It was adventurous but the cookbook is here

A Creative Life, artist book, ebook, illustration, Kim Cooks Sue Draws, kitchen art, visual story

When I last wrote I was waiting impatiently for the short-print-run of the unconventional cookbook “Kim Cooks Sue Draws” to get here. That was just the beginning.

It was Thanksgiving weekend, a cold rainy night, and Sweetie and I were on our way out the door to a party. We’d just opened the door to leave and there stood the delivery guy with a huge box. A big brown truck was parked at the curb. He plunked the box down and left in a hurry. The box was partly open, with stuff spilling out, and because of  that Sweetie and I struggled to get it in out of the rain.

The box looked like this.

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Fortunately the company I used for the book printing double boxes things. Even so. The inner boxes looked like this.

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Hurriedly I looked inside the box to see if things were still useable. They appeared to be. I breathed a sigh of relief. We flung ourselves in the car. I was texting the Chef about the arrival as we backed out of our driveway and we made it to the party only 10 minutes late.

After our party I looked more closely at our cookbook elements – and things really did seem okay. I was relieved.

The next day Sweetie and I gathered all the cookbook production elements and we went to Chef Kim’s place where, along with Chef Kim’s spouse, Dearest, we sorted and put together 90 cookbooks.

Here is Chef Kim deciding the order of things.

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Here’s a look at a few of the recipe cards spread out so you can see them.

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There are 15 recipes total and they were slipped into a vellum envelope with a sticker-label on the front and back to serve as the “title” and “back-matter”.  In the process of putting the title labels on we discovered that we only had half of our label order. Oh no!

Panic! I said lots of things like “Sh#$” and “Da#@ it!”

Chef Kim looked at my Sweetie and said, with a grin, “I didn’t know she knew Blue Words like this.”

Sweetie replied “In certain situations she can be fluent.”

We speculated that the labels must have slid out of the gaping hole in the box. I got myself together. We finished sorting all of the books and put labels on what books we could.  Back at my studio I immediately contacted the printing company. Long story short – they are replacing what was missing and all is right with my cookbook-production world.

Here’s the 3 of us in the middle of hand-sorting the cookbook. (Dearest took the photo)

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Here’s a stack of cookbooks that are ready to go!

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This coming Saturday Chef Kim Mahan and I will be signing copies of “Kim Cooks Sue Draws” at Burnt Bridge Cellars in Vancouver WA.  It’ll be fun for me to see how people react!

Here’s a look at the front and the back of the cookbook so you can see the labels on the vellum envelopes with the recipe cards inside.

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And here is access to an ebook version (best viewed on a tablet or laptop) of this same cookbook: https://www.patreon.com/posts/ebook-version-of-15599644

 

Thank you book and artist sketchbook subscriptions

A Creative Life, animals in art, artist book, artistic inspirations, Dogs in Art, visual story, visual thinking, words and pictures

Tomorrow is Thanksgiving. And I’m grateful for you. Thank you for following my blog, and my artwork on social media. Thank you for coming to my art exhibits. Thank you for buying my fine art, my books, scarves and my other designs.  Here, as a “Thank you” is a downloadable, printable artist book. In the pdf file below I’ve also included instructions for folding the 8 page book.  Yes, you can color my book first if you like.

ThankyouBookByClancy

Here is an image of the book folding instructions – I’m including them in this post as a way of giving you a clue as to what the above pdf file will be giving you.

FoldingInstructions

And because many of you have asked for more from me – I’ve been slowly creating a way for you to access my sketchbooks and artist books via subscription. This will allow me to make available new artist books as I create them. You can see what I mean here: https://www.patreon.com/sueclancy

Thank you again for your support and encouragement of my artwork!

https://www.patreon.com/posts/thank-you-book-15504687

public art a magazine illustration and a speech

A Creative Life, art commissions, artistic inspirations, business of art, creative thinking, drawing as thinking, public art, publications - publishing, visual story, visual thinking

I can now talk publicly about one of my current projects: I’m doing an illustration, a public art piece and giving a speech for Salmon Creek Journal and Washington State University!  The unveiling of the public artwork, and my speech, will be in October. And the magazine illustration will flow from that. Here’s how it all began:

You know I’m deaf right? Well some time back now at one of my local libraries I gave a drawing demo and signed copies of my book “Dogs by Sue Clancy”.  During the demo, (picture me wearing an apron, ink brush in hand, art materials surrounding me on a table and an ever flowing/ebbing group of people watching and asking me questions) a woman walked confidently up to my table.  To my Deaf ears she said “I’m glad to see you! My name is Amanda Xbmlsnn and I’m the editor for Whelngfm Fumeek Ourmrnal magazine. I’d like to talk to you about fmesryulm tjosun. Are you on social media?”  I replied “Yes, I’m on social media. My cards have my contact info. What did you say…” “Great!” said the lady, grabbing one of every card I had on the table “I’ll contact you!”  Off she went. Someone else asked me a question and the rest of the day flew by with a whooshing sound.

