I’m very busy working on a top secret painting commission for Caplan Art Designs. So instead of talking about that – look! Poetry! Pasta! Pretty cups! Books!
Poetry: Two books of Andrea Gibson‘s poetry came by mail from one of my local bookstores! Gibson is my latest favorite poet.
Here’s one of Gibson’s poems on page 32 of You Better Be Lightning.
Pasta: My wife got a mixer with the pasta attachments for Christmas! So we’ve been making pasta together! She makes the pasta from scratch while I make the sauce.
Here she’s making large elbow noodles.
I made a butter and parsley sauce for our first pasta attempt so we could primarily taste the homemade noodles. Yum!! Homemade noodles really are worth the effort for the flavor!!
Pretty cups: Recently we’ve been to a few special events with dear friends. There were pretty cups at each occasion. Having recently made a calendar of coffee cups perhaps I was primed to notice them. Even so the cups, and my awareness of them, added a soupecon of extra special to the time with friends.
Here’s a related-to-cup-thoughts page from my sketchbook.
Books: I finished reading this book about books and oh my! What a marvelous invention writing things down and storing them in a book format has been for us humans! And how easy it is to stand on the shoulders of giants simply by reading.
I enjoyed this video about why we should read more. This article about how reading is itself a creative act. And this article about how creativity is actually a practice of resiliency.
So here’s a photo of one of the books I’m reading now in addition to Andrea Gibson’s poetry, a book of short stories and a book of essays.
Hope your week contains good books in it. I’ll see you next Monday or thereabouts.
This week had a cow in it (more on that in this post) and a dog portrait. I selected one of my sketchbook drawings as an idea for what to paint using the new brush technique I learned from the book, Miniature Art by Joan Cornish Willies that I talked about in my last post. Here’s the sketchbook page.
This ink, gouache and watercolor painting below is 8 x 10 inches in size, well within the “miniature art” definitions. The brush method recommended in the book “Miniature Art” by Joan Cornish Willies is to lay a round pointer brush on its side in the paint and rolling it to absorb the paint while maintaining the point on the brush. Dipping, pressing or stabbing the brush point in the paint, however gently, makes the brush point spread out and thus makes doing fine detail within a painting more difficult.
Here’s a look at the whole painting I’ve finished and titled “A Tale-carrier”
The new brush technique did help me get more fine details. Particularly around the dog’s eyes, nose and on the books. Here’s a closer look…
I’m loving the way creating finer details enables me to combine the human senses of touch and sight in this new miniature work! And I enjoyed making a miniature that knows it’s a miniature! Lol! It’s amazing what a gift awareness can be! Here’s an even closer look…
I do feel a bit of “well, duh”… of course laying a brush on its side and rotating the brush in the paint would help retain the brush point even while loading it with pigment! Ah well! Just goes to show that you really can teach an artist with 25 plus years of experience a new trick or two! Lol!
This week someone asked if I would pretty please make a mug with my “green leprechaun man” on it…
Also this week another printed book on the topic of miniature art came in the mail from one of my local bookstores. The Big Book Of Tiny Art by Karen Libecap is just plain fun to look at and read. It does have a good review of pencil techniques as well as use of color. The main attraction for me is the “watch-it-develop” sequences of photos that document ways to achieve tiny details. Oh, and the gallery of examples of finished miniature artworks is a treat. This book is encouraging and pleasing in tone – which will make it nice to have on my shelves. No Earth shattering art technique BFO (Blinding Flash of the Obvious) moments in this book like there was in reading Miniature Art by Joan Cornish Willies. But the friendly can-do spirit and lack of snooty-ness in the Tiny Art book by Libecap, I think, means more people- myself included- are more likely to keep trying this art form. Plus I just love it that these tiny art techniques are so applicable to what I do in my sketchbooks.
So now when I draw in my sketchbook I’m trying for more details – like the feathers on this bird.
