The Alphapets portrait project this week is brought to you by the letters E, F, G and H. My abecedarian poem to go with these letters and artwork :
Everett often warbles with glee
Farley is so easy to please
Gingerbread loves days when it’s snowed
Henry is sure he’s cracked the code
Here’s the artwork (somewhere on each piece is an alphabetical letter):
I did portraits of a Siamese cat, a poodle, an Alaskan Malamute and a tabby cat. While working I thought of a friends Siamese cat who “sings” constantly and I combined that with a memory of being in college art school which was next door to the music building and often hearing music as I went to class. While working on the poodle I remembered a poodle I knew in the 1970’s and the decor from that era – for some reason poodle haircuts remind me of the 70s. The Alaskan Malamute was inspired by a fairly recent portrait I’d done of a special person’s special dog – and I, too, love seeing snow. I am currently owned by a tabby cat who, I’m fairly sure, has this human figured out (and wrapped around his dew-claw).
All of this artwork was created with ink, gouache and color pencil. I love the forgiveness of gouache, the opacity of it, the buttery-smooth feel of working with it. It brightens my quarantine-days to make these Alphapets pieces – hope it brightens your day to see them.
If you’re just joining us the previous post is here. My Alphapets project is aiming to be both an art exhibit and an artist book. With framing eventually done by Aurora Gallery and Frameshop. https://auroragalleryonline.com/ as part of the Ambassador for Small Frames program. I want to eventually bring them all together in a book – with my abecedarian poem. More of poem will be revealed on each Monday’s post as I get more of the artwork done. More of my artist books are here.
My last post featured my sketchbook pages and those sketches added to my reading in Slaughterhouse Five by Kurt Vonnegut were combined in my mind becoming this fine art piece I’ve titled “Slaughterhouse Chives”
If you saw my last post you may recognize the man’s gesture from my “loosey” sketchbook studies.
I combined the man’s gesture with my soup thoughts, a recipe I cooked this week (and posted on my Instagram page) from my kitchen sketchbook. Then I read around in both Fahrenheit 451 by Ray Bradbury and Slaughterhouse Five by Vonnegut.
The Vonnegut title, with its focus on time (and other things) fit best with the thoughts I’d noted in my sketchbooks. (And my thoughts about current absurd American politics.) Reading the Vonnegut book helped me pull together all of my thoughts. Then I did a preliminary drawing, tweaked the drawing over a few days, transfered it to a board and painted.
Here’s some closeup details of sections within my painting:
There now. As Kurt Vonnegut says so often “And So It Goes”.
This is the fine art piece I said I was working on in my last post. It’s titled “Midnight In The Garden Of Goode And Weeval”. If you look closely at the art you can see a plate of veg and cheese.
One recent evening I made a spread of assorted veggies and cheeses for a light dinner. As I assembled the plate I fondly remembered the light and yummy plates of fresh veg, fruits and cheeses that my adopted Mom would make – even late at night – during our visits. That memory merged with memories of travels to New Orleans, visits to a Portland gardening store where I marveled at the colorful planters and the novel, which I’ve read, by John Berendt titled “Midnight In The Garden Of Good and Evil”.
So as I worked with my inks and gouache paints I tried to create a riot of color to reflect these thoughts. My paintings title, a pun on Berendt’s book, also mirrors my kaleidoscopic impressions – all of which were inspired by a plate of veg and cheese.
If you’re curious about my recipe for “light and yummy…plate of veg and cheese” look here.
It’s finally gotten to be “soup and stew” weather here in the Pacific Northwest! When I was making a stew the other day I realized I was twirling, aka dancing, in the kitchen; popping quickly between the stove, the counter where I was chopping veg, the pantry and the refrigerator. I was so excited about making a stew that I’d forgotten my cardinal rule of getting all the ingredients out before starting.
The experience inspired this artwork I’ve titled “The Sacred Dance Of The Stew-pot”.
Sacred Dance Of The Stew-pot – by Clancy – 8 x 10 inch – ink and gouache on board
I created the artwork using my fountain pen and gouache on board – after I’d finished eating of course.
The stew turned out okay. It wasn’t the best I’ve ever made. But for the first stew of the season I’ll give it marks for effort.
