This is the fine art piece I said I was working on in my last post. It’s titled “Midnight In The Garden Of Goode And Weeval”. If you look closely at the art you can see a plate of veg and cheese.
One recent evening I made a spread of assorted veggies and cheeses for a light dinner. As I assembled the plate I fondly remembered the light and yummy plates of fresh veg, fruits and cheeses that my adopted Mom would make – even late at night – during our visits. That memory merged with memories of travels to New Orleans, visits to a Portland gardening store where I marveled at the colorful planters and the novel, which I’ve read, by John Berendt titled “Midnight In The Garden Of Good and Evil”.
So as I worked with my inks and gouache paints I tried to create a riot of color to reflect these thoughts. My paintings title, a pun on Berendt’s book, also mirrors my kaleidoscopic impressions – all of which were inspired by a plate of veg and cheese.
If you’re curious about my recipe for “light and yummy…plate of veg and cheese” look here.
I’ve always wanted to make an art calendar. A group of 12 images on a theme. So I did one titled “Reading All Year” – theme of books and reading- I like to read. Maybe you’ve noticed…😁 Happy New Year!!
I’m finishing up a fine art commission for someone’s holiday present. So instead of talking about that – here’s a painting I finished just before the holiday rush began. Titled “Hare Heritage” and created with ink and gouache.
As I work I’m experimenting with the 3rd person omniscient narrator – and other narrator writing techniques. The viewer of Hare Heritage (the third person) can see and speculate on 2 visual story-lines within this painting.
It’s a fun challenge to apply writing techniques to fine art! And using the topic of readers and books adds to the pun.
One of the purposes of the Arts is to help us live well and, paraphrasing Kurt Vonnegut, to grow our souls. I’ve had this in mind as I’ve created my holiday stocking-stuffer stuff for my upcoming pop-up shop at Vintage Books Dec 7th from noon to 4 pm. https://www.vintage-books.net/
Making a whimsical, playful, calendar with artwork from my current Readers series was loads of fun – and I hope it will help people remember to live well and grow their souls all year long! I’ve titled my calendar “Reading All Year”. It is 5 x 7 inches when closed and 10 x 7 inches when open. It’ll fit into a holiday stocking. I’ve checked.
“Reading All Year” – a 2020 calendar by Clancy
If you can’t visit me at Vintage Books here’s a link where you can get your own calendar shipped directly to you. Hopefully my calendar will be a fun stocking-stuffer gift the other readers in your life will enjoy too!
I wish you the best during the holiday season and in the coming new year!
I’ve been having a blast playing at being a North Pole elf, designing gifts for my upcoming pop-up shop at Vintage Books https://www.vintage-books.net/ Dec 7th from noon to 4pm! The Pacific Northwest social scene has been inspiring and guiding my thoughts.
Here in Vancouver all year long people get together regularly for happy hours, for pot-luck dinners and other social occasions. I love it! Then come October through to the new year there are parties, parties and parties!!! There are cookie parties, apple parties, wine parties, beer parties, cocktail parties, salad parties, game-night parties, pot-luck dinner parties…. and, of course, holiday stocking stuffer parties.
So as I’ve designed my products for the pop-up shop I’ve kept in mind the various stocking stuffer parties we’ve attended – as well as the local trend of giving handmade items and/or small-in-cost-and-size unique gifts to friends and family.
Anyway, I have very much enjoyed designing whimsical gifts thinking of my local friends, family and fans. I’m delighted that my local bookstore, Vintage Books, has asked me to do this pop-up shop and I’m also planning a performance-art aspect to the event – i.e. I’m going to do some “live drawing” pet portraits…. but more on that in another post.
Here’s a stocking with some of the stuff I’ve designed in it.
My friend and neighbor, who has two grandchildren under the age of 2, was showing me a vintage toy that was purchased for the kids; a red and blue ball with shaped holes in it, with the yellow-block shapes inside the ball. You pull open the ball, the yellow-shape blocks spill out and you can put the blocks back inside the ball by matching the block shape and the hole shape.
At the time I was working on an illustration and was stumped for the “language” that the space alien creature would be speaking. The “language” in my artwork would need to somehow imply the ways the content of a book can “fit” with or resonate with a reader.
My conversation with my neighbor helped – creative problem solved!!
