Self-published Spotlight, my new feature, is booming! This is my effort to help self-published/indie authors share their books with others. Next in the spotlight, Sue Clancy! Check out cover art, descriptions, and more for her children’s books “How the Cow Went Over the Moon and “Tiny Notes to the Sun.” ABOUT THE BOOK A cow […]Self-Published Spotlight: “How The Cow Went Over The Moon and Tiny Notes To The Sun” by Sue Clancy
This week war began and for a second being an artist felt frivolous. But in difficult times we need art more than ever. We need things and people that feed our spirits and remind us of why we’re glad to be alive. We need hope. That’s how we fight for democracy and win.
When the Russian invasion of Ukraine began I listened to the news and searched my bookshelves for a title I had gotten in 2003 not long after 9/11 and when war began in Iraq. My thoughts then, like now, turned to the role of artists during times of war. “Artists in Times of War” by Howard Zinn was very relevant in 2003 and still is even though the current event details are different.
Spoiler: artists are carriers of democracy. To quote from page 108 they are “profoundly democratic”. Democratic is defined as upholding, however imperfectly, the ideas of rule of law, of equality before the law, equality in access to resources, equality of representation in government and the human right of self determination. The Arts are a living language of a people, a dramatization of what they feel, what they need, what their hopes are … The Arts help people become self aware. Self-awareness helps people make choices and become active participants in their own lives and communities. That’s what makes living artists so dangerous in the viewpoint of authoritarians.
And perhaps equally important is the fact that artists help us, no matter how high flying the political rhetoric, to remember that the kids will still need to be entertained and educated, that adults will still need kindness, that dinner will still be wanted. Art, poetry and writing of all kinds can help us remember that the statistics a politician quotes represent actual people.
Speaking of dinner: a dear friend came over to visit for an evening and to ask me to sign some copies of two of my book titles that she plans to give as gifts! It was so good to see her!
We had a free ranging conversation about life, books, movies and my friend indulged me as I showed her my art projects in progress and outloud we played with what “could be”. This is an extremely exciting and valuable sort of conversation! Bouncing ideas around in loose “what if…” and “what about…” ways helps me in my creative process! It was so unbelievably good to get my friends input! Sharing artwork in its fragile beginning stages is risky and I’m so lucky to have trustworthy creative-playing friendships.
I made a new batch of potato soup (recipe last post) and when it was ready the three of us ate soup out of large mugs while sitting informally in the living room where it was warm and comfy.
I delighted in having fabric cocktail napkins with my Professional Dog portraits on them and enjoyed our friends chuckles when she saw the napkins!
Whenever I feel unsettled about world events besides talking with my spouse and trusted friends I deliberately tune in to awe. Meaning that I purposefully do some small thing that delights me, sparks my curiosity or causes me to notice something and say “wow!”. A good article I read this week on the topic of awe and why it’s important is here. An aspect of tuning in to the feeling of awe is to cultivate time to play in unstructured ways, to make time to wander, to ponder.
On a recent wandering meandering car drive we saw snowfall and large trees. That’s a guaranteed “wow” from me – I love the large evergreens any time of the year.
The feelings of awe, the feelings curiosity and the feelings of an aha moment are part of why I object so strongly to book banning (see a recent post). The attempts to control the mental resources available to others is a form of abuse. Banning preempts the victims ability to be self-aware and to be able use, as democracy offers, however imperfectly, the right of self determination. The restrictions of a person’s access to books and other mental resources is as serious as someone restricting a person’s access to food, water or healthcare.
During times of unrest I think taking the time to ponder is crucial because an artist is so much more than a reaction to or a mirror of society. If an artist is going to take action rather than simply knee jerk react to current events it takes time to think things through.
Here’s a paraphrased quote that I wrote on a card and thumbtacked to my studio wall.
Progress is happening on a new experimental art book for Storyberries! It’s a wordless visual poem about letter soup with only 10 panels plus front and back covers. 12 images total. Ink, acrylic and gouache are my art methods on another 2 inch square concertina zig zag folded book. I focused as I mentioned last post on rhythm, repetition and surprise. It will be a challenge to talk about this poem on this blog and on my social media without giving the poem’s punchline away immediately before Storyberries has a chance to distribute it but I’ll do my best.
