Dragon, the creativity cat and baby blankets

A Creative Life, art techniques, artist book, artistic inspirations, business of art, children's book, creative thinking, fabric design, Gifts, illustrated recipe, life of the mind, mental health, pattern design, poetry, recipe illustration, sketchbook, surface design, Sustainable creativity, This Rabbit, visual thinking, words and pictures, writing and illustrating

In my last post I talked about how I manage art projects and time. I have an heretical approach and I was asked for more details. Here goes:

One of my longtime interests is in how humans think, learn and how to maintain good mental health. I read on the topics often. Here’s a few of my bookshelves full of books on these topics.

I’ve learned that humans tend to learn best by hearing stories or anecdotes or metaphors or allegories. Or by seeing examples or demonstrations. Rarely does a direction “do it like this” get followed. This includes self-directions related to art projects and time management. Even if the direction is followed often the purpose for “doing it like this” is rarely fully understood at the time. This includes self-directions.

Let me tell a story to illustrate what I mean: Once there was a mother, with a very tiny kitchen, who always cut her pot roasts in half before cooking them. She taught her daughter to cook pot roast by explaining and demonstrating. Her daughter grew up and had a daughter of her own. One day the grandmother was visiting. The daughter was in her very large kitchen demonstrating cooking a pot roast to her young daughter. She said proudly “In our family we always cut the roast in half first. Isn’t that right mom?” The grandmother replied “Oh, no! The only reason I cut my roast in half was that I didn’t have a pot or a stove big enough to hold a whole roast!”

Being aware of this attribute of human thought and attention I approach self-directions about my own art projects and time use rather sideways. More details below.

The other interesting thing I’ve learned about human thinking is that good mental health and happiness often happens while we’re busy doing something else. Often with, and for, other people. I think the same is true of creativity.

Similarly when humans feel good about, curious about or interested in something they’re more likely to do it. If we make activities we want to do fun and easier to do it increases the likelihood that they’ll be done.

So I give myself directions about my projects in terms of what I *want* to do rather than what I must do and I accept that I may not fully understand what I’m doing, or why, until after the project is completed. I’m also careful to keep lots of projects in various stages of production so that I’m “busy doing something else” and not as likely to get too focused (and too critical) about one project.

I’ve mentioned it before but my approach to creative projects and time management has it’s roots in a mental health book I illustrated “Dr Bob’s Emotional Repair Program First Aid Kit“. Below are a few of the pages  that relate to what I’m blogging about today.

For much of my creative life I have taken these concepts about human thinking/emotional health and applied them to my overall approach to creative projects and time management. It has helped me to consistently get projects done in a sustainable and enjoyable way. I say my approach is heretical because I have known art coaches and art teachers who advocate, for example, “strict discipline to do one thing till it’s done” as if we are machines and I strongly reject that notion. That’s too much like lunging and grabbing at a stray cat. That’s a sure fire way to spook the cat – or the ideas – away!

My approach to creativity is similar to the method for befriending a shy cat.  You see a cat hiding in the bushes and you can’t see enough of the cat to know what breed it is, whether it’s healthy or not or whether it’s wearing a collar. So you get some cat treats and with very slow movements place the treats strategically to coax the cat into visibility. You remove yourself, slowly, to a short distance where you do your best to act as if you’re *not* interested in the cat. With patience the cat will emerge at it’s own pace and you can see it. No lunging and grabbing is necessary on your part!

My morning work in my sketchbook is akin to the cat treats strategically placed. I wake up and I just play with words in my poetry sketchbook or with images in my mixed media sketchbook. I do *not* take these efforts seriously. This is just something fun to do while still half asleep waiting while the coffee percolates. Of course I hope something good will come from this work and often it does but that “good” is to be determined much later. At the time I’m drawing or writing in my sketchbook  I’m thinking of it as a fun gentle way to ease into the day.

I literally keep these sketchbooks handy in my breakfast nook along with a few pens and a small gouache watercolor set. The sketchbooks and the watercolor set are small 3 x 5 inches or so. Seldom have I spent more than 10 minutes on these efforts. You see, I’m busy doing something else besides creating – I’m making breakfast and eating it with my spouse. But I have this regular habit of luring ideas into my sketchbook.

Here’s a few recent sketchbook pages.

When my idea-cat begins to emerge from several weeks of my sketchbook morning work I’ll begin gently, tentatively, feeding and petting the idea. I do this by reading books somewhat related to my idea, by writing about my idea on a legal pad, brainstorming in a what-if-I manner.