As you know in the evenings I’ve been reading a print copy of The Annotated Arabian Nights. On my ebook reader, which I read while exercising, is “The Hitchhiker’s Guide to the Galaxy” by Douglas Adams. So in addition to the story-within-stories format of the Nights and the lovely idea (last post) about the genre of “mirrors for princes” that I encountered in the annotations of the Arabian Nights I’m getting a regular therapeutic dose of Adam’s gentle absurdity.
Thus I’ve been pondering just how it is that Mother Goose’s cow went over the moon. And our human habit of having sacred cows… beliefs that take us into the stratosphere away from reality. Consequently there’s a new wordless book in progress on my easel.
Here’s a closer look at the sequence of pages
As I write this blog post I have put these pages under smooth boards with weights on them so they’ll be flat. I’ll be making a physical artist book from these pages and then both a printed book and an ebook version. More about this in upcoming posts.
A dear friend and fellow artist Donna Young https://www.donnayoung.com/ and I used to fairly regularly visit each other’s studios in pre-pandemic times. Recently Donna posted a photo of her studio and asked me to post a photo of mine. Here it is below!
I’m sure you’ll recognize one of the dog paintings on my easel. The other dog you’ll probably see next Monday. And I’m sure you’ll notice my new magnifying glass (last post) in use!
If you were standing in my studio, where I took this photo, to your left would be a stack of boards and weights holding down my “How The Cow Went Over The Moon” pages. More about that next Monday too.
Thanks for reading this post. I hope your week is kind to you and I’ll look forward to sharing more with you on Monday!
This week was … there. Reading Marcus Aurelius helped. So did the oranges, the coffee, the leaves in the yard, the books and art. Talking with my spouse helped too. I kept returning to this quote from Marcus Aurelius so I did this gouache and ink painting. Then I added it to my “for encouragement” art print series on my Society 6 shop.
Here are a few of my sketchbook pages that formed part of my self-care this week.
In my last post I wrote about “discovering” miniature art by way of reading The Annotated Arabian Nights. While reading more about some of the artists and artwork illustrating the Arabian Nights I learned of the uses of magnifying glasses when creating art details within the miniatures. “Well duh! Wouldn’t that be helpful?” I thought.
So when a nice surprise from Storyberries came I used the windfall to get some anti fatigue mat flooring for when I’m standing at my easel and moving about my work area. It has the added benefit of protecting the wood floor! And….
…I got a magnifying glass that clamps on my easel!
Since feelings and dealing well with emotions has been on my mind I used that topic for the first of my Creativity Chats for 2022.
Here’s the link: https://youtu.be/KvCfOgtOaMY I talk about dealing with feelings and sustaining a creative project over time. Even during difficult times.
Books are some of the “good shit” that I inhale. And in stressful times I’ve found it can be hard to “let things get through” even beloved books. All I know to do is to keep reading and trust the process.
Anyway The Annotated Arabian Nights is “getting through to me” more than I’d have guessed. In addition to the miniature art concept I’ve also learned that there’s a genre of writing called “mirrors for princes”. I’ve no idea what, if anything, I’ll do with this awareness. I’m mostly just vividly aware that I sat up and took notice when I learned this.
In looking at online sources for information about miniature art I learned about a book by Joan Cornish Willies titled “Miniature Painting”. It was touted in multiple online sources as a go-to book resource. I contacted an independent bookstore and got a copy mailed to me which I read cover to cover the day it arrived.
According to Joan Cornish Willies I wouldn’t at all be considered a “true” miniature artist because I tend to use multiple media in just about everything I do; a bit of ink, gouache, watercolor, color pencil and collage to name a few of my art mediums. Plus, according to Willies, my typical subject matter isn’t considered within the realm of “traditional” subjects for miniatures. Oh well.
Fortunately I’ve read other sources and know that Joan Cornish Willies’s thoughts aren’t the only ones about miniature art and it’s definitions.
