I’m working towards 3 one-person fine art exhibits this year and I’m using writing techniques to design them. Gathering sources, aka a bibliography, is a starting spot for nonfiction works. So I’m borrowing that concept only I’m creating the books I’ll use as, ahem, source citations.
For example, in my last post I depicted a woman reading and having breakfast. Here is the source for the breakfast within the art… the source is my kitchen sketchbook:
During my exhibits I’ll want to show my sources (like a writer would) so I’ve published a new artist book based on my kitchen sketchbook titled Favorites So Far. The recipes come from both me and my spouse, a kind of memoir sketchbook cookbook… and part of the basis for my fine art. Anyway, here’s a picture of the cover:
That you could make your own meals from this book is a happy bonus…it’s primarily yummy source material!
Most years near the holiday I do a miniature pet portrait project -creating small pet paintings people often give as gifts. This year I am doing this project as part of my popup shop at Vintage Books, http://www.vintage-books.net Dec 7th from 12 to 4 – and using people’s phone photos as inspiration.
This year I am also teaming up with a local frame shop, Aurora Gallery, http://www.auroragallery.com …. yes, Virginia, it is possible you could walk out of the bookstore Dec 7th with a small framed work of art!
As I have worked on this years version of this project I have been adjusting my portable art kit. .. I will be creating some of the pet portraits at the busy bustling bookstore. The main adjustment to my portable art kit has been the addition of the Pentel Water Brush. It is the blueish colored “pen” in this photo. The water brush stores water inside itself and allows me to work without a pan of water at my elbow. It works well and hopefully the “less potential mess” of it will be welcomed by bookstore staff
I’ve been having a blast playing at being a North Pole elf, designing gifts for my upcoming pop-up shop at Vintage Books https://www.vintage-books.net/ Dec 7th from noon to 4pm! The Pacific Northwest social scene has been inspiring and guiding my thoughts.
Here in Vancouver all year long people get together regularly for happy hours, for pot-luck dinners and other social occasions. I love it! Then come October through to the new year there are parties, parties and parties!!! There are cookie parties, apple parties, wine parties, beer parties, cocktail parties, salad parties, game-night parties, pot-luck dinner parties…. and, of course, holiday stocking stuffer parties.
So as I’ve designed my products for the pop-up shop I’ve kept in mind the various stocking stuffer parties we’ve attended – as well as the local trend of giving handmade items and/or small-in-cost-and-size unique gifts to friends and family.
Anyway, I have very much enjoyed designing whimsical gifts thinking of my local friends, family and fans. I’m delighted that my local bookstore, Vintage Books, has asked me to do this pop-up shop and I’m also planning a performance-art aspect to the event – i.e. I’m going to do some “live drawing” pet portraits…. but more on that in another post.
Here’s a stocking with some of the stuff I’ve designed in it.
My local bookstore Vintage Books https://www.vintage-books.com/ is the first bookstore to carry my newest book “Dr. Bob’s Emotional Repair Program First Aid Kit” – and in advance of the Nov 1st release day too!! When I was at the bookstore talking with the manager she asked me if I did my art on “stocking stuffer items” and if I would consider doing a pop-up shop for the holiday season – in late November or early December.
Well, I’m a firm believer in the philosophy “take tarts when tarts are passed” so I said “Yes!” and have been busy doing product designs since then! Nice to dust off my old graphic design/product design skills (what I got a college degree in!). Here’s a pic of my new book and a few of the stocking stuffer gift items I’ve gotten so far…
As you can see in the photo I’ve put one of my artworks onto a 252 piece jigsaw puzzle – the finished puzzle size is 11 x 14 but the box containing the puzzle is small enough to fit into a large Holiday stocking. Another painting I’ve put onto the backs of playing cards and … oh, there are many more items still in production.
I’ve been thinking non-stop about what fans of my artwork and my fellow book readers might enjoy finding as gifts in their holiday stocking; bookmarks, drink coasters, art prints, playing cards, calendars… Is there anything I’m forgetting??
Please let me know and I’ll keep busy working on items that may help spread a little love and joy to my fellow literary fans.
