One of the purposes of the Arts is to help us live well and, paraphrasing Kurt Vonnegut, to grow our souls. I’ve had this in mind as I’ve created my holiday stocking-stuffer stuff for my upcoming pop-up shop at Vintage Books Dec 7th from noon to 4 pm. https://www.vintage-books.net/
Making a whimsical, playful, calendar with artwork from my current Readers series was loads of fun – and I hope it will help people remember to live well and grow their souls all year long! I’ve titled my calendar “Reading All Year”. It is 5 x 7 inches when closed and 10 x 7 inches when open. It’ll fit into a holiday stocking. I’ve checked.
“Reading All Year” – a 2020 calendar by Clancy
If you can’t visit me at Vintage Books here’s a link where you can get your own calendar shipped directly to you. Hopefully my calendar will be a fun stocking-stuffer gift the other readers in your life will enjoy too!
I wish you the best during the holiday season and in the coming new year!
For your amusement here is a collection of a few artworks in “A Readers World”, my one-person fine art exhibit opening Thursday, Sept 5 at Caplan Art Designs. http://www.caplanartdesigns.com/
I’m playing with the interconnectedness of life; the ways imaginative stories flow out into the readers world. And vice versa of course. Art can stir life. And life can stir art.
As I created these artworks, I thought of how a story is actions mixer. For example, each of these pieces contain ingredients from my experiences, the “actions” I’ve seen as I’ve lived my life, put into the cocktail shaker of my imagination.
“Sea Stories” by Clancy – 8 x 10 inches – ink and gouache on board
“Immortal Good Fortune” by Clancy – 8 x 10 inches – gouache and ink on board
“It’s Magic” by Clancy – 7 x 5 inches – ink and gouache on paper
“100 Things To Do On A Rainy Day” by Clancy – 11 x 14 inches – ink and gouache on board
“Pie In The Sky” – by Clancy – 8 x 10 inches – ink and gouache on board
“Daily News” by Clancy – 7 x 5 inches – ink and gouache on paper
“Suspense” by Clancy – 7 x 5 inches – ink and gouache on paper
And yes, if you recognize aspects of a person, a pet, a place or a thing and wonder if…. the answer is probably “yes”! (It’s sort of like the “Easter Eggs” that can be found in some films.)
Anyway, if you look at some of my recent blog posts you can see more details of the ingredients of life that I mixed together to make each particular visual story.
My new exhibit this year is titled “Dear Readers” and is book/reading themed. As I’ve worked this last year towards this new one-person fine art exhibit at Burnt Bridge Cellars, that will open June 7 in Vancouver WA, I’ve written lots of hand-written notes in my sketchbooks, on random slips of paper, on post-it notes in the margins of newspaper articles. I wrote down as many thoughts as possible – including quotes from books I’ve read – and kept them together in a binder. When it came time to write my exhibit statement I could reread all of my notes and pull from them.
Here’s a pic of my binder and one of my sketchbooks. And my pen.
Below is the finished “Dear Readers” art exhibit statement – text I wrote that pulled from the data pool in my binder and sketchbooks. This statement will be put on the wall somewhere within my exhibit:
By Sue Clancy
I’ve been thinking about the interconnectedness of everything in life. These thoughts led me to the concept of nested ideas; how one thing leads to another, one food or drink pleasure can lead to another new pleasure in a similar way that one enjoyed book can lead to another new book.
I’ve also thought of how much the written word in general has enhanced our pleasure in and understanding of the sensual world by enabling connections to be made between elements and people across time and space.
So, in this exhibit I’m using the printed-and-bound book as a symbol for “the written word” in its myriad of formats. And I’ve deliberately, whimsically, played with the one-thing-leads-to-another-everything’s-connected concept by including spoofs of my own artwork, my still life paintings, within my other paintings that have dog characters in them. The titles of the still life paintings, the titles of the dog character paintings, the titles of the humans with pet’s paintings all correlate.
Each artwork in my exhibit is related in some way to at least one other artwork in this exhibit. I leave it for you to puzzle out which is connected to which – and in what way.
And yes, you can read my exhibit like you would a mostly wordless comic.
On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.
“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019
Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…
“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board
The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.
“Gala” by Clancy – acrylic and gouache on board
The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.
I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.
As you can tell I’m still thinking about “nesting ideas” and stories within stories…