Despite the “no true Scotsman…” rhetoric and traditionalist tones in this book by Willies I found several of the technical painting directions of interest and possibly applicable to what I create. The rest of the book I take with a grain of salt or perhaps a large sack of salt. Anyway I’ve no intention, at this time, to participate in the formal miniature art society’s – as suggested by Willies – they sound entirely too rigid and puritanical for my tastes.
In the process of reading on this topic I’ve realized what I like about the idea of miniature art is the focus on storytelling, the intimacy and the connection with bookmaking and publishing. I love all of the intricate artistic details that can be achieved by the various methods of working “in the little”. Most of all I relish the way the details created in the smaller sizes are able to be reproduced in print (or online) so clearly! I had already noticed this with my own fine art and book publishing work (see my portfolio). Larger paintings often lose clarity and charm when they’re reproduced at smaller sizes… like in books. So I’m keen to do better at fine detail in smaller sized artwork with an eye toward more publishing.
That’s specifically what has amazed me about the artwork in The Annotated Arabian Nights so many of the illustrations are reproduced at the actual size – or very near it – to the artist’s original artwork! And the artistic details are glorious!
Consequently I’m thinking up a new artist book or two as well as a new fine art series – and deliberately planning smaller sizes now!
Onward into the fog as they say. See you next Monday?
Here’s news about The Professional Dog and all of my projects that I couldn’t talk about in my last posts! First, this weeks sequence of dogs.
Below is a closer look at the artwork of each of those dogs with the book text beneath.
As I mentioned in another post I tend to work first and talk about the work later. This means all of the artwork is finished for The Professional Dog and I could work hard this past week on the book layout. Here’s a photo of me at my laptop doing the book layout.
I wanted this book to be able to be shipped by Christmas so I focused on getting the book design done – and uploaded – which altered my posting about the artwork itself or about my creative process surrounding the book but I think that’s okay. If you have questions just ask.
There’s a lot still to do for this project but the publication on the 16th of Nov was a big deal. There are 40 portraits in the book and this is the most pages I’ve created for any of my books so far! So I’m celebrating! Wahoo!
Because I made portraits of my friends dogs I plan to keep posting each dog in alphabetical sequence so that each dog gets to be featured and each friend has a chance to share the portrait of their dog if they want to. Mainly it’s just a bit of cheerfulness from me over the Thanksgiving holiday.
Speaking of small cheerful things: I took some more of my books, mug mats and postcards to the Aurora Gallery at their request.
The Caplan Art Designs Gallery did a studio visit and selected some artwork from my studio stash for the special Thanksgiving event the Gallery is doing Nov 26, 27 and 28th. Each of the artworks Caplan selected are autobiographical. I’ve been sharing details on my Instagram page for each of these pieces but generally speaking each painting is about some aspect of my life here in the Pacific Northwest. Like the time we went hiking in Forest Park and my bootlace broke and we discovered a wonderful coffee shop that also sold bootlaces! Or the Rainier cherries we enjoy eating by the sea. Or the fine dining we’ve enjoyed…my feeling is reflected in my choice of dog breed depicted. And the bookstores… There are many more artworks selected by the Gallery than I’ve included below but perhaps this gives you the idea? The Gallery event happens the 26th, 27th and 28th in Portland Oregon.
Why were the above artworks languishing in my studio? They didn’t fit neatly into a theme or a unified whole for any of my exhibits. And also they were still there because I forgot about them. This is an example of when it’s helpful to have someone outside my head – in this case a gallery owner – look at things with fresh eyes.
Another example of the value of “fresh eyes” is that my spouse looked at my digital book layout of The Professional Dog and caught a major mistake I had made before it went to print!! (I had one out of alphabetical order 😱) I thank her on the book info page seen below.
And now for what we’ve all been waiting for (drumroll please) the Holiday Box Project! The Box Project exhibit opens at Caplan Art Designs the first Thursday in December. That’s why we artists were asked to wait to post and to only do a “teaser” post now because the Thanksgiving gallery event happens first. We artists were each given by the Gallery a solid brown wooden box, 8 inches cubed, some time ago so we’d all have time to create art on them. Below are before and after photos of my box.
