I made postcards for friends with these 2 inks as seen on my Substack newsletter. As you know I see art as a way to connect with people.
Playing in my sketchbooks is a way to explore and experience new art supplies as well as my own thoughts and feelings. I used on of the larger 8 x 10 inch sized sketchbooks as seen in this recent post when I got a batch of new sketchbooks.
This week we visited a locally owned bookstore called Broadway Books. I love their curated poetry section and got two books of poetry and some “haikubes” for added wordplay fun!
Another day this week we went to a 2nd Powell’s bookstore location on Hawthorne street. They have completely different book selections in each of the Powell’s bookstores so it’s fun to visit the curated collections for a good browse.
And we celebrated our anniversary of 27 years together and 10 years married at one of our local craft brewpubs!!
What a great week of soaking up the fun and celebrating life!!
Much love to you all and thanks for sharing in the fun!!
I finished my commission for the Caplan Art Designs Gallery and delivered it. Still can’t talk about it yet but I’m pleased and the Gallery was pleased… enough said!
With the leftover paint from the commission I began working on this painting currently in progress…
As a reward for finishing the commission my wife and I took a day to visit a few of our favorite places in Portland Oregon to play and generally muck about. The first place was Powell’s City of Books where we explored many of their 5 floors of spectacular book reading goodness and other fun things…
We each came home with small book hauls. Here’s mine…
Our other favorite place is Oblation Papers and Press. We got 3 bottles of ink: two are coffee colored and named “Caffe Creama” and “Espresso”. The third ink is named “Portland Rain” and it is a grey-purple-blue color like the, um, rainy Pacific Northwest sky this time of year! I also got two dip pens because…they’re dip pens.
…and I wrote on my email newsletter about a new bent pen recently. Here’s a photo of it…
…and here below is some mucking about that I did with the new pen in one of the larger new sketchbooks.
I’ll play around with my new inks later this week! I cannot stress enough the importance of play – aka mucking about – to creativity and mental health. Wahoo!!
I hope you have fun doing your own mucking about this week. See you next Monday-ish.
Needless to say I’ve been carefully balancing my time between work on the commission for Caplan Art Designs and time for rest and playing towards the art exhibits scheduled for this year. The commission has a firm deadline and I’m steadily on schedule. In order to stay on schedule I’ve let go of much of my social media. If I haven’t responded to you this is why. Anyway, around the commission priority comes work towards a new painting series.
As I mentioned last week extra paint from the commission gets used on another painting in progress. This way I don’t get distracted from the commission and am still making progress towards future exhibits. Last week I was working on this painting and this week I finished it.
As I mentioned on my recent email newsletter I’ve been reading and thinking about time. Specifically time and creativity. Human brains simply need time in order to put ideas together. Here’s some of what I’ve been reading. (Details about the books are available here https://bookshop.org/shop/clancy)
Yes, despite being busy I’m still carefully making time to read every day. It’s how I maintain my creative focus, enthusiasm and fun. Same with my sketchbook work which I share via my email newsletter.
A book – whether a library book or a personal notebook/sketchbook – occupies time in uniquely personal ways. The reader moves through time and space as they page through a book at their own pace and magically whole worlds, memories and ideas are built letter by letter, word by word, page by page in the readers mind!
As I say on another page of my website the definition of an “artist book” is “… a book conceived as an art object. It reveals a story over time and space using a combination of content and art techniques in a way that directly involves the viewers participation. “
Books and artwork both use time – time itself – as a creative technique!!! These thoughts about time and the book format also lead me to thinking more about handwriting, hand created art, handmade books and the value of the handmade in this Artificial Intelligence, rush rush, hurry hurry, often prefabricated and canned world. Can both handmade paintings, handmade books and handwriting be analogous to homemade cooking? What does it mean to be real? To be authentic? To be human? To be a time bound being that exists in space?
