community creatures running loose at the Anstine Gallery

A Creative Life, animals in art, art exhibit, art gallery, artist book, artistic inspirations, drawing as thinking, ebook, public art, sketchbook, travel art and writing, visual story

The art was delivered to the Anstine Gallery this morning. The snow I’d worried about in my last post wasn’t a problem! (Whew!) The Anstine Gallery is located in a government building in Vancouver so I’m doing what I often do – trying to make people in serious places laugh.

Adults in general, I find, tend to be focused on day-to-day problems and people in certain professions; in the medical field, in law and in city or county government, in addition to having the regular allotment of adult-hood type responsibilities have entire work-days filled with problem-solving.

So with this exhibit – titled “Community Creatures” I wanted to share humorous artwork that was based on what is, in my opinion, working well in Vancouver.

A community is made up of its social vitality. The physical structures of the place; sidewalks, multi-use buildings, zoning laws, environmental policies, parks, public art and so forth all impact – in a behind the scenes way – the social vitality of a place. I see the city/county as doing well because of what I observe when I “run around loose”.

Where we most often see, or are most easily aware of, social vitality is in the small businesses, I mean the honest-to-goodness personally owned business – where the owner actually works there.  So that’s where I started – I’ve recorded my experiences in my sketchbook of running around loose in Vancouver, then I created characters (the ‘creatures’) and a fine-art-visual-story that transformed my real-life sketches into a metaphoric or literary depiction of an element of life in Vancouver.

Here are a series of sketches paired with the artworks. I’m sure you’ll be able to see what relates to what.

Naturally there is crossover between the different sketchbook pages and each finished art piece. The above is just a sample. You can download my entire “Running Around Loose – Vancouver WA” sketchbook in ebook form here:  https://sueclancy.com/product/running-around-loose-vancouver-wa-edition-1-by-sue-clancy/

running around loose art exhibit

A Creative Life, art gallery, artist book, artistic inspirations, ebook, fine art, public art, visual thinking

Soon I’m delivering artwork to the Anstine Gallery – an art gallery located in a governmental building in Vancouver WA. – for a one woman exhibit titled “Community Creatures”.  Since it’s in a government building I’m taking the opportunity to celebrate, with artwork, aspects of the community I love.

I’ve titled the exhibit “Community Creatures” because the characters I’ve used for all of the fine art pieces range widely: there’s a frog, a longhorn steer, a peacock, a seahorse, a rabbit and of course some dogs and cats. Each character, and the actions depicted in the artwork,  represents some aspect of the Vancouver community that I appreciate.  As I’ve run around loosely enjoying things I’ve documented them in my sketchbook. Then I’ve pulled elements recorded in my sketchbook for fine art.

So I’m also sharing my sketchbook, the words-and-pictures behind the fine art, in two ways: one as a hand-sewn book that will be in the exhibit, and as an ebook (here) titled “Running Around Loose” that people can download and have on their phone when they go to my exhibit. Or if they can’t come to the exhibit they can still enjoy the show – via my sketchbook.

For example here is one of my sketchbook pages.

BurntBridge

And below is one of my artwork, titled “Massive Mastiff Munching” that flowed from the above sketchbook page and other pages like it. For example I’m also combining (as documented in other sketchbook pages) the “tapas”, or small plates, way of eating that many places offer – including the winery mentioned in the above sketchbook page.

MassiveMastiffMunchingA72.jpg

You can probably see several connections between the sketchbook page and the artwork.

I suppose with the art and the book combined the entire exhibit could be called “Community Creatures… Running Around Loose” – and I like the humor of that, but I’ve left the phrases separate in order to distinguish between the exhibit and the book. Anyway, hopefully everything I’ve done will make people smile.

I’ll post more about this exhibit and my thinking in the coming days – but just now I’m hoping that our recent snowfall won’t interfere too much with delivery day.  The local independently owned (imagine that!!)  newspaper, The Columbian, has headlines for yesterday and today: “Snow sticks around; School districts announce closures, later starts today with messy commute likely” and “A Day to take off; snow, ice prompt school closures, delays in services in Clark County”.  It is snowing as I type this … so I’ll be in touch with the exhibit curator and we’ll see….

 

from my Various Cat Sketchbook

A Creative Life, animals in art, art techniques, artist book, Cats in art, creative thinking, ebook, sketchbook, visual thinking

I’ve just finished making an ebook – 34 pages derived from my hand drawn, hand written, sketchbook on the topic of cats. It’s titled “Various Cat Sketches by Sue Clancy” – and can be found here on my Art Ebook Shop page.  Warts, scribbles, mistakes and all have been included – so you can see how my mind works – and for your amusement. I worked in ink, watercolor and gouache. In this post are a few pages from the ebook. Enjoy!