Here’s a look at my legal pad list that eventually became my book This Rabbit and here’s my portfolio page about that project including links to blog posts detailing my work process for that project.

After doing enough sketchbook work and legal pad what-if work that I feel I’ve got something, some idea emerging into visibility, I’ll sometimes draw a series of thumbnail drawings on loose paper in color to try different color arrangements. Or perhaps I make a folded paper dummy of a book idea. Perhaps I’ll make larger drawings – redrawing images from my sketchbook onto art paper. I am still just playing around and seeing what could happen.

The intention is to test the idea in my sketchbooks to see if it might become  something more than a sketch in my sketchbook. A bit more time is spent, 20 or 30 mins in this phase of idea attracting. These writings and drawings are kept in a 3 ring binder by topic or perhaps with a tentative working title related to what my idea may become: an art exhibit series? A childrens book? A greeting card??? Things are left very open ended.

Still I am busy doing other things – specifically my main art project of the moment – the binder is just a way to keep all of my notions on a theme handy in one spot.  This is like giving that still shy cat a temporary foster home. This way we’ll keep track of kitty, give it some time to adjust, learn about kitty and see how it goes.

Here’s my shelf of 3 ring binders

Here’s some photos from the 3 ring binder for my currently in progress “How To Draw A Dragon” project. There are several folded paper book dummies, several rewrites of the poem and many drawings.

If a 3 ring binder project collection goes well and the idea begins to show promise – by ‘promise I mean ‘potential to be fun’ – then it may move to the “main project” status. The idea cat has been adopted…however we’re still in the probationary period. Anything could happen. This is where I currently am on my ” How To Draw A Dragon” project.

Here’s a few of the “Dragon” pages I did this week.

A main project has the serious art supplies out for it. It has the studio space devoted to it. Time during a day will be set aside for it, but not an entire day, I mean an hour or two. Time is set aside in a task-oriented way not a from-when-to-when on the clock way. I have a master list of tasks to be done on a main project and each day I pick from 1 to 3 of those tasks and set them as a goal to accomplish that day. That’s the establishing a working rhythm that I spoke of last post.

The main project is taken a tiny bit more seriously as in I will erase and redraw whereas in my sketchbooks, legal pads or binders I’ll leave a drawing however it is. I will also write and rewrite with attention to spelling and grammar on a main project. As I go I’m feeling my way along. The uncertainty is normal. Perhaps my idea cat isn’t ready for such attention. Or perhaps it will thrive on it. We will take it slowly and see. My “How To Draw A Dragon” so far seems to be thriving meaning it is still growing and becoming and I’m having fun with it.

Below is a studio photo showing that “How To Draw A Dragon” is filling my easel and overflowing into nearby surfaces. My art supplies used for this project are left out and handy. I don’t open windows in my studio so no breeze disturbs my papers. If you were to visit my house today we would stay far away from my studio because I have things in a careful order for my projects sake. My cat and dog are trained to not disturb things in my studio. There’s a door to my studio and I use it to remain undisturbed. A main project filling the studio is a tender kitten. I handle gently. I have heard art coaches speak of clearing ones working area at the end of each workday — that’s another area where I heretically scream *nooooo!*

Even with the extra attention given to a main project I carefully keep it fun and playful. I will find ways to “feed” a project- to feed my unconscious mind – for example by reading books related to the topic I’m making art about. For my current How To Draw A Dragon project I’m reading about creativity – about creating poetry in particular- and the interplay between our left brains and right brains, between our inner adult selves and our inner child selves. The topical reading is kept up for a duration of a project as it helps with my focus and fun. I simply cannot stress this enough *keep a project fun* and the project will likely get finished.

Another helpful way I keep going on a main project is that I *dedicate* the project to someone – I give the project a purpose, a reason for being (something *not* related to money or fame). I give it something beyond myself. The person or people I dedicate my work to often never know. But I am busy making my main project *for* somebody. During this pandemic openly dedicating works, or embedding symbols a friend might recognize, has been a fun way to stay in touch.

Here’s the dedication page for my Dragon book. Dedications for my fine art most often just happens in my mind.

It may be that I work on something as a main project for a while and it stalls. The stall could happen at the 3 ring binder stage or earlier in the sketchbook stage. A project may fluidly move back and forth between these three stages over a lengthy time period. This is another part of my business of art/creative heresy – I think this fluidity is perfectly normal and fine! Uncertainty is okay! I see it as part of the creative process, part of the ways a creative mind (and a subconscious mind) naturally works. Human brains are not linear machines! This is another reason I work on multiple projects – one stalls and I shift attention to another until the stalled one wants attention again.