There is no one grand answer to any of these questions (that would be too hedgehog-y – in reference to the book “The Hedgehog and the Fox” by Isaiah Berlin) but all of this is in my mind as I work. You’ll see some evidence of my musings on these topics in the upcoming illustrated short story about an alien in outer space on my email newsletter…🤣… but I digress.
I hope you too are being mindful of your time this week. It’s a precious resource. Thank you for sharing time with me. See you next Monday.
Imagination and poetry were on my mind this week. I’ve been thinking of our mental ecosystems and the landscape of our minds. So this week I did a portrait of a Shih Tzu this week for upcoming exhibits via Caplan Art Designs which I’ve titled “In Imagination”.
“In Imagination” by Clancy- 10 x 8 inches- ink, gouache and collage on board
Storyberries said “Great! Can you do it as an Instagram Reel?” And I replied “A Reel? I’ll have to Google whatever that is…” So I Googled and found this article as well as others. I also talked more with Storyberries about Reels because they’ve been doing Reels longer than I have.
Turns out that doing a Reel was fairly easy to figure out. I still have more to learn but I did turn the above YouTube video into a Reel on Instagram
Additionally for promoting “How The Cow…” I submitted it to Apple Books as an ebook and was accepted! This brings the total number of books by me on Apple to 15! I’m proud of that! If you scroll down this page you can see more of my books.
As you know from my last post I’ve been thinking of poetry as a rhythmic visual sequence. So I played with a short sequence of drawings and published it as poem on a coffee mug. To me the sentiment in my poem fit the trying-to-get-started morning need for caffine. I also used these drawings as test content for making another Instagram Reel. Im trying to practice this because suddenly I’m seeing the very short videos as another way to share my visual content… and I can imagine doing more collaboration with Storyberries this way too!
Speaking of very short poems: a whole lot of progress happened on my newest experimental art poem…
I finished painting the content and the cover art. Then I cut out the cover art and glued it onto the outside of the 2 inch square concertina book.
Here’s an early peek at the finished original artist book. As I mentioned in my last post I don’t want to show too much of the punchline before Storyberries has a chance to distribute it. They’ve tentatively scheduled it for release Mar 12 so slowly over this next week I’ll post more in public on social media. But for my dear blog followers here’s an advance look at the original artwork.
Here I am, with canine supervisory assistance, setting up the digital files for sending to Storyberries.
And here’s what’s on my laptop screen.
My thinking is about the mechanism of ebook flow on Storyberries and fitting a visual poem rhythm to that. The ebooks on Storyberries flow up and down so my question is can I do poetic rhythms, repetitions and surprises in a way that takes advantage of that? Can a viewers eye “read” an implied connection between the up/down pages? It’s fun to experiment and play with what a poem and a book can be!
Here’s a peek at the ebook version. I’m thinking the viewers will make the transition between the pages just fine… what do you think?
While “A Scoop Of Letter Soup” seems really simple there was a lot of thinking and planning behind it, possibly more planning than I’ve done for my more complicated works. I think of “A Scoop…” as a little treat rather like how a baker puts a lot of time and effort into making something yummy that’s eaten in a moment.
This week I also cut, folded, trimmed and glued handmade paper into what I call “book blanks” concertina books that are ready for my content. I have some more plans for future artist books and this is part of getting ready for book content production.
Sometimes I have bought blank concertina books from an art supply store but generally I find it more satisfying to make my own. I can choose my own paper for the book and make it a size and length needed for the projects I have in mind.
Below is a photo of my evening reading list. Three of the four books pictured talk about the playful, generous nature of poetry and books in general and ways language itself can be a form of loving and caring. I’m enjoying thinking of how poetry and stories can be useful mental landscape construction tools for creating pleasant mind-scapes.
And Good Omens by Terry Pratchett is just plain fun to read.
I hope your mind is your preferred landscape and that it is especially beautiful this week. See you next Monday.
These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.
From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.
With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.
And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.
Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.
Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)
After I posted “Enjoyment” on social media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.
Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.
It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )
As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium. Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:
Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?
I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.
That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.
No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.
So I hope you have a very good week. See you next Monday?
I’m practicing household surrealism as I work towards fine art exhibits later this year. Ordinary objects and plants are sources of inspiration.
Here’s a few sketchbook pages in which I’m playfully combining hats and plants.
Below are some primrose flowers a friend gave us. They sat on my table and I drew them and photographed them.
The flowers eventually became part of a hat in an acrylic painting I’ve titled “Of Sense”.
“Of Sense” – by Clancy- 10 x 8 inches- acrylic and collage on board
In my new series of artworks for exhibits at Burnt Bridge Cellars and Caplan Art Designs I’m using a bit of collage. The collage elements come from my old falling apart copy of Jane Austen’s “Pride and Prejudice”.
I replaced that old Austen book with a newer intact copy. I’m enjoying my Austen collection. Just like a writer constructs a bibliography for a book being written I tend to have a bibliography behind my fine art exhibits. Jane Austen’s prominent in this year’s art bibliography … I plan to talk more about that in coming posts.
My sketchbooks also reveal what’s on my mind – and I’ll post pages from them too. My sketchbook pages in this post have quotes about dealing with emotions. Jane Austen’s work is about emotions and the social comedy of dealing with ones own emotions or reading the emotions of other people. So I’ve been thinking about that…
My most recent published sketchbook “Another Sketchbook” is a prequel to my current sketchbook and fine art series. You can see it here. Spoiler alert: it’s lots of drawings about books and cultivating one’s mental life.
It’s nothing new for me to be as fully my odd self as possible – in fact I’m doing this as I work towards my new fine art exhibits – but I saw this image below on Austin Kleon‘s Instagram – and I thought heck yes. So I’m going to continue to be odd with household things for a while as I contemplate emotional health and Jane Austen out loud – so to speak.
If you haven’t seen Austin Kleon’s books, blog or newsletter it’s worth a look.
My recent children’s book “This Rabbit” has been read over 11 thousand times on Storyberries.com as of this writing! Wow! Thank you! 🤗 And yes, I plan to make more kids books … as one of my followers you’ll be the first to know. But for a while there’ll be odd household surrealism from me in this space and I hope you enjoy it.
See you next Monday? Stay weird and know that you’re loved by the universe.
The purpose of art, in my opinion, is to cheer people and help them through stuff. My creative challenge during a pandemic has been how to share art during stages of quarantine.
In my last post I described how I’m doing three fine art exhibits in two states, in August and September, during this pandemic. Normally art exhibits are large-gathering social events. The gathering part is canceled but the exhibits will go on. All of us are just being creative about it. One of my solutions to the how-to-share problem has been to create artist books that can be shipped directly to you from the printer. My goal with these exhibits has been to be practical and amusing… and I think artist books help me do that.
One of the books I’ve made is an exhibit catalog, Readings From The Heart, that has the big picture, so to speak, of all of my exhibits. I also created the tiny picture, two alphabet books for children.
And in between there are three of my other artist books that also relate to my exhibit – and to coping with a pandemic:
Another Sketchbook – more drawings from the heart (developing ones mental, creative life)
Favorites So Far– a kitchen sketchbook (enjoyably feeding body and mind)
The six artist books related to “Readings From The Heart” an art exhibit by Clancy
In total I’ve made 6 artist books to help cheer you that relate to my recent artwork. Poking about on my website www.sueclancy.com gives you access to everything – including some free ebooks I’ve playfully half hidden on my site.
In typical times when I exhibit art I write a short statement about it. The statement is used by the gallery for promoting the exhibit. In pre-pandemic times the statement would also be put on the gallery wall to serve as an explanation of my motivation for all of the art. People would walk up and read it. I would also be at the opening parties answering questions and talking with people. But since that’s not happening this year I put it all in my books – but in a much less formal way.
