The professional dog and what’s in the cards

A Creative Life, animals in art, Art Licensing, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, children's book, greeting cards, household surrealism, pet portraits, visual thinking, whimsical art, words and pictures

I’m starting a new childrens poem project “The Professional Dog”. It’s an excuse to do a series of portraits of dogs owned by friends who have professions that fit neatly in an alphabetic format… accountant, botanist, chef…. (Yes, another abecedarian book!!)

Several friends – with dogs – have different professions that could fit for the same alphabetic letter. I know a botanist, a brewer and a baker. I know a chef, a councilor and a critic. Part of my work on this project is winnowing this list.

My book idea began in my small poetry sketchbook, the orange one in the picture, and is now in the messy draft stage on my legal pad.

I’m in the process of contacting friends and asking them to email or text photos of their dogs – and asking questions about their profession. These responses will help me narrow things down.

Here’s a few of the dog photos I’ve gotten from an Accountant, an Underwriter, an Inventory Manager, a Poet, a Nurse and an Entrepreneur.

In addition to this new book project I’ve been thinking more about greeting cards. Last year during the holidays it felt weird getting or sending cards that touched on pre-pandemic style large gatherings. I found I preferred getting and sending the cards that had winter scenery or literary poems or food/drink recipes. I did enjoy the family photo cards and “seeing” everyone that way.

So as I think of the upcoming holiday season I’m starting work on painting a short series of winter, food and book themed artworks intended for cards on my Zazzle shop. Here’s a sketch in my sketchbook with one of my winter theme notions.

Here’s a look at the finished art. I used my new butterfly palette that I’ve talked about in a prior post. These colors are literally based in scientific studies of butterflies and other bugs. It was fun to paint winter scenery using the butterfly colors! The color palette you see in this photo is what I call my “butterfly box”.

Below is a closer look at my finished artwork. After I get a few more for-cards artwork pieces finished then I’ll upload all of the images and design the cards. I’ve titled this piece below “Crowshoes”

Crowshoes by Clancy

This week my spouse made homemade sugar cookies. Seriously comforting and yummy cookies! Cookies and a coloring book are two of the good things in this life, I think, so I posed this photo for use in telling on social media about my recent coloring book “How To Draw A Dragon

https://www.blurb.com/b/10815467-how-to-draw-a-dragon

Many of the baked goodies my spouse makes – like the sugar cookies in the photo above – are from recipes in “How To Bake Everything” by Mark Bittman. As an eater of baked goods I can vouch for this book!

As per my last post I am thinking seriously about doing more videos and have even ordered a thingamajig to hold my phone steady while I talk. It’s a fun – and a bit scary – to entertain the idea of talking on video generally about being creative and include things from my own creative life. I’m thinking I might call these short videos “Creativity chats” with a subtitle of the topic of that particular chat. 🤔 We’ll see. I heartily thank you for your kind encouragement to do more videos!

While I wait for the video apparatus to be shipped to me I’ll work towards “The Professional Dog” and will tell you more about what inspired this idea in future posts.

I hope your week is full of dog (or cat) cuddles, cookies and many other comforting things! See you next Monday.

How the Odditorium and Dragon are going

A Creative Life, art exhibit, art gallery, artist book, author illustrator, fine art, Odditorium, publications - publishing, published art, Sustainable creativity, words and pictures, writing and illustrating

So far so good! 4 of the artworks in my Odditorium exhibit at Caplan Art Designs sold! 3 sold before the official opening! The exhibit is virtual but the gallery still had an “opening night” – as I wrote in my last post it wasn’t the same kind of party as pre-pandemic ones – this opening was careful of everyone’s health. I stayed home for several reasons: I’m deaf and can’t lip read when people wear masks. Also I really don’t want to pass along or get this virus, plus the Gallery wanted to minimize the foot traffic and stay safe.

So the night of the official opening both the Gallery and I monitored websites and social media. They monitored from inside the Gallery. I monitored from my studio. Thankfully there weren’t any technical glitches. That was a big plus!