In the photo below I’ve laid in the extreme dark and light areas to establish the contrast as well as to focus on the visual rhythm. I’m thinking of how the ebooks on Storyberries flow up and down so I’m designing my content to flow with that book motion. Will it work? I don’t know. 🤷♀️ Yes, my new poem is for a category on Storyberries called “experimental” for a reason! 🤣
The sortof weird thing is that I’ve not completely finished promoting “How The Cow Went Over The Moon” yet. So there might be some promotion overlap. Oh well. People read more than one book at a time anyway right?
A few evenings this week I took a break from reading “The Annotated Arabian Nights” to read “Suds in Your Eye” by Mary Lasswell. This book was published in 1942 when World War II began. What I’ve enjoyed about this book, besides seeing an artistic response to the wartime events of the 1942 era, is that no single person is the “hero” or center of the story. The story centers around how a group of people work together as a community. The concept of working together is also what drives the story plot. And “good food, great friends and cold beer” could be the books motto. This is such a good book to cheer up by! I’d list this book as an early example of the hopepunk genre (mentioned last post). And the illustrations are darling!
Besides the visit from a great friend this week my wife and I talked by phone with my adopted mom and big sister! Mom said she’s proud of me and that I’m to “Keep making art”! Big sister agreed! So I wrote the exact quote of Mom’s on a card and thumbtacked it to my studio wall just above the light switch for the room. That way I will always remember!
I hope your week contains many connections with your support system so that you feel encouraged to do all the good you can in this world.
See you next Monday?
My childrens book “The Professional Dog” has moved into color! Over the last week I’ve inked more than 12 of the illustrations just so I could see where I was going. Now I’m doing the same testing with colors. I’m using my butterfly palette (a post about that here) – it’s a fun challenge to paint dogs using a palette based in a scientific study of the color variations of butterflies. I have been using a few extra colors – most notably dark brown- but my primary color scheme is butterflies!
Below is a look at three of my Professional Dog illustrations together so you can see how the colors look.
Then here’s a closer look at each of those illustrations: my book text for each portrait is below.
Progress has also been happening on my holiday box project for an upcoming exhibit at Caplan Art Designs. I now have the overall design plan somewhat in view. In the photos below I’m working in my sketchbook to see if my plan has legs so to speak.
I’ll do more sketchbook work over the coming days towards this holiday box project. The box project has a firm deadline attached to it so I’m playing with it every day.
This is true now too of The Professional Dog. There’s a deadline but it’s not as firm as the box project deadline. Even so I have two main projects to work on every day! How nice is that?!
I am still planning to add to my ongoing “For Pleasant Encouragement” art print project and to my “odd greeting cards” project but progress on both of these is primarily in my sketchbook now. My daily focus is on my two main projects but I’m making regular notes in my sketchbook of my ideas for future cards and art prints for when I have time to do them!
Here’s one of the art prints in the “for pleasant encouragement” collection.
I also did another Creativity Chat this week – this one is about playing on paper https://youtu.be/UGCP2fm9IYg
If you’re curious about where I’m filming these chats here’s a blog post from some time ago that has a fun photo of the spot in my studio. It is still true for me what I write in that post that art is love made visible and that this spot in my studio is where I practice loving.
This week for the main special get-creative-in-the-kitchen project I added sauteed zucchini but otherwise mostly followed this creamy gnocchi sauce recipe https://www.acouplecooks.com/easy-creamy-gnocchi-sauce/ It was tasty but a bit more heavy than we like to eat so I probably won’t make this again. Still, I’ve not cooked gnocchi very often so it was fun to try it.
Contrary to what it may seem like having two main art projects with deadlines actually frees up my brain time. In addition to playing in my sketchbook I can get some reading done! I’m within whiskers of finishing “A Swim In The Pond In The Rain” by George Saunders for the 2nd time. Gosh I’m glad I bought my own printed copy of this book … it’s such a good source of creative encouragement!
Here’s hoping you have many sources of encouragement this week and that your cat similarly saves a chair for you in your happy place.
See you next Monday.
