A new painting in my Odditerrarium series for upcoming exhibits via Caplan Art Designs is titled “Using Much Eloquence”. Like the others in this series this one is 10 x 8 inches and made with ink, gouache and collage on board.
Here’s a closer view so you can see what this dog is thinking.
Now that I’ve made sufficient progress on my Odditerrarium series – I have 15 of the paintings finished – it’s time to write the art exhibit statement that will be used both for the Odditerrarium artist book and for the exhibit. I have written before in this blog (here) about writing art exhibit statements or “blurbs” as I call them. Exhibit statements are a short, around 150 words, first person description of what an exhibit is about. I think of it as like the description on the back of a book. Here’s what I’ve come up with.
I also think of a shorter sentence that can be used like a log-line is used in book publishing. For Odditerrarium I’ve written “I wonder what our dogs and cats think about the objects, people and places in their lives so in my Odditerrarium fine art series of portraits I imagine the contents of their thoughts as a terrarium hat.”
Whenever I begin a new series I keep a logbook where I make notes of my thoughts towards the series while I work. I write what I’m excited about, the questions I’m asking, what I learn etc and those notes are what I pull from to write an exhibit statement and logline. Making “notes” includes my sketchbook pages like this one.
Whenever I have finished more than 10 paintings from what I think is a series I’ll spread the finished artwork out where I can see it all, reread my logbook and see which bits fit with the finished artworks and which of the artworks do look like a coherent series. Of course I add these thoughts to my logbook.
My statement writing process is a whole lot like the project narrative writing for grant applications directions (link here) except I don’t apply for any grants with my project narratives aka exhibit statements. I used an informal version of my Odditerrarium statement during discussions with Caplan Art Designs about my proposed exhibit. Whenever I decide the formal written Odditerrarium statement is as good as I can make it I will send it to the gallery.
Putting together the artist book version of my Odditerrarium series will help me know when my statement is done.
Here’s my dachshund supervisor helping me process photos of the finished artwork for use in the book design for Odditerrarium.
My newest artist book “Juggling Numbers” is now out on Storyberries!! In this video I’m showing the original artist book “Juggling Numbers” a handmade artist book that plays in a visual way with the flow of numbers. I made a digital ebook version of this artist book for the experimental art category of Storyberries.com – see it here – a free ebook site for children. I chose the number range from 1 to 25 because a friends grandchildren could count to 20.
Below are a few still photos of the original book – video and links are also on my portfolio page here. The logline for Juggling Numbers is something like this ” … can you count forwards and backwards with a cat?”
I got news this week that my adopted Mom is not doing well health wise (hospice) and big sister, Mom and I visited by phone several times. Mom told me repeatedly to “keep making your art”. I know she’s quite serious about that. So I’ve begun drawing and painting orchids, Mom’s favorite flower. That’s all I know to do whenever I’m sad – channel feelings and love into art. Putting symbolic things in my art is my way of doing a version of Carol Burnett’s ear tug. Printed books whenever they appear in my artwork are for my adopted Dad – in case you wondered.
Grateful for my sketchbook as a way of both holding on and letting go.
A brunch I had with my wife this weekend was particularly lovely: homemade scrambled eggs, bacon, sourdough toast with homemade jam made by our friend Carol. Our coffee cups resting on handmade coasters by our friend Jeannie – and we felt surrounded by the love and support of friendship! And yes I put tobasco sauce on my eggs and tobasco jelly on my toast … is there anything I don’t put Tobasco on? Maybe ice cream. But I haven’t tried that yet so I don’t know for sure.
I hope your week is full of love and friendships. I hope you have plenty of tobasco sauce if you like it. I’ll keep making art because my Mom says so and I hope you’ll keep on keeping on too. See you next Monday.
Book banning is a hot topic with me because I’ve been on the receiving end of bans. Those occurrences happened in Oklahoma over 10 years ago when I lived there. To name just one example, in 2008 I was to have a one person art exhibit at the Oklahoma State Capital. More than a few of my paintings were banned from the Capital exhibit. I called my Tulsa Oklahoma gallery, Joseph Gierek Fine Art, to tell about being banned. The Gallery owner, Joe, said “Stay right there, I’ll come and pick them up!” Tulsa is about a 200 mile drive away from the Oklahoma Capital but Joe was there with his van in a trice. Then the Joseph Gierek Fine Art gallery did a special exhibit behind yellow caution tape in Tulsa and we called my one person exhibit “View At Your Own Risk” with a statement telling a bit about my work being banned. Oh my, was the Gierek Gallery brave! So that very weird experience of being banned turned out very well for me and for Joe!
