So as to not spoil holiday surprises I’m sharing the advent calendar adventures on my social media, including this blog, and celebrating Jolabokaflod. A friend gave us an advent calendar of Arteza art supplies – which has been lots of fun to open! Even more fun is discovering a new source for good quality art supplies!
I designed a few projects my wife and I could do together. Here’s the first one.
I made triangle tree shapes.
My wife did the tree ornaments.
And then she did the stars on the tree tops.
I did the shadows and hint of snowy landscape.
Then I did red wrapped gift box shapes.
And my wife did the gold bows on the gifts.
Another joint project is our gift book to be given away for Jolabokaflod aka holiday book flood. This gift will be given Dec 23rd on my email newsletter so please be sure you’re subscribed! You can give a subscription to someone else too.
Here’s the Jolabokaflod poem I wrote and recorded – in case you missed it.
Yes, were getting very serious about Jolabokaflod now and here’s how it goes at our house!
And here’s some of the books that have come by mail from 3 of our local independent bookstores!!
Happy Jolabokaflod to everyone! Happy Holidays too!!
P.S. please make sure you’re subscribed to my email newsletter so you can get your gift ebook on Dec 23rd!!
It’s been a tough week. One friend died. Another is on hospice. I’ve also completed two commissions for holiday gifts and delivered them. So my bandwidth for writing this blog barely registers on the scales. Please forgive me. I’m still playing in my sketchbooks I just find it is easier (and soothing) to actually *be* creative than it is to talk *about* being creative.
A very happy highlight this week was when I was asked to sign books for two twin 4yr old fans of my work!
They had come over to my studio to see this book several times while I was making it! (Their grandparents live nextdoor) The kids are both quite helpful editors! The first time they saw my original artwork in progress I had done perhaps half of the book. I read some of the poems out loud to them. They seemed pleased! However there were blank pages. They pointed at the blank spots. “You’ll do a something here right? And here, and here, and here? A something?” I said that I would. They came back over the very next day. “Did you finish our book yet?”. I explained that these things take time to do, sometimes months, but that I was working as fast as I could. A month or so later they came over for a visit. “Did you finish our book yet?” This time I said that I almost had and would they like to see it? They looked at it with me and took turns very gently holding my original book (it’s the size of a credit card) and opening it carefully. The covers were still blank at that time. “You’ll do a something here right?” I said yes, and that it would become an ebook and a printed book too so even after I finished the original book covers there was still work to do before it was ready. “But there will be a something everywhere right?” They asked. I said yes.
Here below is a look at the printed book Patchwork Poems. It’s much larger, 8 x 11 inches, than my original artist book which is 2 x 3 inches. As per both of my 4yr old editor’s suggestion I made absolutely sure there is “a something” on every page! The magazine style format lets me do that so that’s one of the reasons this book is so much bigger than the original artwork.
Thank you in advance for sharing any of the above Patchwork Poems related links. Thank you most of all for staying as healthy and as happy as possible. I’m glad and grateful to you for reading my work and for your comments!
If you got a post titled “Dragon postal whimsy” I accidentally hit a button. Here’s the real post about “How To Draw A Dragon“! After a week spent creating cover art and scanning 36 pages there’s now a coloring book poem that exists in the world!
This is the book description:
“How do you draw a grumpy dragon? This coloring book story poem written and illustrated by the artist sue clancy shows you how.
This whimsical poem is also about how creativity works, how our creative child selves and our analytical adult selves can work together.”
Below is a look at the original manuscript.
I used the computer to put the text on the front and back covers. I thought long and hard about handwriting it all but I learned when I did Patch La Belle that handwritten text on a cover isn’t “searchable” and could be harder for people to find. That searchable issue isn’t a big concern for me coming from the art world as I do where one-of-a-kind things are the norm. But after thinking a while I opted to type the cover text for “How To Draw A Dragon” even though I hand drew and hand colored everything else.