My crocodile became a dragon as I’ve been working on a new childrens book. I’ve been alternating work in both my poetry sketchbook, the orange book on the left, and my black visual sketchbook on the right.
Below is a look at my handwritten poem text in my poetry sketchbook.
I also have a 3 ring binder in which I have collected sketches and drafts of the poem text. Initially I was calling my poem “How to paint a crocodile”. My idea was to do a coloring activity book featuring a human child and a realistic crocodile. But the humanness didn’t feel right to me. And the crocodile felt too, well, reptilian.
So in my black sketchbook I tried a few more cartoon-like crocodile drawings. I’ve done many sketches and am only showing a few here in order to keep this post brief. Also not pictured are my sketches of various animals along my way to a decision to make the human child character into a rabbit.
The crocodile kept feeling too sinister in my sketches. So I dropped, temporarily, the coloring book concept and just painted who might be the main adult-like logical no-nonsense left-brain character to play opposite my rabbit right-brain creative playful child-like rabbit. The “adult” character it turns out is a dragon.
So I went with the dragon! In subsequent sketches I resumed my coloring book notion. The working title for my coloring book poem now is “How to draw a dragon”. I’m using the word ‘draw’ in the sense of ‘attract’ in addition to the usual sense of drawing with a pencil. Below are a few sketchbook drawings of the dragon in which I aim for busy adult postures – grumpy perhaps but not sinister.
Besides rewriting my poem in my poetry sketchbook I have also rewritten my poem on scraps of paper which are kept in my binder. There are -tons – more rewrites and sketches than I’ve shared in this post. Here I’m sharing just enough, I hope, to give you a sense of my working process. When I felt my poem was settled, more or less, I wrote it on a stiff paper so it could stand on my easel as I work. You can see it below.
When I spoke in a my last post of “having my crocodile project all over my studio” the photo below perhaps gives you a sense of what I mean. In this photo the papers on my easel look blank but there are pencil drawings on them. There’s also a blizzard of drawings in ink on tracing paper.
Multiple drawings on tracing paper enable me to draw a character similarly but holding or doing different things as the character goes through my story. Below you can propably see what I mean.
Yes, I know there are computer programs that would enable me to copy and paste character elements from one page to another. I have used such programs in the past. But I find it more satisfying to do original hand made drawings for every element within a book. I fancy myself as like a chef who prides herself on using local ingredients and cutting them up fresh when a dish is requested. A chef’s hand made dish is better, I think, than a frozen box meal reheated. But I digress.
Below is a “scene” or a stage set upon which my characters will act. I’ve made a master template in ink on tracing paper which I will use for reference – and for story foreshadowing – throughout my poem book.
Below is a look at some of the rabbit character sketches on tracing paper.
Below is a look at a few of my dragon character sketches. I feel I’ve finally found a balance between a grumpy adult appearance while not being too sinister.
Here’s a closer look at the Rabbit character.
As I build these pages I will do my story foreshadowing using many visual elements. So even after I get the entire book drawn the visual foreshadowing will still need to be carefully edited. But first I’ll get the entire book roughed in. Lots of work to do.
To help get me to my studio work more quickly in the mornings most of the evenings I’ve been making overnight oats. Into lidded mason jars I put some raw uncooked old fashioned oat meal, some milk to cover the oats, maple syrup, fruit like raspberries or blueberries (or both) and yogurt. Then I add a bit more milk as needed, put the lids on and put the jars in my refrigerator. In the mornings I don’t have to think of what’s for breakfast or spend time cooking. I can get right to my sketchbook work!
This week Storyberries added an audiobook to my On Looking At Odditorium book there! How nice is that?
My plan is to work steadily on my Dragon, a bit of work almost every day, until it’s finished. Some days only a short burst of work will happen but other days I’ll have more time to spend.
So along with my tracing paper templates I’ve made a strategy, a loose agenda/schedule, of items to be done on this project which I’ll use as a guide to enable me to pick up wherever I left off even if I only have 10 minutes of time to work. I’ll use the same guide if I have hours of time. Such a project schedule is a guideline – a suggested working rhythm – it is not a god to be worshipped or slavishly obeyed. My guide is a way for me to keep this project in small manageable chunks. Keeping it small helps me to maintain momentum and to keep it fun. (There’s even a business article here about the kind of strategy I’m talking about.)
