In my last post I talked about creating rhythms and patterns. This week I created rhythmic art based on my real life. For example I saw a plant skeleton which inspired part of an artist book I made and shared earlier this week on my email newsletter (there’s a video flip-through on my newsletter). In my book titled “Mysterious Mural #1” I was thinking of the power of art, of books and of coffee… in my whimsical way of course. But the book contains a story sequence around a large pattern inspired by the plant. Here’s the plant…
Here’s a look at part of Mysterious Mural #1 so you can see the sortof resemblance to the plant above. More details on my email newsletter post here.
It probably won’t surprise you that my wife and I went to Beaches, a local restaurant, to attend, (along with half of Vancouver! ❤) the fundraiser for the local library system Ft Vancouver Regional Libraries. At the restaurant Beaches we sat by big windows looking out over the Columbia river watching the weather changing as we looked. We also saw seals leaping and geese swimming…
As you can see when we got our food and drinks it was bright and sunny.
Then the light changed and the color of the river changed… I find it endlessly fascinating how light affects the perception of colors.
Later we visited the main library downtown. It’s a 5 story building occupying a city block. Five glorious floors of public library goodness! There’s a sculpture garden on the walkway to the front doors. The top floor has a balcony with a garden and seating areas for reading outside but you can’t see that from the ground.
One whole floor, the 5th floor, is devoted to fiction and it’s the floor that has the outdoor balcony. Here’s a view from inside the fiction floor.
Here’s a view from the 5th floor balcony. If the day were clear and sunny this view would show snowy mountains in the distance. Even on a cloudy rainy day I think the view is pretty.
I went to the library in search of particular titles that were referenced in other books I’ve been reading. Of course I didn’t “stick to the list”. 🤣 Here’s what I came home with. My wife has her own stack!
Our library day was so pleasant that on another day I created a pictorial diary page about our pleasant day – which I shared on another email newsletter this week too.
I used fountain pen and a water brush in one of my larger sketchbooks. I find the ink wash technique an easy, no fuss, quick way to get things documented. And yes, I selectively edited when mentioning the weather and documented only the sunny parts of the day. I enjoy the rain too but for my pattern I needed to edit and simplify in order to explore my pleasant feelings within my 20 panel grid format. I also simplified the flower garden we saw and what we had for lunch. The story format, what is included and what is left out of a story are rather arbitrary artistic choices of the moment…another day I might’ve made different ones… anyhoo I think the pleasure of the day still comes through. 🤞
I enjoyed the challenge of making a story sequence that is also an overall rhythmic pattern. I’m thinking I might try to make this sequence into a fabric design. 🤔
I’m enjoying playing artistically with my daily rhythms, patterns, events and lists of pleasant things. It’s a fun way to combine life and art in soothing ways. It’s my way of practicing the idea in this story I illustrated in Dr. Bob’s Emotional Repair Program First Aid Kit.
I hope your upcoming week is as pleasant as it can possibly be! See you next Monday.
I recently read “Hare Brain Tortoise Mind” by Guy Claxton and was reminded of how rhythmic things like weeding a garden or doodling can be calming to the human mind. This physical neurological response to “uniformly random rhythms” is also part of the human reaction to rhythms in songs, poetry or prose – we respond neurologically to refrains and repeated patterns, with variations, in all of the arts.
I include cooking here – it too is one of the fine art forms that has comforting rhythms both for the person stirring the stew and for the person eating. I think of how soothing it is for a small child to be held and rocked – what if all of the human fine arts are basically rhythms that can hold “rock” and soothe our physical brains?
So I’ve been thinking more about rhythmic patterns in my own creative efforts. I’ve begun doing doodlebugs… and other projects that involve “uniformly random rhythms” of patterns. I’m also making some changes to my morning sketchbook sessions that involve making more patterns.
As you know things that encourage good mental health skills are important to me and if I can foster my own mental health via rhythmic pattern creativity – and by sharing my work perhaps help others too – that seems a worthy artistic goal.
Here’s a doodlebug I did in my sketchbook and a fabric pattern I made from it.
Recently someone sent me some photos of one of my wallpaper designs that they applied to their kitchen island. They were pleased and said it was “just the whimsy we were looking for”! I’m glad they were pleased!! I’ve learned in the process that grids are fun ways to make visual rhythms!
Here’s a painting I finished this week that I’ve titled “This Little Piggy”. It was inspired by the nursery rhyme: (please note the rhythms) “This little piggy went to market. This little piggy stayed home. This little piggy had roast beef. This little piggy had none. This little pig cried wee, wee, wee all the way home.” As you can see in my painting below I also repeated visual rhythms, like the rhyme, and did a few playful alterations.
In the video below is a look inside my studio at “This Little Piggy” – I created using ink, gouache and color pencils many of the supplies you’ll see briefly in the video. It will join my other paintings for exhibits later this year via Amy Biederman Caplan at the Caplan Art Designs Gallery. www.caplanartdesigns.com
In my email newsletter this week I shared my “This Little Piggy” painting and I’ve been sharing my sketchbook pages. I’ve finished sketchbooks C and D and am working on E currently. The doodlebug image above is in book “D”.
This book is my current evening and weekend reading. It has a library in it that is dedicated to poetry… be still my heart!
