My exhibit Figures Of Speech went very well! Lots of people came! So many came that I hid in the kitchen watching the winery chef do her magic! Of course I talked to lots of people and gave art tours so when I say “I hid in the kitchen” that was where I chose to sit, whenever I sat, with my wife, our Fairy Goddaughter and one of our Fairy Goddaughter’s friends who we’ve now adopted. Come to one of my exhibits, stay that long and presto you’re family now!! 🤣
Anyhoo, the chef made a watermelon spinach salad that was incredibly yummy! And yes, I brought a sketchbook and pens with me…
The chef surprised and delighted me with some strawberries (one of my favorites) and some chocolate!!
The chef made apple pork burgers with a brie sauce that I started eating before remembering to take a photo.
There was very good live music too… this was what the winery said about the food and music! 👇
I also read my friend Bernadette’s blog… and Audrey’s blog… and Laura’s blog…and Sherri’s blog…as well as several other blogs… it was so good to catch up with friends!!
I spent the rest of the weekend binge reading printed books! It looked like this…
…the studio supervisor dachshund alternated between sunny spots from which to survey his kingdom and his cushy L.L. Bean patio bed throne beside our chairs.
I’m still reading this nonfiction book even after the weekend…
…but I blasted through the following titles and I highly recommend all of them!
This one was a very good ebook I got from the library. 👇
The exercise of writing an art statement for my upcoming art exhibit “Figures Of Speech” has me reaching for essays by Wendell Berry and thinking of the ways poetry can evoke many thoughts and feelings in a few lines.
My upcoming art exhibit is titled Figures Of Speech and the title is itself a description of what my exhibit is about. I know exactly what inspired all of the individual artworks too but writing brief, succinct words about an entire visual art exhibit, a non-verbal artifact of my living and being over this last year, is quite a challenge. In trying to do it I’m reminded of the koan “what is the sound of one hand clapping”. 🤣 Anyway, I need to write something clear and accessible that puts all 22 of my paintings into a context for a public that probably hasn’t gone to art school and perhaps isn’t primarily there for the art. My exhibit will be held in a winery so my statement needs to be short enough to be read quickly while the wine is poured and friends are arriving. So thinking about an art statement like a brief poem – a haiku even – helps me to write it.
As I begin to write an art statement I pay attention to page 179 in Standing By Words … “One of the uses of poetry is to reveal and articulate and preserve the necessary connections between the domestic and the wild”. So I focus on the connection between what inspired me, what the exhibit topic is, why I did it…and my audience.
Here’s what I wrote:
Of course I didn’t write my statement in any poetry format I just used the idea of poetry as a way of keeping my statement simple and close to the direct connections between the things I want to share and who I’m sharing with. Hopefully someone reading my statement will become curious about my art. Or hopefully someone looking at my art will seek further insight and will find it in my statement.
Fortunately, because this is a home game so to speak, I don’t need to add much within the statement itself about who I am. I’ve been doing these exhibits at the winery annually for more than 10 years now. I’m a known suspect 🤣 so my name, my website and the Caplan Art Designs Gallery website suffice.
Over on my email newsletter as well as here on this blog I can tell a bit more about the artwork and my thinking because people are primarily reading instead of, as they are in the busy boisterous winery, focusing on meeting friends, drinking wine and eating dinner. I fully intend my art to be a pleasant backdrop for all of that! This is one of the things art is for!! If someone views my art at the winery and has more questions beyond what my art statement says – there will also be a tag with my website, my email newsletter and the Caplan Art Designs Gallery contact information. Plus each painting will have a wall lable with the painting title, media and price.
Here’s one of the first newsletters showing my sketchbook page, the finished artwork along with more descriptions of my thought process from me. I’m planning to share more of these kind of newsletters between now and when the exhibit opens June 2nd… so that there’s both something for the physical exhibit goers to find online if they want more info and a way to share my exhibit with friends wherever they are in the world. I’ve taken it as a personal challenge to create art exhibits for a specific physical location *and* as a multimedia exhibit that extends beyond that one place.
BTW: Here’s what one of my work tables looks like while I’m framing one of my artworks.
Hello, art studio supervisor dachshund interrupting here with an important message – I’ve been monitoring the progress Sue Clancy has made at filling these boxes with framed fine art for the upcoming art exhibit in June/July at the winery www.burntbridgecellars.com – and things are going so well that I’m gonna take the artist outside for a short walk now. Like right now okay? Thank you.
