One of my favorite desserts uses fresh fruit from our garden and or the local farmers market. Naturally I meditated on what I feel like when I’m eating one of these milkshakes and described it with my recipe illustration. (clue: a parade…)
I used ink and gouache on handmade paper to create the original art-plus-recipe. The handmade paper is very absorbent so the gouache looks more like “watercolor” than it does when I work on board.
The recipe is called “sloppy” because I don’t bother to blend the ingredients before serving the milkshake. I like the big chunks of fruit. Anyway, If you make the recipe I hope you’ll enjoy it as much as I did!
Sloppy milkshakes by Sue Clancy (original art and recipe) – 6 x 18 inches – ink and gouache on handmade paper
I’ve been reading “Whiskey Galore” by Compton Mackenzie. Once again I realize that I enjoy the mix of real-life and a whimsical imaginative look at real-life. Mackenzie used a real-life event as the inspiration for his whimsy and did the mix extremely well.
Already I’ve been doing some of this mixing in my work – but I want to do even more of that mundane/imagination mixing in my various art projects. Here’s what I did most recently: it’s 8 x 18 inches, ink and gouache on board – I’ve titled it “The Soup Book: Starting With Ingredients”
“The Soup Book: Starting With Ingredients” by Clancy
It mixes the real-life (mundane) action of consulting a cookbook recipe, perhaps for chicken soup, with a (magical) chicken rescue. “The Soup Book: Starting With Ingredients” will be one of several new works for an upcoming one-person art exhibit in September at Caplan Art Designs in Portland Oregon. I’ll post the new artworks here as I get them done.
But back to the artwork itself: I enjoyed doing a panoramic visual story that continues what I began doing for my “Dear Readers” exhibit currently on display at Burnt Bridge Cellars. The new wider format let me put in more details, more “story-ness”.
“The Soup Book…..” was such fun to create that I plan to do more in this format! And of course do more general mixing of metaphors, more blurring the lines between the mundane and the magical in all of my work. We’ll see how it all goes of course.
Generally I’ve been thinking of how important it is, for living well (and good mental health), to be able to view mundane life with a “glass half full” attitude, to be able to see what is good/delightful, and to use curiosity and imagination (and good books) to stimulate ones own inner life. Which is why I aspire to do an even better artistic job of mixing the mundane and the magical.
BTW: “Whiskey Galore” has been made into a movie – and a very well done movie too! The book version has a bit more story to it – but the movie is wonderful and it’s not always that both the book and movie are equals in quality.
Now for a wee dram….. Slàinte mhath!
All of the 28 artworks for my Dear Readers exhibit have been delivered to Burnt Bridge Cellars now – and hung. Over on my Instagram page you can see a fun pic of the curator looking at a table full of my artwork deciding what art goes where. Here, just above the wine taps the winery uses to fill wine growlers, is the perfect place where the curator chose to hang my painting “Party Pointers”:
I’ll try to post other views of the exhibit – most likely on Instagram – but don’t hold your breath for many more posts from me about Dear Readers – because I’ll be getting started on my tried and true opening party jitters remedy: getting on with other art projects.
Too often, early on in my art career, I had the “what if I throw a party and nobody comes” jitters during the week between art delivery and the opening party. That wasn’t helpful. Quickly I learned that starting on new artwork well before the official opening for an exhibition is the best exhibit-opening-jitters and general exhibit-up-and-running-I-feel-naked-now remedy. My blog posts, from here on, are likely to reflect new projects I’m working on. For additional views and information about my Dear Readers exhibit – which will run from June through the end of July – please watch the various Burnt Bridge Cellars social media pages.
Now that the Dear Readers exhibit is hung all that needs to be done, from my point of view, is to do laundry, dress reasonably and show up at the opening party June 7th. More details about the opening party, including the chef’s menu here. So I’m focusing now on sharpening pencils, taking inventory of the art supplies, looking at my sketchbooks and starting new things.
Thank you again for all of your support and encouragement as I have worked on my Dear Readers exhibit!
Since my upcoming fine art exhibit, opening June 7, at Burnt Bridge Cellars is titled “Dear Readers” and contains nested ideas – for the additional pun of it I’ll have some artist books available. So here’s a pic of a few of the books I’ll have at the exhibit.
