I’m steadily progressing on my children’s book “The Professional Dog”. Here are three art pieces together so you can see how the colors flow from one piece to the next. This project will be both a book an art exhibit. So each piece needs to both work with the others and stand alone. My last post tells more about this project.
Below are closer looks at each of these pieces. The text for the book is below the art.
Progress is also happening at an even more rapid pace on my holiday box project for the Caplan Art Designs Gallery. I’ve been in touch with the Gallery, sharing photos of my progress privately with them and it’s been agreed that I won’t post much publicly yet about this project. It wouldn’t be good to get too far ahead in posting… the art isn’t due at the Gallery till November and the exhibit is later still… so we don’t want to give too many clues too early.
It’s hard to keep my excitement to myself but I can do this. Right? Right?
I trust it won’t be too much of a spoiler to say that doing dog paintings in black and white is helpful when I’m also doing a series of dog portraits in color. Nothing like painting in black, white and shades of grey to sharpen my observation skills. Very carefully I made sure that both of my main projects are dog related. This way the project concepts strengthen each other. Kind of like how doing similar but different physical exercises strengthen muscles better that just doing one kind of exercise.
Anyway, here’s a few sketchbook pages related to this holiday box project that we’re very carefully not talking about too much yet. Mums the word. Shhhh…
I heard this week from someone who got one of my fabricdesigns so they could sew nice things for a teacher in their life!! This makes my heart happy that my reading, literacy, fabricpattern on Spoonflower made someone smile!
Anyway, speaking of taking care… it’s soup weather here in the Pacific Northwest! So I got out one of our favorite cookbooks “The Big Book Of Soups and Stews” by Vollstedt and made the recipe for chicken noodle soup. I used precooked chicken as a shortcut but otherwise followed the recipe. It’s so yummy and really feels kind to the soul.
Speaking of kindness – I saw this in my local newspaper and took a photo so I could save it and share it. It feels important to me. Crucial even.
One of the other ways I’ve been gentle with myself this week is knocking off work a wee bit earlier so I can spend more time reading. I finished the George Saunders title I was reading in my last post. Saunders talked about and included stories from Chekhov which I enjoyed. So I’m reading more of Chekhov’s work.
I’m also reading “A Perry Mason Casebook” by Erle Stanley Gardner. Talk about two almost polar opposite kinds of writers! Chekhov’s characters, generally speaking, consider the feelings of other characters – the stories seem emotion driven. Gardner’s characters, generally, don’t consider or respond much to the emotion of other characters – these stories seem situation driven.
My response to each book is so very different that it almost seems unfair to compare them at all. They were written in such different era’s. Chekhov wrote in the late 1800’s to early 1900’s. Gardner wrote in the 1950’s. But reading both books at the same time is a fun mental contrast – rather like the experience of contrasts that I remember from visiting the state fair; enjoying the quiet exhibits of quilts, animals, jams and jellies alongside noisy rides, carnival games, street performers and aerial acrobats.
Anyway, my spouse and I got a nice syrah wine from Burnt Bridge Cellars and had a glass of wine with our books in the evenings. Such fun!
Here’s hoping your week will give you many opportunities to be gentle and tender with yourself and the people in your life. See you next Monday.
My childrens book “The Professional Dog” has moved into color! Over the last week I’ve inked more than 12 of the illustrations just so I could see where I was going. Now I’m doing the same testing with colors. I’m using my butterfly palette (a post about that here) – it’s a fun challenge to paint dogs using a palette based in a scientific study of the color variations of butterflies. I have been using a few extra colors – most notably dark brown- but my primary color scheme is butterflies!
Below is a look at three of my Professional Dog illustrations together so you can see how the colors look.
Then here’s a closer look at each of those illustrations: my book text for each portrait is below.
Progress has also been happening on my holiday box project for an upcoming exhibit at Caplan Art Designs. I now have the overall design plan somewhat in view. In the photos below I’m working in my sketchbook to see if my plan has legs so to speak.
I’ll do more sketchbook work over the coming days towards this holiday box project. The box project has a firm deadline attached to it so I’m playing with it every day.
This is true now too of The Professional Dog. There’s a deadline but it’s not as firm as the box project deadline. Even so I have two main projects to work on every day! How nice is that?!
I am still planning to add to my ongoing “For Pleasant Encouragement” art print project and to my “odd greeting cards” project but progress on both of these is primarily in my sketchbook now. My daily focus is on my two main projects but I’m making regular notes in my sketchbook of my ideas for future cards and art prints for when I have time to do them!
If you’re curious about where I’m filming these chats here’s a blog post from some time ago that has a fun photo of the spot in my studio. It is still true for me what I write in that post that art is love made visible and that this spot in my studio is where I practice loving.
This week for the main special get-creative-in-the-kitchen project I added sauteed zucchini but otherwise mostly followed this creamy gnocchi sauce recipe https://www.acouplecooks.com/easy-creamy-gnocchi-sauce/ It was tasty but a bit more heavy than we like to eat so I probably won’t make this again. Still, I’ve not cooked gnocchi very often so it was fun to try it.
Contrary to what it may seem like having two main art projects with deadlines actually frees up my brain time. In addition to playing in my sketchbook I can get some reading done! I’m within whiskers of finishing “A Swim In The Pond In The Rain” by George Saunders for the 2nd time. Gosh I’m glad I bought my own printed copy of this book … it’s such a good source of creative encouragement!
