art exhibit statement in pictures

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I’ve been working on an exhibit statement for my upcoming one-person exhibit at Burnt Bridge Cellars http://www.burntbridgecellars.com/ via Caplan Art Designs http://www.caplanartdesigns.com/index.htm and making it as visual as possible. Here’s what I’ve come up with (with slight variations for my on-line only audience):

Dogs In The Winery by Sue Clancy

I’ve been inspired by many of the drinks, restaurants and music events in Vancouver and the Pacific Northwest. Whenever I am inspired I make notes in my “running around loose” sketchbook – real-life observations – that often end up on a page looking like this:

CestLaVie

Back in my studio I run those notes through my imagination and do a new sketch, in black and white, that uses elements of what I’d seen in real life but transforms that real-life data symbolically. In this way, my work becomes a visual story about enjoying something. For me drawing is thinking – and storytelling. My newly imagined art-sketch becomes something like this:

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Pierre by Clancy (ink on handmade paper)

Then I add to my story concept thoughts of color, patterns and textures – to create a surface design on handmade paper that reflects my thoughts/feelings. In this step, I’m designing and creating hand-made patterns onto handmade papers using a number of techniques. Each pattern is designed to be another story element.

I put together the real-life data – my re-configured imaginary sketch idea and my color/pattern surface design thoughts – by cutting shapes out of my handmade papers and literally gluing the cut paper pieces together to create my fine artwork.

To show you what I mean here is a picture of me making a surface pattern design on handmade paper:

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Sue Clancy creating a pattern on paper using a stencil-paste paper technique

And here I’m using an Xacto knife cutting out shapes from paper that was previously dyed:

CuttingCar

Cutting dyed paper into a shape

The end result is a multi-layered fine art piece in color – like what you see in this exhibit or that you can see on my website fine art page https://sueclancy.com/fine-art/ Or like this finished fine art piece titled “Café Paix”

cafepaix72

“Café Paix” by Clancy – 14 x 11 inches – hand dyed paper, handmade paste paper and acrylic on cradled board

This exhibit shows a progression of my artistic thoughts about life in the Pacific Northwest – a visual story collection – with various dogs as symbolic characters. For me a dog represents an exuberance, a gladness, about being alive and is a fitting representative for pleasant life experiences.

You can download, free, 18 pages from my “running around loose” sketchbook – the real-life data that inspired this exhibit from my website here: https://sueclancy.com/artist-books/  I’ve titled this (free eBook) sketchbook “Glad To Be Alive Sketchbook – drinks and music edition 2017”.  Direct link to the free eBook here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

The imaginative art-sketches developed from the “Glad to be Alive…” sketchbook can be seen in the printed book “Dogs by Sue Clancy” (available in this exhibit or via Amazon and other booksellers or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy ). If you are able to visit my art exhibit at Burnt Bridge Cellars I’m sure you can identify (in “where’s Waldo” puzzle fashion) which sketchbook page led to which black and white art-sketch and which of those became color fine artwork.

For a “mind map” of my thinking process see the diagram here: https://sueclancy.com/2017/05/16/mind-map-of-a-clancy-art-exhibit/

mind map of a Clancy art exhibit

A Creative Life, animals in art, art exhibit, Art Licensing, art techniques, artist book, artistic inspirations, creative thinking, dog portrait, Dogs in Art, fine art, functional art, pattern design, public art, published art, sketchbook, surface design, visual story, visual thinking, words and pictures

I’ve been busy getting ready for my one-person art exhibit to open June 2nd at Burnt Bridge Cellars – a winery in Vancouver WA.  Part of doing an exhibit is to write an exhibit statement. But before posting my finished exhibit statement I wanted to share my thoughts behind my art exhibit design.  Here’s a sketch diagram, a mind-map:

