a mouse scrapbook and gift

A Creative Life, animals in art, art techniques, Art Word Combinations, artist book, artistic inspirations, books, ebook, graphic narrative, handmade books, illustrated shorts, sketchbook, small things, story, The Sketchbook Project, visual story, words and pictures

Here are a few pages from my tiny sketchbook for the Brooklyn Art Library titled “A. Mouse’s Book Of Scraps”.  And since you follow me here’s my entire book, free download, as my thank-you-for-following-me gift: AMousesBookOfScrapsByClancy

I’m doing this gifting by permission of our books author Mr. A. Mouse of course. <wink> We, Mr. A. Mouse and I,  hope you like it!

And yes, this 2.33 inch by 1.66 inch book is a humorous parody or spoof on the concept of collecting and publishing…

In a recent post I spoke of this book and of the Brooklyn Art Library’s Tiny Sketchbook Project in general well here’s a link https://www.brooklynartlibrary.com/

You can also see more of my downloadable artist books on this page. Your patronage and support means a lot! Thank you!

a scrapbook by a mouse

A Creative Life, animals in art, art techniques, artist book, artistic inspirations, graphic narrative, illustrated shorts, published art, small things, story, The Sketchbook Project, visual story, words and pictures

This year I’m participating in the tiny sketchbook project at the Brooklyn Art Library – my sketchbook will travel to London, Paris and other places in Europe along with other tiny sketchbooks in a portable library that fits in a suitcase. My book will be in the Brooklyn Art Library’s permanent collection.

I’ve titled my book “A Mouse’s Book Of Scraps”.  It’s a scrapbook from the point of view of a mouse. A Pacific Northwest Jumping Mouse to be exact.  It’s fun to think about what kinds of things a mouse would collect; cheese rinds, vegetable scraps and landscapes.

Here’s a picture of my book in progress. The mint is there to show scale. And yes – it’s hand bound…

SewingTinyBook72

https://www.brooklynartlibrary.com/tinysketchbook

carried away by a book illustrated poem

A Creative Life, art techniques, Art Word Combinations, author illustrator, illustrated poem, illustrated shorts, illustration, visual story, words and pictures

I’ve decided recently to practice my poetry and short-short story writing by writing something, no matter how bad, every day. If there’s anything illustration worthy I’ll illustrate it.  Out of all I’ve done thus far this seemed worthy:

LookLook72

poem and illustration by Clancy

Doing the poem text with a brush was new and different for me. It was looser and I think I like it. Typically I’ve used a dip-pen and been “tight” about it. I’ve also tended toward handwritten capital letters as you know from my illustrated recipes. It’s a text-style habit that harkens back to my years as a professional cartoonist and biological illustrator.

But for this poem when I used capital letters via ink-and-brush the text seemed too thick and shout-y.  I’m now thinking I’ll experiment with all lower case writing. And a smaller brush.  Or maybe a fountain pen rather than a dip-pen.

I’ll try a different hand-written style, and technique, if I happen to write another illustration worthy poem. We’ll see… I’ve got a lot of bad poetry to write between now and then I suspect.

What do you think about the all capital letters via brush style?

sketching the coast

A Creative Life, Art Word Combinations, artistic inspirations, author illustrator, graphic narrative, illustrated shorts, illustration, Narrative Art, published art, sketchbook, travel art and writing, travelog, travelogue, visual story, words and pictures, writing and illustrating

Happy New Year everyone! New on newsstands is a magazine, Oregon Coast Magazine, in which is a 4 page article that I both wrote and illustrated!  It was such fun to do a “sketching the coast” article for them that I want to do more such writing plus illustrating this year. Here’s a link for Oregon Coast Magazine https://oregoncoastmagazine.com/.

SketchingTheCoast1819a72

recipe illustration ready for garnishing

A Creative Life, art techniques, artistic inspirations, comfort food, food in art, illustrated recipe, illustration, kitchen art, publications - publishing, published art, recipe illustration, sketchbook suppers, visual story, words and pictures

I’ve finished the handwritten ink work and the illustration painting for the recipe I’ve been doing for Chef Sebastian Carosi. (Past blog post re here) Now I’ll begin the photography and scanning processes to get it ready for print publication and etc. projects the Chef wants to do.  The get-my-hands-messy art part is done. Now to do the keep-hands-clean graphic arts part…

FinishedChefRecipeOnEasel72

The original artwork of the recipe, the physical painted with gouache and written in ink on hot-press watercolor paper recipe, will stay in my studio in an archival sleeve in a portfolio. At least for a time. It’s the digital files of this art we’ll work with.  The artwork will stay with me just in case the Chef needs it re-scanned it for an un-foreseen-at-this-moment application.

