Numpurrs 12, 13, 14, 15

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I didn’t think it possible to be even busier this week than last week but I was. Still there’s been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.

Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs

Twelve spoons out all of the treats

Thirteen plans who will sit in which seats

Fourteen carries dishes piled so high

Fifteen slices the roasted magpie

As I worked on these cat portraits, in snatches of time, I chose the cats-to-be-illustrated from photos of cats that my friends have shared. My friends also shared stories about their cats – and both the stories and photos inspired which cat to pair with which number and poem line.

Also informing my work on these cat portraits are the books I’ve been reading. More details below. But did you know that magpies relate to math? So does carrying … math fiction as a genre to explore is lots of fun!

Anyway I don’t expect that the parents reading my Numpurrs to their kids will see all the math related research I’m putting in – the research is just a way for me to learn and enjoy this topic as I create my book Numpurrs. It helps keep me on track and inspired even when I’m not working on a cat portrait.

Anyway, I made these cat paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Both the small size of each portrait and my art media enable me to work in short bursts as time allows. If these works were in any other size or media I can’t imagine how I would have shoehorned this project into this week. As it was having this project to do in this way inserted a nice bit of relaxation and fun!

Part of what I have been so busy on can be seen here: https://sueclancy.com/portfolio/readings-from-the-heart/

The rest of what I have been so busy on would require lots of typing. Let it suffice to say that it’s very happy business (fine art commissions!) and that I enjoy it all very much!

Here in this blog my point is to show how I develop new projects and sustain my interest in them over a duration, despite a busy life. It’s a peek behind the scenes you can say in my creative life. So I’m trying to keep my writing here about the newest project under current development.

As I alluded to above here are some books that are helping me sustain my inspiration for this project. In addition to conversation with my friends about their cats I peek at one or the other of these books as I get a moment.

I’ve written about some of these books in my last posts but the book titles in the above photo are (from the top):

A Dictionary Of Color Combinations by Sanzo Wada – A link for this book in the bookstore Ampersand where I got my copy is here

I Am A Cat by Soseki Natsume – this link has a wonderful review/discussion of this book. The article mentions that this book was originally written serially, in installments. In addition to making this book readable for the busy times of life I also see it as informative on how to construct a story to be serialized. Besides all that it’s just a fun romp inside a cat’s mind!

Imaginary Numbers by William Fruct – I found my copy this book years ago in one of my local bookstores. I looked online just now for it and the best source for more information about this title that I could find is here at ABE Books.

Werner’s Nomenclature Of Colors by P. Syme. – The bookstore where I got my copy no longer has this title but you can see a fun article about this book, along with photos of the pages here.

So now you know how my week went: working on many projects, reading bits in books, thinking, musing, playing and adding new art progress, small bit by small bit, to my Numpurrs while also living life.

Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.

I hope your week is peaceful, fun and filled with your own creativity.

P.S. I also include photos of my other projects on my Instagram pages and elsewhere on www.sueclancy.com

Alphapets: Y, Z, the book cover and Storyberries

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The Alphapets portrait project this week is brought to you by the letters Y and Z. Here’s my abecedarian poem to go with these letters and artwork :

Yolanda has a good attitude

Zoe says “We’re done! Let’s go get some food!”

Here’s the artwork (somewhere on each piece is an alphabetical letter):

I did portraits of a Bengal cat and a Basset Hound.

In thinking of a “good attitude” I thought of my adopted father, a psychiatrist, and his Bengal cat named Missy. He was fond of pointing out how a cat will adapt easily to things, take things in stride – or have a good attitude – that it’s humans, with our big-brains, that will often resist adapting, and will as a result make things harder on ourselves with a bad attitude.

The Basset Hound finished off this letter sequence because as a child I was best friends with a Basset Hound and loved getting to share an evening meal with the dog.

