reading a dachshunds ode

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As I mentioned regarding the “Leaves and Grounds: Poems for the Canine Soul” painting I wrote of in my last post here, below, is another artwork with a concept related to, nested within, the afore mentioned painting. Also in this post is a poem that I wrote that relates to the ‘Leaves and Grounds’ concept.

ItsMagic-PrintThisOne

It’s Magic – by Clancy – ink and gouache on paper

A Dog’s Ode To Spring
By Clancy

Oh, there’s sunshine
Glorious sunshine
Makes a dachshund want to roll!
Let me out
To run about
Compost is good for my soul!
Oh, the mounds
Of leaves and grounds
This dog’s heading for the pile!
Where the digging is best
I’ll make my nest
Don’t wait I’ll be here a while!
I may be groomed
But that’s all doomed
‘cause I’ll do what makes me grin!
Oh, the sunshine
Glorious sunshine
I’m here till you shout “get in!”

 

leaves and grounds reading

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Been thinking about tea and coffee. And poetry. As readers of my blog know I often read a bit of poetry in the mornings with my coffee. And novels with my tea in the evening. Or vice versa.  This bit of my mundane life inspired this painting below along with the thought that Dachshunds like to dig… and writers and readers often “dig” for meanings…

LeavesAndGroundsPoemsForTheCanineSoul72

Leaves And Grounds: Poems for the Canine Soul – by Clancy – 20 x 16 inches – acrylic on cradled board

Naturally (organically?) I’ve included, in the painting above, 2 spoofs of my own still life work. Each of the still lives relate to the theme of “Leaves and Grounds: Poems for the Canine Soul”.  The titles of the still life’s, in my mind at least, add more information to this “Leaves and Grounds….” painting.

As you can tell I’m still thinking of the nesting ideas concept I’m working with for this body of work (“Readers” is my working title) for an upcoming one-person exhibit.

Here, below, are my still life paintings that are spoofed in the painting above:

AStirringOccasion72

A Stirring Occasion by Clancy – 8 x 10 inches – acrylic and gouache on board

ANovelMorning72

“A Novel Morning” – by Clancy – 24 x 18 – acrylic and gouache on board

I’m currently working on yet another nesting aspect related to this concept of leaves, digging and poetry… but that will be another post.  Btw: if you follow me on Instagram occasionally I post what I’m currently reading.

reading and mutts in art

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On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.

Fast forward to my currently in progress reading and books in art series – and the wonderful mutt I’d met made an appearance:

MeditationsForTheMetrosexualMutt72

“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019

Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…

LifesABowlOfCherriesStemsPitsAndAll72

“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board

The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.

Gala72

“Gala” by Clancy – acrylic and gouache on board

The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.

I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.

As you can tell I’m still thinking about “nesting ideas” and stories within stories…

 

 

crossword puzzle books in art

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Here’s a new painting in my “reading and books in art” series.  I confess that I love printed dictionaries, thesaurus’s and puzzle/game related books. In my art studio resource shelves I have 8 dictionaries, 3 thesaurus’s and 5 puzzle/game related books. Art idea gold-mines in my opinion. Naturally a Boston Terrier would consult one of these books…

TheArfThesaurus72

“The Arf Thesaurus” by Clancy – 16 x 20 inches – acrylic and gouache on board —- image copyright 2019

The puzzle in the painting is actually work-able – at least somewhat – if you could get the Boston Terrier to move his arm.  It was fun to imagine a puzzle related to sounds (words?) a dog makes.

If you look in the upper corner of this painting you’ll see that I’ve spoofed another painting that I did earlier.

GoodMorning72

“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board – image copyright 2019

As I’ve worked toward this exhibit theme of reading and books in art I’ve become aware again of my love of words so I’ve also been experimenting with abecedarian poems, nonsense poems and made up words. This is in conjunction with thinking about constructing some artist books related to my upcoming reading and books themed art exhibit.

Still noodling about this concept of nesting-ideas-within-nested-ideas I’d mentioned in my last post. We’ll see where it goes.