This is a different approach from my fine art where once the artwork is finished I photograph it then frame it or otherwise make it ready for gallery exhibits – and off the physical fine artwork goes to it’s life in the galleries and then (hopefully) to a happy home with a collector.

In some ways this recipe artwork that will stay in my studio archives may likely be more widely seen by the public, because of publication, than many of my fine artworks.

It’s a curious thing this creative life. But I love it!!

 

portrait commission of two cats

A Creative Life, animals in art, art commission, art techniques, cat portrait, Cats in art, fine art, Fine Art Commission, handmade papers, visual story

This time of year most of my art commissions are gifts and are top secret. No blogging about them. Well this time a couple asked me to create a double portrait of their two cats and since it’s a gift to themselves they’ve let me blog about it! (Happy Holidays to all of us!) Here’s how it went:

In September Sue and Dean asked me via Caplan Art Designs, my Portland gallery, to create a double portrait of their two cats.  They were pretty sure they wanted it to be 12 inches by 18 inches and on handmade paper to be framed.

A time to meet to discuss the commission was arranged and my wife, Judy, and I went to dinner at Sue and Dean’s house.  I brought an example of the 100% cotton handmade paper that I’d use at the size they’d requested and a few other sizes just in case. I also brought my camera, a note pad and an extra pen.

After we’d been there a short while the cats came out. So did my camera. As the cats got used to me, and over the evening, I took over 41 photos of them. Here are two of the photos I took.

I asked questions of the humans about the cats favorite places, toys and habits. I asked questions about the humans favorite places, drinks and memories. On my note pad I wrote down the answers. Where possible I photographed the answers .  For example on of my questions was: “What drink do you reach for most often when you want to relax? And what kind of glass do you have it in?” Here was the answer:

Drink

Generally we just talked about one thing and another. You know, dinner party talk. I asked questions, kept my ears open, and my notepad ready for recording things that might be relevant to the commission. I like to include in any pet portrait elements from the humans’ lives: favorite objects, drinks, food, anything that sparks pleasant memories. Helpfully, Sue and Dean both volunteered lots of information about themselves such as a favorite artwork that was meaningful to them.

backgoundart

They told of past travels that were particularly memorable. Famous people they’d met in Hawaii.  All kinds of things were talked about and without interrupting flow I asked  more questions  and made as many notes as I could. Without being too obvious I also looked around their house noting colors and patterns, writing those notes down too.  This is what I call the “data dump” phase of a commission. At this point I have no idea what information will be relevant for the final artwork.

We relaxed into the evening; just talking, having a very yummy dinner with a good wine. Slowly as Sue and Dean talked I began to get ideas…  The cats got comfortable too and began doing their “normal” behavior.

Ollie likes to sit in a basket that holds magazines. Tony likes to sit on the couch and watch Nature on television.  The cats behavior prompted me to ask which human had the magazine subscriptions (Sue did) and what magazines were favorites. Dean has worked in technological fields…so technological advances (including TV) were discussed..

Later in the evening I floated a general portrait concept: Ollie reading magazines and Tony watching TV…perhaps the basket Ollie likes so much could become a “table” in the artwork, perhaps…   They both seemed to like my concept direction. They verified the size of artwork they wanted. I said I’d send them, via the gallery, a sketch for their approval before I began the finished artwork. We enjoyed a bit more conversation (and wine) – I glanced at my notes and racked my brain to make sure I had all the data I needed – and then we said our good-nights.

In the driveway pulling away from their house about 9:30pm I texted the gallery owner with the gist of what size artwork Sue and Dean wanted etc. Then my wife, Judy, and I discussed the evening in the car as we drove home. I still had my note pad out and was writing notes in the moving car by flashlight. (Judy was driving.)

Occasionally it had happened during the evening that I was talking with Sue in one room while Judy was in another room talking with Dean. So Judy filled me in on what I’d missed.  At this point I am still in “data dump” mode. I have a rough direction for my design. But the details are very fuzzy. (Over the many years I’ve done special commissions this kind of uncertainty is normal and I trust it as a part of the process.)

The next day I went over my notes and began making 4 x 6 inch size thumbnail sketches.  Over several weeks I did this; going over my notes and photos, drawing possible poses of the cats, possible objects, considering composition and colors. I also showed my sketches to Judy discussing the possibilities. At one point Judy said that they had both talked of Nova Scotia, Newfoundland and Hawaii enough that she was sure that they were important. I agreed and adjusted my drawings so that a reference to those travels was emphasized. Slowly an idea began to come together in the small thumbnail size anyway.  What works visually at a small size doesn’t always work at a larger size but it’s a place to start.