So here’s the cover becoming…
And here’s what the cover became.
I’m especially pleased that my book layout “thinking in page spreads” turned out so well! They line up in the middle when bound! In the first photo below you see my original art. Below that you see the printed book.
Since we’re still in a pandemic I have added a free printable pdf file for this book to my “shop” page where I have several of my free downloadable artist books. It’s on my to-do list to make a portfolio page for How To Draw A Dragon and have everything in one spot.
Storyberries will, eventually, also do a free ebook version of How To Draw A Dragon and have a link to the free printable pdf too. But that’s still in progress. I will update my still-to-be -made portfolio page and this blog when it’s been set up at Storyberries.
Since we are still in a pandemic the Gallery is doing all the prudent safety measures and I’m doing my part as best I can. Besides doing the virtual page about Odditorium I have done a series of videos on my YouTube channel about this exhibit as well as about why I do this work. I’ve made 5 videos in all but here’s the one about this exhibit. The Gallery will post my videos and share them with clients digitally thereby minimizing everyone’s exposure. I’m glad and grateful to work with a gallery that cares about the health of both their artists and their clients.
On still another topic: A friend recently enjoyed getting a card from me and called it “postal whimsy”. I like that phrase and asked for and was give permission to use it! So I’ve updated my Zazzle collection of odd greeting cards both with the “postal whimsy” phrase and some new card designs. I am getting serious about sending postal whimsy and helping cheer people. Below is one of my favorite cards…
This week was so busy that while I did make sure to eat meals of fruits, vegetables and whole grains – more often than not – I didn’t do any sketches or photos of the food. I just stuffed my quiche-hole and got to work.
Despite all of the busy-ness I still did drawings in my sketchbook in the mornings and my evening reading of books before bed. Makes for nice creative bookends, pun intended, to a day.
However busy your week is I hope it is bounded by pleasant things. See you next Monday? Or before then if I hit a wrong button again…
The Alphapets portrait project this week is brought to you by the letters U, V, W and X. Here’s my abecedarian poem to go with these letters and artwork :
Udall grabs steaks right off the hob
Violet hopes for corn on the cob
Winston exudes a certain noblesse
Xavier’s in love with jolly Jo Beth
Here’s the artwork (somewhere on each piece is an alphabetical letter):
I did portraits of a Labrador Retriever, a Boston Terrier, a Greyhound and a Scottish Fold cat.
Udall, the Labrador, was inspired by a friends dog – who, though he’s had professional training, still occasionally steals unattended food off counter tops. Then, after licking his lips, sports a sweet face of innocence.
While thinking of food I remembered a long ago visit my spouse and I made to Boston Massachusetts. In one of the pubs there I had the best grilled corn on the cob I’ve ever had. As I recall it was served alongside beans and roasted zucchini. Sage and onion are in my memory too. And the need for a second cloth napkin. That corn on the cob…wow!! I’d hoped for more even after we’d finished our entire meal. Naturally such a delicious Boston memory had to be served by a Boston Terrier.
Winston is a real-life therapy dog. A friend nominated him for a portrait due to his heroic achievements as a canine therapist. He’s had some serious training – that’s why I depicted him in a uniform with medals.
Scottish Fold cats, the very few I’ve met anyway, seemed loving sorts generally but were especially attached to their particular human. One of the cats was a trained therapy cat.
As I write this blog post I realize I thought a lot this week about pet training, pet therapy and food. Isn’t it curious how the mind associates things?
Anyway, this artwork, too, was created with ink, gouache and color pencil. I do these portraits on board, size 3.5 x 2.5 inches. The original art will be framed…eventually … and be a miniature art exhibit at the Aurora Gallery. But due to the current pandemic I’m full-steam ahead on both a print and ebook version of my Alphapets.
I’ve said it before: Art, in my opinion, is there to give us solace, to help us get thru whatever is happening in life. So I’ve no grand plan with all this work other than to make myself and others smile.