Here’s hoping you have many sources of encouragement this week and that your cat similarly saves a chair for you in your happy place.
The text for my newest childrens book project “The Professional Dog” is shaping up. I’m still collecting dog photos from friends but I’ve almost gotten them all. The project still feels vague but it’s more in focus than it was last week. I’m content to view it with my peripheral vision so to speak.
Dog photos came this week from a Gallery owner, a Reporter, a Park Ranger, a Sculptor, an Assistant and a Bus driver.
So one of the focal points this week was a masked-up very quick in person visit to the Caplan Art Designs gallery in Portland Oregon. The Gallery invited some of the Gallery artists to participate in a “Holiday Box Exhibit”. We were given wooden box cubes and asked to do something with the cube in our art style. The cubes are 8 inches square.
This box project is now a vague project on my work schedule. It’s much more nebulous at this point than The Professional Dog book! In a creative life learning to deal well with uncertainty and insecurity is as much an essential creative skill as the ability to draw!
Of course while I was at the Caplan Art Designs Gallery I enjoyed looking at my Odditorium exhibit and seeing the red dots indicating sales and the spaces indicating that my pieces have gone to their new homes! About a year ago my Odditorium project was itself a vague nebulous notion. I dealt with all of the uncertainty and now my Odditorium project is a very solid real thing!
The other focal point this week was my exhibit “The Old Stories” that opened in Oklahoma at Downtown Art and Frame. Each of these paintings are about stories: a folktale, a myth, or an ancient children’s rhyme or saying. For example the one with the dancing sheep is titled “Ewephoria” and it’s about the history of the rhyme “ring around the rosies, pockets full of posies…” (Black Death)
“The Old Stories” is an artexhibit of my larger artworks – anyway, all of these pieces refer to classic ideas from mythology or fables – The titles of my collage paintings give you clues…
Panda Dora’s Box – 24″ x 24″ Woolrich Family Yarn – 24″ x 24″ Long Dog Love – 11 3/4″ x 12 3/4″ Just In Time For Cookies. 10 1/4″ x 12″ Ewephoria 24″ x 36″ Cheetahs at Cards. 24″ x 36″
If you’re wondering- no I didn’t visit Oklahoma in person. I just talked with the Gallery owner there via phone. I have worked with Barney at Downtown Art and Frame since the late 1980’s and we can darn near read each other’s minds! Makes long distance projects like this so much easier! They ship art all over this globe the way you and I would switch a book from one hand to the other.
The third focal point this week was the Aurora Galleryhttps://auroragalleryonline.com – I made sure they had plenty of my greeting cards and my various artist books. I also got, via no-contact delivery, new white boards from them cut to my various sizes so that I have plenty to work with for my Professional Dog book project as well as for my greeting card designs.
Just look at all these lovely blank boards in the photo below! A vast expanse of open potential!! Wahoo!!!
This week the long awaited video thingamajig (see last post) came in the mail!! At first all I had time to do was get it out of the box and read the instructions. Then…
… later I had a very brief chance to practice with the new thingamajig so I did this flip through of a book https://youtu.be/tOf3q9ALNoA It was really nice to have both hands free to turn pages! My brain is a whirl with possibilities!
We’ll see what happens next week with this new gadget… I’m hoping I’ll have time to play with it.
I hadn’t made nachos in a while so I remedied that! Spouse and I had such a delightful off-grid sort of evening! Especially during busy times playing is important!
This recipe is from Favorites So Far – and definitely one of the recipes I plan to eventually put on a postcard!
No matter how busy your week is I hope you remember to play at least a little! See you next Monday!
So far so good! 4 of the artworks in my Odditorium exhibit at Caplan Art Designs sold! 3 sold before the official opening! The exhibit is virtual but the gallery still had an “opening night” – as I wrote in my last post it wasn’t the same kind of party as pre-pandemic ones – this opening was careful of everyone’s health. I stayed home for several reasons: I’m deaf and can’t lip read when people wear masks. Also I really don’t want to pass along or get this virus, plus the Gallery wanted to minimize the foot traffic and stay safe.
So the night of the official opening both the Gallery and I monitored websites and social media. They monitored from inside the Gallery. I monitored from my studio. Thankfully there weren’t any technical glitches. That was a big plus!
The biggest bonus of all is that deaf – me actually got to “hear” (read) what people said about my work! The responses to my videos were also surprisingly pleasant- I made those videos in what I call “living dangerously mode” meaning I did the videos knowing that I don’t hear well and could quite easily mess up the sound recording aspect. So I was willing to fail spectacularly at making videos….and I didn’t fail! People liked them! One person even said they liked hearing me talk and that video was a great vehicle for me and I should keep it up!! 😮 That’s certainly something to consider!! Possibly best of all is that I heard from quite a number of people that my artwork-and the videos- cheered them up!!
As a result I am excited and encouraged to keep on keeping on and I appreciate that more than I can express in words.
In fact I was so excited that I started right away to brainstorm ideas for fine art for the future exhibits that are already scheduled for 2022!
Below is a quick look at all of the Odditorium art. More details on my portfolio page.
I signed 6 copies of my Odditorium book. 2 of those went home with people who visited the Gallery Thursday. This exhibit will continue through September.
