My Gallery owner Amy at Caplan Art Designs had the idea to pair photos of the pets that inspired my Odditerrarium series portraits alongside my paintings! I swear I am so grateful to have her expertise! Two heads really are better than one sometimes.
The gallery has started doing posts like this. Isn’t this nice?!
I quickly followed her lead adding additional information such as how, like in this cat portrait, I refer to previous portraits I’ve done of this cat as well as alluding to other things relevant to the life of this cat and human. For all of my portraits I like to include something from the lives of pet and person. In this way my paintings can become a visual story.
As I wrote in my last post my hearing aid in my “good” ear had a problem. We went to the hearing aid repair place in hopes they could repair it while we waited. No luck. They asked me to leave it for a few days to see if another tech wizard could work a miracle. No luck again. So, long story short, when you’re reading this blog on Monday I’ll be at the audiologist getting a new hearing test, an evaluation and recommendations re hearing aids. Please wish me luck in the comments below!
Consequently this week has literally been quiet. I sketched a lot, much of it about perceptions, in my sketchbook as a self comfort. I shared the sketchbook pages in my email newsletter.
I read a lot, mostly Donna Leon mystery novels as I love those! Hearing is no issue when reading a book! Reading books was how I dealt with being a deaf child too! Here’s a picture of hearing-aid-less me in front of my books to cheer up by shelves (details here)
Luckily since I’m self employed hearing isn’t much of an issue really. My spouse and I now have either have a conversation or we do things, like cooking, we can’t do both at the same time as we did before. But that’s given both of us more attention to the conversations themselves and that’s been enjoyable!
I’ve also focused on my work and in the quiet I’ve made major progress on the cookbook I’m illustrating for Chef Kim Mahan of Class Cooking! I’m planning/hoping that will be available in early November in time to be a gift book for the holidays.
Here’s one part of the illustrated poetry book for children that I’ve been working on for Storyberries. Progress here!
Progress has been happening on my 3d box project too. As I worked on this side of the box cube I remembered to take photos of my stages of work! Aren’t you proud I remembered?! This box is being painted in acrylic so it will be durable enough to be in a kids room, handled, sat on etc.
One of my friends, Becky Ross Michael who writes a wonderful blog Platform No. 4, asked me last week if I had ever done an artist book about my hearing experiences. I have!! I will rummage around for it and take photos or do a video of it for sharing here next week.
This week the Aurora Gallery finished framing my adopted Mom’s quilt that I told you about in a prior post. Doesn’t the frame look great? We went right home and hung it in a special place!
As you see in the photo above – included in the frame is a piece of handmade paper on which I hand wrote Mom’s name and a bit about the quilt.
I also remembered a story related to the quilt theme of “knowing what it is when you pick it up” (details in this post). The story I remembered goes like this: A man holding a lit candle went looking for fire with which to cook his rice. It was a long search. If he had known what fire was or asked some questions when he began searching he could have cooked his rice a lot sooner.
This week we went for a browse at Vintage Books an independent bookstore a few miles from where we live. As I browsed I came across the local author shelves and was delighted to see a book I illustrated, “Dr. Bob’s Emotional Repair Program First Aid Kit”, right there on the shelf where I was browsing! What a fun surprise! It’s available via the bookstore website too!
Below is the book haul we came home with!
Below is a sketchbook drawing I did of two books I’m currently enjoying reading! I’ve added both of these titles to my public books to cheer up by book list here.
I enjoyed seeing this photo of a happy person with their dog with my artwork in the background at Canal District Wines this week and thought you’d enjoy it too. I’m thinking I want to do more art like this … I like the boldness and simplicity.
This project in progress below is a 3d cube 8 inches square that I’m doing for a holiday exhibit at Caplan Art Designs! I’m aiming for the used wooden toy block look – but with a dog theme.
My drawing marathon for NIL-TECH will start on Monday and run for a number of weeks! If you’ve followed my blog you’ve seen me working towards this… and now here it is! Drum roll please! Actually please follow NIL-TECH on their Instagram or Facebook pages so you can see the end results of all the practice you watched me do here on my blog! And thank you for cheering me on! Here’s the link to the 54 piece watercolor pencil set I’ll be using in my marathon. Wish me luck!