And yes, I love it when I take the time to sit and work a crossword puzzle. I’m not up to The New York Times puzzle level yet. Someday perhaps. I’ve known two people who could do the Sunday NYT puzzle in ink. They impressed me enough with their level of education/smarts that I started on the bunny-slope level of crosswords. They inspired me reading more widely too. I like to think I’ve gotten a little better at puzzling since then.

Do you like crossword puzzles?

books and creativity

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It’s been my experience that one’s reading is the fertile soil from which all other creativity grows. So I find books like this one, “1000 Books To Read Before You Die” by James Mustich, an essential art studio tool.

The Mustich title is especially useful as it’s more like a restaurant guide than most “read-this” books; the suggested titles are sorted alphabetically by author, there are readable book note details about the genre/subject, when it was written, and other notable works by the author are listed. A “further reading” section about the author’s life and work or on the book’s subject is included. There’s a “try this” section listing other books by other authors suggested for the reader if they enjoyed the featured book. Helpfully “adaptions” of the featured title are also noted: films, plays, musical compositions and audio books. Hints are given whether you could read the book “in a sitting” or not. There is also a section of Mustich’s book that lists books sorted by genre/section: my favorites (so far) are “Lol”, “Mysterious Matters”, “Soul Food” and “Animal World”.

I find all of this pre-sorted book sorting helpful by making it easier to find books related to my creative topic. For example I’ve been reading books about objects lately since I’ve been doing some still life paintings. So yes, that has meant reading Marcel Proust and John Ruskin among other authors.

As you know I’ve been doing both food themed fine-art paintings as well as several food-recipe illustrations – so reading mystery novels that have food in them has been a good way to keep the “creative fun” going in my head while I wait for paint to dry.  BTW, I found an online source for culinary themed mystery novels; https://www.cozy-mystery.com/blog/cozy-mystery-authors-with-culinary-themes-part-1.html)

One of my favorite things to do is sit for an hour or so before bed and read with my beverage of choice handy.  If you follow my Instagram page occasionally I post what I’m reading and what I’m drinking.  While it looks (and often feels) like pure indulgence I’d say that my time spent reading is one of the most important things I do to develop and maintain my creativity.

Anyway, here’s a photo of the book by Mustich – alongside one of my favorite wines by Burnt Bridge Cellars. And, don’t worry, I was sharing the bottle of wine with my wife… 😉

1000BooksToRead

1000 Books To Read Before You Die by James Mustich

BTW, a local newspaper had a wonderful interview with James Mustich about what books did and didn’t get included in his “1000….”.  Oh, and here’s a link to a local bookstore for more info about the book itself.

paint to learn a pomegranate salad

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At a friends house recently we were served a spinach and pomegranate salad. It was yummy and something like this recipe here.  As I ate I realized I’d never looked properly at a pomegranate.  I also realized I didn’t know cut one open. So later, back at my studio, I found an instruction video here – then I got some pomegranates and began looking and painting.  This is what I did:

OhSeeds72

“Oh Seeds!” – by Clancy – 5 x 7 inches – gouache and acrylic on board, framed.

SharedSeeds72

“Shared Seeds” – by Clancy – 7 x 5 inches – gouache and acrylic on board, framed.

After the paintings were done (and the pomegranates added to my salad) I submitted the artwork for consideration to the gallery. They were accepted so I framed them and delivered them along with 10 other small pieces for a “Small Works Holiday Group Exhibit” at Caplan Art Designs the months of November and December.  www.caplanartdesigns.com

All in all not a bad way to learn how to make a salad!

 

I really mint it

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Typically I paint food and drinks from my memory and imagination. Sort of.  I take my sketchbook along and draw from life what I’m eating or drinking. But when I get paints out in my studio to do a “real” fine art piece I’m winging it from my sketchbook-aided memories of the food flavors and presentation.  Recently I’ve done something different.

I’ve been working from “live” models in my studio. Here are my models as they came from the store:

StudioModels72

Clancy’s art studio “models”.

