The Arabian Nights, miniature art and studio equipment

A Creative Life, art prints, art techniques, artistic inspirations, books, creative thinking, Creativity Chats, fine art, household surrealism, mental health, miniature art, publications - publishing, published art, sketchbook, small things, Sustainable creativity, words and pictures, writing and illustrating

This week was … there. Reading Marcus Aurelius helped. So did the oranges, the coffee, the leaves in the yard, the books and art. Talking with my spouse helped too. I kept returning to this quote from Marcus Aurelius so I did this gouache and ink painting. Then I added it to my “for encouragement” art print series on my Society 6 shop.

The Happiness Of Your Life – art print by Clancy – https://society6.com/product/the-happiness-of-your-life6331072_print?sku=s6-22625085p4a1v45#1=45

Here are a few of my sketchbook pages that formed part of my self-care this week.

In my last post I wrote about “discovering” miniature art by way of reading The Annotated Arabian Nights. While reading more about some of the artists and artwork illustrating the Arabian Nights I learned of the uses of magnifying glasses when creating art details within the miniatures. “Well duh! Wouldn’t that be helpful?” I thought.

So when a nice surprise from Storyberries came I used the windfall to get some anti fatigue mat flooring for when I’m standing at my easel and moving about my work area. It has the added benefit of protecting the wood floor! And….

…I got a magnifying glass that clamps on my easel!

Since feelings and dealing well with emotions has been on my mind I used that topic for the first of my Creativity Chats for 2022.

Creativity Chats: feelings – https://youtu.be/KvCfOgtOaMY

Here’s the link:
https://youtu.be/KvCfOgtOaMY
I talk about dealing with feelings and sustaining a creative project over time. Even during difficult times.

I posted my sketchbook page in my last post and someone asked me to put my drawing on a shirt. So amongst everything this week I did that. It was pleasant to remember my mantra this way. https://www.zazzle.com/inhale_exhale_t_shirt-235875329442442858

Books are some of the “good shit” that I inhale. And in stressful times I’ve found it can be hard to “let things get through” even beloved books. All I know to do is to keep reading and trust the process.

Anyway The Annotated Arabian Nights is “getting through to me” more than I’d have guessed. In addition to the miniature art concept I’ve also learned that there’s a genre of writing called “mirrors for princes”. I’ve no idea what, if anything, I’ll do with this awareness. I’m mostly just vividly aware that I sat up and took notice when I learned this.

https://www.powells.com/book/annotated-arabian-nights-tales-from-1001-nights-9781631493638

In looking at online sources for information about miniature art I learned about a book by Joan Cornish Willies titled “Miniature Painting”. It was touted in multiple online sources as a go-to book resource. I contacted an independent bookstore and got a copy mailed to me which I read cover to cover the day it arrived.

According to Joan Cornish Willies I wouldn’t at all be considered a “true” miniature artist because I tend to use multiple media in just about everything I do; a bit of ink, gouache, watercolor, color pencil and collage to name a few of my art mediums. Plus, according to Willies, my typical subject matter isn’t considered within the realm of “traditional” subjects for miniatures. Oh well.

Fortunately I’ve read other sources and know that Joan Cornish Willies’s thoughts aren’t the only ones about miniature art and it’s definitions.

Despite the “no true Scotsman…” rhetoric and traditionalist tones in this book by Willies I found several of the technical painting directions of interest and possibly applicable to what I create. The rest of the book I take with a grain of salt or perhaps a large sack of salt. Anyway I’ve no intention, at this time, to participate in the formal miniature art society’s – as suggested by Willies – they sound entirely too rigid and puritanical for my tastes.

In the process of reading on this topic I’ve realized what I like about the idea of miniature art is the focus on storytelling, the intimacy and the connection with bookmaking and publishing. I love all of the intricate artistic details that can be achieved by the various methods of working “in the little”. Most of all I relish the way the details created in the smaller sizes are able to be reproduced in print (or online) so clearly! I had already noticed this with my own fine art and book publishing work (see my portfolio). Larger paintings often lose clarity and charm when they’re reproduced at smaller sizes… like in books. So I’m keen to do better at fine detail in smaller sized artwork with an eye toward more publishing.

That’s specifically what has amazed me about the artwork in The Annotated Arabian Nights so many of the illustrations are reproduced at the actual size – or very near it – to the artist’s original artwork! And the artistic details are glorious!

Consequently I’m thinking up a new artist book or two as well as a new fine art series – and deliberately planning smaller sizes now!

Onward into the fog as they say. See you next Monday?

The last Professional dogs and The Arabian Nights

A Creative Life, art prints, art techniques, artist book, artistic inspirations, author illustrator, books, dog portrait, Dogs in Art, fine art, miniature art, printed books, product design, sketchbook, The Professional Dog, visual thinking, words and pictures

Drum roll please… here are the last pages from The Professional Dog. I finished the social media postings of this series on the very last day of 2021. How’s that for timing? Lol!!

