books and readers everywhere and in my sketchbook too

A Creative Life, art exhibit, artist book, artistic inspirations, Books In Art, drawing as thinking, ebook, kitchen art, reading in art, recipe illustration, sketchbook, visual thinking

One of the many things I love about the Pacific Northwest are the indie bookstores and all of the people I see reading. Almost every time I’m in town I see people reading printed books in coffeeshops, in cafes, in the park, in the library, in line at the post office, waiting for the bus and even while walking down the sidewalk.

For example here’s a sketchbook page (left side) I did just after passing by the lobby of one of the downtown apartment-plexes. There’s a lobby on the first floor and a guy was sitting in a chair reading with his dog on his lap. (I added the cat – just for fun.)

I did the other page (on the right) on the same walk, but just after walking past a café window where a lady was having a dessert and coffee. The book she was reading was about the same small size as her cake! So I had to note that!

ArmchairBook

Below are several more pages from my “running around loose” sketchbook (a book I take with me when I go to town) as well as a few from my “kitchen sketchbook” (a book I keep in my kitchen at home to doodle in while I wait for water to boil etc.)

These pages – and my many other sketchbook pages full of readers and books – have been feeding my current  “reading and books in art” fine art series that I’ve been posting about in my last several posts. This series of paintings is for an upcoming exhibit. Plus books are a fun topic for me to use in my artistic practice to, well, practice.

I’m still thinking hard about my notion of nesting ideas (like the way one book refers to another book etc.) and this week I’ve added a twist; in past years to accompany my fine art exhibits I’ve included ebook versions of my sketchbooks. What if this year, instead of an ebook, I did a limited edition printed book? And what if it was a book that collected some of my sketches of human readers and possibly included some of my poems/short stories?  So that the poem/story related to the human reader, what they might be reading and also to the fine art?  It would be a way for me to include the story alluded to within my recent painting Epic Tales Of The Pug King for example.

Hmmm…  I’ll keep thinking. And I’ll probably post some of my human reader sketches/illustrations here too and see what you think.

Oh, and to add another layer to my nesting-ideas concept, over on my Instagram page I’m occasionally posting books I’m currently reading.

oh sheet a deadline dragon

A Creative Life, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, business of art, creative thinking, drawing as thinking, functional art, illustrated poem, illustrated shorts, poetry, Sustainable creativity, words and pictures, writing and illustrating

Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.

And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.

Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.

Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:

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And here is the instruction sheet on how to fold the above “book”:

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The pdf file for free download again: DeadlineDragonDancebyClancy

Yep I had a lot of fun taking a stodgy concept like deadlines and combining it with humorous poetry, illustration and book arts! I used brush and ink as well as my fountain pen on Bristol paper.

What do you think? How do you deal with deadlines, both the ones you set for yourself and those set for you by others?

on seeing story stuff

A Creative Life, art exhibit, art gallery, artistic inspirations, fine art, still life, visual story

Beauty and wisdom are all around us if we’re attuned to look for them. Like a mystery story detective looking for clues we train our eyes to “see” what is there. This is partially a function of he way our brains work. We see what we expect to see. How broad or narrow that expectation is affects what we will see. It’s all too easy to “see” only to-do lists and drudgery in daily life.  It’s too easy to “see” beauty only in dramatic once-in-a-lifetime vacation places. Yet our view can be broadened so we can see beauty in the fruit at the local market – and find wisdom on our coffee cup.

I see my job as an artist as a practice of seeing beauty in ordinary places and things; of telling the stories of the beauty and the wisdom I find. To help others to see the beauty too.

Beauty and wisdom can be too easily ignored, lost and forgotten – and when that happens life can seem dull and drudgery filled.  This is why we need to constantly train our eyes and minds to look around our mundane lives and see the beauty, the wisdom. It takes repeated practice. It takes detective work.

Dr. Bob Hoke (the psychiatrist I illustrated a book for) had a phrase for this phenomenon of the mind “When the student is ready the teacher will appear. And sometimes the teacher has been there all along waiting patiently for the student to become ready, to notice and remember to notice again the next day.”

Here are some beautiful ordinary things I remembered to see – and what I thought about them:

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“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board

Life’s A Bowl Of Cherries, Stems, Pits and All – At the farmer’s market during Rainier Cherry season I saw a father teaching his very young son how to pull a stem off, chew the cherry, extract the pit and put the stim and pit into a cup. it reminded me of how we have to be taught how to deal with the adversities in life, how to cope with the pits, how to focus on and remember to enjoy the good things.

