Stockings were hung by the whimsy with care in hopes of the giggling soon to be there…
Okay so that’s not how the poem really goes. Still I’m thinking of ways to keep up my sense of humor and share a chuckle with other people. Imaginative play and laughter are crucial to mental health and humor seems more important this year, 2020, than ever.
My what a creative challenge this year has been on all levels. For example, instead of the usual holiday art gallery openings and parties my galleries are doing things differently: open by appointment, digitally showing work, shipping and delivering directly. Some are also doing limited hours “popup” shops with items that can be picked up curbside or quickly and safely in the gallery.
Through all of the changes my creative efforts still focus on hopefully making you grin.
Toward that goal here’s a few of my gouache and ink paintings available via the Caplan Art Designs gallery www.caplanartdesigns.com
Here, below, are a few paintings at the Joseph Gierek Fine Art Gallery in Tulsa, Oklahoma
And there are more than a few paintings – artwork that is reproduced in my artist books for children – many of my artist books (signed) and other stocking stuffers at the Aurora Gallery – www.auroragalleryonline.com
Besides fine art and artist books for the Aurora Gallery popup event, Dec 12 from 12 to 4 pm, I’ve created some small stocking stuffers: book mark ribbons, playing cards, drink coasters and other items not pictured below.
Besides paintings that include socks, I even made a few largish non holiday theme stockings that can hold smaller gifts.
Perhaps you’re noticing some common themes in my work: books, beverages, music and funky socks. All various comforts that can be enjoyed at home.
And it’s all whimsical. Humor is important to me because a sense of humor is one of our best tools for thinking and living well – despite circumstances.
Anyway, I’ve been enjoying the puns within puns… my fine art about reading books that becomes a bookmark ribbon for a reader. Or my fine art that includes a beverage becoming a drink coaster…
No, I don’t expect that everyone will understand all of my jokes – certainly not the “meta” ones – I’m just hoping you’ll get a surprise and a smile from my work.
Please do whatever you need to do this week to maintain your sense of humor and whimsy. Playfulness helps us cope.
A good laugh heals a lot of hurts – Madeline L’Engle
This week has been less busy but weird with wildfires and bad air quality where I live in SW Washington. (More re in a sec.) Despite it all I still made progress on my Numpurrs book (see also my last post for more project details)
Here are the poem lines that go with the illustrations I managed to get done this week:
Sixteen puts flowers out on a whim
Seventeen pours saucers of milk labeled skim
Eighteen opens fish oil good for the fur
Nineteen is so happy she starts to purr
To think about art and creating a book for children this week, as wildfires raged, as we worry about the safety of family and friends has, at times, felt a bit frivolous. But it is also an act of hope. An act of resilience. An act of pushing back against the darkness…
One of my sources of comfort in times of difficulty is to walk among my bookshelves at home, selecting a random book, reading a page or so and putting it back on the shelf. I often hope to find encouraging, uplifting passages. As you might know from my artist book Another Sketchbook I’ve been adapting this comfort recently to include ebooks. Here’s something I read this week from Albert Camus
I think creating art is a way of maintaining hope. Sharing art is a small act of kindness. So I keep on. Besides, I find it helpful to spend time each day focusing on something that is pleasing, enjoyable, as doing this helps me exercise and maintain my inner muscles that give me strength to push back.
Things that are enjoyable are what we push for, what we want to maintain, what we want to have more of in life because it’s not enough to merely endure. Besides doing whatever it is that helps us endure we need to also remember what we’re enduring for. And when the enduring is done to remember to appreciate what we have.
Thinking beyond the thing to be endured and the endurance process itself takes practice. Enjoying things is a skill to be practiced – and one doesn’t have to wait for a perfect time/situation/condition in which to practice. That time is now.
As Kurt Vonnegut, one of my favorite authors said “I urge you to please notice when you’re happy, and exclaim or murmur or think at some point, “If this isn’t nice, I don’t know what is.” “
Anyway, here’s my cat sitting where he can look out on the smokey world. It’s pleasant to watch him watch the world. This photo was taken about noon on Sunday.
And here’s my dog covering his nose, burrowing into a towel, in an effort to get away from the smell of smoke. He’s so sensible – and cute!
Besides working on my art projects and pulling books randomly from my shelves, I’ve still been reading the books I mentioned in my last post.