And because I like to share particularly good things: here’s a link to a good recipe for LENTIL CHILI along with my additional notes and variations: Add a can of roasted chilies and use chicken or veg broth or water (whatever available/handy). Add cumin, dark cocoa, Mexican oregano, chili powder, salt, pepper – cook 30 or more mins on simmer, stir often and add more broth or water if needed. Variation: add a chopped carrot, frozen corn and or chopped bell pepper
And look at the rhythmic visual pattern of the beans in my cookpot too!!
I hope your week forms a pleasant daily rhythm for you.
The text from the book is below each dog portrait.
In my last post I shared some of the books we’d ordered that came early for Jolabokaflod. Our house “rule” is that any adulting ceases and we open the book boxes when they come, pour the hot chocolate and give each book some attention even doing some sample reading. After that the books are put into the proper gift pile and, this is the hard part, left untouched until the evening of Jolabokaflod on Dec the 24th.
Here’s Judy opening one of the book boxes from Powell’s. She was pleased! I love her smile!!
We did our book gift piles on the couch this year. We chose that place because more than a few of the books will be enjoyed by both of us and our comfy chairs are just across from the couch.
So you can see the stacks better here’s another photo below. There’s one book, the Louise Penny title mentioned last post, that didn’t make it into the group photo because it had snuck out onto the kitchen table… oops. 😁
Adding to my pleasure of Jolabokaflod was hearing from the Aurora Gallery that people were enjoying my artist books there! It felt good like I was “giving back” to my local book-art-world from which I receive so much delight.
Because Jolabokaflod, in addition to being about books, is also about chocolate – here’s our hot chocolate recipe, again. 😁📚☕😁📚☕
I continued with my sketchbook playing practice and posted these pages on my social media.
Like last year instead of social gatherings we focused on sending cards, sharing on social media and doing whatever we could creatively think of as ways to be in touch with people while staying safe during a pandemic.
Most of our friends and family did the same. We loved getting cards from people, several different people dropped gifts off on our porch and many people sent me photos of the fine art I made that they’d gotten for Christmas! Some sent photos of their children with my artist books that they’d gotten for the holiday! And someone sent a precious photo of their new grandbaby wrapped in a blanket made with one of my fabric designs! All of that, plus comments on my social media and this blog has made this holiday feel special! My heart has grown 3 sizes!! Thank you all!!
I hope your holiday was good too and that the new year is gentle to us all. See you next Monday.
There are 3 major art gallery exhibits in my life but more on that in a bit. First here are this weeks 3 dogs from The Professional Dog.
Here’s a larger image of each dog portrait with the book text beneath.
In times past I went in person to local exhibits especially when my work was featured. But I haven’t gone physically to one since the start of the pandemic in 2020. The galleries are handling openings much differently too, more videos and social media online, more appointments and more shipping and delivery.
This is now the 2nd year of things working this new way and I have discovered a wonderful benefit – deaf me can “hear” people better because everything is written. Lip reading and trying to hear with my hearing aids in a noisy Gallery isn’t an issue now so I feel like my engagement with people has improved! But because I’ve spent more than 30 years doing in person exhibits and only 2 years doing exhibits virtually I still get nervous about this new method even though I think I like it.
So before the Holiday Box Exhibit began at Caplan Art Designs on Thursday evening I charged up my phone and kept my phone on so I could see and respond to anything happening at the Gallery.
The Caplan Art Designs Gallery began posting on social media in advance of the Thursday opening, sharing 2 or 3 of the 7 artist’s work per post. Then as the opening began Thursday night the Gallery posted videos of the entire exhibit and some photos of people at the Gallery… not the crowds of the pre-pandemic days but safe methods of visiting. It did my artist heart good to see them and know that everyone was so caring!
I tried to quickly share on my social media what the Gallery posted or to echo it at least. People who follow the Gallery social media commented there. People who follow me commented on my pages. I tried to be quickly responsive. The Gallery owner and 2 associates were sharing and replying on the Gallery pages and the artist pages too. Below is an example of one of the Gallery posts prior to the event…
… and the Gallery shared the comments made in person at the Gallery about the work during the evening. One client said my work reminded them of Piero Fornasseti. I had to Google Fornasseti first but after I looked I agreed and made a note to myself to study more!
Early in the evening my work “All The Chances” sold! By the end of the evening 5 out of 7 artists works had sold and it was quickly apparent that the entire 7 piece exhibit would likely be sold before the weekend was over.
I am constantly proud of and amazed by how well and how creatively the Caplan Gallery has dealt with the pandemic challenges.
So it was quite a hectic opening evening even though I (and many others) participated online from home. I was tired at the end of the night but not half as worn out as I have been back in the days of attending exhibits in person and trying to hear in a noisy room. Again this new pandemic way of exhibit openings felt more satisfying like I had been able to more fully engage with people.
When I think about it this new way of doing openings is akin to arts and antique auctions, where there’s the in person bidding, the phone bidding and the online bidding. And somehow everything is kept organized.
Anyway, this photo below got posted within minutes of the sale… and was such a delightful surprise!
The very next night, Friday, was the opening exhibit at the Aurora Gallery!This Gallery too has been amazing in their ability to adapt and respond to pandemic challenges. The Aurora Gallery told me that they sold out of my signed copies of The Professional Dog (and would I please restock asap) and they said that there was a “socially distanced line of people buying Clancy fine art and artist books”!
