A new painting in my Odditerrarium series for upcoming exhibits via Caplan Art Designs is titled “Using Much Eloquence”. Like the others in this series this one is 10 x 8 inches and made with ink, gouache and collage on board.
Here’s a closer view so you can see what this dog is thinking.
Now that I’ve made sufficient progress on my Odditerrarium series – I have 15 of the paintings finished – it’s time to write the art exhibit statement that will be used both for the Odditerrarium artist book and for the exhibit. I have written before in this blog (here) about writing art exhibit statements or “blurbs” as I call them. Exhibit statements are a short, around 150 words, first person description of what an exhibit is about. I think of it as like the description on the back of a book. Here’s what I’ve come up with.
I also think of a shorter sentence that can be used like a log-line is used in book publishing. For Odditerrarium I’ve written “I wonder what our dogs and cats think about the objects, people and places in their lives so in my Odditerrarium fine art series of portraits I imagine the contents of their thoughts as a terrarium hat.”
Whenever I begin a new series I keep a logbook where I make notes of my thoughts towards the series while I work. I write what I’m excited about, the questions I’m asking, what I learn etc and those notes are what I pull from to write an exhibit statement and logline. Making “notes” includes my sketchbook pages like this one.
Whenever I have finished more than 10 paintings from what I think is a series I’ll spread the finished artwork out where I can see it all, reread my logbook and see which bits fit with the finished artworks and which of the artworks do look like a coherent series. Of course I add these thoughts to my logbook.
My statement writing process is a whole lot like the project narrative writing for grant applications directions (link here) except I don’t apply for any grants with my project narratives aka exhibit statements. I used an informal version of my Odditerrarium statement during discussions with Caplan Art Designs about my proposed exhibit. Whenever I decide the formal written Odditerrarium statement is as good as I can make it I will send it to the gallery.
Putting together the artist book version of my Odditerrarium series will help me know when my statement is done.
Here’s my dachshund supervisor helping me process photos of the finished artwork for use in the book design for Odditerrarium.
My newest artist book “Juggling Numbers” is now out on Storyberries!! In this video I’m showing the original artist book “Juggling Numbers” a handmade artist book that plays in a visual way with the flow of numbers. I made a digital ebook version of this artist book for the experimental art category of Storyberries.com – see it here – a free ebook site for children. I chose the number range from 1 to 25 because a friends grandchildren could count to 20.
Below are a few still photos of the original book – video and links are also on my portfolio page here. The logline for Juggling Numbers is something like this ” … can you count forwards and backwards with a cat?”
I got news this week that my adopted Mom is not doing well health wise (hospice) and big sister, Mom and I visited by phone several times. Mom told me repeatedly to “keep making your art”. I know she’s quite serious about that. So I’ve begun drawing and painting orchids, Mom’s favorite flower. That’s all I know to do whenever I’m sad – channel feelings and love into art. Putting symbolic things in my art is my way of doing a version of Carol Burnett’s ear tug. Printed books whenever they appear in my artwork are for my adopted Dad – in case you wondered.
Grateful for my sketchbook as a way of both holding on and letting go.
A brunch I had with my wife this weekend was particularly lovely: homemade scrambled eggs, bacon, sourdough toast with homemade jam made by our friend Carol. Our coffee cups resting on handmade coasters by our friend Jeannie – and we felt surrounded by the love and support of friendship! And yes I put tobasco sauce on my eggs and tobasco jelly on my toast … is there anything I don’t put Tobasco on? Maybe ice cream. But I haven’t tried that yet so I don’t know for sure.
I hope your week is full of love and friendships. I hope you have plenty of tobasco sauce if you like it. I’ll keep making art because my Mom says so and I hope you’ll keep on keeping on too. See you next Monday.
I thought about travel this week and the newest painting in my Odditerrarium series is titled “Desirous Naturally Of Travel”. It’s a portrait of a Portuguese Water Dog who is contemplating sailing.
Here’s a closer look.
Like the other paintings in my Odditerrarium series this new one is 10 x 8 inches and was created using ink, gouache and color pencil on board. It will join its fellows at the Caplan Art Designs Gallery for exhibits later this year.
But on the topic of travel: in a variation of the curiosity game I shared in my last post -despite the pandemic- I have done a kind of travel using books, websites, Google Earth and streetwise maps.
I pick a country, a region, a culture and look for poems, prose and food preparations that originate there. As alluded above I will try as I can to look at online images of the actual places. Sometimes I’ve even looked for a hotel’s website and selected a room in which I imagine staying.
Recently I visited again some Native American Nations. I have a book of poems from a Cherokee poet in Oklahoma. A book of legends from various Native American Nations in the Pacific Northwest. A cookbook with sections covering various Native Nations in all geographic regions throughout the USA.