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“Coffee City” – by Clancy – 5 x 7 inches – acrylic and gouache on board

Coffee City – I’ve been thinking of how much our lives are reflected in the objects we own, save, give away or dispose of – and the many mundane moments out of which a life is made. Perhaps choosing carefully what we focus on, choosing what encourages our “better angels”, choosing what becomes mundane is what makes for a good life.  These thoughts began when I was having coffee in one of my downtown coffee shops, staring at the highly polished surface of the ceramic coffee cup which reflected the surrounding city-scape. It was an ordinary moment that elevated my spirit. So I made this painting in order to remember.

You can see more art examples from this exhibit in my recent posts here and here.

More info about my upcoming art opening is available on Facebook https://www.facebook.com/events/2217205128523609/

True confessions: since the opening party is tomorrow night I am having a bit of the “will anyone come?” jitters. No matter that I’ve been having one person exhibits for many years, many times a year, or that all events have for the most part been well attended – even knowing all of that as opening night nears I get a little nervous. (“Will anyone else see….?”)  The exhibits matter to me. They’re risky on many levels. That’s part of the exhilarating fun of living the artistic life.

So, yes, I can see the beauty in my nervousness.

Mostly.

 

oh my gouache

A Creative Life, art techniques, artist book, artistic inspirations, business of art, sketchbook, The Sketchbook Project

The cookbook signing I did recently with Chef Kim Mahan went very well (cookbook info here) and then I took some days off.  Which means that I read books and dabbled with a new-to-me art media – gouache.

You see my wife and I went with a fellow artist friend of ours, Donna Young, (www.donnayoung.com) to the Portland Art Museum to see The Wyeths: Three Generations.  An exhibit of works by N.C. Wyeth, Andrew Wyeth, Jamie Wyeth and Harriet Wyeth.  https://portlandartmuseum.org/

Naturally the three of us discussed the compositions of the works – and we discussed the art mediums each Wyeth used.  Donna knew more about gouache than I did – and one of the things she said that it was less water-y than watercolor and not as plastic as acrylic. My curiosity was peaked.

After our day at the museum I looked up gouache and read of its ease-of-use in books about art mediums; I read of the application of gouache in bound sketchbooks but also its use when a painting/image is intended for reproduction.

I thought “Ah ha! This might be the solution for my problem of how to color my Brooklyn Art Library sketchbook”.  I’ve been slowly working on a visual story titled “Time Tavern” but the paper in the sketchbook as it comes from the Brooklyn Art Library is so thin that I knew my usual methods of adding color, acrylic, watercolor and etc. mixed media would over power the paper. Just using color pencil didn’t feel as bold as I like to be so for some time now I’ve been pondering what to do to add color. (You can see my last post about that project here)

What Donna said about gouache, and my subsequent readings about it, made me think it might be an option for me. So I went to a local art supply store where I got some Holbien Artist Gouache.  Here below is a pic of the colors I got, my palette set-up and the color notes I made.

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I also generally scribbled with my brushes dipped in each of my new gouache colors on various pieces of paper – some thick, others thin. First tentative color marks make me very hopeful…. oh my gosh, I think I may like gouache!

reading books making art eating popcorn

A Creative Life, art techniques, artistic inspirations, Authors, books, creative thinking, food for thought, Sustainable creativity, The Sketchbook Project, visual story, visual thinking, words and pictures

Below are some books I’m currently reading that are “feeding” many of my upcoming art projects. That’s art exhibits, illustration projects and yes even my sketchbook work for The Sketchbook Project I blogged about last post.  Even though it may seem that I produce a random variety of things – there’s a uniformity to my randomness and it begins with what I read. I see all of the things I make as telling a visual/tactile story about being human, enjoying life and living well.  And to help me develop my visual story I read…

BooksReading72

In case you can’t see all the titles in the picture they are:

“Wonderland; How play made the world” by Steven Johnson

“Books for Living” by Will Schwalbe

“The Creative Spark; How imagination made humans exceptional” by Agustin Fuentes

“The Foundations of Mindfulness” by Eric Harrison

“Like Water for Chocolate” by Laura Esquivel

All of these books relate to themes I’ve been working with artistically for some time now:

How being willing to try new foods, to eat diverse foods, has helped us develop biologically as physical human beings. And how it helps us still.