There’s my Dogs and Cats and a Cookbook I illustrated (with Chef Kim Mahan’s recipes). And yes – there’s a little tiny mini-guide to drawing dogs! How’s that for a visual pun in an art exhibit full of paintings of dogs reading?
There are also cats and food depicted in my artwork… and of course books! So my books relate to my artwork which relates to my books…
Basically I’ve had a lot of fun playing with nested ideas!
BTW the “How to Draw Dogs” mini-guide is only available via the Brooklyn Art Library in New York …. except for the few I’ll have in my exhibit in Vancouver WA.
A link to my Dear Readers exhibit statement that explains my thinking behind this exhibit is here.
More generally about my artist books here.
And now to get back to work framing and labeling everything…
Most of my artwork is me telling visual stories inspired by data from my real-life. A kind of “creative nonfiction”. When I do art commissions the client provides the life-data and I tell their story. A kind of “biography”. Elements from a persons real-life are woven into the portrait of their dog or cat. I love helping people tell their stories!
Like this commission I recently finished… pictured below… the coffee cup is special to the owner, the tee-shirt logo is important… and of course the dog looks like their very special dog, Potter.
I had such fun drawing this dog – (those ears!!!) – and working with the client who commissioned this portrait. They gave me such good data to work with!
“Potter” by Clancy (ink and gouache on handmade paper)
If you’re curious about some of my other commission work you can see them here.
On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.
Fast forward to my currently in progress reading and books in art series – and the wonderful mutt I’d met made an appearance:
“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019
Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…
“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board
The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.
“Gala” by Clancy – acrylic and gouache on board
The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.
I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.
As you can tell I’m still thinking about “nesting ideas” and stories within stories…
I’ve begun a new series of fine art pieces intended for exhibits later this year. (Yes, I’ve a deadline dragon) And I’ve been thinking of how when I walk into a library or bookstore I feel like I’m entering a galaxy. Words and ideas that are interrelated with other words and ideas, like an array of planets and stars, or like nesting dolls or stuffed vegetables.
Also in my thoughts; the way I can experience something first hand but when I read about that same experience in a book I have a delightful momentary shock of recognition and I better understand my experience.
So I’m exploring these thoughts, as best I can, within my new series.
Here’s one of my new pieces:
“Good Smells: A Memoir of A Lifelong Pursuit” by Clancy – image copyright Sue Clancy 2019
You’ll notice, I’m sure, the “nesting” ideas of the coffee and mints. There’s a real still life, also by me, which is spoofed within the above painting that I will also include in my upcoming exhibit. I love the idea that a viewer could find the real-life painting that is referred to within another painting – sort of a “find the image” puzzle exhibit.
Here’s a picture of the still life referred to in the painting above:
“After Dinner” by Clancy – copyright Sue Clancy 2019
I’m also thinking it’ll be fun to also include at least one artist book version of an imaginary book depicted in one of my paintings – so the viewer could look at the painting and then leaf through a copy of the book depicted in the painting. But we’ll have to see how that works out.
Posting progress as I go… thanks for staying tuned.
Some time back I read an article in my local newspaper about teaching kids to snack healthy and to learn to trust their body’s cues about food. Since then I’ve been thinking of similarities between healthy snacking habits and developing a healthy creative life.
- Teach yourself how to recognize aesthetic cues/desires – and practice responding to them – over time. I think of aesthetic cues as mental indulge-ments; things like stories, poems, movies, music, art etc. that make you feel glad to be alive. Just like a kid has to learn how to try new foods and then practice recognizing what foods they enjoy eating. As we go through life our aesthetic preferences change – just like our food preferences do. So it’s helpful to continue to try new aesthetic/art snacks periodically – and practice trusting your own cues.