During the same time of the Odditorium exhibit opening my coloring book poem How To Draw A Dragon went live on Storyberries! There is both an ebook and an audiobook version that is a slightly different from the print version of my book. The Storyberries ebook has the text typed rather than handwritten. This was done for ease of searching as I’d talked about in a previous post. One page was also wonderfully colored in using digital methods by someone at Storyberries!
I learned from the folks at Storyberries that it is possible to digitally color an ebook. If you use the notes function on your iBook and an Apple pencil you can color. Also if you use an app called Procreate you can take an ebook and color it. I am not speaking from firsthand experience here I’m just reporting what Storyberries tells me is possible with my How To Draw A Dragon ebooks.
I’ve done digital art – spent years doing digital art as part of my graphic arts career in the distant past – but I used other kinds of software. I’ve done a bit of digital art on my smartphone with a different app but frankly, I prefer getting my hands dirty with real life inks and paints.
I’ve also made a way you could download a pdf file and print the pages you want to color using your own printer and real life color pencils. For that click here.
Since this was another busy week it was easier to reheat magic beans and put them in a tortilla with veggies and cheese. Given the recent disturbing news out of Texas I was inspired to try Penzey’s Justice spice mix on my bean burritos. I like Justice.
My weekend was spent resting. But of course I drew in my sketchbook and wrote. There’s a new children’s book taking shape in my mind. I’ll tell you more next Monday. Till then keep sprinkling Justice on the beans.
Unveiling an art exhibit during a pandemic full of unknowns has gotten me thinking about uncertainty in general. In the recent past of human history, at least as I read it, “uncertainty” about the weather, if a restaurant was open or not was more normal – in general things tended to be more uncertain, unplanned and unscripted. We didn’t have phones and the ability to search for information at our fingertips, no digital assistants or handheld calendars to organize our days, we couldn’t “know” in advance when a package was arriving much less know about a person. Things unfolded over time and that was mostly okay.
Garbage time isn’t weighted by the expectation that a moment will be special and memorable and perfect.
Garbage time just is.”
And I think we need garbage time with ourselves too. Times when however we feel, whatever we do or don’t do is just fine. Especially during a pandemic.
My new coloring book poem “How To Draw A Dragon” covers a bit of the “garbage time” territory, the dragon in my book wants everything to be just so while the rabbit wants to be playfully creative. The rabbit just wants to be.
Below are some photos of the printed version of “How To Draw A Dragon”. In my last post I mentioned working on a portfolio page about this new book – so I’ve begun that here. Storyberries said that they will likely have this book on their website the first week in September – but there is some uncertainty. Pandemic you know.
Speaking of uncertainty and time: my Odditorium exhibit at Caplan Art Designs is being done a bit differently – pandemic again – and who knows how it will go. While the opening is officially the first Thursday in September it won’t be the big party of times before. Masks are required to visit the Gallery and there will be appointments arranged at other times, art will be shipped or delivered in a safe way and this virtual page used as a catalog. For my artist talk videos like this will serve – the videos and the virtual page will both be used by the Gallery rather than the physical presence of either the artist -me – or a large group of the public on one evening. So really rather than a single night opening party every day is the opening! At least that’s the thought. But who knows… and it’s okay that it’s uncertain.
What I did know for certain was that all of the paintings needed to be framed before delivery to the Gallery. So I’ve spent most of my time last few weeks doing that. Below are a few pieces newly placed in frames.
Random unplanned unscripted associations were how I got the ideas for each artwork in my Odditorium series so a little more uncertainty about the exhibit itself isn’t really a problem. Of course I hope for sales – I almost can’t help hoping that – but I don’t have big expectations. My main hope is that people will just enjoy my artwork, that it will brighten their outlook at least a little, give them a sense of comfort and care as we all cope with this pandemic. The funny thing is that this hope of mine, that my work will lift spirits, is something that I may never know whether it worked. And that’s okay. A songbird doesn’t know when it’s music is enjoyed either.
Here’s me all masked up to deliver the artwork. The gallery owner didn’t wear a mask because we had to talk business and I’m deaf and lip read.
After our conversation I left my art in the Gallery in boxes. Not very long later the owner sent me this photo of the paintings hung on the wall!
From now on I won’t be physically at the Gallery at any point. The main things I’ll be doing are the videos and the virtual page plus I will be supporting the exhibit by talking about the inspiration for the artworks and the Odditorium book on social media.
This is all *very* different. In the before times (pre covid) I would physically go to an opening party. Lots of people would come. I would give a talk. I would talk to people all evening long and go home exhausted (and happy) with a hoarse voice from having talked almost nonstop for 4 hours.
It’s not the same but this year I did 5 different videos on my YouTube channel of me talking about why I do what I do. Here’s a table of contents, so to speak, of the videos:
Besides wrapping burritos in foil and baking them as per the recipe above I had a craving for some roasted vegetables. So I made my bean, onion and cheese burritos and put them in some boat shaped ovenproof dishes. Then I covered the burritos with chopped zucchini, corn and bell peppers that I tossed in Penzey’s Northwoods Seasoning mix. A few slices of tomatoes and shredded cheese completed the dish. I covered the boats with aluminum foil and baked them in a 350 degree oven for 20 minutes. Then I removed the foil and used the broil oven setting to toast the cheese. With hot pads on the table I served the boats directly from the oven. So yummy!!