The biggest bonus of all is that deaf – me actually got to “hear” (read) what people said about my work! The responses to my videos were also surprisingly pleasant- I made those videos in what I call “living dangerously mode” meaning I did the videos knowing that I don’t hear well and could quite easily mess up the sound recording aspect. So I was willing to fail spectacularly at making videos….and I didn’t fail! People liked them! One person even said they liked hearing me talk and that video was a great vehicle for me and I should keep it up!! 😮 That’s certainly something to consider!! Possibly best of all is that I heard from quite a number of people that my artwork-and the videos- cheered them up!!

As a result I am excited and encouraged to keep on keeping on and I appreciate that more than I can express in words.

In fact I was so excited that I started right away to brainstorm ideas for fine art for the future exhibits that are already scheduled for 2022!

Below is a quick look at all of the Odditorium art. More details on my portfolio page.

I signed 6 copies of my Odditorium book. 2 of those went home with people who visited the Gallery Thursday. This exhibit will continue through September.

https://www.blurb.com/b/10698335-odditorium

During the same time of the Odditorium exhibit opening my coloring book poem How To Draw A Dragon went live on Storyberries! There is both an ebook and an audiobook version that is a slightly different from the print version of my book. The Storyberries ebook has the text typed rather than handwritten. This was done for ease of searching as I’d talked about in a previous post. One page was also wonderfully colored in using digital methods by someone at Storyberries!

https://www.storyberries.com/bedtime-stories-how-to-draw-a-dragon-coloring-book/

I learned from the folks at Storyberries that it is possible to digitally color an ebook. If you use the notes function on your iBook and an Apple pencil you can color. Also if you use an app called Procreate you can take an ebook and color it. I am not speaking from firsthand experience here I’m just reporting what Storyberries tells me is possible with my How To Draw A Dragon ebooks.

I’ve done digital art – spent years doing digital art as part of my graphic arts career in the distant past – but I used other kinds of software. I’ve done a bit of digital art on my smartphone with a different app but frankly, I prefer getting my hands dirty with real life inks and paints.

Besides the version on Storyberries if you want to color digitally you can download an Apple iBooks copy of How To Draw A Dragon here.

For a printed and bound copy of How To Draw A Dragon click here.

I’ve also made a way you could download a pdf file and print the pages you want to color using your own printer and real life color pencils. For that click here.

Since this was another busy week it was easier to reheat magic beans and put them in a tortilla with veggies and cheese. Given the recent disturbing news out of Texas I was inspired to try Penzey’s Justice spice mix on my bean burritos. I like Justice.

My weekend was spent resting. But of course I drew in my sketchbook and wrote. There’s a new children’s book taking shape in my mind. I’ll tell you more next Monday. Till then keep sprinkling Justice on the beans.

How To Draw A Dragon, fine art and postal whimsy

A Creative Life, art exhibit, art gallery, Art Word Combinations, artist book, book design and layout, children's book, creative thinking, ebook, fine art, greeting cards, household surrealism, Odditorium, Sustainable creativity, visual thinking, whimsical art, words and pictures, writing and illustrating

If you got a post titled “Dragon postal whimsy” I accidentally hit a button. Here’s the real post about “How To Draw A Dragon“! After a week spent creating cover art and scanning 36 pages there’s now a coloring book poem that exists in the world!

This is the book description:

“How do you draw a grumpy dragon? This coloring book story poem written and illustrated by the artist sue clancy shows you how.

This whimsical poem is also about how creativity works, how our creative child selves and our analytical adult selves can work together.”

Below is a look at the original manuscript.

I used the computer to put the text on the front and back covers. I thought long and hard about handwriting it all but I learned when I did Patch La Belle that handwritten text on a cover isn’t “searchable” and could be harder for people to find. That searchable issue isn’t a big concern for me coming from the art world as I do where one-of-a-kind things are the norm. But after thinking a while I opted to type the cover text for “How To Draw A Dragon” even though I hand drew and hand colored everything else.

So here’s the cover becoming…

And here’s what the cover became.

https://www.blurb.com/b/10815467-how-to-draw-a-dragon

I’m especially pleased that my book layout “thinking in page spreads” turned out so well! They line up in the middle when bound! In the first photo below you see my original art. Below that you see the printed book.