I’ve titled my holiday box “All The Chances” – what are the odds you’d find 21 dogs named Chance? Anyway, are you teased? Lol! I will tell more details about “All The Chances” including about my working process after Thanksgiving.
It’s been a super busy week (no time for Creativity Chats or for much cooking creativity either) and frankly I am very tired from all of the activities. But at the same time I’m very happy! So I’ll rest up and share more this week on social media and on next Monday’s blog post.
I hope your week is a good one. Thank you for your many kind comments and your support! I am grateful for you and for the blogging community! Happy Thanksgiving!
I got my Covid19 booster shot and thought of the relationship between individuals and community. That brought jigsaw puzzles to mind. Quite a number of people were getting vaccinated the same time I was and it got me to thinking of how each one of us fit into the local community in some interlocking way.
After getting the poke I had to stay for 30 minutes to make sure I wasn’t going to have a reaction. Since I was thinking about puzzles I got online and shared some jigsaw puzzles I’ve designed that are on my Zazzle shop.
Then, after sharing the puzzles, I kept thinking about the mechanism of human perceptions. When working on a jigsaw one shifts back and forth between looking at the colors and patterns on the puzzle pieces to looking at the shapes of the pieces themselves. Somewhat similarly we – well, most of us – shift back and forth between seeing ourselves as an individual person and seeing ourselves as part of a much larger community.
That got me thinking about optical illusions and the ways design, specifically the design of narratives, the design of governments, can dovetail with our perception mechanisms and our behavior choices in a which comes first the chicken or the egg sense.
I sat in the medical center waiting area trying to remember – without using Google – the name of the guy who did the pioneering work on the perception of figure-ground relationships. I tried to remember the name of the optical illusion that illustrated this figure-ground discovery and the name of what the switch of perception in a figure-ground relationship is called.
I felt fine when I got home. My arm was hardly sore. I did feel a bit tired and decided on a day of indulgence. That means spending most of the day reading! My spouse documented the occasion – see below. The next day I was tired and had a slight headache. While I did do some work I mostly read books the next day too.
Despite both my spouse and I getting our booster shots and being busy rearranging furniture and stuff for workmen to make house repairs I did manage to get some illustrations done for my in progress childrens book project “The Professional Dog”. Here are three together.
Below are closer views of each of these illustrations along with the text line I plan to use in the book.
I did not have time to do one of my Creativity Chats this week. Also, since one of the home repairs is happening in the kitchen – there are no creative approaches to food that could be discussed or depicted here with glee. (I’m so looking forward to having my kitchen back!)
As I wrote in my last post my 8 inch cube shaped holiday box project for an upcoming exhibit at the Caplan Art Designs gallery is finished except for the final coats of varnish and we’re still waiting for Gallery permission to post publicly about it. Below is my art studio supervisor dachshund waiting very patiently. Mostly.
In addition to jigsaw puzzles and the figure-ground relationship shift of mind I’ve been thinking of how I use that mental shift method with words and images to stimulate my creativity.
For example when I began my holiday box project I listed, in longhand on my legal pad, over 20 items that are square or cube shaped. After making that list I worked in my sketchbook playing with images related to these words. (I’ve posted some of these in a past blog post) Below is a photo of part of my handwritten list – and I trust it doesn’t give too much away. 😁
I’ve also been thinking of figure-ground type shifting we do in other ways: inner life/social life, old/young, self/family, indoors/outdoors, leisure/work, mind/body, survive/thrive… I could go on listing these kinds of interrelated mental shifts but this is enough.
Anyway, of that list of shifts physical and mental health are important to me for both living-well reasons and to my creativity. Also important to me is the topic of doing a really good job of growing old (there’s a wonderful essay by Bertrand Russell here).
The main reason I create my artwork is because it makes me smile. I post publicly because it may give a friend a smile. And my friend Liz Gaffreau recently posted this which in turn made me smile. That’s why we’re here, I think, to love people and to be loved. That may sound somewhat purposeless – but this purposeless loving is the very attitude that leads to being creative, to playing well with oneself and with others.
