’re pleased! The book will be live on Storyberries.com very soon as they said they’ll “…schedule it for 9am Gold Coast time Australia on Monday morning.” Which works out to about 4 pm in Washington state, USA on Sunday. And I post these blog posts on Mondays but write them on Sunday morning’s… so, yes, I can have a bit of time zone confusion.
Time zone differences between where I live on the western US coast and the time where Storyberries is in Australia can confuse me even when I have help from the internet. My solution to working across continents and time zones is the same in publishing as it has been when I’ve done fine art exhibits outside of the U.S.A; get it all done early and everything into their hands as soon as humanly possible then let the people I’m working with sort the what-happens-when out at their end.
It helps that I work on the graphic design part of any book almost simultaneously with creating the fine art illustrations. This way by the time I finish creating the fine art illustrations I’ve almost finished the book design too.
The graphic design informs and affects my illustrations – in the number of illustrations needed, the size of them and so forth. But what I want to do in the first place with my illustrations/fine art at my easel (using ink and gouache on board) will also affect the graphic design.
This interdependence (and writing the poem is in there too) is related to the construction of my book idea in the first place in a which-comes-first chicken-or-egg kind of fashion. As a result of my working method the posting I do online nearly always slightly behind the action. My motto is create the thing first talk about it later.
Anyway, here’s a pic of me working on my laptop doing the book layout. I often do my computer work in the corner of my dining room near the cookbooks and am almost always cooking something on the stove. Taking breaks to stir something on the stove is so nice!
And here are the last poem lines in my book:
Twenty butters bread, risen with yeast
And it all sums up to a wonderful feast!
In the printed book my three panel “feast scene” will flow in sequence left to right and will line up side by side. But it worked pretty well in scroll ebook form too even tho it doesn’t line up at the edges. As I worked I had to think of both of these “flow” patterns when I was creating the images.
Even though I’m doing so much myself – which sounds like a lot of freedom – there are still constraints: page flow, number of pages allowed within the publication formats, where the blank pages must fall, printing product options, ebook construction and so forth. I see these constraints as the path, the way forward, the technical issues become part of my creative process.
When it came to creating the feast scene artwork in Numpurrs I consulted this book, Food and Feasting in Art by Silvia Malaguzzi
Many of these art historical images had the viewers eye moving left to right and or moving up and down. This served as a guide as I created my cat feast illustrations. (I love art history!)
Running into the graphic design publication constraints I mentioned earlier I only had 3 pages within which to fit my feast. When, in an early sketch, I fitted all 20 cats in – the cats were too small and the numbers couldn’t be easily read. Since the point of the book is to distinguish between cats and to recognize numbers I decided to make the cats and numbers bigger even tho it meant leaving out some cats.
Besides at almost every group photo I’ve ever participated in there were several people who declined to be in the picture. Perhaps we can pretend some of the cats in my artwork were similarly shy?
After sending everything in to Storyberries, and after being given the release schedule, I was asked to send in a new photo of all three of the feast panels as one image. There are design constraints and issues at their end too – and we’re in this project together. So I hustled (time zones remember…) and sent this photo in:
Since my book idea is about distinguishing between cats and numbers I also used 4 of my allotted pages to include the photos of real life cats that my friends had sent to me for use as reference to create my artwork. Like the feast scene artwork not every cat illustrated in the book is on the cat photo pages… again it was a case of if I fit in every photo the cats were too small to see well. And in some cases the photos my friends sent was fine for my art reference use but it wasn’t high enough resolution for a printed book. Since I’m doing both print and ebook forms I had to design for both to look the same. Perhaps it can add fun to also distinguish which cat is there and which isn’t and also to see some of the source material I worked with?
Here’s what the Numpurrs book cover looks like, and the dedication page where I thank my friends for all of their help.