As I completed the original artwork for my abecedarian poem I also worked on the graphic design of Alphapets by Clancy. That’s part of what makes this an “artist book” – it was conceived and constructed like an art object – by me. My spouse did proofread the text, make some book design suggestions. That, in my mind, is akin to submitting a bunch of artwork to a gallery for exhibit. Here’s a photo of me doing the graphic design hocus pocus.

You can see a bit of my book cover design in the above photo but here, below, is a better view of the front cover of the printed book.

Alphapets by Clancy is now available as both hardback or soft cover printed books. The ebook version has a similar but slightly different cover. All versions can be accessed here: https://www.blurb.com/b/10071862-alphapets-by-clancy

I had dedicated my book “for reading aloud to P and J” – both P and J are under age 5 – so the day I uploaded my book to Blurb.com for printing I told P and J’s grandparents (our friends) about the book. Then I turned off all of my devices to make dinner and read a novel a while before going to bed.

By now I don’t remember why but a few hours later, after dinner, I turned on my smart phone. I had messages just about every way a person can be messaged these days, from Storyberries.com !

Long story short this publisher/distribution house wanted to release my book for free to their readers! I gave my author/artist permissions and now you – or your little ones – can access my book here: https://www.storyberries.com/bedtime-stories-alphapets-free-books-online/

Storyberries.com is also doing audio versions of Alphapets by Clancy which are appearing on their podcast channels on Apple, Spotify and Podbean! How fun is that?!

I’d hoped for my book to be read aloud….

Here’s a photo of my friends grandkids looking at Alphapets by Clancy – the twins’ mom was pretty happy too!! Yippee!!

I’m a very happy author/artist!!

You can find the previous set of letters for this project here.

I had such fun riding this ride – I think I’ll do it again! Meet here next Monday?

8 Free downloadable artist books from Clancy

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For those staying at home (thank you!) I’ve made 8 of my artist books free downloadable ebooks. Go to this page https://sueclancy.com/shop/ scroll all the way to the bottom of the page and you’ll find them. Add the books you want to a cart, check out and that process gives you the free downloadable file(s).

Some of my books, like “The Crow And The Waterjug” are for little kids. Other books adults will enjoy on an adult level while still being able to share with kids of any age. My book topics range from drawing cats, to cooking dinner, people and places in the PNW and of course mice who author books.

Here’s some photos of the original book art from which the free ebooks came.

I hope these free ebooks give you some smiles.

On being at home and eating well

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In times like these we need to do what kindnesses we can for each other so I’ve decided to release my kitchen sketchbook earlier than planned. The title of this new artist book is Favorites So Far – a kitchen sketchbook. Details follow.

I spend most of my time working at home. Now, with coronavirus, more people, especially here in Washington state, are too. Welcome to my world. There’s lots of work but also books, good meals, drinks and snacks.

So perhaps it will be kind to go ahead and share more of how cooking at home fits with my working at home life? Hope so…

I was going to wait until just before my one-person art exhibit in June 2020 to officially debut this memoir cookbook, Favorites So Far, as many of the recipes relate to my artwork. I’ve been dribbling out teaser recipes on my Instagram page especially as they relate to the artwork as I finish the art. My original intention was to build momentum toward my June exhibit, display the artwork at the physical exhibit and have this 48 page sketchbook, itself intended as artwork, available as an accessory to the exhibit. You know, big splash.

But to heck with that. It seems kinder to share this book right now because people gotta eat.

Technically this book, Favorites So Far, is a printed 48 page memoir sketchbook – with my sketches on every page. That a meal could be made from it was just bonus. It’s suposed to be autobiographical amusement. But it really is a practical book, we refer to it for our own meals regularly.

Here’s a photo of the front and back covers of the printed book Favorites So Far:

Recently my co-author, Judy Sullens, and I got to talking: in the best of times what to cook/eat is a question. Door Dash and other innovative food delivery services are super helpful – but people suddenly being at home more… perhaps they’ll find it helpful to hear how a couple of busy creatives who’re not always flush with cash, not always remembering to get stuff at the store, how do they fill their belly’s?