This blog and my Creativity Chats on my YouTube channel are more of my small efforts to playfully encourage creativity in both myself and others – it’s one of my ways to participate in a creative community. I want the poets, the novelists, the painters, the quilters, the creatives of all kinds to be as well – physically and mentally – as possible. I want this because it is by play, by stories and beauty, that we all will get through difficult times. Mere physical survival is not enough. If I can encourage a poet or novelist to keep writing then perhaps their words will also help someone else keep going. Other writers work certainly helps me keep going. Each effort of creativity is a butterfly effect of sorts.
So, yes, my work feels urgent to me. It’s the shape and color of my jigsaw piece.
Please take good care of yourself this week. See you next Monday.
In a prior post I showed a fabric design in progress. This week I got a fabric swatch proof, pictured below, which I approved and have made publicly available now. I like the bright colors of it.
In the most recent children’s book I illustrated, Pembral Forgets, I used a leaf motif thought the book. The story Steve Tubbs wrote was about fall leaves. good food and a mother’s love. So as I was doing a version of the leaf motif for fabric naturally my thoughts ran towards the possibilities of the leaf fabric as napkins and table runners – things for kitchens. Anyway, the fabric is on my Spoonflower shop now as well as on the Pembral Forgets portfolio page.
In my last post I talked of using things I enjoy as a guide for subject matter in my art.
Well, that also applies to the types of creative pursuits to which I choose to apply my artwork. For example I’ve been thinking for some time now about how much I enjoy sending and receiving greeting cards in the snail mail.
In the photo below you’re looking at my fireplace at home and the cards I’ve gotten by mail displayed there on the mantel. Some are handmade cards. Some are vintage cards. Some are postcards and folded cards found in stores. I like them all and love the connections with the people who sent them!
I have dabbled in card making most of my life. But only in the last few years have I been semi serious about it. This week, however, I had the thought “What if greeting cards are little illustrated story books?” and my dabbling is suddenly more focused.
Below are a few of my greeting cards which are now on my Zazzle shop here. Some of my cards have rabbit characters but there are other animals too.
I want to make more cards now, for many reasons. But I realized this week that there’s a big reason: my pleasant memories of whenever my adopted Mom, Dad and I met in a bookstore cafe for lunch.
In addition to looking at the books no visit was complete without a visit to the greeting card section of the store. Dad was a psychiatrist and he used to tell me that sometimes when he had a patient with depression he would prescribe weekly visits to stores that sold greeting cards. He would ask that the patient write down descriptions of the cards that amused them to share in future appointments with him. Bonus points (so to speak) if they bought a card and mailed it to someone.
So yes, I want to make more cards in addition to my other artwork – in the “Hi Mom and Dad. 👋” sense of things as well as for my “help others share their stories” sensibility with which I run my creative business.
(Btw: this reasoning is why I do my fabric designs too)
Anyway you’re the first to see the whole collection of cards I’ve done so far. Plus these below…
Needless to say I’ve been busy this week. Fortunately I made a big batch of my “Simple Sauce” and stored it in a jar in my fridge for quick easy to prepare meals. Naan bread makes such a nice pizza crust: just spread on a spoonful of sauce, chop and add desired toppings then bake in a 425 degree oven.
My “Simple Sauce” recipe is in my kitchen sketchbook Favorites So Far. The whole book can be previewed here and you’re welcome to capture my recipe below.
For one meal my spouse and I were in the mood for bell peppers, onions and olives on the Naan bread crust. Yummy!
Speaking of good things, books and rabbits: I’m starting a new children’s book. One question I get asked “which comes first the art or the words?” and in the case of this new book the art largely came first. Here’s an array of the illustrations I’ve done so far along with my legal pad on which I’m scribbling book text drafts by hand using my fountain pen. More about this project in future posts.
More too about a new painting currently in progress…
Hope your week is full of your favorites too. See you next Monday?
