This week has definitely been caffeinated. My art commission for Caplan Art Designs is buzzing nicely. The Bainbridge Island Art Museum sent news this week that my book Coffee Beans Plus H2O is included in an exhibit catalogue “Open Sesame” that will come out in March 2023!
Lots of creative things are percolating! Here’s a video look at my book Coffee Beans Plus H2O.
In last Monday’s post I shared a pig painting I began with the excess blue paint I had as a result of the still in progress secret art commission. Well, here’s progress on the pig painting. The week has been very busy so I’m glad to have this much done on a new painting.
I still make many of my artist books from scratch – hand sewing the bindings, paper folding and all. Coffee Beans Plus H2O is one example. Patchwork Poems is another. But some time ago I got some very valuable advice from Laura Russell at the 23 Sandy Gallery (an artist book gallery I work with). Laura encouraged me to focus on my book content, my stories and illustrations, as not so much on creating complicated book bindings. So nowadays I buy and use well-constructed blank books to write and draw in. Many of the books I buy have sewn bindings and will lay flat while in use. Quality of paper and the ability to lay flat are attributes I seek in my blank books.
There’s a locally owned art supply store, not far from where I live, Columbia Art and Drafting, that regularly has good quality sketchbooks in their “buy one get one free” section. I like to go through this section like a vacuum cleaner, hoovering up sketchbooks!! 🤣
Here’s what I got: six 3 x 5 inch hardcover sketchbooks for pen and ink work, two 5.5 x 8.5 inch hardcover sketchbooks for heavy watercolor and gouache work, two 6 x 9 inch hardcover books and four 8.5 x 11 inch hardcover books all of which will accept ink, color pencil and light watercolor and gouache work! When we got home from the art supply store I started right away on a drawing in one of the new blank books… which will get shared on my email newsletter later this week and I will continue sharing as time goes.
Here’s a limerick I wrote and illustrated about blank books.
My Odditerrarium exhibit is humming along nicely at the Caplan Art Designs Gallery! This week was another busy week and I’m grateful to have a Gallery collaborator who helps keep things going in many ways including with posts like this! What a nice way to show the pets that inspired the portraits in my exhibit!
Since I knew this week would be another busy one I carefully carved out some time to sketch. Because I’ve discovered I enjoy sharing step-by-step how I create my sketches I documented my sketchbook session and posted it here on my email newsletter. In the post I show the art supplies (like the NIL-TECH watercolor pencil set) and how I use them as well as how I got the idea for my sketch.
As you know from earlier posts I’ve been working on a new illustrated poetry book for Storyberries.com. Knowing I wouldn’t have much time to work I did “need to let it dry” kinds of tasks: I spray-fixed the pages and glued the still-raw boards for the book covers. In the last photo you see the small credit card sized book just before I set it up interlaced with wax paper and paperweights to dry while life happens.
Then a wonderful visit happened over three days with family! There were two college soccer games to attend in support of one family member. We ate in a number of locally owned restaurants. We went for a hike in a park. We played games of dominos well into the night. I didn’t photograph everything and I never managed to get everyone in the photos at the same time but this photo below was the most successful.
One family member was on the field being a goalie. Other family members were along sidelines taking photos of the action on the field. There were so many reasons we were seldom in the same places at the same time for a family photo. The games were active occasions!
The outdoor soccer games were also unseasonably warm and sunny, for the Pacific Northwest, as you can see below.
I wear two high powered hearing aids and have since I was 8 years old. My right ear is a bit better at hearing with hearing aids than my left one. I know well from past experiences that hearing aids are sensitive to heat, moisture and interference by hats – among many other things – so I try to be careful. I even remove my hearing aids before I use spray-fix on my art projects just in case.
Well, during the first soccer game I was enjoying listening to family members and the noisy hubbub of the game when suddenly everything went quiet as if a switch turned the sound off. My right ear was completely silent and I could barely hear, with the hearing aid in my left ear, the loud drums and shouting from the crowd. Immediately I told the family member who was talking to me that something had happened to my hearing aid. I told my wife too and excused myself to go to the car to see if I could replace a battery, adjust a setting that was knocked off by my hat or do something and get my hearing aid back on again. No such luck.