Several of the people who went to the Aurora Gallery posted on social media about their visit or texted me directly! Oh this is such a fun way to share and enjoy art together!
I love hearing from people who are enjoying something I made. Below are some photos shared by someone who’d put my whimsical coasters around their table!
I’ve loved sharing cheerfulness in unexpected ways like this! I like it when people are able to be creative using things I’ve made! My coasters or “mug mats” are available individually on my Zazzle shop…
…and they’re available as sets only at the Aurora Gallery but the gallery will ship anywhere.
I’ve also enjoyed it that people have asked me to make, using my artwork from The Professional Dog series, cups, prints, face masks (for kids and adults) and fabric! There was even a request for a simple 30 piece jigsaw puzzle with extra large pieces for kids!
I wonder if this is how Santa does it, gets requests first and then puts the elves to work? 🤔 Artwork, books and gift giving are about connecting with people so…
December 9 there’s another exhibit with some of my artwork at Joseph Gierek Fine Art in Oklahoma! I will be supporting this exhibit from my Pacific Northwest home too. I’ve worked with Joe for about 25 years and he’s one of the most innovative Gallery people in the business! He tells about selling art from the trunk of his car way back when he was starting out… the things he has dealt with and come out on top over are inspiring. I wish he’d write a book.
Anyway it really helps me to get through these challenging times to be surrounded by creative and encouraging Gallery owners!
Despite all of the past weeks activity I’ve still been managing (mostly) to sketch in the mornings and have hot chocolate and read a bit before bed. (See the hot chocolate recipe above) Perhaps after this week I can rest more? We’ll see…
I hope your upcoming week is a good one! See you next Monday?
I’m steadily progressing on my children’s book “The Professional Dog”. Here are three art pieces together so you can see how the colors flow from one piece to the next. This project will be both a book an art exhibit. So each piece needs to both work with the others and stand alone. My last post tells more about this project.
Below are closer looks at each of these pieces. The text for the book is below the art.
Progress is also happening at an even more rapid pace on my holiday box project for the Caplan Art Designs Gallery. I’ve been in touch with the Gallery, sharing photos of my progress privately with them and it’s been agreed that I won’t post much publicly yet about this project. It wouldn’t be good to get too far ahead in posting… the art isn’t due at the Gallery till November and the exhibit is later still… so we don’t want to give too many clues too early.
It’s hard to keep my excitement to myself but I can do this. Right? Right?
I trust it won’t be too much of a spoiler to say that doing dog paintings in black and white is helpful when I’m also doing a series of dog portraits in color. Nothing like painting in black, white and shades of grey to sharpen my observation skills. Very carefully I made sure that both of my main projects are dog related. This way the project concepts strengthen each other. Kind of like how doing similar but different physical exercises strengthen muscles better that just doing one kind of exercise.
Anyway, here’s a few sketchbook pages related to this holiday box project that we’re very carefully not talking about too much yet. Mums the word. Shhhh…
I heard this week from someone who got one of my fabricdesigns so they could sew nice things for a teacher in their life!! This makes my heart happy that my reading, literacy, fabricpattern on Spoonflower made someone smile!
Anyway, speaking of taking care… it’s soup weather here in the Pacific Northwest! So I got out one of our favorite cookbooks “The Big Book Of Soups and Stews” by Vollstedt and made the recipe for chicken noodle soup. I used precooked chicken as a shortcut but otherwise followed the recipe. It’s so yummy and really feels kind to the soul.
Speaking of kindness – I saw this in my local newspaper and took a photo so I could save it and share it. It feels important to me. Crucial even.
One of the other ways I’ve been gentle with myself this week is knocking off work a wee bit earlier so I can spend more time reading. I finished the George Saunders title I was reading in my last post. Saunders talked about and included stories from Chekhov which I enjoyed. So I’m reading more of Chekhov’s work.
I’m also reading “A Perry Mason Casebook” by Erle Stanley Gardner. Talk about two almost polar opposite kinds of writers! Chekhov’s characters, generally speaking, consider the feelings of other characters – the stories seem emotion driven. Gardner’s characters, generally, don’t consider or respond much to the emotion of other characters – these stories seem situation driven.
My response to each book is so very different that it almost seems unfair to compare them at all. They were written in such different era’s. Chekhov wrote in the late 1800’s to early 1900’s. Gardner wrote in the 1950’s. But reading both books at the same time is a fun mental contrast – rather like the experience of contrasts that I remember from visiting the state fair; enjoying the quiet exhibits of quilts, animals, jams and jellies alongside noisy rides, carnival games, street performers and aerial acrobats.
Anyway, my spouse and I got a nice syrah wine from Burnt Bridge Cellars and had a glass of wine with our books in the evenings. Such fun!
Here’s hoping your week will give you many opportunities to be gentle and tender with yourself and the people in your life. See you next Monday.
In my last post I talked about how I manage art projects and time. I have an heretical approach and I was asked for more details. Here goes:
One of my longtime interests is in how humans think, learn and how to maintain good mental health. I read on the topics often. Here’s a few of my bookshelves full of books on these topics.
I’ve learned that humans tend to learn best by hearing stories or anecdotes or metaphors or allegories. Or by seeing examples or demonstrations. Rarely does a direction “do it like this” get followed. This includes self-directions related to art projects and time management. Even if the direction is followed often the purpose for “doing it like this” is rarely fully understood at the time. This includes self-directions.