I hope your week is pleasant. See you next Monday.
Here’s a dog portrait in my Odditerrarium series. A bird dog exercising discretion. 🤣 Yes, I laugh at my own jokes. This painting is 8 x 10 inches and created with ink, gouache and collage on board.
Here’s a closer look.
Jokes aside – as I worked on this painting I was thinking that it’s not our first thought or an event that’s the important factor it’s our second thought and the actions we do next in response. It’s having the discretion to choose wisely what our next thoughts and actions will be that’s most important.
That thought popped up again when I made a mistake in my sketchbook. I started to attribute the quote to Seneca but it was by Epictetus. So I shared how I fixed the mistake I’d made, in permanent ink, in my sketchbook in this email newsletter titled: 95% of being an artist (or a human) is knowing how to deal well with mistakes.
Here’s my sketchbook with the mistake corrected.
This week Amy, the owner of the Caplan Art Designs gallery came to pick up the Odditerrarium series for exhibit in October. It was great to see her and visit!!
Here’s the box of 20 artworks – many of them new for the October exhibit. I’m still enjoying being a miniature artist and having an entire exhibit fit in one box!!
Do you ever get suddenly tired of typing? I do. I have more I’d love to share with you about this book (in the pic above), about my projects in progress… but my typing fingers are tired. So I leave you with a sketchbook doodle and a hope that your week is pleasant. See you next Monday.
A fun creative exercise is to list the good things in my life. As the saying goes here’s “a few of my favorite things”. Items on my list are in bold type.
Painting. Basset Hounds. Flowers. I combined these favorites in a mixed media painting titled “The Goods Of This Life”. It’s 8 x 11 inches and was made using ink, color pencil, gouache and collage on board.
And yes, the orchids are a homage to my adopted Mom (mentioned last post).
Art supplies. I’ve been channeling my inner Julia Child and practicing talking while doing a drawing demonstration for NIL-TECH. In this video I’m sharing how I get my ideas and start a drawing using watercolor pencils.
The idea for this “Coffee Pup” drawing was inspired by the feeling of enjoying the first sip of good coffee. Coffee is another good thing.
Fountain pens and poetry and the awareness of caring… 3 more good things.
Family. That’s a really big good thing! A group of us got together to watch a great nephew’s university soccer game! We had such fun seeing each other and cheering for our nephew!
Friends are another really big good thing and cookouts … two more good things that I enjoy. Naturally I had put them in a poem in my artist book Patch La Belle.
Libraries. Oh my goodness libraries are such gifts! Both the public libraries and private libraries you assemble yourself at home are treasures!! We recently visited our local library for the first time since the pandemic began in early 2020. Since the pandemic started we’ve primarily checked out the ebooks. I certainly count ebooks among the good things in life but printed books… oh, it was such a treat to get print books during our recent visit!
One of these days I’ll write more about why libraries and books are so important in my creative life. But not in this post. In case you’re curious, however, about how books relate to my creative life I’ve begun keeping a public list of some of my favorite books that help me in my creativity here: https://bookshop.org/shop/clancy
I never know when a good thing will inspire art – which is why I keep lists in my sketchbook. If you haven’t already signed up to get my email newsletter in which I share my sketchbook pages please do! https://sueclancy.substack.com/
I hope your week contains many of the good things in your life…and that you’re able to notice them. See you next Monday.
I thought about travel this week and the newest painting in my Odditerrarium series is titled “Desirous Naturally Of Travel”. It’s a portrait of a Portuguese Water Dog who is contemplating sailing.
Here’s a closer look.
Like the other paintings in my Odditerrarium series this new one is 10 x 8 inches and was created using ink, gouache and color pencil on board. It will join its fellows at the Caplan Art Designs Gallery for exhibits later this year.
But on the topic of travel: in a variation of the curiosity game I shared in my last post -despite the pandemic- I have done a kind of travel using books, websites, Google Earth and streetwise maps.
I pick a country, a region, a culture and look for poems, prose and food preparations that originate there. As alluded above I will try as I can to look at online images of the actual places. Sometimes I’ve even looked for a hotel’s website and selected a room in which I imagine staying.