Also I’ve added to my daily reading an ebook, “The Cat Who Said Cheese” by Lilian Jackson Braun. Walking around inside my house, for gentle exercise, is more fun with a cozy mystery in hand. And since one of the current topics in my head is cats…. this book is lightweight fun for me to burrow into while still being somewhat on topic.
The air quality outdoors here has been so bad that, wisely, all the places hosting my current fine art exhibit “Readings From The Heart” closed temporarily to the public. As of 8 PM Sunday night the Airnow.gov site has my location’s air quality as “beyond index” meaning it is worse than the number they use to indicate really-awful-very-bad-horrible-dangerous. My nose and chest would agree with that assessment. (An air particulate level of 300 to 500 is considered hazardous – ours Sunday eve was well over 500. Monday morning the number is 414… update: at 6pm Monday we are at 517. My local paper has this article. )
But I tend to think that inside a difficulty is an opportunity – a chance to think beyond an immediate crisis – so just as soon as one Gallery told me they were closing I made the ebook version of my artist book about the exhibit available as a free download on my shop page. If you scroll to the bottom of the page you’ll find my free ebooks. You can also see all of my art in the current exhibits from the comfort of your phone here. And if this isn’t nice I don’t know what is!
Please find ways to keep hope alive, to keep enjoying something, to keep going forward somehow and be kind – I will do the same.
I didn’t think it possible to be even busier this week than last week but I was. Still there’s been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.
Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs
Twelve spoons out all of the treats
Thirteen plans who will sit in which seats
Fourteen carries dishes piled so high
Fifteen slices the roasted magpie
As I worked on these cat portraits, in snatches of time, I chose the cats-to-be-illustrated from photos of cats that my friends have shared. My friends also shared stories about their cats – and both the stories and photos inspired which cat to pair with which number and poem line.
Also informing my work on these cat portraits are the books I’ve been reading. More details below. But did you know that magpies relate to math? So does carrying … math fiction as a genre to explore is lots of fun!
Anyway I don’t expect that the parents reading my Numpurrs to their kids will see all the math related research I’m putting in – the research is just a way for me to learn and enjoy this topic as I create my book Numpurrs. It helps keep me on track and inspired even when I’m not working on a cat portrait.
Anyway, I made these cat paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Both the small size of each portrait and my art media enable me to work in short bursts as time allows. If these works were in any other size or media I can’t imagine how I would have shoehorned this project into this week. As it was having this project to do in this way inserted a nice bit of relaxation and fun!
The rest of what I have been so busy on would require lots of typing. Let it suffice to say that it’s very happy business (fine art commissions!) and that I enjoy it all very much!
Here in this blog my point is to show how I develop new projects and sustain my interest in them over a duration, despite a busy life. It’s a peek behind the scenes you can say in my creative life. So I’m trying to keep my writing here about the newest project under current development.
As I alluded to above here are some books that are helping me sustain my inspiration for this project. In addition to conversation with my friends about their cats I peek at one or the other of these books as I get a moment.
I’ve written about some of these books in my last posts but the book titles in the above photo are (from the top):
A Dictionary Of Color Combinations by Sanzo Wada – A link for this book in the bookstore Ampersand where I got my copy is here
I Am A Cat by Soseki Natsume – this link has a wonderful review/discussion of this book. The article mentions that this book was originally written serially, in installments. In addition to making this book readable for the busy times of life I also see it as informative on how to construct a story to be serialized. Besides all that it’s just a fun romp inside a cat’s mind!
Imaginary Numbers by William Fruct – I found my copy this book years ago in one of my local bookstores. I looked online just now for it and the best source for more information about this title that I could find is here at ABE Books.
Werner’s Nomenclature Of Colors by P. Syme. – The bookstore where I got my copy no longer has this title but you can see a fun article about this book, along with photos of the pages here.
So now you know how my week went: working on many projects, reading bits in books, thinking, musing, playing and adding new art progress, small bit by small bit, to my Numpurrs while also living life.
Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.
I hope your week is peaceful, fun and filled with your own creativity.
P.S. I also include photos of my other projects on my Instagram pages and elsewhere on www.sueclancy.com
It’s been another busy week but there’s still been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.
Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs
Eight divides the large wheels of brie
Nine adds mice caught in the lea
Ten has a bird as big as the sky
Eleven bakes a vegetable pie
To create the illustrations I chose the cats-to-be-illustrated from the various photos of cats that my friends have shared. My happy thoughts of my friends – and their cat photos – inspired which cat to pair with which number and poem line. Life near-to-hand provides so much of my inspiration. I made these paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Just little savory slices of a good life…
As I wrote in my last post I’m still using the Dictionary Of Color Combinations as a playful inspiration source for my color schemes.
I’m also still reading the cat-themed book “I Am A Cat” by Soseki Natsume that I spoke of in my last post.
Speaking of slices – my last post also spoke of pizza…and I did manage to get that indulgence, and a movie worked into this busy week. It was so enjoyable! Here’s what my homemade pizza looked like
I used my simple sauce recipe from my published kitchen sketchbook “Favorites So Far” and topped it with mozzarella, gruyere and Comte cheeses. Simple pizza – sauce and cheese – but I adult-ed it, so to speak, with my homemade sauce and cheese choices. Here’s my sauce recipe:
And yes, my cat shamelessly begged for bites of the cheeses.
Part of what I was busy doing this week was answering questions about my upcoming exhibit at the Caplan Art Designs gallery. One of the questions asked what inspired the artworks with birds in them. My answer: the poem from Emily Dickinson “Hope is a thing with feathers…” In these strange and interesting times maintaining one’s human spirit, hope and good mental health is crucial. So my entire exhibit is about that. You can see a virtual exhibit tour of sorts webpage here (hint: the very newest pieces have birds reading books) https://sueclancy.com/portfolio/readings-from-the-heart/
Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.
I wish you peace, a lap full of purrs and a plate full of good pizza.
It’s been a busy week but there’s still been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” and it’s been popular with readers so Storyberries wants another book from me related to numbers and math.
In my last posts I’ve written about how I work in short bursts [Very Small Goals] until my idea has firmed up a bit. But this week let’s cut the chatter and get right to it…
Here are the finished poem lines that fit with my next 4 illustrations for Numpurrs
Four brings jugs of heavy sweet cream
Five fetches trout in from the stream
Six tallies the tables and chairs
Seven moves them from under the stairs
I chose the cats-to-be-illustrated from the various photos of cats that my friends have been kind enough to share. The cat photos themselves – and my happy thoughts of my friends – inspired which cat to pair with which number and poem line.
While painting these cat portraits with my gouache and ink method I’m still using the Dictionary of Color Combinations that I spoke of in my last post and playing around with colors. Working in small chunks steadily – and keeping it fun – gets things done despite all else.
As I said it’s been an extremely busy week but to keep myself in a feline fun frame of mind I found time to amuse myself with this quirky book about a cat. It’s an enjoyable read, the reviews that call it a “comic masterpiece” have it correctly I think. If you’re interested this link and this one tell more details about the book.
I’ve been asked how I manage projects, like my “Readings From The Heart” exhibit, over a long duration. Half jokingly I replied “one bite at a time”. My joke is in reference to this saying I have thumbtacked to my art studio wall.
Seriously though when starting I create a general big picture, a kind of map for the entire project. Or, if you prefer, an outline. When I design a long project I do a hybrid blend of the two writing techniques: outlining and seat-of-pantsing. I apply these writing technique concepts to fine art making. I described in my last post what my big picture became for this exhibit that opens this week; the exhibit statement and the exhibit catalog Readings From The Heart. Here’s a few photos of the printed catalog. An ebook version is also available.
But when I began, more than 8 months ago, my big picture for this project was extremely vague. It was akin to a map of a forest without many details. It was akin to a book jacket blurb, with barely a teaser of what might be inside. It was akin to a writer’s outline with whole sections labeled ‘more research needed’.
My big picture map/ loose outline, was handwritten on a legal pad. Vague as it was it still served as a starting point. I keep a notebook/file box for each project so I can store all of my notes in one spot for easy updating and consultation as I work by the seat of my pants and a lots of “Very Small Goals” (VSG) for the project.
Then with the vague map in hand I identified some Very Small Goals (VSG) that would help me start and proceed on my project. These VSG’s can be as small as ‘buy a new art boards by Friday’. The VSG’s change as the process develops. The trick with VSG’s is to make them absurdly small, easily achievable and very specific – including what and when. It’s important to also find some way make each VSG fun.
