I’ve been thinking about how reading books is similar to playing dominos or sharing a meal with friends. In all of these activities we practice cooperating with others and peaceably bringing forth the world together.
Here’s a limerick poem I wrote and illustrated that playfully reflects my thoughts:
original poem and illustration titled “There Once Was A Tom Cat…” by Clancy
This poem and illustration somewhat relates to my nested-ideas concept that I’m working with for my upcoming fine art exhibit. And this poem (along with others) could become an artist book to accompany my exhibit but I’m still playing around and not sure where all of this is going. This is one of the things I like about being an artist; getting to practice being flexible, playing and letting things unfold as they will.
Kind of like reading a novel, playing a game or sharing a meal with friends allows us to practice “letting things unfold…”.
On a technical note: To create the above poem and illustration I used pen and ink and gouache on a greyish off white handmade paper. It looks sharp in real life, and the paper is a dream to work on, but the scan accented the grey color of the paper more than the naked eye perceives in person. The scan looks good enough, I’m not unhappy … however, note to self; use white paper for things that will be scanned and leave this lovely greyish handmade paper for fine art stuff that will be photographed and not scanned.
Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.
And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.
Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.
Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:
And here is the instruction sheet on how to fold the above “book”:
I spent the most “looking-for-a-recipe-to-cook” time with Vollstedt’s cookbook “The Big Book Of Soups And Stews” as it was a cold weekend. Plus a hearty stew puts me in a happy “comfort food feast” frame of mind. But the most “just admiring a cook book” time was spent with Katzen. However I did use one of Katzen’s salad recipes to go alongside a stew. I love the way Katzen hand lettered her recipes and illustrated them in her “Moosewood Cookbook”. My poetry time was divided between Edward Gorey and Edward Lear.
This concept of mashing up wildly different genres as inspiration to make something new? Well Austin Kleon has written wonderful creative thinking technique books about that – specifically Steal Like An Artist!
Anyway I combined my big pot of stew thoughts with the limerick poem form for this poem I wrote and illustrated below – which has been published now on They Draw & Cook.
I’m still practicing combining India ink and gouache – and doing text with a brush. I used a smaller size brush this time for the type – and all lower case letters. This brush-and-ink type style felt looser, more relaxed, than the type I did with a fountain pen for the birthday card – though both projects use a similar lower case. I like both methodologies and will probably use both techniques as they fit with the project at hand. But this brush style… I’m liking it and am finding my hand reaching for a brush more often.
Some twins I’m lucky enough to know turned one year old today. So in collaboration with my wife, I wrote a poem and illustrated it for them. It was a good opportunity to practice art word combinations. And I think they’ll like it. Their parents and grandparents seemed to. Anyway here’s a picture of the birthday card:
I used a fountain pen to write the poem text this time. Last time I’d illustrated one of my poems I’d used brush and ink. For this birthday poem lower case letters were used. I like the lower case style. At least for this poem… The fountain pen was easier to control (and something I’m used to) and the neatness of the type and the softness of the lower case style are pleasing to me.
When I’d finished lettering the poem I then drew the illustration in brush and ink. After that dried I used gouache to give it color. That method too was an experiment in using ink and gouache in combination.
I am pleased with the resulting art word combination and will likely do that again; lower case letters and all.
I’ve decided recently to practice my poetry and short-short story writing by writing something, no matter how bad, every day. If there’s anything illustration worthy I’ll illustrate it. Out of all I’ve done thus far this seemed worthy:
poem and illustration by Clancy
Doing the poem text with a brush was new and different for me. It was looser and I think I like it. Typically I’ve used a dip-pen and been “tight” about it. I’ve also tended toward handwritten capital letters as you know from my illustrated recipes. It’s a text-style habit that harkens back to my years as a professional cartoonist and biological illustrator.
But for this poem when I used capital letters via ink-and-brush the text seemed too thick and shout-y. I’m now thinking I’ll experiment with all lower case writing. And a smaller brush. Or maybe a fountain pen rather than a dip-pen.
I’ll try a different hand-written style, and technique, if I happen to write another illustration worthy poem. We’ll see… I’ve got a lot of bad poetry to write between now and then I suspect.
What do you think about the all capital letters via brush style?
This weekend I caught up on the news – and this poem and illustration came to me:
The Little Brat
By Sue Clancy
Clueless Jack Horner
stood in a corner
eating a stolen pie
saying “Oh what a good boy am I!”
His classmates had cried.
His teacher had sighed.
But Jack, little Jack, didn’t ask “why?”
Instead he said “What a good boy am I!”
As he ate the pie…
As he stood in the corner…
Clueless: Jack Horner.
(Illustration, by Clancy, for the poem “The Little Brat” by Clancy.)
I’ve been busy working on art commissions – and some extra special “dog-drawing-for-Christmas” requests – none of which I can talk about in public ’cause, you know, they’re somebody’s present! So I took a very short time off from being one of Santa’s elves and did this short-narrative poem plus illustration practice: