I’m still mostly having a break from blogging and social media: Last week for my birthday my spouse and I went to Oblation Papers in Portland Oregon https://www.oblationpapers.com/ where, one of their knowlegeable staff, directed me to the TWSBI ECO fountainpens with their high volume ink chamber!! I also got a new Noodlers Ink called “Heart Of Darkness”! Won’t it be fun to make my whimsical art from this ink of Darkness?! We rushed home where I immedately filled the new pen and drew in my sketchbook!
Later that day a box from Vintage Books https://vintage-books.net/ came via mail!! I love how they individually wraps each book so they arrive in beautiful condition! In the last photo you can see the titles of the books I got!! This was my first birthday after my adopted Mom’s recent death. It was hard but focusing on things I know I enjoy helps. I even wrote a smidge about keeping a list of self soothing things over on A.M. Sketching.
Quite on purpose not a lot else happened this week so I’ll catch you up on another art for a winery project. This happened over the last 6 months or so and was kept under wraps till the winery could open publicly. For Canal District Wines in Massachusetts I did a series of pet portraits and made them into art prints.
Here you see them being installed.
Here’s a few photos with my art in the background.
Here’s a closer look at a few of the art prints themselves. You can see the whole collection on my Society 6 shop here.
I’ve shared it before but this thumbtacked note on my studio wall containing what Mom said in one of our last conversations bears repeating … she said it in her authoritative Mom voice too! Mom had worked as a psychiatric nurse and she always placed a high value on self-care, especially upon mental health self-care as a way to foster good relationships with yourself and other people, self-care as a lens through which to view one’s choices of activities. When I was younger and Mom learned – before I realized it myself – that drawing and writing were some of my main ways to self-soothe whenever I was upset she would gently direct me towards pens and paper.
Now after Mom’s passing I keep thinking about creativity and mental health skills… what if making stuff is primarily a way of listening to yourself? Not something to be primarily viewed as a way to make money or even with an expectation to make “good art”. What if writing and drawing, along with reading and looking at art, are simply coping skills in times of stress? Something accessible to everyone. What if, as I shared last Friday in my A.M. Sketching email newsletter, art making is simply intelligence doing self-care and playing?
Now I’m thinking of sharing more of my sketchbook work in a step by step way over on A.M. Sketching and possibly here too. Somehow I want to emphasize the connection I see between mental health and marks on paper … but how do I want to do this? How can I do it that also helps me take care of myself by not adding to my already long project list? I’m reminded of this teaspoon page in my sketchbook.
Now I look at the silverware drawer in the kitchen as a homage to grit and resilience.
I wish you to have a good grasp on your spoon too this week. See you next Monday.
Work happily proceeds on my new Odditerrarium series. I’ve a work schedule and I’m sticking to it. As I worked on this pug painting titled “Troublesome Wit” I thought of John Lewis and his phrase ‘good trouble’. I thought of how humans work together in order to have the wit and fortitude to deal with life. I imagined a pug dog watching a human take measures and make efforts.
“Troublesome Wit” was created with ink and gouache on a 10 x 8 inch board. Here’s a closer look.
One of the online groups I lurk on and sometimes participate in is on the topics of handmade books and artist books. The question “what got you started making books” was asked of the group. This is how I responded: I began at age 8 when I got hearing aids for the first time. I looked in the school library for a book about how books were made. Following pictures in that library book I folded paper in half and stapled it roughly in the middle. Then as the weeks progressed I drew my hearing aids and drew all the things I encountered that made noise. Two grownups in my life were always yelling “be quiet!” at me so I kept the book so I could figure out what made noise, how much noise it made and what was quiet. My pencil and crayon llustrations showed the “volume” of any noisemakers as well as what they were. I titled my book “The Be Quietness Book”. So I’ve been making books by hand or at least writing/drawing in blank books since age 8 until present time and I don’t imagine ever stopping! I’m still trying to figure things out with my books!
Here’s a corner of my studio as it is today that has many of my filled-to-overflowing books and some new blank books awaiting their turn. Some of the blank books I made from scratch, some I bought.
One of my poems was published this week for poetry month by Birdhouse Bookstore. My poem was put on bookmarks! As you know I enjoy non-traditional unorthodox publishing and publishing my poem on a bookmarker is perfect!! 😁 In the second photo you’re looking at the poetry books on the shelf in my breakfast nook. Several of these titles came from this localbookstore https://birdhousebooks.store/
I’ve still been practicing, whenever I have time, at doing Reels on Instagram. I did one in which I read aloud one of my poems in Patch La Belle. I’m having fun with this way of sharing my stuff.