And I’ll update you with my progress here first… btw I’m using Zazzle to produce most (but not all) of my designs and have also created a “store” there.
On a recent trip to the library I saw a book titled “How To Draw And Write In Fountain Pen: A Modern Guide” by Ayano Usamura. (book link) The book reminded me that I’ve not talked about this essential studio tool in a while.
I’ve used a fountain pen almost daily since I was in art school at university. An illustration class required a fountain pen, a Pelikan Classic M200 , as one of it’s “textbooks” for the semester. We were taught the care and use of the pen – the pen care section of the book by Usamura mirrors what I was taught exactly. Part of the class requirement was to draw with the pen daily. The professor would periodically surprise-inspect our pens for proper care/maintenance and would look at our sketchbooks as part of our grade. Woe unto the student who forgot their pen.
Fast forward to now and I’m still drawing with my fountain pen daily. It’s my go-to tool for my on-going art studio philosophy: “Work in short bursts of time. Often.” When I’ve only a minute or two for creativity work I can easily, quickly, do an ink drawing without having to do any more “studio-set-up” than to open my sketchbook and pull the cap off my pen. Here’s todays fountain pen drawing:
Nowadays I prefer the Levenger True Writer. It’s the best fountain pen I’ve had yet. Writes and draws smooth lines with no pressure, less mess and less constant care needed than some other pens. I use the Noodlers brand fountain pen ink – the anti-feather black kind (also called “X-feather”). And of course these days I have a whole new appreciation for the environmental friendliness of a fountain pen; less used-up-pen-plastic-parts going into the land-fill.
Anyway, the book “How to Draw and Write in Fountain Pen” happily reminded me of what I’d been taught way back in the day at university. I brought the book home from the library to read and re-remember all the fountain pen tips and tricks. And, if the book was accurate to my fountain pen experience (it was!), I could mention it to you here on my blog – and photograph the book with my Levenger fountain pen for a post on my Instagram page.
Now if you’ll excuse me I’m going to go lovingly re-fill the ink in my fountain pen.
Update: After I had written the above post about fountain pens I went to dinner in Portland Oregon. From dinner we all walked to Oblation Papers and Press – where I happily discovered that they have a wide selection of fountain pens!! And staff who know the various pen brands! Here’s a link to their drool-worthy website https://www.oblationpapers.com/
As per my last post I’ve been starting new projects in my studio. I’m also having some down time to rest and recharge. While starting new projects I’m keeping in mind my studio statement. Here it is on a 2 by 3 inch paper thumbtacked to my art studio wall.
I jokingly say that my mission in life is to wear pencils down to nubs. And I do think that’s true on one level at least – I practice drawing and writing daily and lots of pencils get used. So that must be the point right?!
Yes, daily practice is indeed the point! (And yes, I like the Blackwing pencils a whole lot!)
But, seriously, these statements are true in my experience: “What you repeat sticks. What you don’t repeat goes away.” – “Anything worth doing is worth doing poorly at first.” and “Nothing has to go right today” – all of these concepts come from an artist book I did. (More about that here).
It has been crucial for me to purposefully design my daily artistic habits (repetitions!). And to focus on maintaining the habit-ness of creativity rather than being out-come based about my creative output. (it’s okay if today’s artwork is not perfect!)
It’s also important to take breaks. Both the design of daily creative habits and the breaks from them are part of making my creative life sustainable. The point is to have fun being creative and to keep it fun!
Over on my Instagram page I’ll post a pic of at least one of the things I’m doing to rest and recharge…
All of the 28 artworks for my Dear Readers exhibit have been delivered to Burnt Bridge Cellars now – and hung. Over on my Instagram page you can see a fun pic of the curator looking at a table full of my artwork deciding what art goes where. Here, just above the wine taps the winery uses to fill wine growlers, is the perfect place where the curator chose to hang my painting “Party Pointers”:
I’ll try to post other views of the exhibit – most likely on Instagram – but don’t hold your breath for many more posts from me about Dear Readers – because I’ll be getting started on my tried and true opening party jitters remedy: getting on with other art projects.
