Odditorium exhibit, lots of books and a sandwich technique

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, books, fine art, illustrated gifts, life of the mind, mental health, Odditorium, printed books, sketchbook, Sustainable creativity, whimsical art, words and pictures, writing, writing and illustrating

Last week I took 3 boxes containing all of my Odditorium fineart into Burnt Bridge Cellars where it will be through the end of July. Everything I’ve done over the last year is now in the capable hands of the winery and the Caplan Art Designs art gallery!

My spouse took this photo as I paused with one of the boxes on my way into the back patio door of the winery.

Due to our state’s Covid19 protocols reservations are needed for drinking and eating indoors or outdoors at the winery. Masked people are welcome to drop in to see the fine art and buy bottles or growlers of wines. When not seated masks are required.

Reservations can be made here:
https://www.burntbridgecellars.com/

(I see that I have new followers to this blog – welcome! – to catch you up to date more photos and info about this project, the art and access to the artistbooks is here https://sueclancy.com/portfolio/odditorium/)

While not exactly a full art opening  the winery took reservations for a special Friday night dinner: marinated salmon or chicken sate by Class Cooking and of course one could sit and enjoy a variety of wines!! Masks can be removed when seated it’s just when walking about that they’re needed.

Friday night there was live music outside on the winery patio. And you could go inside to see my fineart and artistbooks then you could go outside to hear the music or vice versa.

These photos below are a look at my Odditorium artexhibit on the winery walls before people came (there are more photos here).

Below is a photo of the artist books that are in the basket in the photo above.

And my green dragon bookplates did come in time!! I had hoped in my last post to sign a few of the bookplates for the exhibit in case someone wanted one in one of my books.

Anyway, I was very aware all week that in the best of times and conditions I don’t hear well. Add the masks worn sensibly during a fading pandemic and lip reading isn’t an option either. So I made the decision to stay home even though I could have made a reservation at Burnt Bridge Cellars and spent at least some time at the winery during the first Friday my Odditorium art exhibit was  available.

But I know myself and I know that if I saw someone looking at my art I’d want to pop up from my seat put my mask on and try to talk with them and try to hear what they’d say even knowing it wouldn’t be likely…. so I just chose to not put myself in that situation.

While it was a sensible decision I still had some upset feelings about it. So I worked on remembering this 👇

Bookstores and libraries have often been my places of consolation. So my spouse and I went and had our first in-person visit to a local independent bookstore Vintage Books ! We’ve both been buying online from Vintage Books for a year now…but the impulse buying when indiebookstore shopping in person can’t be beat!!
https://www.vintage-books.net/

Here’s a selfie I snapped inside the store. At the time we went there were only two other customers and two store employees. We were all spread out throughout the store. It was silent (at least to my perception) except for one of the two store cats who sat up when I neared the shelf where she lay and said “meow”. Vintage Books has both new and used books so the store smelled like book heaven even though my mask. I loved the sights of the colorful book spines and book covers displayed on shelves from floor to ceiling. The staff write handwritten notes about books and I enjoy seeing the various handwriting styles in various places on the shelves. There were multiple spaces where books from different topics/genres had been collected together with staff comments like “if you like the topic in this book then you may like these too” – and that’s a sure way to get me to impulse buy! 🤣

Here’s a photo of my book haul.

Then after we got home I used my usual “how to pick a book” method. I’ve described it in Another Sketchbook and also included it on this coffee mug in my Zazzle shop.

https://www.zazzle.com/how_to_pick_a_fun_book_to_read_mug-168374730790857937
https://www.zazzle.com/how_to_pick_a_fun_book_to_read_mug-168374730790857937

It felt so good to have an extended length of time reading!!

Another soul satisfying restorative was finding that my order from Paperblanks came!!! (https://www.paperblanks.com/en/) Yippee!!! I buy blank books 5 or 6 at a time because it gives me the joyous feeling that I can write with impunity. I can draw with abandon. I can liberally spread the sunshine of my imagination. I can run around with my pen… I can…I can… I can…❤❤❤❤🖋🖋🖋☕☕❤❤❤❤

So this weekend I immersed myself in my books, I dipped into novels like a diver into a swimming pool. I also swam freely in my new orange poetry sketchbook book (mentioned last post). The orange book was the last unused book from my last order-of-5 books. Whenever I get to the last few books I order more immediately.

Several meals this week were quick sandwiches: cream cheese, various vegetables chopped up and some spring greens on lavash bread rolled up. A rolled sandwich only requires one hand to hold it which leaves the other hand free to hold a book! The Atoria Lavash are some of the best I’ve tasted and they ship directly from the bakery! Anyway here’s a link to the sandwich rolling technique https://www.atoriasfamilybakery.com/wrap-like-a-pro/

While my Odditorium exhibit will run through the end of July in subsequent posts I’m going to turn this blog towards new projects. I’ve already started new fine art that continues this Odditorium theme. The new art will be destined for exhibit in September. There’s also the children’s book version of my Odditorium exhibit book still to be released. So periodically on this blog I will probably return to this theme. But I’ve also got a different project in progress that I also want to share with you…

More about that next Monday. I hope your week is a good one!

Crows, cookies and thinking in the Odditorium

A Creative Life, animals in art, art exhibit, art gallery, art techniques, artistic inspirations, fine art, household surrealism, magic realism, mental health, Odditorium, Sustainable creativity, travel art and writing, whimsical art, words and pictures

One of the gifts of travel is the awareness that things don’t have to be what you’re used to in order to be enjoyable.

Since the beginning of the pandemic in 2020 I’ve been looking at household things with the eye of a traveler. I’m practicing being okay with things as they are, seeing them in new ways and enjoying them – like how I would enjoy things on a trip. Along the way it occurred to me that domestic arrangements are one place in life where things can be more or less to our preferences. Home is a place of fairly reliable comforts. There’s a gift of comfort in that.

The sketchbook I began this, ahem, journey in has been published as Another Sketchbook.  I decided at first to view household things as if they were public monuments, things we might travel to see. Then I decided that was too distant…the people too small and far away. Then I decided I didn’t want to draw people after all because animals feel more comforting. Anyway, here are a few pages from Another Sketchbook…I’m hoping you can see how I got to my present Odditorium art series via this trail.