Here’s one of the poems I enjoyed.
From the cookbook “Spirit of the Harvest” I enjoyed the text about the three sisters: corn, beans and squash.
Inspired by the Iroqois for one of our meals I put together corn, pinto beans, zucchini, bell pepper, onion with some fresh cilantro and a bit of bacon with a tiny drizzle of maple syrup into oven safe bowls. Then I baked it all in the oven in the boat-bowls you see below. Yum!
Back in the pre-pandemic days I had a small shoulder bag I would carry when we went to locations. Since the pandemic began I used a version of my “travel kit” on a corner of our breakfast table where I write and draw in my sketchbook while we have our morning coffee.
My sketchbook is 5.5 inches by 3.5 inches. The water brush is 6 inches long. The other two pens are 5.5 inches long. The new palette is 3 inches by 2.5 inches. As you can see below it will all fit easily into a small bag or jacket pockets.
The palette came with 6 empty half pans which I filled with my chosen gouache colors. In the photo below you can see the three separate parts to the small palette.
The three parts of the palette interlock together easily and securely.
The gouache colors I chose are: (top row) Primary White, Payne’s Grey, Moss Green (bottom row) English Red Ochre, Naples Yellow, Prussian Blue.
The colors are selected from my “butterfly palette” which was inspired by a scientific book called “Nature’s Palette: a color reference system from the natural world”.
I’ve been using my butterfly palette for my Odditerrarium series as well as my sketchbook. I like the soft gentleness of the colors so much that it’s fine by me if the colors I paint don’t exactly match the real life objects. I’m describing thoughts and feelings using my personal color vocabulary rather than strictly mimicking what I see in the world. What I see in the world is a starting point, a prompt you might say, for contemplation and storytelling.
In the photo below you see my new travel (ha!) palette and sketchbook at breakfast the morning after my wife gave me the portable palette.
Here’s another photo angle. See? Plenty of room for both breakfast and playing in my sketchbook without crowding the dog on my lap!
Below is another day’s sketchbook session. I had already cleaned the palette mixing areas (and the breakfast dishes) before I remembered to take a photo.
I’ve done a new book for Storyberries titled “Juggling Numbers” and like my last experimental art book “A Scoop Of Letter Soup” the new book flows up and down. The book is being released next week so I’ll talk more about it in my next post. But did you notice the unicycle in my sketchbook photo (above) and in this new book too?
I hope your week is smooth sailing or unicycling or however you travel it. See you next Monday.
Book banning is a hot topic with me because I’ve been on the receiving end of bans. Those occurrences happened in Oklahoma over 10 years ago when I lived there. To name just one example, in 2008 I was to have a one person art exhibit at the Oklahoma State Capital. More than a few of my paintings were banned from the Capital exhibit. I called my Tulsa Oklahoma gallery, Joseph Gierek Fine Art, to tell about being banned. The Gallery owner, Joe, said “Stay right there, I’ll come and pick them up!” Tulsa is about a 200 mile drive away from the Oklahoma Capital but Joe was there with his van in a trice. Then the Joseph Gierek Fine Art gallery did a special exhibit behind yellow caution tape in Tulsa and we called my one person exhibit “View At Your Own Risk” with a statement telling a bit about my work being banned. Oh my, was the Gierek Gallery brave! So that very weird experience of being banned turned out very well for me and for Joe!
After my spouse and I had newly relocated to Washington state I had an interview with the Caplan Art Designs Gallery. Having just moved I brought along to Caplan’s the finished artworks I had on hand which was some of my then recently banned-in-Oklahoma artwork. The Caplan Gallery immediately signed me up as a gallery artist and sold 4 of my paintings before the ink on my contract was dry! In Oklahoma my work had often been considered “subversive” or even “offensive” (there were a number of bans of and objections regarding my artwork) but in the Pacific Northwest my work – the very same artwork! – is considered “charming” and even “delightful” and “whimsical”. What a pleasant shift of perspective!
This painting below is one of my paintings that had been banned in Oklahoma but quite welcome in the Pacific Northwest. Allegedly this painting was banned in Oklahoma because of the semi nudity. 🙄 This photo is of the same banned art newly located in the Pacific Northwest where instead of offending adults it amused adults and children!! (Yes, I have found my happy place!!)
More to the point of my blog post today – in 2010 the public library where we then lived in Oklahoma was going to display a few LGBTQ friendly books under glass deep inside in the library. It seemed like almost the entire town turned out to protest in a 4 hours long city council event. The majority of the speakers were vehemently homophobic. After the event one young gay person committed suicide. It was that vitriolic. After the event we contacted a realtor in Washington state and asked her to please find us a home and that we would even consider a hole in the ground with a tarp on it. We needed out! Long story short we, with the help of a wonderful realtor, found and bought our Washington house sight-unseen over the internet and within 6 months of that Oklahoma council meeting we had moved! One of the best things we ever did!! Being gay in Washington is no big deal at all! Also no big deal: being an artist, a book reader or being deaf.