So I went back to the stadium and told my family that I’d be more deaf than usual the rest of the day. My hearing issue was no problem for anyone else, some sign language, repeating things patiently, and my lip reading skills could compensate. It was me that had a problem. In such scenarios I have FOMO, a Fear Of Missing Out. My family loves me and includes me in everything- I can trust and rely on that – it’s that they are all such good storytellers. They’re good storytellers in the literary sense of building suspense using nuances of wordplay, of voice tones and inflections, of playing shared family knowledge like a violin (in kind, gentle ways) while building towards a punchline. To miss some of the words or sentences means a high probability of missing the joke! If you know me at all you know how I love a good story so I had a serious case of FOMO!!! I didn’t want to miss any clever turn of phrase that would be said!
To cope with the FOMO I did my best to focus on the bigger picture of just enjoying their physical presence and to appreciate the things I did hear and let the rest go…and to just trust myself and them! I did my best to “catch the conversational drift” and add related stories of my own now and then. I tried to be as much a full participant as possible. It was hard at first to keep my FOMO from dropping down like a barricade between us but I leaned on trusting myself and everyone else. I imagined the conversation was a happy-accident style painting where an artist just trusts the creative process. I reminded myself that I like surrealism and nonsensical poetry – that I would be fine with things not being comprehensible. I recalled the art college essays I wrote about the artists John Cage, Rene Magritte, Joseph Cornell and Ray Johnson. I also remembered reading about Surrealism and Dadaist poetry and storytelling in addition to the art styles.
Later that day when we had dinner and as the evening cooled off my right hearing aid fluttered to a little more life. Not back to it’s normal power but I was glad of a wee bit more sound. After we were home I got out the hearing aid instructions and fiddled with the settings. During breakfast the next morning I fiddled with the settings some more and the second game day had a bit more – not normal but better- hearing in it. Still I practiced “just appreciating what I did hear” and “just trusting and loving”.
Here are some photos from the second soccer game of people I was just loving and trusting.
Our family soccer goalie is in the middle behind the fence. The 4 others are also family members.
And I found myself just enjoying our meals together and didn’t take photos. Except for this one at happy hour.
Stories got told over our domino games we had at our house till after midnight! In our quiet house I heard a bit more of the stories but it’s obvious that these hearing aids need repair! Will visit the hearing aid repair place asap!
So I learned this week that it really is true that “A little nonsense now and then is valued by the wisest people”, that art can help – even when it’s memories of art history essay papers, and also that just loving and trusting can lead to some of the happiest of experiences! What a great time I had with family!!!!
I hope your week is filled with love, trust and happiness too! See you next Monday.
My Odditerrarium fine art exhibit opens this Thursday Oct 6 from 6 to 8 pm at Caplan Art Designs! It’s been fun to think so much about what dogs and cats might think about! I hope others are amused too.
I’ve enjoyed titling paintings in ways that refer to aspects of mental life. Sometimes, like this painting below, I’ve been rather straightforward. This painting is titled “Intellect”.
Here’s a look at the exhibit in the process of going up on the wall at Caplan Art Designs. The gallery kindly sent me these photos. You can see more about my entire series here on my portfolio and I’m still very proud of the nonsense poem book related to my exhibit! Yes, copies of my book will be available at the Gallery and also available online here – with a full preview of the entire book too.
On another gallery wall there are 3 of my other paintings from other series.
Here’s a kid looking at one of my paintings before it got moved to a different place in the Gallery.
On my email newsletter recently I shared a few of the sketchbook pages where I’d thought, with a pen in hand, about thinking.
Over on NIL-TECH they wrote a really nice thing about my currently in progress drawing marathon…please click here to see it for yourself. It’s so nice! <blushing>
Progress has also been happening steadily on my 3d 8 inch cube that I mentioned in my last post.
Progress too this week on the illustrations I’m doing for a cookbook by Chef Kim Mahan. I propped a spoon on a small bowl so I could draw it properly.
If you saw the above Reel then you’ll recognize the progress I’ve made in the photos below.
If you’re wondering how I’m managing so many projects at one time: I have 3 work stations in my studio. Each project has it’s own area with an art supply taboret between them with my color palettes and brushes sorted for each project. This way the projects and the supplies I’m using for each one are always ready. I’ll take turns working in short bursts almost daily on each project until they’re finished.
My sketchbooks and the art supplies I use for them are much more portable and roam with me from the coffee pot to the breakfast table or outside to our patio.