Since we’re still in a pandemic I have added a free printable pdf file for this book to my “shop” page where I have several of my free downloadable artist books. It’s on my to-do list to make a portfolio page for How To Draw A Dragon and have everything in one spot.

Storyberries will, eventually, also do a free ebook version of How To Draw A Dragon and have a link to the free printable pdf too. But that’s still in progress. I will update my still-to-be -made portfolio page and this blog when it’s been set up at Storyberries.

On another topic: My Odditorium exhibit will open in September at Caplan Art Designs with some additional new art for the series!

Since we are still in a pandemic the Gallery is doing all the prudent safety measures and I’m doing my part as best I can. Besides doing the virtual page about Odditorium I have done a series of videos on my YouTube channel about this exhibit as well as about why I do this work. I’ve made 5 videos in all but here’s the one about this exhibit. The Gallery will post my videos and share them with clients digitally thereby minimizing everyone’s exposure. I’m glad and grateful to work with a gallery that cares about the health of both their artists and their clients.

On still another topic: A friend recently enjoyed getting a card from me and called it “postal whimsy”. I like that phrase and asked for and was give permission to use it! So I’ve updated my Zazzle collection of odd greeting cards both with the “postal whimsy” phrase and some new card designs. I am getting serious about sending postal whimsy and helping cheer people. Below is one of my favorite cards…

https://www.zazzle.com/hare_in_the_sink_postcard-256418650416992132

This week was so busy that while I did make sure to eat meals of fruits, vegetables and whole grains – more often than not – I didn’t do any sketches or photos of the food. I just stuffed my quiche-hole and got to work.

Despite all of the busy-ness I still did drawings in my sketchbook in the mornings and my evening reading of books before bed. Makes for nice creative bookends, pun intended, to a day.

However busy your week is I hope it is bounded by pleasant things. See you next Monday? Or before then if I hit a wrong button again…

Dragon, an oops, a rhino and recipe postcards

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, book design and layout, fine art, greeting cards, household surrealism, illustrated poem, illustration, Odditorium, poetry, recipe illustration, Sustainable creativity, words and pictures, writing and illustrating

Had an oops during ink work this week on my coloring book poem “How to Draw A Dragon” here’s how I fixed it. Despite the mistake all of the hand written text as well as all of the illustrations have now been completely inked!

Here’s how: first I drew the whole book in pencil which sounds straightforward but it actually means draw, redraw each page multiple times. I do a complete draft in pencil and go through it again and again redoing elements so the story flows a certain way, to make sure setting and characters are consistent and to create the foreshadowing. This is very like a writer’s process of drafting and editing a novel. I lost count of how many drafts I’ve gone through.

Before beginning this book I knew it would be a 32 page manuscript so I made sure I had at least 84 sheets of the same kind and size of drawing paper. (Now after finishing the inking I have perhaps 8 useable sheets of blank paper left – if that gives you an idea.)

After the images were more or less set in pencil I penciled in the poem text. The poem text is spaced rhythmically to rhyme, so to speak, with the illustrations. The words and the images dovetail tightly together. This requires more drafting to get the pacing right. Then after I had a complete manuscript in pencil I partially inked each of the illustrations and adjusted the word spacing of the poem on each page in pencil.

Before starting to ink the poem text I read through it looking for grammar and spelling. I asked my spouse to look critically with fresh eyes. Then I inked the text with an ink brush pen.

Even with all that drafting and all the editing and proofreading, even with a fresh set of eyes looking, there’s a mistake! Do you spot it below?

Yes, I misspelled “oops”! Of all the things to misspell!! 🤦‍♀️ Oh well! When I ink words like this I’m really focused on drawing the shapes of the letters and the spaces on the page rather than writing a word. So mistakes often happen. But 95% of being an artist is knowing how to fix mistakes! The remaining 5% is being willing to keep going!

So to fix my oops on the word “oops” I got another piece of the same paper and drew a couple of “O’s” while holding the new paper next to my mistake so I can draw it the proper size. Then I cut out the newly drawn letter as close as possible not leaving much white paper showing around the letter.