So you can see a closer view… and read the accompanying text 👇

The Writer’s dog is a witty dog.
The X-ray Technician’s dog is an xtra large dog.
The Yarn Teller’s dog is a young dog.
The Zoologist’s dog is a zestful dog.

Thank you for following my entire process as I created The Professional Dog fine art and artist book project! The portfolio page on my website contains everything if you want to catch up.

A previous blog post showed our 2021 holiday card being mailed out. Well, I got several requests for art prints of my holiday art image so I did an art print here.

Winter Delivery by Clancy- https://society6.com/product/winter-delivery_print?sku=s6-22732913p4a1v45

And because I thought it was a fun visual pun I put my traveling hedgehog on a travel mug. No one but me requested this mug. 🤣 I certainly don’t have any travel plans but a cup that’ll keep my coffee hot even when I get distracted in my studio might be nice. At any rate designing the mug was fun so I did it.

Here are some sketchbook pages that have happened lately.

Most evenings lately, and especially New Years Eve, have been spent reading The Annotated Arabian Nights by translator Yasmine Seale.

It’s a big book so I prop it on a throw pillow when reading. The book has many enchanting illustrations by the artist Edmund Dulac who painted in the style of Persian miniature paintings.

Consequently I’ve suddenly become aware that my entire fine arts college education focused on paintings larger than 24 inches. Much of my artistic output till now has been on physically larger scale too. Oh sure, I’ve done smaller illustrated hand bound books but fine art paintings, in my mind, were always big. Well, during the pandemic I have done paintings in much smaller sizes and have quite enjoyed sending 25 paintings to a Gallery in one box the size of a thick hardback novel. But in my mind this was a temporary adjustment due to the pandemic.

Now, however, I’m reading in the Annotated Arabian Nights about “the tradition of miniature painting” and have begun reading further about that approach to fine art. Wow!! A whole part of art history that’s new to me!! I’m thinking I’ll learn more about this history and the miniature art techniques and work smaller on purpose now – pandemic notwithstanding.

So you can see the cover of this wildly wonderful book…👇 I love the shiny gold on the cover and the print quality of the artwork inside…

January 1st 2022 I was looking through my sketchbooks and decided the page below is the mantra for now.

Come to think of it all of my sketchbooks are 3.5 x 5.5 inches small… so why am I surprised about miniature art being a “real thing”?! Plus the 40 original artworks for my book The Professional Dog are all 3.5 x 2.5 inches in size!

I guess I’ve been a miniaturist for a while now and didn’t realize it! 🤣

Anyway, Happy New Year! See you next Monday.

The Professional Dog and Jolabokaflod

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Here are this weeks featured Professional Dogs … waiting excitedly for Jolabokaflod! Or…

… maybe not. 🤣 Anyway, below are closer views of each dog portrait and below each is the text line in the book.

The Reporter’s dog is a responsible dog.
The Sculptor’s dog is a sensible dog.
The Stitcher’s dog is a smart dog.

As mentioned in a prior post the Aurora Gallery quickly sold out of my book The Professional Dog and asked me to bring more asap. So I did. When I delivered the books I saw the nice display the Gallery has done for The Professional Dog.

They even put this notice on the bin that had held printed copies of my book…

…so they were happy to see me come in with these freshly signed copies.

Here’s a closer look at the display. Someone at the Aurora Gallery does hand lettering extremely well!

Here’s the other display rack at the Gallery with my books and cards. I like it that this rack looks so ordinary as I think it may help people consider getting my books as gifts without feeling too “precious” about it. As regular readers of this blog already know I create my books as I do an art object rather than as a book publisher in the traditional sense.

Leaning into the Jolabokaflod season I particularly enjoy having copies of my sketchbook available at the Aurora Gallery and here. I’m enjoying the multilayered pun of having created a book full of sketches of books and readers that also talks about finding books! You can preview my entire sketchbook here too.

But I include these sketchbook pages in this post because they’re good descriptions of how we handle our holiday jolly book flood (Jolabokaflod)

As mentioned last post, and hinted above, we started our Jolabokaflod festivities by ordering books online from a number of our local independent bookstores. Our book orders will come to our doorstep in waves, or small tsunami floods.

The first wave to reach us was from Vintage Books!

What we got for each other: “The Boy, the mole, the fox and the horse” by Charlie Mackesy, “A Surprise For Christmas” a collection of short mystery stories from British Library Crimes Classics as well as novels by Kate Carlisle, Sarah Dreher and John Mortimer.

A few days later from the bookstore Another Read Through we got the books pictured below. When we ordered we selected one of their book bundles. A book bundle, according to the bookstore, is a surprise set of books the store selects for you based on your stated preferences. Since both my spouse and I enjoy a good surprise we ordered a small book bundle, told our preferences … and the store sent us titles by Louise Penny and a Christopher Moore! We are both very pleased with our book surprise! Also very pleasant, perhaps even best of all, was the handwritten note from the store owner!