Recently I visited again some Native American Nations. I have a book of poems from a Cherokee poet in Oklahoma. A book of legends from various Native American Nations in the Pacific Northwest. A cookbook with sections covering various Native Nations in all geographic regions throughout the USA.
Here’s one of the poems I enjoyed.
From the cookbook “Spirit of the Harvest” I enjoyed the text about the three sisters: corn, beans and squash.
Inspired by the Iroqois for one of our meals I put together corn, pinto beans, zucchini, bell pepper, onion with some fresh cilantro and a bit of bacon with a tiny drizzle of maple syrup into oven safe bowls. Then I baked it all in the oven in the boat-bowls you see below. Yum!
Back in the pre-pandemic days I had a small shoulder bag I would carry when we went to locations. Since the pandemic began I used a version of my “travel kit” on a corner of our breakfast table where I write and draw in my sketchbook while we have our morning coffee.
My sketchbook is 5.5 inches by 3.5 inches. The water brush is 6 inches long. The other two pens are 5.5 inches long. The new palette is 3 inches by 2.5 inches. As you can see below it will all fit easily into a small bag or jacket pockets.
The palette came with 6 empty half pans which I filled with my chosen gouache colors. In the photo below you can see the three separate parts to the small palette.
The three parts of the palette interlock together easily and securely.
The gouache colors I chose are: (top row) Primary White, Payne’s Grey, Moss Green (bottom row) English Red Ochre, Naples Yellow, Prussian Blue.
The colors are selected from my “butterfly palette” which was inspired by a scientific book called “Nature’s Palette: a color reference system from the natural world”.
I’ve been using my butterfly palette for my Odditerrarium series as well as my sketchbook. I like the soft gentleness of the colors so much that it’s fine by me if the colors I paint don’t exactly match the real life objects. I’m describing thoughts and feelings using my personal color vocabulary rather than strictly mimicking what I see in the world. What I see in the world is a starting point, a prompt you might say, for contemplation and storytelling.
In the photo below you see my new travel (ha!) palette and sketchbook at breakfast the morning after my wife gave me the portable palette.
Here’s another photo angle. See? Plenty of room for both breakfast and playing in my sketchbook without crowding the dog on my lap!
Below is another day’s sketchbook session. I had already cleaned the palette mixing areas (and the breakfast dishes) before I remembered to take a photo.
I’ve done a new book for Storyberries titled “Juggling Numbers” and like my last experimental art book “A Scoop Of Letter Soup” the new book flows up and down. The book is being released next week so I’ll talk more about it in my next post. But did you notice the unicycle in my sketchbook photo (above) and in this new book too?
I hope your week is smooth sailing or unicycling or however you travel it. See you next Monday.
Work happily proceeds on my new Odditerrarium series. I’ve a work schedule and I’m sticking to it. As I worked on this pug painting titled “Troublesome Wit” I thought of John Lewis and his phrase ‘good trouble’. I thought of how humans work together in order to have the wit and fortitude to deal with life. I imagined a pug dog watching a human take measures and make efforts.
“Troublesome Wit” was created with ink and gouache on a 10 x 8 inch board. Here’s a closer look.
One of the online groups I lurk on and sometimes participate in is on the topics of handmade books and artist books. The question “what got you started making books” was asked of the group. This is how I responded: I began at age 8 when I got hearing aids for the first time. I looked in the school library for a book about how books were made. Following pictures in that library book I folded paper in half and stapled it roughly in the middle. Then as the weeks progressed I drew my hearing aids and drew all the things I encountered that made noise. Two grownups in my life were always yelling “be quiet!” at me so I kept the book so I could figure out what made noise, how much noise it made and what was quiet. My pencil and crayon llustrations showed the “volume” of any noisemakers as well as what they were. I titled my book “The Be Quietness Book”. So I’ve been making books by hand or at least writing/drawing in blank books since age 8 until present time and I don’t imagine ever stopping! I’m still trying to figure things out with my books!
Here’s a corner of my studio as it is today that has many of my filled-to-overflowing books and some new blank books awaiting their turn. Some of the blank books I made from scratch, some I bought.