I have already spent months working on this poem and have only just this week outlined, and otherwise prepared, 32 pages to draw, ink and hand letter over the coming weeks. In other words I am just now ready to begin in earnest. Forming a good steady working rhythm now is crucial. So is focusing on the fun.
Some sort of strategy – I like to call it “planning the mundane” – some consideration for keeping long haul projects like this manageable, not overwhelming, is important. But it’s the fun that is the lynchpin of what keeps a creative project sustainable. So I consider having fun the most serious aspect of living a creative life.
Hope your creative week is sustainably fun too! See you next Monday.
To my awareness there aren’t many books for children that talk about looking at an artist’s exhibit whether the fine art is in a book or on walls.
I think looking at a book of fine art is similar to looking at a wordless picture book. Looking at one artist’s series of paintings on a gallery wall is like a wordless book too. But looking at fine art, while there are similarities to wordless picture books, it is also different; a collection of fine art often refers to the feelings and lived experiences of the artist in addition to any visual story there may be within the artwork itself.
So I’ve been lucky enough to work with Storyberries to create a childrens book On Looking At Odditorium that I hope will help kids enjoy looking at artwork and be able to speculate about the artist’s thinking.
Towards that end I created cartoon drawings of myself so they could take a trip (or tour) through a book of my Odditorium fine art exhibit and explain what I was thinking and how I created each painting.
Here’s a closer look at all of the avatar drawings. In many of my childrens books on Storyberries.com there’s a photo of me wearing a sweater. For consistency sake I drew myself in a sweater pointing this way and that.
Below are several sample pages from On Looking At Odditorium. You can see the avatar and a speech bubble on each page.
I want to encourage imaginations so in the book I try to both show and tell what using imagination is like.
For a childrens book I didn’t want to get too technical about art materials and methods but I did want to share something about them. I wanted to share especially when the materials and methods directly interacted with my imagination.
Below is a look at the book layout so you can see the little avatars on tour across a page spread.
The adult version of my Odditorium exhibit coffee table book does not have the avatar or descriptions. Here’s what the cover of the adult book looks like.
And here’s the childrens book version titled “On Looking At Odditorium“. The cover design is very similar to the adult book on purpose – to emphasize that anyone of any age can look at art. The layout inside this book is different as is the kind of paper for the printed books. I wanted paper likely to withstand children’s hands.
Storyberries has a extra special ebook edition that went live within hours of this post. And I love the nesting specialness of this project: it’s a fine art exhibit called Odditorium at Burnt Bridge Cellars via Caplan Art Designs that has a companion exhibit book titled Odditorium. The Odditorium exhibit book then has a companion childrens book version titled On Looking At Odditorium. Then the special ebook on Storyberries – which you can see here for free – about looking at On Looking At Odditorium! Here’s what the Storyberries ebook version looks like at the top…
Did you get all the nesting nuances to this project? I’ve hopefully laid it all out clearly on my portfolio page about this project… but even if no one besides me sees the nesting qualities – thinking about it in this interlocking way served to help me construct it all – my main point is for people to have fun.
Needless to say it’s been a very busy week. There’s been food, some of it tasty and blog-worthy, but I was tired and just ate it without photos or noting recipes.
Also due to busy-ness not much was done on my new crocodile project mentioned last post. But I have kept up my sketchbook activities and reading books of an evening. Sketching and reading are like breathing.
So I’ll not promise anything specific for next Monday… but there will be something. Hopefully, something that encourages your own creative life or is at least entertaining for you.
Till next time – have a good week looking at stuff.
Last week I took 3 boxes containing all of my Odditorium fineart into Burnt Bridge Cellars where it will be through the end of July. Everything I’ve done over the last year is now in the capable hands of the winery and the Caplan Art Designs art gallery!
My spouse took this photo as I paused with one of the boxes on my way into the back patio door of the winery.
Due to our state’s Covid19 protocols reservations are needed for drinking and eating indoors or outdoors at the winery. Masked people are welcome to drop in to see the fine art and buy bottles or growlers of wines. When not seated masks are required.