Here below is the book cover and a link where you can look through the entire book.

https://www.blurb.com/b/10134263-another-sketchbook-by-clancy

Of course after publishing Another Sketchbook I’ve kept on keeping a sketchbook. I post these new pages now and then on my social media. Here’s a few pages from my new sketchbook that are relevant to the painting you’ll see in this post.

While musing about the crows I often see in my yard I thought of how the kitchen gadgets I have are so useful. And I love herbs and spices – especially those from Penzeys. So I took a photo of the kitchen tools and spices I was about to use at that moment.

Then as the days progressed I began a new acrylic painting full of my thoughts about my ongoing efforts to dance and appeal, so to speak, to the various gods of good-food cooking. My spouse snapped this photo of me working.

As I worked I tried a new-to-me color scheme that includes magenta, an orange-red, a light pink, grass green, a grey-blue and a creamy yellow. The crows aren’t really black there’s a lot of dark purple and deep blues to their feathers. The color nuance shows more when you see the painting with a human eye. I have another camera that shows more of the color range that I use when taking pictures of the art for publication. Anyway, I’ve titled this new painting Domestic Comforts

Domestic Comforts by Clancy- 8 x 18 inches- acrylic and collage on board

Another thing I keep thinking about is the different speed of time at home. When traveling in the past I have tended to be very rushed and scheduled. But at home and in my art studio, which is in my house, I tend to be scheduled but usually much less rushed. In fact for quite some time – even before the pandemic – I have intentionally tried to maintain the habit of a steady but relaxed pace in my studio and home. Sustainability of energy is my focus. No, I don’t do this perfectly it’s an ongoing goal. During the pandemic this goal has strengthened as I’ve realized this habit also maintains a critical space for long-form thinking.

Long form thinking is a term usually applied to reading and literacy. It’s a discussion of cultivating the ability to pay attention. There’s an article by James Patterson here and another related article here on the long form thinking as it relates to literacy.

This reminds me of what Dr Bob said in Dr Bob’s Emotional Repair Program First Aid Kit about attention “what do we get when we pay attention? The power to choose.”

I think of the term long form thinking as applying more generally to creative efforts that stretch over a longer span of time. The actual work may be done in fits and starts or in short bursts of actual hands on time but a thought is held in mind, come what may, over an extended time period. Long-form thinking, in my opinion, allows for a sustained leisurely attitude towards time for art, for reading and writing.  Creativity requires time to meander and travel in ones mind – even while cooking dinner or mowing the lawn one plays with the thought topics currently being considered.

Long-form thinking purposefully includes time for making homemade cookies or any other bits of meandering fun. This week I tried a cinnamon sugar cookie recipe. I cut this recipe in half, dumped all the ingredients in my Cuisinart (kitchen gadget!) blended the dough and otherwise followed the recipe directions.

The cookies turned out very yummy!! As hinted above taking the time to read books is an essential part of my creative process – with or without hot from the oven cookies and hot chocolate. Here’s one of the books I’m reading…

My art is a part of my life and vice versa. Creativity is a continuous thing I’m committed to doing within and amongst all of the various domestic concerns and that’s-life stuff.

In fact I view the public aspect of my creative life of making artist books and art exhibits as like the game of musical chairs. I do steady continuous studio work then about a month before the fine art exhibit goes up the music stops. As in the hands on action of creating paintings temporarily stops, and I start framing, photographing, publishing everything I finished up to that point.

It is exciting as I frame and publish the artwork to both see and feel my Odditorium series coming together. The work that I began last year will be exhibited this year in June and July at Burnt Bridge Cellars and when my work is on their walls that will add to my ongoing Odditorium thoughts. Then there’s another exhibit at the Caplan Art Designs Gallery in September. After delivering art to Burnt Bridge Cellars later this month the music (active painting) starts again – specifically the thoughts I have when seeing my works hung together will inspire more work in the series. Then I will begin making the new art in this Odditorium series with an eye towards the next exhibit. Some of the art at Burnt Bridge Cellars along with the freshly made new art will go to Caplan Art Designs when the music stops again at the end of August. This is the way my exhibits grow and travel.

So yes I like long-form thinking. I like projects that stretch over a years time. This allows me to explore a topic from several angles as well as to change my approach as I’ve described in this post. It’s risky as I don’t know at the beginning where my thoughts will go. Plus I do all of the hands on work in short bursts of time each day so I “live in” small slices of my thoughts. My sketchbook is the way I both develop the exhibit idea and keep track of my thoughts – but still the uncertainty is there. I’ve just learned to ride with it.

My long-form working process is like reading a long novel –  when you have a few minutes you read a paragraph or a page or two a day. When you begin reading you’ve no idea where the book is going. But if you keep reading a bit per day pretty soon you’ve read the whole book and you know the book conclusion.  Same goes with creating an art exhibit.

There’s an excellent article here about the counterculture of commitment. It describes well what I’m talking about. I see this concept of long-form thinking (aka commitment) as similar to the idea of slow food/ home cooked food but about the subject of creativity. Inherent in this notion is the acceptance that things can develop slowly over time and that slowness allows for uncertainty and changes of mind.

I have a quote by Christopher Morley thumbtacked to my art studio wall. The quote applies, in my view anyway, to ones sense of time and space too.

It’s okay maybe even good to be a little odd. It’s not a goal to have domestic life or travel or art projects or life in general be perfect. The goal is to have the coping skills to deal well with imperfections when they happen. To be able to do the domestic dances and appeal well enough to the gods (metaphorically) of home cooking. Or to the gods of plumbing or whatever the household issues may be. To be relaxed and calm enough that one’s able to see the solutions, comforts and enjoyments near to hand. This is my approach to art projects too. Slow but steady, to have the coping skills to fix artistic mistakes, to adjust, to try something new.