Did I manage (finally) to embed a video in this blog post? Or do we need to see that Reel via this YouTube link here https://youtu.be/f0W-7642inU ?
Anyway, technology aside here’s a sketchbook page with toast and coffee.
I’ve been thinking this week of how it matters who keeps the stories, the poems and who tells them. I’ve been an armchair folklorist since my college days and I’ve maintained my interest in old stories throughout the years. Here’s my current evening reading stack.
I find it fascinating to see how stories and the cultural and personal attributes we bring to them can affect knowledge formation for good or ill, up to and including what gets designated as “important”. Then that knowledge, however imperfect, is what gets passed through to others who acquire and form their knowledge based on what we share. Whatever is new to us today will become “the way things are” for the next generation. All we can do is try to share generously whatever might help someone else build new constructive knowledge.
We learn from other people how to live. Sometimes in the effort of trying to share what we know we teach ourselves something new.
However there’s no shortage of people, in any era, who will hold up a thumb and forefinger an inch apart and try to convince you that the space indicated is literally the whole world, that their definitions of that world, their narrative, is the only “true” one, that only their description of what is important matters. They want you to believe only them and will likely somehow benefit if they do convince you accept their story framework and take it literally without questions.
Knowing a wide range of stories and metaphors can help us not fall prey to such literalism and narrowness of mind. Which is why multiple versions the same stories are essential. We need reminders that there are many points of view. We need a diversity of stories. A monoculture isn’t healthy for plants or any other living beings.
Anyway, my way of responding to censorship and the attempts to control the available information and to manipulate perceptions is to deliberately buy and read banned books, to read widely and talk about, learn and share history, culture, poems and stories. To carry knowledge forward, to wrestle and play with it within my own life and work. To do my thinking on paper in art and stories, to always be trying to learn more and to share generously.
Book formats are only one of the ways we as individuals and as cultures keep our stories – it is the act of collecting stories together, whatever the technology used – that helps us figure things out. To lose that collected, collective, personal or cultural memory can be both a current and ongoing tragedy because the loss of knowledge affects future knowledge formation.
Recently I read of a massive archival effort to keep and preserve archives of Ukrainian stories and poems which are in danger of getting lost forever due to the war. See the article here.
You’ll not be surprised to hear that now I want to find ways to support that project and buy at least one printed copy of a book of, or at least a book containing some, Ukrainian folk tales.
And speaking of important, relevant and keep-able stories here’s a link about the Wendigo monster . I’ve been thinking of this Algonquin tale a lot lately because I’m so tired of greedy extremist monsters. I see this story as a reminder to appreciate ordinary life and to play well with others. It seems so relevant to current times and possibly a guide for figuring out ways of going on and doing better.
As I type this it is snowing in my backyard! In April! Our Camilla bush has blooms!
I hope your week is full of wit, art, stories and poems that help you figure things out. And hot beverages if it’s snowing where you are too. See you next Monday.
I painted an unauthorized portrait of a playful cat that I’ve met courtesy of a dear friend. This portrait is titled “Wholly Bent” and is 10 x 8 inches. This is me just playing and working towards future art exhibits.
Here’s a closer view of “Wholly Bent” it is 10 x 8 inches, ink, gouache and collage on board.
As you may remember I’ve been reading “The Annotated Arabian Nights” by Horta and Seale most evenings. I’ve been struck by how much the book talks about being true to yourself – accepting that you’re “bent” in your own ways- while also being an ethical contributing member of a community. So I’ve been pondering ethics in my sketchbook.
The above photo shows my spouse’s homemade blueberry lemon scones. Seriously yummy… but I digress.
These thoughts reminded me of an eon ago when I asked my adopted mom how to know when someone is “for real” i.e. ethical, honest, kind. Her response was “watch what someone says and does over time.” In my art journal I recorded a conversation we had on that same topic years after I’d asked the question originally.
In my last post I showed a hint of an art print project I’m working towards that I can’t talk much about yet… but a sneak peek is here (the grid of 6). Now I’ll wait to see what happens.