One of my poems was published this week for poetry month by Birdhouse Bookstore. My poem was put on bookmarks! As you know I enjoy non-traditional unorthodox publishing and publishing my poem on a bookmarker is perfect!! 😁 In the second photo you’re looking at the poetry books on the shelf in my breakfast nook. Several of these titles came from this localbookstore https://birdhousebooks.store/
I’ve still been practicing, whenever I have time, at doing Reels on Instagram. I did one in which I read aloud one of my poems in Patch La Belle. I’m having fun with this way of sharing my stuff.
Did I manage (finally) to embed a video in this blog post? Or do we need to see that Reel via this YouTube link here https://youtu.be/f0W-7642inU ?
Anyway, technology aside here’s a sketchbook page with toast and coffee.
I’ve been thinking this week of how it matters who keeps the stories, the poems and who tells them. I’ve been an armchair folklorist since my college days and I’ve maintained my interest in old stories throughout the years. Here’s my current evening reading stack.
I find it fascinating to see how stories and the cultural and personal attributes we bring to them can affect knowledge formation for good or ill, up to and including what gets designated as “important”. Then that knowledge, however imperfect, is what gets passed through to others who acquire and form their knowledge based on what we share. Whatever is new to us today will become “the way things are” for the next generation. All we can do is try to share generously whatever might help someone else build new constructive knowledge.
We learn from other people how to live. Sometimes in the effort of trying to share what we know we teach ourselves something new.
However there’s no shortage of people, in any era, who will hold up a thumb and forefinger an inch apart and try to convince you that the space indicated is literally the whole world, that their definitions of that world, their narrative, is the only “true” one, that only their description of what is important matters. They want you to believe only them and will likely somehow benefit if they do convince you accept their story framework and take it literally without questions.
Knowing a wide range of stories and metaphors can help us not fall prey to such literalism and narrowness of mind. Which is why multiple versions the same stories are essential. We need reminders that there are many points of view. We need a diversity of stories. A monoculture isn’t healthy for plants or any other living beings.
Anyway, my way of responding to censorship and the attempts to control the available information and to manipulate perceptions is to deliberately buy and read banned books, to read widely and talk about, learn and share history, culture, poems and stories. To carry knowledge forward, to wrestle and play with it within my own life and work. To do my thinking on paper in art and stories, to always be trying to learn more and to share generously.
Book formats are only one of the ways we as individuals and as cultures keep our stories – it is the act of collecting stories together, whatever the technology used – that helps us figure things out. To lose that collected, collective, personal or cultural memory can be both a current and ongoing tragedy because the loss of knowledge affects future knowledge formation.
Recently I read of a massive archival effort to keep and preserve archives of Ukrainian stories and poems which are in danger of getting lost forever due to the war. See the article here.
You’ll not be surprised to hear that now I want to find ways to support that project and buy at least one printed copy of a book of, or at least a book containing some, Ukrainian folk tales.
And speaking of important, relevant and keep-able stories here’s a link about the Wendigo monster . I’ve been thinking of this Algonquin tale a lot lately because I’m so tired of greedy extremist monsters. I see this story as a reminder to appreciate ordinary life and to play well with others. It seems so relevant to current times and possibly a guide for figuring out ways of going on and doing better.
As I type this it is snowing in my backyard! In April! Our Camilla bush has blooms!
I hope your week is full of wit, art, stories and poems that help you figure things out. And hot beverages if it’s snowing where you are too. See you next Monday.
More work this week towards an upcoming art exhibit I’m calling “Odditerrarium”. I’ll tell more about my creative process on this exhibit here and in subsequent posts. Odditerrarium will be an exhibit via Caplan Art Designs later this year.
This week I finished a dog portrait I’ve titled “Secret Knowledge”. It’s 10 x 8 inches and made with ink and gouache on board.
Here’s a closer look at this dog’s thoughts – according to the dog’s human this dog likes walks and is passionately interested in moles, chipmunks, mice and frogs.