I don’t for one minute think that every book has to resemble and reflect the superficial attributes of a reader in order to be a book worth reading. As an adult I enjoy reading work about, and by, people unlike me but I can see how it would help young people to be able once and a while to see, in a book, a superficial likeness of themselves. It helps to feel less alone, even safe, wanted and welcome somewhere – even if that place is in a book.
I went though my entire childhood – as an avid, dare I say obsessive, reader – never once reading about a gay deaf artistically inclined tomboy girl living primarily with her grandmother and enduring “visits to hell” with her abusive biological uber-religious parents.
The only deaf person I ever read about in a book was Helen Keller and that didn’t feel relatable to me.
The Outsiders by S.E. Hinton was the first time I read of violence and family dysfunction happening to someone besides me and that was SO relatable – even though all of the characters were boys. That book helped me feel less alone then and I can still quote verbatim from that book today.
Judy Blume’s “Are You There God, It’s Me, Margaret” helped me address my confusion about cruelty/weirdness about bodies that was done in the name of religion.
I didn’t encounter a gay character in any book until I went to college in 1986 and read “Oranges Are Not The Only Fruit” by Jeanette Winterson which had been written in 1985. And that book felt like a welcome healing salve to my 18 year old psyche.
I could go on naming books – many of them now banned – that really helped me get through things as a young person. But I’m sure you’re getting the idea of why wide availability of books (and art) matters so much to me.
So naturally my spouse and I in response to the spate of book banning in 2022 went looking for lists of banned books so we could buy copies of those books. If you too want to use banned book lists as book buying recommendations 😁 Below are the lists we found.
A juicy oh-so-delectible list of banned books for grownups at Powell’s one of my local Pacific Northwest independent bookstores. (I think most of my high school and college required reading is on this list!🤯)
I mentioned last post about Maus by Art Spiegelman being banned … well here is a great article about why that book is important and why it is shocking that, to quote from the article, “people could be more upset by mild profanity than they are by genocide.”
And another article speculating about why book banning and even book burning has become “a thing” in late 2021 and early 2022.
There’s also an article about a Texas lawmaker who wants to ban and burn 850 book titles statewide… but enough of that.
When things begin to feel overwhelming I find it helpful to look for one specific thing I can do something about. This is in the vein of “How do you eat an elephant? One bite at a time”
Here’s an article we found about one specific library in Mississippi whose funding is being withheld by the mayor because he disapproves of some LGBTQ books. My wife and I chose this library and donated money. Then we spent time tweeting and sharing the info in hopes of getting more donations for them.
Here’s a portion of the letter we got after donating which has the libraries snail mail address if that is preferred.
Two days later we saw that they had achieved their funding goal with still more time to spare!!! We’re hoping even more donations will happen!
Since I took the above screenshot the Ridgeland Library has adjusted their goal upwards… and is reaching the new goal too!! Yippee!!! Click this link to see up-to-the-minute progress. I’ve been monitoring and boy is it fun to see the library succeed!!!
Anyway, for me public libraries are intimately interconnected with basic human rights. Images and words make up the human mind much like air and water make up the human body – we need trusted sources for all of these. Humans are social beings intertwined mentality and physically with the community around them. Here’s a poem that illustrates this idea that I have written off by hand and thumbtacked to my studio wall where I see it often.
And that’s why I make artist books. It’s my “why” for most of my creative efforts really. It’s part of why I feel it’s important to be a participant in a community of artists, writers and readers. It’s why having an egalitarian community – at least on the gallery walls and the library shelves matters so much to me.
Books and art are communal in nature and utilizing them often is part of being fully human within a community.
I thought about my Vancouver USA downtown and how I love it that the 5 story library and the independent theatre are some of the tallest most iconic buildings. I also thought about the scrubjay blue birds that are native here.
Then I wondered just how did Mother Goose’s cow travel over the moon… and how do birds remember their songs?
Storyberries has even created a new book category for my work called “experimental art”!! Oh I’m gleefully looking forward to making more books for them to distribute!!!
So it can very truthfully be said that my new artistbook is a direct result of community !! Thank you all!! And I love you all too!! ❤🙌
I’ll repeat myself here because I am so excited and grateful to the Storyberries community for this new “experimental art books” category! Thanks for giving me such a valuable space to just be me! I’m so looking forward to sharing the fun of playing with imagination and creativity this way!