We got all of our holiday cards into the mail. And our mantel is filling with holiday cards sent to us! That’s one of the fun aspects of this time of year, the sending and receiving of cards.

So you can see it better here’s a closer look at the card image I made by hand using ink and gouache and then photographed for reproductions using moo.com

Months ago when I created the artwork my spouse took a photo of me working on it because it might amuse people to see it. Here ’tis 👇

Here’s the sketchbook page drawing had done before beginning the ink and gouache painting of this image idea. I’m sure you can see what parts of the drawing I kept and what I changed when I did the painting version. Most notably I changed the angles of the sled, the ski’s and the pile of books.

Since we’re nearly upon the holiday I’m going to post more sketchbook pages on my social media and on this blog next Monday…

…and as my sketchbook page above says I hope your holiday is full of love in ways that make you glad to be alive.

Professional dogs, artist books, unmentionables and hamburger

A Creative Life, art commission, art exhibit, art gallery, artist book, artistic inspirations, author illustrator, books, business of art, children's book, creative thinking, dog portrait, Dogs in Art, fine art, Fine Art Commission, public art, Sustainable creativity, whimsical art, words and pictures, writing and illustrating

My new childrens book, The Professional Dog, is progressing nicely. I’ve been thinking of this as a fine art dog portrait album inspired by the idea of the 19th century parlor game The Minister’s Cat. My book concept is an excuse to talk to my friends about their dogs and see if I can do 40 portraits of dogs whose owners are people I know. It just so happens that I know people occupying an alphabets worth of professions! How fun is that?! Anyway, here are three of the dog portraits together.

Below the larger portrait is the text I’ve written for the book.

The Helper’s dog is a hopeful dog.
The Inventory Manager’s dog is an insightful dog.
The Judge’s dog is a jolly dog.

Besides keeping on my work schedule for The Professional Dog I’ve been working closely with two of my galleries. We’re doing fine art commissions and studio visits in prep for the upcoming gift giving season. It’s beginning to resemble Santa’s workshop around here.

For example I created, then delivered, an art commission to Aurora this week for someone’s holiday gifts (shhhh!). Then while I was in the Gallery I got to see a glorious display of my own work! That sight inspired and encouraged me to keep making my stuff. https://auroragalleryonline.com/

The Aurora Gallery does such a good job displaying my wide variety of differently sized things – artistbooks, greetingcards and fineart – I love it that someone can see my books and around the corner nearby in the art gallery they can see the original artwork in the books!

Since we’re not talking about the fine art commission I just did for the Aurora Gallery here’s the art studio dachshund keeping mum with me.

And as I mentioned in my last post we’re still very definitely not talking about the Caplan Art Designs upcoming holiday box project.

Also there’s another event upcoming at Caplan Art Gallery that… well, we’ll talk more about that later. (There is a hint on my Instagram page about that however 😉)

Suffice it to say that I was extremely busy this week, working in both short and long bursts, on several projects I can’t talk about publicly.

Thank goodness I can talk about my childrens book project The Professional Dog! The book is farther along than my posts make it appear. And I’m excited about this book! I believe kids need fine art in their lives too so I’m taking great pleasure in making an album of fine art paintings and producing the work in such a way that while being an art object itself – as in I am personally making an artistic reproduction of my original artwork – my finished book will be affordable and will also withstand little hands with grape jelly on them!

I’ve been so slowly posting about this work because when I run out of time in a day it’s the online posting that drops off my to-do list. Creative work comes first. Talking about it comes later.

Similarly there wasn’t time for one of my Creativity Chats this week. I wrote notes for it though.

Food got simplified this week too. I threw ingredients for this recipe from a blog I follow called In Diane’s Kitchen into my slow cooker, pressed buttons and went to work in my studio. The reheated leftovers were even better the next two days.

And you bet your sweet bippy that I am still taking the time, up to an hour or so every evening, to read books and have hot chocolate before bedtime. It’s the way I keep calm and carry on during busy times.

My secrets to maintaining this level of creativity? In the mornings 5 or 10 minutes daily playing around with my sketchbook. In the evenings 30 minutes to an hour playing with books – print books I own as well as ebooks from my local library. (I especially love cozy mysteries, fiction, short story collections, poetry…)

And between those daily just-for-me fun times I play with whatever project is at hand. I just charge ahead with my project in my best imitation of a child arriving enthusiastically at a playground.

Yep, those are my secrets to a sustainable creative life which could be distilled to “Play and have fun every day come heck or high water!”.

I hope your week is a playful one no matter what else is happening. See you next Monday.

Professional dog, the box project, encouragement, a chat and gnocchi

A Creative Life, animals in art, art exhibit, art gallery, art prints, art techniques, artist book, artistic inspirations, books, children's book, Creativity Chats, Dogs in Art, fine art, greeting cards, illustration, life of the mind, mental health, pet portraits, sketchbook, Sustainable creativity, visual thinking, whimsical art, words and pictures, writing, writing and illustrating

My childrens book “The Professional Dog” has moved into color! Over the last week I’ve inked more than 12 of the illustrations just so I could see where I was going. Now I’m doing the same testing with colors. I’m using my butterfly palette (a post about that here) – it’s a fun challenge to paint dogs using a palette based in a scientific study of the color variations of butterflies. I have been using a few extra colors – most notably dark brown- but my primary color scheme is butterflies!