My last post also talked of book banning, a topic I’m following… well, on the attempts to ban books (and a thrilling subtext) there’s this article which reminded me of the skills I learned to use when dealing with people in Oklahoma who were in my face wanting to ban my artwork (see a prior post for details). This page below from Dr Bob’s Emotional Repair Program First Aid Kit gives details about the skills.
Speaking of coping skills: some students in Missouri are suing the school board because of the book bans. (Article here.) Sometimes standing up for your right to read anything you want is neccessary. As said in the article “The lawsuit alleges that the district’s decision to remove books was based on the “dislike of the ideas or opinions contained in the books by policymakers, school officials, community members, or a combination of those.” Additionally, the lawsuit alleges that the district’s removal of books violated the students’ First and Fourteenth Amendment rights “by restricting their access to ideas and information for an improper purpose.”
I’m proud of and inspired by the students and their efforts to maintain a wide intellectual world. Restricting access to ideas and information can have serious negative consequences for both individuals and society. The larger our intellectual world the better we’re able to cope with whatever comes in life and then, having coped personally we’re then able to help our community cope – and the people in our community are better able to help us…
Also the more expansive our mental life is the more fun rabbit holes there are to explore that can also help one personally as well as one’s society.
Anyway, here’s a post from Austin Kleon that reflects my feelings about the importance of taking time to read widely and pursue the rabbit holes of your own making.
On a related topic I also read this article about how our attention span is not a product to be bought or sold. Our attention isn’t solely a vein of data to be extracted by a corporation. Our attention isn’t something to be controlled or abused at the will of someone else’s religious or political ideology. Our attention is a precious gift that deserves to be treated respectfully. And it’s up to us to protect, preserve and defend our attention as well as to carefully curate and cultivate it.
Having wide access to ideas and thoughts – lots of books – is how we learn over time what is worthy of our attention. Our attention span is ours to exercise and explore throughout life. What we get for our payment when we “pay” attention is the power to choose.
I find that having a wide range of books to read helps me stimulate and cultivate my own ability to pay attention where it nurtures my creativity the most. My sketchbook is where I practice noticing/tracking (accounting?) where I pay attention and how helpful it is or isn’t. It’s where I play with ideas and cook up my own “good wolf food”. It’s where I live and work with the questions. It’s where I “stick around and find out”. 🤣
As a creative person I want to be respectful of my readers/viewers time. So I enjoy creating “short” things: art, stories or poems that can be understood in a glance yet there’s more to be seen if a reader chooses to take the time to look. (My Monday blog is possibly the longest form I work in… 🤣)
Speaking of sketchbooks and reading: I feel a sense of urgency to create more books for children that are “artsy” and perhaps a little “different” from the usual kids books. So I’ve been reading about poetry in two books: “Writing incredibly short plays poems stories” by James H Norton and Francis Gretton and “The Intimate art of writing poetry” by Ottone M. Riccio. And I’ve been brainstorming in my poetry sketchbook (the orange book in the foreground) some visual poem ideas for my new “experimental art book” category on Storyberries.
Both books about poetry cover techniques to keep things short. I’m translating in my mind the advice in the books regarding writing words into what may also work when I’m making visual images. As you see in the above photo of my poetry sketchbook I’m thinking that the poetic concepts of rhythm, rhyme, repetition and surprise can work within images too. But we’ll see how it goes… more in upcoming posts.
Dinner recently was a favorite potato soup recipe from a favorite cookbook. Even in the solitary pandemic days I love reading about community being formed around shared soup.
When there’s a yellow sticky note on a page in one of the cookbooks in our collection … that’s a reliably good recipe! Add a star and the phrase “Judy likes” and you’ll know it’s a real good one. Then there’s the penciled in variations and now you know this recipe is a great one! It has consistently proven itself over time!
We had mugs of soup with a grilled cheddar cheese sandwich split between us. Yum!
For fun I’ve added James Thurber to my evening reading. He too talks about ethics and community while also being whimsical.
Thanks to a friend on Twitter I’ve just learned about a genre called “Hopepunk” – here’s one of the articles I read about hopepunk that defines the genre and has examples (book list!) of literary works within it. To quote from the article “…Hopepunk says that kindness and softness doesn’t equal weakness, and that in this world of brutal cynicism and nihilism, being kind is a political act. An act of rebellion… Hopepunk is a reaction to our times, an insistence that a hollow world built of hatred and financial ambition is NOT the norm. It is stories of resistance, stories that celebrate friendship and truth and the things that make us human.”