She’ll see you next Monday. Dachshund done and we gotta go!
Dancing smoothly nowadays as I near time to deliver all 20 of my Odditerrarium artworks for exhibit via Caplan Art Designs which opens in June at Burnt Bridge Cellars.
All 20 artworks are finished. In progress is the framing, the exhibit paperwork, the delivery and the social media about it all. An artist’s work is never done…it’s a lot like a cooks work that way.
But here’s one of my paintings titled “Learning Almost Anything”. Like the others in my Odditerrarium series it is 10 x 8 inches, created with ink, gouache and collage on board.
Here’s a closer view so you can see what this dog is thinking.
Doing fine art exhibits, like writing for publication, requires both being organized and resisting tempting parking spots. I have two phrases thumbtacked to my studio wall to help me remember.
When I began my Odditerrarium painting series in 2021 I did enough planning in my sketchbook that I knew the sizes I wanted to work in. I created 5 or so of the paintings to see if my series idea had legs. Then over a month ago I ordered frames from the Aurora Gallery. The frames are made by hand and that takes time. The first box of frames is in my studio ready for action. A second box of frames is due soon.
Now that creation of the paintings is done I set up a system, a working routine, so that I don’t wear out my hand doing the varnishing or framing processes.
Elsewhere in my blog I’ve talked about working in short bursts as a way to make time, energy and the financial components of a creative life sustainable. This is true too of the varnish and frame stage.
More than a month ago I also ordered the cans of varnish I knew I’d need along with a few other art supplies from my local Artist and Craftsman. My dachshund supervisor made sure the order was correct when it came.
Now my daily routine includes a “spray two frame two” dance. It goes like this: just before lunch I take two paintings to my garage where I spray a coat of varnish. Then we have lunch. After lunch I spray another coat of varnish on those same two paintings. Here’s a photo of me in the respirator mask I use when I spray varnish.
Those just varnished paintings stay out in the garage the rest of the day. When I quit working for the day, around dinner time, I bring them into the studio and put them on the easel to finish drying. In the photo below you see two just-varnished paintings on my easel. To the right of the easel is a framing station. My painting supplies are still out because there are other projects in progress just to the left of this photo. There are other creative projects that get a short burst of work each day so that’s another reason why the just-varnished stay out in the garage till the day is done.
Here are two getting framed. Having the varnished art on the easel puts them within easy reach of my frame station. Doing the varnishing around lunchtime the previous day means that by the time they get put into frames 24 or so hours have passed and the varnish is completely dry.
Besides checking in the new art supplies my dachshund supervisor also oversees the framing. He’s very busy, perhaps more busy than usual lately, but like I do, he paces himself so that it’s sustainable.
Like the quote thumbtacked just above the light switch in the photo below says about dancing and magic happening, being organized doesn’t guarentee smoothly run projects. (Another mantra I use often: “Nothing has to go right today”) Organization gives my projects a sporting chance to be sustainable, it gives me the possibility of meeting deadlines with a smile. Besides I deeply despise chaos and rushing about so I prefer to pace myself (and dance) at a calm speed.
And I treasure time each day to read and learn almost anything.
I hope your week goes at your preferred pace. Take care of yourself. See you next Monday.
A video look at the original book “A Scoop Of Letter Soup” is here on YouTube and I did manage to make an Instagram Reel of it too!! I wrote last post about learning about Reels so I’m still feeling “look I did it!” about my new skill!! 🤣 And I’ve made a portfolio page where my currently in progress series of short experimental art books will be collected as they appear as ebooks on Storyberries. At some future time I may gather them into a printed book but for now this portfolio page is where they’ll exist outside of Storyberries. I’m loving the pun of making books by hand that are distributed as ebooks!!
Here are some still photos of the book
In one of the little concertina book blanks I made and talked about in last weeks post I am starting a new illustrated poem book. This will be a slow project to be worked on around the edges of other projects. But here’s how it goes: In my poetry sketchbook, seen in the upper part of the photo below, I have some poems that seem worth working with. After selecting one of my sketchbook poem rough drafts I did a few thumbnail doodles on a scrap of paper to try different placements of my poem text and artwork. The thumbnail doodle that I like best can be seen on the lower right in these photos. To the left is the concertina book blank and my efforts at doing the hand lettering and drawing “for real” aka neatly and possibly worthy for public viewing.