Then I paint opaque white gouache on the ink mistake as smoothly as possible.

I let that white gouache dry completely. If there’s any bump in the dry gouache I use a tiny bit of fine grit sandpaper to smooth it.

I lightly apply archival paper glue to the back of the cut out letter and affix it to the whited out mistake area. I use tweezers to place the glue-y letter.

Now it’s fixed! When I scan these pages for publication I will look closely at this area on the digital file to make sure it looks like a seamless repair. Other than possibly on that “oops” the digital scans of these pages will *not* be digitally manipulated. What you’ll see in the published book will be what I made by hand.

After all the inking is done and dry I erase all the pencil marks on the manuscript.

Foreshadowing happens on every page. There are even indications about time: at first the dragons coffee is very hot and steaming but on subsequent pages there’s less steam. These pages below are possibly the pages with the heaviest foreshadowing. Each of the “art examples” presage or refer to something in the rest of the book.

The foreshadowing is complex. Matching the characters and scenery from one page to another is complex. Matching the edges of the pages together is complex. Getting the rhythm of the poem to flow (rhyme?) with the images … it’s hard to even describe how convoluted and complex (that word again) this project is…

And then there’s that it’s a coloring book. All that I have to tell the story with is a single ink line. That line has got to be right. I can’t cover over it with other sketchy lines like I do when I draw in my sketchbook or cover a line with paint as I do when I draw lines as a foundation for a painting. The single lines I draw for this project must be clear or it ceases to be a coloring book.

This coloring book poem has been one of my most complex books and yet it is so deceptively simple to look at and read. It reminds me of one of the iceberg memes about success in that the visible part of a project is the smallest element of it and the huge part is unseen.

Anyway, also this week I worked towards the continuation of my Odditorium exhibit. The Caplan Art Designs Gallery will exhibit the Odditorium works from earlier this summer as well 7 new paintings in this series. One of the new paintings is below. It was inspired by a friends photo of her ranunculous flowers. From the flowers I thought of a rhinoceros and a dress…

His Best Respects – by Clancy – 7 x 5 inches – ink, gouache and collage on board.

Yes, my household surrealism continues…

As I wrote in my last post I hoped this week to try some of my new butterfly palette paints so I did try them in my sketchbook!!

It will be fun to try doing a painting with them next!

This week we got a few cards in the mail and added them to our mantel. I realize that I really love sending and getting cards in the mail. I’ve loved it even more so since the pandemic. Since unfortunately covid is surging again I’ve been thinking I want to make more cards.

About the time I’d had that thought I heard from Bernadette who had recently blogged on New Classic Recipes my recipe for Magic Beans along with the story of how I got the recipe. Bernadette wrote suggesting that I create some recipe cards. I thought this was a great idea and merged the recipe card notion with the idea of sending postcards. You can see all of the recipe postcards I’ve made so far here. I’m thinking these will be fun to send to friends and family.

As far as food this week goes I ate so much when family was here (last post) that this week has had small salads and bowls of cereal as the feature meals. So never mind about food I cooked this week because it didn’t happen. Oh well.

Nevertheless major progress happened on “How To Draw A Dragon” – a whole manuscript completely inked! Yippee! Next up…scanning the pages and book design! See you next Monday?

Of beermats, bears, books, poems, crocodiles and garden garlic scapes

A Creative Life, animals in art, art exhibit, art gallery, art techniques, artistic inspirations, books, children's book, creative thinking, drinks in art, fine art, functional art, household surrealism, life of the mind, poetry, travel art and writing, travelogue, visual story, visual thinking, whimsical art, words and pictures, writing and illustrating

“Warning” by Jenny Joseph is one of my favorite poems. I particularly like these lines “…and hoard pens and pencils and beermats and things in boxes…”. But I hadn’t read that poem or thought of it in a while (you can see the entire poem here).