I have more to learn but I’m feeling like I’ve found another genre that possibly fits me and my work well! Discovering the “hopepunk” genre feels exciting like my discovery of the “miniature art” and “gift book” genres! With my creativity I do want to share whimsy and hope while also being thoughtful and real.
Yes, I’m finding it good to know more about the ways I’m wholly bent and to be able to find books and people bent in ways I enjoy.
Thank you for honoring me with some of your attention. I hope you have a playful week of more or less your own design, a week bent in all the ways you find fun. See you next Monday?
Almost exclusively I used to do unique books as art objects that were displayed in art gallery exhibits. My one-of-a-kind books were then sold and that was that. Well, in 2020 after the pandemic began the galleries closed to the public and I began publishing my artist books in an on-demand way. My book is printed at the time it is ordered and mailed to the buyer. I did this so I could still share my visual stories and they could still be fairly unique i.e. not printed in large quantities. And as my portfolio page attests that’s the way I’ve now done twelve different artist book projects. As the galleries have adapted to the pandemic since March 2020 allowing the public to handle one-of-a-kind books, wisely I think, hasn’t come back into vogue.
When making a printed version of my original artist books I try as best I can to maintain the look of the original work. I do very little – or ideally absolutely no – digital manipulation of my content. At most some text is typed. I even prefer to handwrite as much as possible. It’s important to me that people – especially kids – get to have a wide variety of homemade or handmade comforts whether it’s dinners, cookies, fine art or books.
Anyway, in the case of my new “How the cow…” book I typed the about the book and the dedication page text. But those pages and the covers are the only typed text. (I’ve learned the hard way that having these pages typed rather than handwritten helps the book be found via a search.)
I also scanned the handmade pattern I used for the cow book slipcase and the found sheet music I used for the tiny notes book cover. I scanned my handwritten text summary for the cow story. I did digitally “erase” the page number marks on my handwritten text because those numbers did not apply to the printed book. Other than erasing the pages numbers the handwritten page is the same in the printed book as it is in the original.
With those very few digital documents in my 28 page book layout I created end papers of a sort to flank or wrap each story within the printed book. The original artist books are themselves covered with these patterns.
The scanned blue bubble pattern was the basis for the printed book cover.
As you can see the covers of both the original book and the printed version are similar.
The artwork in the cow story is just a bit smaller in the printed version than the original. But as you can see the colors are a very close match! Also the printed book is conventionally bound so I set up my layout like a comic book rather than in the folded concertina form of the original. I don’t yet know of any printer who prints and mails concertina style books. The two illustrations per page layout allowed me to fill the seven inch square printed pages. (In the photos below the original handmade book is at the top)
The “Tiny Notes” original artwork is reproduced at a much larger size in the printed book. The original book is 2.25 inches square. The printed book is 7 inches square. Again the colors printed are pretty close to what’s in the original!
So you can see the scales of the books in relation to a human. My spouse took these photos of me and the books…
The original concertina format cow book unfolds to four feet long. Almost as tall as me!
The original concertina tiny notes book is only 20 inches long unfolded.
You can see more of these book pages and details on my portfolio site. I’ve no idea if these original artist books will someday go to an art gallery even for display under glass.
For now I’m having fun making books intentionally for printing and mailing directly to people. It may sound odd to say this but this new way of sharing my books feels more personal and I feel like many more people are able to see and own my work this way.
This week my coloring book poem “How To Draw A Dragon” was read aloud on Kidz Stories And More !!! You can see it here https://youtu.be/EUVeDjqiz30 When we were discussing the creation of this video Kidz Stories and I decided to make my book pages so they could be downloaded for free so kids could color along with the video! The download is available here and the directions are also in the video link. I’m seeing this as possibly another fun new way to share my artist books!
Also this week someone shared this photo saying how happy they are with a portrait I painted of their cat and how it has been framed by the Aurora Gallery!! That makes me happy!!!!!
My spouse mentioned the current news about book banning and that one of the titles banned is “A Light in the Attic” by Shel Silverstein. We have that book in our dining room poetry collection. It’s a favorite! Hearing that news led to both of us looking up what other books we have on our shelves that are banned. It was a fun scavenger hunt of sorts! 🤣 Turns out we have a large number of banned titles throughout our book collection. Two shelves in our dining room alone yield 4 books/authors who have been banned… even as recently as 2022.