So we decided to release the book now rather than wait. This link to the full color printed book has the entire book as a preview – and you can purchase it there too. https://www.blurb.com/b/9759759-favorites-so-far

The book is set up to be printed, 48 pages, full color, landscape format to showcase the artwork. And, since we’re not waiting to do a big splash at the exhibit, we’ve now set it up so the printed book can be shipped directly to you from the printer.

Perhaps even more helpfully we’ve set it up as an immediately downloadable ebook viewable on any device: Google Android devices, Kindle etc. It’s still 48 pages, full color with all the artwork. You can get the ebook version here. https://www.blurb.com/ebooks/709744-favorites-so-far (preview first 15 pgs)

Speaking of previews here’s some of the pages:

The title page
Book info page…. see, drawings on all pages!
Introduction page…how this book came to be.

And here are a few of the inner pages so you can see the memoir attributes.

More generally how I handle being a busy artist while not starving: after breakfast, before getting to work in my studio, I cut up veg and etc ingredients and throw them in a pot to slow cook until lunchtime. I work for several hours in my studio, take a short break to stir the pot. Back to work for another hour or so. Then lunch!

This is a pic of my sketchbook that Favorites So Far is a reproduction of – and a pot of just assembled stew:

And, yes, since it’s so near to St. Patrick’s Day I couldn’t resist posting this Irish stew recipe!

Oh, and we showed this sketchbook to a chef friend who said “I love it that a third of the book is cocktails!”

Hope you enjoy this book and that you eat well.

Way of all fresh food

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I’ve been working on a large painting and posted a pic of me at work on my Instagram page. A friend asked me to explain my symbolism when I finished it …so here goes:

First the painting. It’s titled “The Way Of All Fresh (Food)“. The size is 36 by 24 inches and I used ink, gouache and color pencil to make it.

The Way Of All Fresh (Food) – by Clancy

As evidenced by recent posts of my sketchbook pages I’ve been thinking a lot lately about the life of the mind. I’ve also been reading classic fiction on the topic: “Stoner” by John Williams, “The Awakening” by Kate Chopin and “The Way Of All Flesh” by Samuel Butler.

When creating fine art I like to use symbolism that originates in literature and mythology as a way to orient myself in order to create a visual story.

In this case Butler’s novel had me thinking, as I read, of the ways mental development, new learning – like love – can sneak up on us, and yet it’s something that we process daily. The challenges and necessity of purposefully participating in one’s own mental life dominated my thoughts – especially after I finished reading Butler. I thought of how the maintenance of one’s mind is similar to the maintenance of one’s physical body.

With that as a bare bones thesis I sought, and selected from literary history, symbols with which to construct my visual story:

Lizards represent inner life, taking time to reflect. (I also remembered a quote from the children’s book author Madeleine L’Engle “Love is a funny thing, shaped like a lizard, that runs up and down and tickles your gizzard.”)

Celery, in Ancient Greek writings, represents victory and a warding off of evil spirits. Parts of the celery plants were woven into garlands, crowns, and given to the winner of sporting events. They were also woven into funeral wreaths.

Parsley stands for useful knowledge, joy and feasting. (Practical stuff of life.)

Apples have a long literary history signaling love, knowledge, self-awareness, attainable joys….all elements of life that have been, in some stories, forbidden or used to trick (think Snow White and the 7 dwarves). So I see an element of good critical thinking skill development in an apple but I digress.

Bulldog represents tenacity, courage, willingness to do the right thing.

Cat represents curiosity.

In addition to playing with symbols I’ve also hidden what’s known in the movie and gaming industries as “easter eggs“. Some of the eggs I hid are:

The cat portrait in this painting is a spoof of my own artwork, i.e. there exists an artwork by me that’s similar to this painting within the painting. (There’s also a jigsaw puzzle I designed with this cat artwork.)