After my spouse and I had newly relocated to Washington state I had an interview with the Caplan Art Designs Gallery. Having just moved I brought along to Caplan’s the finished artworks I had on hand which was some of my then recently banned-in-Oklahoma artwork. The Caplan Gallery immediately signed me up as a gallery artist and sold 4 of my paintings before the ink on my contract was dry! In Oklahoma my work had often been considered “subversive” or even “offensive” (there were a number of bans of and objections regarding my artwork) but in the Pacific Northwest my work – the very same artwork! – is considered “charming” and even “delightful” and “whimsical”. What a pleasant shift of perspective!
This painting below is one of my paintings that had been banned in Oklahoma but quite welcome in the Pacific Northwest. Allegedly this painting was banned in Oklahoma because of the semi nudity. 🙄 This photo is of the same banned art newly located in the Pacific Northwest where instead of offending adults it amused adults and children!! (Yes, I have found my happy place!!)
More to the point of my blog post today – in 2010 the public library where we then lived in Oklahoma was going to display a few LGBTQ friendly books under glass deep inside in the library. It seemed like almost the entire town turned out to protest in a 4 hours long city council event. The majority of the speakers were vehemently homophobic. After the event one young gay person committed suicide. It was that vitriolic. After the event we contacted a realtor in Washington state and asked her to please find us a home and that we would even consider a hole in the ground with a tarp on it. We needed out! Long story short we, with the help of a wonderful realtor, found and bought our Washington house sight-unseen over the internet and within 6 months of that Oklahoma council meeting we had moved! One of the best things we ever did!! Being gay in Washington is no big deal at all! Also no big deal: being an artist, a book reader or being deaf.
I don’t for one minute think that every book has to resemble and reflect the superficial attributes of a reader in order to be a book worth reading. As an adult I enjoy reading work about, and by, people unlike me but I can see how it would help young people to be able once and a while to see, in a book, a superficial likeness of themselves. It helps to feel less alone, even safe, wanted and welcome somewhere – even if that place is in a book.
I went though my entire childhood – as an avid, dare I say obsessive, reader – never once reading about a gay deaf artistically inclined tomboy girl living primarily with her grandmother and enduring “visits to hell” with her abusive biological uber-religious parents.
The only deaf person I ever read about in a book was Helen Keller and that didn’t feel relatable to me.
The Outsiders by S.E. Hinton was the first time I read of violence and family dysfunction happening to someone besides me and that was SO relatable – even though all of the characters were boys. That book helped me feel less alone then and I can still quote verbatim from that book today.
Judy Blume’s “Are You There God, It’s Me, Margaret” helped me address my confusion about cruelty/weirdness about bodies that was done in the name of religion.
I didn’t encounter a gay character in any book until I went to college in 1986 and read “Oranges Are Not The Only Fruit” by Jeanette Winterson which had been written in 1985. And that book felt like a welcome healing salve to my 18 year old psyche.
I could go on naming books – many of them now banned – that really helped me get through things as a young person. But I’m sure you’re getting the idea of why wide availability of books (and art) matters so much to me.
So naturally my spouse and I in response to the spate of book banning in 2022 went looking for lists of banned books so we could buy copies of those books. If you too want to use banned book lists as book buying recommendations 😁 Below are the lists we found.
A juicy oh-so-delectible list of banned books for grownups at Powell’s one of my local Pacific Northwest independent bookstores. (I think most of my high school and college required reading is on this list!🤯)
I mentioned last post about Maus by Art Spiegelman being banned … well here is a great article about why that book is important and why it is shocking that, to quote from the article, “people could be more upset by mild profanity than they are by genocide.”
And another article speculating about why book banning and even book burning has become “a thing” in late 2021 and early 2022.
There’s also an article about a Texas lawmaker who wants to ban and burn 850 book titles statewide… but enough of that.
When things begin to feel overwhelming I find it helpful to look for one specific thing I can do something about. This is in the vein of “How do you eat an elephant? One bite at a time”
Here’s an article we found about one specific library in Mississippi whose funding is being withheld by the mayor because he disapproves of some LGBTQ books. My wife and I chose this library and donated money. Then we spent time tweeting and sharing the info in hopes of getting more donations for them.