Even so here’s what I wrote for this exhibit spanning three galleries and two states: “Readings from the Heart – It’s been a strange pandemic. Until recently I drew in my sketchbook from what I would see in the real world as I “ran around loose” in Vancouver and the Pacific Northwest. The pandemic altered that. As I stayed home, I began drawing people and animals more directly from my heart; from memory and imagination. This led to acknowledging that I deeply missed the local coffee shops, the winery, the pubs, the great the library, the bookstores, the museums, the gardens, the zoo… So, I began to experiment with how to adapt what it was that I enjoyed out in the world to this new “at home” life. This exhibit, and the artist books that accompany it, are my heart and mind’s adaption process.”
Because I have more space in my various artist books I went into more intimate details of what I was thinking and feeling – including cooking recipes and self-therapy techniques. I used a more conversational tone in my books as if you and I were chatting at an opening.
Favorites So Far – a kitchen sketchbook One of the original sketchbook pages from Favorites So FarA page from Favorites So FarAnother page from Favorites So Far
The galleries – Aurora Gallery – Burnt Bridge Cellars – Caplan Art Designs – will have photos and possibly video from my exhibits on their various social media and websites. Of course I’ve been sharing online too. Speaking of – here below is more of my artwork that relates to the topics within my artist books mentioned above.
Coffee To Go by ClancySacred Dance of The Stewpot by ClancyPie In The Sky by ClancyMidnight In The Garden Of Goode And Weeval by ClancyThe Way Of All Fresh by Clancy
As you can tell food, drinks and books are themes. I find it a useful mental health coping skill to be able to focus on small pleasures, to be able to experience subtle enjoyments.
You can see much more of the artwork from my exhibits on my portfolio page. I hope it all makes you smile at least a little.
Here’s a pic of me working in gouache and ink on the largest painting.
My fine art exhibit schedule was thrown a loop this year. Three exhibits now happen in August and September. This is due to the global pandemic and the too slow response to the virus in the U. S. to which we’re all adapting. Changing exhibit schedules has been a challenge but one of the more easily dealt with.
Since March I’ve been processing, via my sketchbook and my fine art how to adapt to this new “at home” life and stay mentally healthy and creative. All of my artistic efforts have been about adaptation and maintenance of physical and mental health.
It amazes me to realize how much of my pre-pandemic mental stimulation relied on my travels away from my studio, relied on what I could see, hear, taste and experience “out there”, in the coffee shops, the restaurants, the museums and the gardens. Even when it was time to pick a new novel to read I’d rely on a trip to a physical library or bookstore to inspire what book to read next.
Yes, I was the kind of kid who got told “quit touching everything” when my grandmother and I’d go to stores. So how to change my habit of wanting to “be there”?
It was critical to begin my stay home adaptation process – because I couldn’t change the pandemic situation I had to change my attitude about it. For help I reread an artist book I created years ago titled Dr Bob’s Emotional Repair Program First Aid Kit.
I also drew every day in my sketcbook on the topic of books. Stories are how human brains process whatever happens in life so I felt I needed to get a firmer grip on my access to and my thinking about books and the life of the mind. You can see my process develop in my sketchbook because I’ve reproduced my sketchbook under this title: Another Sketchbook – more drawings from the heart
The self quarantine aspect of the coronavirus concerned me on a personal level but also on a communal one. Humans are social beings. I wanted to maintain my own mental health and possibly help others maintain theirs as the health of the community would help all of the individuals within it.