Since this month began – besides framing the artwork a bit per day – I’ve been creating an exhibit catalog, a coffee table picture book of my exhibit. Last year during the worst of the pandemic it seemed to please fans of my artwork that they were able to get a printed book or an ebook of my entire art exhibit. So that’s why I’m doing a book this year too.

Additionally I’m doing a few greeting cards and coffee mugs with my art from this series. Both the cards and mugs are in keeping with the root idea of my Odditorium series – taking an uncommon view of ordinary household things and surreally creating souvenirs of pleasant moments. Here below is an example of a note card with the artwork  I wrote about in my last post.

Crow with Pen note card – https://www.zazzle.com/crow_with_pen_note_card-256278283808038581

Yes, the temptation to stress, to worry, to rush is there, especially as the day nears to deliver all of the artwork. But I remember those pre-pandemic travels when I rushed mightily because the day the trip ended was coming nearer and I didn’t want to miss anything … what I remember now of those trips isn’t the scenery or the food but the stress and rush. So I try to remain calm now and go slowly as I continue towards the exhibit. And I rest knowing my thinking-work will continue …

Thanks for reading! I hope you have many enjoyable domestic comforts  this week – and if you try the cookies I hope you like them. See you next Monday?

This Rabbit likes good eggs

A Creative Life, Alphapets, Alphapets Too, animals in art, art exhibit, art gallery, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, creative thinking, fine art, greeting cards, humor in art, illustration, life of the mind, mental health, Numpurrs, printed books, publications - publishing, rabbits in art, Sustainable creativity, This Rabbit, whimsical art, words and pictures, writing, writing and illustrating

This Rabbit, my newest children’s book, is now a free ebook and audiobook on Storyberries.com! How fun is that? Click here to both see the book and/or listen to it read aloud! Basically This Rabbit is now officially available worldwide! Wahoo!

The Aurora Gallery also now has my signed books – This Rabbit being one title – along with a number of the original illustrations from the books framed and on the Gallery walls!

For example the Numpurrs book and some of the artworks in that book are there at the Aurora Gallery too.

Also framed are a few of the original illustrations for This Rabbit….and for Alphapets and Alphapets Too. (More about each of these books in my portfolio)

Since rabbits can deliver more than just treats for kids this time of year in addition to making lots of rabbits for a children’s book I’ve also made a collection of my rabbits available on my Zazzle shop. These are intended as fun gifts for grownups; greeting cards, jigsaw puzzles and coffee mugs. (The photos below are a small sample of what’s available on my shop.)

A note card: https://www.zazzle.com/my_heart_is_with_you_note_card-256344942961836795
Jigsaw puzzle: https://www.zazzle.com/rabbit_sax_jigsaw_puzzle-116637967822588564
Mug: https://www.zazzle.com/hares_to_hot_beverages_and_comforts_mug-168629126897898357

Since we’re nearing Easter naturally my thoughts turn from rabbits to eggs. This week I tried, in the name of I’m-to-busy-to-cook, a sheet pan breakfast with eggs, bacon, green bell peppers and sweet potato chunks. It worked reasonably well … one set of eggs got a little more firm than I like but everything – including the eggs – were quite enjoyably edible. And enjoyably edible counts!

This week I rearranged the most important bookshelf in my house: the one in the bathroom. It seems that the average person spends 1 hour and 42 minutes per week in the bathroom. Or to put it another way during an average lifetime we will spend at least 92 full days in the john. Might as well use that time for some encouraging reading. Here below is a photo of my bathroom bookshelf. The purple ceramic thing serves as a bookend as well as holding the extra roll of TP.

For the same reason I have inspiring books in my bathroom – notice all the books by Austin Kleon! – I also like having good artwork there too. Keeping good books and art where they’re viewed often is a way to keep my own creativity sustainable. The framed art you see in this photo is by another Pacific Northwest artist named Jill Mayberg https://jillmayberg.com/ I like the colors and textures in Jill’s work.

We’re here, so we might as well get comfortable. Reading books about writing and creativity are where we learn about, and practice, being human. I’ve written elsewhere in this blog (see links here and here) about the similarities I see between the creative acts of writing and making fine art. Verbal storytelling, writing, drawing and reading are such quintessentially human activities. Are we completely human if we don’t do those things?

These thoughts are why I find it such fun to depict animals reading books and doing other typically human behaviors – it’s my way of pondering what in means to be fully human.

Btw: there are more animals besides rabbits running around in my brain now. The new critters are getting comfortable too. As I wrote in my last post I’ve been thinking about human development and about dealing with feelings. I’ve also been thinking about Jane Austen and her descriptions of emotions within her novels.

Anyway, I’ll keep thinking and drawing… Share more with you next Monday? Oh, and Happy Easter, aka Rabbit-delivers-fun-things-day, in advance. [Thanks again Kris and Nan for this stuffed rabbit!]

Linked by leaves lemons and literature

A Creative Life, animals in art, art techniques, Art Word Combinations, artistic inspirations, books, creative thinking, drawing as thinking, fabric design, fine art, humor in art, Narrative Art, pattern design, rabbits in art, reading in art, sketchbook, surface design, Sustainable creativity, visual thinking, whimsical art, words and pictures

I’m amazed at how easy it can be to change one’s perception and be inspired. For example I took these yellow lemons and set them next to a grey and cream cookie jar. Suddenly I have a color scheme I hadn’t thought of before.

The randomness of all the creative stimuli in the world can feel a bit chaotic. Making links between stimuli can be a puzzle. The challenge is devising methods to sift through the chaos to find the nuggets of inspiration that are relevant to our lives and our personal forms of creativity.

One way I find focus – or links – is to think about what I enjoy. For example hot beverages and books are reliable enjoyments for me so I often use that as a focal point when exploring color schemes, patterns or shapes.

Here’s an original drawing playing with colors using the books and beverages topic:

Then, later, after I’ve chosen a focal point and created a drawing I’m pleased with, I find ways to take my original drawings and make something that might add to the random pleasures in the world.

My entire creative process is a way of talking, listening and actively participating in the world.