My “garbage time” evening reading is: Ireland by Frank Delaney, The World Of Edward Gorey by Ross and Wilkin, Making Mischief by Gregory Maguire.
May we all have some good restorative “garbage time” this week. And some good food. See you next Monday.
In my last post I talked about how I manage art projects and time. I have an heretical approach and I was asked for more details. Here goes:
One of my longtime interests is in how humans think, learn and how to maintain good mental health. I read on the topics often. Here’s a few of my bookshelves full of books on these topics.
I’ve learned that humans tend to learn best by hearing stories or anecdotes or metaphors or allegories. Or by seeing examples or demonstrations. Rarely does a direction “do it like this” get followed. This includes self-directions related to art projects and time management. Even if the direction is followed often the purpose for “doing it like this” is rarely fully understood at the time. This includes self-directions.
Let me tell a story to illustrate what I mean: Once there was a mother, with a very tiny kitchen, who always cut her pot roasts in half before cooking them. She taught her daughter to cook pot roast by explaining and demonstrating. Her daughter grew up and had a daughter of her own. One day the grandmother was visiting. The daughter was in her very large kitchen demonstrating cooking a pot roast to her young daughter. She said proudly “In our family we always cut the roast in half first. Isn’t that right mom?” The grandmother replied “Oh, no! The only reason I cut my roast in half was that I didn’t have a pot or a stove big enough to hold a whole roast!”
Being aware of this attribute of human thought and attention I approach self-directions about my own art projects and time use rather sideways. More details below.
The other interesting thing I’ve learned about human thinking is that good mental health and happiness often happens while we’re busy doing something else. Often with, and for, other people. I think the same is true of creativity.
Similarly when humans feel good about, curious about or interested in something they’re more likely to do it. If we make activities we want to do fun and easier to do it increases the likelihood that they’ll be done.
So I give myself directions about my projects in terms of what I *want* to do rather than what I must do and I accept that I may not fully understand what I’m doing, or why, until after the project is completed. I’m also careful to keep lots of projects in various stages of production so that I’m “busy doing something else” and not as likely to get too focused (and too critical) about one project.
I’ve mentioned it before but my approach to creative projects and time management has it’s roots in a mental health book I illustrated “Dr Bob’s Emotional Repair Program First Aid Kit“. Below are a few of the pages that relate to what I’m blogging about today.
For much of my creative life I have taken these concepts about human thinking/emotional health and applied them to my overall approach to creative projects and time management. It has helped me to consistently get projects done in a sustainable and enjoyable way. I say my approach is heretical because I have known art coaches and art teachers who advocate, for example, “strict discipline to do one thing till it’s done” as if we are machines and I strongly reject that notion. That’s too much like lunging and grabbing at a stray cat. That’s a sure fire way to spook the cat – or the ideas – away!
My approach to creativity is similar to the method for befriending a shy cat. You see a cat hiding in the bushes and you can’t see enough of the cat to know what breed it is, whether it’s healthy or not or whether it’s wearing a collar. So you get some cat treats and with very slow movements place the treats strategically to coax the cat into visibility. You remove yourself, slowly, to a short distance where you do your best to act as if you’re *not* interested in the cat. With patience the cat will emerge at it’s own pace and you can see it. No lunging and grabbing is necessary on your part!
My morning work in my sketchbook is akin to the cat treats strategically placed. I wake up and I just play with words in my poetry sketchbook or with images in my mixed media sketchbook. I do *not* take these efforts seriously. This is just something fun to do while still half asleep waiting while the coffee percolates. Of course I hope something good will come from this work and often it does but that “good” is to be determined much later. At the time I’m drawing or writing in my sketchbook I’m thinking of it as a fun gentle way to ease into the day.
I literally keep these sketchbooks handy in my breakfast nook along with a few pens and a small gouache watercolor set. The sketchbooks and the watercolor set are small 3 x 5 inches or so. Seldom have I spent more than 10 minutes on these efforts. You see, I’m busy doing something else besides creating – I’m making breakfast and eating it with my spouse. But I have this regular habit of luring ideas into my sketchbook.
Here’s a few recent sketchbook pages.
When my idea-cat begins to emerge from several weeks of my sketchbook morning work I’ll begin gently, tentatively, feeding and petting the idea. I do this by reading books somewhat related to my idea, by writing about my idea on a legal pad, brainstorming in a what-if-I manner.
After doing enough sketchbook work and legal pad what-if work that I feel I’ve got something, some idea emerging into visibility, I’ll sometimes draw a series of thumbnail drawings on loose paper in color to try different color arrangements. Or perhaps I make a folded paper dummy of a book idea. Perhaps I’ll make larger drawings – redrawing images from my sketchbook onto art paper. I am still just playing around and seeing what could happen.
The intention is to test the idea in my sketchbooks to see if it might become something more than a sketch in my sketchbook. A bit more time is spent, 20 or 30 mins in this phase of idea attracting. These writings and drawings are kept in a 3 ring binder by topic or perhaps with a tentative working title related to what my idea may become: an art exhibit series? A childrens book? A greeting card??? Things are left very open ended.
Still I am busy doing other things – specifically my main art project of the moment – the binder is just a way to keep all of my notions on a theme handy in one spot. This is like giving that still shy cat a temporary foster home. This way we’ll keep track of kitty, give it some time to adjust, learn about kitty and see how it goes.