Here’s one of the articles we read about banned books. Naturally we got online and ordered more banned books from our local independent bookstore. 😁 One of the banned books I tried to order was Maus by Art Spiegelman (here’s an article about that book) but all of my usual indy bookstores were sold out! But there were other banned books available which we happily bought.
I’ll leave some memes about book banning here just in case someone wants one.
I hope your week is similarly filled with subversive literary delights and some homemade comforts.
The text from the book is below each dog portrait.
In my last post I shared some of the books we’d ordered that came early for Jolabokaflod. Our house “rule” is that any adulting ceases and we open the book boxes when they come, pour the hot chocolate and give each book some attention even doing some sample reading. After that the books are put into the proper gift pile and, this is the hard part, left untouched until the evening of Jolabokaflod on Dec the 24th.
Here’s Judy opening one of the book boxes from Powell’s. She was pleased! I love her smile!!
We did our book gift piles on the couch this year. We chose that place because more than a few of the books will be enjoyed by both of us and our comfy chairs are just across from the couch.
So you can see the stacks better here’s another photo below. There’s one book, the Louise Penny title mentioned last post, that didn’t make it into the group photo because it had snuck out onto the kitchen table… oops. 😁
Adding to my pleasure of Jolabokaflod was hearing from the Aurora Gallery that people were enjoying my artist books there! It felt good like I was “giving back” to my local book-art-world from which I receive so much delight.
Because Jolabokaflod, in addition to being about books, is also about chocolate – here’s our hot chocolate recipe, again. 😁📚☕😁📚☕
I continued with my sketchbook playing practice and posted these pages on my social media.
Like last year instead of social gatherings we focused on sending cards, sharing on social media and doing whatever we could creatively think of as ways to be in touch with people while staying safe during a pandemic.
Most of our friends and family did the same. We loved getting cards from people, several different people dropped gifts off on our porch and many people sent me photos of the fine art I made that they’d gotten for Christmas! Some sent photos of their children with my artist books that they’d gotten for the holiday! And someone sent a precious photo of their new grandbaby wrapped in a blanket made with one of my fabric designs! All of that, plus comments on my social media and this blog has made this holiday feel special! My heart has grown 3 sizes!! Thank you all!!
I hope your holiday was good too and that the new year is gentle to us all. See you next Monday.
As per the Aurora Gallery request (last post) I have signed some more copies of The Professional Dog and by the time you read this post I will have delivered them to the Gallery. (I’ll update my social media re…)
We customize the Jolabokaflod tradition for ourselves in that we don’t limit the book gifting to just the evening of the 24th. Also we modify the tradition from gifting “new books published this year” and expanding it to include “used books that are new to us”.
We do adhere strictly to the “read new books immediately upon receiving them accompanied by hot chocolate” aspect of Jolabokaflod.
How is this different from the normal Clancy evening read and have hot chocolate habit? Whenever the new books are delivered by mail we open them and start reading! In other words we don’t wait till evening to begin. It’s decadently fun to stop everything in the middle of the day and flop onto the couch with a new book!
So I’ll see you next Monday with more Professional Dog artwork, probably some of my sketchbook pages and some books I’m reading for Jolabokaflod!
Happy Jolabokaflod or whatever holiday you celebrate! May your celebrations be exactly what’s most comfortable for you and yours.
Lots to share: The Professional Dog is out in print and as an ebook on Storyberries! In a bit I’m sharing my creative process for my holiday box project. But first, because people tell me they’re enjoying it, I am continuing to feature 3 dogs from The Professional Dog per week so here’s this weeks…
The text in the book, which is also the title of the original artwork, is below each of this weeks featured dogs.
I wanted to share somehow that my original artwork for The Professional Dog is smaller than the finished book. So I did a video look at all of the original artwork for The Professional Dog. Each original dog portrait is 2.5 x 3.5 inches and was made by hand using ink and gouache on board. The finished print book is 6 x 9 inches and as faithfully as possible reproduces the colors and details in the original artwork. I did this because the reproductions do enlarge the details in the artwork. Below is a photo showing a bit of what I’m saying … perhaps you can see both the small original art and the book reproductions?
