I’ve been busy getting ready for an exhibit at Caplan Art Designs (www.caplanartdesigns.com) that opens Sept 5th in Portland Or. This is one of the new art pieces that’ll go to the exhibit. Just put it in a new frame today. It’s titled “Immortal Good Fortune” (details below)
“Immortal Good Fortune” by Clancy – 8 x 10 inches – gouache and ink on board
Here’s the series of random thoughts I was thinking about as I created it:
We make our own luck. When life hands you dragons – cook sausages to share with others. Dragons are often a symbol for self-confidence, good luck, happiness and power. Happiness is not about luck or getting what you want – it’s the state of mind when life gives us what we’re willing to accept.
And of course I was thinking about reading books, art collections and Schnauzer and Havanese dogs…
I realized recently that the “bedtime story” ritual, for both children and adults, is nearly universal across cultures. While there is scientific evidence (see links here and here) that reading printed books before bed can help you sleep and provide other benefits – for me it’s plain indulgence. Naturally bedtime-reading is subject matter for one of my artworks that will be included in an upcoming exhibit in September at Caplan Art Designs:
Yarns Heard Around The World – by Clancy – 8 x 10 inches – ink, gouache on board
For fun as I created this piece I combined my thoughts about bedtime reading with the concepts of teams and coaches…. counting sheep is a world-wide sport. Right? Lol!
I live now within a 2 hour drive from the Pacific Ocean. I also live near a river that feeds directly into the sea. So it’s been fun to read and think about stories, both fiction and non-fiction, that have to do with water. Books like: “The Old Man and the Sea” by Ernest Hemingway, “2000 Leagues Under The Sea” by Jules Verne, “Moby Dick” by Herman Melville, tales about pirates, books about the Lewis And Clark expedition and of course the writings of Mark Twain.
And I often see people reading printed books in town and on beaches along the coast. Their facial expressions make me wish I could see what story they were reading. What if a book being read leaked out from the readers mind and into the world beside them?
These musings led to my gouache painting titled “Sea Stories”:
“Sea Stories” by Clancy – 8 x 10 inches – ink and gouache on board
For this new painting I’ve combined several thoughts together: rainy day activities, the contrast between rainy Pacific Northwest and the Southwestern (USA) desert region (Arizona), and the Bonneville Dam’s fish ladder. I’ve found the fish ladder fascinating – here’s a video of it – and have done some fun sketching at the Bonneville Dam trying to capture the patterns I see.
I enjoy the patterns the fish form as they flow by. I also enjoy the patterns of the needles/leaves on cactus and succulents which seem visually similar, in my eyes, to the “flow” of the fish as seen from various angles.
Yes, I spend a lot of time thinking about visual fractals in general and specifically fractals in nature
Plus the absurdity of comparing fish with cactus tickled my funny bone. At any rate those were some of my thoughts as I created this gouache painting I’ve titled “100 Things To Do On A Rainy Day”.
“100 Things To Do On A Rainy Day” by Clancy – 11 x 14 inches – ink and gouache on board
Been thinking of how people can focus too much on things that are unlikely to happen and forget to see what really is possible – such as enjoying the here-and-now moments. I’ve also thought of related quotes and phrases: “Life is not a dress rehearsal” and “Take tarts when tarts are passed” and “If not now, when?”. These thoughts baked in my brain pan a while and out came this painting I’ve titled “Pie In The Sky”
Pie In The Sky – by Clancy – 8 x 10 inches – ink and gouache on board
I’ve been reading “Whiskey Galore” by Compton Mackenzie. Once again I realize that I enjoy the mix of real-life and a whimsical imaginative look at real-life. Mackenzie used a real-life event as the inspiration for his whimsy and did the mix extremely well.
Already I’ve been doing some of this mixing in my work – but I want to do even more of that mundane/imagination mixing in my various art projects. Here’s what I did most recently: it’s 8 x 18 inches, ink and gouache on board – I’ve titled it “The Soup Book: Starting With Ingredients”
“The Soup Book: Starting With Ingredients” by Clancy
It mixes the real-life (mundane) action of consulting a cookbook recipe, perhaps for chicken soup, with a (magical) chicken rescue. “The Soup Book: Starting With Ingredients” will be one of several new works for an upcoming one-person art exhibit in September at Caplan Art Designs in Portland Oregon. I’ll post the new artworks here as I get them done.
But back to the artwork itself: I enjoyed doing a panoramic visual story that continues what I began doing for my “Dear Readers” exhibit currently on display at Burnt Bridge Cellars. The new wider format let me put in more details, more “story-ness”.
“The Soup Book…..” was such fun to create that I plan to do more in this format! And of course do more general mixing of metaphors, more blurring the lines between the mundane and the magical in all of my work. We’ll see how it all goes of course.
Generally I’ve been thinking of how important it is, for living well (and good mental health), to be able to view mundane life with a “glass half full” attitude, to be able to see what is good/delightful, and to use curiosity and imagination (and good books) to stimulate ones own inner life. Which is why I aspire to do an even better artistic job of mixing the mundane and the magical.