Speaking of imagination and being creative: there’s a wonderful article on creativity written by Luzemy Romero and Fleur Rodgers on Storyberries – and I have an illustration in it! But what’s fun is that these creativity tips the authors write about are things I do… Every. Single. Day! Especially the reading part!!! And if you go by chronological age I’m a grownup… so… the authors ideas apply to all ages. Anyway there are some really great creativity tips here https://www.storyberries.com/creativity-kids-how-to-help-your-child-to-be-creative-storyberries-parenting-portal/
Here’s my illustration within the article by Gamboa and Rodgers and a bit of the article text. We need a wide variety of stories in order to practice flexibility in our thinking and creativity. A variety of material, some of it liked, some disliked, gives our minds something to respond to within our own creativity.
Also on the intersection of creativity and libraries there’s a fun article right here about an 8 year old who wrote and illustrated a handmade book and slipped it into the public library collection in Boise Idaho!
This week our copies of Maus by Art Spiegelman came by mail from one of our local bookstores Daedalus Books!
I had posted on my Instagram page that I was looking online at our local indiebookstores to see if anyone had Maus and didn’t see it – as they indicated sold put or it wasn’t listed. Well @daedalusbookspdx commented on my post that they didn’t have all of their books online but that they *did* have copies of Maus!!! So I called them immediately and bought the copies of Maus!
In the past when we’ve visited Daedalus Books in person I’ve relished their “books about books” section… While I had the store on the phone I named a price range and asked the store to pick a book for me from that section and include it with our Maus copies… I also asked that they *not* tell me what title they selected! I love a good book surprise!
Here in the photos below is my surprise book! It’s perfect!!! It’s a book about giftbooks – which is what I create!!! (See my portfolio page) I’m beyond happy with my surprise book! I immediately wrote a postcard to tell Daedalus thank you!!! Wow! What a treat!!! I am so glad Daedalus had copies of Maus too!!
The last photo has contact info for Daedalus…and as I’ve learned you can just call them up, ask politely and they’ll hand you a smile in the form of a book !! Wow!!!
Come to think of it becoming a semi-vegetarian while in college in fried-meat-and-fried-potatoes Oklahoma was another, ahem, “interesting” experience. I’m not, and have never been, a strict vegetarian (I don’t want to be strict about anything) I just do like vegetables and well vegetarian meals frequently happen. But I remember accidentally shocking people in Oklahoma with vegetarian fare now and then. 🤷♀️
Back to the present yumminess… the mushroom chili was served in big mugs with crackers and a side of books to read. I’m lucky to have married a fellow avid book reader!
Here’s another favorite quote about books that I’ve handwritten and thumbtacked to my studio wall.
I hope your week is full of subversive literary, artistic and culinary delights and that you’re able to radically and wholeheartedly enjoy them!
This week had a cow in it (more on that in this post) and a dog portrait. I selected one of my sketchbook drawings as an idea for what to paint using the new brush technique I learned from the book, Miniature Art by Joan Cornish Willies that I talked about in my last post. Here’s the sketchbook page.
This ink, gouache and watercolor painting below is 8 x 10 inches in size, well within the “miniature art” definitions. The brush method recommended in the book “Miniature Art” by Joan Cornish Willies is to lay a round pointer brush on its side in the paint and rolling it to absorb the paint while maintaining the point on the brush. Dipping, pressing or stabbing the brush point in the paint, however gently, makes the brush point spread out and thus makes doing fine detail within a painting more difficult.
Here’s a look at the whole painting I’ve finished and titled “A Tale-carrier”
The new brush technique did help me get more fine details. Particularly around the dog’s eyes, nose and on the books. Here’s a closer look…
I’m loving the way creating finer details enables me to combine the human senses of touch and sight in this new miniature work! And I enjoyed making a miniature that knows it’s a miniature! Lol! It’s amazing what a gift awareness can be! Here’s an even closer look…
I do feel a bit of “well, duh”… of course laying a brush on its side and rotating the brush in the paint would help retain the brush point even while loading it with pigment! Ah well! Just goes to show that you really can teach an artist with 25 plus years of experience a new trick or two! Lol!
This week someone asked if I would pretty please make a mug with my “green leprechaun man” on it…
Also this week another printed book on the topic of miniature art came in the mail from one of my local bookstores. The Big Book Of Tiny Art by Karen Libecap is just plain fun to look at and read. It does have a good review of pencil techniques as well as use of color. The main attraction for me is the “watch-it-develop” sequences of photos that document ways to achieve tiny details. Oh, and the gallery of examples of finished miniature artworks is a treat. This book is encouraging and pleasing in tone – which will make it nice to have on my shelves. No Earth shattering art technique BFO (Blinding Flash of the Obvious) moments in this book like there was in reading Miniature Art by Joan Cornish Willies. But the friendly can-do spirit and lack of snooty-ness in the Tiny Art book by Libecap, I think, means more people- myself included- are more likely to keep trying this art form. Plus I just love it that these tiny art techniques are so applicable to what I do in my sketchbooks.