Elsewhere in this blog (here) I’ve written about the similarities I see between the creative process of writing and the creative process of fine art. Like a writer might begin creating a novel by noting a story idea nugget in a notebook I began this Odditerrarium series with the nugget “what if we could see what our dogs and cats thoughts?” – just this nugget of a thesis and little else. But I began there and with exploration of that notion came the notions of thought bubbles and terrariums… and I began drafting in my sketchbook. Here’s some examples.
After a number of sketchbook drafts I began a few full size paintings – generally I do at least 5 paintings before I declare that I’m working on a series or give the series a working title. This is like a writer deciding to write a few chapters to see if their idea has merit – by creating an overview or even a rough draft of the whole work.
I think of my one person art exhibits as books you can walk around inside. And each painting is a “chapter” within the book. Each chapter/painting begins with it’s own notion, an outline or rough indication of what could be. Things at this point are usually vague. For “Secret Knowledge” thanks to my friend (the excellent author Liz Gauffreau) I had a photo of the dog I wanted to portray and the dogs thoughts also thanks to our conversation. Then I spent time thinking and making sketchbook notes. Then I drew on a board. As you can see I work on several paintings at the same time – this too is like a writer writing though the gaps in one chapter by writing on a different segment within the work.
When I have a rough drawing on board I begin what I call “chunking” trying to get a bit of color on every area in the artwork. The colors don’t have to be perfect – it’s a rough indicator subject to adjustment based on other colors. I don’t worry about details at this stage just rough shapes of color and contrast. Like how a writer writes a whole story imperfectly, all in a rush with “detail to come” notes sprinkled throughout the tale.
In the photo below I’m in the chunking process. I know I want a blue background for the portrait of the white dog but at this point I’m not sure of the precise shade of blue. The other colors within that portrait will help me determine that. Like when a writer decides a character’s course of action based on another character’s choices.
When the chunking is more or less done I begin bit by bit to fill in and flesh out areas. Here’s an example- I’m sure you can see the transition happening from chunky to smoother.
The photo at the beginning of this post is of the finished portrait which I titled “Secret Knowledge”… the blue I ultimately chose is of early morning or late evening sky: a time for walks and a time when small mammals might be more active… something of which this dog certainly has knowledge! 😉
For my art exhibit Odditerrarium I’m thinking about mental lives and encounters with the minds of other humans and other beings in this world. Here’s a few of my favorite sketchbook pages on this topic. To help me keep on task, so to speak, for my Odditerrarium series I will continue to read, write and sketch on this topic of self awareness and encounters with other minds.
In psychology this called a developing a theory of mind …and this link explains it well and I quote “Forging a strong theory of mind plays an important role in our social worlds as we work to understand how people think, to predict their behavior, to engage in social relationships, and to solve interpersonal conflicts… Forming a theory of mind is critical in our ability to understand ourselves and others. This ability to understand mental states allows people to introspect and consider their own thoughts and mental states. Such self-awareness is important in the formation of a strong sense of self. Our social functioning also hinges on having a theory of mind. By being able to think about what other people are thinking, we can better understand others and predict what they might do next.”
Anyway, when paintings on the easel need to dry a bit I’ve been playing with my poetry sketchbook.
Inside my poetry book is a notion of a new experimental art book for Storyberries. In the photo you see my notions in my book and on the right side I’m beginning to work on my notions in a tiny concertina format book.
A cat reaching is my main notion that’s getting played with in two different ways in this photo for two different books.
I’ll keep you posted on whatever happens with these newbies.
The Aurora Gallery contacted me wanting more of my cards and books so I took those to them this week!
It did my artist heart good to see my things displayed by the Gallery so well and to know that my work is appreciated! The Aurora Gallery ships my art, cards and books anywhere and my signed green dragon book plates are available on request.
This week in kitchen creativity I made spinach enchiladas inspired by “Mrs Rasmussen’s Book Of One Armed Cookery” by Mary Lasswell. I used both arms to cook with and didn’t have a beer. I’d probably get demerits for that from Mrs Rasmussen as I can imagine her saying “What?! No beer?!” but the chili onion gravy was divinely scrumptious over spinach enchiladas and beans and rice!