You could say that Thanksgiving was a nicely quiet event considering it was just my spouse and I and a giant veggie lasagna. But it really felt like we’d hosted a come-and-go party all day as we were in contact with friends and family via text, social media and the voice phone! It was such a fun day and we both went to bed tired-happy feeling like we’d been talking and partying nonstop! We joked that we could get used to partying like this – there was a lot less to clean up afterwards! Lol!
After the holiday I delivered all of the original art for The Professional Dog to the Aurora Gallery. This project was a big one that encompassed multiple months of intense work and it all – all 40 dog portraits – fit into a 5 x 7 x 4 inch box! (Another benefit of making the original art small in size)
Here’s the box of original artwork sitting atop the signed books wrapped in paper for protection during transfer to the Aurora Gallery.
Even though everything is done now including the portfolio page for The Professional Dog I will still be posting the dog portraits in sequence over the next weeks. People have told me that they’re enjoying them.
The Thanksgiving event held by the Caplan Art Designs Gallery also began the day after Thanksgiving. Below is another attempt to include a video in this blog. This video was made by the Gallery and is shared by permission. In case I’ve not gotten the video embedded in this post like I think I do – the video camera pans around a nice large room filled with art by the Caplan Art Designs Gallery artists. You see some of my larger works right at the start. Many of my works are small and not captured in the video. My last post included images of my artworks in this event. Over the weekend the Gallery posted more videos on the Gallery’s Instagram and Facebook pages that showed more of the event! There were many sales of my artwork and of the other Gallery artists work!
And now for the full details about the holiday box project! Back in very early September the Caplan Art Gallery gave certain artists an 8 inch cube to paint in our style. These boxes are to be in a special holiday exhibit opening the first Thursday in December.
Immediately when I got my box and over the next 4 days, I began the process of putting 3 coats of gesso on it even though I didn’t know what I would create.
While the gesso dried over that first week I brainstormed in both my sketchbook and on my legal pad. First I listed over 20 things that I could think of that are square or cube shaped. Then in my sketchbook I played visually with the various items listed to see what might be fun, how I might approach it. During this time my spouse and I had a dear friend come over to our outdoor patio to visit and have dinner. I told her what I was brainstorming and she liked the idea of dice.
At that time I was still in the middle of creating the dog portraits for The Professional Dog so it felt natural to think of dog shelters and dice, the chances for pet adoption, the many names for dogs … so in my brainstorming with my friend and my spouse we thought “what are the odds you’d find 21 dogs named Chance”?
My sketchbook became focused on dice-dot portraits of dogs.
I also rummaged about the house and found some game dice I could use as a model.
Using a ruler I calculated the size of the dots in relation to the size of the cube and I made measurement marks on the gesso using a watercolor pencil. The watercolor pencil marks will blend in and dissolve when I paint over the marks with acrylic paints.
Since the cube is a sculpture and will likely be handled by humans or sat upon by cats I decided from the start to work in acrylic as that’s a permanent waterproof media. I also planned to (and did) varnish it so the dice could be protected and easily cleaned.
I painted a different dog portrait on each dot on my dice using black and white acrylics mixed to form a range of greys. And yes, some of the dog breed research and practice I was already doing for The Professional Dog was applied to this project too.
After painting each dice-dot with a dog using black and white acrylics I painted the body of the dice with white acrylic. Every bit of the gesso got covered! Below you can see the entire dice in 3d plus each dice face separately so you can enlarge it and see the portraits.
I hope you had a yummy and fun Thanksgiving too. I look forward to catching up with some of my fellow bloggers and hearing about your creative projects but some of my days this week might resemble this…
… even if it does I hope you have a delightful week! See you next Monday.
Here’s news about The Professional Dog and all of my projects that I couldn’t talk about in my last posts! First, this weeks sequence of dogs.
Below is a closer look at the artwork of each of those dogs with the book text beneath.
As I mentioned in another post I tend to work first and talk about the work later. This means all of the artwork is finished for The Professional Dog and I could work hard this past week on the book layout. Here’s a photo of me at my laptop doing the book layout.
I wanted this book to be able to be shipped by Christmas so I focused on getting the book design done – and uploaded – which altered my posting about the artwork itself or about my creative process surrounding the book but I think that’s okay. If you have questions just ask.
There’s a lot still to do for this project but the publication on the 16th of Nov was a big deal. There are 40 portraits in the book and this is the most pages I’ve created for any of my books so far! So I’m celebrating! Wahoo!