After finishing my Pembral Forgets project I was asked if I would make a fabric design from the leaf pattern I had created for the book Pembral Forgets which was written by Steve Tubbs and illustrated by me – (details here)
So this week I’ve been making a fabric pattern of leaves that I’m calling “Leaves From Pembral” and here’s my process…
First I cut out a 12 inch square area of the original hand stenciled paper I did for the Pembral Forgets book. Carefully I chose an area that wouldn’t have leaves touching the 4 edges of the paper. Then I used acrylic paints and created more stenciled leaves to fill in where there were gaps, trying to make the new design square balanced and interesting.
When the above was dry I “cut up my darling” – to borrow from advice given to writers about editing – and made all 4 outer edges now be on the inside of my 12 x 12 inch square paper. Basically I turn my design inside out.
Next I fill in the new gaps with more stenciled leaves.
Then when that was dry I photographed the finished design, trying to keep the soft creamy look of the original and keep the pattern square with my camera. This is easier said than done. After several attempts I was happy with this image below.
Next I uploaded my digital photos into my laptop and used the Spoonflower system to set up my pattern for a basic repeat…so my pattern will flow across any length of fabric without interruptions.
As I worked on the digital file I was thinking of leaves falling and then laying on a wet sidewalk.
What you see below is a screenshot of my finished pattern as I set it up to be repeated on a “fat quarter” an 18 x 21 inch area.
Now I’m waiting to get a proof sample from Spoonflower which I will approve – or not – before it gets added to my public shop on Spoonflower. https://www.spoonflower.com/profiles/sueclancy After that I will tell the person who requested this fabric pattern that it’s there and will hope they’re pleased. In the meantime I hope this blog post will amuse…
I enjoyed playing with leaves in my sketchbook, too, this week – with my rabbits. Another bit of advice for writers is to develop a character and use them to explore ideas and situations instead of creating a new character each time one sits down to write. This technique is most obviously used by mystery novelists who create a character (or two) that repeat over a series of books.
I’ve borrowed this concept for writing and applied it to my fine art and artist books… I have certain motifs and characters – selected species really – which repeat in various ways throughout my projects within a span of time.
In my sketchbook page below I have leaves, books and rabbits. For almost a year now rabbits have been a constant character… (previously I have done series of Dogs and Cats … click on the word Dogs or Cats to see a collection within an artist book)
I posted the above photo on my social media pages and someone asked for an art print of my sketchbook page. So I created an art print of the sketchbook page on my Society 6 shop. The unframed print looks like this (below)
In the evenings I’ve been reading about meditation and, of course, reading a mystery novel. Thinking of little things; leaves, drops of water, ones breath are ways of calming oneself for meditation. Little things; scraps of paper, drops of blood, air quality are often clues in a mystery novel. So I keep thinking of little things…
I broke up a chocolate mint and put it in my hot chocolate. It was a tasty little touch – Yum!
I know it’s not a holiday but little pleasures really do make an ordinary day feel special.
As we fast approach the deadline for shipping presents I begin to oogle the coffee, the tea and the buns. Let the Jolabokaflod begin! Let the hot chocolate flow! Bring out the books!
Here’s a quick meme to explain what Jolabokaflod is in case you’ve not yet had the pleasure…
My family officially begins our Jolabokaflod festivities around the 13th or so of December – if not earlier. Okay, truth be told, we celebrate Jolabokaflod all December long.
We did this in the pre-pandemic Before Times because by mid December most of the art gallery exhibit openings and parties have already happened. So we could enjoy ourselves with more time to read books. This pandemic year things are, well, weird. So I’m reveling in the Jolabokaflod normalcy. Plus the whole idea of Jolabokaflod is tailor made for a pandemic.
The following books are all books that were Jolabokaflod gifts, starting in early December. These are the ones that have been opened already.
Whiskey Galore by Compton Mackenzie was a surprise in the mail gift from my spouse who knew I had wanted my own copy. I’d read the library copy several times and had listed this title as a “book to cheer up by”. This book paired well with English Breakfast tea blend and candied orange slices. And occasionally had a shot of whiskey on the side.