A few hours later when the day was done my sweetie came to help me pack up my art materials to leave the library. “How did your day go?” she asked. “Very good – but, darn my ears, I met an editor from a magazine and I didn’t hear her name or even the name of the magazine!!” I said feeling slightly frustrated. Sweetie, knowing that editors are some of my favorite people on the planet, commiserated with me. Feeling somewhat soothed I sighed “I’ll just have to hope she gets in touch with me.”

We went out for a restorative dinner and relaxed for the rest of the evening.

When I next checked my computer I had an email, a Twitter message, a Facebook message and an Instagram message all from Amanda The Editor of Salmon Creek Journal!

There was a lot of subsequent discussion via messages, but in short, the magazine (Salmon Creek Journal – SCJ) wanted to select one community submission to feature in both a gallery showcase and their 2018 print issue – and my work was what they wanted to be the “one community submission”!  The projects relates to a program called “Dis(covering)ability” – so me being Deaf was a virtue…

We arranged for a face to face meeting at the Washington State University (WSU)campus. I brought my camera and took about 45 photographs for my own use as I created my artwork. I took lots of handwritten notes as Amanda The Editor and several other people talked about the campus, about their project and what artwork they hoped for from me.  (My kind of artwork; my use of elements of a physical place etc. was what they wanted! And they wanted me to come give a speech…) Sweetie came with me to the meeting and took notes too. (After such meetings Sweetie and I compare our notes and many of my hearing gaps are nicely filled in!)

Here are a few of the photos I took during the meeting. Sharp-eyed followers of this blog will probably see a correlation between these pics and my finished artwork – which I’ll post eventually. (I mustn’t get ahead of Amanda The Editor in the posting/promo about this project. So I’ll be following her lead on when to post what…)

Since the students are the focus of the SCJ magazine and of the WSU campus – and the focus of the event “Dis(covering)ability” itself – I focused on creating an artistic design that emphasizes the people yet has a flavor of a specific to WSU place. I also wanted to imply a story in my wordless way of movement, of the discovery of sky’s-the-limit ability.

During our meeting on campus I was told that most of the WSU students first experience of campus is on a tour. They said that the fountain was a regular meeting place for students.  As we walked about campus during the project meeting I saw lots of squirrels chasing each other, and birds flying about. I noticed that many of the buildings had a similar brick/tile pattern. All of these observations – and many more – were recorded in my notes.

Back at my studio I looked through my photos and my notes – and Sweeties notes – and I began drawing thumbnails for an overall design. Then I did research to determine the average-height of the characters to be included in the artwork and designing the overall crowd shape.  (In my last post, here, I wrote my tips for drawing crowds.)

Here are a few photos of me at work:

In this pic I’m consulting one of my “animal encyclopedias” and comparing height of various species and listing/drawing a possible grouping.  (Yes, that’s my dachshund on my lap ‘helping’ me work.)

CrowdSizeResearch

In the pic below I’m developing some of the characters that I’d settled on in the first photo. I did lots and lots of drawings of characters in order to settle what they’d be wearing, how they’d stand, who they’d be standing next to and what kind of expression they might have on their face.

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Days, if not weeks, went by filled with regular work like what is photographed above. My “SCJ/WSU” sketchbook for this project is, by now, almost completely full of notes and sketches.

Here, for fun, is another page of sketches:

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As per my arrangement with Amanda The Editor I kept in touch with her and sent almost daily photos of my progress. Some of which she posted on the SCJ social media pages – and others she kept for possible posting later.

So I’ll stop this blog post here for now and see what Amanda The Editor does next. Besides it’s almost time for my supper.  But before I go here is a photo, taken during our on-campus meeting, of Sweetie, Me and Amanda The Editor.