And here’s hoping the rest of this week goes smoothly for us all. See you next Monday.
Here’s a dog portrait in my Odditerrarium series. A bird dog exercising discretion. 🤣 Yes, I laugh at my own jokes. This painting is 8 x 10 inches and created with ink, gouache and collage on board.
Here’s a closer look.
Jokes aside – as I worked on this painting I was thinking that it’s not our first thought or an event that’s the important factor it’s our second thought and the actions we do next in response. It’s having the discretion to choose wisely what our next thoughts and actions will be that’s most important.
That thought popped up again when I made a mistake in my sketchbook. I started to attribute the quote to Seneca but it was by Epictetus. So I shared how I fixed the mistake I’d made, in permanent ink, in my sketchbook in this email newsletter titled: 95% of being an artist (or a human) is knowing how to deal well with mistakes.
Here’s my sketchbook with the mistake corrected.
This week Amy, the owner of the Caplan Art Designs gallery came to pick up the Odditerrarium series for exhibit in October. It was great to see her and visit!!
Here’s the box of 20 artworks – many of them new for the October exhibit. I’m still enjoying being a miniature artist and having an entire exhibit fit in one box!!
Do you ever get suddenly tired of typing? I do. I have more I’d love to share with you about this book (in the pic above), about my projects in progress… but my typing fingers are tired. So I leave you with a sketchbook doodle and a hope that your week is pleasant. See you next Monday.
A fun creative exercise is to list the good things in my life. As the saying goes here’s “a few of my favorite things”. Items on my list are in bold type.
Painting. Basset Hounds. Flowers. I combined these favorites in a mixed media painting titled “The Goods Of This Life”. It’s 8 x 11 inches and was made using ink, color pencil, gouache and collage on board.
And yes, the orchids are a homage to my adopted Mom (mentioned last post).
Art supplies. I’ve been channeling my inner Julia Child and practicing talking while doing a drawing demonstration for NIL-TECH. In this video I’m sharing how I get my ideas and start a drawing using watercolor pencils.
The idea for this “Coffee Pup” drawing was inspired by the feeling of enjoying the first sip of good coffee. Coffee is another good thing.
Fountain pens and poetry and the awareness of caring… 3 more good things.
Family. That’s a really big good thing! A group of us got together to watch a great nephew’s university soccer game! We had such fun seeing each other and cheering for our nephew!
Friends are another really big good thing and cookouts … two more good things that I enjoy. Naturally I had put them in a poem in my artist book Patch La Belle.
Libraries. Oh my goodness libraries are such gifts! Both the public libraries and private libraries you assemble yourself at home are treasures!! We recently visited our local library for the first time since the pandemic began in early 2020. Since the pandemic started we’ve primarily checked out the ebooks. I certainly count ebooks among the good things in life but printed books… oh, it was such a treat to get print books during our recent visit!
One of these days I’ll write more about why libraries and books are so important in my creative life. But not in this post. In case you’re curious, however, about how books relate to my creative life I’ve begun keeping a public list of some of my favorite books that help me in my creativity here: https://bookshop.org/shop/clancy
I never know when a good thing will inspire art – which is why I keep lists in my sketchbook. If you haven’t already signed up to get my email newsletter in which I share my sketchbook pages please do! https://sueclancy.substack.com/
I hope your week contains many of the good things in your life…and that you’re able to notice them. See you next Monday.
I wrote in my last post that there may be hedgehogs and foxes in my upcoming sketchbook pages because I’m reading “The Hedgehog and the Fox” Isaiah Berlin’s famous essay about Tolstoy and history based on the Greek aphorism “The fox knows many things but the hedgehog knows one big thing”
In his book Isaiah Berlin writes (I’m paraphrasing) of how history is actually created by a whole bunch of people but when we talk about a time in history we tend to single out one person as a “hero” and the lone “causal agent” of an event. Berlin writes of how as a creative person Tolstoy was naturally a “many things” fox but as he got older Tolstoy wanted to be a hedgehog with “one big thing” that explains everything.