Earlier this month I received the prospectus for a “reclaimed canvas” art exhibit upcoming at the Aurora Gallery. (This is the project I hinted at in my last post.) The Reclaimed Canvas is an art exhibit asking the gallery artists to paint on something not normally used as a canvas or surface for painting. So I began this new project by rummaging around my studio for a not-typical thing to paint on. Look what I found – boxes of pens, pencils and beermats!

Suddenly I remembered the poem “Warning” by Jenny Joseph…. and had a good chuckle at myself. Of course I reread the poem and laughed some more.

Before we visited, and later moved to, the Pacific Northwest I didn’t think I liked beer. But here in the Pacific Northwest there are locally owned microbreweries and the beer is worth taste testing – and both the brewpubs and the beers often reflect the region in which they’re located. So having a beer in one of the microbrew pubs includes a bit of regional history and personal stories. Often there’s beautiful scenery too. Oh, and did I mention that the beer tastes surprisingly good?

As I looked through my collection of beermats in my pencil box I thought of poetry and word play in general. I also remembered our various visits to the brewpubs whose beermats I had in hand. I evaluated the qualities of the beermats themselves as a possible canvas for a painting.

Here’s the beermat I chose for my new painting project – the first photo shows the front of the beermat and then the next photo shows the back of it.

Bouy Beer is in Astoria Oregon and the brewpub sits right on the water. When entering the pub you can walk over a large glass floor. Through the glass floor you can often see the sea lions lounging on the pier beneath. We’ve enjoyed sitting in the pub on the waters edge, watching ships and marine wildlife. Sitting there, with a beer, I’m aware of the intimate connection this one spot has with the entire world: international ships come and go as do migrating whales, geese and sea lions. I love the way it is both a unique place with it’s own regional quirks and yet it openly, joyfully, participates in a wider world. It’s a wonderful reminder that one can be fully ones particular self while also being fully within, and open to, a diverse world. The food menu at Buoy Beer is also an enchanting fusion of world cuisines… but I dangerously digress. I have so many good memories of this particular pub and look forward to each visit. Oh, and they brew really good beers!

Anyway, for an animal character to use in my painting on the Buoy Beer beermat I thought about having a sea lion drinking beer, a great blue heron drinking beer, a whale drinking…. eventually, after a number of sketchbook drawings, I settled on the character of a bear. My main reasons for choosing a bear is that I could do a wordplay title for the finished art … but also the shape of bear, physically, could evoke the feeling and the relaxing-into-hybernation pose that I associate with the flavor of one of my favorite beers when it’s seasonally available at Bouy Beer.

Here’s a sketch I did when exploring my thoughts.

And below is the painting I did on one of the 4 inch round coasters I had collected during one of our trips to Bouy Beer (which I kept in a pencil box with the rest of my beermat collection – 🤣). I painted on the coaster with gouache and have titled it …wait for it… “Bear, Matt”

The back of my “Bear, Matt” painting has the title and other data written by hand.

I did seal the beermat with a clear primer before I began painting on it and when my painting was finished and dry I varnished the artwork. Plus the art will likely be framed at the Aurora Gallery. So what was once an ephemeral throw-away object now will potentially last quite a bit longer.

I think of this new project as fitting in with my recent household surrealism thinking: a mundane object was thought about in a new way.

With this thought, given my sense of humor, I simply couldn’t resist turning my original painting “Bear, Matt” back into ephemeral beermats. So on my Zazzle shop I made round paper coasters – beermats – that are copies or art prints of my original “Bear, Matt” artwork! The back of these printed coasters is blank. That’s one way you can tell the copy from the original. You can get these here.

https://www.zazzle.com/bear_matt_paper_coaster-256396249111967834

After finishing “Bear, Matt” and delivering the original to the Aurora Galley a few days ago – I visited, in masked-up person, another favorite local independent bookstore called Daedalus Books. This bookstore is especially alluring for me with my interests in literature, fine art, poetry, books about books, artist books, literary studies, culture, history and philosophy. You can see how tempting it was… in the photo below is my book haul!