MindMapOfExhibit

For the last year I’ve been running-around-loose in the Vancouver WA and Portland OR area documenting, in my sketchbook, my experiences at local music events, restaurants, wineries, cafes and pubs.  You can see a free eBook of my sketchbook titled “Glad To Be Alive – drinks and music edition 2017” here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

Then I processed through my imagination all of that data I’d collected in my sketchbook and for each pleasant thought I imagined a dog character-actor and made a new sketch/visual story, an ink study, using a sumi brush and ink. You can see a printed book, titled “Dogs by Sue Clancy” with of some of these ink sketches via Amazon or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

After doing a whole bunch of these dog portrait studies, almost 100 of them, I selected several and refined them, adding color and pattern and shape thoughts to my visual story describing metaphorically my experiences in real life.  These refinements have become finished fine art pieces that are in color using my mixed media cut handmade paper technique.  Both some of the finished color artworks and some of the black and white ink pieces (framed) will be at my upcoming exhibit.

My artistic inspirations are elements of ordinary life – so I’ve extended my art-exhibit making to the above mentioned books. Books are an important element of ordinary life so having authored two of them and making them available adds another layer to my art exhibit.

After doing some of the fine artworks I’ve also done some “illustrated things”: I’ve applied some of my artistic thinking for my exhibit to real-life clocks, napkins, tea towels, scarves and many other ordinary consumer items.  This extends my art exhibit thesis to yet another layer or dimension.   You can see some of the items I’ve designed on my web page titled “illustrated things” here: https://sueclancy.com/pattern-design/

To put my exhibit thesis plainly – I think it is very important to remember to enjoy and actively participate in the present moment, to relish ordinary things, places and friendly people.  Once upon a time I lived in a place where quality music events, good restaurants, wineries and pubs were rare. Certainly they didn’t exist in the variety and abundance that they do here in the Pacific Northwest. So I’m aware of what a gift, a treasure, it is to have those things now.

It is also fitting to have my exhibit at a winery – where the people who come to see my artwork can also enjoy award-winning wines and food.

But back to my mind-map: generally at the exhibit my thesis will be available only as a visual story, not spoken or written in literal fashion.  I have a reluctance to preach or otherwise belabor a point.  Besides instead of writing/speaking didactically I’d rather draw.

Now you know.

 

what happened with the dog art on fabric

A Creative Life, animals in art, Art Licensing, artistic inspirations, dog portrait, Dogs in Art, functional art, pattern design, surface design

I’ve been inspired by many local coffee shops – as well as the local dogs – and I’ve been making notes in my sketchbooks and creating fine art in prep for my upcoming art exhibit opening June 2nd at Burnt Bridge Cellars www.burntbridgecellars.com. (Free downloadable eBook sketchbook full of my inspirations available via this link https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf)

As part of my upcoming exhibit I’ve also created some dog-art-as… napkins and tea-towels. It fits with the dogs and drinks theme…

Here is a photo of the cloth dinner napkins – available via this link only https://roostery.com/p/amarela-cloth-dinner-napkins/6388800-two-dogs-coffee-by-sueclancy

 

The tea-towel looks like this (photo below) and is available via this link only:

https://roostery.com/p/orpington-linen-tea-towels/6388800-two-dogs-coffee-by-sueclancy

A photo of a fabric swatch with this pattern is on my blog here: https://sueclancy.com/2017/05/11/coffee-dog-art-on-fabric/

Glad To Be Alive sketchbook by Clancy

A Creative Life, art exhibit, art techniques, artist book, artistic inspirations, drawing as thinking, ebook, visual thinking, words and pictures

I’m getting ready for a one-woman fine art exhibit held at Burnt Bridge Cellars and set up by the Caplan Art Designs gallery – and part of getting ready is writing an “exhibit statement”.  I prefer creating pictures to writing non-fiction/prose so I’m making my exhibit statement as visual as possible.  One thing I’ve done is collect some of my sketchbook pages into a free downloadable eBook.  This eBook relates to my exhibit… more about that in future posts.  Here are pages from my “Glad To Be Alive Sketchbook – drinks and music edition 2017″… you can see more information and download it from my artist book webpage here https://sueclancy.com/artist-books/ or via this direct link: GladToBeAliveDrinkMusicEd  – Enjoy!