My reading got me to thinking about hedgehogs, foxes, Tolstoy’s demands of himself as a creative person and how that aphorism related to creativity. I said something about that and my friend Liz Gauffreau asked me how hedgehogs relate to the literary world:
Well, besides the fact that both foxes and hedgehogs are so very cute and fun to draw and write about here are a few of my somewhat random thoughts while reading the essay by Isaiah Berlin. Don’t worry I’ll intersperse my thoughts with sketchbook drawings of hedgehogs and foxes using all 3 of the new fountain pens I described in my last post. (BTW there are even more fox and hedgehog sketchbook pages in my recent email newsletter )
As I read Berlin’s essay I’m realizing that as a creative person I use the fox-like kind of “knowing many things” in a free ranging playful open way while I’m in the midst of creating. I’m free-associating between many things while I’m on the hunt for how to best express my elusive thought. But once I’ve finished my creation and caught my thought then, if I’m not careful, I can curl up into a prickly ball hedgehog-like defensive about whether my creation “means” something, what it means, whether it was worth doing, which “one big things” label it belongs within…etc. Staying for any amount of time in such a prickly ball isn’t helpful.
This getting stuck in a hedgehog ball mode happened more often in my younger years but still occasionally I feel a despairing “what was the point of doing all that?” moment. By now I know not to “feed” such overly self-critical negative thoughts and to deliberately stretch out and switch my thinking to some other more pleasant topic. I know such moments will pass especially after a good meal, a good night’s sleep, time spent reading a novel or going for a walk with my spouse. It’s not always easy but that’s the way I deal with it. I avoid getting stuck by deliberately keeping fluid movements between the modes of fox and hedgehog. Anyway, in my mind, that’s one part of how hedgehogs and foxes figure in the creative/literary life.
Another part of how hedgehogs and foxes figure in to it: our creative life isn’t “one big thing”: we aren’t the sum total of one published book or one painting. We aren’t one label. A creative life is cumulative. Of course when people talk about artists or writers shorthand references – labels – are often made like “So And So is the insert genre label author of Famous Book”. But this is just a way of speaking, a verbal convention. It’s even a necessary one because we use helpful labels to find things, like books to read, and a name or a genre category label is a great starting place.
Yet during the lived reality of a creative life things aren’t so simplistic. Creativity is many-things fox like when we’re in the midst of our unnamed, unlabeled creative project. It can feel unfocused, messy, free ranging all over the territory at the beginning only slowly becoming focused over time as the thought “scent” is caught and the project develops towards completion. After completion then the one-big-thing hedgehog label can be applied. And while my diagram below simplifies the fox/hedgehog creative process please know that this process isn’t linear, its fluid, there will be foxhogs and hedgeoxes, there’ll be all sorts of fits and starts, beginnings and endings, rushing currents and still pools… before a project is finished.
This process of metamorphosis from fox to hedgehog is part of why it is such a challenge for writers and artists to think up loglines or book jacket blurbs or elevator speeches or art statements that sum up their creation in a few sentences (or a Tweet). To sum up their work of the last few years, work they sweated daily over, work they gnashed their teeth on – to distill what it was about using 150 words or less both encompasses and transcends the lived creative process itself. It’s hard to rise above the creative life meadows where the foxes and hedgehogs have played and, from a birds eye viewpoint, select a single meaning for the shorthand talking points. This difficulty is why it’s also a challenge to write query letters that briefly describe a manuscript submission. It’s hard to reduce a fox-y many splendors creation down to a hedgehog-y one big thing and to call the hedgehog an accurate, yet attractive, name.
By the way if you formulate the hedgehog one-big-thing, the logline or art statement, in advance and are rigid about it (i.e. curl up in a prickly hedgehog ball) the resulting project is seldom satisfying to either the foxes aka the creators themselves or to their audience.
And yet a hedgehog can be a great starting place – if you aren’t rigid about the hedgehog label and use it as a prompt! It’s highly likely that a creation that starts out as one defined hedgehog can shape-shift to a fox during the creative process and finish up needing an entirely different hedgehog-y label. So that’s another reason it’s a challenge at the end of a project to select the exact hedgehog that was metamorphosed from that fox. This is also part of the exhilarating fun of a creative life.
We enjoy the arts for the fox-y complexity of many things in them – we talk about that complexity we enjoyed viscerally using simple hedgehog-y verbage. The fox represents a direct experience and a nonverbal expression of life. The hedgehog represents a definition and ways of talking about that artistic representation of life. We need both the foxes and the hedgehogs. The challenge is to remain loose, open, letting the foxes and hedgehogs become themselves while also keeping a benevolent watch over them.