Below is a look at three of my Professional Dog illustrations together so you can see how the colors look.

Then here’s a closer look at each of those illustrations: my book text for each portrait is below.

The Accountant’s dog is an adorable dog.
The Artist’s dog is an adventurous dog.
The Assistant’s dog is an angelic dog.

Progress has also been happening on my holiday box project for an upcoming exhibit at Caplan Art Designs. I now have the overall design plan somewhat in view. In the photos below I’m working in my sketchbook to see if my plan has legs so to speak.

I’ll do more sketchbook work over the coming days towards this holiday box project. The box project has a firm deadline attached to it so I’m playing with it every day.

This is true now too of The Professional Dog. There’s a deadline but it’s not as firm as the box project deadline. Even so I have two main projects to work on every day! How nice is that?!

I am still planning to add to my ongoing “For Pleasant Encouragement” art print project and to my “odd greeting cards” project but progress on both of these is primarily in my sketchbook now. My daily focus is on my two main projects but I’m making regular notes in my sketchbook of my ideas for future cards and art prints for when I have time to do them!

Here’s one of the art prints in the “for pleasant encouragement” collection.

https://society6.com/product/have-i-done-something_print?sku=s6-21898856p4a1v45

I also did another Creativity Chat this week – this one is about playing on paper https://youtu.be/UGCP2fm9IYg

If you’re curious about where I’m filming these chats here’s a blog post from some time ago that has a fun photo of the spot in my studio. It is still true for me what I write in that post that art is love made visible and that this spot in my studio is where I practice loving.

Creativity chats: playing on paper- https://youtu.be/UGCP2fm9IYg

This week for the main special get-creative-in-the-kitchen project I added sauteed zucchini but otherwise mostly followed this creamy gnocchi sauce recipe https://www.acouplecooks.com/easy-creamy-gnocchi-sauce/ It was tasty but a bit more heavy than we like to eat so I probably won’t make this again. Still, I’ve not cooked gnocchi very often so it was fun to try it.

Contrary to what it may seem like having two main art projects with deadlines actually frees up my brain time. In addition to playing in my sketchbook I can get some reading done! I’m within whiskers of finishing “A Swim In The Pond In The Rain” by George Saunders for the 2nd time. Gosh I’m glad I bought my own printed copy of this book … it’s such a good source of creative encouragement!

Here’s hoping you have many sources of encouragement this week and that your cat similarly saves a chair for you in your happy place.

See you next Monday.

Dogs, boxes, old stories, cards, nachos and video vibes

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, author illustrator, dog portrait, Dogs in Art, pet portraits, public art, publications - publishing, published art, recipe illustration, sketchbook, whimsical art, words and pictures

The text for my newest childrens book project “The Professional Dog” is shaping up. I’m still collecting dog photos from friends but I’ve almost gotten them all. The project still feels vague but it’s more in focus than it was last week. I’m content to view it with my peripheral vision so to speak.

Dog photos came this week from a Gallery owner, a Reporter, a Park Ranger, a Sculptor, an Assistant and a Bus driver.

So one of the focal points this week was a masked-up very quick in person visit to the Caplan Art Designs gallery in Portland Oregon. The Gallery invited some of the Gallery artists to participate in a “Holiday Box Exhibit”. We were given wooden box cubes and asked to do something with the cube in our art style. The cubes are 8 inches square. 

This box project is now a vague project on my work schedule. It’s much more nebulous at this point than The Professional Dog book! In a creative life learning to deal well with uncertainty and insecurity is as much an essential creative skill as the ability to draw!

Of course while I was at the Caplan Art Designs Gallery I enjoyed looking at my Odditorium exhibit and seeing the red dots indicating sales and the spaces indicating that my pieces have gone to their new homes! About a year ago my Odditorium project was itself a vague nebulous notion. I dealt with all of the uncertainty and now my Odditorium project is a very solid real thing!

Odditorium by Clancy at Caplan Art Designs https://caplanartdesigns.com/

The other focal point this week was my exhibit “The Old Stories” that opened in Oklahoma at Downtown Art and Frame. Each of these paintings are about stories: a folktale, a myth, or an ancient children’s rhyme or saying. For example the one with the dancing sheep is titled “Ewephoria” and it’s about the history of the rhyme “ring around the rosies, pockets full of posies…” (Black Death)

“The Old Stories” is an artexhibit of my larger artworks – anyway, all of these pieces refer to classic ideas from mythology or fables –
The titles of my collage paintings give you clues…

Panda Dora’s Box – 24″ x 24″
Woolrich Family Yarn – 24″ x 24″
Long Dog Love – 11 3/4″ x 12 3/4″
Just In Time For Cookies. 10 1/4″ x 12″
Ewephoria 24″ x 36″
Cheetahs at Cards. 24″ x 36″

Please contact Downtown Art and Frame in Norman Oklahoma for more information
https://www.facebook.com/profile.php?id=100057154703557

If you’re wondering- no I didn’t visit Oklahoma in person. I just talked with the Gallery owner there via phone. I have worked with Barney at Downtown Art and Frame since the late 1980’s and we can darn near read each other’s minds! Makes long distance projects like this so much easier! They ship art all over this globe the way you and I would switch a book from one hand to the other.