www.burntbridgecellars.com  www.caplanartdesigns.com

 

what the sheet music became

A Creative Life, animals in art, art exhibit, art techniques, artistic inspirations, creative thinking, dog portrait, Dogs in Art, fine art, music in art, Sue Draws Dogs, visual story, visual thinking

In my last post I told a bit about using sheet music in my fine art – you can see more about that and a photo of work-in-progress here: https://sueclancy.com/2017/04/27/sheet-music-in-fine-art/

While I worked I thought of the music and musicians that I’m honored to know personally – those I get to hear in small places, like cafe’s and homes – where I get to be surrounded by their music, love and friendship…

And here is what the work-in-progress, many more layers of paper and all those thoughts has become:

SurroundSound72

I’ve titled it “Surround Sound” – it’s 8 x 10 inches – made with hand dyed papers, handmade paste paper and “found papers” (the sheet music my musician friend gave me).

Now it has to dry before I can varnish it and get it ready for exhibit.

 

sheet music in fine art

A Creative Life, animals in art, art exhibit, art techniques, artistic inspirations, books, creative thinking, dog portrait, Dogs in Art, fine art

I’ve been creating fine art towards a one-woman exhibit in June at Burnt Bridge Cellars, a winery in Vancouver WA.  I’ve also been going to music events and cafe’s when I can. These kinds of events have been inspiring lots of the artwork I’ll have at the exhibit.  You can see some of my sketch-work towards my exhibit in my book: “Dogs by Sue Clancy” https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

Also a musician friend gave me some old sheet music. I’ve been using it in my mixed media cut paper collages along with my hand-dyed papers – and I intend to do so with this piece too…

Here’s what’s on my work table:

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fine art commission Bailey At The Lake

A Creative Life, animals in art, art commissions, art gallery, art techniques, artistic inspirations, Dogs in Art

Creating “Bailey At The Lake” By Sue Clancy

(this art commission project was handled by the Downtown Art & Frame gallery in Oklahoma)

Almost 9 years ago I did an art exhibit and someone saw it. Almost 9 years later they remembered my artwork and contacted me wanting me to do a portrait of their dog! (Lucky me!)  After conversation and photos were exchanged I did 2 sketches and some color samples. They selected one of my sketches and they liked the color scheme so I got started on the art!

I dyed handmade papers –  first for the color samples and then I dyed still more handmade papers for the “nuances” of color papers that would be cut up make up each element within the artwork.

Here’s a photo of me dying paper. Each handmade paper starts out white – the colors and patterns you’ll see I put onto the white paper using various processes. This paper dying process was repeated with many different colors using several different paper-dying techniques.  Only one photo of this process is here so I can keep this document brief.

DyeYellow72

Below is the “basic” color scheme that was approved.  Then I set about making dyed papers that were the same colors but shades lighter or darker than each of these.  So about 26 papers got dyed. (and a few extra)

Each paper was much larger than the area I intended to use it for because I layer multiple pieces on top of each other to build up the color.

ColorSwatches72

When all of the dyed papers were dry I cut out the overall basic shapes from each “local color”

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DSC_0002 (4)I glued each of those cut paper shapes to each other – and generally began the layering process….

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DSC_0004 (4)

Some paper layers go on top, others interlock with each other, some go behind and others on top of what’s on top – basically I design for both 2D and 3D space. To create this art work, I use an Xacto knife to cut out the shapes I need – sometimes scissors.  A tin tray holds the cut pieces – and I use a miniature spatula and several kinds of tweezers to position the paper shapes in the correct position…. Lots of archival glue and glue brushes are used… then a roller to roll it all flat.

LakeOn

Then I glue the basic cut paper shapes onto the board – layering what goes behind first and slowly building up.

