My new exhibit this year is titled “Dear Readers” and is book/reading themed. As I’ve worked this last year towards this new one-person fine art exhibit at Burnt Bridge Cellars, that will open June 7 in Vancouver WA, I’ve written lots of hand-written notes in my sketchbooks, on random slips of paper, on post-it notes in the margins of newspaper articles. I wrote down as many thoughts as possible – including quotes from books I’ve read – and kept them together in a binder. When it came time to write my exhibit statement I could reread all of my notes and pull from them.
Here’s a pic of my binder and one of my sketchbooks. And my pen.
Below is the finished “Dear Readers” art exhibit statement – text I wrote that pulled from the data pool in my binder and sketchbooks. This statement will be put on the wall somewhere within my exhibit:
By Sue Clancy
I’ve been thinking about the interconnectedness of everything in life. These thoughts led me to the concept of nested ideas; how one thing leads to another, one food or drink pleasure can lead to another new pleasure in a similar way that one enjoyed book can lead to another new book.
I’ve also thought of how much the written word in general has enhanced our pleasure in and understanding of the sensual world by enabling connections to be made between elements and people across time and space.
So, in this exhibit I’m using the printed-and-bound book as a symbol for “the written word” in its myriad of formats. And I’ve deliberately, whimsically, played with the one-thing-leads-to-another-everything’s-connected concept by including spoofs of my own artwork, my still life paintings, within my other paintings that have dog characters in them. The titles of the still life paintings, the titles of the dog character paintings, the titles of the humans with pet’s paintings all correlate.
Each artwork in my exhibit is related in some way to at least one other artwork in this exhibit. I leave it for you to puzzle out which is connected to which – and in what way.
And yes, you can read my exhibit like you would a mostly wordless comic.
Here’s a page from my sketchbook that relates to a recent blog post: https://sueclancy.com/dogs-strawberries-and-cookbooks/
Yesterday was a busy day full of play both in the kitchen and on a hike. Somehow in the mix I thought of a new-to-me way to combine my handwritten words and artwork on a page. Late last night I tried it in my sketchbook. Here’s what I did using ink and gouache:
One of the many things I love about the Pacific Northwest are the indie bookstores and all of the people I see reading. Almost every time I’m in town I see people reading printed books in coffeeshops, in cafes, in the park, in the library, in line at the post office, waiting for the bus and even while walking down the sidewalk.
For example here’s a sketchbook page (left side) I did just after passing by the lobby of one of the downtown apartment-plexes. There’s a lobby on the first floor and a guy was sitting in a chair reading with his dog on his lap. (I added the cat – just for fun.)
I did the other page (on the right) on the same walk, but just after walking past a café window where a lady was having a dessert and coffee. The book she was reading was about the same small size as her cake! So I had to note that!
Below are several more pages from my “running around loose” sketchbook (a book I take with me when I go to town) as well as a few from my “kitchen sketchbook” (a book I keep in my kitchen at home to doodle in while I wait for water to boil etc.)
from Clancy’s Running Around Loose Sketchbook
from Clancy’s Kitchen Sketchbook
from Clancy’s Running Around Loose Sketchbook
from Clancy’s Kitchen Sketchbook
These pages – and my many other sketchbook pages full of readers and books – have been feeding my current “reading and books in art” fine art series that I’ve been posting about in my last several posts. This series of paintings is for an upcoming exhibit. Plus books are a fun topic for me to use in my artistic practice to, well, practice.
I’m still thinking hard about my notion of nesting ideas (like the way one book refers to another book etc.) and this week I’ve added a twist; in past years to accompany my fine art exhibits I’ve included ebook versions of my sketchbooks. What if this year, instead of an ebook, I did a limited edition printed book? And what if it was a book that collected some of my sketches of human readers and possibly included some of my poems/short stories? So that the poem/story related to the human reader, what they might be reading and also to the fine art? It would be a way for me to include the story alluded to within my recent painting Epic Tales Of The Pug King for example.
Hmmm… I’ll keep thinking. And I’ll probably post some of my human reader sketches/illustrations here too and see what you think.
Oh, and to add another layer to my nesting-ideas concept, over on my Instagram page I’m occasionally posting books I’m currently reading.
Olives are one of the many ways adults know they are loved. Grapes too. But I’ve been thinking about olives. Olives to eat. Olives in Dirty Martini’s. And how if you say “olive hue” it sounds a lot like “I love you”.