Because I made portraits of my friends dogs I plan to keep posting each dog in alphabetical sequence so that each dog gets to be featured and each friend has a chance to share the portrait of their dog if they want to. Mainly it’s just a bit of cheerfulness from me over the Thanksgiving holiday.
Speaking of small cheerful things: I took some more of my books, mug mats and postcards to the Aurora Gallery at their request.
The Caplan Art Designs Gallery did a studio visit and selected some artwork from my studio stash for the special Thanksgiving event the Gallery is doing Nov 26, 27 and 28th. Each of the artworks Caplan selected are autobiographical. I’ve been sharing details on my Instagram page for each of these pieces but generally speaking each painting is about some aspect of my life here in the Pacific Northwest. Like the time we went hiking in Forest Park and my bootlace broke and we discovered a wonderful coffee shop that also sold bootlaces! Or the Rainier cherries we enjoy eating by the sea. Or the fine dining we’ve enjoyed…my feeling is reflected in my choice of dog breed depicted. And the bookstores… There are many more artworks selected by the Gallery than I’ve included below but perhaps this gives you the idea? The Gallery event happens the 26th, 27th and 28th in Portland Oregon.
Why were the above artworks languishing in my studio? They didn’t fit neatly into a theme or a unified whole for any of my exhibits. And also they were still there because I forgot about them. This is an example of when it’s helpful to have someone outside my head – in this case a gallery owner – look at things with fresh eyes.
Another example of the value of “fresh eyes” is that my spouse looked at my digital book layout of The Professional Dog and caught a major mistake I had made before it went to print!! (I had one out of alphabetical order 😱) I thank her on the book info page seen below.
And now for what we’ve all been waiting for (drumroll please) the Holiday Box Project! The Box Project exhibit opens at Caplan Art Designs the first Thursday in December. That’s why we artists were asked to wait to post and to only do a “teaser” post now because the Thanksgiving gallery event happens first. We artists were each given by the Gallery a solid brown wooden box, 8 inches cubed, some time ago so we’d all have time to create art on them. Below are before and after photos of my box.
I’ve titled my holiday box “All The Chances” – what are the odds you’d find 21 dogs named Chance? Anyway, are you teased? Lol! I will tell more details about “All The Chances” including about my working process after Thanksgiving.
It’s been a super busy week (no time for Creativity Chats or for much cooking creativity either) and frankly I am very tired from all of the activities. But at the same time I’m very happy! So I’ll rest up and share more this week on social media and on next Monday’s blog post.
I hope your week is a good one. Thank you for your many kind comments and your support! I am grateful for you and for the blogging community! Happy Thanksgiving!
More progress this week on The Professional Dog, my latest childrens book project. Here are three together and like I mentioned in my last post perhaps you can see how the colors transition from one piece to the next?
Here are closer looks so you can see the details. I’m creating each portrait using ink and gouache on board. The text I plan to use for the book is below each artwork.
This week a friend dropped by with a surprise! Her son had made the pencil I’m holding in this photo!
The pencil is a lead holder aka a “clutch pencil” that extends then holds 2mm lead by clutching the lead in its jaws so to speak. This gift pencil is thicker than the clutch pencils I’ve used in the past! Right away I drew with it in my sketchbook. It is nicely balanced and the thickness does make it easier for my hand!
This new clutch pencil has now joined my fountain pen in daily use. Both have thick barrels which are easy to hold for durations of time.
To play some more I used my new pencil to draw a portrait of my pencil. Then I added ink and gouache. I’m thinking this might be a fun image for a thinking-of-you note card … for my Zazzle shop eventually.
One of the many things I like about both clutch pencils and fountain pens is the environmental friendliness of them. Both are refillable so there’s no trash to throw away! Below are a few of my favorite books about using pencils and fountain pens.
I think the creative writing process benefits from visual drawings and vice versa. If a writer can draw a floorplan in which the story action happens sometimes that will help the written descriptions flow more easily. If a painter can write a verbal description of what they see in their imagination that can help the visual image flow better.
I’ve been thinking on this topic, the helpful cross-training effects on perception that comes from playing with words and pictures, for about a week. So almost the second the house was quiet and workmen had ceased hammering and sawing I did one of my Creativity Chat videos about this topic of seeing. https://youtu.be/4ljLOhgK30o
As I mentioned in my last post I’m still waiting for the go-ahead from the Caplan Art Designs gallery to post about my holiday box project. I varnished it this past week and will deliver it to the gallery soon. Here’s my art studio supervisor dachshund waiting … and wearing a sweater because it’s cold.