Reservations can be made here:
(I see that I have new followers to this blog – welcome! – to catch you up to date more photos and info about this project, the art and access to the artistbooks is here https://sueclancy.com/portfolio/odditorium/)
While not exactly a full art opening the winery took reservations for a special Friday night dinner: marinated salmon or chicken sate by Class Cooking and of course one could sit and enjoy a variety of wines!! Masks can be removed when seated it’s just when walking about that they’re needed.
Friday night there was live music outside on the winery patio. And you could go inside to see my fineart and artistbooks then you could go outside to hear the music or vice versa.
These photos below are a look at my Odditorium artexhibit on the winery walls before people came (there are more photos here).
Below is a photo of the artist books that are in the basket in the photo above.
And my green dragon bookplates did come in time!! I had hoped in my last post to sign a few of the bookplates for the exhibit in case someone wanted one in one of my books.
Anyway, I was very aware all week that in the best of times and conditions I don’t hear well. Add the masks worn sensibly during a fading pandemic and lip reading isn’t an option either. So I made the decision to stay home even though I could have made a reservation at Burnt Bridge Cellars and spent at least some time at the winery during the first Friday my Odditorium art exhibit was available.
But I know myself and I know that if I saw someone looking at my art I’d want to pop up from my seat put my mask on and try to talk with them and try to hear what they’d say even knowing it wouldn’t be likely…. so I just chose to not put myself in that situation.
While it was a sensible decision I still had some upset feelings about it. So I worked on remembering this 👇
Bookstores and libraries have often been my places of consolation. So my spouse and I went and had our first in-person visit to a local independent bookstore Vintage Books ! We’ve both been buying online from Vintage Books for a year now…but the impulse buying when indiebookstore shopping in person can’t be beat!!
Here’s a selfie I snapped inside the store. At the time we went there were only two other customers and two store employees. We were all spread out throughout the store. It was silent (at least to my perception) except for one of the two store cats who sat up when I neared the shelf where she lay and said “meow”. Vintage Books has both new and used books so the store smelled like book heaven even though my mask. I loved the sights of the colorful book spines and book covers displayed on shelves from floor to ceiling. The staff write handwritten notes about books and I enjoy seeing the various handwriting styles in various places on the shelves. There were multiple spaces where books from different topics/genres had been collected together with staff comments like “if you like the topic in this book then you may like these too” – and that’s a sure way to get me to impulse buy! 🤣
Here’s a photo of my book haul.
It felt so good to have an extended length of time reading!!
Another soul satisfying restorative was finding that my order from Paperblanks came!!! (https://www.paperblanks.com/en/) Yippee!!! I buy blank books 5 or 6 at a time because it gives me the joyous feeling that I can write with impunity. I can draw with abandon. I can liberally spread the sunshine of my imagination. I can run around with my pen… I can…I can… I can…❤❤❤❤🖋🖋🖋☕☕❤❤❤❤
So this weekend I immersed myself in my books, I dipped into novels like a diver into a swimming pool. I also swam freely in my new orange poetry sketchbook book (mentioned last post). The orange book was the last unused book from my last order-of-5 books. Whenever I get to the last few books I order more immediately.
Several meals this week were quick sandwiches: cream cheese, various vegetables chopped up and some spring greens on lavash bread rolled up. A rolled sandwich only requires one hand to hold it which leaves the other hand free to hold a book! The Atoria Lavash are some of the best I’ve tasted and they ship directly from the bakery! Anyway here’s a link to the sandwich rolling technique https://www.atoriasfamilybakery.com/wrap-like-a-pro/
While my Odditorium exhibit will run through the end of July in subsequent posts I’m going to turn this blog towards new projects. I’ve already started new fine art that continues this Odditorium theme. The new art will be destined for exhibit in September. There’s also the children’s book version of my Odditorium exhibit book still to be released. So periodically on this blog I will probably return to this theme. But I’ve also got a different project in progress that I also want to share with you…
More about that next Monday. I hope your week is a good one!