Another new project in progress contains a crocodile. In the photo below you can see my orange poetry sketchbook and my crocodile poem written by hand. Also in the photo is a binder that holds my drawing attempts, book dummies and poem drafts. Yes, I’m working on a new children’s book. I plan to update this blog over the coming weeks with my progress…

My spouse’s garden has lots of garlic scapes and some radish greens so the memorable meal this week was the pasta with radish greens and garlic scapes recipe below!

Hope your week is full of fun memories and your own collections of beermats, pencils and pens!

See you next Monday?

Patch La Belle part 5

A Creative Life, Art Word Combinations, artist book, artistic inspirations, author illustrator, Authors, books, ebook, illustrated poem, Patch La Belle, poetry, visual story, visual thinking, words and pictures

My book Patch La Belle has been officially released on Storyberries! You can see it for free here: https://www.storyberries.com/poems-for-kids-patch-la-belle-childrens-poetry/

The printed book version is slightly different (more on that in a sec) and it’s available here: https://www.blurb.com/b/10351859-patch-la-belle

Here’s a look at the digital files for the front and back covers:

Front cover of Patch La Belle by Clancy
Back cover of Patch La Belle by Clancy

Photography of the pages was a challenge because I wanted to keep the warm creamy tones of the paper on which I wrote and illustrated the poems. I wanted this book to have a nostalgic handmade feel. By and large I’m pleased with how it turned out.

For the ebook version of Patch La Belle on Storyberries.com I was able to have each page of the ebook be 100 percent my hand made pages. Because it’s not a printed book blank pages aren’t needed.

In the printed books I had to have blank pages in strategic places in order for the covers to attach properly. So I used the blank pages as a chance to visually foreshadow what was to come in the book. For example the little illustration on the blank page attached to the cover visually relates to the dedication page:

And the candy on the book info page (above left) visually relates to the page just before the about-the-author info.

There’s also a visual relationship between the characters on the cover of Patch La Belle and two of the poems inside the book. The paintings of books on the list of “other books by Clancy” also echoes one of the poems.

Yes, I tried to rhyme in my artwork as well as in the words of the poems!

I strongly believe that children (all people really) need exposure to all kinds of images including complex images just as they need exposure to all kinds of food including complex foods.

Homemade cookies are often more robust and complex in flavor, more, more full of love, than a box of store-bought cookies.

I like to think of my artwork, my books, as the visual equivalent of a sheet pan full of homemade cookies.

Thanks for following my progress on this project!

If you’re just joining this party – welcome! – there are details about Patch La Belle and links to past posts about Patch located here.

I’ll see you again next Monday. Till then…

Patch La Belle part 4

A Creative Life, Art Word Combinations, artist book, artistic inspirations, author illustrator, illustrated poem, illustrated shorts, illustration, Patch La Belle, poetry, visual story, visual thinking, words and pictures, writing, writing and illustrating

(There’s a surprise inside this blog suitable for all ages) This week has been a flurry of finishing pages, and the cover art for Patch La Belle. I’ve also been doing the graphic design hocus pocus for both the printed books version and an ebook version for Storyberries.com

As per my last post I’m still thinking about the topics of enjoying and trying things:

There’s the trying that is an effort to make something – like a cake or a book.

Then there’s the trying things so as to learn what you prefer – like a type of food or a hat.

Trying things also gives us abstract information about how much food is too much and what time bedtime is.

It’s an important lifelong skill to cultivate the willingness to try things.

Here’s the finished pages (my last several blog posts tell more of my working process)

And here’s a photo of me working on the cover art and finishing a few pages.

Sue Clancy with original pages for her book Patch La Belle

I slipped all the artwork into archival sleeves so the pages could be sorted without risk of damages. Prior to being sprayed with a fixative and varnish the gouache colors could be easily smeared.

I asked my first editor, my wife Judy, what page order she thought was best – and I sticky-note flagged her page order and it was such a good order that I followed it! And if you’re looking at the picture above thinking “that looks like a lot more pages than have been shown on this blog” – you’re correct, I’ve impishly saved some for when the book is formally released.

My desire to hand make all of the words and images for this book has also resulted in a relaxed way of working – everything exists in the real world and can be laid out on a table.