The third focal point this week was the Aurora Gallery https://auroragalleryonline.com – I made sure they had plenty of my greeting cards and my various artist books. I also got, via no-contact delivery, new white boards from them cut to my various sizes so that I have plenty to work with for my Professional Dog book project as well as for my greeting card designs.

I’m particularly glad they have copies of Favorites So Far as I intend to do more recipe postcards and place some at the Aurora Gallery.

Just look at all these lovely blank boards in the photo below! A vast expanse of open potential!! Wahoo!!!

This week the long awaited video thingamajig (see last post) came in the mail!! At first all I had time to do was get it out of the box and read the instructions. Then…

… later I had a very brief chance to practice with the new thingamajig so I did this flip through of a book https://youtu.be/tOf3q9ALNoA It was really nice to have both hands free to turn pages! My brain is a whirl with possibilities!

We’ll see what happens next week with this new gadget… I’m hoping I’ll have time to play with it.

I hadn’t made nachos in a while so I remedied that! Spouse and I had such a delightful off-grid sort of evening! Especially during busy times playing is important!

This recipe is from Favorites So Far – and definitely one of the recipes I plan to eventually put on a postcard!

Clancy’s handwritten illustrated recipe from Favorites So Far https://www.blurb.com/b/10863384-favorites-so-far

No matter how busy your week is I hope you remember to play at least a little! See you next Monday!

Dragons, margaritas, a toad and a garden

A Creative Life, artist book, artistic inspirations, author illustrator, books, creative thinking, fine art, Gifts, household surrealism, illustrated gifts, illustrated recipe, Odditorium, sketchbook, Sustainable creativity, whimsical art, words and pictures, writing and illustrating

Progress was made this week on my “How To Draw A Dragon” childrens book project. Here’s what my studio looks like when success happens.

Yes, doesn’t that look a whole lot like what my studio looked like in my last post and the post before that?

Being creative is like cooking – you get one meal cooked and cleaned up then it’s time for another meal. It’s the slog – long live the slog! Hooray for the slog! Okay so the word slog can have a negative connotation… I also call it a a good working rhythm! There’s a wonderful article about slogs aka work, talent and audacity from The Painters Keys. [Spoiler: it’s not the talent so much as the willingness to see it through]

Here’s some of my more finished than unfinished Dragon pages. I still have to ink all of the poem text and fill in certain visual elements on many of the pages but the entire book has been penciled!! Feels like an accomplishment… which I celebrated (more on that later in this post)! Anyway here are some of the mostly inked pages!!

If you recognize some of the pages, well that’s because I go through the book penciling. Then I go through the book inking this bit then I go through the book inking that bit then I go through the book….

See what I wrote earlier about slogging. Writers most obviously slog – you hear about novelists working on a draft of a novel for years, decades even. You hear about it taking years to rewrite and edit a novel. The same is true of my visual artistic life too. But the public doesn’t often hear about the slogs of a visual artist. I’ve written in the past about the similarities I see between art and writing – what I write here today is of a piece with that idea. Anyway, I find that it helps to celebrate small milestones of creative projects.

I penciled the entire How To Draw A Dragon book!! Yippee! So I celebrated by having margaritas with my spouse on our backyard patio. I also did a small painting in color. I’ve been thinking of of color as I have been working on “How to Draw A Dragon” a black and white line drawn book for other people to color. Indulging in both an adult drink and some gouache paints was decadent!!

And while I was painting the light outside changed but I kept painting.

“Perfectly Natural And All” by Clancy – 7 x 5 inches- ink and gouache on board

While this looks like a complete painting done during the duration of a drink – and it is – but it is also only one piece of my much larger Odditorium exhibit. You might say this is like novelist writing one decent short paragraph during the time it takes to drink a margarita. A paragraph is not a novel. One painting is not an exhibit.

On another day this week my spouse snapped a photo of me drawing in my morning sketchbook. Below the photo you can see what I was sketching.

The next morning I got one of my small art boards and re-sketched my thought. This is what I love about keeping a sketchbook – I can explore thoughts messily in my sketchbook then later pick the thought I really like and re-explore and repeat with variations. I can try it in different sizes, art mediums and colors. This way there’s no pressure to get it right the first time. And I get to play with a group of fun thoughts as long as I like. Some might call it “flitting about” but I call it normal creativity. (See also my last post) Can you see how similar the visual art creative process is to the writers process of rewriting? Below I basically “rewrite” my thought.