Let me tell a story to illustrate what I mean: Once there was a mother, with a very tiny kitchen, who always cut her pot roasts in half before cooking them. She taught her daughter to cook pot roast by explaining and demonstrating. Her daughter grew up and had a daughter of her own. One day the grandmother was visiting. The daughter was in her very large kitchen demonstrating cooking a pot roast to her young daughter. She said proudly “In our family we always cut the roast in half first. Isn’t that right mom?” The grandmother replied “Oh, no! The only reason I cut my roast in half was that I didn’t have a pot or a stove big enough to hold a whole roast!”
Being aware of this attribute of human thought and attention I approach self-directions about my own art projects and time use rather sideways. More details below.
The other interesting thing I’ve learned about human thinking is that good mental health and happiness often happens while we’re busy doing something else. Often with, and for, other people. I think the same is true of creativity.
Similarly when humans feel good about, curious about or interested in something they’re more likely to do it. If we make activities we want to do fun and easier to do it increases the likelihood that they’ll be done.
So I give myself directions about my projects in terms of what I *want* to do rather than what I must do and I accept that I may not fully understand what I’m doing, or why, until after the project is completed. I’m also careful to keep lots of projects in various stages of production so that I’m “busy doing something else” and not as likely to get too focused (and too critical) about one project.
I’ve mentioned it before but my approach to creative projects and time management has it’s roots in a mental health book I illustrated “Dr Bob’s Emotional Repair Program First Aid Kit“. Below are a few of the pages that relate to what I’m blogging about today.
For much of my creative life I have taken these concepts about human thinking/emotional health and applied them to my overall approach to creative projects and time management. It has helped me to consistently get projects done in a sustainable and enjoyable way. I say my approach is heretical because I have known art coaches and art teachers who advocate, for example, “strict discipline to do one thing till it’s done” as if we are machines and I strongly reject that notion. That’s too much like lunging and grabbing at a stray cat. That’s a sure fire way to spook the cat – or the ideas – away!
My approach to creativity is similar to the method for befriending a shy cat. You see a cat hiding in the bushes and you can’t see enough of the cat to know what breed it is, whether it’s healthy or not or whether it’s wearing a collar. So you get some cat treats and with very slow movements place the treats strategically to coax the cat into visibility. You remove yourself, slowly, to a short distance where you do your best to act as if you’re *not* interested in the cat. With patience the cat will emerge at it’s own pace and you can see it. No lunging and grabbing is necessary on your part!
My morning work in my sketchbook is akin to the cat treats strategically placed. I wake up and I just play with words in my poetry sketchbook or with images in my mixed media sketchbook. I do *not* take these efforts seriously. This is just something fun to do while still half asleep waiting while the coffee percolates. Of course I hope something good will come from this work and often it does but that “good” is to be determined much later. At the time I’m drawing or writing in my sketchbook I’m thinking of it as a fun gentle way to ease into the day.
I literally keep these sketchbooks handy in my breakfast nook along with a few pens and a small gouache watercolor set. The sketchbooks and the watercolor set are small 3 x 5 inches or so. Seldom have I spent more than 10 minutes on these efforts. You see, I’m busy doing something else besides creating – I’m making breakfast and eating it with my spouse. But I have this regular habit of luring ideas into my sketchbook.
Here’s a few recent sketchbook pages.
When my idea-cat begins to emerge from several weeks of my sketchbook morning work I’ll begin gently, tentatively, feeding and petting the idea. I do this by reading books somewhat related to my idea, by writing about my idea on a legal pad, brainstorming in a what-if-I manner.
After doing enough sketchbook work and legal pad what-if work that I feel I’ve got something, some idea emerging into visibility, I’ll sometimes draw a series of thumbnail drawings on loose paper in color to try different color arrangements. Or perhaps I make a folded paper dummy of a book idea. Perhaps I’ll make larger drawings – redrawing images from my sketchbook onto art paper. I am still just playing around and seeing what could happen.
The intention is to test the idea in my sketchbooks to see if it might become something more than a sketch in my sketchbook. A bit more time is spent, 20 or 30 mins in this phase of idea attracting. These writings and drawings are kept in a 3 ring binder by topic or perhaps with a tentative working title related to what my idea may become: an art exhibit series? A childrens book? A greeting card??? Things are left very open ended.
Still I am busy doing other things – specifically my main art project of the moment – the binder is just a way to keep all of my notions on a theme handy in one spot. This is like giving that still shy cat a temporary foster home. This way we’ll keep track of kitty, give it some time to adjust, learn about kitty and see how it goes.
Here’s my shelf of 3 ring binders
Here’s some photos from the 3 ring binder for my currently in progress “How To Draw A Dragon” project. There are several folded paper book dummies, several rewrites of the poem and many drawings.
If a 3 ring binder project collection goes well and the idea begins to show promise – by ‘promise I mean ‘potential to be fun’ – then it may move to the “main project” status. The idea cat has been adopted…however we’re still in the probationary period. Anything could happen. This is where I currently am on my ” How To Draw A Dragon” project.
Here’s a few of the “Dragon” pages I did this week.
