specially commissioned portrait

A Creative Life, animals in art, art commission, art commissions, artistic inspirations, dog portrait, Dogs in Art, fine art, Fine Art Commission, handmade papers, Sue Draws Dogs, visual story

Most of my artwork is me telling visual stories inspired by data from my real-life. A kind of “creative nonfiction”. When I do art commissions the client provides the life-data and I tell their story. A kind of “biography”. Elements from a persons real-life are woven into the portrait of their dog or cat. I love helping people tell their stories!

Like this commission I recently finished… pictured below… the coffee cup is special to the owner, the tee-shirt logo is important… and of course the dog looks like their very special dog, Potter.

I had such fun drawing this dog – (those ears!!!) – and working with the client who commissioned this portrait. They gave me such good data to work with!

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“Potter” by Clancy (ink and gouache on handmade paper)

If you’re curious about some of my other commission work you can see them here.

reading and mutts in art

A Creative Life, animals in art, art exhibit, art gallery, artistic inspirations, Books In Art, creative thinking, dog portrait, Dogs in Art, fine art, food in art, reading in art, still life, visual story, visual thinking

On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.

Fast forward to my currently in progress reading and books in art series – and the wonderful mutt I’d met made an appearance:

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“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019

Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…

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“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board

The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.

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“Gala” by Clancy – acrylic and gouache on board

The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.

I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.

As you can tell I’m still thinking about “nesting ideas” and stories within stories…

 

 

reading and books in art

A Creative Life, animals in art, art exhibit, artist book, artistic inspirations, Books In Art, dog portrait, Dogs in Art, fine art, food in art, visual story, visual thinking, words and pictures

I’ve begun a new series of fine art pieces intended for exhibits later this year. (Yes, I’ve a deadline dragon) And I’ve been thinking of how when I walk into a library or bookstore I feel like I’m entering a galaxy.  Words and ideas that are interrelated with other words and ideas, like an array of planets and stars, or like nesting dolls or stuffed vegetables.

Also in my thoughts; the way I can experience something first hand but when I read about that same experience in a book I have a delightful momentary shock of recognition and I better understand my experience.

So I’m exploring these thoughts, as best I can, within my new series.

Here’s one of my new pieces:

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“Good Smells: A Memoir of A Lifelong Pursuit” by Clancy – image copyright Sue Clancy 2019

You’ll notice, I’m sure, the “nesting” ideas of the coffee and mints. There’s a real still life, also by me, which is spoofed within the above painting that I will also include in my upcoming exhibit. I love the idea that a viewer could find the real-life painting that is referred to within another painting – sort of a “find the image” puzzle exhibit.

Here’s a picture of the still life referred to in the painting above:

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“After Dinner” by Clancy – copyright Sue Clancy 2019

I’m also thinking it’ll be fun to also include at least one artist book version of an imaginary book depicted in one of my paintings – so the viewer could look at the painting and then leaf through a copy of the book depicted in the painting. But we’ll have to see how that works out.

Posting progress as I go… thanks for staying tuned.

 

art snacks

A Creative Life, artistic inspirations, business of art, creative thinking, food for thought, mental health, small things, Sustainable creativity, words and pictures

Some time back I read an article in my local newspaper about teaching kids to snack healthy and to learn to trust their body’s cues about food. Since then I’ve been thinking of similarities between healthy snacking habits and developing a healthy creative life.

  1. Teach yourself how to recognize aesthetic cues/desires – and practice responding to them – over time. I think of aesthetic cues as mental indulge-ments; things like stories, poems, movies, music, art etc. that make you feel glad to be alive. Just like a kid has to learn how to try new foods and then practice recognizing what foods they enjoy eating.  As we go through life our aesthetic preferences change – just like our food preferences do. So it’s helpful to continue to try new aesthetic/art snacks periodically – and practice trusting your own cues.
  2. Allow yourself to listen to your own aesthetic cues/voice without input from other people. This takes practice and no matter how experienced a person is one has to remember to return to listening to one’s own voice – rather like how sometimes a kid (or an adult) has to be reminded to pay attention to their plate and eat.  (When my wife and I go to happy hour with our friends I have to remind myself to eat…I tend to focus on the conversation…)
  3. Give yourself permission to just practice. Practice-an-art-materials can be as simple as  keeping a book of stories or poems handy for reading and a small book to write in. Think of it as adult playing. Some helpful mantras: “Nothing has to go right today”, “Anything worth doing is worth doing poorly at first.” and “It’s okay to make mistakes and messes – it’s part of how we learn.”
  4. Set specific times to practice. These can be very short bursts of time. They can be event/circumstance based rather than clock based. i.e. I’ll practice reading/writing poems while the coffee/tea brews, the water boils or the oven pre-heats.
  5. Create a small place/drawer where your practice-an-art materials are kept handy. Perhaps a shelf where books related to your art snack indulge-ments are stored. Look for and collect objects, events, places that feed your creative-soul-heart-mind. Stay close to anything that makes you glad to be alive. Plan to indulge in these things in small ways – daily.
  6. Set a habit (I hate the word “rule”) for what time per month you’ll indulge yourself – for an aesthetic “meal”, something more than a short snack – with someone else’s artwork: i.e. go to local art-openings, poetry/story slams, indie film nights, music jam nights or a visit to an art museum.