Lake1on

OnBoard

When all of the “base papers” are on the board it is allowed to dry for several days.  Then I begin to layer more cut dyed paper shapes on top of what is dry on the board.  This next photo is of me starting that layering process – adding the cut paper “nuances” of color and shape.

MorePaper

StillMorePaper

And so it goes for quite some time… I’m skipping ahead now and the following photo shows how it looked when I had gotten it to a stage where it had to dry a few days before I could do more detail work.  And yes, in this photo below you can see the sketch that got approved – and some of the many photos of the real-life dog that the client sent to me for reference.

DryingStage

Once the above stage was dry – I cut and layered in more cut paper shapes.  While working I looked a lot like I did in the earlier photo: tweezers and cut paper in one hand a glue-y glue brush in the other.  I would cut the shapes I needed out of the correctly colored paper using an Xacto knife, lay those cut paper pieces in a tin tray, step to my easel use the tweezers to pick up the cut paper piece, load my brush with glue and apply … and so it went. But I’m keeping this document brief… so please repeat in your mind, a gajillion times, that earlier photo of me with tweezers and glue.

In the photos below you can see that I’ve layered on many more nuances and details since those photos above.

MoreProgressStepsProgressSteps

As you can see my dyed cut paper shapes go around all 4 edges of the board.

The above stages have to dry a while before I can do any finishing touches.

Well, I got so excited when things were dry that I got right to work and finished the artwork without taking any more progress photos. Ah well.

Here it is finished:

“Bailey At The Lake”  By Sue Clancy

6 x 6 inches – Hand dyed paper, handmade paper, handmade paste paper and acrylic on cradled board.

BaileyAtTheLake72

 

 

coffee sketches become fine art

A Creative Life, animals in art, art exhibit, art gallery, artistic inspirations, dog portrait, Dogs in Art, fine art, psychogeography, sketchbook, Sue Draws Dogs, travel art and writing

As you know I’ve been doing “coffee/tea cup research” lately. Here is a recent fine artwork I just finished titled “Café Paix”.  Paix is French for “peace”. I’m sure you’ll notice the cup.

cafepaix72

Café Paix by Clancy – hand dyed paper, handmade paste paper and acrylic on cradled board

One day my sweetie and I were on a busy urban street and we ducked into a café for a late brunch. There I was enchanted by the variety of people in the café – as well as outside on the street – and I thought “How wonderful it is to live in a such cosmopolitan region!

In my head I used the word “cosmopolitan” in the sense of “at ease with many different cultures”.  That dovetailed with the café menu (in front of me) which featured coffee drinks and foods from many different areas of the world.  So I made notes in my pocket sketchbook.

Later when I was back at the studio I did this finished sketch – which was a preliminary study for “Café Paix”:

pierre72

Pierre by Clancy (ink on handmade paper)

The sketch is currently at Caplan Art Designs http://www.caplanartdesigns.com and “Café Paix” will be there too for future exhibits after it has fully dried.

 

more dog book progress

A Creative Life, animals in art, art gallery, art techniques, dog portrait, Dogs in Art, Sue Draws Dogs

I wrote a short synopsis of what my book “Dogs by Sue Clancy” is about and I showed the synopsis, an early copy of the book – containing my dog portraits like what is currently at the Caplan Art Designs gallery – to friends in real-life. These friends can be counted on to have-my-back regarding my artistic efforts and I know they’ll ask good questions! Their questions often help me refine my artistic efforts. Valuable friends!

Here’s the synopsis I showed them:

“Featuring all kinds of dog breeds artist Sue Clancy whimsically combines man’s best friend and many of life’s pleasant experiences by drawing them using a dip pen, a brush and Sumi ink.”

One of the first questions was “What is a ‘dip pen’?”.