A main project has the serious art supplies out for it. It has the studio space devoted to it. Time during a day will be set aside for it, but not an entire day, I mean an hour or two. Time is set aside in a task-oriented way not a from-when-to-when on the clock way. I have a master list of tasks to be done on a main project and each day I pick from 1 to 3 of those tasks and set them as a goal to accomplish that day. That’s the establishing a working rhythm that I spoke of last post.
The main project is taken a tiny bit more seriously as in I will erase and redraw whereas in my sketchbooks, legal pads or binders I’ll leave a drawing however it is. I will also write and rewrite with attention to spelling and grammar on a main project. As I go I’m feeling my way along. The uncertainty is normal. Perhaps my idea cat isn’t ready for such attention. Or perhaps it will thrive on it. We will take it slowly and see. My “How To Draw A Dragon” so far seems to be thriving meaning it is still growing and becoming and I’m having fun with it.
Below is a studio photo showing that “How To Draw A Dragon” is filling my easel and overflowing into nearby surfaces. My art supplies used for this project are left out and handy. I don’t open windows in my studio so no breeze disturbs my papers. If you were to visit my house today we would stay far away from my studio because I have things in a careful order for my projects sake. My cat and dog are trained to not disturb things in my studio. There’s a door to my studio and I use it to remain undisturbed. A main project filling the studio is a tender kitten. I handle gently. I have heard art coaches speak of clearing ones working area at the end of each workday — that’s another area where I heretically scream *nooooo!*
Even with the extra attention given to a main project I carefully keep it fun and playful. I will find ways to “feed” a project- to feed my unconscious mind – for example by reading books related to the topic I’m making art about. For my current How To Draw A Dragon project I’m reading about creativity – about creating poetry in particular- and the interplay between our left brains and right brains, between our inner adult selves and our inner child selves. The topical reading is kept up for a duration of a project as it helps with my focus and fun. I simply cannot stress this enough *keep a project fun* and the project will likely get finished.
Another helpful way I keep going on a main project is that I *dedicate* the project to someone – I give the project a purpose, a reason for being (something *not* related to money or fame). I give it something beyond myself. The person or people I dedicate my work to often never know. But I am busy making my main project *for* somebody. During this pandemic openly dedicating works, or embedding symbols a friend might recognize, has been a fun way to stay in touch.
Here’s the dedication page for my Dragon book. Dedications for my fine art most often just happens in my mind.
It may be that I work on something as a main project for a while and it stalls. The stall could happen at the 3 ring binder stage or earlier in the sketchbook stage. A project may fluidly move back and forth between these three stages over a lengthy time period. This is another part of my business of art/creative heresy – I think this fluidity is perfectly normal and fine! Uncertainty is okay! I see it as part of the creative process, part of the ways a creative mind (and a subconscious mind) naturally works. Human brains are not linear machines! This is another reason I work on multiple projects – one stalls and I shift attention to another until the stalled one wants attention again.
Very carefully as I’m in the process of making artwork I avoid any sweeping declarative statements, to myself or anyone else, like “this is dumb” or “this is awesome”. I use moderate language statements, if a statement is needed and I can’t avoid it, I’ll say something like “so far so good” or “it’s a fun challenge”. To make a hard sweeping definitive declaration like “this is horrible” is to force a still-in-progress project into a labled pigeon hole. What may not work as a painting might be a good greeting card. I don’t know yet! When a project is in process I may think I am making X only to discover when I’ve finished that I’ve made Y instead. I deliberately leave linguistic and mental room for such progress! (See my pot roast story above) Harsh declarations make it hard to extract a project from the dispair/elation and continue. It makes it harder to allow a work to change from a painting to a greeting card. I prefer to leave room for discovering and being surprised by what a project becomes. It’s more fun that way. I would no more force an art project to become something than I would force a stray cat to accept a grooming before feeding it and earning its trust.
Here’s more from Dr Bob about being careful about self talk.
The tendency all humans have to take things too seriously- even obsessively – is another reason why I deliberately have multiple projects at various stages. One main studio project -or possibly two main projects- at a time but several other projects are being developed in my sketchbooks, legal pads and binders. This helps me not be too “precious” about any one of them. I work on something a while then stop working *while it’s still fun* and do something else. I find it helpful to try to stop working before I am too fatigued, while I’m still interested or enjoying my work and then move on to something else.
So I am always busy “doing something else” which allows my idea-cats space to breathe without micro-attention. This method allows my subconscious mind to work on my projects. I can trust that my inner voice will say “oh, let’s work on this!” when the next part of my idea is ripe. I can trust that I will keep returning to a project until it is finished.
When a main studio project is finished there is usually another project in a binder that’s developed enough that it’s ready for attention at my easel. No force to finish or start a project is needed. No strictness. No machine-like “discipline”. Knowing and accepting the way human minds are naturally has worked well for me. I work with my brain not against it. I am just playing around with topics that interest me. Like most real life fur covered cats I can trust that my idea-cats will tell me when it’s dinner time.
Speaking of dinner. The outstanding dinner of the week was broccoli pasta. I was out of fettuccine so I used short noodles but the recipe in my Favorites So Far kitchen sketchbook is still yummy!
Earlier this year I was asked to make some gender neutral fabric designs and put them on my Spoonflower shop so someone could get fabric with my designs and sew some bibs and blankets for a new baby.
Here’s a photo of me working at that time on the fabric pattern.