I think of the creative life as an Eco-system rather than an Ego-system – what’s important is participating, showing up and finding ways to keep things fun. I can’t stress enough the importance of playing and keeping things fun. That makes creativity over a long project sustainable. Here’s another saying I have thumbtacked to my studio wall.
As I proceed to work I know many changes to my big picture/exhibit design will happen. I also know I don’t live in the big picture. I move organically back and forth from big, medium and small pictures of a project. It’s okay to be uncertain, to experiment and play. I just remember to update my big picture map as I have new thoughts. Slowly over time the picture map comes into focus. A project also changes as life happens.
In this case I began my Readings series well over 8 months ago. Then the pandemic happened and threw a monkey wrenchs in my plans. For example I had to suddenly adapt the way I was artistically inspired: to change from being inspired by things I experienced out in the world to a stay-at-home life, things that I read about or only happened in my imagination.
So to think through how to cope with the pandemic and quarantine I reread Dr Bob’s Emotional Repair Program First Aid Kit, which I had created some time back, about mental health coping skills and wrote notes, drew pictures in my sketchbook in order to think.
I also worked daily in my sketchbook on the topic of how to adapt finding books to read, and the development of one’s mental life to a stay at home quarantine situation. Eventually this book was published as Another Sketchbook in order to share my entire process.
Being in quarantine meant cooking at home more so I consulted our Favorites So Far book. This is a sketchbook full of recipes that were enjoyable ways to feed body and mind. You could say that my work on these artist books/sketchbooks is the medium picture, the inset details within the bigger map, the more developed areas in the outline.
All of this sketchbook work inspired my fine art, where I developed specific thoughts with ink and gouache on board. You can almost think of the fine art as the most visible leaves and fruits on the artist book “trees”. In the exhibit catalog I’ve tried to show the connections between the artist books and the fine art I created.
Sometimes, as the pandemic continued, the fine art on the topics of reading, cooking and thinking felt too serious. Needing some self comfort and to have some fun I began drawing portraits of dogs and cats. In order to organize these dog and cat drawings I decided to make them into a children’s book as a gift for some kids in our friends’ lives. Many of my adult friends enjoy my dog and cat portraits so I decided to share each pet portrait on my Instagram page as I finished it in hopes of cheering my friends as I created the kids book.
The finished artwork became an artist book titled Alphapets and was picked up by Storyberries.com. A sequel Alphapets Too followed. Many stories begin with love and an alphabet – so this portrait project felt fun, relaxed and like a small picture, a detailed map insert or a sample bit of text to be fitted into an outline. (In fact, I spoofed some of the pet portraits within my larger fine art paintings.) Here are the pages in the big picture book Readings From The Heart that tell about the smaller picture of Alphapets and how it fits in.
The original artwork for both Alphapets and Alphapets Too is on exhibit at the Aurora Gallery during August and September. More details about those projects here with lots of pictures of the artwork.
When all of the artist books and all of the artworks were finished I reread my notes and used those to create the exhibit statement I spoke of in my last post. I also used these notes to create the exhibit catalog Readings From The Heart. That was the very last thing I did for the August and September exhibits at Burnt Bridge Cellars, the Aurora Gallery and Caplan Art Designs. Well, the last thing besides the framing and art delivery.
Below is a photo of all of my artist books that relate to my Readings From The Heart exhibit. Additionally I’ve created a webpage with all of this projects more than 20 fine art pieces and details about each of the 3 exhibits here.
I hope this look at how I work on long projects has been amusing for you. The exhibits open this week. Many of my upcoming Instagram posts will likely be about that. And I will update the above mentioned portfolio pages too.
Then next Monday when I post here I hope to be beginning a new long-ish project; an illustrated poem for a children’s book titled Numpurrs. I found I quite enjoyed the serialized posts I did for Alphapets and Alphapets Too. So I look forward to doing that again!
The purpose of art, in my opinion, is to cheer people and help them through stuff. My creative challenge during a pandemic has been how to share art during stages of quarantine.
In my last post I described how I’m doing three fine art exhibits in two states, in August and September, during this pandemic. Normally art exhibits are large-gathering social events. The gathering part is canceled but the exhibits will go on. All of us are just being creative about it. One of my solutions to the how-to-share problem has been to create artist books that can be shipped directly to you from the printer. My goal with these exhibits has been to be practical and amusing… and I think artist books help me do that.