3ofUs

 

 

more from time tavern

A Creative Life, artist book, sketchbook, The Sketchbook Project, visual story

I’ve been very busy lately on several major projects that I can’t talk about publicly yet. Which is why you’ve not seen much of me online. I have managed to squeeze in a bit of work, 5 minutes here or there, on my sketchbook for the Brooklyn Art Library’s Sketchbook Project. I’m still thinking the title of my sketchbook is “Time Tavern”.

Anyway, below are pics of what I’ve gotten done.

And yes, when I can I’ll post about the projects that I can’t talk about yet.

time tavern sketchbook progress

A Creative Life, artist book, sketchbook, The Sketchbook Project, visual story

The sketchbook I’m working on for the Brooklyn Art Library’s Sketchbook Project now has a name, a working title: “Time Tavern”.  As you can see from previous posts I’m thinking about time – and uses of time in cooking, food service, music and in telling wordless visual stories.

When I began this project I’d thought “Time Tavern” would be the title but I held off declaring it until I’d drawn a few pages.  Things sometimes change as a drawing progresses – particularly when I’m working on a wordless visual story.

In my earlier posts (see below for links) I’d shown close-ups of musicians and a chef at work. I’d also shown a birthday party in progress.  These 3 story strands are main ones – but they also need context in order to become a story.  The association or juxtaposition of images – and the sequence of them – is how I’m crafting my tale visually rather than by written words in a row.

The issue is how to do the same things writers who use written words do – plot movement, foreshadowing and character development – but in my case how to do those using only visual imagery.

As part of my original planning for this story I created a “layout” of the “Time Tavern” the pub setting where my story takes place.  This layout is part of my story strand weaving strategy.  Here you see my architectural layout:

TimeTavernLayout72

This architectural drawing won’t be included in my sketchbook – that’s just to help me organize my story.  The book to the side in the above photo is included as it shows me referring to my architectural drawing during work on that sketchbook page.

Below is one of the first setting drawings within my “Time Tavern” sketchbook – it shows the chef looking at his recipe cards. In the background you see the bartender looking at her recipe cards. You also see a bit of the stage area the musicians will use.  Perhaps you can see how I’ll be using my setting drawings as story context – and foreshadowing?

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I’m sure you’ll also note the large clocks in my settings – I’m using those as a story device to show the progression of time…

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Lots more to work to do…

My past posts regarding this project (so you can follow my progress) are here:  https://sueclancy.com/2017/08/10/sketchbook-project-progress/    https://sueclancy.com/2017/08/14/story-strands-in-my-sketchbook-project/  https://sueclancy.com/2017/08/16/sketchbook-progress-time/

General info about the Sketchbook Project is here: https://www.sketchbookproject.com/

reading books making art eating popcorn

A Creative Life, art techniques, artistic inspirations, Authors, books, creative thinking, food for thought, Sustainable creativity, The Sketchbook Project, visual story, visual thinking, words and pictures

Below are some books I’m currently reading that are “feeding” many of my upcoming art projects. That’s art exhibits, illustration projects and yes even my sketchbook work for The Sketchbook Project I blogged about last post.  Even though it may seem that I produce a random variety of things – there’s a uniformity to my randomness and it begins with what I read. I see all of the things I make as telling a visual/tactile story about being human, enjoying life and living well.  And to help me develop my visual story I read…

BooksReading72

In case you can’t see all the titles in the picture they are:

“Wonderland; How play made the world” by Steven Johnson

“Books for Living” by Will Schwalbe

“The Creative Spark; How imagination made humans exceptional” by Agustin Fuentes

“The Foundations of Mindfulness” by Eric Harrison

“Like Water for Chocolate” by Laura Esquivel

All of these books relate to themes I’ve been working with artistically for some time now:

How being willing to try new foods, to eat diverse foods, has helped us develop biologically as physical human beings. And how it helps us still.

Playing music, playing games, “playing” with our food – each kind of play in it’s own way has helped humans as a species develop and maintain physical and mental structures as individuals – and also social structures as communities. This is still true today. When we do not take time to play we hurt ourselves and each other.

Reading books (and writing them) has helped us – as a species – to pass on information so that each generation doesn’t have to completely reinvent the world from scratch.  This ability to collect information, and learn from it, informs our abilities to play – to playfully combine/recombine things – helping us to develop and maintain our mental skills.

Which leads me to mindfulness. Mindfulness for me is the human ability to pay attention, to focus attention and also to have a state of open/non-judgmental acceptance – curiosity even. This is essential to developing, having and keeping our human ability to imagine and be creative.  Mindfulness is part of being able to play and learn…and being able to play and learn is a way of being mindful. And for me, keeping a sketchbook, making art, is at it’s heart an exercise in playful mindfulness – but more about that in another post.