Here’s the finished original art
This week I was given, by the person who had requested the fabric patterns, pictures of some of the finished baby things they’ve made and permission to post about them! It was lovely having something fun like this to post about as my Dragon project is still becoming and is in the gawky teenage stage and camera shy.
Where I tend to run out of time in a day is the social media promotion thing. And frankly there are times, especially when I’m busy, that I’d rather just do my art projects than talk about them. But talking about them is necessary and most of the time I enjoy doing it so… Anyway, I really appreciate it when people share what I post or when someone sends me photos of themselves with my fine art or artist books or share photos of what they sewed with my fabric designs! It helps and is such fun to see!
Anyway, here’s the photos of a burp cloth and a few blankets my friend created with my fabrics! They turned out so well!! The sewing is marvelous!
Hope this description of how I manage my art projects and deal with time was interesting and even helpful to you as you do your own creative projects! Have a creative week and I’ll see you next Monday.
While working on my new household surrealism art series I’ve been thinking of my art as souvenirs of special moments.
For example: a friends daughter and grandkids left a cup of daffodils for us on our porch. I photographed and sketched the flowers.
Here’s one of my sketchbook pages that seemed most promising for a painting idea.
Here I am starting to paint in acrylic on board…while carefully looking at a flower model.
And so my painting progressed by building up layers of color. I chose a mouse character, a shy mouse offering gifts, because I was thinking of the emotional risk a gift-giver bravely takes. Also I was thinking of the gifts of nature, like flowers, that are there if we’re able to notice the subtleties of colors, patterns and textures as they change with the seasons. I chose yellow croc shoes for my mouse character to wear because waterproof footwear is useful for puttering about outdoors where I live in the Pacific Northwest. So there are gifts of culture too. Gifts are to be found everywhere if you remember to look.
Below is the finished painting I’ve titled “Well, well…”. I looked through my falling apart copy of Jane Austen’s Pride and Prejudice for any words that would relate to gift giving or receiving. Finding the collage text is a lot like doing Blackout Poetry – I scan the Austen pages looking for words and phrases that fit my painting topic. For this painting I chose the phrase “Well, well…” because sometimes people say, when recieving a gift, “well, well, what have we here?”
Painting the little wrapped gift in the lower corner of my artwork reminded me of how much I enjoy making designs for tea towels…and using the towel to wrap a gift.
My adopted mom, back in the early 1990’s, made fabric bags with a drawstring for use and reuse in gift giving. She was environmentally friendly before it was cool. So even though I don’t have Mom’s flair with a sewing machine I love designing fabric patterns and thinking of the fabric being used to wrap a gift!
Here’s a closer look at the art I did for the tea towel. These were drawn, over time, from real life.
Speaking of hot sauce: this week I got brave and baked hashbrowns! Yes, bacon, eggs, hashbrowns served with hot sauce! Turns out I really can imitate the not-quite-so-greasy-spoon diner at home! And keep the coffee coming! Here’s a link for the recipe I used for hashbrowns.
But back to the artwork. I have 4 more paintings that I hope to finish before mid May. I’m scheduled to have one-person fine art exhibits at Burnt Bridge Cellars and Caplan Art Designs later this year so I want to have at least 18 to 20 new works for the shows. Wish me luck?
I’m calling this new art series “Odditorium”… I chose this title because I intend the entire group of my works to be “odd” uncommon visual stories about common things. For my title I merged my thoughts of the word odd with the word auditorium. “Odd” means different from the usual. “Auditorium” means a building or space for an audience. I want to make a mental space for looking anew – or looking oddly – at mundane things.
As I work in my sketchbook I ponder things like: Perhaps those flowers, that towel, that coffee mug are really souvenirs of pleasant moments in life? What if dealing well with mundane life is itself a gift or even an art form?
In his book “Keep Going” Austin Kleon talks of making art as a gift. There’s also a wonderful book by Lewis Hyde titled “The Gift“. The message I get from both of these books is to remember the people. Both art making and gift giving are about emotionally connecting with people and sharing moments together.
Often when I’m creating I think of a person I know, or have known (even if they’ve died), and I make something they might like. Or I make something that reflects a feeling of connection. The person I have in mind is often never explicitly told that I thought of them. So, that thing you like … well, it just might be a gift for you.
So I make souvenirs of kind gentle moments in life by depicting common objects and animal characters in imaginative, surprising and whimsical ways that hopefully give a viewer pleasure. This, in my mind, is household surrealism.
I also see a visual pun in putting my artwork onto ordinary household objects like fabric or mugs. By making my objects available digitally and via mail (see my gifts here) I’m musing about objects that enable people to emotionally connect in a socially distanced pandemic safe way. My thought is that my work is not just about the stuff; the objects or books, it’s about our connections and our perceptions within our mundane lives. Can we find love, comfort and even art in the ordinary?
Anyway, lots of work still to be done to get ready for my exhibits! I hope you have a pleasant week full of the gift of kind moments with people you love! See you here next Monday?
As I mentioned in my last post I’ve been sorting and winnowing my illustrations and poetry for a new children’s book.
By writing the poem lines on index cards and having the illustrations on paper I can physically spread them out and sort them. This is very much the editing and rewriting process that the books on writing talk about. I’m doing draft after draft after draft just like they recommend – my drafting is just in tangible form.