Here’s my shelf of 3 ring binders
Here’s some photos from the 3 ring binder for my currently in progress “How To Draw A Dragon” project. There are several folded paper book dummies, several rewrites of the poem and many drawings.
If a 3 ring binder project collection goes well and the idea begins to show promise – by ‘promise I mean ‘potential to be fun’ – then it may move to the “main project” status. The idea cat has been adopted…however we’re still in the probationary period. Anything could happen. This is where I currently am on my ” How To Draw A Dragon” project.
Here’s a few of the “Dragon” pages I did this week.
A main project has the serious art supplies out for it. It has the studio space devoted to it. Time during a day will be set aside for it, but not an entire day, I mean an hour or two. Time is set aside in a task-oriented way not a from-when-to-when on the clock way. I have a master list of tasks to be done on a main project and each day I pick from 1 to 3 of those tasks and set them as a goal to accomplish that day. That’s the establishing a working rhythm that I spoke of last post.
The main project is taken a tiny bit more seriously as in I will erase and redraw whereas in my sketchbooks, legal pads or binders I’ll leave a drawing however it is. I will also write and rewrite with attention to spelling and grammar on a main project. As I go I’m feeling my way along. The uncertainty is normal. Perhaps my idea cat isn’t ready for such attention. Or perhaps it will thrive on it. We will take it slowly and see. My “How To Draw A Dragon” so far seems to be thriving meaning it is still growing and becoming and I’m having fun with it.
Below is a studio photo showing that “How To Draw A Dragon” is filling my easel and overflowing into nearby surfaces. My art supplies used for this project are left out and handy. I don’t open windows in my studio so no breeze disturbs my papers. If you were to visit my house today we would stay far away from my studio because I have things in a careful order for my projects sake. My cat and dog are trained to not disturb things in my studio. There’s a door to my studio and I use it to remain undisturbed. A main project filling the studio is a tender kitten. I handle gently. I have heard art coaches speak of clearing ones working area at the end of each workday — that’s another area where I heretically scream *nooooo!*
Even with the extra attention given to a main project I carefully keep it fun and playful. I will find ways to “feed” a project- to feed my unconscious mind – for example by reading books related to the topic I’m making art about. For my current How To Draw A Dragon project I’m reading about creativity – about creating poetry in particular- and the interplay between our left brains and right brains, between our inner adult selves and our inner child selves. The topical reading is kept up for a duration of a project as it helps with my focus and fun. I simply cannot stress this enough *keep a project fun* and the project will likely get finished.
Another helpful way I keep going on a main project is that I *dedicate* the project to someone – I give the project a purpose, a reason for being (something *not* related to money or fame). I give it something beyond myself. The person or people I dedicate my work to often never know. But I am busy making my main project *for* somebody. During this pandemic openly dedicating works, or embedding symbols a friend might recognize, has been a fun way to stay in touch.
Here’s the dedication page for my Dragon book. Dedications for my fine art most often just happens in my mind.
It may be that I work on something as a main project for a while and it stalls. The stall could happen at the 3 ring binder stage or earlier in the sketchbook stage. A project may fluidly move back and forth between these three stages over a lengthy time period. This is another part of my business of art/creative heresy – I think this fluidity is perfectly normal and fine! Uncertainty is okay! I see it as part of the creative process, part of the ways a creative mind (and a subconscious mind) naturally works. Human brains are not linear machines! This is another reason I work on multiple projects – one stalls and I shift attention to another until the stalled one wants attention again.
Very carefully as I’m in the process of making artwork I avoid any sweeping declarative statements, to myself or anyone else, like “this is dumb” or “this is awesome”. I use moderate language statements, if a statement is needed and I can’t avoid it, I’ll say something like “so far so good” or “it’s a fun challenge”. To make a hard sweeping definitive declaration like “this is horrible” is to force a still-in-progress project into a labled pigeon hole. What may not work as a painting might be a good greeting card. I don’t know yet! When a project is in process I may think I am making X only to discover when I’ve finished that I’ve made Y instead. I deliberately leave linguistic and mental room for such progress! (See my pot roast story above) Harsh declarations make it hard to extract a project from the dispair/elation and continue. It makes it harder to allow a work to change from a painting to a greeting card. I prefer to leave room for discovering and being surprised by what a project becomes. It’s more fun that way. I would no more force an art project to become something than I would force a stray cat to accept a grooming before feeding it and earning its trust.
Here’s more from Dr Bob about being careful about self talk.
The tendency all humans have to take things too seriously- even obsessively – is another reason why I deliberately have multiple projects at various stages. One main studio project -or possibly two main projects- at a time but several other projects are being developed in my sketchbooks, legal pads and binders. This helps me not be too “precious” about any one of them. I work on something a while then stop working *while it’s still fun* and do something else. I find it helpful to try to stop working before I am too fatigued, while I’m still interested or enjoying my work and then move on to something else.
So I am always busy “doing something else” which allows my idea-cats space to breathe without micro-attention. This method allows my subconscious mind to work on my projects. I can trust that my inner voice will say “oh, let’s work on this!” when the next part of my idea is ripe. I can trust that I will keep returning to a project until it is finished.
When a main studio project is finished there is usually another project in a binder that’s developed enough that it’s ready for attention at my easel. No force to finish or start a project is needed. No strictness. No machine-like “discipline”. Knowing and accepting the way human minds are naturally has worked well for me. I work with my brain not against it. I am just playing around with topics that interest me. Like most real life fur covered cats I can trust that my idea-cats will tell me when it’s dinner time.