Here’s what I did with the above original ink and gouache drawing of hot beverages and books: I made a fabric pattern of it for my Spoonflower shop.

https://www.spoonflower.com/en/fabric/9454398-hot-beverages-books-by-sueclancy

Yes, much of my artistic inspiration comes from my personal life. Below is one of my favorite hot beverages. I wrote the recipe in my sketchbook. A sketchbook is where I do a lot of my sifting through my thoughts and making links.

And here’s some random books I’ve been reading this week:

The Norton Reader 6th edition is a book of essays, a wide ranging freewheeling collection of essays. I like it for it’s oddness this way – most essay collections are more narrowly focused. This book was given to me back in the late 1980’s by one of my literature professors. I had gone to the professor’s office during the appointed office hours but just after I arrived the professor got a phone call. Those were the days of phones connected by cords, lines and an absence of answering machines. While my professor took the call I sat next to a table with books on it and picked up The Norton Reader. By the time my professor finished the call I had read several of the essays. The professor asked if I liked the book, I replied that I did, and she gave me the book to keep. I have read the book multiple times since those college days and this book currently lives in a place of honor on my dining room shelf with my poetry and short story book collections. It has influenced my creative thinking in ways too numerous to list here.

The other 3 titles in the stack of books in the photo below are all books that I similarly encountered randomly:

Darkness Take My Hand by Dennis Lehane was a recent gift, sent by mail, from a friend. I love a good mystery novel and this one is gripping. I’ve almost finished my first reading of it and …wow. Just. Wow. I had never heard of this author till my friend mentioned and sent the book! I’m grateful to my friend…

Given Sugar Given Salt is a book of poems by Jane Hirshfield. I love the way Hirshfield examines little things, small objects like buttons or our habits or ways we sleep. This book (along with Mary Oliver’s work) has been an influence on my own love of little things.

The Blank Canvas by Anna Held Audette is a big “you can do this” support system even though the book is small in size. I dip into it often when I need a little pick-me-up.

All of the books in the above photo were gifted to me. I relish the randomness the book-as-gift adds to my creative life!

I thought a lot this week about those yellow lemons and that grey color together. And about hot beverages. The weather here has been cold, rainy, which makes hot beverages even more pleasant. Here’s what I drew exploring the yellows and greys:

This week I’ll probably do the digital hocus pocus to turn my grey and yellow cups drawing into a pattern repeated on fabric. (This process will be much like what I described last post.)

My other technique for creative focus – for finding links – is to ask myself what would feed my good wolves today?

This page is from this book: https://store.bookbaby.com/book/Dr-Bobs-Emotional-Repair-Program-First-Aid-Kit1

Then I think of art topics and creative projects that encourage my own thinking towards kindness and the other good-wolf attributes. And provide amusement and comfort.

For example here’s an ink and gouache painting I’ve titled “The Fall Collection”

“The Fall Collection” by Clancy – 8 x 10 inches – ink, gouache and collage on board

And here’s another ink and gouache painting I’ve titled “Anyone Bring Cups?”

“Anyone Bring Cups?” by Clancy – 8 x 10 inches – ink, gouache and collage on board

In both of these paintings – in addition to yellow, grey, leaves, lemons and cups (sortof) to link my thoughts together – I used a bit of text as collage along with my ink and gouache. The text is from Pride and Prejudice by Jane Austen. I had a much used copy of that title that has pages falling out so my spouse gifted me with a newer intact copy. So I’m lovingly recycling the old falling apart book into my fine art and my perception of Austen’s writing is shifting in nice ways as I do this.

I’m sure you noticed in the paintings that in addition to my use of yellows, greys, leaves, lemons I also used my current “everyman” characters in the form of rabbits.

As I describe in my last post I use techniques for writing as my guide towards creative thinking. In these paintings and in my fabric pattern designs I am following both pieces of advice given to writers: “write what you know” plus “write about what you want to know“. I am also imitating mystery genre writers who use the same characters and themes with subtle variations over multiple books.

Randomness and changing ones perceptions are such fun creative tools to play with! I hope you’ll enjoy some pleasant randomness this week too.

See you next Monday!

Leaves books and rabbits

A Creative Life, animals in art, Art Licensing, art techniques, artist book, artistic inspirations, author illustrator, books, creative thinking, fabric design, pattern design, printed books, product design, published art, rabbits in art, reading in art, recipe illustration, sketchbook, small things, surface design, Sustainable creativity, visual story, words and pictures, writing, writing and illustrating

After finishing my Pembral Forgets project I was asked if I would make a fabric design from the leaf pattern I had created for the book Pembral Forgets which was written by Steve Tubbs and illustrated by me – (details here)

So this week I’ve been making a fabric pattern of leaves that I’m calling “Leaves From Pembral” and here’s my process…

First I cut out a 12 inch square area of the original hand stenciled paper I did for the Pembral Forgets book. Carefully I chose an area that wouldn’t have leaves touching the 4 edges of the paper. Then I used acrylic paints and created more stenciled leaves to fill in where there were gaps, trying to make the new design square balanced and interesting.

When the above was dry I “cut up my darling” – to borrow from advice given to writers about editing – and made all 4 outer edges now be on the inside of my 12 x 12 inch square paper. Basically I turn my design inside out.

Next I fill in the new gaps with more stenciled leaves.

Then when that was dry I photographed the finished design, trying to keep the soft creamy look of the original and keep the pattern square with my camera. This is easier said than done. After several attempts I was happy with this image below.

Next I uploaded my digital photos into my laptop and used the Spoonflower system to set up my pattern for a basic repeat…so my pattern will flow across any length of fabric without interruptions.

As I worked on the digital file I was thinking of leaves falling and then laying on a wet sidewalk.

What you see below is a screenshot of my finished pattern as I set it up to be repeated on a “fat quarter” an 18 x 21 inch area.

Now I’m waiting to get a proof sample from Spoonflower which I will approve – or not – before it gets added to my public shop on Spoonflower. https://www.spoonflower.com/profiles/sueclancy After that I will tell the person who requested this fabric pattern that it’s there and will hope they’re pleased. In the meantime I hope this blog post will amuse…

I enjoyed playing with leaves in my sketchbook, too, this week – with my rabbits. Another bit of advice for writers is to develop a character and use them to explore ideas and situations instead of creating a new character each time one sits down to write. This technique is most obviously used by mystery novelists who create a character (or two) that repeat over a series of books.