Frankly, I’m tired. But it’s the I’ve-played-hard good kind of tired. So more pictures and less text in this post and you get a special peek … I’ve been thinking about Kurt Vonnegut’s book If this isn’t nice what is? Here’s an article I enjoyed about this Vonnegut book. Here’s a photo of the book in my library with other Vonnegut titles.
Below is one of the poems I read during breakfast this week in a book called Animal Poems. It’s one of the titles in the Pocket Poetry series by Everyman’s Library. (I love this series! Especially with breakfast!) The poem in the photo is by Wiliam Cowper. I love the last line “The comfort of a reasonable joy.” So I’ve also been thinking how important it is to have regular reasonable enjoyments. I take the phrase “reasonable enjoyments” to mean the simple kind that don’t require lots of money, a travel agent or dressy clothes. Anyway, here’s the poem.
In my last post I talked about the pace of creative life. I’ve still been thinking about the skill of crafting daily rhythms and here’s a link to an inspiring article I read on the topic: https://www.wired.com/story/calendar-tips-post-pandemic-reentry-organization/ Maintaining a daily rhythm has enabled me – to get very tired 🤣 – but also to have nearly everything completely finished two weeks early prior to delivery of all the art and books for my Odditorium exhibit. Being early gives me flexibility to have time to rest as well as to deal with any unexpected issues.
Below are some of my sketchbook pages … and some kitchen gadgets I looked at and thought about as I worked on one of the last paintings for this exhibit.
Here’s a photo my spouse took of me working out how flamingos might carry things.
Below is the finished painting on my easel drying. Below that is a close up of the dry painting. I titled it “Is Not This Nice?” The title fits with my thoughts recently and echos the collage text I found in my falling apart copy of Jane Austen’s Pride and Prejudice. It was fun to find text written by Austen that was similar to what Vonnegut said.
If the background of my painting reminds you of the ocean….we went there recently and seeing the sea lingered in my mind. The Pacific Ocean isn’t far from our house. I find it soothing to visit.
The other way I’ve been earning my tired is that I’ve been working on the exhibit catalog aka a picture book of my Odditorium exhibit. In addition to that I’ve been working on a kid friendly version of my exhibit catalog. Children need fine art in their lives too in my opinion. When I was a kid I would have loved to see a book talking about looking at fine art. That’s why I took the extra steps to make a children’s book version too. I have sent the kid friendly version to Storyberries.com and they have an exciting plan for the book design! Below is a screenshot of a post they did on Instagram about it!
More next Monday about the Odditorium exhibit book and the other fun stuff…after I have a bit of rest. Hope you have a good week full of relaxation and reasonable enjoyments.
This week in the Odditorium aka household surrealism I thought of how often I use the same pens to write and draw with.
It’s not surprising really as elsewhere in this blog I have written about the similarities I see between art making and writing. Here’s a link about that… https://sueclancy.com/similarities-of-art-and-writing/
These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.
From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.
With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.
And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.
Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.
Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)
After I posted “Enjoyment” on social media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.
Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.
It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )
More details about this children’s book project on my portfolio page.
As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium. Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:
Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?
I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.
That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.
No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.
So I hope you have a very good week. See you next Monday?
This Rabbit, my newest children’s book, is now a free ebook and audiobook on Storyberries.com! How fun is that? Click here to both see the book and/or listen to it read aloud! Basically This Rabbit is now officially available worldwide! Wahoo!
The Aurora Gallery also now has my signed books – This Rabbit being one title – along with a number of the original illustrations from the books framed and on the Gallery walls!
For example the Numpurrs book and some of the artworks in that book are there at the Aurora Gallery too.
Since rabbits can deliver more than just treats for kids this time of year in addition to making lots of rabbits for a children’s book I’ve also made a collection of my rabbits available on my Zazzle shop. These are intended as fun gifts for grownups; greeting cards, jigsaw puzzles and coffee mugs. (The photos below are a small sample of what’s available on my shop.)
Since we’re nearing Easter naturally my thoughts turn from rabbits to eggs. This week I tried, in the name of I’m-to-busy-to-cook, a sheet pan breakfast with eggs, bacon, green bell peppers and sweet potato chunks. It worked reasonably well … one set of eggs got a little more firm than I like but everything – including the eggs – were quite enjoyably edible. And enjoyably edible counts!
