On being at home and eating well

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In times like these we need to do what kindnesses we can for each other so I’ve decided to release my kitchen sketchbook earlier than planned. The title of this new artist book is Favorites So Far – a kitchen sketchbook. Details follow.

I spend most of my time working at home. Now, with coronavirus, more people, especially here in Washington state, are too. Welcome to my world. There’s lots of work but also books, good meals, drinks and snacks.

So perhaps it will be kind to go ahead and share more of how cooking at home fits with my working at home life? Hope so…

I was going to wait until just before my one-person art exhibit in June 2020 to officially debut this memoir cookbook, Favorites So Far, as many of the recipes relate to my artwork. I’ve been dribbling out teaser recipes on my Instagram page especially as they relate to the artwork as I finish the art. My original intention was to build momentum toward my June exhibit, display the artwork at the physical exhibit and have this 48 page sketchbook, itself intended as artwork, available as an accessory to the exhibit. You know, big splash.

But to heck with that. It seems kinder to share this book right now because people gotta eat.

Technically this book, Favorites So Far, is a printed 48 page memoir sketchbook – with my sketches on every page. That a meal could be made from it was just bonus. It’s suposed to be autobiographical amusement. But it really is a practical book, we refer to it for our own meals regularly.

Here’s a photo of the front and back covers of the printed book Favorites So Far:

Recently my co-author, Judy Sullens, and I got to talking: in the best of times what to cook/eat is a question. Door Dash and other innovative food delivery services are super helpful – but people suddenly being at home more… perhaps they’ll find it helpful to hear how a couple of busy creatives who’re not always flush with cash, not always remembering to get stuff at the store, how do they fill their belly’s?

So we decided to release the book now rather than wait. This link to the full color printed book has the entire book as a preview – and you can purchase it there too. https://www.blurb.com/b/9759759-favorites-so-far

The book is set up to be printed, 48 pages, full color, landscape format to showcase the artwork. And, since we’re not waiting to do a big splash at the exhibit, we’ve now set it up so the printed book can be shipped directly to you from the printer.

Perhaps even more helpfully we’ve set it up as an immediately downloadable ebook viewable on any device: Google Android devices, Kindle etc. It’s still 48 pages, full color with all the artwork. You can get the ebook version here. https://www.blurb.com/ebooks/709744-favorites-so-far (preview first 15 pgs)

Speaking of previews here’s some of the pages:

The title page
Book info page…. see, drawings on all pages!
Introduction page…how this book came to be.

And here are a few of the inner pages so you can see the memoir attributes.

More generally how I handle being a busy artist while not starving: after breakfast, before getting to work in my studio, I cut up veg and etc ingredients and throw them in a pot to slow cook until lunchtime. I work for several hours in my studio, take a short break to stir the pot. Back to work for another hour or so. Then lunch!

This is a pic of my sketchbook that Favorites So Far is a reproduction of – and a pot of just assembled stew:

And, yes, since it’s so near to St. Patrick’s Day I couldn’t resist posting this Irish stew recipe!

Oh, and we showed this sketchbook to a chef friend who said “I love it that a third of the book is cocktails!”

Hope you enjoy this book and that you eat well.

Pets people phrases and pages

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Here, below, are some new sketchbook pages – I’m still thinking towards publishing a version of my sketchbook. I’ve been encouraged to do this by friends who’ve looked at my book, as well as by my followers on social media – thank you all!!! Now without much further typing:

Art studio supervisor Hawkeye carefully examines my cat drawings.
The drawing under examination.
Art studio supervisor Rusty reacts to the phrase “eating…”

I see readers everywhere

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Living in the Pacific Northwest I see readers at the gym, at bus stops, in parks, sitting outside on benches, in the cafes, wineries, pubs and bistros – just about everywhere I look a book is in someone’s hand. Needless to say the library is a popular place as is the beloved locally owned bookstore, Vintage Books.

Below are a few of my sketches of people I’ve seen out and about. Along with quotes and musings.

Because I’ve been depicting people reading so much in my fine art it’s probably no surprise that in my sketchbook I’ve been drawing people reading. Anyway, here’s a few more drawings from my sketchbook:

Lately, however, I’ve thought that there’s perhaps a value in showing my sketchbook pages, putting a human face, so to speak, on creative doings and beings. I’m even thinking I might gather some of these into a book. What do you think? Do you like seeing my sketches too?