Very carefully as I’m in the process of making artwork I avoid any sweeping declarative statements, to myself or anyone else, like “this is dumb” or “this is awesome”. I use moderate language statements, if a statement is needed and I can’t avoid it, I’ll say something like “so far so good” or “it’s a fun challenge”. To make a hard sweeping definitive declaration like “this is horrible” is to force a still-in-progress project into a labled pigeon hole. What may not work as a painting might be a good greeting card. I don’t know yet! When a project is in process I may think I am making X only to discover when I’ve finished that I’ve made Y instead. I deliberately leave linguistic and mental room for such progress! (See my pot roast story above) Harsh declarations make it hard to extract a project from the dispair/elation and continue. It makes it harder to allow a work to change from a painting to a greeting card. I prefer to leave room for discovering and being surprised by what a project becomes. It’s more fun that way. I would no more force an art project to become something than I would force a stray cat to accept a grooming before feeding it and earning its trust.

Here’s more from Dr Bob about being careful about self talk.

https://store.bookbaby.com/bookshop/book/index.aspx?bookURL=Dr-Bobs-Emotional-Repair-Program-First-Aid-Kit1

The tendency all humans have to take things too seriously- even obsessively – is another reason why I deliberately have multiple projects at various stages. One main studio project -or possibly two main projects- at a time but several other projects are being developed in my sketchbooks, legal pads and binders. This helps me not be too “precious” about any one of them. I work on something a while then stop working *while it’s still fun* and do something else. I find it helpful to try to stop working before I am too fatigued, while I’m still interested or enjoying my work and then move on to something else.

So I am always busy “doing something else” which allows my idea-cats space to breathe without micro-attention. This method allows my subconscious mind to work on my projects. I can trust that my inner voice will say “oh, let’s work on this!” when the next part of my idea is ripe. I can trust that I will keep returning to a project until it is finished.

When a main studio project is finished there is usually another project in a binder that’s developed enough that it’s ready for attention at my easel. No force to finish or start a project is needed. No strictness. No machine-like “discipline”. Knowing and accepting the way human minds are naturally has worked well for me. I work with my brain not against it. I am just playing around with topics that interest me. Like most real life fur covered cats I can trust that my idea-cats will tell me when it’s dinner time.

Speaking of dinner. The outstanding dinner of the week was broccoli pasta. I was out of fettuccine so I used short noodles but the recipe in my Favorites So Far kitchen sketchbook is still yummy!

https://www.blurb.com/b/9759759-favorites-so-far

Earlier this year I was asked to make some gender neutral fabric designs and put them on my Spoonflower shop so someone could get fabric with my designs and sew some bibs and blankets for a new baby.

Here’s a photo of me working at that time on the fabric pattern.

Here’s the finished original art

This week I was given, by the person who had requested the fabric patterns, pictures of some of the finished baby things they’ve made and permission to post about them! It was lovely having something fun like this to post about as my Dragon project is still becoming and is in the gawky teenage stage and camera shy.

Where I tend to run out of time in a day is the social media promotion thing. And frankly there are times, especially when I’m busy, that I’d rather just do my art projects than talk about them. But talking about them is necessary and most of the time I enjoy doing it so… Anyway, I really appreciate it when people share what I post or when someone sends me photos of themselves with my fine art or artist books or share photos of what they sewed with my fabric designs! It helps and is such fun to see!

Anyway, here’s the photos of a burp cloth and a few blankets my friend created with my fabrics! They turned out so well!! The sewing is marvelous!

Hope this description of how I manage my art projects and deal with time was interesting and even helpful to you as you do your own creative projects! Have a creative week and I’ll see you next Monday.

Dragon in the details

A Creative Life, art techniques, artist book, artistic inspirations, author illustrator, book design and layout, books, business of art, creative thinking, Gifts, household surrealism, illustrated poem, Odditorium, On Looking At Odditorium, recipe illustration, Sustainable creativity, visual thinking, whimsical art, words and pictures

A work rhythm has been fairly firmly established. I wrote about that in my last post. My days now have a regularity that goes like this:

Breakfast time contains sketchbook drawings with or without characters from my currently in progress childrens book “How To Draw A Dragon”

Perhaps after eating breakfast I spend a few minutes more reading a poem or working the crossword puzzle with my spouse (we take turns doing 5 or 6 clues) while we finish our coffee. (The poem in the photo below is by Robert Service)

Then I pour another cup of coffee and carry it to the studio. There I look at the work I did last and my project schedule/guide that I described in my last post. I sip my coffee and settle in to work.