Speaking of dinner. The outstanding dinner of the week was broccoli pasta. I was out of fettuccine so I used short noodles but the recipe in my Favorites So Far kitchen sketchbook is still yummy!
Earlier this year I was asked to make some gender neutral fabric designs and put them on my Spoonflower shop so someone could get fabric with my designs and sew some bibs and blankets for a new baby.
Here’s a photo of me working at that time on the fabric pattern.
Here’s the finished original art
This week I was given, by the person who had requested the fabric patterns, pictures of some of the finished baby things they’ve made and permission to post about them! It was lovely having something fun like this to post about as my Dragon project is still becoming and is in the gawky teenage stage and camera shy.
Where I tend to run out of time in a day is the social media promotion thing. And frankly there are times, especially when I’m busy, that I’d rather just do my art projects than talk about them. But talking about them is necessary and most of the time I enjoy doing it so… Anyway, I really appreciate it when people share what I post or when someone sends me photos of themselves with my fine art or artist books or share photos of what they sewed with my fabric designs! It helps and is such fun to see!
Anyway, here’s the photos of a burp cloth and a few blankets my friend created with my fabrics! They turned out so well!! The sewing is marvelous!
Hope this description of how I manage my art projects and deal with time was interesting and even helpful to you as you do your own creative projects! Have a creative week and I’ll see you next Monday.
A work rhythm has been fairly firmly established. I wrote about that in my last post. My days now have a regularity that goes like this:
Breakfast time contains sketchbook drawings with or without characters from my currently in progress childrens book “How To Draw A Dragon”
Perhaps after eating breakfast I spend a few minutes more reading a poem or working the crossword puzzle with my spouse (we take turns doing 5 or 6 clues) while we finish our coffee. (The poem in the photo below is by Robert Service)
Then I pour another cup of coffee and carry it to the studio. There I look at the work I did last and my project schedule/guide that I described in my last post. I sip my coffee and settle in to work.
By now I’ve done about 10 of the 32 pages but even those, as you can probably see in the photos below, aren’t really finished. Some elements like the text will be the last to be inked and only after all 32 pages have been mostly finished. Similarly I will edit and ink all of the elements of foreshadowing for my poem story after all 32 pages are mostly inked.
As I work I am thinking of the pages both as page spreads and as individual pages.
These pages below have been quickly photographed where they are on my easel for sharing my progress with you here. My set up for photos for book reproductions is another thing entirely- and I’m not at that point yet.
The sharp eyed will probably notice that some changes have been made to my story setting and to my poem text since my last post.
Basically I’m in the early stages of this book project and everything is in flux and there aren’t “for public” images for this project yet.
And my books. I talk about one of the 9 books in my portfolio. Or I talk about one of my 10 books on Storyberries. Or I post a photo of my cat or dog. Or I post nothing at all. Especially as I settle into a project working rhythm I find I’m online less and less. That said I do enjoy finding your kind comments when I check in! And I thank you in advance for them.
Lunch, however, is rarely missed. This week the easiest meals were bean and grain bowls like this photo below and here’s the recipe scheme from my Favorites So Far kitchen sketchbook.
After lunch I head back to the studio for more work on my How To Draw A Dragon book. Generally speaking I get 2 pages finished per day. If I’m lucky I’ll get a start on a 3rd page. But my focus is on maintaining a work rhythm not in a quota of pages. If I have to totally redo a page and thus only get one page done in a day that’s fine! I just keep going! It’s a dance between discipline and the spaciousness of pleasurable play as talked about in this article.
I did take the time this week to go with my spouse to visit a new independent bookstore in our town Birdhouse Books! This was my book haul.
Short stories, poems and short essays give me an intellectual boost without requiring an investment of time like a long novel does. But sometimes a long novel is just the thing to accompany a long creative project. It just depends.
What’s not in question is the fact that time to sit and read each evening is essential to helping me maintain a steady working rhythm.
Hope your week has some good rhythms too! See you next Monday.
To my awareness there aren’t many books for children that talk about looking at an artist’s exhibit whether the fine art is in a book or on walls.
I think looking at a book of fine art is similar to looking at a wordless picture book. Looking at one artist’s series of paintings on a gallery wall is like a wordless book too. But looking at fine art, while there are similarities to wordless picture books, it is also different; a collection of fine art often refers to the feelings and lived experiences of the artist in addition to any visual story there may be within the artwork itself.
So I’ve been lucky enough to work with Storyberries to create a childrens book On Looking At Odditorium that I hope will help kids enjoy looking at artwork and be able to speculate about the artist’s thinking.
Towards that end I created cartoon drawings of myself so they could take a trip (or tour) through a book of my Odditorium fine art exhibit and explain what I was thinking and how I created each painting.
Here’s a closer look at all of the avatar drawings. In many of my childrens books on Storyberries.com there’s a photo of me wearing a sweater. For consistency sake I drew myself in a sweater pointing this way and that.
I want to encourage imaginations so in the book I try to both show and tell what using imagination is like.
For a childrens book I didn’t want to get too technical about art materials and methods but I did want to share something about them. I wanted to share especially when the materials and methods directly interacted with my imagination.
Below is a look at the book layout so you can see the little avatars on tour across a page spread.