I’ve borrowed this concept for writing and applied it to my fine art and artist books… I have certain motifs and characters – selected species really – which repeat in various ways throughout my projects within a span of time.

In my sketchbook page below I have leaves, books and rabbits. For almost a year now rabbits have been a constant character… (previously I have done series of Dogs and Cats … click on the word Dogs or Cats to see a collection within an artist book)

I posted the above photo on my social media pages and someone asked for an art print of my sketchbook page. So I created an art print of the sketchbook page on my Society 6 shop. The unframed print looks like this (below)

In the evenings I’ve been reading about meditation and, of course, reading a mystery novel. Thinking of little things; leaves, drops of water, ones breath are ways of calming oneself for meditation. Little things; scraps of paper, drops of blood, air quality are often clues in a mystery novel. So I keep thinking of little things…

I broke up a chocolate mint and put it in my hot chocolate. It was a tasty little touch – Yum!

I know it’s not a holiday but little pleasures really do make an ordinary day feel special.

Speaking of feeling special; my artwork was featured on Louise Primeau’s website https://louiseprimeau.com/featured-artist-sue-clancy-from-vancouver-wa/ Thank you for your kindness Louise!

Hope we all have many small pleasures to enjoy this week. See you here next Monday?

A box for Pembral Forgets

A Creative Life, art techniques, artist book, artistic inspirations, books, fine art, food in art, handmade books, handmade papers, illustration, mental health, Narrative Art, Pembral Forgets, printed books, publications - publishing, published art, sketchbook, surface design, Sustainable creativity, visual story, visual thinking, words and pictures

A horrible but predictable insurrection happened in the US last week. My book shaped box to hold the original artwork for Pembral Forgets was at the needs-to-dry stage the day before, so Wednesday, January 6, 2021, the day of the attempted coup, I nervously read a lot of news. And thought of how a seditious insurrection was the inevitable outcome of the right-wing rhetoric of the last several weeks, months, years. But I don’t want to blog on that…. after time spent on the news Wednesday I drew in my sketchbook and read fiction to give myself a mental space from the violent seditious insurrection, to calm down and think.

So on to a more pleasant topic: here’s a few photos of the printed and bound version of Pembral Forgets – you can see more on my portfolio page. The print book is available on Blurb here.

The printed book is slightly different from the original artist book. Same content just a different presentation and minor differences in the book-info pages and, most obviously, the cover. There’s several reasons for this: an original artist book can only be enjoyed in person. And we’re in a pandemic so going to galleries isn’t an option for most people. Multiple printed books can be mailed directly to someone and can be enjoyed by many.

Yet when I create a book to be printed and widely enjoyed I still end up with a physical one-of-a-kind set of paintings. Since I’m a fine artist first and foremost I gravitate towards making things that can be hung on walls or displayed on stands/shelves. But see aforementioned pandemic which has made the use of other means of art production and distribution i.e. Blurb.com or Zazzle.com or Society6.com or Spoonflower.com on-demand shops helpful.

Even so I love making handmade boxes and used to regularly make them for the artist Deloss McGraw and others. So I look for excuses to make boxes…and am loving this box for Pembral Forgets!

Below is a series of photos of the box for Pembral Forgets that you saw a bit of in my last post. In this first photo I have laid the naked box on the handmade hand stenciled paper that I’ll use to cover the box. I lay the box on the paper and try to position it so the paper will be placed well when I glue it on.

I “mark” my choice of placement by creasing the paper slightly. Pencil marks would show through this delicate paper.

Glue is applied to the paper within the crease “marks”, the open box is laid onto the glue, then the box now loosely covered with glue-y paper is gently closed. I use a roller to press the paper firmly in place, wiping away any excess glue. Next, as in the photo below, I add glue to the flaps of paper and fold them around the edges of the box using a bone folder to get the creases smooth.

Then after carefully gluing all edges I turned the box over to check the paper placement.

Inserting wax paper allows me to close the just glued box without accidentally gluing the box shut.

At this point, Tuesday evening, I let the book box dry for a few days. It will be dry to the touch within hours but I have learned the hard way that too much handling too soon can cause the paper to slip.

Then the next day saw the news of the insurrection…

Here’s the fiction book I read as a spirit restorative…

The beverage in the picture is Clancy’s Special Chocolate and here’s the sketchbook drawing I did about how to make it. Whenever I feel stressed it helps to draw whatever is in front of me.

In case you wonder: I get my archival glue and other book-box-making supplies from Twinrocker.com

A helpful technique book about making boxes by hand is by Franz Zeier titled Books, Boxes and Portfolios; binding, construction and design step by step.

There’s still more to do on this project. So I hope to see you here next Monday after, hopefully, a more quiet week – but I know it’s not likely to be quiet here in the US – but no matter what kind of week it is I wish you some calm creative moments.

Gouache and grin cycles

A Creative Life, art techniques, artist book, artistic inspirations, author illustrator, books, ebook, fine art, food in art, illustration, mental health, printed books, product design, publications - publishing, published art, Sustainable creativity

Since I’ve been asked by several people: here’s info about the art media gouache, why it makes me grin and my working cycles with it.

Gouache is a water based paint. It’s more opaque than watercolor. Using gouache feels like spreading soft butter on toast. Applied gouache dries quickly but is easily made moist and workable again. It dries to a matte non sticky appearance which makes it suitable for use in bound sketchbooks, in folded artist books as well as for fine art to be framed. Gouache also reproduces well via various printing mechanisms on fabrics, in printed books and on many other surfaces.

In the studio, because I don’t have to worry about my gouache paints becoming unusable on my palette before I can use them (as is sometimes an issue with acrylics), gouache is suited to my busy life. I call this my gouache and grin cycle.