This week I rearranged the most important bookshelf in my house: the one in the bathroom. It seems that the average person spends 1 hour and 42 minutes per week in the bathroom. Or to put it another way during an average lifetime we will spend at least 92 full days in the john. Might as well use that time for some encouraging reading. Here below is a photo of my bathroom bookshelf. The purple ceramic thing serves as a bookend as well as holding the extra roll of TP.
For the same reason I have inspiring books in my bathroom – notice all the books by Austin Kleon! – I also like having good artwork there too. Keeping good books and art where they’re viewed often is a way to keep my own creativity sustainable. The framed art you see in this photo is by another Pacific Northwest artist named Jill Mayberg https://jillmayberg.com/ I like the colors and textures in Jill’s work.
We’re here, so we might as well get comfortable. Reading books about writing and creativity are where we learn about, and practice, being human. I’ve written elsewhere in this blog (see links here and here) about the similarities I see between the creative acts of writing and making fine art. Verbal storytelling, writing, drawing and reading are such quintessentially human activities. Are we completely human if we don’t do those things?
These thoughts are why I find it such fun to depict animals reading books and doing other typically human behaviors – it’s my way of pondering what in means to be fully human.
Btw: there are more animals besides rabbits running around in my brain now. The new critters are getting comfortable too. As I wrote in my last post I’ve been thinking about human development and about dealing with feelings. I’ve also been thinking about Jane Austen and her descriptions of emotions within her novels.
Anyway, I’ll keep thinking and drawing… Share more with you next Monday? Oh, and Happy Easter, aka Rabbit-delivers-fun-things-day, in advance. [Thanks again Kris and Nan for this stuffed rabbit!]
My newest artist book for children “This Rabbit” is rolling out! It’s a whimsical look at self-awareness with lots of different rabbits liking a variety of things. As I mentioned in my last post “This Rabbit” shares a cover design similarity with some of my other artist books that also have a bunch of different characters exploring a life concept. In the photo below you can see the covers for my series of books.
Here’s a closer look at the hardcover version of “This Rabbit“
And here’s a look at the page design. I made the artwork large so that it mostly fills each page with a small space at the bottom for the poem lines.
Book signing during a pandemic is a challenge. I’m solving that in a few ways and one of those is by placing a few signed books at the Aurora Gallery. Some of the original artwork for many of my books is there too. In the photo below is an assortment of books signed and destined for the Aurora Gallery. https://auroragalleryonline.com/
And while I waited this week for my copies of “This Rabbit” to arrive from the printer I worked in my sketchbook and over short bursts of time towards a new painting using all of my recent rabbit research. This painting is one of several that will be in new art exhibits later this year.
While working this week I was thinking about human development. In addition to learning what you like as one lives you also learn and practice attention to your feelings. With that in mind I’ve been thinking of what Dr Bob says in the book I illustrated some time ago…”feelings are guides not gods to be obeyed“. For example we’ve all done things like cleaning up yucky messes even when we didn’t feel like doing it at the time – but once it was done we were glad it had been done. So we’re capable of using our executive brain to decide when to listen to our feelings and when to go ahead and do something despite our feelings.
In the picture above is my breakfast: overnight oats (made in a small wide mouth mason jar) along with coffee. And here’s a recipe article link about this quick-easy meal. I like quick-easy breakfasts so I can spend more time in the morning drinking coffee, reading and sketching.
In the photo below I’m working (after breakfast) on a new painting. There’s a collage bit in it from the falling apart copy of Jane Austen’s Pride and Prejudice that I’d talked about in another post.
Here below is what the new painting became: “Attention To The Feelings” – 12 x 9 – acrylic and collage on board.
One of my favorite authors who write about sketching and creative efforts is Danny Gregory. Here’s what he wrote about dealing with feelings in his book “Art Before Breakfast” :
This is inner-voice phenomen is true for any creative effort. Including trying a new recipe for breakfast.
So please be gentle with yourself and the other people in your life this week. We’re all just muddling though trying to remember what we like, trying to pay attention to our feelings – but not too much attention – and trying to regularly eat a good meal.
See you here next Monday? Hope so…