I’ve finished my sketchbook for the Brooklyn Art Library’s Sketchbook Project, packed it up and put it into the postal slot. But before I did that I created an ebook version of the book – and a video. I was going to post more photos of work-in-progress and such – but I’ve gotten very busy so… you can download-to-own an ebook version here. And below is the video…
I’ve been very busy lately on several major projects that I can’t talk about publicly yet. Which is why you’ve not seen much of me online. I have managed to squeeze in a bit of work, 5 minutes here or there, on my sketchbook for the Brooklyn Art Library’s Sketchbook Project. I’m still thinking the title of my sketchbook is “Time Tavern”.
Anyway, below are pics of what I’ve gotten done.
And yes, when I can I’ll post about the projects that I can’t talk about yet.
The sketchbook I’m working on for the Brooklyn Art Library’s Sketchbook Project now has a name, a working title: “Time Tavern”. As you can see from previous posts I’m thinking about time – and uses of time in cooking, food service, music and in telling wordless visual stories.
When I began this project I’d thought “Time Tavern” would be the title but I held off declaring it until I’d drawn a few pages. Things sometimes change as a drawing progresses – particularly when I’m working on a wordless visual story.
In my earlier posts (see below for links) I’d shown close-ups of musicians and a chef at work. I’d also shown a birthday party in progress. These 3 story strands are main ones – but they also need context in order to become a story. The association or juxtaposition of images – and the sequence of them – is how I’m crafting my tale visually rather than by written words in a row.
The issue is how to do the same things writers who use written words do – plot movement, foreshadowing and character development – but in my case how to do those using only visual imagery.
As part of my original planning for this story I created a “layout” of the “Time Tavern” the pub setting where my story takes place. This layout is part of my story strand weaving strategy. Here you see my architectural layout:
This architectural drawing won’t be included in my sketchbook – that’s just to help me organize my story. The book to the side in the above photo is included as it shows me referring to my architectural drawing during work on that sketchbook page.
Below is one of the first setting drawings within my “Time Tavern” sketchbook – it shows the chef looking at his recipe cards. In the background you see the bartender looking at her recipe cards. You also see a bit of the stage area the musicians will use. Perhaps you can see how I’ll be using my setting drawings as story context – and foreshadowing?
I’m sure you’ll also note the large clocks in my settings – I’m using those as a story device to show the progression of time…
Lots more to work to do…
My past posts regarding this project (so you can follow my progress) are here: https://sueclancy.com/2017/08/10/sketchbook-project-progress/ https://sueclancy.com/2017/08/14/story-strands-in-my-sketchbook-project/ https://sueclancy.com/2017/08/16/sketchbook-progress-time/
General info about the Sketchbook Project is here: https://www.sketchbookproject.com/
Click on one of the images in this blog post for a slideshow of 5 (out of 21) artworks currently on exhibit at Burnt Bridge Cellars. Since I think things (!) while I’m designing each of my visual stories (aka artworks) I’m including a short sentence about my thoughts behind each piece followed by details of media, size etc. – contact Caplan Art Designs directly www.caplanartdesigns.com if you’re interested in one of these works. (BTW Caplan’s will ship art anywhere in the world.)
“Out Of The Blues” by Sue Clancy 10 x 8 x 2 inches hand dyed paper, found paper and acrylic on cradled board
“The Read Balloon” by Sue Clancy 14 x 11 x 2 inchesHand dyed paper, handmade paper, hand stenciled paper, found paper and acrylic on cradled board
“His Marbles” by Sue Clancy 8 x 8 x 2 incheshand dyed paper, hand stenciled paper, and acrylic on cradled board
“Banjo Time” by Sue Clancy 24 x 18 x 2 inches hand dyed paper, hand stenciled paper, and acrylic on cradled board
“Making Time” by Sue Clancy 12 x 9 x 2 inches – hand dyed paper, handmade paste paper, found paper and acrylic on cradled board
A blog post here: https://sueclancy.com/2016/05/31/fine-art-and-fine-wine/ containing details about the opening reception (food! wine!) at Burnt Bridge Cellars Friday June 3rd 2016.
As you know from previous posts I’ve been working on new artwork for my upcoming art exhibits. In this post I shared a design I’d drawn in my sketchbook. Then in the post here is a photo of me making one of the papers that I’d need towards the new artwork design I’d drawn in my sketchbook. After days of dyeing, and cutting out a gajillion more pieces of handmade paper – today in this photo I’ve cut out the shapes of a dogs teeth out of paper and am in the act of gluing that cut paper into the dogs mouth. I now have sympathy for dentist’s.
Sue Clancy gluing hand dyed paper that has been cut into the shape of a dog’s set of lower teeth.