The novel by Esquivel is included in my current reading list because woman does not live by non-fiction alone.

Now please pass the popcorn. Thank you.

kitchen tales and non-traditional notions

A Creative Life, artistic inspirations, creative thinking, drawing as thinking, food for thought, kitchen art, visual story, words and pictures

I’m playfully experimenting again. I’m combining several things: my thought that knowing how to cook is an essential artist survival skill, my not-so-secret desire to illustrate a cookbook and the fact that I’ve been asked to do my fine artwork (dogs and food!) as prints for sometimes messy home kitchens.

So I’m collecting my kitchen art efforts together and publishing them on a web page – https://sueclancy.com/pattern-design/kitchen-tales/ — as you can see I’m doing a series of individual prints instead of printing a series of images in a traditional book.  This way people can mix and match to their liking.

The same with tea towels and napkins… can recipes become something useable like a towel? Can I tell visual stories, that you can wipe your hands with, about enjoying food and drink? It’ll be fun to try!

And lucky for me I have a chef friend – Chef Kim Mahan of http://www.class-cooking.com – who wants to experiment with non-traditional cookbook notions too! We will do some practicing in public – on my blog as well as on the above mentioned web page.

Here’s a framed print… you saw progress towards this image in earlier posts.

 

 

 

my experiment of exhibiting art as a multi layered story environment

A Creative Life, art exhibit, Art Licensing, artist book, artistic inspirations, business of art, creative thinking, Dogs in Art, fine art, public art, small things, visual story, visual thinking, words and pictures

My current fine art exhibit is still up and available during the Burnt Bridge Cellars winery hours (www.burntbridgecellars.com) and will be through the end of July.  I’ve designed it as an experiment in layers of story –  layered like a lasagna. Judging by responses and comments, both to me and to the staff at Burnt Bridge Cellars, people have been having fun with my experiment!

Layer 1 – as I worked toward this exhibit, starting well over a year ago, I took notes on my experiences of ordinary daily life and recorded them in my sketchbook.  You can see this sketchbook as a free ebook here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

Layer 2 – I spun my sketchbook notes through my imagination creating characters (dogs) that helped me describe my thoughts and feelings about ordinary life visually and metaphorically.  I created a series of sumi ink pieces on handmade papers – dogs drinking, playing musical instruments and etc.  Some of these pieces got framed and are in my exhibit. Others became part of a printed book titled “Dogs by Sue Clancy”. You can see that book at the exhibit or via this link here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

Layer 3 – I created a series of items aka “illustrated things”; scarves, napkins, tea towels, phone cases and many other items that relate to this exhibit – return full circle to the “ordinariness” of life – these items are available via the links found here https://sueclancy.com/pattern-design/

Layer 4 – A group of 17 of my artworks are hung on the walls at the winery. But in addition to the artwork itself which can be viewed up close in person I wrote short “blurbs” – very short descriptions of what inspired the artwork.  You can literally walk around (wine glass in hand) the exhibit “reading” my story of living my life.  Additional details – the layers above – are there if people want to see more.

Here are four of my artworks along with their stories that you could read on the wall next to my artwork at Burnt Bridge Cellars:

Click on the above images to see the title I’ve given them and then find the story below –

Maestro Houndsinger by Clancy

I attended several musical concerts and noted a consistency of a moment, that moment, just before the music started, when the conductor, the soloists, the performers took a deep breath. All performance, all of life, starts with a breath – and that’s what I wanted to remember – to breathe.

Surround Sound by Clancy

I’ve gotten to hear some “hairy” (complex) guitar music. I’ve also enjoyed seeing locally hand-crafted music instruments. I’ve also thought of the local music and musicians that I’m honored to know personally – those I get to hear in small places, like cafe’s and homes – where I get to be surrounded by their music, love and friendship… all of these thoughts are combined in this piece.

Paws For Coffee by Clancy

I can sometimes get so busy that I forget to take time to be present in the moment, to pause and smell the coffee. This is me – remembering.

Pup Fiction by Clancy

I was thinking of how curiosity and imagination are the “muscle” and “bones” of a healthy mental life. Perhaps curiosity, imagination – and coffee – are what makes us human?