For example I put numbers on yellow post it notes which affix on the archival sleeves holding the artwork. That post it note number corresponds to the poem line written on an index card. My legal pad contains a handwritten record of sequences I’ve tried aka manuscript drafts.
The artwork and the index cards are laid out on a queen size bed in the number sequence I’d most recently tried. I read the poem out loud. Then I walk away after shutting the bedroom door so my cat won’t pounce on the artwork. Later, after lunch for example, I’ll go reread and view the artwork, perhaps make a change in the order of the art/poem by moving the art, the index card and the yellow post it notes. Then I’ll read the new order aloud. I’ll note the new numeric number order (draft!) on my legal pad. Then I’ll go do something else. Perhaps just before dinner I’ll repeat the above process before putting everything away for the evening. This short-burst working method allows space for my unconscious mind to work on my project.
As a result some of the illustrations didn’t stay in the queue. Some poem lines went into the bin. Some art and poem lines stayed but took their time to find their place. Eventually after more than a week of these daily sort/resort episodes gradually more of my sequences resonate with me.
As I sort the pictures and words I’m keeping my eye and ear open for what resonates. By resonate I mean that I keep returning the art and poem lines to a particular place or order that makes me smile, makes my heart sing. This resonance is found slowly, page spread by page spread. I just keep on sorting until all of the pages and the entire book sequence feels that heart-sing way, a feeling I call “taking root”.
After that “taking root” has happened then I read the poem aloud and show the artwork to my spouse. Further adjustments are made according to her suggestions. Then I live with any new sequence another day or so to double check how rooted it feels.
I think of this entire creative process as a lot like growing a garden from seed; you plant seeds, you water, you wait, you position the pot on a window sill to catch the sun, you water, wait…at times it feels like nothing is happening…then eventually you have a seedling big enough to safely transfer to another container.
I’m about to the point with this new book of transferring it to another container – meaning that I’m ready to photograph the artwork and begin the book layout design, the computer hocus pocus of it.
The probable title for my new book is “This Rabbit”. But we’ll see if that holds as I shift the book, idea-seed soil and all, to it’s new digital pot.
Speaking of seeds and gardens: here’s a new fabric pattern design with bunnies and blooms. I’m now waiting to see a proof fabric swatch before I approve it to be in my Spoonflower shop.
Last week there was winter weather in the Pacific Northwest and friends and family lost power which caused concerns. But they were brief concerns, quickly resolved, and everyone is fine. Whew.
Then the Texas snow, ice and severe cold storm happened and was not quickly resolved (still isn’t as of this writing). We used to live in Oklahoma and we still have friends in Oklahoma and friends and family living in Texas…so we worried. And made phone calls etc.
And as we worried about friends everywhere I made a greeting card design that couldn’t really be sent, due to the storms, to the people we worried about. But I made the card anyway – the act of making it helped.
Worries distracted me some from my work on “This Rabbit” but not too much. My short-burst method of working accommodates such stuff-of-life.
Besides making the greeting card I puttered in my studio cleaning things. I came across some nice rice paper I’d forgotten I had so I stopped cleaning and made a small accordion book with the paper. It measures 6 inches tall by 2 inches wide when folded shut.
One of the many people we worried about is named Beverly. Last year during the pandemic on my birthday Beverly called to wish me a happy day and as a present she talked me through her grilled cheese sandwich method. I’d taken notes on a scrap of paper during our call last year and saved the paper folded and slipped into the pocket of my kitchen sketchbook. This week, in solidarity with Beverly, I made the yummy sandwiches and transferred the notes into my sketchbook.
And here’s the sandwich. My half of the sandwich anyway…the sourdough bread slices we have are large so spouse and I split one sandwich.
At various points during any day I find that coffee and books are comforting. So are homemade oatmeal cookies. Here are cookies resting on cloth napkins made from my fabric pattern with a coffee and books motif. It’s the small comforts that add up. Especially when worried about friends…
As of this writing it seems that most of our Oklahoma and Texas friends and family are more or less fine physically. Whew. Now we wait to hear how the horrific price gouging in Texas will affect them…
Once again I am struck by the difference in response to disasters between regions of the United States. In the Pacific Northwest the utilities are regulated and public. It is generally presumed that people are what matters. In the midwest and south there’s less regulation and more privitization. It is generally presumed that private companies’ profits are very, very important.
I’ve been thinking all week of how the kind of government one has can affect one’s daily life for good or ill. So we worry about friends and family in unregulated privatized Texas. (There’s a well written article here in The New York Times about all this.)
Anyway, hopefully we’ll all have a quieter week. I’ll keep working on my projects much like a seed works at growing no matter what else happens – being creative helps me cope with stuff. It also helps to share my work with you. Thank you so much for looking at my pictures, reading my words and for your kind comments. Catch up with you next Monday.
I’m having fun with new combinations of colors. In a recent post I tried a yellow and grey color set. After posting about that a friend said she liked pink and grey together. So I tried that combination this week.
I’ve enjoyed playing with odd sized elements so I continued that in this new ink and gouache painting I’ve titled “The Comfort Was Indeed Beyond…”. Again I used some text collage from that falling apart copy of Jane Austen’s Pride and Prejudice I’ve spoken of.
As mentioned in a prior post I’d played with yellow and grey colors while doing a cup pattern for fabrics on my Spoonflower shop… here’s how that turned out. I titled my pattern “Cups Of Comfort”
And thinking of rabbits…I made an encouragement greeting card this week with a rabbit character. Everyone needs encouragement so by making this card I hope to help people encourage others in their life.