One of the books I’ve made is an exhibit catalog, Readings From The Heart, that has the big picture, so to speak, of all of my exhibits. I also created the tiny picture, two alphabet books for children.
And in between there are three of my other artist books that also relate to my exhibit – and to coping with a pandemic:
In total I’ve made 6 artist books to help cheer you that relate to my recent artwork. Poking about on my website www.sueclancy.com gives you access to everything – including some free ebooks I’ve playfully half hidden on my site.
In typical times when I exhibit art I write a short statement about it. The statement is used by the gallery for promoting the exhibit. In pre-pandemic times the statement would also be put on the gallery wall to serve as an explanation of my motivation for all of the art. People would walk up and read it. I would also be at the opening parties answering questions and talking with people. But since that’s not happening this year I put it all in my books – but in a much less formal way.
Even so here’s what I wrote for this exhibit spanning three galleries and two states: “Readings from the Heart – It’s been a strange pandemic. Until recently I drew in my sketchbook from what I would see in the real world as I “ran around loose” in Vancouver and the Pacific Northwest. The pandemic altered that. As I stayed home, I began drawing people and animals more directly from my heart; from memory and imagination. This led to acknowledging that I deeply missed the local coffee shops, the winery, the pubs, the great the library, the bookstores, the museums, the gardens, the zoo… So, I began to experiment with how to adapt what it was that I enjoyed out in the world to this new “at home” life. This exhibit, and the artist books that accompany it, are my heart and mind’s adaption process.”
Because I have more space in my various artist books I went into more intimate details of what I was thinking and feeling – including cooking recipes and self-therapy techniques. I used a more conversational tone in my books as if you and I were chatting at an opening.
The galleries – Aurora Gallery – Burnt Bridge Cellars – Caplan Art Designs – will have photos and possibly video from my exhibits on their various social media and websites. Of course I’ve been sharing online too. Speaking of – here below is more of my artwork that relates to the topics within my artist books mentioned above.
As you can tell food, drinks and books are themes. I find it a useful mental health coping skill to be able to focus on small pleasures, to be able to experience subtle enjoyments.
You can see much more of the artwork from my exhibits on my portfolio page. I hope it all makes you smile at least a little.
Here’s a pic of me working in gouache and ink on the largest painting.
My fine art exhibit schedule was thrown a loop this year. Three exhibits now happen in August and September. This is due to the global pandemic and the too slow response to the virus in the U. S. to which we’re all adapting. Changing exhibit schedules has been a challenge but one of the more easily dealt with.
Since March I’ve been processing, via my sketchbook and my fine art how to adapt to this new “at home” life and stay mentally healthy and creative. All of my artistic efforts have been about adaptation and maintenance of physical and mental health.
It amazes me to realize how much of my pre-pandemic mental stimulation relied on my travels away from my studio, relied on what I could see, hear, taste and experience “out there”, in the coffee shops, the restaurants, the museums and the gardens. Even when it was time to pick a new novel to read I’d rely on a trip to a physical library or bookstore to inspire what book to read next.
Yes, I was the kind of kid who got told “quit touching everything” when my grandmother and I’d go to stores. So how to change my habit of wanting to “be there”?
It was critical to begin my stay home adaptation process – because I couldn’t change the pandemic situation I had to change my attitude about it. For help I reread an artist book I created years ago titled Dr Bob’s Emotional Repair Program First Aid Kit.
I also drew every day in my sketcbook on the topic of books. Stories are how human brains process whatever happens in life so I felt I needed to get a firmer grip on my access to and my thinking about books and the life of the mind. You can see my process develop in my sketchbook because I’ve reproduced my sketchbook under this title: Another Sketchbook – more drawings from the heart
The self quarantine aspect of the coronavirus concerned me on a personal level but also on a communal one. Humans are social beings. I wanted to maintain my own mental health and possibly help others maintain theirs as the health of the community would help all of the individuals within it.
To clarify my thoughts about self comforting and to try to cheer people up – myself included – I made book themed fine art. Here are a few of the pieces:
These artworks, and others, will be physically exhibited at Burnt Bridge Cellars and Caplan Art Designs in August and September. The pandemic being what it is there are limited open hours, appointments necessary and other special arrangements for the safety and health of everyone. For example: at the winery, Burnt Bridge Cellars, it’s possible to pickup a bottle of wine and my books curbside.