The adult version of my Odditorium exhibit coffee table book does not have the avatar or descriptions. Here’s what the cover of the adult book looks like.
And here’s the childrens book version titled “On Looking At Odditorium“. The cover design is very similar to the adult book on purpose – to emphasize that anyone of any age can look at art. The layout inside this book is different as is the kind of paper for the printed books. I wanted paper likely to withstand children’s hands.
Storyberries has a extra special ebook edition that went live within hours of this post. And I love the nesting specialness of this project: it’s a fine art exhibit called Odditorium at Burnt Bridge Cellars via Caplan Art Designs that has a companion exhibit book titled Odditorium. The Odditorium exhibit book then has a companion childrens book version titled On Looking At Odditorium. Then the special ebook on Storyberries – which you can see here for free – about looking at On Looking At Odditorium! Here’s what the Storyberries ebook version looks like at the top…
Did you get all the nesting nuances to this project? I’ve hopefully laid it all out clearly on my portfolio page about this project… but even if no one besides me sees the nesting qualities – thinking about it in this interlocking way served to help me construct it all – my main point is for people to have fun.
Needless to say it’s been a very busy week. There’s been food, some of it tasty and blog-worthy, but I was tired and just ate it without photos or noting recipes.
Also due to busy-ness not much was done on my new crocodile project mentioned last post. But I have kept up my sketchbook activities and reading books of an evening. Sketching and reading are like breathing.
So I’ll not promise anything specific for next Monday… but there will be something. Hopefully, something that encourages your own creative life or is at least entertaining for you.
Till next time – have a good week looking at stuff.
“Warning” by Jenny Joseph is one of my favorite poems. I particularly like these lines “…and hoard pens and pencils and beermats and things in boxes…”. But I hadn’t read that poem or thought of it in a while (you can see the entire poem here).
Earlier this month I received the prospectus for a “reclaimed canvas” art exhibit upcoming at the Aurora Gallery. (This is the project I hinted at in my last post.) The Reclaimed Canvas is an art exhibit asking the gallery artists to paint on something not normally used as a canvas or surface for painting. So I began this new project by rummaging around my studio for a not-typical thing to paint on. Look what I found – boxes of pens, pencils and beermats!
Suddenly I remembered the poem “Warning” by Jenny Joseph…. and had a good chuckle at myself. Of course I reread the poem and laughed some more.
Before we visited, and later moved to, the Pacific Northwest I didn’t think I liked beer. But here in the Pacific Northwest there are locally owned microbreweries and the beer is worth taste testing – and both the brewpubs and the beers often reflect the region in which they’re located. So having a beer in one of the microbrew pubs includes a bit of regional history and personal stories. Often there’s beautiful scenery too. Oh, and did I mention that the beer tastes surprisingly good?
As I looked through my collection of beermats in my pencil box I thought of poetry and word play in general. I also remembered our various visits to the brewpubs whose beermats I had in hand. I evaluated the qualities of the beermats themselves as a possible canvas for a painting.
Here’s the beermat I chose for my new painting project – the first photo shows the front of the beermat and then the next photo shows the back of it.
Bouy Beer is in Astoria Oregon and the brewpub sits right on the water. When entering the pub you can walk over a large glass floor. Through the glass floor you can often see the sea lions lounging on the pier beneath. We’ve enjoyed sitting in the pub on the waters edge, watching ships and marine wildlife. Sitting there, with a beer, I’m aware of the intimate connection this one spot has with the entire world: international ships come and go as do migrating whales, geese and sea lions. I love the way it is both a unique place with it’s own regional quirks and yet it openly, joyfully, participates in a wider world. It’s a wonderful reminder that one can be fully ones particular self while also being fully within, and open to, a diverse world. The food menu at Buoy Beer is also an enchanting fusion of world cuisines… but I dangerously digress. I have so many good memories of this particular pub and look forward to each visit. Oh, and they brew really good beers!
Anyway, for an animal character to use in my painting on the Buoy Beer beermat I thought about having a sea lion drinking beer, a great blue heron drinking beer, a whale drinking…. eventually, after a number of sketchbook drawings, I settled on the character of a bear. My main reasons for choosing a bear is that I could do a wordplay title for the finished art … but also the shape of bear, physically, could evoke the feeling and the relaxing-into-hybernation pose that I associate with the flavor of one of my favorite beers when it’s seasonally available at Bouy Beer.
Here’s a sketch I did when exploring my thoughts.
And below is the painting I did on one of the 4 inch round coasters I had collected during one of our trips to Bouy Beer (which I kept in a pencil box with the rest of my beermat collection – 🤣). I painted on the coaster with gouache and have titled it …wait for it… “Bear, Matt”
The back of my “Bear, Matt” painting has the title and other data written by hand.
I did seal the beermat with a clear primer before I began painting on it and when my painting was finished and dry I varnished the artwork. Plus the art will likely be framed at the Aurora Gallery. So what was once an ephemeral throw-away object now will potentially last quite a bit longer.
I think of this new project as fitting in with my recent household surrealism thinking: a mundane object was thought about in a new way.
With this thought, given my sense of humor, I simply couldn’t resist turning my original painting “Bear, Matt” back into ephemeral beermats. So on my Zazzle shop I made round paper coasters – beermats – that are copies or art prints of my original “Bear, Matt” artwork! The back of these printed coasters is blank. That’s one way you can tell the copy from the original. You can get these here.