Speaking of encouragement to keep going: we have had some serious snow in the Pacific Northwest United States. Over 18 inches! So that’s encouraged me to continue my reading, working in my studio and puttering in the kitchen. Taking everything that happens in life as encouragement to keep going seems a helpful habit of mind.
Speaking of habits of mind: I tend to blur the line between art studio work and my kitchen. Here’s my kitchen sketchbook and the meatball recipe I made this week. I make meatballs to freeze and store in my freezer to add as desired to future meals. I love having ingredients on hand that make other recipes easier.
As I mentioned in my last post I’m working on a new children’s book with lots of rabbit characters. I did the illustrations first this time…mostly. Here I am working on the poem couplets to go with the illustrations. There’s a cup of tea at my side. My spouse took this photo.
I spread out my illustrations on a queen size bed to sort, resort then sort again. As I sort I’m referring to my poetry and rewriting. I have far more illustrations and poetry bits than will fit in a 32 page kids book. So I have still more sorting and winnowing to do.
This is a physical way of creating a book. With real-life illustrations laid out I’ll write the poems on index cards for sorting purposes. After I get them all sorted then I’ll start photographing the illustrations and typing the poem. Lots to be done. More about this project in future blog posts.
When I was thinking of describing, for this blog, my working process towards a children’s book I thought of my recent reading. Here’s a shelf of books I’ve been collecting on the topic of how our physical world, the objects, technology, the environment affect the ways we think. And vice versa: the ways we think affects our physical world.
When I work on a children’s book using physical elements as opposed to abstract outlines, book dummies or computer files it feels much like what I do in the kitchen. It feels like having a full pantry, a stocked freezer and refrigerator to choose from for making meals. “It” exists and all I have to do is rummage till I find it.
The work feels easier this way…and more fun!
For my pleasure reading this week – with coffee, hot tea or hot chocolate depending on the time of day – I’ve been reading a hard-boiled detective mystery.
I hope you’re snug, cozy and are able to rummage for the good things in your life. See you next Monday?
In a prior post I showed a fabric design in progress. This week I got a fabric swatch proof, pictured below, which I approved and have made publicly available now. I like the bright colors of it.
In the most recent children’s book I illustrated, Pembral Forgets, I used a leaf motif thought the book. The story Steve Tubbs wrote was about fall leaves. good food and a mother’s love. So as I was doing a version of the leaf motif for fabric naturally my thoughts ran towards the possibilities of the leaf fabric as napkins and table runners – things for kitchens. Anyway, the fabric is on my Spoonflower shop now as well as on the Pembral Forgets portfolio page.
In my last post I talked of using things I enjoy as a guide for subject matter in my art.
Well, that also applies to the types of creative pursuits to which I choose to apply my artwork. For example I’ve been thinking for some time now about how much I enjoy sending and receiving greeting cards in the snail mail.
In the photo below you’re looking at my fireplace at home and the cards I’ve gotten by mail displayed there on the mantel. Some are handmade cards. Some are vintage cards. Some are postcards and folded cards found in stores. I like them all and love the connections with the people who sent them!
I have dabbled in card making most of my life. But only in the last few years have I been semi serious about it. This week, however, I had the thought “What if greeting cards are little illustrated story books?” and my dabbling is suddenly more focused.
Below are a few of my greeting cards which are now on my Zazzle shop here. Some of my cards have rabbit characters but there are other animals too.
I want to make more cards now, for many reasons. But I realized this week that there’s a big reason: my pleasant memories of whenever my adopted Mom, Dad and I met in a bookstore cafe for lunch.
In addition to looking at the books no visit was complete without a visit to the greeting card section of the store. Dad was a psychiatrist and he used to tell me that sometimes when he had a patient with depression he would prescribe weekly visits to stores that sold greeting cards. He would ask that the patient write down descriptions of the cards that amused them to share in future appointments with him. Bonus points (so to speak) if they bought a card and mailed it to someone.
So yes, I want to make more cards in addition to my other artwork – in the “Hi Mom and Dad. 👋” sense of things as well as for my “help others share their stories” sensibility with which I run my creative business.
(Btw: this reasoning is why I do my fabric designs too)
Anyway you’re the first to see the whole collection of cards I’ve done so far. Plus these below…
Needless to say I’ve been busy this week. Fortunately I made a big batch of my “Simple Sauce” and stored it in a jar in my fridge for quick easy to prepare meals. Naan bread makes such a nice pizza crust: just spread on a spoonful of sauce, chop and add desired toppings then bake in a 425 degree oven.
My “Simple Sauce” recipe is in my kitchen sketchbook Favorites So Far. The whole book can be previewed here and you’re welcome to capture my recipe below.
For one meal my spouse and I were in the mood for bell peppers, onions and olives on the Naan bread crust. Yummy!
Speaking of good things, books and rabbits: I’m starting a new children’s book. One question I get asked “which comes first the art or the words?” and in the case of this new book the art largely came first. Here’s an array of the illustrations I’ve done so far along with my legal pad on which I’m scribbling book text drafts by hand using my fountain pen. More about this project in future posts.
More too about a new painting currently in progress…
Hope your week is full of your favorites too. See you next Monday?