Here’s a portion of the letter we got after donating which has the libraries snail mail address if that is preferred.
Two days later we saw that they had achieved their funding goal with still more time to spare!!! We’re hoping even more donations will happen!
Since I took the above screenshot the Ridgeland Library has adjusted their goal upwards… and is reaching the new goal too!! Yippee!!! Click this link to see up-to-the-minute progress. I’ve been monitoring and boy is it fun to see the library succeed!!!
Anyway, for me public libraries are intimately interconnected with basic human rights. Images and words make up the human mind much like air and water make up the human body – we need trusted sources for all of these. Humans are social beings intertwined mentality and physically with the community around them. Here’s a poem that illustrates this idea that I have written off by hand and thumbtacked to my studio wall where I see it often.
And that’s why I make artist books. It’s my “why” for most of my creative efforts really. It’s part of why I feel it’s important to be a participant in a community of artists, writers and readers. It’s why having an egalitarian community – at least on the gallery walls and the library shelves matters so much to me.
Books and art are communal in nature and utilizing them often is part of being fully human within a community.
I thought about my Vancouver USA downtown and how I love it that the 5 story library and the independent theatre are some of the tallest most iconic buildings. I also thought about the scrubjay blue birds that are native here.
Then I wondered just how did Mother Goose’s cow travel over the moon… and how do birds remember their songs?
Storyberries has even created a new book category for my work called “experimental art”!! Oh I’m gleefully looking forward to making more books for them to distribute!!!
So it can very truthfully be said that my new artistbook is a direct result of community !! Thank you all!! And I love you all too!! ❤🙌
I’ll repeat myself here because I am so excited and grateful to the Storyberries community for this new “experimental art books” category! Thanks for giving me such a valuable space to just be me! I’m so looking forward to sharing the fun of playing with imagination and creativity this way!
Speaking of imagination and being creative: there’s a wonderful article on creativity written by Luzemy Romero and Fleur Rodgers on Storyberries – and I have an illustration in it! But what’s fun is that these creativity tips the authors write about are things I do… Every. Single. Day! Especially the reading part!!! And if you go by chronological age I’m a grownup… so… the authors ideas apply to all ages. Anyway there are some really great creativity tips here https://www.storyberries.com/creativity-kids-how-to-help-your-child-to-be-creative-storyberries-parenting-portal/
Here’s my illustration within the article by Gamboa and Rodgers and a bit of the article text. We need a wide variety of stories in order to practice flexibility in our thinking and creativity. A variety of material, some of it liked, some disliked, gives our minds something to respond to within our own creativity.
Also on the intersection of creativity and libraries there’s a fun article right here about an 8 year old who wrote and illustrated a handmade book and slipped it into the public library collection in Boise Idaho!
This week our copies of Maus by Art Spiegelman came by mail from one of our local bookstores Daedalus Books!
I had posted on my Instagram page that I was looking online at our local indiebookstores to see if anyone had Maus and didn’t see it – as they indicated sold put or it wasn’t listed. Well @daedalusbookspdx commented on my post that they didn’t have all of their books online but that they *did* have copies of Maus!!! So I called them immediately and bought the copies of Maus!
In the past when we’ve visited Daedalus Books in person I’ve relished their “books about books” section… While I had the store on the phone I named a price range and asked the store to pick a book for me from that section and include it with our Maus copies… I also asked that they *not* tell me what title they selected! I love a good book surprise!
Here in the photos below is my surprise book! It’s perfect!!! It’s a book about giftbooks – which is what I create!!! (See my portfolio page) I’m beyond happy with my surprise book! I immediately wrote a postcard to tell Daedalus thank you!!! Wow! What a treat!!! I am so glad Daedalus had copies of Maus too!!
The last photo has contact info for Daedalus…and as I’ve learned you can just call them up, ask politely and they’ll hand you a smile in the form of a book !! Wow!!!
Come to think of it becoming a semi-vegetarian while in college in fried-meat-and-fried-potatoes Oklahoma was another, ahem, “interesting” experience. I’m not, and have never been, a strict vegetarian (I don’t want to be strict about anything) I just do like vegetables and well vegetarian meals frequently happen. But I remember accidentally shocking people in Oklahoma with vegetarian fare now and then. 🤷♀️
Back to the present yumminess… the mushroom chili was served in big mugs with crackers and a side of books to read. I’m lucky to have married a fellow avid book reader!