You see, I’ve been thinking of that moment during a nice dinner out, when the waiter brings you some after dinner mints, and you sit with your friends munching them and gentling into the rest of the evening.  But I can eat mints pretty quickly. (Mint is one of my favorite flavors) And in such a situation I’m usually focused on the conversation. So have I ever really looked at a mint? I mean really looked?

I bought some mint candies as art models for the serious artistic meditation thereof. And while I did look at (and eat) them I still ended up somewhat “winging it” when creating these paintings:

I think as paintings they worked out okay. While I tried some different colors (the purple, the teal and the orange) I feel I conveyed the minty goodness of the candies. I also think I managed to imply a story in each of them, at least an implication of people eating the mints.

At any rate I have really looked a mint now. Really looked.

olive hue

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Olives are one of the many ways adults know they are loved. Grapes too. But I’ve been thinking about olives. Olives to eat. Olives in Dirty Martini’s. And how if you say “olive hue” it sounds a lot like “I love you”.

Olives have to be picked from the olive trees carefully – then preserved and processed – lots of work is done just so we can enjoy them. In all of their salty, brine-y, yummy glory. There. I feel loved. Don’t you?

Anyway here’s artwork I did recently while these thoughts ran around my brain (brine?) jar:

InSearchOfTheHolyGrail72

In Search Of The Holy Grail – by Clancy – 7 x 5 inches – acrylic and gouache on board

Allegedly you can grow olives here in the Pacific Northwest. There is at least one local bar that serves drinks with “Local Oregon Olives”. (Note to self: Explore this more.)

Speaking of drinks – one of my favorites is the “Dirty Martini”. With extra olives of course.  Here’s a drawing I did of my currently favored recipe:

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Sketchbook page from “Time Tavern” – you can see the full book here: https://www.sketchbookproject.com/library/20467

Happy weekend!

candy can

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Dr. Bob Hoke had a little musical ditty he’d sing during our visits*: “Oh the candy man is made out of tin / It’s just the kind of world we’re in / so begin, begin, begin…”.

I took this to mean that we don’t have to wait for “perfect” conditions to exist before we begin something. I also interpreted the phrase “the candy man is made out of tin” to mean that the dispenser of candy wasn’t a perfect person – they were just doing their best to sweeten up the ordinary day.

Then I remembered the kids song “Candy Man” and searched for the lyrics to freshen my memory. (Full lyrics here: https://kidsongs.com/lyrics/candy-man.html/ )

And then I wondered about the origins of peppermint candies… (here’s a link: https://www.leaf.tv/articles/what-is-the-history-of-peppermint-candy/ )

All of those thoughts were in my mind as I worked on a new painting, now finished and titled “Enjoymints”.  I was reaching for an idea of the magic-ness of the very ordinary, an ethereal sense of mixing the mundane with love and making the world taste good.

Enjoymints72

“Enjoymints” by Clancy – 5 x 7 inches – acrylic and gouache on board

*Dr. Bob Hoke and I were visiting about the illustrations he wanted me to do – that eventually became the book “Dr. Bob’s Emotional Repair Program First Aid Kit”.

opening story stuff

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I find that with each art exhibit I learn more about my own work. Last night, during the opening party for “Story Stuff” at Caplan Art Designs, I had multiple questions about my art techniques – in addition to conversations about the content within my artwork. As a result I realized that I’m an ancient art technique nerd. Many of my works in this exhibit utilize art techniques originating in the 19th century and earlier. I didn’t consciously set out to use so many old techniques – handmade paper, paper dying, and gouache to name a few – they just suited my content as I created it. Several different people commented that they thought my use of old techniques made my work “ethereal”.

Wow! New thoughts to think – and thank you to all of my fans for that! Thank you for all the stimulating conversations!

Quite a crowd ebbed and flowed throughout the evening. Here’s a photo from one of the moments. I’m wearing a red shirt.

What a fun evening!  Now, back to the studio to make more art!