Playing music, playing games, “playing” with our food – each kind of play in it’s own way has helped humans as a species develop and maintain physical and mental structures as individuals – and also social structures as communities. This is still true today. When we do not take time to play we hurt ourselves and each other.

Reading books (and writing them) has helped us – as a species – to pass on information so that each generation doesn’t have to completely reinvent the world from scratch.  This ability to collect information, and learn from it, informs our abilities to play – to playfully combine/recombine things – helping us to develop and maintain our mental skills.

Which leads me to mindfulness. Mindfulness for me is the human ability to pay attention, to focus attention and also to have a state of open/non-judgmental acceptance – curiosity even. This is essential to developing, having and keeping our human ability to imagine and be creative.  Mindfulness is part of being able to play and learn…and being able to play and learn is a way of being mindful. And for me, keeping a sketchbook, making art, is at it’s heart an exercise in playful mindfulness – but more about that in another post.

The novel by Esquivel is included in my current reading list because woman does not live by non-fiction alone.

Now please pass the popcorn. Thank you.

5 dog drawing demo directions by Clancy

A Creative Life, art exhibit, business of art, Dogs in Art, public art, Sue Draws Dogs

Tomorrow at Burnt Bridge Cellars I’ll be signing copies of my book “Dogs by Sue Clancy” and doing a dog drawing demonstration.  This means you can drink wine while watching me work.  Here are 5 things I think about when getting ready for a dog drawing demo:

  1. What dogs shall I draw? I plan in advance, sketching lightly in pencil, what dog breeds I’ll draw during the live-action demo. In other words before I even go to the demo I’ve already done the largest part of the “creativity” and double checked my dog-breed drawing accuracy.  This way people can talk to me while I’m doing the demo and I don’t need to be concentrating on getting a dog breed drawn correctly.
  2. Locate my demo apron. Ink is messy. ‘nuf said.
  3. Pack all necessary materials in one portable container in a “push-here-dummy” fashion. People will often start talking to me while I’m setting up to work. So I make sure to have all of my necessary materials packed – but I also take care to pack in such a way that I can unpack in a distracted manner and still be set up correctly to work. Keep it simple!
  4. Remember to smile and talk to people. A demo is about sharing – not about zoning out into creative never-land.  So if a drawing isn’t “perfect” because I was answering someone’s question and not paying attention to where my ink was dripping – I don’t sweat it – in fact I’ll freely tell people that 90 percent of being an artist is knowing how to fix mistakes.
  5. When the demo is done I make sure to thank everyone for coming, for hosting the demo – for doing anything anyone did that helped me out.  The world doesn’t owe me a thing. In fact I’m grateful I get to do what I love for a living – and people around me help make that possible.  So in advance: THANK YOU!!!!!!!

Here’s me in my demo apron

WIN_20170714_13_48_39_Pro

And if you’ve just arrived at this party you can find copies of (or info about) my book “Dogs by Sue Clancy” on Amazon or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

Other relevant links:

Burnt Bridge Cellars http://www.burntbridgecellars.com/

Caplan Art Designs http://www.caplanartdesigns.com/

 

On giving art demonstrations

A Creative Life, art techniques, Authors, books, dog portrait, Dogs in Art, fine art, published art, words and pictures

On Saturday I’m participating in a “Words and Pictures Festival” at my local library.  I’ll be signing two of my book titles (more about my books here: https://sueclancy.com/artist-books/ ) and doing some of my dog drawings and talking about how I create my images. I’ll talk about my ideas, show my tools and discuss methods.

The challenge for me is the talking-while-drawing part of the demo equation. So to help myself I’ve done a video of me drawing… this way I can watch myself and think of what I need to talk about.  When you watch the video do you have questions that you’d like me to answer?

 

 

play and focus as a business of art model

A Creative Life, art techniques, artistic inspirations, business of art, Sustainable creativity

I got some new-to-me kinds of watercolors. Chinese watercolors to go along with my Sumi ink. So I had to play with them.  Here’s my test case below.

MeasureSpoonsPractice

Feels good to just play around with my art supplies – kind of like eating mac-n-cheese right out of the pan while wearing pajamas and watching a movie.

After I was finished it turns out that I like the yellow spoon drawing best because after attempting the green and the blue spoon drawings I learned that applying the sumi ink last makes for the boldest lines.