A friend suggested, and gifted, by no-contact dropoff, “The Strange Case of the Alchemist’s Daughter” because it was a book she really enjoyed. I paired this book with a strong French Roast coffee regularly and added this book to my “fun lighthearted reads list”. The cinnamon bread was good with it too! Now my spouse is reading this one…so we’ll not say more about the book.
And then another friend said one of his favorite authors is James Crumley and he mailed a copy of Dancing Bear to me. I opened it and was hooked right from the start. I read the first 3 chapters without hardly being able to put the book down. I did, however, at some point manage to tear myself away from the book and make a hot chocolate to go with my reading.
Naturally my sketchbook figures in prominently this time of year too. It’s a book too so I include it in the festival! And I see Jolabokaflod generally as a chance to doodle and play and share books with friends and read with no strings attached.
When reading books or sketching I like to have a coaster or Mug Mats as I call them under my cup so that my beverages don’t moisten a table or a book. Consequently my sketching practice lately has run to making coasters too… here’s a collection of my Mug Mat designs https://www.zazzle.com/collections/mug_mats-119756908126091756
Also as part of my sketchbook practice I’ve written a short story that explains what happens to beverages when you’re reading. It’s like this:
In case you’ve wondered where the coffee goes: There are tiny rabbits, who creep up while you’re busy reading, install a drain spigot on the side of your cup and dispense coffee to the entire tiny rabbit crew. When your cup has been completely drained they remove and repair the spigot hole and run away.
All of this happens so fast you usually can’t see it – you’re left with the “I swear I’d just poured myself a cup of coffee and now it’s gone” sensation.
Watch for the tiny rabbits. Here’s a new odd mug to help…
Tiny rabbits like to hide in fabric things like placemats and pillows. In the photo below the tiny rabbits are somewhat hidden. They’re lounging and drinking coffee on a pillowcase. If you look carefully you can see them.
So the moral of my visual story is to watch for the tiny rabbits!
And please put a coaster under your mug in case a tiny rabbit spills a bit when siphoning out of your cup.
If I see you here next Monday there may be a book gift to you from me…
Stockings were hung by the whimsy with care in hopes of the giggling soon to be there…
Okay so that’s not how the poem really goes. Still I’m thinking of ways to keep up my sense of humor and share a chuckle with other people. Imaginative play and laughter are crucial to mental health and humor seems more important this year, 2020, than ever.
My what a creative challenge this year has been on all levels. For example, instead of the usual holiday art gallery openings and parties my galleries are doing things differently: open by appointment, digitally showing work, shipping and delivering directly. Some are also doing limited hours “popup” shops with items that can be picked up curbside or quickly and safely in the gallery.
Through all of the changes my creative efforts still focus on hopefully making you grin.
Toward that goal here’s a few of my gouache and ink paintings available via the Caplan Art Designs gallery www.caplanartdesigns.com
Here, below, are a few paintings at the Joseph Gierek Fine Art Gallery in Tulsa, Oklahoma
And there are more than a few paintings – artwork that is reproduced in my artist books for children – many of my artist books (signed) and other stocking stuffers at the Aurora Gallery – www.auroragalleryonline.com
Besides fine art and artist books for the Aurora Gallery popup event, Dec 12 from 12 to 4 pm, I’ve created some small stocking stuffers: book mark ribbons, playing cards, drink coasters and other items not pictured below.
Besides paintings that include socks, I even made a few largish non holiday theme stockings that can hold smaller gifts.
Perhaps you’re noticing some common themes in my work: books, beverages, music and funky socks. All various comforts that can be enjoyed at home.
And it’s all whimsical. Humor is important to me because a sense of humor is one of our best tools for thinking and living well – despite circumstances.