So now when I draw in my sketchbook I’m trying for more details – like the feathers on this bird.
As you know in the evenings I’ve been reading a print copy of The Annotated Arabian Nights. On my ebook reader, which I read while exercising, is “The Hitchhiker’s Guide to the Galaxy” by Douglas Adams. So in addition to the story-within-stories format of the Nights and the lovely idea (last post) about the genre of “mirrors for princes” that I encountered in the annotations of the Arabian Nights I’m getting a regular therapeutic dose of Adam’s gentle absurdity.
Thus I’ve been pondering just how it is that Mother Goose’s cow went over the moon. And our human habit of having sacred cows… beliefs that take us into the stratosphere away from reality. Consequently there’s a new wordless book in progress on my easel.
Here’s a closer look at the sequence of pages
As I write this blog post I have put these pages under smooth boards with weights on them so they’ll be flat. I’ll be making a physical artist book from these pages and then both a printed book and an ebook version. More about this in upcoming posts.
A dear friend and fellow artist Donna Young https://www.donnayoung.com/ and I used to fairly regularly visit each other’s studios in pre-pandemic times. Recently Donna posted a photo of her studio and asked me to post a photo of mine. Here it is below!
I’m sure you’ll recognize one of the dog paintings on my easel. The other dog you’ll probably see next Monday. And I’m sure you’ll notice my new magnifying glass (last post) in use!
If you were standing in my studio, where I took this photo, to your left would be a stack of boards and weights holding down my “How The Cow Went Over The Moon” pages. More about that next Monday too.
Thanks for reading this post. I hope your week is kind to you and I’ll look forward to sharing more with you on Monday!
As per the Aurora Gallery request (last post) I have signed some more copies of The Professional Dog and by the time you read this post I will have delivered them to the Gallery. (I’ll update my social media re…)
We customize the Jolabokaflod tradition for ourselves in that we don’t limit the book gifting to just the evening of the 24th. Also we modify the tradition from gifting “new books published this year” and expanding it to include “used books that are new to us”.
We do adhere strictly to the “read new books immediately upon receiving them accompanied by hot chocolate” aspect of Jolabokaflod.
How is this different from the normal Clancy evening read and have hot chocolate habit? Whenever the new books are delivered by mail we open them and start reading! In other words we don’t wait till evening to begin. It’s decadently fun to stop everything in the middle of the day and flop onto the couch with a new book!
So I’ll see you next Monday with more Professional Dog artwork, probably some of my sketchbook pages and some books I’m reading for Jolabokaflod!
Happy Jolabokaflod or whatever holiday you celebrate! May your celebrations be exactly what’s most comfortable for you and yours.
Lots to share: The Professional Dog is out in print and as an ebook on Storyberries! In a bit I’m sharing my creative process for my holiday box project. But first, because people tell me they’re enjoying it, I am continuing to feature 3 dogs from The Professional Dog per week so here’s this weeks…
The text in the book, which is also the title of the original artwork, is below each of this weeks featured dogs.
I wanted to share somehow that my original artwork for The Professional Dog is smaller than the finished book. So I did a video look at all of the original artwork for The Professional Dog. Each original dog portrait is 2.5 x 3.5 inches and was made by hand using ink and gouache on board. The finished print book is 6 x 9 inches and as faithfully as possible reproduces the colors and details in the original artwork. I did this because the reproductions do enlarge the details in the artwork. Below is a photo showing a bit of what I’m saying … perhaps you can see both the small original art and the book reproductions?
You could say that Thanksgiving was a nicely quiet event considering it was just my spouse and I and a giant veggie lasagna. But it really felt like we’d hosted a come-and-go party all day as we were in contact with friends and family via text, social media and the voice phone! It was such a fun day and we both went to bed tired-happy feeling like we’d been talking and partying nonstop! We joked that we could get used to partying like this – there was a lot less to clean up afterwards! Lol!
After the holiday I delivered all of the original art for The Professional Dog to the Aurora Gallery. This project was a big one that encompassed multiple months of intense work and it all – all 40 dog portraits – fit into a 5 x 7 x 4 inch box! (Another benefit of making the original art small in size)
Here’s the box of original artwork sitting atop the signed books wrapped in paper for protection during transfer to the Aurora Gallery.
Even though everything is done now including the portfolio page for The Professional Dog I will still be posting the dog portraits in sequence over the next weeks. People have told me that they’re enjoying them.