After finishing “Bear, Matt” and delivering the original to the Aurora Galley a few days ago – I visited, in masked-up person, another favorite local independent bookstore called Daedalus Books. This bookstore is especially alluring for me with my interests in literature, fine art, poetry, books about books, artist books, literary studies, culture, history and philosophy. You can see how tempting it was… in the photo below is my book haul!
Another new project in progress contains a crocodile. In the photo below you can see my orange poetry sketchbook and my crocodile poem written by hand. Also in the photo is a binder that holds my drawing attempts, book dummies and poem drafts. Yes, I’m working on a new children’s book. I plan to update this blog over the coming weeks with my progress…
My spouse’s garden has lots of garlic scapes and some radish greens so the memorable meal this week was the pasta with radish greens and garlic scapes recipe below!
Hope your week is full of fun memories and your own collections of beermats, pencils and pens!
Last week I took 3 boxes containing all of my Odditorium fineart into Burnt Bridge Cellars where it will be through the end of July. Everything I’ve done over the last year is now in the capable hands of the winery and the Caplan Art Designs art gallery!
My spouse took this photo as I paused with one of the boxes on my way into the back patio door of the winery.
Due to our state’s Covid19 protocols reservations are needed for drinking and eating indoors or outdoors at the winery. Masked people are welcome to drop in to see the fine art and buy bottles or growlers of wines. When not seated masks are required.
While not exactly a full art opening the winery took reservations for a special Friday night dinner: marinated salmon or chicken sate by Class Cooking and of course one could sit and enjoy a variety of wines!! Masks can be removed when seated it’s just when walking about that they’re needed.
Friday night there was live music outside on the winery patio. And you could go inside to see my fineart and artistbooks then you could go outside to hear the music or vice versa.
These photos below are a look at my Odditorium artexhibit on the winery walls before people came (there are more photos here).
Below is a photo of the artist books that are in the basket in the photo above.
And my green dragon bookplates did come in time!! I had hoped in my last post to sign a few of the bookplates for the exhibit in case someone wanted one in one of my books.
Anyway, I was very aware all week that in the best of times and conditions I don’t hear well. Add the masks worn sensibly during a fading pandemic and lip reading isn’t an option either. So I made the decision to stay home even though I could have made a reservation at Burnt Bridge Cellars and spent at least some time at the winery during the first Friday my Odditorium art exhibit was available.
But I know myself and I know that if I saw someone looking at my art I’d want to pop up from my seat put my mask on and try to talk with them and try to hear what they’d say even knowing it wouldn’t be likely…. so I just chose to not put myself in that situation.
While it was a sensible decision I still had some upset feelings about it. So I worked on remembering this 👇
Bookstores and libraries have often been my places of consolation. So my spouse and I went and had our first in-person visit to a local independent bookstore Vintage Books ! We’ve both been buying online from Vintage Books for a year now…but the impulse buying when indiebookstore shopping in person can’t be beat!! https://www.vintage-books.net/
Here’s a selfie I snapped inside the store. At the time we went there were only two other customers and two store employees. We were all spread out throughout the store. It was silent (at least to my perception) except for one of the two store cats who sat up when I neared the shelf where she lay and said “meow”. Vintage Books has both new and used books so the store smelled like book heaven even though my mask. I loved the sights of the colorful book spines and book covers displayed on shelves from floor to ceiling. The staff write handwritten notes about books and I enjoy seeing the various handwriting styles in various places on the shelves. There were multiple spaces where books from different topics/genres had been collected together with staff comments like “if you like the topic in this book then you may like these too” – and that’s a sure way to get me to impulse buy! 🤣
Here’s a photo of my book haul.
Then after we got home I used my usual “how to pick a book” method. I’ve described it in Another Sketchbook and also included it on this coffee mug in my Zazzle shop.
It felt so good to have an extended length of time reading!!
Another soul satisfying restorative was finding that my order from Paperblanks came!!! (https://www.paperblanks.com/en/) Yippee!!! I buy blank books 5 or 6 at a time because it gives me the joyous feeling that I can write with impunity. I can draw with abandon. I can liberally spread the sunshine of my imagination. I can run around with my pen… I can…I can… I can…❤❤❤❤🖋🖋🖋☕☕❤❤❤❤
So this weekend I immersed myself in my books, I dipped into novels like a diver into a swimming pool. I also swam freely in my new orange poetry sketchbook book (mentioned last post). The orange book was the last unused book from my last order-of-5 books. Whenever I get to the last few books I order more immediately.
Several meals this week were quick sandwiches: cream cheese, various vegetables chopped up and some spring greens on lavash bread rolled up. A rolled sandwich only requires one hand to hold it which leaves the other hand free to hold a book! The Atoria Lavash are some of the best I’ve tasted and they ship directly from the bakery! Anyway here’s a link to the sandwich rolling technique https://www.atoriasfamilybakery.com/wrap-like-a-pro/
While my Odditorium exhibit will run through the end of July in subsequent posts I’m going to turn this blog towards new projects. I’ve already started new fine art that continues this Odditorium theme. The new art will be destined for exhibit in September. There’s also the children’s book version of my Odditorium exhibit book still to be released. So periodically on this blog I will probably return to this theme. But I’ve also got a different project in progress that I also want to share with you…
More about that next Monday. I hope your week is a good one!