A dip pen has a metal – often steel – nib which is inserted in a holder. You can see three nibs to the left in the photo. Also on the left is a long brown nib holder with another nib inserted in the holder. The term ‘dip pen’ is slang for ‘metal-point drawing pen’ and I think the term ‘dip pen’ is more descriptive of what kind of pen it is.

That led to the next question which was “How often do you dip it?”

It depends on how large the nib is as to how much ink it holds at a time. The very small finest nibs (like what is pictured in my brown holder), that I use to draw doggy whiskers, eyebrows and such, would probably be dipped into my ink-well (the green bottle in the picture) 2 or 3 times when drawing fine detail work on a dog. I mean very fine details like the soft muzzle fuzz, eye-lashes and whiskers – and areas needing lots of short to medium strokes to convey fur. A larger pen nib like the one in the picture nearest the pen holder may not be dipped quite that often – and it can do a longer line at a time. I’d use a larger nib, for example, when drawing the detail of a coffee cup and saucer.

An oriental brush – the kind of brush pictured to the right of the pen nib holder – may be dipped into the ink once or twice to draw an entire dog with lines of varying thickness. It’s dipped again into a water and ink dilution when I need to make a tonal shade.  The brush is used the most and does most of the work on each portrait – the dip pen is just for details too small to draw with my brushes.

The third question was “What is Sumi ink?”

This question is a bit harder for me to answer because the first reply that springs to my mind is “awesome wonderful good elixir-of-life stuff!!!!” and that answer doesn’t really tell anyone anything other than the fact that I really like the ink!

Sumi ink is more commonly known as a Chinese calligraphy ink. But both Chinese and Japanese artists use Sumi ink to do all kinds of things from text based documents to large works of visual art.  Invented well over over 2000 years ago the ink is often made – and is even today made – from vegetable soot, carbon soot, lamp black, camphor and sometimes a glue-binding agent.

For my artwork I use both the liquid-in-a-bottle style of Sumi ink as well as the stick form. The stick form of the ink is pictured in the middle towards the bottom of the photo on top of the red box I keep the ink stick in. I’ve been using this same stick of ink weekly, if not daily, for perhaps 10 to 12 years – and only about half an inch of the stick has been used up.

The black square next to my ink stick is an ink-stone. I put a bit of water and “grind” the ink stick until I’ve a pool of black liquid ink. The surface of the stone has a grit or tooth to it so I say “grind” but it’s not like grating cheese nor even like rubbing a bar of soap on a stain – it’s more meditatively moving the stick in small circles in the water using a very light touch while I think about what I want to draw. Then when the pool is black enough I get to work using the newly formed ink!

The ceramic dishes in the photo are where I put water and varying amounts of ink so that I can have a gradation of tones within my drawings. The liquid kind of Sumi ink is in the green bottle in the photo.  Both forms of this ink at their blackest – least diluted with water – feel and look like a small pool of honey.

While Sumi ink and the brushes I use may be of the kind associated with Zen Buddhism and Asian art in general – I’ve done my own thing with the Sumi ink medium; my dog portraits are my own invention. Due to my subject matter I’ve needed crisp details like whiskers so I use the dip pen in addition to the brush-and-ink techniques.

I do, in the philosophical sense, enjoy a kinship between some of the Zen Buddhist ideas related to this Sumi-ink art form (chiefly: relax! breathe! let-go!) and my own desire to artistically explore joy, beauty, whimsy, visual story-telling and concepts related to good-mental health.

As I’d talked and tried to answer the questions each of my friends took turns looking through the early copy of “Dogs by Sue Clancy”.  When I stopped talking one of them said “It looks like a real book!”

“Oh! What a great comment!! Can I quote you on that?” I asked.

“Yes.” was the reply.

You can see some of my Sumi ink dog portraits on my dog portraits page on my blog: https://sueclancy.com/dog-portraits/

There will be more in upcoming blog posts about “Dogs by Sue Clancy”

sumidogdrawingsupplies72

Sue Clancy’s art supplies used for her dog portraits: dip pens, oriental brushes, Sumi ink (liquid and stick) and mixing dishes. Handmade paper isn’t pictured.