I say I was “inspired by” Mrs Rasmussen’s recipe because I ruthlessly adapted this recipe as I was only cooking for two people and as you can see below Mrs R was cooking for the entire tricounty area. Plus I don’t use lard…
To make my chili onion gravy I used my good gravy recipe but instead of sausage I used a small can of roasted chilies and some chopped white onion.
In one serving size oven safe boats I made one spinach enchilada for each of us and surrounded the enchilada with beans, rice then ladled the gravy over it all and topped it with cheese. Turned out so good!! I did have gravy leftover which I used for another meal.
My evening reading loosely related to the topic of encounters with and awareness of other minds is the last book in the trilogy “His Dark Materials” by Philip Pullman and Pullman’s nonfiction book “Daemon Voices” about stories and storytelling.
Hope your week is a good one! See you next Monday?
For weeks I’ve been working on two poodle portraits. The details of their hair and eyes has been such fun! It’s also been delightful to imagine what each dog is thinking about! My wife and I have had the honor of knowing these poodles’ humans for a very long time – so it’s been a treat to get to love on our friends via these dog portraits!
Here they are on my easel. I worked on both paintings at the same time. I did a Reel of me in action working and another Reel that looks up close at the finished paintings. Both Reels can be found on my Instagram page.
I imagined each dog keenly watching their energetic humans and philosophically contemplating (from a dogs point of view) their humans divinity and mysteries. Naturally I titled one painting “Divine” and the other “Mysteries”. Both are 10 x 8 inches and created with ink and gouache on board. Eventually these portraits will be in an art exhibit via the Caplan Art Designs Gallery www.caplanartdesigns.com
Below are some closer photos so you can see the miniature art details! I’m particularly pleased with their eyes!
Since the pandemic began in 2020 we’d not set foot in one of our favorite brewpubs Mcmenamins on the Columbia river. So during a cold rainy walk by the river we decided to pop in and get a growler full of our favorite beer to take home. We’re not dining indoors yet and we’ve normalized mask wearing no matter what the numbers and rules may be.
While we were waiting for our growler to be filled I admired one of my favorite posters on the Mcmenamins wall. I enjoy the funky steampunk-ish vibe in this pub.
On our walk we saw a bald eagle big as you please just above the walk path!
Here’s some of the books we read with our beer after we got home: Old in Art School by Nell Painter, The Golden Compass by Philip Pullman, Daemon Voices by Philip Pullman, The Summer of a Dormouse by John Mortimer.
The children’s writer Philip Pullman ranks number two on the lists of books often banned in the U.S. The other titles are from writers who are similarly considered “unorthodox”. Yep. Still reading banned books. Told you it was a “thing” for me.
As my regular readers know besides fine art and books I’m fond of cooking. Well, my friend Bernadette of New Classic Cooking, a food blog I follow, did a wonderful blog post about feeding the Ukrainian people during this time. It’s comforting to have practical ways we can help each other.
Here’s a favorite soup I made this week. It’s from a recipe in our “Favorites So Far” kitchen sketchbook and thanks to a suggestion by my friend Bernadette it’s also part of a postcard series – we enjoy sending these recipe cards to friends!
And speaking of soup…my experimental art book “A Scoop Of Letter Soup” is being served out by ladles full on Storyberries!
I’m excited about making some more of my unusual books for kids to read on Storyberries.com!!
And speaking of food for tummies, fare for minds, mental health, our interior lives and books… I’ve selected pages from my sketchbooks with my drawings and writings on the topic of our interior lives and made a book of them. You can see more about this book, Another Sketchbook, on my portfolio page.
Since books and beverages go together in my mind – and I also enjoy having soup out of a mug – I picked some of my favorite pages from Another Sketchbook and put them on a large mug here on my Zazzle shop.
Also on the topic of mental health I’m delighted to happy-dance with you about the news that a book I illustrated is now being carried by one of my local bookstores, Vintage Books! The book is titled “Dr Bob’s Emotional Repair Program First Aid Kit” and it’s one of my creations that I am most proud of having done. I even keep a copy of it in my bathroom so I can reread it often – it means that much to me! Anyway, Vintage Books will ship anywhere so they can be asked to send my book to you by mail. More about my book can be seen on the bookstore website here. Okay, let’s dance another happy jig around the couch then back to posting photos…🤗
Sometimes remembering that the Universe loves you just the way you are helps. At least I find it helpful in my creative life… as is knowing there are fairly direct practical tools for dealing with feelings during difficult times.