The previous set of letters is here. As I said earlier, my Alphapets project is still aimed to be an art exhibit; both the framing and exhibit eventually done by Aurora Gallery and Frameshop. https://auroragalleryonline.com/ – this all began as part of the Ambassador for Small Frames program. Not waiting till the exhibit happens tho…I’m going ahead with making a book of Alphapets! I enjoy creating books as an art object and as a way of extending the gallery exhibit space.
The rest of the poem will be revealed in next Monday’s post as I get the last two pieces of this project done. More of my artist books are here.
See you soon with the remaining English alphabet letters – and details about the book!
In times like these we need to do what kindnesses we can for each other so I’ve decided to release my kitchen sketchbook earlier than planned. The title of this new artist book is Favorites So Far – a kitchen sketchbook. Details follow.
I spend most of my time working at home. Now, with coronavirus, more people, especially here in Washington state, are too. Welcome to my world. There’s lots of work but also books, good meals, drinks and snacks.
So perhaps it will be kind to go ahead and share more of how cooking at home fits with my working at home life? Hope so…
I was going to wait until just before my one-person art exhibit in June 2020 to officially debut this memoir cookbook, Favorites So Far, as many of the recipes relate to my artwork. I’ve been dribbling out teaser recipes on my Instagram page especially as they relate to the artwork as I finish the art. My original intention was to build momentum toward my June exhibit, display the artwork at the physical exhibit and have this 48 page sketchbook, itself intended as artwork, available as an accessory to the exhibit. You know, big splash.
But to heck with that. It seems kinder to share this book right now because people gotta eat.
Technically this book, Favorites So Far, is a printed 48 page memoir sketchbook – with my sketches on every page. That a meal could be made from it was just bonus. It’s suposed to be autobiographical amusement. But it really is a practical book, we refer to it for our own meals regularly.
Here’s a photo of the front and back covers of the printed book Favorites So Far:
Recently my co-author, Judy Sullens, and I got to talking: in the best of times what to cook/eat is a question. Door Dash and other innovative food delivery services are super helpful – but people suddenly being at home more… perhaps they’ll find it helpful to hear how a couple of busy creatives who’re not always flush with cash, not always remembering to get stuff at the store, how do they fill their belly’s?
The book is set up to be printed, 48 pages, full color, landscape format to showcase the artwork. And, since we’re not waiting to do a big splash at the exhibit, we’ve now set it up so the printed book can be shipped directly to you from the printer.
Perhaps even more helpfully we’ve set it up as an immediately downloadable ebook viewable on any device: Google Android devices, Kindle etc. It’s still 48 pages, full color with all the artwork. You can get the ebook version here. https://www.blurb.com/ebooks/709744-favorites-so-far (preview first 15 pgs)
Speaking of previews here’s some of the pages:
And here are a few of the inner pages so you can see the memoir attributes.
More generally how I handle being a busy artist while not starving: after breakfast, before getting to work in my studio, I cut up veg and etc ingredients and throw them in a pot to slow cook until lunchtime. I work for several hours in my studio, take a short break to stir the pot. Back to work for another hour or so. Then lunch!
This is a pic of my sketchbook that Favorites So Far is a reproduction of – and a pot of just assembled stew:
And, yes, since it’s so near to St. Patrick’s Day I couldn’t resist posting this Irish stew recipe!
Oh, and we showed this sketchbook to a chef friend who said “I love it that a third of the book is cocktails!”
Recently I’ve been super busy with fine-art exhibits and other illustration projects. But now I’m back to regular work on a new print version of “Dr. Bob’s Emotional Repair Program First Aid Kit”. During my work on the pages about Dr. Bob’s S.W.I.F.T. finger therapy I remembered how valuable this concept is when I’m in the middle of an art project.