On my easel I put the 12 x 18 inch handmade paper. Then I covered that with tracing paper and drew a grid (you can see it in the photo below). Then I put tracing paper over the grid and drew one of the thumbnail ideas to that scale.  Then another tracing paper was put over that and that drawing tweaked…. And so it went, with multiple tracing paper overlays and re-draws, for a week or more. Tweak, tweak, tweak, until I had something I felt good about.  The “good drawing” I sent to the gallery and to Sue and Dean for their approval. Here is what I sent:

MorehouseCommPreApprove72

They approved the drawing! Yippee! I did a happy dance and then I got serious about colors.

Upon arriving home after the dinner with Sue and Dean I had gotten out one of my interior design color swatch books. Flipping through the pages I found a couple of color spreads that I felt had the “vibe” of Sue and Dean’s house. I showed the pages to Judy to get her input.  With those interior design book pages as a rough guide along with my photographs taken inside their house I began mixing colors and making color notes.  I used my thumbnail drawings to play with color schemes too, painting blobs of color here or there. Anyway, here’s a photo of the interior design book page as well as a few pages of my sketchbook color notes. I did 6 pages of color notes but this one photo will give you the idea.

ColorPaletteBlends

As I decided on the colors I made pencil notes on the approved to-scale drawing where the colors would go. You can see some of this in the photo above.

Then I began on the finished artwork.  The actual painting took about 10 days start to finish. As I say often – the sketching/drawing/planning is where the bulk of creation happens.  I transferred the approved sketch/drawing to the handmade paper I intended to use for the finished artwork.  Then I began to make tiny adjustments to the drawing directly onto the handmade paper in prep for painting. I also discovered gaps in my visual data base.

For example I realized that I didn’t know what the back of a vintage TV set looked like. Not well enough to paint it in detail anyway. Fortunately there are some vintage shops where I live – so a few visits downtown with my sketchbook and the problem was solved!

I also realized that I had an opportunity to make a portrait of Sue and Dean on the front cover of the “magazine” that Ollie, the cat, would be reading in the finished artwork. So I asked for, and got, a picture of the couple that I could use as a reference photo.  From the photo I did several pencil drawings on tracing paper to design the magazine cover and to get the humans to look like themselves. I drew until I had a cover design and human portrait that worked. Here it is:

MagCover

Once I had the magazine “cover” drawing ready (drawn to the scale needed in the artwork) I transferred it to the appropriate spot on the handmade paper.  At another point I realized that I could include the stain glass windows I’d seen in their house as part of the “back cover” of the magazine. But I hadn’t gotten photos of the window when we visited for dinner. And neither Judy nor I could remember the exact details of the windows. So I contacted Amy at the Caplan Art design gallery and she helped fill in the missing data! Whew!

Here’s what the finished artwork “Ollie and Tony” looks like. I’ve photographed it as it was on my easel when I finished it, so you can see the four deckled edges of the handmade paper.  I used acrylic, gouache, watercolor and ink.

OllieAndTonywithdeckles72

I sent the photo of the finished art to Amy the gallery owner to let her know it was done.  Then I spray varnished the piece with a removable varnish that has UV protection in it.

When that was dry I contacted Amy and arranged for a time to deliver it to the gallery.  The date was set and the varnish dry so I slipped the artwork into an archival plastic sleeve and into a cardboard portfolio to protect the artwork from being bent on its travels between my studio and the gallery or between the gallery and the framer.  (It rains in the Pacific Northwest – so artwork needs all the protection it can get.)

We delivered the artwork to the gallery and as a nice surprise Sue and Dean were there!  Here we all are looking at the artwork and talking about it:

artdelivery

Amy will take the artwork to the professional framer the gallery works with and have the art floated on a neutral mat, with spacers so the artwork won’t touch the glass.  It will be given a simple black frame.

What a fun project!! I love getting to make highly personal and meaningful visual stories like this! Thank you!! And thank you, Sue and Dean, for letting me share it on my blog!

Happy Holidays Everyone!!

 

Thanksgiving and The Arts

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I remember being told, as a young person, that the arts were “not practical”. Today I thought of 8 ways, both serious and silly, that the arts are useful on Thanksgiving day.