I prefer to work on multiple art projects at a time in “short bursts” on each project. Rather than count on a long span of uninterrupted time I dash in and work a bit on an art project, then go make lunch or do whatever stuff-of-life or other work matter that needs to be done. Then I cycle back to an art project…

To borrow a sports analogy I just try to advance the ball, my various art projects, a little bit each day rather than doing a project all at once. I try to amuse myself with whimsical art making, aka spreading color, for at least a few minutes every day no matter what else is happening in life. The qualities and attributes of gouache help me to do this, to keep my creative games in play – come heck or high water.

Here’s a series of photos showing my gouache working methods in my sketchbook. (This is also my work method for fine art and other projects.) In the first photo you see my 3 x 5 inch watercolor sketchbook held open with clips. Also pictured from the top left and rotating clockwise: paper towel, peppermint candy model, graphite pencil, 3 watercolor pencils, 2 waterproof ink pens, a water brush and my lidded paint palette with its wells of various dry gouache colors.

In the photo below I begin 3 demo peppermints: the top left mint is sketched in graphite pencil and waterproof ink pens. The bottom left mint is drawn in watercolor pencil only. The mint on the bottom right page was doodled in all of the above; graphite pencil, ink and watercolor pencil. [The quote was just on the sketchbook page I chose to use for this demo.]

So you can see what they look like here in the photo below are two tubes of gouache paints. I like the Holbein Artist Designers Gouache brand best but the Winsor and Newton brand is good too. (There’s a monster called “acryla gouache” also available on the market which I avoid like a character would avoid a flesh eating zombie in a horror film.)

I begin painting by laying down the local color – the general color an item is supposed to be. At this point I don’t worry about shadows or highlights or details. I just get the color shapes down – in this case for the peppermint candies.

I did not squeeze out new paint from my tubes when I began. I got my water brush wet and put a few drops of water on the dried red gouache already on my palette so I can use the newly moistened color. I add a small amount of moisture to a portion of the dried chunk of red gouache until that portion feels like soft butter, then I paint the candy stripes.

Here’s a closer look.

Now I get the general color and shape down for the wrapper in the same method. I put a drop or two of water on my blue gouache color, get my brush damp, dab at the blue paint a second or two to get a portion of it moistened and softened – then I paint.

Now I create the cast shadows using a watery mixture of the red and blue gouache colors. To make the watery mixture on the lid of my palette I dipped my brush on the now moist blue color, dab on an area of the lid, then dab the brush clean on the paper towel, then dipping into the now moist red and adding it to the tiny blue puddle, mixing till it’s a purple color I want for the shadow. Then I add a tiny bit of plain water to the newly mixed purple till it’s a small fingernail size puddle of watery purple – this enables me to do the cast shadows in a faint shadowy way.

Now I do squeeze out a tiny amount of the white gouache from the tube and use it, fresh from the tube, to make the highlights on the candy and wrappers. Note in the photo below how the white gouache can completely obscure the darkest ink lines. This is part of what I love about gouache – any mistake can be covered with the opaque paints. If an edge in a painting needs to be softened or a color edge blended all I need is a wet brush.

Then in a few minutes, perhaps the length of time it takes for a decent sip or two of coffee, when the paint is dry I go back over the paint with ink lines or watercolor pencil lines to snap the details into sharper focus.

Now that I’ve finished painting I leave my sketchbook and my palette open and let them dry completely. I even leave the shadow color mixture on my palette lid to dry. All I will need to do to reuse the mixed color in the future is to get my brush wet and dip in.

Peppermints are one of my guaranteed-to-make-me-grin art subjects that don’t require a lot of time or planning. I’ve learned over years of painting peppermints that different candy makers have their own peppermint candy look. And I don’t mean the wrapper.

Here’s a fabric pattern I did of peppermints for my Spoonflower shop. I used the gouache techniques I describe above to create this pattern. But do you notice how these mints are different from the ones I did in the demo above? Different candy maker… yummy too!

More about my “Peppermint Candies” fabric pattern is here: https://www.spoonflower.com/en/fabric/8224417-peppermint-candies-by-sueclancy

To illustrate what I mean about working in short bursts despite life situations. A hot water pipe burst on our hot water heater recently. (Talk about heck and high water! 🤦‍♀️) After we got the immediate crisis dealt with I did little quick bouts of drawing as a self calming technique. Also while waiting for plumbers etc restoration crews I doodled and painted in my sketchbook. Gouache makes it easy for me do short bursts of spreading color which makes me smile. And having had a brief grin makes dealing with life much better.

Anyway, there’s a new artist book I’ve done for children called “B Mouse Reads A Book”. In it you can see my original ink and gouache artwork, and how the art media is on folded paper in this video on my YouTube channel. Because this book was meant to be handled in a gallery I used a spray fix varnish to make sure the gouache wouldn’t smear or run.

But since the pandemic hit there’s no going to art galleries to handle or view artist books in person. So I was lucky enough to have “B Mouse Reads A Book” published as an ebook here on Storyberries.com! They also included the book B Mouse is reading too…it’s another artist book I created as part of the B Mouse Reads A Book story…there’s a link at the bottom of the B Mouse book that you can click to see the companion book.

“B Mouse Reads A Book” by Clancy – https://www.storyberries.com/free-books-for-kids-b-mouse-reads-a-book-by-sue-clancy-bedtime-stories/

I’m sure you can recognize in the image above the ways I did my combinations of ink and gouache. The video shows how flexible gouache can be when applied on paper bound or folded as pages. The ebook shows how well the nuances of the colors show even as a digital image.

If you look at my portfolio pages you can see my ink and gouache work as both fine art framed in an art gallery setting as well as reproduced in printed books.

Most of my jigsaw puzzle designs, greeting cards and odd mugs on my Zazzle shop were also created with my combinations of ink, watercolor pencil and gouache. It’s a very versatile media.

That reminds me to tell of another practical matter: if you apply gouache too thickly it can pop or flake off. Especially in a folded or bound paper book. And when scanning or photographing gouache artwork for reproduction a too-thick gouache application can cast shadows unrelated to the artwork subject. So I apply gouache as if I were basting bread with semi melted or melted butter.