While a project is not a person all creative projects also have an ugly-duckling stage. A point in which they’re more “mess” than “masterpiece”. A point in which things are happening with the colors and shapes that may not be what I intended or hoped for.
I’ve found the S.W.I.F.T therapy helps me remember to calm down about the mess. If a creative person gets too angst-y about the in-progress project it stops the flow of creativity. Possibly leading to a creative block. Remembering to think of “So What If….” finger therapy helps me relax and to do nothing radical to the in-progress project during my don’t-like-it moment. It enables me to let go, and approach the project later with an open, playful, mind. Perhaps after lunch, perhaps the next day.
Page from “Dr. Bob’s Emotional Repair Program First Aid Kit” collected and illustrated by Clancy
If you’ve just joined my blog (and thank you for that!) here’s the last post about this project. The last post covers another mental-health technique that relates, in my mind anyway, to living the sustainable creative life.
I began learning these mental-health techniques and applying them to my creative life back in the 1990’s. I’m still creating new artwork daily. Still loving it. Something works.
Hope this book and these posts will help you too. All the best…
I’ve been very busy getting ready for a one-person fine art exhibit at Caplan Art Designs that will open in September. (So my social media activity has slacked off lately.) Around the edges of creating new fine artwork, framing, paperwork and so forth I’ve been working towards a new print edition of “Dr. Bob’s Emotional Repair Program First Aid Kit”.
This story from the First Aid Kit has been a good reminder of an art technique I try to practice daily – even when I’m busy:
Even when I’m very busy I practice taking a moment within my day, wherever I am, in the here-and-now and pay attention to my 5 senses. I try to let go of any preconceived conceptions, to just expand my awareness. I also include, in this exercise, paying attention to my free-associations and my imagination during my 5-senses check-in moment. I’ll note my sensory experience and “watch”, like you’d watch television, the memories, thoughts and associations that cross my mind as a result of the sensory experience. I’ll often make notes in my sketchbook.
What I “get” for my payment – when I pay attention – is the power to choose what to focus on when I’m at my art easel working.
This practice of paying attention to both sensory input and the content of my mind – is a version of what Betty Edwards wrote about in her book “Drawing On The Right Side Of The Brain” – in the section where she talks about chairs. How (and I’m paraphrasing) a drawing student first attempting to draw a chair will substitute their knowledge about chairs (4 legs, a square seat and back) and will draw a child-like symbol of a chair. One has to learn to see the shapes of the spaces around the chair as well as the shapes of the chair itself – what is actually seen (3 legs, a trapezoid shaped seat and back).
I find too often – especially when I’m busy – I’m substituting my “knowledge” about the world, my preconceptions, for what “is” in the world. So I find it helpful to practice seeing the shapes of spaces, so to speak, in my sensory experience of the world. And to see the shapes of spaces within my own mind.
Paying attention allows me to merge real-world phenomenon with my mental life and to choose to communicate, via art, in ways that are helpful, playful and fun.
Currently “Dr. Bob’s Emotional Repair Program First Aid Kit” only exists in e-book form. But as I said above, I’m working on that. This book has had such a profound impact on my own creative life that I want to have another print version around.
I’ve been reading a book titled “Become America” by Eric Liu. In it Liu writes “To be a citizen is to be an artist…. ” Liu included examples of people imaging things like “why is this not a park?” and “How could these old folks and these little kids be making something together?”.
That got me thinking of how citizenship is an act of imagination. Governments, businesses – and of course artists – imagine all kinds of activities for their fellow citizens to participate in. Such imaginative action creates the civic world over time.
It is crucial, then, the kinds of imagination used and the intentions behind it. It matters which wolf gets fed: our good wolves or our bad ones. Or if you prefer angels: do we encourage the “better angels of our natures”?
It far too easy for the human mind to think “It’s always been this way” when we see civic spaces or events. It takes a healthy imagination and some effort to remember that we, collectively, created “this way” bit by bit and that we can maintain it or change it by equally small mundane bits too.