I’ve waved “hello” to many of my friends – the kitchen furniture waves to my interior decorator, visionary friend, Carolyn. The cutting board high-fives Kevin, a friend who’s a talented woodworker. The lizards are a shared giggle with my friend Kim. The socks are a howdy to Frank and Elaine. The purple shirt is there because of Beverly, Kris H and Erica M. The book and the heart-art are for my spouse – as always.

Since the lizards represent time to reflect I’ve included a clock near the heart and brain artwork with a special time on it. Most days by 10:40 a.m. I have spent time writing and drawing in my sketchbook. One of my methods to cultivate my own inner life. (And yes, I post these sketchbook pages on Instagram and make artist books from them. You can see some of the books here.)

Oh, almost forgot, there’s a yummy celery, apple and parsley salad recipe that goes with this painting too.

There now. I’ve told most, but not all, of the punchlines. Enjoy!

Clancy’s view of Tralfamadore

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In Slaughterhouse Five by Kurt Vonnegut, the (ahem) text, for my recent painting (last post) Vonnegut talks of Tralfamadore another planet where time is viewed panoramically by the Tralfamadorians.

After posting about my painting “Slaughterhouse Chives” some friends said they’d like to see my view of Tralfamadore. So here, below, are several views of my artist book titled “Clancy’s View Of Tralfamadore * a homage to Kurt Vonnegut and other intervals of time”.

Including, (wink) a panoramic photo of the inside contents of my book. The book is 7 inches tall and 4.5 in wide when closed. It opens to span 36 inches. I made this book with ink and gouache on handmade paper.

Front cover
Back cover
Panoramic view of the contents

In my artwork generally I think about time a lot, about the importance of the present moment, how we create – or curate – our present moments to our good or ill or something between. I think of how books are time capsules, messages from another era, another geographic region, another lived duration.

One of my favorite quotes is from a book called A Sideways Look At Time by Jay Griffiths the quote goes “The French philosopher Henri Bergeson, who greatly influenced Proust, understood the sublime importance of the present moment “time is creation or it is nothing at all” and lived durations are not simply intervals but are the very stuff of reality.”

I put that quote as a long-running phrase across the entire 36 inch accordion format that makes up “Clancy’s View Of Tralfamadore…” Around that phrase I’ve included references to the intervals of lived durations, Vonnegut (of course) and other authors I’ve read recently who’ve passed on to the eternal library in the sky. Also included are meaningful time intervals related to flowers/plants and soup. Each duration mentioned is an important part of this interval I’m living in. (For example; I’m aware that without flowers we wouldn’t have vegetables and other soup ingredients, or paper or…)

And for any extra amusement in it here’s a video of “Clancy’s View Of Tralfamador * a homage to Kurt Vonnegut and other intervals of time”

Video of the one- of-a-kind artist book by Clancy titled “Clancy’s View of Tralfamadore * a homage to Kurt Vonnegut and other intervals of time”

Thank you for sharing this present moment with me.

Slaughterhouse Chives or what came from my sketchbooks

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My last post featured my sketchbook pages and those sketches added to my reading in Slaughterhouse Five by Kurt Vonnegut were combined in my mind becoming this fine art piece I’ve titled “Slaughterhouse Chives”

“Slaughterhouse Chives” by Clancy – 24 x 18 inches – gouache and ink on board.

If you saw my last post you may recognize the man’s gesture from my “loosey” sketchbook studies.

I combined the man’s gesture with my soup thoughts, a recipe I cooked this week (and posted on my Instagram page) from my kitchen sketchbook. Then I read around in both Fahrenheit 451 by Ray Bradbury and Slaughterhouse Five by Vonnegut.