Here’s another favorite quote about books that I’ve handwritten and thumbtacked to my studio wall.
I hope your week is full of subversive literary, artistic and culinary delights and that you’re able to radically and wholeheartedly enjoy them!
Almost exclusively I used to do unique books as art objects that were displayed in art gallery exhibits. My one-of-a-kind books were then sold and that was that. Well, in 2020 after the pandemic began the galleries closed to the public and I began publishing my artist books in an on-demand way. My book is printed at the time it is ordered and mailed to the buyer. I did this so I could still share my visual stories and they could still be fairly unique i.e. not printed in large quantities. And as my portfolio page attests that’s the way I’ve now done twelve different artist book projects. As the galleries have adapted to the pandemic since March 2020 allowing the public to handle one-of-a-kind books, wisely I think, hasn’t come back into vogue.
When making a printed version of my original artist books I try as best I can to maintain the look of the original work. I do very little – or ideally absolutely no – digital manipulation of my content. At most some text is typed. I even prefer to handwrite as much as possible. It’s important to me that people – especially kids – get to have a wide variety of homemade or handmade comforts whether it’s dinners, cookies, fine art or books.
Anyway, in the case of my new “How the cow…” book I typed the about the book and the dedication page text. But those pages and the covers are the only typed text. (I’ve learned the hard way that having these pages typed rather than handwritten helps the book be found via a search.)
I also scanned the handmade pattern I used for the cow book slipcase and the found sheet music I used for the tiny notes book cover. I scanned my handwritten text summary for the cow story. I did digitally “erase” the page number marks on my handwritten text because those numbers did not apply to the printed book. Other than erasing the pages numbers the handwritten page is the same in the printed book as it is in the original.
With those very few digital documents in my 28 page book layout I created end papers of a sort to flank or wrap each story within the printed book. The original artist books are themselves covered with these patterns.
The scanned blue bubble pattern was the basis for the printed book cover.
As you can see the covers of both the original book and the printed version are similar.
The artwork in the cow story is just a bit smaller in the printed version than the original. But as you can see the colors are a very close match! Also the printed book is conventionally bound so I set up my layout like a comic book rather than in the folded concertina form of the original. I don’t yet know of any printer who prints and mails concertina style books. The two illustrations per page layout allowed me to fill the seven inch square printed pages. (In the photos below the original handmade book is at the top)
The “Tiny Notes” original artwork is reproduced at a much larger size in the printed book. The original book is 2.25 inches square. The printed book is 7 inches square. Again the colors printed are pretty close to what’s in the original!
So you can see the scales of the books in relation to a human. My spouse took these photos of me and the books…
The original concertina format cow book unfolds to four feet long. Almost as tall as me!
The original concertina tiny notes book is only 20 inches long unfolded.
You can see more of these book pages and details on my portfolio site. I’ve no idea if these original artist books will someday go to an art gallery even for display under glass.
For now I’m having fun making books intentionally for printing and mailing directly to people. It may sound odd to say this but this new way of sharing my books feels more personal and I feel like many more people are able to see and own my work this way.
This week my coloring book poem “How To Draw A Dragon” was read aloud on Kidz Stories And More !!! You can see it here https://youtu.be/EUVeDjqiz30 When we were discussing the creation of this video Kidz Stories and I decided to make my book pages so they could be downloaded for free so kids could color along with the video! The download is available here and the directions are also in the video link. I’m seeing this as possibly another fun new way to share my artist books!
Also this week someone shared this photo saying how happy they are with a portrait I painted of their cat and how it has been framed by the Aurora Gallery!! That makes me happy!!!!!
My spouse mentioned the current news about book banning and that one of the titles banned is “A Light in the Attic” by Shel Silverstein. We have that book in our dining room poetry collection. It’s a favorite! Hearing that news led to both of us looking up what other books we have on our shelves that are banned. It was a fun scavenger hunt of sorts! 🤣 Turns out we have a large number of banned titles throughout our book collection. Two shelves in our dining room alone yield 4 books/authors who have been banned… even as recently as 2022.
Here’s one of the articles we read about banned books. Naturally we got online and ordered more banned books from our local independent bookstore. 😁 One of the banned books I tried to order was Maus by Art Spiegelman (here’s an article about that book) but all of my usual indy bookstores were sold out! But there were other banned books available which we happily bought.
I’ll leave some memes about book banning here just in case someone wants one.