When it comes to my own imagination – and maintaining the health of it and my own civic engagement – I’m constantly asking myself “which wolf does this idea/thought/event feed?” and then looking for the small mundane steps needed to create a banquet, a meal or a snack for my good wolves and better angels.
One step I’ve identified recently, something small and within reach, that I can do to encourage and maintain my own healthy imagination – and good citizenship – is to create a new printed edition of Dr.Bob’s Emotional Repair Program First Aid Kit. And to make it more widely available.
Currently there is only the ebook version out. The first printed edition was done on an Espresso Book Machine at my local Powell’s bookstore. That machine no longer exists. Sigh. Theoretically copies of the first printed edition may still be found out in the wide world – by clicking here – but it’s a challenge. I want to make the book easier to find.
I, personally, want to have another printed copy of Dr. Bob’s Emotional Repair Program First Aid Kit. I want to put a copy in my bathroom. I want to read it when I brush my teeth. I want my good wolves to have more food to sink their teeth into. I want to maintain my healthy imagination – and to practice envisioning other good wolves with healthy imaginations also brushing their teeth…
Anyway, here’s one of my illustrations for the book:
illustration by Sue Clancy for “Dr. Bob’s Emotional Repair Program First Aid Kit
One of the many things I love about the Pacific Northwest are the indie bookstores and all of the people I see reading. Almost every time I’m in town I see people reading printed books in coffeeshops, in cafes, in the park, in the library, in line at the post office, waiting for the bus and even while walking down the sidewalk.
For example here’s a sketchbook page (left side) I did just after passing by the lobby of one of the downtown apartment-plexes. There’s a lobby on the first floor and a guy was sitting in a chair reading with his dog on his lap. (I added the cat – just for fun.)
I did the other page (on the right) on the same walk, but just after walking past a café window where a lady was having a dessert and coffee. The book she was reading was about the same small size as her cake! So I had to note that!
Below are several more pages from my “running around loose” sketchbook (a book I take with me when I go to town) as well as a few from my “kitchen sketchbook” (a book I keep in my kitchen at home to doodle in while I wait for water to boil etc.)
from Clancy’s Running Around Loose Sketchbook
from Clancy’s Running Around Loose Sketchbook
from Clancy’s Kitchen Sketchbook
from Clancy’s Kitchen Sketchbook
These pages – and my many other sketchbook pages full of readers and books – have been feeding my current “reading and books in art” fine art series that I’ve been posting about in my last several posts. This series of paintings is for an upcoming exhibit. Plus books are a fun topic for me to use in my artistic practice to, well, practice.
I’m still thinking hard about my notion of nesting ideas (like the way one book refers to another book etc.) and this week I’ve added a twist; in past years to accompany my fine art exhibits I’ve included ebook versions of my sketchbooks. What if this year, instead of an ebook, I did a limited edition printed book? And what if it was a book that collected some of my sketches of human readers and possibly included some of my poems/short stories? So that the poem/story related to the human reader, what they might be reading and also to the fine art? It would be a way for me to include the story alluded to within my recent painting Epic Tales Of The Pug King for example.
Hmmm… I’ll keep thinking. And I’ll probably post some of my human reader sketches/illustrations here too and see what you think.
Oh, and to add another layer to my nesting-ideas concept, over on my Instagram page I’m occasionally posting books I’m currently reading.
Here are a few pages from my tiny sketchbook for the Brooklyn Art Library titled “A. Mouse’s Book Of Scraps”. And since you follow me here’s my entire book, free download, as my thank-you-for-following-me gift: AMousesBookOfScrapsByClancy
I’m doing this gifting by permission of our books author Mr. A. Mouse of course. <wink> We, Mr. A. Mouse and I, hope you like it!
And yes, this 2.33 inch by 1.66 inch book is a humorous parody or spoof on the concept of collecting and publishing…