In the past when I’ve done a hybrid of computer typewritten words and hand made illustrations the page sorting and design was more abstracted. But this time everything was made by hand. The “graphic design hocus pocus” that I refer to above is simply the photography of the finished art and laying out the photos in a software package for uploading to Blurb.com the place that will print and ship the books on demand. A different software package is used to make the digital file for the ebook on Storyberries.com [Btw: the art page photos above are just quick pics for sharing here on social media. I have another camera for photos of art to be reproduced]

Here’s the cover artwork as photographed for reproduction. I think I managed to keep the warm tone of the off-white paper I used to make the original artwork. (Yippee!)

Anyway, showing Patch La Belle to the folks at Storyberries.com generated some excitement there! They said “it’s going to be really engaging and the families will spend a long time reading it and looking over the pictures… it’s so beautiful!”

And just the thought of that feels so good!

Surprise! Dear loyal reader of my social media posts here is an early access link to the printed book Patch La Belle https://www.blurb.com/b/10351859-patch-la-belle

The “official” release of this book will be next week with the books release on Storyberries.com – more details here next Monday!

Patch La Belle part 3

A Creative Life, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, drawing as thinking, handmade books, illustrated poem, Patch La Belle, poetry, Sustainable creativity, visual story, visual thinking, words and pictures

As I worked this week on a new children’s book (see my last post) titled Patch La Belle I’ve thought more about the importance of enjoying and trying things regularly.

Too often we expect our enjoyments to be big life changing experiences when in reality a good life is a cumulative of many small pleasant moments. To have a good life one has to be able recognize a pleasant moment when it happens (even in the midst of a pandemic). This ability to recognize something enjoyable, while also absorbing it, is a skill to be learned and practiced all of one’s life.

Anyway, I spent time this week rereading my poetry sketchbooks, thinking, writing notes and sticky-flagging pages. Here’s a picture of two of my poetry sketchbooks. They’re small books, about 5 x 3.5 inches and I wrote in them with a fountain pen

As a way of working creatively I find it helpful to collect a bunch of thoughts into sketchbooks for sorting into something, a published book or an art exhibit, later. (I do a version of this sketchbook method with my fine art exhibits too.)

When I work in a sketchbook it feels random, the thought I’m recording feels unconnected to any future book or exhibit notion. The book or art exhibit ideas come later from rereading the sketchbooks and refining elements from my sketchbook. Essentially every sketchbook is a series of very rough drafts along with notes on what inspired me.

Here’s a page from my poetry sketchbook. Please note the margin notes, my thoughts in connection with my poem effort.

That poem with its marginalia sat for a long time. Months later I tried this effort, pictured below, to shape it a bit… still without a firm plan for what published book or exhibit it might become.

That finished art sat in my files for a while, gathering dust, unconnected to any project.

Then more recently when I was talking with the folks at Storyberries – www.storyberries.com – about formats for doing my words and picture combinations for them I remembered my illustrated giraffe poem and shared it with Storyberries. The above format of my poem it turned out wouldn’t work for my future Storyberries projects. So I shoved it back in my files.

Later on when rereading my poetry sketchbooks for the umpteenth time I came across the original poem yet again. As I reread my sketchbook I’m noting themes; multiple thoughts on a topic. The raw poem and my thoughts that inspired the giraffe poem fit with my reoccurring theme of trying things. Seeing this theme and thinking more on the topic is helping me to organize my current project Patch La Belle. So this week I reworked both the text and illustration for this particular poem.

That format fits much better with Storyberries guidelines and with my desire [more on that here] to do an entirely handwritten book. Now the poem has a place, it has become – at least for now – part of my newest children’s book effort. It will stay there till all of my pages for this project are finished and I reread them and decide what ultimately fits together best.

This project still feels “in flux” and uncertain but I just keep working, trusting that as I bring my vague notions into the real world as touchable objects I can see better what to do with them. My project idea firms up as I work. The trick is to roll with the feelings of uncertainty until that point.

And here are some more new Patch La Belle pages that have been done and redone in similar fashion to what I’ve just described. To save time I’m skipping ahead, omitting the sketchbook draft pages, and showing the finished work here.

