This year I’m participating in the tiny sketchbook project at the Brooklyn Art Library – my sketchbook will travel to London, Paris and other places in Europe along with other tiny sketchbooks in a portable library that fits in a suitcase. My book will be in the Brooklyn Art Library’s permanent collection.
I’ve titled my book “A Mouse’s Book Of Scraps”. It’s a scrapbook from the point of view of a mouse. A Pacific Northwest Jumping Mouse to be exact. It’s fun to think about what kinds of things a mouse would collect; cheese rinds, vegetable scraps and landscapes.
Here’s a picture of my book in progress. The mint is there to show scale. And yes – it’s hand bound…
Happy New Year everyone! New on newsstands is a magazine, Oregon Coast Magazine, in which is a 4 page article that I both wrote and illustrated! It was such fun to do a “sketching the coast” article for them that I want to do more such writing plus illustrating this year. Here’s a link for Oregon Coast Magazine https://oregoncoastmagazine.com/.
As you know I’d illustrated some of Chef Kim Mahan’s recipes. Well another chef – Chef Sebastian Carosi – saw the work I’d done for Chef Mahan and asked me to come to a photo shoot today. So I went and drew pictures of Chef Carosi’s Roasted Butternut Squash Soup – as it was being professionally photographed.
I took my favorite waterproof ink pen, my watercolors and some paper. I drew and painted – a lot – while dodging to keep out of the way of photographers, assistants and Chef Carosi, who was doing last minute soup garnishing just prior to placing a beautiful bowl of soup under the bright photographic lights.
Here’s a couple of pages of what I did – and a bit of the equipment I did it with:
I did many more drawings than what is shown in the photo. During a break the Chef and I talked about what I’d done… He liked my “soup as a sunset” visual story/metaphor. But he really likes my hand-written recipes and characters. So in my studio I’ll do a redesign and create a “character” out of one of the ingredients and hand-write the recipe data.
We finished up the photoshoot (and I did more drawings) and then we all ate soup.
Oh my!!!! Smooth, creamy, earthy… like a hug for tummy and soul. Now how to translate THAT into artwork???
Anyway here’s a link to Chef Sebastian Carosi – he likes to use locally sourced ingredients, some from his own garden, some foraged from the local PNW landscape and some purchased from local companies like Jacobsen Salt and Fairwinds. There was also a local cheese that we sampled. I meant to look at the wrapper or at least ask again for the name of the cheese maker. But in the fast-paced photoshoot food-illustration event I forgot.
Still it’s been a delightful day of drawing soup and soup ingredients and meeting new people! What fun!
Will draw more soup tomorrow…
Update: The cheese I referred to above was from Ferndale Farmstead
I’ve finished my sketchbook for the Brooklyn Art Library’s Sketchbook Project, packed it up and put it into the postal slot. But before I did that I created an ebook version of the book – and a video. I was going to post more photos of work-in-progress and such – but I’ve gotten very busy so… you can download-to-own an ebook version here. And below is the video…
Hanging out at a bookstore yesterday with friends I happened to spot the book “Making Stuff and Doing Things: DIY guides to just about everything!” edited by Kyle Bravo https://microcosmpublishing.com/catalog/books/1400
This book is now in it’s 4th edition and there’s one chapter by me titled “Why Make A Zine or Artist Book?”.
Back in 2003, if I remember correctly, my work was included in the first edition. Rereading my work now in the new 4th edition I’m still proud and honored to be included! It really is a useful-in-creative-life book – I’m not just talking about my own chapter.
Here’s a teaser hint of some of the book contents in addition to mine.
And here’s a teaser page spread from my chapter within this useful book:
Sharp readers of my blog will probably notice that I’ve used one of the book-stitching techniques I mentioned in “Making Stuff…” on my current project “Time Tavern” (here’s a link to some Time Tavern posts; stitching the book here and more progress here.)
And here’s a panoramic photo of me along with Sweetie and one of our friends (the 4th friend was taking the photo) outside the bookstore Annie Bloom’s Books in Portland Oregon. http://www.annieblooms.com/
Delighted that my artist book “The Rabbit” has been published in its entirety in Issue 7 of Small Po[r]tions journal! You can see it directly here: https://smallportionsjournal.com/2017/02/10/sue-clancy-the-rabbit/
A problem I’ve had as a professional artist who does fine art commissions – is that often the project is a secret. Which means even though my day (and mind) is filled with drawings, paper patterns and colors related to my commission I can’t talk about it online. No posting “in progress” photos because it’d spoil the surprise for somebody.
But still the Social Media Beast must be fed.
I’ve solved this problem – in hopefully an amusing way – by posting my short-narrative work (see my last post as an example), or something about one of my artist books…Here’s a page I particularly like today from my book Dr. Bob’s Emotional Repair Program First Aid Kit:
Or posting a page from my sketchbook – like this one – which also happens to be an ebook page from my Coffee Table Book – (by the way, it is also a very good recipe for lunch):
Or posting something about one of my pattern designs: The art apparel with my pattern designs that I do for VIDA really do have my signature on them! You can see my entire signature collection here: http://shopvida.com/collections/sue-clancy
Sue Clancy’s “signature collection” of art apparel really does have a signature! See the whole collection here: http://shopvida.com/collections/sue-clancy
And now that I’ve told you my secret – and fed the Beast a bit – I’ll get back to work on my art commission.
Recently I took some of my artist books to the 23 Sandy Gallery in Portland Oregon. While I was there I saw the “Dead Feminists” exhibit by Jessica Spring and Chandler O’Leary. I’m talking exquisite hand drawn lettering, illustrations and printmaking employed as a way of celebrating women! And this exhibit also exists in a book titled Dead Feminists: Historical Heroines in Living Color published by Sasquatch Books.
Naturally I bought a copy.
The book – which you can purchase via their website http://www.deadfeminists.com/ and probably by book-sellers where-ever – is a wonderful nesting, interlocking set of artistic ideas. There’s the historical stuff about women (those dead feminists) who have done exceptional work towards advancing women’s rights. There’s the stuff about how artist’s Spring and Chandler worked to create the lettering, illustrations and the print production. Then there’s the stuff about what non-profit organizations (often women’s orgs) benefited from the sales of Spring and Chandler’s artwork.
It’s a beautiful depiction of how an artist (and a woman in whatever profession) can do her best work and benefit her community both immediately and in the future.
The book is a powerful reminder that we are each an essential contributor to life as we know it – or hope to know it.
Thank you Jessica Spring and Chandler O’Leary for your wonderful work! And thank you 23 Sandy Gallery for sharing it!
Now that I’ve finished reading this book I’ll go fetch my socks from where-ever they went when they were blown off.
Here’s a self-portrait I did this morning. (Aka: more short visual story/narrative practice.)
Self-portrait of the artist this morning. By Sue Clancy
I was looking in my files for some dog photos and found this graphic narrative I’d written and drawn some time ago. Since I’ve recently been practicing my “short narrative/ flash fiction/ nonsense” on this blog I thought you’d enjoy seeing this effort too!
A short autobiographical graphic narrative by Sue Clancy