EarsEyes

Absynnian1

ColorFurVar

 

four topic sketchbook keeping

A Creative Life, art techniques, artist book, artistic inspirations, creative thinking, drawing as thinking, ebook, kitchen art, psychogeography, sketchbook, sketchbook suppers, Sustainable creativity, travel art and writing, travelog, travelogue, visual thinking

Oh I’ve had an excellent question asked of me! Here’s the question: “Do you keep separate sketchbooks for different subjects/projects/media or do you use one sketchbook for all sorts of art experiments and ideas?”

My answer:  I used to keep one sketchbook but I found it hard to find the bit of research I needed because I’d have to flip through the whole book to find something.  Now I keep sketchbooks by topic.

Here is one of my “kitchen sketchbooks” – recipe inspired art – where I am inspired to draw by a recipe I’m cooking. This book is 5 x 4 inches in size, sewn binding and paper that can handle ink and water-media.  This way my favorite recipes are all in one spot – and when I have an ingredient I can flip through this one book to find a recipe that I know works and that my family likes.  This sketchbook, additionally, is my “testing ground” for ways to combine food, drink and art together – ways to interpret food/drink artistically.  This sketchbook is also a place where I’ll try new-to-me art media or methods. I’ve been trying gouache lately and I posted a few pages from this book the other day https://sueclancy.com/from-my-kitchen-sketchbook/ – Here’s what the outside of my current kitchen sketchbook looks like:

MouthpieceFourCover72

I have been working on a new series of fine art paintings with Cats as the main characters. So I have one sketchbook that collects my cat related painting practice and research. In it I’ve been studying cat shapes and experimenting with lines, colors. I’ve also experimented with combinations of collage, ink and water-media. This sketchbook is called “Various Cat Sketches” and is 8.5 x 11 in size, with a sewn binding. Here, below, is what the outside of it looks like. I’ll post more of it’s pages on this blog soon because it will contribute to an upcoming fine art exhibition

VariousSketchesCover72.

Another current sketchbook is my “Running Around Loose” book. This is the sketchbook that fits in my small go-sketching bag and is 3 x 5 inches, with a sewn binding, water-media ready paper in a landscape format. In this book I record my observations of the world around me; places I go, people I see, food or drink I have. It could easily be called a travel sketchbook  but I call it my “running around loose” book because that’s what I try to do as I run around town with this book – be loose and free with my lines, colors and thoughts. Here, below, what this book looks like. I’ll post more of it’s pages here too.  (I’ve posted my last sketchbook like this as an ebook titled “Glad To be Alive” available for download here)

RunningLooseCover72

And the 4th topical sketchbook is called “The Forked Tale: thoughts about creative life”.  This one is a hardback book 6 inches tall by 8 inches wide and over an inch thick. In it I’ve collected my thoughts, readings, quotes etc. about this business of being creative.  I’ve shown pages from this book to friends before who enjoyed it and found it helpful. But recently my friend Liesl was over for dinner and asked me a question about art-studio furniture. We kept talking about aspects of living a creative life and eventually I got out this book and shared it with her. She very strongly encouraged me to publish this book. So I will. After all she’d brought a very good wine to dinner. Here, below, what the outside of this sketchbook looks like.

ForkedTaleCover72

Yes, this method of sketchbook keeping helps me to organize and find things but keeping topical sketchbooks is also helpful when I only have a short span of time to work. I can select a topic and can get right to it because I don’t have to wonder what topic to paint/work on. 

Thanks for the question! I’d not thought to do a blog post outlining this method of mine before!

time to gouache

A Creative Life, art techniques, artist book, Dogs in Art, sketchbook, The Sketchbook Project, visual story

As you know I’ve been playing with my new gouache paints in my various sketchbooks and art papers, practicing for my work on “Time Tavern”, a book I’m doing for the Brooklyn Art Library Sketchbook Project. https://www.brooklynartlibrary.com/  Now that I feel I have gouache skills under my belt – it’s time to work on my wordless story “Time Tavern”.

Here are some pages in progress:

The gouache is working well on the paper – and I’m getting the bold colors I’d wanted! Now, to keep at it….

 

from my kitchen sketchbook

A Creative Life, artistic inspirations, comfort food, food for thought, kitchen art, Not-So-Sketchy-Food, sketchbook, sketchbook suppers, words and pictures

Around the edges of working on cat portraits I’ve still been working with gouache. Specifically I’ve been testing it in my bound sketchbooks. Here are several pages, created with gouache and ink, in my current “kitchen sketchbook”.  I have a series of kitchen sketchbooks, they are all small, around  3 by 5 inches, and I give each book a silly name. These books contain drawings of a recipe I was then-currently cooking – or a depiction of something I was drinking and eating. The following pages are from my “Mouthpiece Four” kitchen sketchbook.  I have ambitions of publishing these sketchbooks… but that’s another blog post topic.

oh my gouache

A Creative Life, art techniques, artist book, artistic inspirations, business of art, sketchbook, The Sketchbook Project

The cookbook signing I did recently with Chef Kim Mahan went very well (cookbook info here) and then I took some days off.  Which means that I read books and dabbled with a new-to-me art media – gouache.