- Allow yourself to listen to your own aesthetic cues/voice without input from other people. This takes practice and no matter how experienced a person is one has to remember to return to listening to one’s own voice – rather like how sometimes a kid (or an adult) has to be reminded to pay attention to their plate and eat. (When my wife and I go to happy hour with our friends I have to remind myself to eat…I tend to focus on the conversation…)
- Give yourself permission to just practice. Practice-an-art-materials can be as simple as keeping a book of stories or poems handy for reading and a small book to write in. Think of it as adult playing. Some helpful mantras: “Nothing has to go right today”, “Anything worth doing is worth doing poorly at first.” and “It’s okay to make mistakes and messes – it’s part of how we learn.”
- Set specific times to practice. These can be very short bursts of time. They can be event/circumstance based rather than clock based. i.e. I’ll practice reading/writing poems while the coffee/tea brews, the water boils or the oven pre-heats.
- Create a small place/drawer where your practice-an-art materials are kept handy. Perhaps a shelf where books related to your art snack indulge-ments are stored. Look for and collect objects, events, places that feed your creative-soul-heart-mind. Stay close to anything that makes you glad to be alive. Plan to indulge in these things in small ways – daily.
- Set a habit (I hate the word “rule”) for what time per month you’ll indulge yourself – for an aesthetic “meal”, something more than a short snack – with someone else’s artwork: i.e. go to local art-openings, poetry/story slams, indie film nights, music jam nights or a visit to an art museum.
Here’s what I indulged myself with this morning as an art snack while my breakfast bread toasted:
The Lake Isle of Innisfree by W. B. Yeats is a new-favorite poem. It reminds me that we can – and do – create our own solace.
Around the edges of doing a cat portrait commission and Chef Carosi’s illustrated recipe I’ve done some wine label artwork to be used by Burnt Bridge Cellars for their 2018 Holiday Wine. To meet the winery’s request for art that was “festive but not religious” I used 5 writing techniques along these lines to generate visual art ideas:
- Freewriting: I wrote and doodled in my sketchbook concepts that called to my mind a social festive season not attached to religion. This also meant writing down the religiously associated concepts so as to avoid them!
- Listing: I wrote a list of items one would buy when planning a casual social event. I doodled some of the items too. I also looked up some event-planning websites and went to a local party store and browsed – adding to my list.
- Clustering: I selected a verb/adverb from my free-write or a verb related to an item from my list and wrote further associations that came to mind when thinking of that word.
- Thesaurus/Dictionary/Encyclopedia/Google: I looked up words like “party”, “festival”. I looked up historical references to past well-known holiday parties. I read poetry that mentioned parties or was associated with the Holidays. (Twas the Night...) I thought of, and researched, holiday fashions such as the “ugly sweater”.
- Consider the Audience/Project Purpose: After I had done the above 4 techniques, in a wild free-wheeling way, I looked at what I had written/doodled from the point of view of the Burnt Bridge Cellars winery and what they wanted to accomplish with the label art during the Holiday season.
Then I created several images based on the above brainstorming sessions:
Cat A List by Clancy
“Celebrate!” by Clancy
Then I sent the above artwork in for the winery owners consideration.
Here below is the artwork they chose and how it looked on the bottles:
The winery was pleased with my work – and has said that their customers were too! (Whew!)
The Holiday Wine inside the bottles is very good (I’ve tasted it!) and I feel like I got to participate in a collective effort to add enjoyment to people’s Holiday Season! What fun!
P.S. I originally got the idea to use writing techniques when generating visual art ideas from reading a book by Umberto Eco titled “Confessions of a Young Novelist“.
I’ve been reading “Appointment With Death” by Agatha Christie. By page 7 I was rooting for the murderer to go ahead and kill. It’s the villain who deservedly gets killed in this story. While reading I realized that I so strongly disliked the villain and rooted for her demise because of her cumulative (negative) effect upon other (positive) characters more than any one thing the villain said or did.
I realized again that in visual fine art a viewer reacts to the subject of the artwork because of the cumulative effects of the objects, colors, and shapes that surround the subject as much as they react to the subject itself.
There’s an art technique called “positive and negative space in art” where you pay as much attention to the negative spaces, the blank “air” spaces, that surround a subject as you pay to the positive spaces of that subject.
In reading this particular book by Agatha Christie I realize at a deeper level why the writers technique of “show don’t tell” is also true in fine art – we best understand, or perceive, a subject, from the surrounding elements.