The Vonnegut title, with its focus on time (and other things) fit best with the thoughts I’d noted in my sketchbooks. (And my thoughts about current absurd American politics.) Reading the Vonnegut book helped me pull together all of my thoughts. Then I did a preliminary drawing, tweaked the drawing over a few days, transfered it to a board and painted.

Here’s some closeup details of sections within my painting:

There now. As Kurt Vonnegut says so often “And So It Goes”.

may the fourth edition be with you

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Hanging out at a bookstore yesterday with friends I happened to spot the book “Making Stuff and Doing Things: DIY guides to just about everything!” edited by Kyle Bravo  https://microcosmpublishing.com/catalog/books/1400

This book is now in it’s 4th edition and there’s one chapter by me titled “Why Make A Zine or Artist Book?”.

Back in 2003, if I remember correctly, my work was included in the first edition. Rereading my work now in the new 4th edition I’m still proud and honored to be included!  It really is a useful-in-creative-life book – I’m not just talking about my own chapter.

Here’s a teaser hint of some of the book contents in addition to mine.

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And here’s a teaser page spread from my chapter within this useful book:

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Sharp readers of my blog will probably notice that I’ve used one of the book-stitching techniques I mentioned in “Making Stuff…” on my current project “Time Tavern” (here’s a link to some Time Tavern posts; stitching the book here and more progress here.)

And here’s a panoramic photo of me along with Sweetie and one of our friends (the 4th friend was taking the photo) outside the bookstore Annie Bloom’s Books in Portland Oregon.  http://www.annieblooms.com/

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the rough bark of culture

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This coming Friday at the Joseph Gierek Fine Art Gallery (www.gierek.com) an experimental art exhibit of mine titled “The Rough Bark Of Culture” opens!

Yes, there are dogs. Lots of dogs. About 24 of them. Dog art that is. Clancy style.

The experimental part of this exhibit is that instead of being 24 works framed and hanging on the wall like a typical art installation – I’ve added my artist book thinking to my fine-art exhibit idea.  Which means my entire exhibit is intended to be an intimate experience.  Think curling up with a book. Or playing with a deck of cards.

Lucky for artist-me the gallery owner is willing to be playful.

Here’s what gallery-visitors will find: a box that looks like a leather bound book. I made the box and covered it with my hand dyed paper, paper that I’ve given a rough physical and visual texture. I designed the cover and the spine and various elements so that it appears like a book.  When closed this book-box measures 9 inches tall 7 inches wide and 2.5 inches deep. When you open the top “cover” it opens out to be 14 inches wide.

TRBOCCover72

Below are a couple of different angle-views of the cover so you can see the spine has the typical book-markings and that the edges of the box are painted to look like book text block “pages”.

Inside the book-box cover is a handwritten statement that puts my art-object-exhibit in a context.

TRBOCopen172

Then further inside there are 24 individual hand created dog art pieces done in my ink on handmade paper style. Each artwork is in an archival sleeve so that a viewer can flip through the box-contents like a book. (there’s even a ribbon to help people lift out the ‘pages’) Or the viewer can take out the pages and lay them out on a table and re-sort them.

TRBOCopenspread72

Below is some of my thinking behind the exhibit – including my resource book list. I referred to some of this book-research-resource mining in an early blog post here.

General exhibit thoughts for “The Rough Bark of Culture” by Sue Clancy

It is said that humans are the only animal that laughs, cooks (using heat and spices/herbs), develops music, creates art, writes/collects/organizes/shares information across time and space, sorts things numerically and devises elaborate rules for playing games simply for amusement. The ability to read and absorb information via symbols in pictorial and written form is also a uniquely human ability.

Humans are curious, they experiment, seeking novelty and creativity. Wanting enthusiasm – not boredom – they play. Play is part of being human. Play is also an essential component of being creative.

Creativity, communication and organization are attributes of being human. But in modern times it can be hard (rough) to carve out time to play, to be creative, to sort and organize information – to do those very things that make us human.

This exhibit is about what makes us human.