BTW: “Whiskey Galore” has been made into a movie – and a very well done movie too! The book version has a bit more story to it – but the movie is wonderful and it’s not always that both the book and movie are equals in quality.
Now for a wee dram….. Slàinte mhath!
All of the 28 artworks for my Dear Readers exhibit have been delivered to Burnt Bridge Cellars now – and hung. Over on my Instagram page you can see a fun pic of the curator looking at a table full of my artwork deciding what art goes where. Here, just above the wine taps the winery uses to fill wine growlers, is the perfect place where the curator chose to hang my painting “Party Pointers”:
I’ll try to post other views of the exhibit – most likely on Instagram – but don’t hold your breath for many more posts from me about Dear Readers – because I’ll be getting started on my tried and true opening party jitters remedy: getting on with other art projects.
Too often, early on in my art career, I had the “what if I throw a party and nobody comes” jitters during the week between art delivery and the opening party. That wasn’t helpful. Quickly I learned that starting on new artwork well before the official opening for an exhibition is the best exhibit-opening-jitters and general exhibit-up-and-running-I-feel-naked-now remedy. My blog posts, from here on, are likely to reflect new projects I’m working on. For additional views and information about my Dear Readers exhibit – which will run from June through the end of July – please watch the various Burnt Bridge Cellars social media pages.
Now that the Dear Readers exhibit is hung all that needs to be done, from my point of view, is to do laundry, dress reasonably and show up at the opening party June 7th. More details about the opening party, including the chef’s menu here. So I’m focusing now on sharpening pencils, taking inventory of the art supplies, looking at my sketchbooks and starting new things.
Thank you again for all of your support and encouragement as I have worked on my Dear Readers exhibit!
I’ve been busy getting the framing, wiring and labeling done for all of the artwork destined for my “Dear Readers” exhibit that opens June 7th, the first Friday, at Burnt Bridge Cellars. There are 28 new artworks by me for this one-person exhibit – titled “Dear Readers” – this photo only shows a fraction of the artworks, wrapped up, packed in boxes ready to be delivered. Lots more to do!
I got my frames from a local independent frame shop called Aurora Gallery. Most of the rest of my art supplies came from a local (Portland Or) art supply called Artists And Craftsman.
The exhibit content, of course, came from my mind and personal life. More about that here and in my recent blog posts.
What did I eat and drink while doing all of this work? Well I’ve posted about that over on my Instagram page.
And yes, I carefully save and reuse packing material like you wouldn’t believe.
Or maybe you would.
Since my upcoming fine art exhibit, opening June 7, at Burnt Bridge Cellars is titled “Dear Readers” and contains nested ideas – for the additional pun of it I’ll have some artist books available. So here’s a pic of a few of the books I’ll have at the exhibit.
There’s my Dogs and Cats and a Cookbook I illustrated (with Chef Kim Mahan’s recipes). And yes – there’s a little tiny mini-guide to drawing dogs! How’s that for a visual pun in an art exhibit full of paintings of dogs reading?
There are also cats and food depicted in my artwork… and of course books! So my books relate to my artwork which relates to my books…
Basically I’ve had a lot of fun playing with nested ideas!
BTW the “How to Draw Dogs” mini-guide is only available via the Brooklyn Art Library in New York …. except for the few I’ll have in my exhibit in Vancouver WA.
A link to my Dear Readers exhibit statement that explains my thinking behind this exhibit is here.
More generally about my artist books here.
And now to get back to work framing and labeling everything…
My new exhibit this year is titled “Dear Readers” and is book/reading themed. As I’ve worked this last year towards this new one-person fine art exhibit at Burnt Bridge Cellars, that will open June 7 in Vancouver WA, I’ve written lots of hand-written notes in my sketchbooks, on random slips of paper, on post-it notes in the margins of newspaper articles. I wrote down as many thoughts as possible – including quotes from books I’ve read – and kept them together in a binder. When it came time to write my exhibit statement I could reread all of my notes and pull from them.
Here’s a pic of my binder and one of my sketchbooks. And my pen.
Below is the finished “Dear Readers” art exhibit statement – text I wrote that pulled from the data pool in my binder and sketchbooks. This statement will be put on the wall somewhere within my exhibit:
By Sue Clancy
I’ve been thinking about the interconnectedness of everything in life. These thoughts led me to the concept of nested ideas; how one thing leads to another, one food or drink pleasure can lead to another new pleasure in a similar way that one enjoyed book can lead to another new book.
I’ve also thought of how much the written word in general has enhanced our pleasure in and understanding of the sensual world by enabling connections to be made between elements and people across time and space.
So, in this exhibit I’m using the printed-and-bound book as a symbol for “the written word” in its myriad of formats. And I’ve deliberately, whimsically, played with the one-thing-leads-to-another-everything’s-connected concept by including spoofs of my own artwork, my still life paintings, within my other paintings that have dog characters in them. The titles of the still life paintings, the titles of the dog character paintings, the titles of the humans with pet’s paintings all correlate.
Each artwork in my exhibit is related in some way to at least one other artwork in this exhibit. I leave it for you to puzzle out which is connected to which – and in what way.
And yes, you can read my exhibit like you would a mostly wordless comic.