I got my Covid19 booster shot and thought of the relationship between individuals and community. That brought jigsaw puzzles to mind. Quite a number of people were getting vaccinated the same time I was and it got me to thinking of how each one of us fit into the local community in some interlocking way.
After getting the poke I had to stay for 30 minutes to make sure I wasn’t going to have a reaction. Since I was thinking about puzzles I got online and shared some jigsaw puzzles I’ve designed that are on my Zazzle shop.
Then, after sharing the puzzles, I kept thinking about the mechanism of human perceptions. When working on a jigsaw one shifts back and forth between looking at the colors and patterns on the puzzle pieces to looking at the shapes of the pieces themselves. Somewhat similarly we – well, most of us – shift back and forth between seeing ourselves as an individual person and seeing ourselves as part of a much larger community.
That got me thinking about optical illusions and the ways design, specifically the design of narratives, the design of governments, can dovetail with our perception mechanisms and our behavior choices in a which comes first the chicken or the egg sense.
I sat in the medical center waiting area trying to remember – without using Google – the name of the guy who did the pioneering work on the perception of figure-ground relationships. I tried to remember the name of the optical illusion that illustrated this figure-ground discovery and the name of what the switch of perception in a figure-ground relationship is called.
I felt fine when I got home. My arm was hardly sore. I did feel a bit tired and decided on a day of indulgence. That means spending most of the day reading! My spouse documented the occasion – see below. The next day I was tired and had a slight headache. While I did do some work I mostly read books the next day too.
Despite both my spouse and I getting our booster shots and being busy rearranging furniture and stuff for workmen to make house repairs I did manage to get some illustrations done for my in progress childrens book project “The Professional Dog”. Here are three together.
Below are closer views of each of these illustrations along with the text line I plan to use in the book.
I did not have time to do one of my Creativity Chats this week. Also, since one of the home repairs is happening in the kitchen – there are no creative approaches to food that could be discussed or depicted here with glee. (I’m so looking forward to having my kitchen back!)
As I wrote in my last post my 8 inch cube shaped holiday box project for an upcoming exhibit at the Caplan Art Designs gallery is finished except for the final coats of varnish and we’re still waiting for Gallery permission to post publicly about it. Below is my art studio supervisor dachshund waiting very patiently. Mostly.
In addition to jigsaw puzzles and the figure-ground relationship shift of mind I’ve been thinking of how I use that mental shift method with words and images to stimulate my creativity.
For example when I began my holiday box project I listed, in longhand on my legal pad, over 20 items that are square or cube shaped. After making that list I worked in my sketchbook playing with images related to these words. (I’ve posted some of these in a past blog post) Below is a photo of part of my handwritten list – and I trust it doesn’t give too much away. 😁
I’ve also been thinking of figure-ground type shifting we do in other ways: inner life/social life, old/young, self/family, indoors/outdoors, leisure/work, mind/body, survive/thrive… I could go on listing these kinds of interrelated mental shifts but this is enough.
Anyway, of that list of shifts physical and mental health are important to me for both living-well reasons and to my creativity. Also important to me is the topic of doing a really good job of growing old (there’s a wonderful essay by Bertrand Russell here).
The main reason I create my artwork is because it makes me smile. I post publicly because it may give a friend a smile. And my friend Liz Gaffreau recently posted this which in turn made me smile. That’s why we’re here, I think, to love people and to be loved. That may sound somewhat purposeless – but this purposeless loving is the very attitude that leads to being creative, to playing well with oneself and with others.
This blog and my Creativity Chats on my YouTube channel are more of my small efforts to playfully encourage creativity in both myself and others – it’s one of my ways to participate in a creative community. I want the poets, the novelists, the painters, the quilters, the creatives of all kinds to be as well – physically and mentally – as possible. I want this because it is by play, by stories and beauty, that we all will get through difficult times. Mere physical survival is not enough. If I can encourage a poet or novelist to keep writing then perhaps their words will also help someone else keep going. Other writers work certainly helps me keep going. Each effort of creativity is a butterfly effect of sorts.
So, yes, my work feels urgent to me. It’s the shape and color of my jigsaw piece.
Please take good care of yourself this week. See you next Monday.