the feeling of milkshakes

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One of my favorite desserts uses fresh fruit from our garden and or the local farmers market. Naturally I meditated on what I feel like when I’m eating one of these milkshakes and described it with my recipe illustration. (clue: a parade…)

I used ink and gouache on handmade paper to create the original art-plus-recipe. The handmade paper is very absorbent so the gouache looks more like “watercolor” than it does when I work on board.

The recipe is called “sloppy” because I don’t bother to blend the ingredients before serving the milkshake. I like the big chunks of fruit. Anyway, If you make the recipe I hope you’ll enjoy it as much as I did!

SloppyMilkshakes

Sloppy milkshakes by Sue Clancy (original art and recipe) – 6 x 18 inches – ink and gouache on handmade paper

pie places and mapping the mundanely magical

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In my early 20’s I worked as a graphic designer for the Center For Economic Management Research where I took business statistics and turned them into maps and all sorts of illustrations. It was fun to learn that there are magical people behind those dry lists of mundane numbers!

Well fast forward to today – and I still like maps. I think of map-making as sorting mundane information via my imagination. For example; I’ve recently taken my running around sketchbook pages that depict places where good pie can be found and have turned the accumulated info into a map titled “Pie Places in Vancouver WA”. You can find this map and my other maps here and here.

And yes, you can really go and get a yummy slice of pie from any of these real-life places:

PiePlacesVanWa

Pie Places in Vancouver WA – https://www.theydrawandtravel.com/artists/sue-clancy

 

 

on sustaining creativity

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Especially when I’m super busy working on a one-person art exhibit I rely even more on my sustainable creativity technique of “running around loose”.  I define “running around loose” as going about my nearby surroundings like a child or a dog in a park; poking about and exploring as if there are no time constraints in the world.  My cell phone gets turned off and shoved deep into the bottom of my bag. It is there only for emergency use on the scale of needing to call 911.  I don’t use the GPS function on my phone either. “Running loose” involves getting lost, losing track of time and generally living by-guess-by-golly (no preconceived plan) for an afternoon into the evening.

I’ll bring my sketchbook and write, draw and paint but I do it with no agenda, no particular project in mind. The idea is to play like a child or a puppy. To observe my surroundings with curious, free-associative, eyes.

This is particularly helpful as a refresher when I’m coming down to the wire on an art exhibit.  I’m to deliver all of the artwork for my upcoming one-person exhibit at the end of May – and before that there’s all the paperwork.  So I’ve got to be fresh and remember why I’ve done all this artwork – and even get excited about it again.

I’ve been working toward this exhibit for about one year. I’m a bit tired by the time the exhibit nears. But it wouldn’t do to have a “well whatever” attitude here at the finish line.  Thus my mega-recharge session.

Here’s what I did in my sketchbooks when I “ran around loose” recharging my batteries for a whole day in Vancouver Washington and Woodland WA :

OldAppleTree300

I was particularly struck by the various colors of purple that I saw on the grapes I ate for a snack – and the many different colors of purple in the tulip gardens and lilac gardens in Woodland WA. Here are some sketchbook pages:

After running loose for a day I felt pleasantly tired but like I’d had a mini-staycation. Great recharge session!!

Links for where I “ran loose”:

https://www.cityofvancouver.us/parksrec/page/old-apple-tree-park

http://www.lilacgardens.com/

https://www.hollandbulbfarms.com

 

strawberry dessert anatomy

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Here’s a page from my sketchbook that relates to a recent blog post: https://sueclancy.com/dogs-strawberries-and-cookbooks/

DessertAnatomy300

experiment with words and art

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Yesterday was a busy day full of play both in the kitchen and on a hike. Somehow in the mix I thought of a new-to-me way to combine my handwritten words and artwork on a page.  Late last night I tried it in my sketchbook. Here’s what I did using ink and gouache:

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reading a dachshunds ode

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As I mentioned regarding the “Leaves and Grounds: Poems for the Canine Soul” painting I wrote of in my last post here, below, is another artwork with a concept related to, nested within, the afore mentioned painting. Also in this post is a poem that I wrote that relates to the ‘Leaves and Grounds’ concept.

ItsMagic-PrintThisOne

It’s Magic – by Clancy – ink and gouache on paper

A Dog’s Ode To Spring
By Clancy

Oh, there’s sunshine
Glorious sunshine
Makes a dachshund want to roll!
Let me out
To run about
Compost is good for my soul!
Oh, the mounds
Of leaves and grounds
This dog’s heading for the pile!
Where the digging is best
I’ll make my nest
Don’t wait I’ll be here a while!
I may be groomed
But that’s all doomed
‘cause I’ll do what makes me grin!
Oh, the sunshine
Glorious sunshine
I’m here till you shout “get in!”