By now I’ve done about 10 of the 32 pages but even those, as you can probably see in the photos below, aren’t really finished. Some elements like the text will be the last to be inked and only after all 32 pages have been mostly finished. Similarly I will edit and ink all of the elements of foreshadowing for my poem story after all 32 pages are mostly inked.

As I work I am thinking of the pages both as page spreads and as individual pages.

These pages below have been quickly photographed where they are on my easel for sharing my progress with you here. My set up for photos for book reproductions is another thing entirely- and I’m not at that point yet.

The sharp eyed will probably notice that some changes have been made to my story setting and to my poem text since my last post.

Basically I’m in the early stages of this book project and everything is in flux and there aren’t “for public” images for this project yet.

So instead of anything about this project when I put something on my social media I post about my current art exhibit Odditorium at Burnt Bridge Cellars and about the related items I’ve designed on my Zazzle shop. For example my “Odd mugs” collection.

And my books. I talk about one of the 9 books in my portfolio. Or I talk about one of my 10 books on Storyberries. Or I post a photo of my cat or dog. Or I post nothing at all. Especially as I settle into a project working rhythm I find I’m online less and less. That said I do enjoy finding your kind comments when I check in! And I thank you in advance for them.

Lunch, however, is rarely missed. This week the easiest meals were bean and grain bowls like this photo below and here’s the recipe scheme from my Favorites So Far kitchen sketchbook.

https://www.blurb.com/b/9759759-favorites-so-far

After lunch I head back to the studio for more work on my How To Draw A Dragon book. Generally speaking I get 2 pages finished per day. If I’m lucky I’ll get a start on a 3rd page. But my focus is on maintaining a work rhythm not in a quota of pages. If I have to totally redo a page and thus only get one page done in a day that’s fine! I just keep going! It’s a dance between discipline and the spaciousness of pleasurable play as talked about in this article.

I did take the time this week to go with my spouse to visit a new independent bookstore in our town Birdhouse Books! This was my book haul.

Short stories, poems and short essays give me an intellectual boost without requiring an investment of time like a long novel does. But sometimes a long novel is just the thing to accompany a long creative project. It just depends.

What’s not in question is the fact that time to sit and read each evening is essential to helping me maintain a steady working rhythm.

Hope your week has some good rhythms too! See you next Monday.

On Looking at Odditorium

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, author illustrator, book design and layout, books, children's book, creative thinking, ebook, household surrealism, Odditorium, On Looking At Odditorium, printed books, public art, published art, sketchbook, Sustainable creativity, visual thinking, words and pictures, writing, writing and illustrating

To my awareness there aren’t many books for children that talk about looking at an artist’s exhibit whether the fine art is in a book or on walls.

A child looking at a painting by Sue Clancy in the Caplan Art Designs gallery

I think looking at a book of fine art is similar to looking at a wordless picture book. Looking at one artist’s series of paintings on a gallery wall is like a wordless book too. But looking at fine art, while there are similarities to wordless picture books, it is also different; a collection of fine art often refers to the feelings and lived experiences of the artist in addition to any visual story there may be within the artwork itself.

So I’ve been lucky enough to work with Storyberries to create a childrens book On Looking At Odditorium that I hope will help kids enjoy looking at artwork and be able to speculate about the artist’s thinking.

Towards that end I created cartoon drawings of myself so they could take a trip (or tour) through a book of my Odditorium fine art exhibit and explain what I was thinking and how I created each painting.

Here’s a closer look at all of the avatar drawings. In many of my childrens books on Storyberries.com there’s a photo of me wearing a sweater. For consistency sake I drew myself in a sweater pointing this way and that.

Below are several sample pages from On Looking At Odditorium. You can see the avatar and a speech bubble on each page.

I want to encourage imaginations so in the book I try to both show and tell what using imagination is like.

For a childrens book I didn’t want to get too technical about art materials and methods but I did want to share something about them. I wanted to share especially when the materials and methods directly interacted with my imagination.

Below is a look at the book layout so you can see the little avatars on tour across a page spread.