I hope your week is similarly filled with subversive literary delights and some homemade comforts.
This week I finished the dog painting you saw in my sketchbook and on my easel in my last post. The cow is still active in the field of my imagination as is a wee bird. More on that later in this post.
Here’s the completed dog portrait titled “Being exquisite”. Like the dog portrait in my last post this new one is 8 x 10 inches and uses that nifty new brush technique (last post)! I’m having such fun with all of these tiny details!
Like the fur between his eyes and the nose… below are two photo views so you can see.
And the details of the dandelions! Oh that was fun!!
This past week has been filled with gluing the cow artwork pages onto a piece of paper cut 4.25 inches x 4 feet long and folding it so that it zigzags into panels 4.25 x 6.25 inches in size. Plus the week was spent making a slipcase for my book which can be called a leporello, a concertina or an accordion format. Everything was made from scratch: raw archival book binders board, white flat paper and glue. When the story pages are folded they’re almost 1 inch thick so the slipcase accounts for that. Below are photos of the slipcase and the concertina book.
For more details on the Leporello, Concertina or Accordion style folded books here’s a good link https://wp.me/p4va0m-gU
Here’s a reference book I’ve used for years when I’m constructing books and making boxes from scratch. I altered methods described in this book to make the cow book slipcase. The book is Books Boxes and Portfolios by Franz Zeier
Behind these analog scenes I’ve been working on the digital files for a printed version of “How the cow went over the moon”. In pre-pandemic days I’d have made this one handmade book and sent it to a gallery like the 23 Sandy who would have exhibited it and sold it to a private collection or to a public collection. For example the UCLA Fine arts library has one of my books, so does the Bainbridge Island Art Museum.
Then the pandemic happened and I began making reproductions of my books available via Blurb which can print then mail my books directly to the buyer. That seemed a more pandemic safe way to share my artist books. It is also why I say that I approach self-publishing from a fine art perspective.
When I did the first printed book, Alphapets, in early 2020, I was contacted by Storyberries who wanted to distribute the ebook version. Well it’s been so much fun to make my books available in an on-demand way (my books are only printed when they’re ordered) and even more fun to share with readers on Storyberries that this fun is now factored in to my book designs.
For example: as I’ve been making the digital files for the printed book (and for Storyberries) I took the photos below of the handmade books with a piece of candy to show scale. I did this because it might amuse readers to see the original books in the printed book version. And perhaps help the younger readers be aware that books are made by people just like them.
This week I’ve also been talking with Storyberries and – dear blog reader you’re getting this news first – they’ll be making an “art experimental” story category for my work!! How fun is that? I so wanted arty quirky books when I was a kid… and now I’m making them and getting to fill a whole childrens book category with ebook versions of my artist books!!! I’m over-the-moon excited and yes that pun was intended! 🤣
As I wrote in my last post I’ve been reading The Annotated Arabian Nights and I sat up and took notice when the annotation mentioned a literary genre called “mirrors for princes”. So as a companion to my “How the cow went over the moon” book message (?) about not being too serious and remaining down-to-earth I’ve been thinking of the importance of remembering joy.
So here’s a look at what will be the second wordless poem in the printed book. This poem is titled “Tiny notes to the sun”
This book too is a leporello format but instead of a slip cover it’s got hardback covers. This book is 2.25 inches square when closed and opens out to 20 inches in length.
The photos below that have a peppermint candy in them are the pics I’ll put into the printed book version because it might amuse people to see them too.
As I mentioned earlier I’ve been working simultaneously on the book layout and design for the printed version of “How the cow went over the moon” … and I’m using visual elements of the original artist books … here’s a look. 👇
This week the Caplan Art Designs Gallery sent photos of my 3d box project “All the Chances” in it’s new space! And look, the client’s pet rabbit approved!!
And someone else sent me photos of their dog approving the dog portrait I painted and the way the Aurora Gallery framed the portrait! So glad their dog approved!!
Here below is the framed portrait on the dog’s “Clancy art” wall!! Isn’t that sweet?! A whole wall!! Wow!! This makes my artist heart so happy!!
In the coming days Kidz Stories plans to read my book “How to draw a dragon” out loud on their YouTube channel and, since it’s a coloring book, they’re hosting a color-along!! I’ll post a link to the video when I have it. In preparation to help kids to be able to color-along I’ve made my coloring book a free download here on my portfolio page!
I hope your week is full of your favorite colors and comforts. See you next Monday.