 

happy doggy new year

A Creative Life, animals in art, art exhibit, art gallery, artist book, artistic inspirations, books, dog portrait, Dogs in Art, fine art, Sue Draws Dogs

I worry about human adults. I worry that people forget to play. This worry has included me.

So I’ve been trying to do something about that. Dog portraits are my effort to remember to play. I’ve been purposefully spending time enjoying something and making notes and in the process I created an art exhibit’s worth of artworks. Yes, 32 of my dog portraits are currently scheduled for an exhibit at Caplan Art Designs www.caplanartdesigns.com in the new year, Jan 2017!  So here’s hoping that other people see my artwork – and the whimsy there and play a little too!

As a separate project I’ve also been working on a printed artist book of my dog portraits. The concept behind both the art exhibit and the potential book is the same: collecting pleasant thoughts and describing those thoughts using imaginary dog characters (based on a real-life dog breed) in order to highlight the pleasant feelings.  This idea has its roots in healthy mental health habits and the practice of happiness; creating gratitude lists, purposefully turning ones thoughts toward pleasant things, playing with ones imagination, and a meditative practice of enjoying  time, memory, attention and whimsy.

Dogs were selected as characters because for me dogs of all breeds represent a joyful exuberant delight at being alive.

I’m thinking that the book – which I’ll call “Dogs by Sue Clancy” – will be another artist book by me, an artistic expression of its own. More than an exhibit catalog or a collection of reproductions of a body of artistic works the book “Dogs by Sue Clancy” is being organized around an artistic idea – the one I mentioned above: collecting pleasant thoughts and describing those thoughts using imaginary dog characters (based on a real-life dog breed) in order to highlight the pleasant feelings.  The book will not be at the art exhibit – it’ll be its own separate thing…

Now, why does it matter that we think of pleasant things and seek to provoke pleasant feelings? Why is it so important to me that I’ve spent all this time to make both an art exhibit and a potential book filled with “pleasantness”?

Well it’s gosh-darn easy to provoke feelings of anger and fear. Some religious leaders and politicians do it often because it’s a reliable (if dirty-tricky) way to get peoples attention and exert control. Unhappy, frightened and angry people are more easily controlled.  Even some grade-school kids use such tactics, because they’re easy to do and successfully get and control peoples attention.

You can even accidentally do it to yourself, get yourself down-spiraling; angry and fearful about almost anything. Particularly around a sleepless 3 am. Especially when you’ve been busy and stressed and not enjoying much in life. (In my book Dr. Bob’s Emotional Repair Program First Aid Kit –https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit – this is discussed in detail, particularly strategies how to deal with unpleasant emotions.)

So I’ve been speculating that very act of enjoying things – small things – and sharing enjoyments with other people – may itself be a moderating factor, a good-mental-health exercise, and a small way to combat the dirty-trickery of the fear-mongers.

After all one of the ways of responding to, and coming out of, a negative-downward-spiral is to keep a list of things you enjoy doing or thinking about and deliberately turning your thoughts away from anger and fear and towards something you enjoy and appreciate.  Could it also be  helpful-to-good-mental-health to have an entire art exhibit, and maybe a book, full of “pleasant things”?

As a professional artist I’ve thought why not deliberately – and as an artistic project – provoke laughter? Smiles? Warm-fuzzy’s? Playfulness? For both myself and hopefully others?  It would be an artistic challenge. How do you get someone to smile – or even laugh – while looking at a piece of paper covered with lines, shading and patterns?

I’m convinced that happiness is a skill that must be practiced like tennis, like cooking, like drawing.  I’ve been spending a lot of time practicing my own happiness – and enjoying it (pun intended) – I’m hoping that sharing my practice in both an art exhibit and in a book – will be fun for other people too. 

Here’s a new dog portrait.

digger72

Digger by Clancy – ink on handmade paper