 

epic pug sitting

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Recently I did a post titled Pug Epic Book In Art – (the post is about my painting in which a pug sits in a café reading a book) – since then I’ve also mused about a character who wrote the book the pug in the painting is reading. Here is an illustration of who I imagine is sitting to write the story “Epic Tales of the Pug King” – the book being read by the other pug in the painting:

Epic300

“Epic” by Clancy – ink and gouache on paper

And I’ve written the full text of the story that I hand lettered on the painted-book within my painting referred to in the prior post – the painting that when my wife saw it said she’d like to read the rest of the story of which only a part was depicted within the painting. So here’s the story:

Epic Tales Of The Pug, King  – by Clancy

The Pug King’s elegantly chipped ceramic bowl appeared before him resplendent with gravy, chunks of meat and yams. His Majesty tasted the gravy, then a meat chunk, the gravy again, then a yam, a meat chunk with the gravy and a piece of yam with gravy. He licked his lips, the bowl and his lips again. The Royal Feast was done; the dog sought some sport to aid all digestion and to his owner cried “Sir, Fool! Kneel now and play some ball!” The owner bowed and bent his knee. “Fetch!” he said and flung a mighty fling. The ball arched high into the air across the green expanse of Royal lawn. His Majesty ran flowing, majestically, swiftly, across the grass, conquering the ball and returning back to his owner. Three times, four times they did this at the King’s command. On the 12th time the owner knelt, patted the Monarch’s silken head, saying “Enough now, lets go inside and get ready for bed.” His Royal Majesty barked sharply. “Sir Fool, there’s a King’s personal business still to do…”

illustrated poetry dominos and books

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I’ve been thinking about how reading books is similar to playing dominos or sharing a meal with friends. In all of these activities we practice cooperating with others and peaceably bringing forth the world together.

Here’s a limerick poem I wrote and illustrated that playfully reflects my thoughts:

ThereOnceWasATomCatbyClancy72

original poem and illustration titled “There Once Was A Tom Cat…” by Clancy

This poem and illustration somewhat relates to my nested-ideas concept that I’m working with for my upcoming fine art exhibit. And this poem (along with others) could become an artist book to accompany my exhibit but I’m still playing around and not sure where all of this is going. This is one of the things I like about being an artist; getting to practice being flexible, playing and letting things unfold as they will.

Kind of like reading a novel, playing a game or sharing a meal with friends allows us to practice “letting things unfold…”.

On a technical note: To create the above poem and illustration I used pen and ink and gouache on a greyish off white handmade paper. It looks sharp in real life, and the paper is a dream to work on, but the scan accented the grey color of the paper more than the naked eye perceives in person. The scan looks good enough, I’m not unhappy … however, note to self; use white paper for things that will be scanned and leave this lovely greyish handmade paper for fine art stuff that will be photographed and not scanned.

I’m still learning!

oh sheet a deadline dragon

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Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.

And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.

Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.

Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:

DeadlineDragonDance72

And here is the instruction sheet on how to fold the above “book”:

HowToFoldADragon72.jpg

The pdf file for free download again: DeadlineDragonDancebyClancy

Yep I had a lot of fun taking a stodgy concept like deadlines and combining it with humorous poetry, illustration and book arts! I used brush and ink as well as my fountain pen on Bristol paper.

What do you think? How do you deal with deadlines, both the ones you set for yourself and those set for you by others?

illustrated poetry about food

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Last weekend I spent some time looking through my cookbook collection which sits on the shelves next to my poetry collection. Since I’ve been practicing both cooking and writing I look to my favorite “masters” in each genre for inspiration. It’s nice to have them all in one spot.  Mollie Katzen, Aliza Green, Rick Bayless and Maryana Vollstedt are some of my favorite masters from the cooking world.  Edward Gorey, Edward Lear, Ogden Nash and Shel Silverstein are some favorites from the poetry world.

I spent the most “looking-for-a-recipe-to-cook” time with Vollstedt’s cookbook “The Big Book Of Soups And Stews” as it was a cold weekend. Plus a hearty stew puts me in a happy “comfort food feast” frame of mind. But the most “just admiring a cook book” time was spent with Katzen. However I did use one of Katzen’s salad recipes to go alongside a stew. I love the way Katzen hand lettered her recipes and illustrated them in her “Moosewood Cookbook”.  My poetry time was divided between Edward Gorey and Edward Lear.

This concept of mashing up wildly different genres as inspiration to make something new? Well Austin Kleon has written wonderful creative thinking technique books about that – specifically Steal Like An Artist!

Anyway I combined my big pot of stew thoughts with the limerick poem form for this poem I wrote and illustrated below – which has been published now on They Draw & Cook.

ForTheCooksPlentitude72

For the cooks plentitude – by Clancy https://www.theydrawandcook.com/artists/sue-clancy

I’m still practicing combining India ink and gouache – and doing text with a brush.  I used a smaller size brush this time for the type – and all lower case letters.  This brush-and-ink type style felt looser, more relaxed, than the type I did with a fountain pen for the birthday card – though both projects use a similar lower case.  I like both methodologies and will probably use both techniques as they fit with the project at hand. But this brush style… I’m liking it and am finding my hand reaching for a brush more often.

What do you think?