Especially when I’m super busy working on a one-person art exhibit I rely even more on my sustainable creativity technique of “running around loose”. I define “running around loose” as going about my nearby surroundings like a child or a dog in a park; poking about and exploring as if there are no time constraints in the world. My cell phone gets turned off and shoved deep into the bottom of my bag. It is there only for emergency use on the scale of needing to call 911. I don’t use the GPS function on my phone either. “Running loose” involves getting lost, losing track of time and generally living by-guess-by-golly (no preconceived plan) for an afternoon into the evening.
I’ll bring my sketchbook and write, draw and paint but I do it with no agenda, no particular project in mind. The idea is to play like a child or a puppy. To observe my surroundings with curious, free-associative, eyes.
This is particularly helpful as a refresher when I’m coming down to the wire on an art exhibit. I’m to deliver all of the artwork for my upcoming one-person exhibit at the end of May – and before that there’s all the paperwork. So I’ve got to be fresh and remember why I’ve done all this artwork – and even get excited about it again.
I’ve been working toward this exhibit for about one year. I’m a bit tired by the time the exhibit nears. But it wouldn’t do to have a “well whatever” attitude here at the finish line. Thus my mega-recharge session.
Here’s what I did in my sketchbooks when I “ran around loose” recharging my batteries for a whole day in Vancouver Washington and Woodland WA :
I was particularly struck by the various colors of purple that I saw on the grapes I ate for a snack – and the many different colors of purple in the tulip gardens and lilac gardens in Woodland WA. Here are some sketchbook pages:
After running loose for a day I felt pleasantly tired but like I’d had a mini-staycation. Great recharge session!!
Links for where I “ran loose”:
Yesterday was a busy day full of play both in the kitchen and on a hike. Somehow in the mix I thought of a new-to-me way to combine my handwritten words and artwork on a page. Late last night I tried it in my sketchbook. Here’s what I did using ink and gouache:
As I mentioned regarding the “Leaves and Grounds: Poems for the Canine Soul” painting I wrote of in my last post here, below, is another artwork with a concept related to, nested within, the afore mentioned painting. Also in this post is a poem that I wrote that relates to the ‘Leaves and Grounds’ concept.
It’s Magic – by Clancy – ink and gouache on paper
A Dog’s Ode To Spring
Oh, there’s sunshine
Makes a dachshund want to roll!
Let me out
To run about
Compost is good for my soul!
Oh, the mounds
Of leaves and grounds
This dog’s heading for the pile!
Where the digging is best
I’ll make my nest
Don’t wait I’ll be here a while!
I may be groomed
But that’s all doomed
‘cause I’ll do what makes me grin!
Oh, the sunshine
I’m here till you shout “get in!”
Here are a few pages from my tiny sketchbook for the Brooklyn Art Library titled “A. Mouse’s Book Of Scraps”. And since you follow me here’s my entire book, free download, as my thank-you-for-following-me gift: AMousesBookOfScrapsByClancy
I’m doing this gifting by permission of our books author Mr. A. Mouse of course. <wink> We, Mr. A. Mouse and I, hope you like it!
And yes, this 2.33 inch by 1.66 inch book is a humorous parody or spoof on the concept of collecting and publishing…
In a recent post I spoke of this book and of the Brooklyn Art Library’s Tiny Sketchbook Project in general well here’s a link https://www.brooklynartlibrary.com/
You can also see more of my downloadable artist books on this page. Your patronage and support means a lot! Thank you!
This year I’m participating in the tiny sketchbook project at the Brooklyn Art Library – my sketchbook will travel to London, Paris and other places in Europe along with other tiny sketchbooks in a portable library that fits in a suitcase. My book will be in the Brooklyn Art Library’s permanent collection.
I’ve titled my book “A Mouse’s Book Of Scraps”. It’s a scrapbook from the point of view of a mouse. A Pacific Northwest Jumping Mouse to be exact. It’s fun to think about what kinds of things a mouse would collect; cheese rinds, vegetable scraps and landscapes.
Here’s a picture of my book in progress. The mint is there to show scale. And yes – it’s hand bound…
Happy New Year everyone! New on newsstands is a magazine, Oregon Coast Magazine, in which is a 4 page article that I both wrote and illustrated! It was such fun to do a “sketching the coast” article for them that I want to do more such writing plus illustrating this year. Here’s a link for Oregon Coast Magazine https://oregoncoastmagazine.com/.
As you know I’d illustrated some of Chef Kim Mahan’s recipes. Well another chef – Chef Sebastian Carosi – saw the work I’d done for Chef Mahan and asked me to come to a photo shoot today. So I went and drew pictures of Chef Carosi’s Roasted Butternut Squash Soup – as it was being professionally photographed.
I took my favorite waterproof ink pen, my watercolors and some paper. I drew and painted – a lot – while dodging to keep out of the way of photographers, assistants and Chef Carosi, who was doing last minute soup garnishing just prior to placing a beautiful bowl of soup under the bright photographic lights.
Here’s a couple of pages of what I did – and a bit of the equipment I did it with:
I did many more drawings than what is shown in the photo. During a break the Chef and I talked about what I’d done… He liked my “soup as a sunset” visual story/metaphor. But he really likes my hand-written recipes and characters. So in my studio I’ll do a redesign and create a “character” out of one of the ingredients and hand-write the recipe data.
We finished up the photoshoot (and I did more drawings) and then we all ate soup.
Oh my!!!! Smooth, creamy, earthy… like a hug for tummy and soul. Now how to translate THAT into artwork???
Anyway here’s a link to Chef Sebastian Carosi – he likes to use locally sourced ingredients, some from his own garden, some foraged from the local PNW landscape and some purchased from local companies like Jacobsen Salt and Fairwinds. There was also a local cheese that we sampled. I meant to look at the wrapper or at least ask again for the name of the cheese maker. But in the fast-paced photoshoot food-illustration event I forgot.
Still it’s been a delightful day of drawing soup and soup ingredients and meeting new people! What fun!
Will draw more soup tomorrow…
Update: The cheese I referred to above was from Ferndale Farmstead
I’ve finished my sketchbook for the Brooklyn Art Library’s Sketchbook Project, packed it up and put it into the postal slot. But before I did that I created an ebook version of the book – and a video. I was going to post more photos of work-in-progress and such – but I’ve gotten very busy so… you can download-to-own an ebook version here. And below is the video…
Hanging out at a bookstore yesterday with friends I happened to spot the book “Making Stuff and Doing Things: DIY guides to just about everything!” edited by Kyle Bravo https://microcosmpublishing.com/catalog/books/1400
This book is now in it’s 4th edition and there’s one chapter by me titled “Why Make A Zine or Artist Book?”.
Back in 2003, if I remember correctly, my work was included in the first edition. Rereading my work now in the new 4th edition I’m still proud and honored to be included! It really is a useful-in-creative-life book – I’m not just talking about my own chapter.
Here’s a teaser hint of some of the book contents in addition to mine.
And here’s a teaser page spread from my chapter within this useful book:
Sharp readers of my blog will probably notice that I’ve used one of the book-stitching techniques I mentioned in “Making Stuff…” on my current project “Time Tavern” (here’s a link to some Time Tavern posts; stitching the book here and more progress here.)
And here’s a panoramic photo of me along with Sweetie and one of our friends (the 4th friend was taking the photo) outside the bookstore Annie Bloom’s Books in Portland Oregon. http://www.annieblooms.com/
Delighted that my artist book “The Rabbit” has been published in its entirety in Issue 7 of Small Po[r]tions journal! You can see it directly here: https://smallportionsjournal.com/2017/02/10/sue-clancy-the-rabbit/