This week has been less busy but weird with wildfires and bad air quality where I live in SW Washington. (More re in a sec.) Despite it all I still made progress on my Numpurrs book (see also my last post for more project details)
Here are the poem lines that go with the illustrations I managed to get done this week:
Sixteen puts flowers out on a whim
Seventeen pours saucers of milk labeled skim
Eighteen opens fish oil good for the fur
Nineteen is so happy she starts to purr
To think about art and creating a book for children this week, as wildfires raged, as we worry about the safety of family and friends has, at times, felt a bit frivolous. But it is also an act of hope. An act of resilience. An act of pushing back against the darkness…
One of my sources of comfort in times of difficulty is to walk among my bookshelves at home, selecting a random book, reading a page or so and putting it back on the shelf. I often hope to find encouraging, uplifting passages. As you might know from my artist book Another Sketchbook I’ve been adapting this comfort recently to include ebooks. Here’s something I read this week from Albert Camus
I think creating art is a way of maintaining hope. Sharing art is a small act of kindness. So I keep on. Besides, I find it helpful to spend time each day focusing on something that is pleasing, enjoyable, as doing this helps me exercise and maintain my inner muscles that give me strength to push back.
Things that are enjoyable are what we push for, what we want to maintain, what we want to have more of in life because it’s not enough to merely endure. Besides doing whatever it is that helps us endure we need to also remember what we’re enduring for. And when the enduring is done to remember to appreciate what we have.
Thinking beyond the thing to be endured and the endurance process itself takes practice. Enjoying things is a skill to be practiced – and one doesn’t have to wait for a perfect time/situation/condition in which to practice. That time is now.
As Kurt Vonnegut, one of my favorite authors said “I urge you to please notice when you’re happy, and exclaim or murmur or think at some point, “If this isn’t nice, I don’t know what is.” “
Anyway, here’s my cat sitting where he can look out on the smokey world. It’s pleasant to watch him watch the world. This photo was taken about noon on Sunday.
And here’s my dog covering his nose, burrowing into a towel, in an effort to get away from the smell of smoke. He’s so sensible – and cute!
Besides working on my art projects and pulling books randomly from my shelves, I’ve still been reading the books I mentioned in my last post.
Also I’ve added to my daily reading an ebook, “The Cat Who Said Cheese” by Lilian Jackson Braun. Walking around inside my house, for gentle exercise, is more fun with a cozy mystery in hand. And since one of the current topics in my head is cats…. this book is lightweight fun for me to burrow into while still being somewhat on topic.
The air quality outdoors here has been so bad that, wisely, all the places hosting my current fine art exhibit “Readings From The Heart” closed temporarily to the public. As of 8 PM Sunday night the Airnow.gov site has my location’s air quality as “beyond index” meaning it is worse than the number they use to indicate really-awful-very-bad-horrible-dangerous. My nose and chest would agree with that assessment. (An air particulate level of 300 to 500 is considered hazardous – ours Sunday eve was well over 500. Monday morning the number is 414… update: at 6pm Monday we are at 517. My local paper has this article. )
But I tend to think that inside a difficulty is an opportunity – a chance to think beyond an immediate crisis – so just as soon as one Gallery told me they were closing I made the ebook version of my artist book about the exhibit available as a free download on my shop page. If you scroll to the bottom of the page you’ll find my free ebooks. You can also see all of my art in the current exhibits from the comfort of your phone here. And if this isn’t nice I don’t know what is!
Please find ways to keep hope alive, to keep enjoying something, to keep going forward somehow and be kind – I will do the same.
I didn’t think it possible to be even busier this week than last week but I was. Still there’s been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.
Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs
Twelve spoons out all of the treats
Thirteen plans who will sit in which seats
Fourteen carries dishes piled so high
Fifteen slices the roasted magpie
As I worked on these cat portraits, in snatches of time, I chose the cats-to-be-illustrated from photos of cats that my friends have shared. My friends also shared stories about their cats – and both the stories and photos inspired which cat to pair with which number and poem line.
Also informing my work on these cat portraits are the books I’ve been reading. More details below. But did you know that magpies relate to math? So does carrying … math fiction as a genre to explore is lots of fun!