  1. Culinary arts: Making food is considered one of the “fine arts”. Even if the kitchen looks like this: Funny Cooking Fails Compilation | AFV Funniest Videos 2018
  2. Sculptural arts: The Macy’s Thanksgiving Parade Costumes are made by artists in the Macy’s Parade Studio .  Over 50 million people had the parade on the TV during their 2017 family holiday. A link for watching the Macy’s Parade in 2018 is here.  An on the parade topic, even though it’s film animation, here’s a Cat Parade.
  3. Musical arts: A background music playlist of “20 best Thanksgiving” songs here. And then there’s a funny video of when Dad sings…. Lol!
  4. Visual Arts: Arts and crafts projects to entertain the kids while the adults drink, I mean cook.  Here’s a video of some cute kids who had lots of fun with an art project until…oops!
  5. Arts and craft mess clean up techniques (aka Art School 101) outlined here. Btw: I’ve successfully used rubbing alcohol to get marker ink off of wood surfaces and crayon marks off walls. And in this video an adorable kid has Art School 101 down… too cute!
  6. Photographic arts: Here’s some real tips for taking family photos. And here’s some funny dog photos.
  7. Story arts: Serious tips for telling stories here and here. And then there’s a funny video of Grandpa telling a story… here. But Grandma decided to tell her story using the medium of dance… lets watch!
  8. Decorative arts: Here is a silly video of a dachshund decorating … But more seriously Spoonflower is one of my favorite sites for artist-created materials for things such as napkins and table cloths. Below is a photo of a table runner I designed. It looks good with some candles or a wooden bowl with fruit or nuts as a centerpiece. I also think it’d be fun visual joke to put tiny clean, cute birdhouses… and/or some small woven baskets with candy eggs in them, as centerpieces on my “autumn leaf” table runner.  But then I’m warped like that.

Anyway if anyone ever tells you that the Arts are not practical – don’t believe them.

Happy Thanksgiving!!

still a character

A Creative Life, animals in art, art techniques, cat portrait, Cats in art, dog portrait, Dogs in Art, fine art, food in art, Narrative Art, story, visual story

Here are a few of the artworks I’ve recently sent to Joseph Gierek Fine Art (www.gierek.com) for the upcoming Holiday Art Show.  I’m sure you’ll notice my “still life” object practice work now combined with characters. Yes, I’m trying to make every element count toward the visual story. You know, like a writer tries to make every word count.

new recipe illustration project

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As you know I’d illustrated some of Chef Kim Mahan’s recipes. Well another chef – Chef Sebastian Carosi – saw the work I’d done for Chef Mahan and asked me to come to a photo shoot today. So I went and drew pictures of Chef Carosi’s Roasted Butternut Squash Soup – as it was being professionally photographed.

I took my favorite waterproof ink pen, my watercolors and some paper. I drew and painted – a lot – while dodging to keep out of the way of photographers, assistants and Chef Carosi, who was doing last minute soup garnishing just prior to placing a beautiful bowl of soup under the bright photographic lights.

Here’s a couple of pages of what I did – and a bit of the equipment I did it with:

MyArtEffort4ChefCarosiRecipe72

I did many more drawings than what is shown in the photo. During a break the Chef and I talked about what I’d done…  He liked my “soup as a sunset” visual story/metaphor. But he really likes my hand-written recipes and characters. So in my studio I’ll do a redesign and create a “character” out of one of the ingredients and hand-write the recipe data.

We finished up the photoshoot (and I did more drawings) and then we all ate soup.

Oh my!!!! Smooth, creamy, earthy… like a hug for tummy and soul. Now how to translate THAT into artwork???

Anyway here’s a link to Chef Sebastian Carosi  – he likes to use locally sourced ingredients, some from his own garden, some foraged from the local PNW landscape and some purchased from local companies like Jacobsen Salt and Fairwinds.  There was also a local cheese that we sampled. I meant to look at the wrapper or at least ask again for the name of the cheese maker. But in the fast-paced photoshoot food-illustration event I forgot.

Sigh.

Still it’s been a delightful day of drawing soup and soup ingredients and meeting new people! What fun!

Will draw more soup tomorrow…

Update: The cheese I referred  to above was from Ferndale Farmstead

 

I really mint it

A Creative Life, artistic inspirations, fine art, food for thought, small things, still life, story, visual story

Typically I paint food and drinks from my memory and imagination. Sort of.  I take my sketchbook along and draw from life what I’m eating or drinking. But when I get paints out in my studio to do a “real” fine art piece I’m winging it from my sketchbook-aided memories of the food flavors and presentation.  Recently I’ve done something different.

I’ve been working from “live” models in my studio. Here are my models as they came from the store:

StudioModels72

Clancy’s art studio “models”.

You see, I’ve been thinking of that moment during a nice dinner out, when the waiter brings you some after dinner mints, and you sit with your friends munching them and gentling into the rest of the evening.  But I can eat mints pretty quickly. (Mint is one of my favorite flavors) And in such a situation I’m usually focused on the conversation. So have I ever really looked at a mint? I mean really looked?

I bought some mint candies as art models for the serious artistic meditation thereof. And while I did look at (and eat) them I still ended up somewhat “winging it” when creating these paintings:

I think as paintings they worked out okay. While I tried some different colors (the purple, the teal and the orange) I feel I conveyed the minty goodness of the candies. I also think I managed to imply a story in each of them, at least an implication of people eating the mints.

At any rate I have really looked a mint now. Really looked.