What a work of art or literature “means” in the big scheme of it’s hedgehog label, is identified (if ever) after the work has been made and existed in the world a while. After the artist is finished then we use simple language to sum up what a creation meant. We give it a genre, a category, a label. That summing up or meaning finding is done and verified over the duration of time that the art exists – it gets reevaluated by the artist and by the audience constantly. The lables often get changed multiple times before they “settle” if they ever do. Almost all of Tolstoy’s work has gotten reevaluated numerous times since the era in which he was living and working.
From a creative person’s point of view I find it’s sanity-saving to not worry about the meaning of one work in the big scheme of things but to just get on with the next project. I don’t worry overmuch about the hedgehog labels I give my work for use when submitting or promoting it. As I wrote in my last post I’m regularly surprised by what labels publishers, distributors and art gallery owners place on my work. I just accept the label and these labels become tools I can use to talk with that distributor. For example I now can say to Storyberries “Here’s a new ABC123 Poetry book from me”. But even with that new knowledge generally my attitude when I’m working in my studio is “I’ll make the stuff and you can sort it out” rather than getting stuck on any of the potential labels while I’m in the creative process. Anyway, here’s a note on this topic that I have thumbtacked to my art studio wall.
The meaningfulness that is found after the creation is finished also has an element of danger. Sometimes because an artist is so tired upon completion they, in their fatigue, misjudge their own work and may mislabel it or even destroy it. Sometimes an artist gets stuck on a label and that impedes their progress. Sometimes the selected audience isn’t ready for a creative work and rejects it. Sometimes a work isn’t found to be meaningful until long after the artist and audience’s current era is gone and a new era begins. Sometimes a different audience within an artist’s lifetime finds the work more meaningful. Sometimes meanings and labels change over time too. Sometimes these new labels are helpful and sometimes they’re not.
So for all of those reasons I find it’s best to avoid gaslighting myself, i.e. making hard declarative statements about my work, either as I’m working on projects or whenever they’re finished. I just enjoy the process of making things. Other people can sort them into meanings and categories. That said, I do find the effort of succinctly summarizing my own creative works as a logline etc helpful as long as I don’t take it too seriously. Whatever you want to call it is fine with me as long as my personal foxes get to play and my hedgehogs stay cute.
Which brings me to book banning. I despise censorship because someone somewhere has decided in advance what a book or work of art “means” and they aren’t willing to let people decide that for themselves. They get rigid, in a hedgehog-y prickly defensive ball way, about everything fitting into their one big thing label whether that label is political or religious. They can’t, or won’t, deal with the foxes free ranging exploration. They’re allergic to questions and uncertainty. They reject categorically the concept of changes over time. They’ll decide they just don’t like one particular fox or hedgehog and insist that the external world must conform to their preferences.
Creativity is all about questions and dealing well with uncertainty. To be creative is to actively participate in change and growth. Creativity is a response to the world. Anyway, here’s an article about many of the current censorship efforts that I keep a careful eye on.
In my current art exhibit at the Aurora Gallery on the upper left shelf in the photo below is an artist book I made which tells a truth about rabbits and metaphorically about people. It’s called “The Rabbit” and it is about book banning.
I also participated from home by posting this: I #standwithsalman in favor of free expression. For the Aug 19 2022 @PENamerica event I’m reading from “Haroun and the Sea of Stories” by @SalmanRushdie – it’s one of my favorites – Here’s my reading on YouTube.
There now that I’ve finished this blog post I’ll deliberately avoid the one-big-thing type question of “did my efforts to write this blog post mean anything or matter in any way to the larger literary or creative culture?”. In such a question lies gaslighting madness. So instead of going there I accept that I enjoyed writing out my views of the creative process within the context of hedgehogs, foxes and the essay by Isaiah Berlin. And I hope my friend Liz will enjoy reading my thoughts on how hedgehogs and foxes relate to the literary world. There, that’s enough mattering and meaning for me.
Aha, now after rereading what I’ve written (and correcting the autocorrect 🙄) I see that there’s a few category and tag labels that I can use when publishing this blog post! Good enough…
I hope your creative week is full of playful foxes and hedgehogs. See you next Monday.