I hope you’ve enjoyed reading this and found it helpful for when you try gouache yourself.

See you here next Monday. And in case you’d like to know even more about gouache – here below are a few links to more information about painting with gouache:

COMBINE WATERCOLOR AND GOUACHE TIPS https://www.erikalancaster.com/art-blog/3-tips-to-combine-watercolor-and-gouache-like-a-pro

GOUACHE INFO (VERY GOOD)
https://www.skillshare.com/blog/learn/7-artists-using-gouache-in-gorgeous-ways

GOUACHE SKILLS
https://www.google.com/amp/s/www.skillshare.com/blog/learn/8-gouache-paint-pro-tips-you-should-know%3Fformat=amp

GOUACHE IN SKETCHBOOKS
https://juliabausenhardt.com/how-to-get-started-with-gouache-paint/

LENA RIVO – GOUACHE
https://www.lenarivo.com/guide-to-gouache and generally see
https://www.lenarivo.com

Patch La Belle part 3

A Creative Life, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, drawing as thinking, handmade books, illustrated poem, Patch La Belle, poetry, Sustainable creativity, visual story, visual thinking, words and pictures

As I worked this week on a new children’s book (see my last post) titled Patch La Belle I’ve thought more about the importance of enjoying and trying things regularly.

Too often we expect our enjoyments to be big life changing experiences when in reality a good life is a cumulative of many small pleasant moments. To have a good life one has to be able recognize a pleasant moment when it happens (even in the midst of a pandemic). This ability to recognize something enjoyable, while also absorbing it, is a skill to be learned and practiced all of one’s life.

Anyway, I spent time this week rereading my poetry sketchbooks, thinking, writing notes and sticky-flagging pages. Here’s a picture of two of my poetry sketchbooks. They’re small books, about 5 x 3.5 inches and I wrote in them with a fountain pen

As a way of working creatively I find it helpful to collect a bunch of thoughts into sketchbooks for sorting into something, a published book or an art exhibit, later. (I do a version of this sketchbook method with my fine art exhibits too.)

When I work in a sketchbook it feels random, the thought I’m recording feels unconnected to any future book or exhibit notion. The book or art exhibit ideas come later from rereading the sketchbooks and refining elements from my sketchbook. Essentially every sketchbook is a series of very rough drafts along with notes on what inspired me.

Here’s a page from my poetry sketchbook. Please note the margin notes, my thoughts in connection with my poem effort.

That poem with its marginalia sat for a long time. Months later I tried this effort, pictured below, to shape it a bit… still without a firm plan for what published book or exhibit it might become.

That finished art sat in my files for a while, gathering dust, unconnected to any project.

Then more recently when I was talking with the folks at Storyberries – www.storyberries.com – about formats for doing my words and picture combinations for them I remembered my illustrated giraffe poem and shared it with Storyberries. The above format of my poem it turned out wouldn’t work for my future Storyberries projects. So I shoved it back in my files.

Later on when rereading my poetry sketchbooks for the umpteenth time I came across the original poem yet again. As I reread my sketchbook I’m noting themes; multiple thoughts on a topic. The raw poem and my thoughts that inspired the giraffe poem fit with my reoccurring theme of trying things. Seeing this theme and thinking more on the topic is helping me to organize my current project Patch La Belle. So this week I reworked both the text and illustration for this particular poem.

That format fits much better with Storyberries guidelines and with my desire [more on that here] to do an entirely handwritten book. Now the poem has a place, it has become – at least for now – part of my newest children’s book effort. It will stay there till all of my pages for this project are finished and I reread them and decide what ultimately fits together best.

This project still feels “in flux” and uncertain but I just keep working, trusting that as I bring my vague notions into the real world as touchable objects I can see better what to do with them. My project idea firms up as I work. The trick is to roll with the feelings of uncertainty until that point.

And here are some more new Patch La Belle pages that have been done and redone in similar fashion to what I’ve just described. To save time I’m skipping ahead, omitting the sketchbook draft pages, and showing the finished work here.

I’m sure you’re seeing my working method now. My way of getting a thought outside of my head into a sketchbook, however messily, however vaguely, and then working with it multiple times in multiple ways just to see what it can become.

It’s my way of trying out ideas, of practicing enjoying something, of taking a notion and playfully exploring it. It’s also a way to have a small pleasant moment of fun regularly.

Thanks for reading. See you here next Monday?

P.S. if you’re just joining this party – welcome! – and you can see my other children’s book projects on my portfolio page here.

Patch La Belle part 2

A Creative Life, art techniques, artist book, artistic inspirations, author illustrator, books, creative thinking, ebook, fine art, illustrated poem, illustrated shorts, illustration, Patch La Belle, poetry, printed books, product design, publications - publishing, reading in art, story, Sustainable creativity, visual story, visual thinking, words and pictures

This week I thought about the importance of trying things. So I’ve reread my poetry sketchbook for poems on that topic.

As I mentioned in my last post I’m working on a new children’s book for Storyberries.com titled Patch La Belle. As I work on this book I’m trying several new things but chiefly I’m trying to group many poems and illustrations together with a few themes as organizing factors. This is different from what I’ve done in the past where I did one poem with multiple illustrations as an entire book – as you can see on my portfolio page.

Anyway, here’s the pages I selected from my poetry sketchbook this week:

And below are the finished pages that I hand wrote and illustrated using ink and gouache. I use waterproof ink pens from jetpens.com on smooth hot press watercolor paper. I like the Holbein brand of gouache colors because they’re smooth and have strong pigments.

The watercolor paper I’m using is off-white and I hope that won’t be a problem when it comes to reproducing these pages. But I like the tender nostalgic feel of this paper and will endeavor to keep this soft tone in the final book. We’ll see how it goes. This is part of the risk of trying new things…

Part of Sue Clancy’s collection of poetry books

If I’ve posted the above video correctly you’ll be able to see part of my poetry book collection; books written by many other people, some famous, many not so familiar. My collection is in my dining room where I have breakfast and sketch. I find it soothing to read a short poem or story to start my day. I also have a collection of books containing short stories in the same room but this post is about poetry…so…

When it comes to writing my own poems I like to consult “The Book Of Forms” by Lewis Turco – pick a short poetry format, like limericks or couplets then think of a topic like “trying things” and play with related words and images. Some poems turn out okay, others don’t…the key thing, I think, is the willingness to write badly and trust that I’ll survive. So far that’s been true. And now after several years of regularly writing poems in my poetry sketchbook I’m able to reread it and find a few poems that are fun to illustrate and potential material for a new artist book.