What exactly was my experiment you ask? I wanted to create an exhibit that would have something (actually several somethings) for my friends and fans who are not able to come in person to my exhibit – and also to give people who are able to come to my exhibit in person an extra treat. As in while they’re waiting for their friends to meet-up at the winery they can down-load my sketchbook to their phone, or read blog posts like this one https://sueclancy.com/2017/05/16/mind-map-of-a-clancy-art-exhibit/ that describe my creative process or look at a printed book of my dogs…  Of course they can look at my fine art on the walls and imagine themselves enjoying the simple ordinary things in life.

And have I mentioned that the wine at Burnt Bridge Cellars is very good?

 

 

mind map of a Clancy art exhibit

A Creative Life, animals in art, art exhibit, Art Licensing, art techniques, artist book, artistic inspirations, creative thinking, dog portrait, Dogs in Art, fine art, functional art, pattern design, public art, published art, sketchbook, surface design, visual story, visual thinking, words and pictures

I’ve been busy getting ready for my one-person art exhibit to open June 2nd at Burnt Bridge Cellars – a winery in Vancouver WA.  Part of doing an exhibit is to write an exhibit statement. But before posting my finished exhibit statement I wanted to share my thoughts behind my art exhibit design.  Here’s a sketch diagram, a mind-map:

MindMapOfExhibit

For the last year I’ve been running-around-loose in the Vancouver WA and Portland OR area documenting, in my sketchbook, my experiences at local music events, restaurants, wineries, cafes and pubs.  You can see a free eBook of my sketchbook titled “Glad To Be Alive – drinks and music edition 2017” here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

Then I processed through my imagination all of that data I’d collected in my sketchbook and for each pleasant thought I imagined a dog character-actor and made a new sketch/visual story, an ink study, using a sumi brush and ink. You can see a printed book, titled “Dogs by Sue Clancy” with of some of these ink sketches via Amazon or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

After doing a whole bunch of these dog portrait studies, almost 100 of them, I selected several and refined them, adding color and pattern and shape thoughts to my visual story describing metaphorically my experiences in real life.  These refinements have become finished fine art pieces that are in color using my mixed media cut handmade paper technique.  Both some of the finished color artworks and some of the black and white ink pieces (framed) will be at my upcoming exhibit.

My artistic inspirations are elements of ordinary life – so I’ve extended my art-exhibit making to the above mentioned books. Books are an important element of ordinary life so having authored two of them and making them available adds another layer to my art exhibit.

After doing some of the fine artworks I’ve also done some “illustrated things”: I’ve applied some of my artistic thinking for my exhibit to real-life clocks, napkins, tea towels, scarves and many other ordinary consumer items.  This extends my art exhibit thesis to yet another layer or dimension.   You can see some of the items I’ve designed on my web page titled “illustrated things” here: https://sueclancy.com/pattern-design/

To put my exhibit thesis plainly – I think it is very important to remember to enjoy and actively participate in the present moment, to relish ordinary things, places and friendly people.  Once upon a time I lived in a place where quality music events, good restaurants, wineries and pubs were rare. Certainly they didn’t exist in the variety and abundance that they do here in the Pacific Northwest. So I’m aware of what a gift, a treasure, it is to have those things now.

It is also fitting to have my exhibit at a winery – where the people who come to see my artwork can also enjoy award-winning wines and food.

But back to my mind-map: generally at the exhibit my thesis will be available only as a visual story, not spoken or written in literal fashion.  I have a reluctance to preach or otherwise belabor a point.  Besides instead of writing/speaking didactically I’d rather draw.

Now you know.

 

what the sheet music became

A Creative Life, animals in art, art exhibit, art techniques, artistic inspirations, creative thinking, dog portrait, Dogs in Art, fine art, music in art, Sue Draws Dogs, visual story, visual thinking

In my last post I told a bit about using sheet music in my fine art – you can see more about that and a photo of work-in-progress here: https://sueclancy.com/2017/04/27/sheet-music-in-fine-art/

While I worked I thought of the music and musicians that I’m honored to know personally – those I get to hear in small places, like cafe’s and homes – where I get to be surrounded by their music, love and friendship…

And here is what the work-in-progress, many more layers of paper and all those thoughts has become:

SurroundSound72

I’ve titled it “Surround Sound” – it’s 8 x 10 inches – made with hand dyed papers, handmade paste paper and “found papers” (the sheet music my musician friend gave me).

Now it has to dry before I can varnish it and get it ready for exhibit.