You see my wife and I went with a fellow artist friend of ours, Donna Young, (www.donnayoung.com) to the Portland Art Museum to see The Wyeths: Three Generations.  An exhibit of works by N.C. Wyeth, Andrew Wyeth, Jamie Wyeth and Harriet Wyeth.  https://portlandartmuseum.org/

Naturally the three of us discussed the compositions of the works – and we discussed the art mediums each Wyeth used.  Donna knew more about gouache than I did – and one of the things she said that it was less water-y than watercolor and not as plastic as acrylic. My curiosity was peaked.

After our day at the museum I looked up gouache and read of its ease-of-use in books about art mediums; I read of the application of gouache in bound sketchbooks but also its use when a painting/image is intended for reproduction.

I thought “Ah ha! This might be the solution for my problem of how to color my Brooklyn Art Library sketchbook”.  I’ve been slowly working on a visual story titled “Time Tavern” but the paper in the sketchbook as it comes from the Brooklyn Art Library is so thin that I knew my usual methods of adding color, acrylic, watercolor and etc. mixed media would over power the paper. Just using color pencil didn’t feel as bold as I like to be so for some time now I’ve been pondering what to do to add color. (You can see my last post about that project here)

What Donna said about gouache, and my subsequent readings about it, made me think it might be an option for me. So I went to a local art supply store where I got some Holbien Artist Gouache.  Here below is a pic of the colors I got, my palette set-up and the color notes I made.

DSC_0025

I also generally scribbled with my brushes dipped in each of my new gouache colors on various pieces of paper – some thick, others thin. First tentative color marks make me very hopeful…. oh my gosh, I think I may like gouache!

How to draw dogs guide published!

A Creative Life, animals in art, Art Licensing, art techniques, Dogs in Art, drawing as thinking, illustration, Sue Draws Dogs, The Sketchbook Project, visual thinking
My mini guide has been published!!!! It’s called “How To Draw Dogs” by Sue Clancy. I’m so excited about this – and can’t wait to see my printed copies!  Below is a photo I took back when I was creating the guide – before it got published. Then I forgot to post the work-in-progress photo… Anyway…
You can access the finished guide here: https://www.brooklynartlibrary.com/mini-guides/
DrawDogsMiniGuide

Clancy’s 5 tips for drawing crowds

A Creative Life, art techniques, artistic inspirations, commonplace book, creative thinking, sketchbook, visual thinking

I’ve been so busy with other projects that I can’t talk about in public yet that I’ve not had time – not even 5 spare minutes – to work on my Time Tavern sketchbook. So to come up with a blog post update today I flipped through my sketchbook/commonplace book.

Crowds of characters feature prominently in one of my can’t-talk-about-it-much-yet projects – and are also part of my Time Tavern sketchbook too.  So as part of my work on these projects one afternoon, a month or so ago, I went through several of my art technique books to refresh my technical skills for drawing crowds. I wrote the various relevant pointers as well as my own thoughts in my sketchbook.

Here below is a picture of  my sketchbook page.

CrowdDrawingTips72

In case you can’t read my handwriting I’ll type it here – and tweak the text I wrote by hand in my book, based on my recent experience in drawing crowds for my various projects:

Five Crowd Drawing Tips:

  1. Start at the front of the crowd. Do the figures with the most detail that are upfront/closer. The looser and less detailed characters will read as “in the distance”. Try to capture the type of characters within the overall scene as that gives the viewer the flavor of the event/place.
  2. Focus on the crowd shape as a whole. See the crowd as a single abstract shape – or as several shapes put together. Select where to put the details so as to guide the viewers eye around the crowd-shape(s).
  3. Keep it within a perspective. Is the viewer standing within the same level as the people in the front of the crowd? Or viewing the crowd from above or below?  You won’t see the characters in the back of the crowd unless you are in an elevated position.  Find a character of “average height” to use as a measuring gauge for placing the other characters. Use the average height as a natural horizon line and/or an assist in creating the crowd shape.
  4. Use characters arms, bags, objects held, angle of the head and other elements as a way of showing movement and guiding the viewers eye around the crowd shape.
  5. Crowds will have a main set of colors – like at a sporting event, though maybe not that extreme – it is possible, helpful even, to lay down areas of color within the crowd shape and add details over that. Color placement can help move the viewers eye. If one particular character is the focal point or stands out in the crowd then use the most color and detail on them and leave the others more or less implied. The main set of colors within the crowd shape can guide the colors used within the setting/scene around the crowd too.

 

more from time tavern

A Creative Life, artist book, sketchbook, The Sketchbook Project, visual story

I’ve been very busy lately on several major projects that I can’t talk about publicly yet. Which is why you’ve not seen much of me online. I have managed to squeeze in a bit of work, 5 minutes here or there, on my sketchbook for the Brooklyn Art Library’s Sketchbook Project. I’m still thinking the title of my sketchbook is “Time Tavern”.

Anyway, below are pics of what I’ve gotten done.

And yes, when I can I’ll post about the projects that I can’t talk about yet.