Yep. I highly recommend playing around with ones art supplies as a way to refresh and  sustain creativity.  I’ve not seen this important sustainable creativity business method discussed much in the business-of-art books. It oughta be…

My business-of-art model goes like this:

  1. Play around with my materials often. Both new materials and old ones. Experiment.  Make a mess.
  2. Focus on what I’m doing instead of how well I’m doing it. Focus on the fun.

Another way of describing my business-of-art model goes like this:

AHappyTail72

page from “Dr. Bob’s Emotional Repair Program First Aid Kit” https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit

Like happiness good artwork often happens while we’re doing something else.

business of art book review

A Creative Life, Authors, books, business of art, Sustainable creativity

Long ago, in what seems now like a galaxy far away, I organized a business of art seminar series called the Artist Survival Kit.  It was part of my work on the Oklahoma Visual Arts Coalition’s board. I also wrote a quarterly column on business of art topics for the magazine Art Focus Oklahoma. Part of my work included reading and reviewing published books about the business of being an artist.

Then I “retired” from doing all that and went on with my life as a fine artist and author/illustrator. Of course I continued to regularly read books on business topics.

Warp-speed ahead to the Pacific Northwest: when any two local artists get together we talk shop – creativity and business stuff – which includes discussions about books we’re reading. And the more-abundant bookshops and libraries here have impressive selections of business-of-art books sitting right there on a shelf!  (Imagine that!?!) Which brings me to this book I just finished titled “Real Artists Don’t Starve” by Jeff Goins. (and yes, that’s my coffee cup in the photo)

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My thoughts about “Real Artist’s Don’t Starve by Jeff Goins are below in random order:

It’s worth a read no matter where you are in your art career and worth keeping on your studio shelves for that moment when you need an “I can do this” boost.

I love the easy-to-read quality to the writing, how he clearly explains concepts about business in ways that don’t send your creative self whimpering into a corner.

I love it that he emphasizes thinking of yourself as an entrepreneur. Particularly on page 147 where he writes “Some artists tend to think making money is either a system you sell out to or something to be avoided altogether. But in reality, it’s neither. If you don’t make money, you won’t have any art to make. We must seek to better understand the business of being an artist. Ignoring this reality is the fastest route to stop creating all together. To be an artist is to be an entrepreneur. We must learn to embrace this tension and the beauty that comes from it.”

Yep – that sums up exactly what I tried to teach all those years ago in Oklahoma. But I think Jeff does a much better job of explaining things than I did – pictures being my preferred medium to words-in-a-row. Jeff Goins is much better at the words-in-a-row.  So I’m very glad he wrote this book and I’m glad to recommend it.  I’m also grateful that I now live in a place, in an artistic scene, where it was possible to  “happen on” to it.

As Jeff Goins writes on page 91 “As artists, we want to be where we feel understood. We want to live in places where our work and way of life are encouraged.”

After reading this book I certainly feel encouraged! Now I’m going to go create something.

(Oh, by the way, I sometimes post tid-bits about art related books on my Goodreads page…)

cephalopods and the art of small things

A Creative Life, art techniques, artistic inspirations, creative thinking, mental health, small things, Sustainable creativity, visual story, visual thinking

Yesterday I read an article titled “Cephalopods Adapt By Editing Their Genes” and that reminded me of the value in periodically examining our own assumptions, our own stories, our own worldview and being willing to rearrange our own mental furniture.

Perhaps adapting or editing the stories you tell yourself is the human equivalent of editing genetic code as a cephalopod?

Reexamining stories, assumptions and the kinds of questions you ask are also keys to creative thinking.

I’ve noticed that the kinds of questions a person asks makes a difference in creative thinking. For example asking “How can I include at least one fresh vegetable in this meal?” elicits a more exciting creative response than the question “How can I eat more healthfully?”

Likewise asking the small question “What art medium/technique would be most fun to use to depict my favorite food?” provokes a more joyous creative response than the question “What fine art can I make on a universal theme?”

Most days I wake up thinking “what small thought can I think about or re-think about today?”

So today’s small things I’m thinking about are pictured here:

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By list:

“Cephalopods adapt by editing their genes” http://www.columbian.com/news/2017/apr/13/cephalopods-adapt-by-editing-their-genes/

“The Drunken Botanist” by Amy Stewart

“Creative, Inc.” by Meg Mateo Ilasco & Joy Cho

A postcard of “Chaco Culture” a National Historical Park in New Mexico

My coffee cup and a glass marble.

And to put the concept in this blog post yet another way: Here is a page from my book “Dr. Bob’s Emotional Repair Program First Aid Kit” https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit

TheGemstone72