One benefit of working in a concertina book is that I can easily slip a bit of wax paper under the page I’m working on in order to prevent bleed-through of my inks or gouache paints.
Here’s the finished page.
A post ot two ago I wrote about one of my favorite books by Mary Lasswell “Suds In Your Eye” as one of the hopepunk style books I cheer up by. Lasswell was writing in the 1940’s so finding print copies of her work has been a bit of a personal quest.
One of my coveted Lasswell titles “One On The House” came via mail this week! A side benefit of being someone who creates artist books is that I have most of the tools for minor book repair on hand. The copy I could find (and afford) of “One On The House” was listed in acceptable condition but with a cover-spine issue. As you can see below the cover is barely hanging on by threads.
But the outside of the cover-spine is fine!
So I took a strip of archival mulberry paper and trimmed it to fit.
Then I laid the trimmed mulberry strip on wax paper and covered one side of the mulberry strip with archival neutral ph glue. I took the photo below while the strip was still wet after being put in place so it is still shiny in appearance. I used the bone folder to press the just glued paper into the cover spine fold. When the glue dries the mulberry paper will almost disappear and blend in with the books original paper.
I slipped clean wax paper in the crevice of the patch so if any glue oozes as I close the cover it won’t harm the rest of the book. Then I put some paper weights on the cover and let the book dry overnight. There were two other weak sections of the book spine that got this same repair treatment which is why you see three pieces of wax paper in the book in the photo below.
I am a professional artist who knows a lot about creating books by hand but that’s not the same thing as being a book conservation or restoration expert. My repair attempts on books are not on rare or valuable books. My repair attempts are on books for my own use. My copy of “One On The House” cost me 6 dollars and I repaired it because I want to easily read it without without causing more damage to the book. If I hadn’t done the repairs I’d bet that after the first read through the book would have fallen completely apart. I also want to keep this book on my “bookshelf to cheer up by” – more on that in a sec – so I want the book to be as hale and hearty as possible. Anyway, a very good resource book for such minor repairs is “The Care and Feeding of Books Old and New” by Rosenberg and Marcowitz. And a good source for book making or repair supplies is https://www.talasonline.com/
This photo below is of my “books to cheer up by” section I mentioned earlier. As you can see the book I repaired has taken its place on the shelf next to The Annotated Arabian Nights.
We poured a bit of bourbon and said “cheers” to the newcomers on our cheer-up bookshelf! For my own mental health sake it feels good to have a shelf full of reliable sources of good cheer.
As you see in the above photo one of the books there is titled “Mrs. Rasmussen’s Book of One-Arm Cookery”. Mrs. Rasmussen is one of Mary Lasswell’s reoccurring fictional characters who is famous for being able to cook very good meals while holding her beer in one hand.
I made Mrs. Rasmussen’s super yummy chili recipe and rice while holding my bourbon. But I did set my glass down when I chopped the onion. Even so I think Mrs. Rasmussen would have cheered my efforts. It did taste good!
One of our local independent bookstores, Powell’s, did a fundraiser for Ukraine. Naturally my wife and I ordered books. More than one box of books was mailed to us but the stack of books in the photo below was what was delivered while the chili cooked and the bourbon flowed.
Here’s hoping you too have a collection of books, soup, fur-friends and people that you love that can help cheer you up. So cheers! Till next Monday.
My childrens book The Professional Dog progresses along! Below are three in a row. Do you see how the colors in one piece leads to the colors of the next? For example the background color on the left dog becomes the shirt color on the middle dog… My use of color is one of the ways I am planning the pages to flow from one to another in the book. The original portrait is done on board and will be framed as fine art.
Below is a closer look at each dog portrait. The text for the book is under each painting.
The Dean’s dog is a distinguished dog.The Doctor’s dog is a diligent dog.The Entrepreneur’s dog is an energetic dog.
Now about the holiday box project: as I mentioned in my last post the Caplan Art Designs Gallery is asking us artists to wait to do social media about our box work until after early November. So I’m waiting … While we wait here’s my studio supervisor dachshund with a fuzzy toy.
