Some twins I’m lucky enough to know turned one year old today. So in collaboration with my wife, I wrote a poem and illustrated it for them. It was a good opportunity to practice art word combinations. And I think they’ll like it. Their parents and grandparents seemed to. Anyway here’s a picture of the birthday card:
I used a fountain pen to write the poem text this time. Last time I’d illustrated one of my poems I’d used brush and ink. For this birthday poem lower case letters were used. I like the lower case style. At least for this poem… The fountain pen was easier to control (and something I’m used to) and the neatness of the type and the softness of the lower case style are pleasing to me.
When I’d finished lettering the poem I then drew the illustration in brush and ink. After that dried I used gouache to give it color. That method too was an experiment in using ink and gouache in combination.
I am pleased with the resulting art word combination and will likely do that again; lower case letters and all.
What do you think of this lettering style?
This year I’m participating in the tiny sketchbook project at the Brooklyn Art Library – my sketchbook will travel to London, Paris and other places in Europe along with other tiny sketchbooks in a portable library that fits in a suitcase. My book will be in the Brooklyn Art Library’s permanent collection.
I’ve titled my book “A Mouse’s Book Of Scraps”. It’s a scrapbook from the point of view of a mouse. A Pacific Northwest Jumping Mouse to be exact. It’s fun to think about what kinds of things a mouse would collect; cheese rinds, vegetable scraps and landscapes.
Here’s a picture of my book in progress. The mint is there to show scale. And yes – it’s hand bound…
I’ve decided recently to practice my poetry and short-short story writing by writing something, no matter how bad, every day. If there’s anything illustration worthy I’ll illustrate it. Out of all I’ve done thus far this seemed worthy:
poem and illustration by Clancy
Doing the poem text with a brush was new and different for me. It was looser and I think I like it. Typically I’ve used a dip-pen and been “tight” about it. I’ve also tended toward handwritten capital letters as you know from my illustrated recipes. It’s a text-style habit that harkens back to my years as a professional cartoonist and biological illustrator.
But for this poem when I used capital letters via ink-and-brush the text seemed too thick and shout-y. I’m now thinking I’ll experiment with all lower case writing. And a smaller brush. Or maybe a fountain pen rather than a dip-pen.
I’ll try a different hand-written style, and technique, if I happen to write another illustration worthy poem. We’ll see… I’ve got a lot of bad poetry to write between now and then I suspect.
What do you think about the all capital letters via brush style?
Happy New Year everyone! New on newsstands is a magazine, Oregon Coast Magazine, in which is a 4 page article that I both wrote and illustrated! It was such fun to do a “sketching the coast” article for them that I want to do more such writing plus illustrating this year. Here’s a link for Oregon Coast Magazine https://oregoncoastmagazine.com/.
I’ve been experimenting with the flash essay format. Creating recipe illustrations, for example, and writing a short-short story/essay to go with it. Here’s a recent one as relates to this Holiday season:
– My wife and I went for a long hike in the woods on a below 40 degree day in the Pacific Northwest. We were cold when we got home. Before I shed my coat and scarf I began a pot of hot cocoa. Just after pouring the hot cocoa into mugs on the spur of the moment I added 1.5 oz Veil Double Espresso Vodka and whipped cream. I handed a mug to my wife confessing that I had been playing with ingredients again. She took a dubious sip. Oh nice! she exclaimed, adding; You can play with ingredients anytime especially when there’s alcohol involved. Since she liked the drink so much and I enjoyed the bold contrast of the hot liquid with my cold-from-the-hike self I kept the recipe – and drew it here using vigorous lines and contrasting colors in an attempt to capture my feelings.
“Hot Cocoa Espressionism” by Clancy – https://www.theydrawandcook.com/artists/sue-clancy
Hope your Holiday is similarly filled with fun people, delightful things to do and good food/drink!
In between Holiday fine art commissions I’ve been reading about the writers technique of flash fiction and flash non-fiction. And I’ve realized that this is what I’ve been doing all this time – illustrated flash. Or “illustrated shorts” as I call them. Like the short-short story writers do I take a nugget of a thought or feeling and describe it – but using visual art instead of words.
For example: I’ve sometimes looked at bowls of peppermint candies and thought of how fun it’d be to fling the mints up in the air and let it “rain” mints for a second. I’ve never done it – probably wouldn’t ever do it – but it’s fun to imagine. So I’ve been working on a fabric pattern design with that in mind.
I’ve done more of a red emphasis on the mints even though it’s not realistic to the mint examples in the photo because I had some mints recently that had more red on them. They aren’t in the photo because I ate them. All of them. And I’m not sorry I did either!
Anyway, after finishing the peppermint candy pattern artwork I scanned the artwork, took the digital file and set it up to become tea towels or napkins. Here’s a picture of the tea towel.
By illustrating fabric, in flash-fiction style, I’m able to get across my fleeting “tossed mints” feeling/thought but in a way that’s succinct (like a short-short story) and it’s also of practical use.
It suits my sense of humor to combine both the fleeting and the practical…
Happy Holiday’s in advance! Now I’ll go back to being one of Santa’s elves…