I’m thinking this artwork will be fun on a mug for a gardener to use. There I go again dedicating a gift for someone – whether they ever see it or not. I mentioned doing this gift making / dedications in my last post. This mug and a card with the same artwork are on my Zazzle shop now.

I’ve even thought about color when eating this week – inspired by a recipe in my kitchen sketchbook Favorites So Far.

page from Favorites So Far – https://www.blurb.com/b/9759759-favorites-so-far

Below is one of the books I’ve been reading in the evenings before bed titled Nature’s Palette. My spouse gave it to me for my birthday earlier! Do you notice that some botanical and zoological drawings look sortof coloring book-like? Well in part that’s because long ago books were illustrated using etchings which were often colored by hand before being bound into a book. And from my past experience as a biological illustrator often both black line drawings and color drawings are needed for the same plant – so color is filled in (so to speak) after one has an accurate line drawing. Is it really any surprise that I’ve been thinking of color and coloring books lately?

I hope your week is full of color and delights for your senses. See you next Monday.

Crocodile to dragon transition

A Creative Life, Alphapets, Alphapets Too, animals in art, art exhibit, art gallery, art techniques, artist book, artistic inspirations, author illustrator, book design and layout, creative thinking, drawing as thinking, illustrated poem, Numpurrs, poetry, Sustainable creativity, words and pictures, writing, writing and illustrating

My crocodile became a dragon as I’ve been working on a new childrens book. I’ve been alternating work in both my poetry sketchbook, the orange book on the left, and my black visual sketchbook on the right.

Below is a look at my handwritten poem text in my poetry sketchbook.

I also have a 3 ring binder in which I have collected sketches and drafts of the poem text. Initially I was calling my poem “How to paint a crocodile”. My idea was to do a coloring activity book featuring a human child and a realistic crocodile. But the humanness didn’t feel right to me. And the crocodile felt too, well, reptilian.

So in my black sketchbook I tried a few more cartoon-like crocodile drawings. I’ve done many sketches and am only showing a few here in order to keep this post brief. Also not pictured are my sketches of various animals along my way to a decision to make the human child character into a rabbit.

The crocodile kept feeling too sinister in my sketches. So I dropped, temporarily, the coloring book concept and just painted who might be the main adult-like logical no-nonsense left-brain character to play opposite my rabbit right-brain creative playful child-like rabbit. The “adult” character it turns out is a dragon.

So I went with the dragon! In subsequent sketches I resumed my coloring book notion. The working title for my coloring book poem now is “How to draw a dragon”. I’m using the word ‘draw’ in the sense of ‘attract’ in addition to the usual sense of drawing with a pencil. Below are a few sketchbook drawings of the dragon in which I aim for busy adult postures – grumpy perhaps but not sinister.

Besides rewriting my poem in my poetry sketchbook I have also rewritten my poem on scraps of paper which are kept in my binder. There are -tons – more rewrites and sketches than I’ve shared in this post. Here I’m sharing just enough, I hope, to give you a sense of my working process. When I felt my poem was settled, more or less, I wrote it on a stiff paper so it could stand on my easel as I work. You can see it below.

When I spoke in a my last post of “having my crocodile project all over my studio” the photo below perhaps gives you a sense of what I mean. In this photo the papers on my easel look blank but there are pencil drawings on them. There’s also a blizzard of drawings in ink on tracing paper.

Multiple drawings on tracing paper enable me to draw a character similarly but holding or doing different things as the character goes through my story. Below you can propably see what I mean.

Yes, I know there are computer programs that would enable me to copy and paste character elements from one page to another. I have used such programs in the past. But I find it more satisfying to do original hand made drawings for every element within a book. I fancy myself as like a chef who prides herself on using local ingredients and cutting them up fresh when a dish is requested. A chef’s hand made dish is better, I think, than a frozen box meal reheated. But I digress.

Below is a “scene” or a stage set upon which my characters will act. I’ve made a master template in ink on tracing paper which I will use for reference – and for story foreshadowing – throughout my poem book.

Below is a look at some of the rabbit character sketches on tracing paper.

Below is a look at a few of my dragon character sketches. I feel I’ve finally found a balance between a grumpy adult appearance while not being too sinister.

Here’s a closer look at the Rabbit character.

As I build these pages I will do my story foreshadowing using many visual elements. So even after I get the entire book drawn the visual foreshadowing will still need to be carefully edited. But first I’ll get the entire book roughed in. Lots of work to do.

To help get me to my studio work more quickly in the mornings most of the evenings I’ve been making overnight oats. Into lidded mason jars I put some raw uncooked old fashioned oat meal, some milk to cover the oats, maple syrup, fruit like raspberries or blueberries (or both) and yogurt. Then I add a bit more milk as needed, put the lids on and put the jars in my refrigerator. In the mornings I don’t have to think of what’s for breakfast or spend time cooking. I can get right to my sketchbook work!