And now for something completely different as they say in Monty Python:
Here’s a look at my art studio – I have small sketchbooks and a box of pens that travel, like my coffeecup, between rooms of my house and outdoors to the patio. Then there’s a room that has all of my art supplies including my art easel – in the photo you can see my work on The Professional Dog on my easel.
My holiday box project has been very carefully not depicted, displayed or described in the following photos of my studio. Oh, look a dachshund with a fuzzy toy! (See photo above)
When you see all the non-digital tools I use to make my artwork perhaps it won’t surprise you much to hear that I really enjoyed this poem on contrariness by Wendell Berry .
But I am enjoying the digital tool of making short videos on topics I think about a lot.
This week in Creativity Chats I talk about the human attention/perception mechanism and how that relates to being creative…and how using that mechanism purposefully can help us relax. Here’s the link: https://youtu.be/9eGsbENABP0
My variations to the recipe: I did my Simple Sauce (my hand drawn recipe card here), and Cuisinart chopped the broccoli, carrot, celery, garlic, onion, red bell pepper. Then I used Penzey’s Tuscan Sunset spice mix when I sauteed the veg before layering them with the noodles, the sauce, the cheese. Seriously yummy! I made individual servings in oven safe “boats”. There were no leftovers. We wished for some though.
I will likely be late on the blog post next Monday. We’re having work done on the house. Also both my spouse and I are getting Covid booster shots. Hopefully I’ll stay on my project production schedule for The Professional Dog at the very least but however things go will be fine. The main thing is to be gentle and easy… Here’s hoping we all have a gentle week. See you as soon as I do.
As I mentioned regarding the “Leaves and Grounds: Poems for the Canine Soul” painting I wrote of in my last post here, below, is another artwork with a concept related to, nested within, the afore mentioned painting. Also in this post is a poem that I wrote that relates to the ‘Leaves and Grounds’ concept.
It’s Magic – by Clancy – ink and gouache on paper
A Dog’s Ode To Spring
By Clancy
Oh, there’s sunshine
Glorious sunshine
Makes a dachshund want to roll!
Let me out
To run about
Compost is good for my soul!
Oh, the mounds
Of leaves and grounds
This dog’s heading for the pile!
Where the digging is best
I’ll make my nest
Don’t wait I’ll be here a while!
I may be groomed
But that’s all doomed
‘cause I’ll do what makes me grin!
Oh, the sunshine
Glorious sunshine
I’m here till you shout “get in!”
Been thinking about tea and coffee. And poetry. As readers of my blog know I often read a bit of poetry in the mornings with my coffee. And novels with my tea in the evening. Or vice versa. This bit of my mundane life inspired this painting below along with the thought that Dachshunds like to dig… and writers and readers often “dig” for meanings…
Leaves And Grounds: Poems for the Canine Soul – by Clancy – 20 x 16 inches – acrylic on cradled board
Naturally (organically?) I’ve included, in the painting above, 2 spoofs of my own still life work. Each of the still lives relate to the theme of “Leaves and Grounds: Poems for the Canine Soul”. The titles of the still life’s, in my mind at least, add more information to this “Leaves and Grounds….” painting.
As you can tell I’m still thinking of the nesting ideas concept I’m working with for this body of work (“Readers” is my working title) for an upcoming one-person exhibit.
Here, below, are my still life paintings that are spoofed in the painting above:
A Stirring Occasion by Clancy – 8 x 10 inches – acrylic and gouache on board
“A Novel Morning” – by Clancy – 24 x 18 – acrylic and gouache on board
I’m currently working on yet another nesting aspect related to this concept of leaves, digging and poetry… but that will be another post. Btw: if you follow me on Instagram occasionally I post what I’m currently reading.
Paws For Coffee by Clancy – 16 x 12 x 2 inches – hand dyed paper, found paper and acrylic on cradled board.
Here’s what inspired it: I can sometimes get so busy that I forget to take time to be present in the moment, to pause and smell the coffee. This is me – remembering.
The diamond motif is because I was thinking of the maze-like labyrinth quality that a busy life sometimes has. I chose a dachshund character for that breeds digging ability, chosen as an inspiration for me to “dig out” from the (a)maze-ing world what’s really important to me.
Paws for Coffee By Clancy 16 x12 x 2 inches Hand dyed paper, found paper and acrylic on cradled board