Anyway I don’t expect that the parents reading my Numpurrs to their kids will see all the math related research I’m putting in – the research is just a way for me to learn and enjoy this topic as I create my book Numpurrs. It helps keep me on track and inspired even when I’m not working on a cat portrait.
Anyway, I made these cat paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Both the small size of each portrait and my art media enable me to work in short bursts as time allows. If these works were in any other size or media I can’t imagine how I would have shoehorned this project into this week. As it was having this project to do in this way inserted a nice bit of relaxation and fun!
The rest of what I have been so busy on would require lots of typing. Let it suffice to say that it’s very happy business (fine art commissions!) and that I enjoy it all very much!
Here in this blog my point is to show how I develop new projects and sustain my interest in them over a duration, despite a busy life. It’s a peek behind the scenes you can say in my creative life. So I’m trying to keep my writing here about the newest project under current development.
As I alluded to above here are some books that are helping me sustain my inspiration for this project. In addition to conversation with my friends about their cats I peek at one or the other of these books as I get a moment.
I’ve written about some of these books in my last posts but the book titles in the above photo are (from the top):
A Dictionary Of Color Combinations by Sanzo Wada – A link for this book in the bookstore Ampersand where I got my copy is here
I Am A Cat by Soseki Natsume – this link has a wonderful review/discussion of this book. The article mentions that this book was originally written serially, in installments. In addition to making this book readable for the busy times of life I also see it as informative on how to construct a story to be serialized. Besides all that it’s just a fun romp inside a cat’s mind!
Imaginary Numbers by William Fruct – I found my copy this book years ago in one of my local bookstores. I looked online just now for it and the best source for more information about this title that I could find is here at ABE Books.
Werner’s Nomenclature Of Colors by P. Syme. – The bookstore where I got my copy no longer has this title but you can see a fun article about this book, along with photos of the pages here.
So now you know how my week went: working on many projects, reading bits in books, thinking, musing, playing and adding new art progress, small bit by small bit, to my Numpurrs while also living life.
Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.
I hope your week is peaceful, fun and filled with your own creativity.
P.S. I also include photos of my other projects on my Instagram pages and elsewhere on www.sueclancy.com
It’s been another busy week but there’s still been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.
Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs
Eight divides the large wheels of brie
Nine adds mice caught in the lea
Ten has a bird as big as the sky
Eleven bakes a vegetable pie
To create the illustrations I chose the cats-to-be-illustrated from the various photos of cats that my friends have shared. My happy thoughts of my friends – and their cat photos – inspired which cat to pair with which number and poem line. Life near-to-hand provides so much of my inspiration. I made these paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Just little savory slices of a good life…
As I wrote in my last post I’m still using the Dictionary Of Color Combinations as a playful inspiration source for my color schemes.
I’m also still reading the cat-themed book “I Am A Cat” by Soseki Natsume that I spoke of in my last post.
Speaking of slices – my last post also spoke of pizza…and I did manage to get that indulgence, and a movie worked into this busy week. It was so enjoyable! Here’s what my homemade pizza looked like
I used my simple sauce recipe from my published kitchen sketchbook “Favorites So Far” and topped it with mozzarella, gruyere and Comte cheeses. Simple pizza – sauce and cheese – but I adult-ed it, so to speak, with my homemade sauce and cheese choices. Here’s my sauce recipe:
And yes, my cat shamelessly begged for bites of the cheeses.
Part of what I was busy doing this week was answering questions about my upcoming exhibit at the Caplan Art Designs gallery. One of the questions asked what inspired the artworks with birds in them. My answer: the poem from Emily Dickinson “Hope is a thing with feathers…” In these strange and interesting times maintaining one’s human spirit, hope and good mental health is crucial. So my entire exhibit is about that. You can see a virtual exhibit tour of sorts webpage here (hint: the very newest pieces have birds reading books) https://sueclancy.com/portfolio/readings-from-the-heart/
Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.
I wish you peace, a lap full of purrs and a plate full of good pizza.