Why dogs? Dogs are enthusiastic about being alive – that’s why I’ve chosen them as my character “actors” in my artwork.  It’s a way of remembering that humans have the ability to create the world around them in ways that make life more comfortable, more fun – so that we can be more enthusiastic about being alive.

Reference material:

“Wonderland: How play made the modern world” by Steven Johnson

“The Creative Spark: How imagination made humans exceptional” by Agustin Fuentes

A quote I used as a guiding light – so to speak:

“To imagine is everything. To know is nothing at all.” Anatole France

Exhibit statement (which means I neatened up for handwritten inclusion in my book-box the thoughts outlined above):

It is said that humans are the only animal that; laughs, cooks (using heat and spices/herbs), specially crafts beverages, develops music, creates art, writes/collects/shares information across time and space, sorts things numerically, reads books/information in order to learn and devises elaborate rules for playing games simply for amusement. Humans sometimes share with dogs an enthusiasm at being alive – seeking novelty and creativity rather than boredom.  Unlike a dog, humans are able to plan and organize our time. We can defer gratification. Yet modern life sometimes makes it hard to carve out time to be creative – rough to do the very things that make us human; play.  This exhibit is about remembering to be human and enjoy life.

TRBOCspread72

If you want a flavor, a hint, of what this exhibit is like there’s my conventionally printed and bound book “Dogs by Sue Clancy” – https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

Creating a conventional book on this exhibit topic helped cement my idea that I also wanted my viewers to be able to physically “play” with my artwork. Even so – I’m proud of the printed and bound book too. It’s playfulness of a different sort. And able to be more widely available than a one-of-a-kind-art-exhibit in a gallery can be. Having both kinds of play available – the team kind or the individual kind – are important to me.

And speaking of teams; it’s almost time for me to go meet up with friends for a book-store browse and then to go to happy hour! Adult team play! Yippeeee!!

reading books making art eating popcorn

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Below are some books I’m currently reading that are “feeding” many of my upcoming art projects. That’s art exhibits, illustration projects and yes even my sketchbook work for The Sketchbook Project I blogged about last post.  Even though it may seem that I produce a random variety of things – there’s a uniformity to my randomness and it begins with what I read. I see all of the things I make as telling a visual/tactile story about being human, enjoying life and living well.  And to help me develop my visual story I read…

BooksReading72

In case you can’t see all the titles in the picture they are:

“Wonderland; How play made the world” by Steven Johnson

“Books for Living” by Will Schwalbe

“The Creative Spark; How imagination made humans exceptional” by Agustin Fuentes

“The Foundations of Mindfulness” by Eric Harrison

“Like Water for Chocolate” by Laura Esquivel

All of these books relate to themes I’ve been working with artistically for some time now:

How being willing to try new foods, to eat diverse foods, has helped us develop biologically as physical human beings. And how it helps us still.

Playing music, playing games, “playing” with our food – each kind of play in it’s own way has helped humans as a species develop and maintain physical and mental structures as individuals – and also social structures as communities. This is still true today. When we do not take time to play we hurt ourselves and each other.

Reading books (and writing them) has helped us – as a species – to pass on information so that each generation doesn’t have to completely reinvent the world from scratch.  This ability to collect information, and learn from it, informs our abilities to play – to playfully combine/recombine things – helping us to develop and maintain our mental skills.

Which leads me to mindfulness. Mindfulness for me is the human ability to pay attention, to focus attention and also to have a state of open/non-judgmental acceptance – curiosity even. This is essential to developing, having and keeping our human ability to imagine and be creative.  Mindfulness is part of being able to play and learn…and being able to play and learn is a way of being mindful. And for me, keeping a sketchbook, making art, is at it’s heart an exercise in playful mindfulness – but more about that in another post.

The novel by Esquivel is included in my current reading list because woman does not live by non-fiction alone.

Now please pass the popcorn. Thank you.