Olives have to be picked from the olive trees carefully – then preserved and processed – lots of work is done just so we can enjoy them. In all of their salty, brine-y, yummy glory. There. I feel loved. Don’t you?
Anyway here’s artwork I did recently while these thoughts ran around my brain (brine?) jar:
In Search Of The Holy Grail – by Clancy – 7 x 5 inches – acrylic and gouache on board
Allegedly you can grow olives here in the Pacific Northwest. There is at least one local bar that serves drinks with “Local Oregon Olives”. (Note to self: Explore this more.)
Speaking of drinks – one of my favorites is the “Dirty Martini”. With extra olives of course. Here’s a drawing I did of my currently favored recipe:
It’s been hot and I’ve been busy – so my cooking activities have been of the quick-fix-no-stove sort. To catch you up here’s the last kitchen sketchbook post: https://sueclancy.com/from-my-kitchen-sketchbook/
And here are some recent recipe gouache and ink sketches from my kitchen sketchbook (BTW: when we ran out of fresh strawberries I substituted frozen blueberries in the “Dessert Anatomy” sketch)
Here’s another artist’s helpful blog post that tells how to make a sketchbook in 5 minutes: http://www.magicofcreativity.com/how-to-make-a-sketchbook-in-just-5-minutes/
It’s my birthday so you get a present! Because you’re a regular reader of my posts, here is a free downloadable e-book copy of my “Running Around Loose” sketchbook. It’s a pdf file, click RunningLooseVanEd1byClancy to download the book for free (it’s a birthday gift!). I’ll include a few sample pages in this post so you’ll have some clues as to what you’ll get when you open the file. Enjoy! And thanks again for looking at my stuff!
Now please pass the strawberries and whipped cream.
pages from “Running Around Loose in Vancouver WA” by Clancy
Oh yes – you can find more of my artist books here: https://sueclancy.com/shop/ and here: https://sueclancy.com/artist-books/
Here are some pictures from the Anstine Gallery exhibit of my artwork titled “Community Creatures”. I’ve noticed that adults sometimes become problem oriented, especially in certain professions. So I delight in, via the Anstine Gallery, bringing humorous art to a government building in Vancouver. Doing my small part to bring a smile to your day. All of my artwork in this exhibit is about what I enjoy in town. I’ve also included my sketchbook pages for your additional amusement.
The hand sewn book display version of my “Running Around Loose” sketchbook. An ebook version of the same book is here: https://sueclancy.com/product/running-around-loose-vancouver-wa-edition-1-by-sue-clancy/
My last post about this exhibit is here: https://sueclancy.com/community-creatures-running-loose-at-the-anstine-gallery/ – and it shows direct links between sketchbook pages and the fine art pieces.
My sketchbook “Running Around Loose in Vancouver WA” is available as an ebook here: https://sueclancy.com/product/running-around-loose-vancouver-wa-edition-1-by-sue-clancy/ I like to think that my sketchbook will be amusing even for people who can’t come to see the original fine artwork.
Here’s the finished artwork I was working on in my last blog post art-of-a-peel. I’ve titled it “Purrfecting Happy Hour”. Now… on to the next painting…
Purrfecting Happy Hour by Clancy 36 x 24 x 2 inches (h x w x d) Handmade paper and acrylic on cradled board
I’ve been busy lately working on a new fine art piece that has an orange peel in it. And a cat of course. Here’s a picture of me at work…
Between 7 and 14 of us get together once a month for happy hour in one of our local pubs, and the trays of drinks that arrive at our table often reminds me of a jewelers tray. So I’m trying to capture that festive feeling in my painting.
This has meant, as I’ve worked on my composition (the to-scale drawing you see to the right in the above photo), a practice of sketching various drinks in my kitchen sketchbook. I used ink and gouache in my sketchbook – and I’m using acrylic in the painting. Below is the first sketchbook practice drawing; the drink recipe, an orange hot toddy, turned out very well in the real-life tasting of it – the drawing in my sketchbook of the orange-peel didn’t turn out so well.
But I remembered the phrase “Anything worth doing is worth doing poorly at first” from my book, Dr. Bob’s Emotional Repair Program First Aid Kit, and kept going.
In other sketchbook pages I tried more orange-peel attempts and here below is the last sketchbook orange-peel drawing – and the drink recipe that I decided to use within the painting.
Below is a close-up photo of the drinks I’ve put in the painting – including the one with the orange peel:
I’ll post a photo of the finished art when its, well, finished – there’s still more to do on the cat.