Both gouache paints and acrylic paints reproduce well (even in newsprint!) but to my eye the gouache reproduces best of all. But then gouache was originally created for use in illuminating manuscripts back in the days, around the 16th century, when all “books” were hand written, hand illustrated and hand bound – one at a time.
Acrylic, a medium that originated in the late 1940’s, tends to be shinier and more difficult to photograph and thus get a good reproduction quality image.
Have I mentioned lately that I really like gouache??
For this new painting I’ve combined several thoughts together: rainy day activities, the contrast between rainy Pacific Northwest and the Southwestern (USA) desert region (Arizona), and the Bonneville Dam’s fish ladder. I’ve found the fish ladder fascinating – here’s a video of it – and have done some fun sketching at the Bonneville Dam trying to capture the patterns I see.
I enjoy the patterns the fish form as they flow by. I also enjoy the patterns of the needles/leaves on cactus and succulents which seem visually similar, in my eyes, to the “flow” of the fish as seen from various angles.
Been thinking of how people can focus too much on things that are unlikely to happen and forget to see what really is possible – such as enjoying the here-and-now moments. I’ve also thought of related quotes and phrases: “Life is not a dress rehearsal” and “Take tarts when tarts are passed” and “If not now, when?”. These thoughts baked in my brain pan a while and out came this painting I’ve titled “Pie In The Sky”
Pie In The Sky – by Clancy – 8 x 10 inches – ink and gouache on board
I’ve been reading “Whiskey Galore” by Compton Mackenzie. Once again I realize that I enjoy the mix of real-life and a whimsical imaginative look at real-life. Mackenzie used a real-life event as the inspiration for his whimsy and did the mix extremely well.
Already I’ve been doing some of this mixing in my work – but I want to do even more of that mundane/imagination mixing in my various art projects. Here’s what I did most recently: it’s 8 x 18 inches, ink and gouache on board – I’ve titled it “The Soup Book: Starting With Ingredients”
“The Soup Book: Starting With Ingredients” by Clancy
It mixes the real-life (mundane) action of consulting a cookbook recipe, perhaps for chicken soup, with a (magical) chicken rescue. “The Soup Book: Starting With Ingredients” will be one of several new works for an upcoming one-person art exhibit in September at Caplan Art Designs in Portland Oregon. I’ll post the new artworks here as I get them done.
But back to the artwork itself: I enjoyed doing a panoramic visual story that continues what I began doing for my “Dear Readers” exhibit currently on display at Burnt Bridge Cellars. The new wider format let me put in more details, more “story-ness”.
“The Soup Book…..” was such fun to create that I plan to do more in this format! And of course do more general mixing of metaphors, more blurring the lines between the mundane and the magical in all of my work. We’ll see how it all goes of course.
Generally I’ve been thinking of how important it is, for living well (and good mental health), to be able to view mundane life with a “glass half full” attitude, to be able to see what is good/delightful, and to use curiosity and imagination (and good books) to stimulate ones own inner life. Which is why I aspire to do an even better artistic job of mixing the mundane and the magical.
BTW: “Whiskey Galore” has been made into a movie – and a very well done movie too! The book version has a bit more story to it – but the movie is wonderful and it’s not always that both the book and movie are equals in quality.
Yesterday was a busy day full of play both in the kitchen and on a hike. Somehow in the mix I thought of a new-to-me way to combine my handwritten words and artwork on a page. Late last night I tried it in my sketchbook. Here’s what I did using ink and gouache:
Most of my artwork is me telling visual stories inspired by data from my real-life. A kind of “creative nonfiction”. When I do art commissions the client provides the life-data and I tell their story. A kind of “biography”. Elements from a persons real-life are woven into the portrait of their dog or cat. I love helping people tell their stories!
Like this commission I recently finished… pictured below… the coffee cup is special to the owner, the tee-shirt logo is important… and of course the dog looks like their very special dog, Potter.
I had such fun drawing this dog – (those ears!!!) – and working with the client who commissioned this portrait. They gave me such good data to work with!
“Potter” by Clancy (ink and gouache on handmade paper)
If you’re curious about some of my other commission work you can see them here.