I hope your week is full of love that you can embrace with relish as food for your heart and mind – see you next week.
My newest artist book “A Scoop Of Letter Soup” was just released on Storyberries.com and you can see it for free here! Yippee!!!
A video look at the original book “A Scoop Of Letter Soup” is here on YouTube and I did manage to make an Instagram Reel of it too!! I wrote last post about learning about Reels so I’m still feeling “look I did it!” about my new skill!! 🤣 And I’ve made a portfolio page where my currently in progress series of short experimental art books will be collected as they appear as ebooks on Storyberries. At some future time I may gather them into a printed book but for now this portfolio page is where they’ll exist outside of Storyberries. I’m loving the pun of making books by hand that are distributed as ebooks!!
Here are some still photos of the book
In one of the little concertina book blanks I made and talked about in last weeks post I am starting a new illustrated poem book. This will be a slow project to be worked on around the edges of other projects. But here’s how it goes: In my poetry sketchbook, seen in the upper part of the photo below, I have some poems that seem worth working with. After selecting one of my sketchbook poem rough drafts I did a few thumbnail doodles on a scrap of paper to try different placements of my poem text and artwork. The thumbnail doodle that I like best can be seen on the lower right in these photos. To the left is the concertina book blank and my efforts at doing the hand lettering and drawing “for real” aka neatly and possibly worthy for public viewing.
One benefit of working in a concertina book is that I can easily slip a bit of wax paper under the page I’m working on in order to prevent bleed-through of my inks or gouache paints.
Here’s the finished page.
A post ot two ago I wrote about one of my favorite books by Mary Lasswell “Suds In Your Eye” as one of the hopepunk style books I cheer up by. Lasswell was writing in the 1940’s so finding print copies of her work has been a bit of a personal quest.
One of my coveted Lasswell titles “One On The House” came via mail this week! A side benefit of being someone who creates artist books is that I have most of the tools for minor book repair on hand. The copy I could find (and afford) of “One On The House” was listed in acceptable condition but with a cover-spine issue. As you can see below the cover is barely hanging on by threads.
But the outside of the cover-spine is fine!
So I took a strip of archival mulberry paper and trimmed it to fit.
Then I laid the trimmed mulberry strip on wax paper and covered one side of the mulberry strip with archival neutral ph glue. I took the photo below while the strip was still wet after being put in place so it is still shiny in appearance. I used the bone folder to press the just glued paper into the cover spine fold. When the glue dries the mulberry paper will almost disappear and blend in with the books original paper.
I slipped clean wax paper in the crevice of the patch so if any glue oozes as I close the cover it won’t harm the rest of the book. Then I put some paper weights on the cover and let the book dry overnight. There were two other weak sections of the book spine that got this same repair treatment which is why you see three pieces of wax paper in the book in the photo below.
I am a professional artist who knows a lot about creating books by hand but that’s not the same thing as being a book conservation or restoration expert. My repair attempts on books are not on rare or valuable books. My repair attempts are on books for my own use. My copy of “One On The House” cost me 6 dollars and I repaired it because I want to easily read it without without causing more damage to the book. If I hadn’t done the repairs I’d bet that after the first read through the book would have fallen completely apart. I also want to keep this book on my “bookshelf to cheer up by” – more on that in a sec – so I want the book to be as hale and hearty as possible. Anyway, a very good resource book for such minor repairs is “The Care and Feeding of Books Old and New” by Rosenberg and Marcowitz. And a good source for book making or repair supplies is https://www.talasonline.com/
This photo below is of my “books to cheer up by” section I mentioned earlier. As you can see the book I repaired has taken its place on the shelf next to The Annotated Arabian Nights.
We poured a bit of bourbon and said “cheers” to the newcomers on our cheer-up bookshelf! For my own mental health sake it feels good to have a shelf full of reliable sources of good cheer.