This week Storyberries added an audiobook to my On Looking At Odditorium book there! How nice is that?

https://www.storyberries.com/bedtime-stories-odditorium-free-art-books-for-kids/

Also this week I delivered the artist books that the Aurora Gallery had requested along with some signed bookplates! You can see more about each of these books on my portfolio page.

My plan is to work steadily on my Dragon, a bit of work almost every day, until it’s finished. Some days only a short burst of work will happen but other days I’ll have more time to spend.

So along with my tracing paper templates I’ve made a strategy, a loose agenda/schedule, of items to be done on this project which I’ll use as a guide to enable me to pick up wherever I left off even if I only have 10 minutes of time to work. I’ll use the same guide if I have hours of time. Such a project schedule is a guideline – a suggested working rhythm – it is not a god to be worshipped or slavishly obeyed. My guide is a way for me to keep this project in small manageable chunks. Keeping it small helps me to maintain momentum and to keep it fun. (There’s even a business article here about the kind of strategy I’m talking about.)

I have already spent months working on this poem and have only just this week outlined, and otherwise prepared, 32 pages to draw, ink and hand letter over the coming weeks. In other words I am just now ready to begin in earnest. Forming a good steady working rhythm now is crucial. So is focusing on the fun.

Some sort of strategy – I like to call it “planning the mundane” – some consideration for keeping long haul projects like this manageable, not overwhelming, is important. But it’s the fun that is the lynchpin of what keeps a creative project sustainable. So I consider having fun the most serious aspect of living a creative life.

Hope your creative week is sustainably fun too! See you next Monday.

An Odditorium of stories, poems and mugs of soup

A Creative Life, art exhibit, artist book, author illustrator, books, fine art, household surrealism, humor in art, magic realism, mundane and magical moments, Narrative Art, Odditorium, poetry, printed books, sketchbook, whimsical art, words and pictures

Early this week I’m delivering all of the Odditorium fine art and books to Burnt Bridge Cellars! This weekend I made sure the art is ready to go and signed some of the artist books.

These artist books are stories within the Odditorium series fine art visual stories. First there’s the Odditorium exhibit catalog which tells the story of the exhibit itself and has images of all the fine art.

Then each additional artist book that I wrote and illustrated, whether for children or adults, contains an odd look at a household or mundane experience. Numpurrs is about a shared meal. Patch La Belle is a collection of whimsical poems about drawers, chairs, cake and much more. This Rabbit is about liking activities at home. Another Sketchbook is about enjoying books and ones own mind. Favorites So Far is a collection of my favorite recipes. Pembral Forgets, written by Steve Tubbs and illustrated by me is about fall leaves and good food.

I didn’t sign all of the books and I hope the green dragon bookplates, that I spoke of in a prior post, come from the printer soon. I plan to sign a few of those for Burnt Bridge Cellars to have on hand just in case someone wants a book signed that wasn’t already signed.

Here are boxes of fine art ready for delivery. One of the side benefits of working in a series on the same size art boards is the ease of packing for transportation.

It didn’t take long to double check that all of my exhibit ducks are in a row because I was basically ready a week ago. So I’ve begun to work on other projects and a starting point is to read about stories and imagination.

Here’s a wonderful essay I read this week on these topics by Salman Rushdie (another favorite author) https://www.nytimes.com/2021/05/24/opinion/sunday/salman-rushdie-world-literature.html

And here’s another article on stories and how stories can help us think well. https://lithub.com/on-the-evolutionary-uses-of-storytelling

Poetry, in this article, is just what the doctor ordered…I enjoyed reading about the connection between poetry and good mental health! https://www.today.com/today/amp/tdna219376

Speaking of poetry: I’ve started a new poetry sketchbook. I like the mini books from paperblanks.com with the unlined thicker paper as I can both draw and write on it. I don’t paint in this book as the paper isn’t suitable for watercolor or gouache. This is deliberate as the attributes of the paper in my poetry sketchbook helps me focus on the words and the illustration idea itself instead of getting focused on color too soon. I have a bound watercolor sketchbook for when it’s time for color considerations and serious ink work. This means I may start something in my poetry sketchbook and then try the same sketch in color in my watercolor sketchbook. The 3 photos below show the new (orange) poetry sketchbook, then one of the poems I wrote in the new poetry book. The 3rd photo shows my watercolor sketchbook and a color effort with my poetry idea. At this point I’m just playing.

Related to my household surrealism thoughts I wonder…Can poetry or short stories also be a mug or notecard? What if the mug is big enough to hold soup?

https://www.zazzle.com/daffodil_gifts_mug-168964634508229714

What if the card is itself a pun shared between people…?

https://www.zazzle.com/just_a_note_note_card-256813794765519171

I want to make things that help people connect with other people. This is part of why I enjoy having fine art exhibits at Burnt Bridge Cellars – via Caplan Art Designs – people connect over my art, the wine and food. It does feel strange – and anticlimactic – from my point of view to have an exhibit at the winery and not have a big blowout multiple hours long opening party due to the sensible covid restrictions. (The winery is at 50% capacity and reservations are necessary for eating and drinking at the winery. They welcome masked people dropping in to buy bottles of wine and see the art.)