To clarify my thoughts about self comforting and to try to cheer people up – myself included – I made book themed fine art. Here are a few of the pieces:
Hare Heritage by Clancy – 8 x 10 inches – ink and gouache on boardSheldon’s Way – by Clancy – 7 x 5 inches – ink and gouache on board A History Of The Sock Monkey – by Clancy – 7 x 5 inches – ink and gouache on boardSlaughterhouse Chives – by Clancy – 24 x 18 inches – ink and gouache on board
These artworks, and others, will be physically exhibited at Burnt Bridge Cellars and Caplan Art Designs in August and September. The pandemic being what it is there are limited open hours, appointments necessary and other special arrangements for the safety and health of everyone. For example: at the winery, Burnt Bridge Cellars, it’s possible to pickup a bottle of wine and my books curbside.
Primarily I’m making my artist books available to be shipped directly from the printer. Or to be downloaded digitally.
Like I say, it’s been a strange pandemic – many creative adaptations have been required.
Another example: due to the coronavirus there won’t be the typical art openings where lots of people come and visit with me about my work. So as an adaptation I have created an exhibit catalog, both printed and ebook versions, titled “Readings From The Heart” in an effort to share the big picture of my thinking behind my artwork in a safe and hopefully fun way….with images of the art of course. The catalog also explains how the other artist books relate to the fine art. Below is a look at the catalog cover:
Since the prelude to any story is knowing the alphabet, as I worked on the fine art I also created two children’s books titled “Alphapets” and “Alphapets Too“. The original artwork for those books will be exhibited by the Aurora Gallery. Some of the Alphapets paintings appear in the background of the larger paintings. (I do love the painting within a painting playfulness)
Because all of my recent artwork is on the same theme – just slightly different perspectives – I’ve titled the three gallery exhibits that span two states “Readings From The Heart” and subtitled each Washington Chapter, Oregon Chapter and Alphapets.
I’m hoping my efforts will amuse you. All of it has helped me deal with this pandemic – and to smile. As Gerhard Richter says “Art is the highest form of hope.”
These exhibits open in early August and run through September. If you’re interested in any of the artworks – or in the wine – please contact each gallery. There will be images and virtual tours on social media if you follow each gallery online:
Caplan Art Designs (ebook versions of the exhibit catalog will be available as will access to my other books)
Burnt Bridge Cellars (it will be possible to curbside pick up bottles of wine and my artist books)
Aurora Gallery (copies of my artist books for children will also be available)
All of the six artist books related to my exhibits can be found online here. I will post again next Monday with another “chapter” of Readings From The Heart and exhibiting art during a pandemic.
My last post featured my sketchbook pages and those sketches added to my reading in Slaughterhouse Five by Kurt Vonnegut were combined in my mind becoming this fine art piece I’ve titled “Slaughterhouse Chives”
“Slaughterhouse Chives” by Clancy – 24 x 18 inches – gouache and ink on board.
If you saw my last post you may recognize the man’s gesture from my “loosey” sketchbook studies.
I combined the man’s gesture with my soup thoughts, a recipe I cooked this week (and posted on my Instagram page) from my kitchen sketchbook. Then I read around in both Fahrenheit 451 by Ray Bradbury and Slaughterhouse Five by Vonnegut.
The Vonnegut title, with its focus on time (and other things) fit best with the thoughts I’d noted in my sketchbooks. (And my thoughts about current absurd American politics.) Reading the Vonnegut book helped me pull together all of my thoughts. Then I did a preliminary drawing, tweaked the drawing over a few days, transfered it to a board and painted.
Here’s some closeup details of sections within my painting:
There now. As Kurt Vonnegut says so often “And So It Goes”.
I’ve been working on a new painting and finished it last night, titling it “A History Of The Sock Monkey”. Here’s an image of it.
“A History Of The Sock Monkey” by Clancy – 7 x 5 inches – ink, gouache and color pencil on 8 ply board.
As I worked on this painting I thought about – and during a work break posted on my Instagram story – a quote by Joseph Campbell that I’d paraphrased in my sketchbook as “We cannot cure the world of sadness but we can choose to live in joy.”
For me part of choosing to live in joy is remembering to enjoy small comforts: hot coffee or tea, breakfast, a good book, a cuddly pet, a warm bathrobe…