It’s finally gotten to be “soup and stew” weather here in the Pacific Northwest! When I was making a stew the other day I realized I was twirling, aka dancing, in the kitchen; popping quickly between the stove, the counter where I was chopping veg, the pantry and the refrigerator. I was so excited about making a stew that I’d forgotten my cardinal rule of getting all the ingredients out before starting.
The experience inspired this artwork I’ve titled “The Sacred Dance Of The Stew-pot”.
Sacred Dance Of The Stew-pot – by Clancy – 8 x 10 inch – ink and gouache on board
I created the artwork using my fountain pen and gouache on board – after I’d finished eating of course.
The stew turned out okay. It wasn’t the best I’ve ever made. But for the first stew of the season I’ll give it marks for effort.
On a recent trip to the library I saw a book titled “How To Draw And Write In Fountain Pen: A Modern Guide” by Ayano Usamura. (book link) The book reminded me that I’ve not talked about this essential studio tool in a while.
I’ve used a fountain pen almost daily since I was in art school at university. An illustration class required a fountain pen, a Pelikan Classic M200 , as one of it’s “textbooks” for the semester. We were taught the care and use of the pen – the pen care section of the book by Usamura mirrors what I was taught exactly. Part of the class requirement was to draw with the pen daily. The professor would periodically surprise-inspect our pens for proper care/maintenance and would look at our sketchbooks as part of our grade. Woe unto the student who forgot their pen.
Fast forward to now and I’m still drawing with my fountain pen daily. It’s my go-to tool for my on-going art studio philosophy: “Work in short bursts of time. Often.” When I’ve only a minute or two for creativity work I can easily, quickly, do an ink drawing without having to do any more “studio-set-up” than to open my sketchbook and pull the cap off my pen. Here’s todays fountain pen drawing:
Nowadays I prefer the Levenger True Writer. It’s the best fountain pen I’ve had yet. Writes and draws smooth lines with no pressure, less mess and less constant care needed than some other pens. I use the Noodlers brand fountain pen ink – the anti-feather black kind (also called “X-feather”). And of course these days I have a whole new appreciation for the environmental friendliness of a fountain pen; less used-up-pen-plastic-parts going into the land-fill.
Anyway, the book “How to Draw and Write in Fountain Pen” happily reminded me of what I’d been taught way back in the day at university. I brought the book home from the library to read and re-remember all the fountain pen tips and tricks. And, if the book was accurate to my fountain pen experience (it was!), I could mention it to you here on my blog – and photograph the book with my Levenger fountain pen for a post on my Instagram page.
Now if you’ll excuse me I’m going to go lovingly re-fill the ink in my fountain pen.
Update: After I had written the above post about fountain pens I went to dinner in Portland Oregon. From dinner we all walked to Oblation Papers and Press – where I happily discovered that they have a wide selection of fountain pens!! And staff who know the various pen brands! Here’s a link to their drool-worthy website https://www.oblationpapers.com/
For your amusement here is a collection of a few artworks in “A Readers World”, my one-person fine art exhibit opening Thursday, Sept 5 at Caplan Art Designs. http://www.caplanartdesigns.com/
I’m playing with the interconnectedness of life; the ways imaginative stories flow out into the readers world. And vice versa of course. Art can stir life. And life can stir art.
As I created these artworks, I thought of how a story is actions mixer. For example, each of these pieces contain ingredients from my experiences, the “actions” I’ve seen as I’ve lived my life, put into the cocktail shaker of my imagination.
“Suspense” by Clancy – 7 x 5 inches – ink and gouache on paper
“Sea Stories” by Clancy – 8 x 10 inches – ink and gouache on board
“It’s Magic” by Clancy – 7 x 5 inches – ink and gouache on paper
“Immortal Good Fortune” by Clancy – 8 x 10 inches – gouache and ink on board
“Pie In The Sky” – by Clancy – 8 x 10 inches – ink and gouache on board
“100 Things To Do On A Rainy Day” by Clancy – 11 x 14 inches – ink and gouache on board
“Daily News” by Clancy – 7 x 5 inches – ink and gouache on paper
And yes, if you recognize aspects of a person, a pet, a place or a thing and wonder if…. the answer is probably “yes”! (It’s sort of like the “Easter Eggs” that can be found in some films.)
Anyway, if you look at some of my recent blog posts you can see more details of the ingredients of life that I mixed together to make each particular visual story.