My exhibit “For You By Sue the ABC’s: Art, Books, Cards” opened at the Aurora Gallery. It was my first art event since my adopted Mom passed so it was hard in many ways. But I spent time talking with my spouse and being in touch with family and friends so that helped. I didn’t attend my art opening in person because I’m still being careful re Covid and, frankly, I didn’t want to cry in public. Even so I heard nice comments via social media from people who saw my exhibit during the opening and took the time to tell me they enjoyed it. It’s safe to say quite a wide spectrum of my emotions were covered.
Which made me glad that I’d spent time reading Marcus Aurelius recently. Over on A.M. Sketching I thought, as I sketched, about a quote from Marcus Aurelius – regarding not needing to always have opinions and the practice of letting opinions float by as they will. I find this is true of my emotions too – they come and go if I just let them alone. So, it helped this weekend to just let my emotions come and go without forming an opinion about how I felt. Not forming opinions about my emotions helped me to sustain both my creativity and my ability to do the business end, so to speak, of living a creative life during a personally difficult time.
This last week I made an effort towards my new drawing tutorial gig via Nil-tech. I did a demo of drawing “Hedgehog in Shade“.
It’s a beginning… here’s a link if you’d like to see my very short tutorial effort.
Here’s a book I’m reading and enjoying. I find the main character’s way of cheerfully adapting to difficult circumstances very refreshing.
I’m going to read and rest some more. Thank you for reading and for your kind comments. See you next Monday.
I’ve been thinking about the process of teaching and learning lately as I plan upcoming drawing tutorials for Nil-tech. I don’t think I’m an authority on drawing. I’m just fascinated by the subject and have done drawings almost daily for a really long time. It seems that there’s interest in me showing more of how I draw. So as I wrote in my last post I’m planning how to do that in simple, no-fuss, ways. Nil-tech has an online library of drawing tutorials and that’s where I’ll be adding my tutorials. I’ll also share them on my social media. If someone buys an art supply kit from my link I’ll get a small, but appreciated, royalty. We’ll see how this project goes … please wish me luck.
More than a decade ago I used to teach art in person in Oklahoma. For a number of years I even designed hands-on art exhibits for children and created teaching curriculums for a staff of teachers to teach from. Fun times except for experiencing the right-wing political opposition in Oklahoma to teachers teaching art (or even teaching reading and writing) and the general objections to the “intellectual eliteism” supposedly evident at any and all art exhibits and literary events. Suffice it to say that I can empathize all too well with teachers (plus librarians, booksellers, writers and artists) who are currently on the recieving end of right-wing anti-intellectual ire.
Yes, I have a bit of PTSD from my time in Oklahoma. There were some nice people there who were supportive of education and the arts in general – people I’m glad to know, people I’m still in touch with – but hooey the PTSD is real. And meanness selfjustified by anti-intellectualism still sucks.
Anyway, imagine my delight when, mere months after we had moved (12 years ago) to the West Coast, during my first in person art opening in Oregon, I was respectfully asked about my usage of metaphors in my work! After replying to the question I hurried to find my wife and, grinning from ear to ear, exclaimed excitedly “They used the M word!!!”
So, I keep reminding myself that as I contemplate a new art teaching opportunity that I’m not, emphatically not, in Oklahoma any more!
That’s why last Friday on A. M. Sketching I included a monument to teaching and learning.
My art exhibit “For You by Sue the ABC’S: Art, Books and Cards” has been delivered to the Aurora Gallery! The exhibit officially opens August 5th. I’ve been updating the portfolio page about the exhibit and, for the fun in it, included all pages of my book “Coffee Please”. Coffee Please is an amalgamation from the sketchbooks I’d kept during our pre-pandemic travels. I looked in my sketchbook for all the times I recorded requesting coffee; what was said and the type of cup I was given. You can see part of this artist book at the bottom of the photo below and you can see the entire book page by page, in my portfolio here.
Apropos of nothing here’s some of the flowers from our garden.
And here are some books I’m reading because both of these humorists maintained their humor during difficult times. Robert Benchley (b. 1889 – d.1945) lived through WW1, the Spanish Flu and the Great Depression. P. G. Wodehouse (b. 1881 – d.1975) lived through the same events as Benchley plus WW2 – he was even held prisoner by the Germans – and lived through many other world events in his long life. Both continued to write – and be gently humorous – all of their lives.