Here’s a mantra I have thumbtacked to my art studio wall

Thumbtacked to Clancy’s studio wall

So I plan to keep working on Patch La Belle this week too. Will I see you here next Monday? Hope so. And I hope you enjoy whatever creative projects you’re working on this week too.

Numpurrs 20 & it sums up…

A Creative Life, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, cat portrait, ebook, fine art, food in art, graphic design, illustrated poem, illustration, math and numbers, Numpurrs, pet portraits, printed books, Sustainable creativity, visual thinking, words and pictures, writing, writing and illustrating

There now! Despite all the odds (see last post) I finished “Numpurrs”! I’ve also sent it in to Storyberries for distribution. When I sent it in this last week Storyberries said “I just LOVE it Sue!!! It has come together so nicely !!!! Thank you so much for sharing your beautiful work with us!!”

So I think it’s safe to say that they’re pleased! The book will be live on Storyberries.com very soon as they said they’ll “…schedule it for 9am Gold Coast time Australia on Monday morning.” Which works out to about 4 pm in Washington state, USA on Sunday. And I post these blog posts on Mondays but write them on Sunday morning’s… so, yes, I can have a bit of time zone confusion.

[Update: here’s the link to Numpurrs on Storyberries.com: https://www.storyberries.com/bedtime-stories-numpurrs-by-clancy-free-counting-books-for-kids/ ]

Time zone differences between where I live on the western US coast and the time where Storyberries is in Australia can confuse me even when I have help from the internet. My solution to working across continents and time zones is the same in publishing as it has been when I’ve done fine art exhibits outside of the U.S.A; get it all done early and everything into their hands as soon as humanly possible then let the people I’m working with sort the what-happens-when out at their end.

It helps that I work on the graphic design part of any book almost simultaneously with creating the fine art illustrations. This way by the time I finish creating the fine art illustrations I’ve almost finished the book design too.

The graphic design informs and affects my illustrations – in the number of illustrations needed, the size of them and so forth. But what I want to do in the first place with my illustrations/fine art at my easel (using ink and gouache on board) will also affect the graphic design.

This interdependence (and writing the poem is in there too) is related to the construction of my book idea in the first place in a which-comes-first chicken-or-egg kind of fashion. As a result of my working method the posting I do online nearly always slightly behind the action. My motto is create the thing first talk about it later.

Anyway, here’s a pic of me working on my laptop doing the book layout. I often do my computer work in the corner of my dining room near the cookbooks and am almost always cooking something on the stove. Taking breaks to stir something on the stove is so nice!

Sue Clancy creating “Numpurrs”

And here are the last poem lines in my book:

Twenty butters bread, risen with yeast

And it all sums up to a wonderful feast!

In the printed book my three panel “feast scene” will flow in sequence left to right and will line up side by side. But it worked pretty well in scroll ebook form too even tho it doesn’t line up at the edges. As I worked I had to think of both of these “flow” patterns when I was creating the images.

Even though I’m doing so much myself – which sounds like a lot of freedom – there are still constraints: page flow, number of pages allowed within the publication formats, where the blank pages must fall, printing product options, ebook construction and so forth. I see these constraints as the path, the way forward, the technical issues become part of my creative process.

When it came to creating the feast scene artwork in Numpurrs I consulted this book, Food and Feasting in Art by Silvia Malaguzzi

Many of these art historical images had the viewers eye moving left to right and or moving up and down. This served as a guide as I created my cat feast illustrations. (I love art history!)

Running into the graphic design publication constraints I mentioned earlier I only had 3 pages within which to fit my feast. When, in an early sketch, I fitted all 20 cats in – the cats were too small and the numbers couldn’t be easily read. Since the point of the book is to distinguish between cats and to recognize numbers I decided to make the cats and numbers bigger even tho it meant leaving out some cats.

Besides at almost every group photo I’ve ever participated in there were several people who declined to be in the picture. Perhaps we can pretend some of the cats in my artwork were similarly shy?

After sending everything in to Storyberries, and after being given the release schedule, I was asked to send in a new photo of all three of the feast panels as one image. There are design constraints and issues at their end too – and we’re in this project together. So I hustled (time zones remember…) and sent this photo in:

Since my book idea is about distinguishing between cats and numbers I also used 4 of my allotted pages to include the photos of real life cats that my friends had sent to me for use as reference to create my artwork. Like the feast scene artwork not every cat illustrated in the book is on the cat photo pages… again it was a case of if I fit in every photo the cats were too small to see well. And in some cases the photos my friends sent was fine for my art reference use but it wasn’t high enough resolution for a printed book. Since I’m doing both print and ebook forms I had to design for both to look the same. Perhaps it can add fun to also distinguish which cat is there and which isn’t and also to see some of the source material I worked with?

Here’s what the Numpurrs book cover looks like, and the dedication page where I thank my friends for all of their help.

Numpurrs by Clancy – https://www.blurb.com/b/10297565-numpurrs

You can see a preview of the entire book Numpurrs via this link: https://www.blurb.com/b/10297565-numpurrs

You can see all of my artwork and my blog posts containing my thinking as I developed this project on the webpage here.

Here, again, is the link on Storyberries where you can see what they ended up doing with the new feast scene photo I hustled to send in …. https://www.storyberries.com/bedtime-stories-numpurrs-by-clancy-free-counting-books-for-kids/

On my Instagram page I will tell more about Numpurrs as things on Storyberries develop. (An audiobook version is in the works etc)

Next Monday this blog will move on to my next art project…

Thanks again for reading and adding to the Numpurrs fun!