My loose sketchbook to fine art method

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Recently I blogged about my kichen sketchbook keeping method. Here’s my “running around loose” sketchbook method. Yes, this is a different sketchbook. Both books are related to my current fine artworks.

My “running around loose” – aka “loosey” book (pronounced ‘Lucy’) – is a sketchbook measuring 3.5 x 5.5 inches and half an inch thick with a ribbon bookmark, an elastic closure and lightweight watercolor paper inside. Here’s a picture of it and my gouache palette which is the same size as my book. Also pictured is my water brush and a Tombow waterproof brushpen. Everything can fit in a small bag or jacket pocket.

When I’m out in the world, with my “loosey” book, I’m keeping an eye/ear open for things that catch my attention. Things I want to think more about. There are no strict rules, no pressure to make “art” in this book. I’m just noting what catches my attention. It’s like meditation in this sense.

Recently my spouse and I had lunch at a local bistro. My attention was caught by an accent I couldn’t place when a man at a table nearby spoke to a waiter. So using my glance-memory method I kept paying attention.

My glance-memory method is this – once my attention is caught I quick glance several times and jot random words: man, scar, blue, reads, coffee, space, reads, careful spaces for book/consumables, vertical spoon, triangle space, book arms length.

The above word list translates to: After the man ordered he pulled out a book and began to read. His coffee came and he very carefully sipped his coffee well away from his book. His careful use of physical space kept my attention. Then his soup came. He shifted the book so it was held at arms length from the bowl and coffee. What an interesting gesture! I also noticed other things: a scar on his cheek, the blue shirt he wore, the vertical way he held his spoon. His gestures and sense of space held my attention. So I pulled my “loosey” book out jotted the word list mentioned above and did some quick sketches. I didn’t worry about getting an exact likeness. What I tried to capture was the gesture. I used quick glances so I wouldn’t attract his attention to what I was doing.

I tried the drawing a few times.

This second sketch, with the triangle shaped space under his elbow best captured the gesture.

I wrote the phrases on each page because they came to mind while I was drawing.

I also noted that as I drew I thought about soup, the care/repair of books, Ray Bradbury’s “Fahrenheit 451” and, inexplicably, Kurt Vonnegut’s book “Slaughterhouse Five”.

Where all these thoughts will go I’m not certain but I’m starting a new 18 x 24 size fine art piece for my ongoing Readers Series this week. I’m sure these sketchbook notes will get used somehow.

I’ll also make soups at home. It’s going to be cold weather. And I have well used copies of both Bradbury’s “Fahrenheit 451” and Vonnegut’s “Slaughterhouse Five” which I’ll look at over the week.

Now you know the way of my “loosey” sketchbook adventures. I’ll share what happens next in upcoming posts.

Sketching a light dinner

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Here’s a page from my kitchen sketchbook. It’s relevant to a fine art piece currently in progress; a reader having hot tea and a meal like this.

Page from “Favorites So Far”

I’ll post about the fine art when it’s finished. Stay tuned.

You can see more art from my readers series at the Caplan Art Designs gallery. www.caplanartdesigns.com

writing techniques my kitchen sketchbook and fine art

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I’m working towards 3 one-person fine art exhibits this year and I’m using writing techniques to design them. Gathering sources, aka a bibliography, is a starting spot for nonfiction works. So I’m borrowing that concept only I’m creating the books I’ll use as, ahem, source citations.

For example, in my last post I depicted a woman reading and having breakfast. Here is the source for the breakfast within the art… the source is my kitchen sketchbook:

During my exhibits I’ll want to show my sources (like a writer would) so I’ve published a new artist book based on my kitchen sketchbook titled Favorites So Far. The recipes come from both me and my spouse, a kind of memoir sketchbook cookbook… and part of the basis for my fine art. Anyway, here’s a picture of the cover:

That you could make your own meals from this book is a happy bonus…it’s primarily yummy source material!

If you want to you can get a copy of this book via this link: https://www.blurb.ca/b/9759759-favorites-so-far

I’ll post more on this topic over the coming months.

Happy holiday sketchbook

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Here’s a page from my kitchen sketchbook with my Irish Coffee recipe. Cheers!! And Happy Holidays!!