Too often, early on in my art career, I had the “what if I throw a party and nobody comes” jitters during the week between art delivery and the opening party. That wasn’t helpful. Quickly I learned that starting on new artwork well before the official opening for an exhibition is the best exhibit-opening-jitters and general exhibit-up-and-running-I-feel-naked-now remedy. My blog posts, from here on, are likely to reflect new projects I’m working on. For additional views and information about my Dear Readers exhibit – which will run from June through the end of July – please watch the various Burnt Bridge Cellars social media pages.
Now that the Dear Readers exhibit is hung all that needs to be done, from my point of view, is to do laundry, dress reasonably and show up at the opening party June 7th. More details about the opening party, including the chef’s menu here. So I’m focusing now on sharpening pencils, taking inventory of the art supplies, looking at my sketchbooks and starting new things.
Thank you again for all of your support and encouragement as I have worked on my Dear Readers exhibit!
I’ve been busy getting the framing, wiring and labeling done for all of the artwork destined for my “Dear Readers” exhibit that opens June 7th, the first Friday, at Burnt Bridge Cellars. There are 28 new artworks by me for this one-person exhibit – titled “Dear Readers” – this photo only shows a fraction of the artworks, wrapped up, packed in boxes ready to be delivered. Lots more to do!
I got my frames from a local independent frame shop called Aurora Gallery. Most of the rest of my art supplies came from a local (Portland Or) art supply called Artists And Craftsman.
The exhibit content, of course, came from my mind and personal life. More about that here and in my recent blog posts.
What did I eat and drink while doing all of this work? Well I’ve posted about that over on my Instagram page.
And yes, I carefully save and reuse packing material like you wouldn’t believe.
Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.
And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.
Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.
Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:
And here is the instruction sheet on how to fold the above “book”:
Some time back I read an article in my local newspaper about teaching kids to snack healthy and to learn to trust their body’s cues about food. Since then I’ve been thinking of similarities between healthy snacking habits and developing a healthy creative life.
Teach yourself how to recognize aesthetic cues/desires – and practice responding to them – over time. I think of aesthetic cues as mental indulge-ments; things like stories, poems, movies, music, art etc. that make you feel glad to be alive. Just like a kid has to learn how to try new foods and then practice recognizing what foods they enjoy eating. As we go through life our aesthetic preferences change – just like our food preferences do. So it’s helpful to continue to try new aesthetic/art snacks periodically – and practice trusting your own cues.
Allow yourself to listen to your own aesthetic cues/voice without input from other people. This takes practice and no matter how experienced a person is one has to remember to return to listening to one’s own voice – rather like how sometimes a kid (or an adult) has to be reminded to pay attention to their plate and eat. (When my wife and I go to happy hour with our friends I have to remind myself to eat…I tend to focus on the conversation…)
Give yourself permission to just practice. Practice-an-art-materials can be as simple as keeping a book of stories or poems handy for reading and a small book to write in. Think of it as adult playing. Some helpful mantras: “Nothing has to go right today”, “Anything worth doing is worth doing poorly at first.” and “It’s okay to make mistakes and messes – it’s part of how we learn.”
Set specific times to practice. These can be very short bursts of time. They can be event/circumstance based rather than clock based. i.e. I’ll practice reading/writing poems while the coffee/tea brews, the water boils or the oven pre-heats.
Create a small place/drawer where your practice-an-art materials are kept handy. Perhaps a shelf where books related to your art snack indulge-ments are stored. Look for and collect objects, events, places that feed your creative-soul-heart-mind. Stay close to anything that makes you glad to be alive. Plan to indulge in these things in small ways – daily.
Set a habit (I hate the word “rule”) for what time per month you’ll indulge yourself – for an aesthetic “meal”, something more than a short snack – with someone else’s artwork: i.e. go to local art-openings, poetry/story slams, indie film nights, music jam nights or a visit to an art museum.
Here’s what I indulged myself with this morning as an art snack while my breakfast bread toasted:
The Lake Isle of Innisfree by W. B. Yeats is a new-favorite poem. It reminds me that we can – and do – create our own solace.