Resilience and creativity seem to correlate. I find it comforting and encouraging to learn how other artists made it through hard times and maintained their creativity and sense of humor.
It’s been hot this week so the studio supervisor and I have made sun tea by the gallon…
… the sun brewed tea is added to a large lump of ice in glasses. The chilling tea glass is kept on a coaster covered with a bit of paper towel so that drips of condensation don’t fall onto books. Mustn’t drip on the books. Nope, mustn’t…
As Kurt Vonnegut (another artist who turned hard times into fodder for creativity) often said “and so it goes”.
Hope your favorite beverages are just the way you like them this week. See you next Monday.
In a prior post I wrote about sharing the correlation I see between art and mental health. Writing and drawing your thoughts and feelings can help you check in with yourself. It’s a way of caring about and listening to your innermost self. Beyond any therapeutic benefits a habit of writing and drawing is also intelligence at play. Play is essential to mental health and not valued nearly enough… but I digress. Reading books and viewing the art others have made serves both of the therapy and play purposes too. Telling and showing more of my own work, my own intelligence at play, in my sketchbook is one way I can think of to share this correlation I see. That’s part of why I’ve begun A.M. Sketching anyway. (Btw this week there was a featured bug…😆)
Longtime readers of this blog know how I like easily portable sets of art supplies. Well, this preference has dovetailed with my above mentioned thoughts about mental health and having a regular sketching, writing and reading habit. Towards this notion I’ve found a company that makes sets of good quality art supplies and maintains an online series of tutorials about drawing. I am now in the process of affiliation so that whenever I share some art techniques (and add to the online drawing tutorial library) someone can easily access the supplies if they want to. http://shop.nil-tech.com/?ref=DmLN4hDZ
I remember teaching art, in pre-pandemic days, and sourcing the art supplies was always an issue. Even for adult classes the list of supplies to buy often overwhelmed students. So it’s nice to make it easier for someone to get the supplies they need to start a sketching habit by having everything available in one portable zippered case.
By the way when I say “a sketching habit” I include both words and images. Writing and drawing are both powerful tools for thinking and living well.
I wrote in my last post about my upcoming art exhibit at the Aurora Gallery. Here’s another video look at some of my artist books that will be in that upcoming exhibit. https://youtu.be/_VqH-Jw9wbg The featured book “Stories we could live inside…or not” relates to the mental health theme… here are some still photos but please see the video.
Besides fine art and artist books there are also limited edition greeting cards… the art, books and cards all relate to each other… anyway here’s a photo of the box of 90 pieces of art. Many of the artworks are the size of an open hand or smaller. It was nice to just carry one 11 x 11 x 14 inch sized box into the Gallery! I’m telling you I’m totally sold on the miniature art genre!
You can see a bit of what’s in the box on my portfolio page here. Needless to say I’m tired. I’m also reading a very good book. So I’ll get back to reading it now.
I hope you have a good book to read too and that your week is as pleasant as possible. See you next Monday.
Here’s a look at printed book alongside the 3 original artist books so you can see the scale difference. The printed book is 7 inches square
Speaking of threes – on A.M. Sketching this week I wrote about the three sources of inspiration for my sketchbook work: my life, my self generated photo references and my imagination. Details on A.M. Sketching but here is the gist.
As you know this use of the “3 sources” is true of my fine art and artist books too. For example Ant Hology was inspired, as I wrote in this post, by an ant mound along the edge of our patio.
In August I’m having an exhibit at the Aurora Gallery. I’ve titled it: “For you by Sue the ABC’s: Art, Books. Cards”. All of this exhibit too was inspired by my life, my self-generated references and my imagination.
Here’s the artist statement I wrote for the exhibit:
“I see creativity as a very practical thing. Art adorns our walls. Books bemuse us. Cards connect us. For this exhibit I include all three of these essential elements of life because it’s been stressful lately and I am me. So I made these things for you.”
The above photo and this video link below shows a small selection of over 30 related art gift objects created by me that are available. https://youtu.be/iPL6g_2cICw
I plan to do more photos and videos of the various art objects and put them on my portfolio page – you can see what I’ve done so far here.
This week will be very busy but each morning I will sketch and each evening I will read books a while and generate more self-generated reference material so it can percolate on the back burner of my mind while I do necessary stuff for my upcoming exhibit.
I hope your week has at least 3 nice things in it. See you next Monday.