I’m sure you’re seeing my working method now. My way of getting a thought outside of my head into a sketchbook, however messily, however vaguely, and then working with it multiple times in multiple ways just to see what it can become.

It’s my way of trying out ideas, of practicing enjoying something, of taking a notion and playfully exploring it. It’s also a way to have a small pleasant moment of fun regularly.

Thanks for reading. See you here next Monday?

P.S. if you’re just joining this party – welcome! – and you can see my other children’s book projects on my portfolio page here.

Patch La Belle part 2

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This week I thought about the importance of trying things. So I’ve reread my poetry sketchbook for poems on that topic.

As I mentioned in my last post I’m working on a new children’s book for Storyberries.com titled Patch La Belle. As I work on this book I’m trying several new things but chiefly I’m trying to group many poems and illustrations together with a few themes as organizing factors. This is different from what I’ve done in the past where I did one poem with multiple illustrations as an entire book – as you can see on my portfolio page.

Anyway, here’s the pages I selected from my poetry sketchbook this week:

And below are the finished pages that I hand wrote and illustrated using ink and gouache. I use waterproof ink pens from jetpens.com on smooth hot press watercolor paper. I like the Holbein brand of gouache colors because they’re smooth and have strong pigments.

The watercolor paper I’m using is off-white and I hope that won’t be a problem when it comes to reproducing these pages. But I like the tender nostalgic feel of this paper and will endeavor to keep this soft tone in the final book. We’ll see how it goes. This is part of the risk of trying new things…

Part of Sue Clancy’s collection of poetry books

If I’ve posted the above video correctly you’ll be able to see part of my poetry book collection; books written by many other people, some famous, many not so familiar. My collection is in my dining room where I have breakfast and sketch. I find it soothing to read a short poem or story to start my day. I also have a collection of books containing short stories in the same room but this post is about poetry…so…

When it comes to writing my own poems I like to consult “The Book Of Forms” by Lewis Turco – pick a short poetry format, like limericks or couplets then think of a topic like “trying things” and play with related words and images. Some poems turn out okay, others don’t…the key thing, I think, is the willingness to write badly and trust that I’ll survive. So far that’s been true. And now after several years of regularly writing poems in my poetry sketchbook I’m able to reread it and find a few poems that are fun to illustrate and potential material for a new artist book.

Here’s a mantra I have thumbtacked to my art studio wall

Thumbtacked to Clancy’s studio wall

So I plan to keep working on Patch La Belle this week too. Will I see you here next Monday? Hope so. And I hope you enjoy whatever creative projects you’re working on this week too.

Patch La Belle begins

A Creative Life, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, creative thinking, ebook, fine art, illustrated poem, illustrated shorts, illustration, Patch La Belle, poetry, publications - publishing, published art, visual story, visual thinking, words and pictures

I’ve started a new illustrated poetry children’s book for Storyberries.com This time I’m writing and illustrating a bunch of poems. Up till now each book, Alphapets, Alphapets Too and Numpurrs were a single poem long. Lots of illustrations tied together with one poetic story.

So this new project feels dangerously different and daring. I find it helpful in a creative life to scare yourself now and then.

In my last post I showed my 3.5 x 5 x 1 inch poetry sketchbook, that I’ve worked in over the last several years, and told of reading through and sticky note flagging potential poems to be illustrated. Here it is bristling with sticky notes.

Here’s a close look at 3 of my poetry sketchbook pages that I chose to illustrate this week.

And here’s the weeks finished pages:

I’ve decided to hand write and hand draw everything in this book. Since Storyberries.com is a website of ebooks for kids my thinking is that it’d be fun, whimsical, amusing – harmlessly mischievous even – to fill a digital medium, the ebook, with hand-made marks.

As a working title – and probably the final title – I’m using “Patch La Belle: playful paintings and poetry”. The definition of the word “patch” and the definition of the French “la belle” play into my thoughts as this project feels like a patchwork of many lovely things. A stitching together of meditations on a theme of pleasant day dreams.

Anyway, more here next Monday and thanks for reading!