Here’s what I indulged myself with this morning as an art snack while my breakfast bread toasted:

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The Lake Isle of Innisfree by W. B. Yeats is a new-favorite poem. It reminds me that we can – and do – create our own solace.

libation label list line

A Creative Life, art commissions, art techniques, artistic inspirations, creative thinking, functional art, illustration, kitchen art, poetry, sketchbook, Sustainable creativity, visual thinking, words and pictures, writing

Around the edges of doing a cat portrait commission and Chef Carosi’s illustrated recipe I’ve done some wine label artwork to be used by Burnt Bridge Cellars for their 2018 Holiday Wine. To meet the winery’s request for art that was “festive but not religious” I used 5 writing techniques along these lines to generate visual art ideas:

  1. Freewriting: I wrote and doodled in my sketchbook concepts that called to my mind a social festive season not attached to religion. This also meant writing down the religiously associated concepts so as to avoid them!
  2. Listing: I wrote a list of items one would buy when planning a casual social event. I doodled some of the items too. I also looked up some event-planning websites and went to a local party store and browsed – adding to my list.
  3. Clustering: I selected a verb/adverb from my free-write or a verb related to an item from my list and wrote further associations that came to mind when thinking of that word.
  4. Thesaurus/Dictionary/Encyclopedia/Google: I looked up words like “party”, “festival”. I looked up historical references to past well-known holiday parties.  I read poetry that mentioned parties or was associated with the Holidays. (Twas the Night...)  I thought of, and researched, holiday fashions such as the “ugly sweater”.
  5. Consider the Audience/Project Purpose: After I had done the above 4 techniques, in a wild free-wheeling way, I looked at what I had written/doodled from the point of view of the Burnt Bridge Cellars winery and what they wanted to accomplish with the label art during the Holiday season.

Then I created several images based on the above brainstorming sessions:

Then I sent the above artwork in for the winery owners consideration.

Here below is the artwork they chose and how it looked on the bottles:

MyWineLabel72

The winery was pleased with my work – and has said that their customers were too! (Whew!)

The Holiday Wine inside the bottles is very good (I’ve tasted it!) and I feel like I got to participate in a collective effort to add enjoyment to people’s Holiday Season! What fun!

P.S. I originally got the idea to use writing techniques when generating visual art ideas from reading a book by Umberto Eco titled “Confessions of a Young Novelist“.

agatha and art

A Creative Life, art techniques, artistic inspirations, creative thinking, Narrative Art, words and pictures

I’ve been reading “Appointment With Death” by Agatha Christie. By page 7 I was rooting for the murderer to go ahead and kill.  It’s the villain who deservedly gets killed in this story. While reading I realized that I so strongly disliked the villain and rooted for her demise because of her cumulative (negative) effect upon other (positive) characters more than any one thing the villain said or did.

I realized again that in visual fine art a viewer reacts to the subject of the artwork because of the cumulative effects of the objects, colors, and shapes that surround the subject as much as they react to the subject itself.

There’s an art technique called “positive and negative space in art” where you pay as much attention to the negative spaces, the blank “air” spaces, that surround a subject as you pay to the positive spaces of that subject.

In reading this particular book by Agatha Christie I realize at a deeper level why the writers technique of “show don’t tell” is also true in fine art – we best understand, or perceive, a subject, from the surrounding elements.