The Thanksgiving event held by the Caplan Art Designs Gallery also began the day after Thanksgiving. Below is another attempt to include a video in this blog. This video was made by the Gallery and is shared by permission. In case I’ve not gotten the video embedded in this post like I think I do – the video camera pans around a nice large room filled with art by the Caplan Art Designs Gallery artists. You see some of my larger works right at the start. Many of my works are small and not captured in the video. My last post included images of my artworks in this event. Over the weekend the Gallery posted more videos on the Gallery’s Instagram and Facebook pages that showed more of the event! There were many sales of my artwork and of the other Gallery artists work!
And now for the full details about the holiday box project! Back in very early September the Caplan Art Gallery gave certain artists an 8 inch cube to paint in our style. These boxes are to be in a special holiday exhibit opening the first Thursday in December.
Immediately when I got my box and over the next 4 days, I began the process of putting 3 coats of gesso on it even though I didn’t know what I would create.
While the gesso dried over that first week I brainstormed in both my sketchbook and on my legal pad. First I listed over 20 things that I could think of that are square or cube shaped. Then in my sketchbook I played visually with the various items listed to see what might be fun, how I might approach it. During this time my spouse and I had a dear friend come over to our outdoor patio to visit and have dinner. I told her what I was brainstorming and she liked the idea of dice.
At that time I was still in the middle of creating the dog portraits for The Professional Dog so it felt natural to think of dog shelters and dice, the chances for pet adoption, the many names for dogs … so in my brainstorming with my friend and my spouse we thought “what are the odds you’d find 21 dogs named Chance”?
My sketchbook became focused on dice-dot portraits of dogs.
I also rummaged about the house and found some game dice I could use as a model.
Using a ruler I calculated the size of the dots in relation to the size of the cube and I made measurement marks on the gesso using a watercolor pencil. The watercolor pencil marks will blend in and dissolve when I paint over the marks with acrylic paints.
Since the cube is a sculpture and will likely be handled by humans or sat upon by cats I decided from the start to work in acrylic as that’s a permanent waterproof media. I also planned to (and did) varnish it so the dice could be protected and easily cleaned.
I painted a different dog portrait on each dot on my dice using black and white acrylics mixed to form a range of greys. And yes, some of the dog breed research and practice I was already doing for The Professional Dog was applied to this project too.
After painting each dice-dot with a dog using black and white acrylics I painted the body of the dice with white acrylic. Every bit of the gesso got covered! Below you can see the entire dice in 3d plus each dice face separately so you can enlarge it and see the portraits.
I hope you had a yummy and fun Thanksgiving too. I look forward to catching up with some of my fellow bloggers and hearing about your creative projects but some of my days this week might resemble this…
… even if it does I hope you have a delightful week! See you next Monday.
I’m starting a new childrens poem project “The Professional Dog”. It’s an excuse to do a series of portraits of dogs owned by friends who have professions that fit neatly in an alphabetic format… accountant, botanist, chef…. (Yes, another abecedarian book!!)
Several friends – with dogs – have different professions that could fit for the same alphabetic letter. I know a botanist, a brewer and a baker. I know a chef, a councilor and a critic. Part of my work on this project is winnowing this list.
My book idea began in my small poetry sketchbook, the orange one in the picture, and is now in the messy draft stage on my legal pad.
I’m in the process of contacting friends and asking them to email or text photos of their dogs – and asking questions about their profession. These responses will help me narrow things down.
Here’s a few of the dog photos I’ve gotten from an Accountant, an Underwriter, an Inventory Manager, a Poet, a Nurse and an Entrepreneur.
In addition to this new book project I’ve been thinking more about greeting cards. Last year during the holidays it felt weird getting or sending cards that touched on pre-pandemic style large gatherings. I found I preferred getting and sending the cards that had winter scenery or literary poems or food/drink recipes. I did enjoy the family photo cards and “seeing” everyone that way.
So as I think of the upcoming holiday season I’m starting work on painting a short series of winter, food and book themed artworks intended for cards on my Zazzle shop. Here’s a sketch in my sketchbook with one of my winter theme notions.
Here’s a look at the finished art. I used my new butterfly palette that I’ve talked about in a prior post. These colors are literally based in scientific studies of butterflies and other bugs. It was fun to paint winter scenery using the butterfly colors! The color palette you see in this photo is what I call my “butterfly box”.
Below is a closer look at my finished artwork. After I get a few more for-cards artwork pieces finished then I’ll upload all of the images and design the cards. I’ve titled this piece below “Crowshoes”
This week my spouse made homemade sugar cookies. Seriously comforting and yummy cookies! Cookies and a coloring book are two of the good things in this life, I think, so I posed this photo for use in telling on social media about my recent coloring book “How To Draw A Dragon“
Many of the baked goodies my spouse makes – like the sugar cookies in the photo above – are from recipes in “How To Bake Everything” by Mark Bittman. As an eater of baked goods I can vouch for this book!