As you see in the above photo one of the books there is titled “Mrs. Rasmussen’s Book of One-Arm Cookery”. Mrs. Rasmussen is one of Mary Lasswell’s reoccurring fictional characters who is famous for being able to cook very good meals while holding her beer in one hand.
I made Mrs. Rasmussen’s super yummy chili recipe and rice while holding my bourbon. But I did set my glass down when I chopped the onion. Even so I think Mrs. Rasmussen would have cheered my efforts. It did taste good!
One of our local independent bookstores, Powell’s, did a fundraiser for Ukraine. Naturally my wife and I ordered books. More than one box of books was mailed to us but the stack of books in the photo below was what was delivered while the chili cooked and the bourbon flowed.
Here’s hoping you too have a collection of books, soup, fur-friends and people that you love that can help cheer you up. So cheers! Till next Monday.
Imagination and poetry were on my mind this week. I’ve been thinking of our mental ecosystems and the landscape of our minds. So this week I did a portrait of a Shih Tzu this week for upcoming exhibits via Caplan Art Designs which I’ve titled “In Imagination”.
Storyberries said “Great! Can you do it as an Instagram Reel?” And I replied “A Reel? I’ll have to Google whatever that is…” So I Googled and found this article as well as others. I also talked more with Storyberries about Reels because they’ve been doing Reels longer than I have.
Turns out that doing a Reel was fairly easy to figure out. I still have more to learn but I did turn the above YouTube video into a Reel on Instagram
Additionally for promoting “How The Cow…” I submitted it to Apple Books as an ebook and was accepted! This brings the total number of books by me on Apple to 15! I’m proud of that! If you scroll down this page you can see more of my books.
As you know from my last post I’ve been thinking of poetry as a rhythmic visual sequence. So I played with a short sequence of drawings and published it as poem on a coffee mug. To me the sentiment in my poem fit the trying-to-get-started morning need for caffine. I also used these drawings as test content for making another Instagram Reel. Im trying to practice this because suddenly I’m seeing the very short videos as another way to share my visual content… and I can imagine doing more collaboration with Storyberries this way too!
Speaking of very short poems: a whole lot of progress happened on my newest experimental art poem…
I finished painting the content and the cover art. Then I cut out the cover art and glued it onto the outside of the 2 inch square concertina book.
Here’s an early peek at the finished original artist book. As I mentioned in my last post I don’t want to show too much of the punchline before Storyberries has a chance to distribute it. They’ve tentatively scheduled it for release Mar 12 so slowly over this next week I’ll post more in public on social media. But for my dear blog followers here’s an advance look at the original artwork.
Here I am, with canine supervisory assistance, setting up the digital files for sending to Storyberries.
And here’s what’s on my laptop screen.
My thinking is about the mechanism of ebook flow on Storyberries and fitting a visual poem rhythm to that. The ebooks on Storyberries flow up and down so my question is can I do poetic rhythms, repetitions and surprises in a way that takes advantage of that? Can a viewers eye “read” an implied connection between the up/down pages? It’s fun to experiment and play with what a poem and a book can be!
Here’s a peek at the ebook version. I’m thinking the viewers will make the transition between the pages just fine… what do you think?
While “A Scoop Of Letter Soup” seems really simple there was a lot of thinking and planning behind it, possibly more planning than I’ve done for my more complicated works. I think of “A Scoop…” as a little treat rather like how a baker puts a lot of time and effort into making something yummy that’s eaten in a moment.
This week I also cut, folded, trimmed and glued handmade paper into what I call “book blanks” concertina books that are ready for my content. I have some more plans for future artist books and this is part of getting ready for book content production.
Sometimes I have bought blank concertina books from an art supply store but generally I find it more satisfying to make my own. I can choose my own paper for the book and make it a size and length needed for the projects I have in mind.
Below is a photo of my evening reading list. Three of the four books pictured talk about the playful, generous nature of poetry and books in general and ways language itself can be a form of loving and caring. I’m enjoying thinking of how poetry and stories can be useful mental landscape construction tools for creating pleasant mind-scapes.
And Good Omens by Terry Pratchett is just plain fun to read.
I hope your mind is your preferred landscape and that it is especially beautiful this week. See you next Monday.