Primarily I’m making my artist books available to be shipped directly from the printer. Or to be downloaded digitally.
Like I say, it’s been a strange pandemic – many creative adaptations have been required.
Another example: due to the coronavirus there won’t be the typical art openings where lots of people come and visit with me about my work. So as an adaptation I have created an exhibit catalog, both printed and ebook versions, titled “Readings From The Heart” in an effort to share the big picture of my thinking behind my artwork in a safe and hopefully fun way….with images of the art of course. The catalog also explains how the other artist books relate to the fine art. Below is a look at the catalog cover:
Since the prelude to any story is knowing the alphabet, as I worked on the fine art I also created two children’s books titled “Alphapets” and “Alphapets Too“. The original artwork for those books will be exhibited by the Aurora Gallery. Some of the Alphapets paintings appear in the background of the larger paintings. (I do love the painting within a painting playfulness)
Because all of my recent artwork is on the same theme – just slightly different perspectives – I’ve titled the three gallery exhibits that span two states “Readings From The Heart” and subtitled each Washington Chapter, Oregon Chapter and Alphapets.
I’m hoping my efforts will amuse you. All of it has helped me deal with this pandemic – and to smile. As Gerhard Richter says “Art is the highest form of hope.”
These exhibits open in early August and run through September. If you’re interested in any of the artworks – or in the wine – please contact each gallery. There will be images and virtual tours on social media if you follow each gallery online:
Caplan Art Designs (ebook versions of the exhibit catalog will be available as will access to my other books)
Dec 7th during my pop-up shop at Vintage Books https://www.vintage-books.net/ from noon to 4 I’ll be doing some “live drawing”; I’ll work in my sketchbook and if anyone wants a small portrait of their pet I’ll happily do one using a phone photo as inspiration.
These portraits I’ll do at the pop-up shop are what I call “quickie sketches” – less complex than the portraits I’m often commissioned to do via the Caplan Art Design Gallery or the Joseph Gierek Fine Art Gallery – more like what I do in my sketchbook and still a fun gift for the holiday. Each portrait I do will take about 20 minutes more or less. A command performance art piece! (What fun!!!)
Since I’ll be doing these portraits on-site at the Vintage Books bookstore I’m currently in the process of testing my portable art kit to make sure I’ll have everything I need. A dear friend let me come to her house with my art kit and do a practice session – on her kitchen table – with a pic of her dog on her phone! (pictured in this post)
I’m using my ink pens, my Pentel Water-Brushes (to minimize the need for a water source) color pencils and my gouache colors on handmade paper. During the practice session I discovered I need to pack a few more items – like more paper towels, some wax paper… – so I’ll practice some more between now and Dec. 7th!
Recently I’ve been super busy with fine-art exhibits and other illustration projects. But now I’m back to regular work on a new print version of “Dr. Bob’s Emotional Repair Program First Aid Kit”. During my work on the pages about Dr. Bob’s S.W.I.F.T. finger therapy I remembered how valuable this concept is when I’m in the middle of an art project.
While a project is not a person all creative projects also have an ugly-duckling stage. A point in which they’re more “mess” than “masterpiece”. A point in which things are happening with the colors and shapes that may not be what I intended or hoped for.
I’ve found the S.W.I.F.T therapy helps me remember to calm down about the mess. If a creative person gets too angst-y about the in-progress project it stops the flow of creativity. Possibly leading to a creative block. Remembering to think of “So What If….” finger therapy helps me relax and to do nothing radical to the in-progress project during my don’t-like-it moment. It enables me to let go, and approach the project later with an open, playful, mind. Perhaps after lunch, perhaps the next day.
Page from “Dr. Bob’s Emotional Repair Program First Aid Kit” collected and illustrated by Clancy
If you’ve just joined my blog (and thank you for that!) here’s the last post about this project. The last post covers another mental-health technique that relates, in my mind anyway, to living the sustainable creative life.
I began learning these mental-health techniques and applying them to my creative life back in the 1990’s. I’m still creating new artwork daily. Still loving it. Something works.
Hope this book and these posts will help you too. All the best…