As per my last post I am thinking seriously about doing more videos and have even ordered a thingamajig to hold my phone steady while I talk. It’s a fun – and a bit scary – to entertain the idea of talking on video generally about being creative and include things from my own creative life. I’m thinking I might call these short videos “Creativity chats” with a subtitle of the topic of that particular chat. 🤔 We’ll see. I heartily thank you for your kind encouragement to do more videos!
While I wait for the video apparatus to be shipped to me I’ll work towards “The Professional Dog” and will tell you more about what inspired this idea in future posts.
I hope your week is full of dog (or cat) cuddles, cookies and many other comforting things! See you next Monday.
These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.
From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.
With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.
And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.
Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.
Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)
After I posted “Enjoyment” on social media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.
Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.
It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )
As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium. Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:
Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?
I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.
That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.
No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.
So I hope you have a very good week. See you next Monday?
This week was filled with photographing my illustrations for a new children’s book tentatively titled “This Rabbit” (as I wrote last week). Then I uploaded the photos checking the digital images against the original artwork for accuracy of color. Sometimes I had to retake a photo.
Once all of the illustrations were digitally correct, more or less, I uploaded them into the software I use to make the printed books. My art studio supervisor cat, as you can see, helped with the process.
What I’m aiming for as I process the photos: I want to make an album of my fine artwork that just happens to be for kids. Kids need fine art too, in my opinion. So I’m striving for digitally capturing as much of the range of color and detail in the original artwork as possible. No camera or screen matches the capability of the human eye but I do the best with what I’ve got. I’m also trying to keep the soft feel of the original artwork on the off-white handmade papers.
My root idea with this new book “This Rabbit” is cultivating the skill of enjoying the many things there are to like and do. So that is always in the back of my mind as I work.
Here are the two poem lines I wrote to go with the two illustrations below:
This rabbit likes pretty pearls
This rabbit likes doing curls
After the photos of all 32 illustrations were digitized to suit me, it takes me a lot of time to do the digitizing to suit because I am the original Ms. Picky, but when I had the images as I wanted them then I worked on the books graphic layout and design. As I proceed with the layout/design part of this project I may need to take new photos of some of the artwork depending on how they look as I place them side by side in the book design … we will see how things go.
This new book is part of a series of children’s books I’m creating. So it will have a have similar cover design (and other format elements) to fit with the book series. However, for “This Rabbit” I decided to make the illustration images on each page larger, filling two thirds of the page or perhaps a bit more, filling almost to the three edges of each page.
I chose this layout because I’ve included small details within many of the artworks that might be missed if the images were smaller. My poem text is one single line within a small white space on the bottom of each page.
I will serialize some of “This Rabbit” on my Instagram page and give you more details of my working process (and my creative life) here on this blog each week.
Anyway, now you know what a busy week I’ve had. Needless to say lunches were quick-fix affairs. Like this broccoli pasta dish.
Here’s the recipe – a loose guide or philosophy really rather than a recipe. When I made the dish this week I used short pasta and added spinach. But the rest of the recipe was followed. It’s a recipe from my Favorites So Far kitchen sketchbook.
Despite being busy I still carved out time to read most evenings. In my last post I was still reading “The Mexican Tree Duck” by James Crumley. I finished that book and loved it! I’ll miss the main character Sughrue. Sughrue was a decent guy, a good friend to other characters in the story, someone who cared. I liked that! Crumley’s character and his writing style will be a hard act to follow.
As I cast about for which book to read next I realize that I want another protagonist with a strong decency streak. Not moralistic, self righteous, preachy or anything like that. I want a character who is just plain caring and kind. Even if they have flaws, faults and difficulties I want there to be a core of goodness, a sense of concern for their community, at the heart of the main character.
I’m ready for the good people to win a few … damnit!
So from my book shelves I pulled this book selection for consideration: The Nine Tailors by Dorothy Sayers, Rumpole A La Carte by John Mortimer and Death of A Bore by M. C. Beaton.
A few more cups of coffee and I’ll decide which book to read more of later after my working day is done.
See you next Monday with more of my progress on “This Rabbit”? (And yes…so far my working title has stuck.)
As I mentioned in my last post I’ve been sorting and winnowing my illustrations and poetry for a new children’s book.
By writing the poem lines on index cards and having the illustrations on paper I can physically spread them out and sort them. This is very much the editing and rewriting process that the books on writing talk about. I’m doing draft after draft after draft just like they recommend – my drafting is just in tangible form.