But last year during the worst of the pandemic shutdown I was delightfully amazed at the many kind responses – virtual comments on social media – about my art, my books and my efforts at a virtual exhibit! (This years virtual exhibit is here) And because in the past exhibits I’d had trouble hearing in the winery when it was packed with people – during shutdown 2020 I actually enjoyed my online interactions with people because I could actually read what they said!!

Anyway, I have hopes that somehow it will all work this year too – and that people will go to the winery and enjoy the wine, the food and my art and books!

Speaking of food… Here’s a yummy soup I made this week. I like having soup in large mugs – makes it easier to get the last bite. The potato soup recipe I used is from one of my favorite cookbooks. I love thinking about things that build community: books, music, art and….soup!! This book is fun to read because it’s also a series of stories about food and friends in different communities.

A person doesn’t live by soup and bread alone we also need our personal green dragons, aka our imaginations, carefully nourished so we can deal with the emotional wolves inside us and be able to participate in life. What do you feed wolves? Stories, poems, music and fine art!

An illustration I did for Dr Bob’s Emotional Repair Program First Aid Kit

Here’s another sketchbook page somewhat related to this topic.

May your dragon and good wolf be well fed this week. See you next Monday?

Flamingos enjoying life in the Odditorium

A Creative Life, animals in art, art exhibit, art gallery, artist book, artistic inspirations, book design and layout, books, children's book, fine art, household surrealism, Odditorium, poetry, publications - publishing, sketchbook, visual thinking, words and pictures, writing, writing and illustrating

Frankly, I’m tired. But it’s the I’ve-played-hard good kind of tired. So more pictures and less text in this post and you get a special peek … I’ve been thinking about Kurt Vonnegut’s book If this isn’t nice what is? Here’s an article I enjoyed about this Vonnegut book. Here’s a photo of the book in my library with other Vonnegut titles.

Below is one of the poems I read during breakfast this week in a book called Animal Poems. It’s one of the titles in the Pocket Poetry series by Everyman’s Library. (I love this series! Especially with breakfast!) The poem in the photo is by Wiliam Cowper. I love the last line “The comfort of a reasonable joy.” So I’ve also been thinking how important it is to have regular reasonable enjoyments. I take the phrase “reasonable enjoyments” to mean the simple kind that don’t require lots of money, a travel agent or dressy clothes. Anyway, here’s the poem.

In my last post I talked about the pace of creative life. I’ve still been thinking about the skill of crafting daily rhythms and here’s a link to an inspiring article I read on the topic: https://www.wired.com/story/calendar-tips-post-pandemic-reentry-organization/  Maintaining a daily rhythm has enabled me – to get very tired 🤣 – but also to have nearly everything completely finished two weeks early prior to delivery of all the art and books for my Odditorium exhibit. Being early gives me flexibility to have time to rest as well as to deal with any unexpected issues.

Below are some of my sketchbook pages … and some kitchen gadgets I looked at and thought about as I worked on one of the last paintings for this exhibit.

Here’s a photo my spouse took of me working out how flamingos might carry things.

Below is the finished painting on my easel drying. Below that is a close up of the dry painting. I titled it “Is Not This Nice?” The title fits with my thoughts recently and echos the collage text I found in my falling apart copy of Jane Austen’s Pride and Prejudice. It was fun to find text written by Austen that was similar to what Vonnegut said.

Is Not This Nice? By Clancy – acrylic and collage on board

If the background of my painting reminds you of the ocean….we went there recently and seeing the sea lingered in my mind. The Pacific Ocean isn’t far from our house. I find it soothing to visit.

By now my studio is chock full of boxes of framed art ready for exhibit at Burnt Bridge Cellars and Caplan Art Designs. This is part of how I earned my tiredness.

The other way I’ve been earning my tired is that I’ve been working on the exhibit catalog aka a picture book of my Odditorium exhibit. In addition to that I’ve been working on a kid friendly version of my exhibit catalog. Children need fine art in their lives too in my opinion. When I was a kid I would have loved to see a book talking about looking at fine art. That’s why I took the extra steps to make a children’s book version too. I have sent the kid friendly version to Storyberries.com and they have an exciting plan for the book design! Below is a screenshot of a post they did on Instagram about it!

Here’s a special early peek into the Odditorium – at my exhibit book!!! And a link so you can see the whole book!!! Even in the midst of being tired I’m excited!!

One of my reasonable enjoyments this week was my spouse’s homemade biscuits for breakfast. The recipe is in my kitchen sketchbook Favorites So Far and you can see more of it here.

More next Monday about the Odditorium exhibit book and the other fun stuff…after I have a bit of rest. Hope you have a good week full of relaxation and reasonable enjoyments.