Anyway, I’ve been enjoying the puns within puns… my fine art about reading books that becomes a bookmark ribbon for a reader. Or my fine art that includes a beverage becoming a drink coaster…
No, I don’t expect that everyone will understand all of my jokes – certainly not the “meta” ones – I’m just hoping you’ll get a surprise and a smile from my work.
Please do whatever you need to do this week to maintain your sense of humor and whimsy. Playfulness helps us cope.
A good laugh heals a lot of hurts – Madeline L’Engle
Well I didn’t expect that. My books sold out at the Aurora Gallery within 11 days. By request I’ve ordered more books to sign and deliver to the gallery asap.
I began doing this series of kids books as a gift for my friends and their kids and grandkids. When this pandemic began, for safety reasons, I started making my artist books on Blurb.com because they’ll print my books on demand and then mail those books from where they’re printed to any place in the world, including mailing books to my local friends.
Here’s a photo of all 5 of my children’s books. (Accessible on my shop page)
The worldwide aspect of Blurb has turned out to be a good thing also because all 5 of my children’s books are now on Storyberries.com as ebooks and audiobooks worldwide. Storyberries links to where a reader can get the printed books at the bottom of each ebook.
Even so I’ve gotten multiple direct questions about where to get printed versions of my children’s books so I’ve put them on my shop page as well as my portfolio pages.
Also on my portfolio pages are links to blog posts that show my working and thinking processes as I created the books.
What I hadn’t expected was the requests for signed books. I’ve been working on that: I’ve mailed signed labels for the book owner to affix in the book. And I’ve taken, in a pandemic safe way, a few signed books to the Aurora Gallery where they went quickly to new homes. I’ll have a few more signed books at the Aurora Gallery soon and the gallery is able to mail them on to a reader/collector.
Anyway, to be safest of all, I’m focused on working with places that can do the direct shipping of books and other items. I’m also enjoying making downloadable ebooks. (Look at the bottom of my shop page for ebooks I have there)
You see, I keep thinking “what if this pandemic is actually opportunity to slow down and really connect with people?”.
Books are ways to connect, in my opinion, and for that reason I make books. I may dedicate each book and have certain people in mind as I create my books but when I share on social media about my books (and other items) I share for anyone who needs a bit of comfort, a smile and a visual hug.
Here’s a look at the display at the Aurora Gallery before they sold out of my books.
At any rate I’m enjoying making my books available via Blurb and Storyberries and the Aurora Gallery and I’ve enjoyed hearing that my books have given people comfort and enjoyment during this time.
Most days I make an effort to catalog what I’m enjoying and finding comfort in these pandemic days. This is expanding my awareness of things, besides books, that help us connect with each other. But in my list making of comforting things I’ve found books and coffee so comforting so often that, for fun, I did a fabric pattern on the topic.
A friend liked my coffee and books fabric pattern and requested a coffee mug with it. So I did that. It’s fun to think of mugs as gallery walls or as book pages or even as pieces of fabric. And I get comfort from thinking creatively about the ordinary stuff of life and the comforts found there. I’m very grateful that both Spoonflower and Zazzle can ship my designs directly to someone.
I find it helpful to create things with specific people in mind. Sometimes the people know about my creation because they requested something or because I wrote a dedication in one of my books. Most often the person I had in mind while I was creating never knows about it.
As Kurt Vonnegut says “Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.”
A side effect of thinking of my artistic creations as gifts for someone I have in mind is that I’ve discovered that my books, fabrics, mugs, puzzles and other items have been purchased as gifts by one person for another person.
And I love this thought that what I make as a gift, in my mind, for someone I know becomes a real-life gift from one person to another person.
It feels like I’m the author of gifts to be given, as if my artistic mediums, my paints so to speak, are love and kindness shared between people. With that in mind I’ve begun making more note cards… like this…
The text on the inside of the card says “wishing you calmness and peace or at least comfortable sweatpants”
Yes, comfortable pants made my list of enjoyed comforts this week. So did thick socks and warm sweaters but this is enough typing for right now.
See you next Monday? Till then please make yourself comfortable and share a comfort with someone else.