For example I put numbers on yellow post it notes which affix on the archival sleeves holding the artwork. That post it note number corresponds to the poem line written on an index card. My legal pad contains a handwritten record of sequences I’ve tried aka manuscript drafts.
The artwork and the index cards are laid out on a queen size bed in the number sequence I’d most recently tried. I read the poem out loud. Then I walk away after shutting the bedroom door so my cat won’t pounce on the artwork. Later, after lunch for example, I’ll go reread and view the artwork, perhaps make a change in the order of the art/poem by moving the art, the index card and the yellow post it notes. Then I’ll read the new order aloud. I’ll note the new numeric number order (draft!) on my legal pad. Then I’ll go do something else. Perhaps just before dinner I’ll repeat the above process before putting everything away for the evening. This short-burst working method allows space for my unconscious mind to work on my project.
As a result some of the illustrations didn’t stay in the queue. Some poem lines went into the bin. Some art and poem lines stayed but took their time to find their place. Eventually after more than a week of these daily sort/resort episodes gradually more of my sequences resonate with me.
As I sort the pictures and words I’m keeping my eye and ear open for what resonates. By resonate I mean that I keep returning the art and poem lines to a particular place or order that makes me smile, makes my heart sing. This resonance is found slowly, page spread by page spread. I just keep on sorting until all of the pages and the entire book sequence feels that heart-sing way, a feeling I call “taking root”.
After that “taking root” has happened then I read the poem aloud and show the artwork to my spouse. Further adjustments are made according to her suggestions. Then I live with any new sequence another day or so to double check how rooted it feels.
I think of this entire creative process as a lot like growing a garden from seed; you plant seeds, you water, you wait, you position the pot on a window sill to catch the sun, you water, wait…at times it feels like nothing is happening…then eventually you have a seedling big enough to safely transfer to another container.
I’m about to the point with this new book of transferring it to another container – meaning that I’m ready to photograph the artwork and begin the book layout design, the computer hocus pocus of it.
The probable title for my new book is “This Rabbit”. But we’ll see if that holds as I shift the book, idea-seed soil and all, to it’s new digital pot.
Speaking of seeds and gardens: here’s a new fabric pattern design with bunnies and blooms. I’m now waiting to see a proof fabric swatch before I approve it to be in my Spoonflower shop.
Last week there was winter weather in the Pacific Northwest and friends and family lost power which caused concerns. But they were brief concerns, quickly resolved, and everyone is fine. Whew.
Then the Texas snow, ice and severe cold storm happened and was not quickly resolved (still isn’t as of this writing). We used to live in Oklahoma and we still have friends in Oklahoma and friends and family living in Texas…so we worried. And made phone calls etc.
And as we worried about friends everywhere I made a greeting card design that couldn’t really be sent, due to the storms, to the people we worried about. But I made the card anyway – the act of making it helped.
Worries distracted me some from my work on “This Rabbit” but not too much. My short-burst method of working accommodates such stuff-of-life.
Besides making the greeting card I puttered in my studio cleaning things. I came across some nice rice paper I’d forgotten I had so I stopped cleaning and made a small accordion book with the paper. It measures 6 inches tall by 2 inches wide when folded shut.
One of the many people we worried about is named Beverly. Last year during the pandemic on my birthday Beverly called to wish me a happy day and as a present she talked me through her grilled cheese sandwich method. I’d taken notes on a scrap of paper during our call last year and saved the paper folded and slipped into the pocket of my kitchen sketchbook. This week, in solidarity with Beverly, I made the yummy sandwiches and transferred the notes into my sketchbook.
And here’s the sandwich. My half of the sandwich anyway…the sourdough bread slices we have are large so spouse and I split one sandwich.
At various points during any day I find that coffee and books are comforting. So are homemade oatmeal cookies. Here are cookies resting on cloth napkins made from my fabric pattern with a coffee and books motif. It’s the small comforts that add up. Especially when worried about friends…
As of this writing it seems that most of our Oklahoma and Texas friends and family are more or less fine physically. Whew. Now we wait to hear how the horrific price gouging in Texas will affect them…
Once again I am struck by the difference in response to disasters between regions of the United States. In the Pacific Northwest the utilities are regulated and public. It is generally presumed that people are what matters. In the midwest and south there’s less regulation and more privitization. It is generally presumed that private companies’ profits are very, very important.
I’ve been thinking all week of how the kind of government one has can affect one’s daily life for good or ill. So we worry about friends and family in unregulated privatized Texas. (There’s a well written article here in The New York Times about all this.)
Anyway, hopefully we’ll all have a quieter week. I’ll keep working on my projects much like a seed works at growing no matter what else happens – being creative helps me cope with stuff. It also helps to share my work with you. Thank you so much for looking at my pictures, reading my words and for your kind comments. Catch up with you next Monday.