This week had a cow in it (more on that in this post) and a dog portrait. I selected one of my sketchbook drawings as an idea for what to paint using the new brush technique I learned from the book, Miniature Art by Joan Cornish Willies that I talked about in my last post. Here’s the sketchbook page.
This ink, gouache and watercolor painting below is 8 x 10 inches in size, well within the “miniature art” definitions. The brush method recommended in the book “Miniature Art” by Joan Cornish Willies is to lay a round pointer brush on its side in the paint and rolling it to absorb the paint while maintaining the point on the brush. Dipping, pressing or stabbing the brush point in the paint, however gently, makes the brush point spread out and thus makes doing fine detail within a painting more difficult.
Here’s a look at the whole painting I’ve finished and titled “A Tale-carrier”
The new brush technique did help me get more fine details. Particularly around the dog’s eyes, nose and on the books. Here’s a closer look…
I’m loving the way creating finer details enables me to combine the human senses of touch and sight in this new miniature work! And I enjoyed making a miniature that knows it’s a miniature! Lol! It’s amazing what a gift awareness can be! Here’s an even closer look…
I do feel a bit of “well, duh”… of course laying a brush on its side and rotating the brush in the paint would help retain the brush point even while loading it with pigment! Ah well! Just goes to show that you really can teach an artist with 25 plus years of experience a new trick or two! Lol!
This week someone asked if I would pretty please make a mug with my “green leprechaun man” on it…
Also this week another printed book on the topic of miniature art came in the mail from one of my local bookstores. The Big Book Of Tiny Art by Karen Libecap is just plain fun to look at and read. It does have a good review of pencil techniques as well as use of color. The main attraction for me is the “watch-it-develop” sequences of photos that document ways to achieve tiny details. Oh, and the gallery of examples of finished miniature artworks is a treat. This book is encouraging and pleasing in tone – which will make it nice to have on my shelves. No Earth shattering art technique BFO (Blinding Flash of the Obvious) moments in this book like there was in reading Miniature Art by Joan Cornish Willies. But the friendly can-do spirit and lack of snooty-ness in the Tiny Art book by Libecap, I think, means more people- myself included- are more likely to keep trying this art form. Plus I just love it that these tiny art techniques are so applicable to what I do in my sketchbooks.
So now when I draw in my sketchbook I’m trying for more details – like the feathers on this bird.
As you know in the evenings I’ve been reading a print copy of The Annotated Arabian Nights. On my ebook reader, which I read while exercising, is “The Hitchhiker’s Guide to the Galaxy” by Douglas Adams. So in addition to the story-within-stories format of the Nights and the lovely idea (last post) about the genre of “mirrors for princes” that I encountered in the annotations of the Arabian Nights I’m getting a regular therapeutic dose of Adam’s gentle absurdity.
Thus I’ve been pondering just how it is that Mother Goose’s cow went over the moon. And our human habit of having sacred cows… beliefs that take us into the stratosphere away from reality. Consequently there’s a new wordless book in progress on my easel.
Here’s a closer look at the sequence of pages
As I write this blog post I have put these pages under smooth boards with weights on them so they’ll be flat. I’ll be making a physical artist book from these pages and then both a printed book and an ebook version. More about this in upcoming posts.
A dear friend and fellow artist Donna Young https://www.donnayoung.com/ and I used to fairly regularly visit each other’s studios in pre-pandemic times. Recently Donna posted a photo of her studio and asked me to post a photo of mine. Here it is below!
I’m sure you’ll recognize one of the dog paintings on my easel. The other dog you’ll probably see next Monday. And I’m sure you’ll notice my new magnifying glass (last post) in use!
If you were standing in my studio, where I took this photo, to your left would be a stack of boards and weights holding down my “How The Cow Went Over The Moon” pages. More about that next Monday too.
Thanks for reading this post. I hope your week is kind to you and I’ll look forward to sharing more with you on Monday!
These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.
From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.
With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.
And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.
Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.
Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)
After I posted “Enjoyment” on social media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.
Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.
It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )
As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium. Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:
Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?
I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.
That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.
No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.
So I hope you have a very good week. See you next Monday?
Happy Jolabokaflod in advance! In my last post I hinted that I’d have a gift book for you. I have several! And some hot chocolate. Some assembly required… If you’re just joining this party – welcome! – and if you’re not familiar here’s another meme that tells what Jolabokaflod is.