DeathAndWater72

still a character

A Creative Life, animals in art, art techniques, cat portrait, Cats in art, dog portrait, Dogs in Art, fine art, food in art, Narrative Art, story, visual story

Here are a few of the artworks I’ve recently sent to Joseph Gierek Fine Art (www.gierek.com) for the upcoming Holiday Art Show.  I’m sure you’ll notice my “still life” object practice work now combined with characters. Yes, I’m trying to make every element count toward the visual story. You know, like a writer tries to make every word count.

opening story stuff

A Creative Life, art exhibit, art gallery, art techniques, Cats in art, fine art, public art, still life, Sustainable creativity

I find that with each art exhibit I learn more about my own work. Last night, during the opening party for “Story Stuff” at Caplan Art Designs, I had multiple questions about my art techniques – in addition to conversations about the content within my artwork. As a result I realized that I’m an ancient art technique nerd. Many of my works in this exhibit utilize art techniques originating in the 19th century and earlier. I didn’t consciously set out to use so many old techniques – handmade paper, paper dying, and gouache to name a few – they just suited my content as I created it. Several different people commented that they thought my use of old techniques made my work “ethereal”.

Wow! New thoughts to think – and thank you to all of my fans for that! Thank you for all the stimulating conversations!

Quite a crowd ebbed and flowed throughout the evening. Here’s a photo from one of the moments. I’m wearing a red shirt.

What a fun evening!  Now, back to the studio to make more art!

writing about art

A Creative Life, art exhibit, art gallery, art techniques, artistic inspirations, fine art, sketchbook, still life, story, visual story, words and pictures, writing

There was a time when I felt that writing words-in-a-row about visual art was rather like using lemon juice to describe honey. But somewhere along the way I realized that being a professional artist out in the “real world” meant I didn’t have to write as if I were in an academic university. That was a relief.  And I realized that writing about visual art was like combining multi-media or like a playwright creating a musical theatre piece about a historical event.

It’s genre bending/blending.

So I began practicing writing about my own visual art in an everyday conversational way.  When I’m coming up with my artistic ideas I write by hand what I’m thinking and feeling as I’m drawing in my sketchbooks. Later on I use that hand written data to write more formal “blurbs”, or story-clues, about what inspired each of my artworks. I say “more formal” because the blurbs are type-written, the spelling has been checked and the original hand written data has been neatened/edited/condensed.  These “blurbs” are often printed and posted near my artwork in exhibits. In my writings I largely leave off the technical points of artistic technique because the majority of the time I’m talking to the general public. (Of course if I’m asked about art techniques I’ll gladly share details!)

In Sept I’m doing a one-person exhibit titled “Story Stuff” at Caplan Art Designs (I wrote more about that in a post titled Cozy Mystery Story Stuff). Here are a few of the artworks and the “blurbs” (story-clues?) I’ve written that will be alongside the art at my exhibit:

NearForestPark72

Near Forest Park – by Clancy – 22 x 30 inches – acrylic and gouache on handmade paper

Near Forest Park – I enjoy hiking in a large forest in the middle of an urban city (Portland Or). I love it that I can pop out of the dense forest, get a coffee – or boot laces – and then resume my hike.

ANovelMorning72

“A Novel Morning” – by Clancy – 24 x 18 – acrylic and gouache on board

A Novel Morning – One of my favorite things to do is to go to Powell’s bookstore, find a new-to-me novel and then get something in the café. The “text” in this painting is re-combined and paraphrased from “Death at La Fenice” by Donna Leon.

GoodMorning72

“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board

Good Morning – What constitutes a “good morning”? One of my answers is plenty of coffee and enough leisure time to work the daily newspaper’s crossword puzzle.

During my exhibits I’ll often see people reading the blurbs and then looking more closely at my artwork – and sometimes they’ll approach me and talk about the topic within one of my paintings. It seems that my “multi-media” pictures-plus-words exercise is helpful for starting conversations at least.

What are your thoughts about combining writing and visual art?

more cats book progress

A Creative Life, animals in art, artist book, cat portrait, Cats in art, fine art, published art

I’d written recently here about my progress towards making a 22 page full color book of my cat themed artwork. Well, I’ve gotten my “proof copy” in the snail-mail, showed it to Hawkeye my studio supervisor cat – and my wife, a cat-lover – and all of us approved of the print quality! Even Rusty, my studio supervisor dachshund, admitted that the cat art looked good.

I’ve photo’d a few pages so you can see for yourself:

What do you think?

Right now you can get a copy – either softcover (like in the picture) or hardcover – here: http://www.blurb.com/b/8837851-cats or via Amazon.   Later this year I’m to do a library event and I may have a few copies at that time to sell directly.  We’ll see…

But no matter how this particular cheese gets sliced I heartily thank you for your support of my projects.