Btw: This recipe and many others are in my newest published artist book titled “Favorites So Far- a kitchen sketchbook” https://www.blurb.ca/b/9759759-favorites-so-far

the art technique of attention

A Creative Life, art exhibit, art gallery, art techniques, artistic inspirations, books, drawing as thinking, ebook, fine art, illustration, mental health, story, Sustainable creativity, visual thinking, writing and illustrating

I’ve been very busy getting ready for a one-person fine art exhibit at Caplan Art Designs that will open in September. (So my social media activity has slacked off lately.) Around the edges of creating new fine artwork, framing, paperwork and so forth I’ve been working towards a new print edition of “Dr. Bob’s Emotional Repair Program First Aid Kit”.

This story from the First Aid Kit has been a good reminder of an art technique I try to practice daily – even when I’m busy:

Attention

Even when I’m very busy I practice taking a moment within my day, wherever I am, in the here-and-now and pay attention to my 5 senses. I try to let go of any preconceived conceptions, to just expand my awareness. I also include, in this exercise, paying attention to my free-associations and my imagination during my 5-senses check-in moment. I’ll note my sensory experience and “watch”, like you’d watch television, the memories, thoughts and associations that cross my mind as a result of the sensory experience.  I’ll often make notes in my sketchbook.

What I “get” for my payment – when I pay attention – is the power to choose what to focus on when I’m at my art easel working.

This practice of paying attention to both sensory input and the content of my mind –  is a version of what Betty Edwards wrote about in her book “Drawing On The Right Side Of The Brain” – in the section where she talks about chairs. How (and I’m paraphrasing) a drawing student first attempting to draw a chair will substitute their knowledge about chairs (4 legs, a square seat and back) and will draw a child-like symbol of a chair. One has to learn to see the shapes of the spaces around the chair as well as the shapes of the chair itself – what is actually seen (3 legs, a trapezoid shaped seat and back).

I find too often – especially when I’m busy – I’m substituting my “knowledge” about the world, my preconceptions, for what “is” in the world. So I find it helpful to practice seeing the shapes of spaces, so to speak, in my sensory experience of the world. And to see the shapes of spaces within my own mind.

Paying attention allows me to merge real-world phenomenon with my mental life and to choose to communicate, via art, in ways that are helpful, playful and fun.

Currently “Dr. Bob’s Emotional Repair Program First Aid Kit” only exists in e-book form. But as I said above, I’m working on that. This book has had such a profound impact on my own creative life that I want to have another print version around.

Dear Readers art exhibit statement

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My new exhibit this year is titled “Dear Readers” and is book/reading themed. As I’ve worked this last year towards this new one-person fine art exhibit at Burnt Bridge Cellars, that will open June 7 in Vancouver WA, I’ve written lots of hand-written notes in my sketchbooks, on random slips of paper, on post-it notes in the margins of newspaper articles.  I wrote down as many thoughts as possible – including quotes from books I’ve read – and kept them together in a binder.  When it came time to write my exhibit statement I could reread all of my notes and pull from them.

Here’s a pic of my binder and one of my sketchbooks. And my pen.

DataForExhibitStatement

Below is the finished “Dear Readers” art exhibit statement – text I wrote that pulled from the data pool in my binder and sketchbooks. This statement will be put on the wall somewhere within my exhibit:

Dear Readers

By Sue Clancy

I’ve been thinking about the interconnectedness of everything in life. These thoughts led me to the concept of nested ideas; how one thing leads to another, one food or drink pleasure can lead to another new pleasure in a similar way that one enjoyed book can lead to another new book.

I’ve also thought of how much the written word in general has enhanced our pleasure in and understanding of the sensual world by enabling connections to be made between elements and people across time and space.

So, in this exhibit I’m using the printed-and-bound book as a symbol for “the written word” in its myriad of formats. And I’ve deliberately, whimsically, played with the one-thing-leads-to-another-everything’s-connected concept by including spoofs of my own artwork, my still life paintings, within my other paintings that have dog characters in them. The titles of the still life paintings, the titles of the dog character paintings, the titles of the humans with pet’s paintings all correlate.

Each artwork in my exhibit is related in some way to at least one other artwork in this exhibit.    I leave it for you to puzzle out which is connected to which – and in what way.

And yes, you can read my exhibit like you would a mostly wordless comic.

Enjoy!

strawberry dessert anatomy

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Here’s a page from my sketchbook that relates to a recent blog post: https://sueclancy.com/dogs-strawberries-and-cookbooks/

DessertAnatomy300