The adult version of my Odditorium exhibit coffee table book does not have the avatar or descriptions. Here’s what the cover of the adult book looks like.

https://www.blurb.com/b/10698335-odditorium

And here’s the childrens book version titled “On Looking At Odditorium“. The cover design is very similar to the adult book on purpose – to emphasize that anyone of any age can look at art. The layout inside this book is different as is the kind of paper for the printed books. I wanted paper likely to withstand children’s hands.

https://www.blurb.com/b/10758158-on-looking-at-odditorium

Storyberries has a extra special ebook edition that went live within hours of this post. And I love the nesting specialness of this project: it’s a fine art exhibit called Odditorium at Burnt Bridge Cellars via Caplan Art Designs that has a companion exhibit book titled Odditorium. The Odditorium exhibit book then has a companion childrens book version titled On Looking At Odditorium. Then the special ebook on Storyberries – which you can see here for free – about looking at On Looking At Odditorium! Here’s what the Storyberries ebook version looks like at the top…

https://www.storyberries.com/bedtime-stories-odditorium-free-art-books-for-kids/

Did you get all the nesting nuances to this project? I’ve hopefully laid it all out clearly on my portfolio page about this project… but even if no one besides me sees the nesting qualities – thinking about it in this interlocking way served to help me construct it all – my main point is for people to have fun.

Needless to say it’s been a very busy week. There’s been food, some of it tasty and blog-worthy, but I was tired and just ate it without photos or noting recipes.

Also due to busy-ness not much was done on my new crocodile project mentioned last post. But I have kept up my sketchbook activities and reading books of an evening. Sketching and reading are like breathing.

So I’ll not promise anything specific for next Monday… but there will be something. Hopefully, something that encourages your own creative life or is at least entertaining for you.

Till next time – have a good week looking at stuff.

Of beermats, bears, books, poems, crocodiles and garden garlic scapes

A Creative Life, animals in art, art exhibit, art gallery, art techniques, artistic inspirations, books, children's book, creative thinking, drinks in art, fine art, functional art, household surrealism, life of the mind, poetry, travel art and writing, travelogue, visual story, visual thinking, whimsical art, words and pictures, writing and illustrating

“Warning” by Jenny Joseph is one of my favorite poems. I particularly like these lines “…and hoard pens and pencils and beermats and things in boxes…”. But I hadn’t read that poem or thought of it in a while (you can see the entire poem here).

Earlier this month I received the prospectus for a “reclaimed canvas” art exhibit upcoming at the Aurora Gallery. (This is the project I hinted at in my last post.) The Reclaimed Canvas is an art exhibit asking the gallery artists to paint on something not normally used as a canvas or surface for painting. So I began this new project by rummaging around my studio for a not-typical thing to paint on. Look what I found – boxes of pens, pencils and beermats!

Suddenly I remembered the poem “Warning” by Jenny Joseph…. and had a good chuckle at myself. Of course I reread the poem and laughed some more.

Before we visited, and later moved to, the Pacific Northwest I didn’t think I liked beer. But here in the Pacific Northwest there are locally owned microbreweries and the beer is worth taste testing – and both the brewpubs and the beers often reflect the region in which they’re located. So having a beer in one of the microbrew pubs includes a bit of regional history and personal stories. Often there’s beautiful scenery too. Oh, and did I mention that the beer tastes surprisingly good?

As I looked through my collection of beermats in my pencil box I thought of poetry and word play in general. I also remembered our various visits to the brewpubs whose beermats I had in hand. I evaluated the qualities of the beermats themselves as a possible canvas for a painting.

Here’s the beermat I chose for my new painting project – the first photo shows the front of the beermat and then the next photo shows the back of it.

Bouy Beer is in Astoria Oregon and the brewpub sits right on the water. When entering the pub you can walk over a large glass floor. Through the glass floor you can often see the sea lions lounging on the pier beneath. We’ve enjoyed sitting in the pub on the waters edge, watching ships and marine wildlife. Sitting there, with a beer, I’m aware of the intimate connection this one spot has with the entire world: international ships come and go as do migrating whales, geese and sea lions. I love the way it is both a unique place with it’s own regional quirks and yet it openly, joyfully, participates in a wider world. It’s a wonderful reminder that one can be fully ones particular self while also being fully within, and open to, a diverse world. The food menu at Buoy Beer is also an enchanting fusion of world cuisines… but I dangerously digress. I have so many good memories of this particular pub and look forward to each visit. Oh, and they brew really good beers!

Anyway, for an animal character to use in my painting on the Buoy Beer beermat I thought about having a sea lion drinking beer, a great blue heron drinking beer, a whale drinking…. eventually, after a number of sketchbook drawings, I settled on the character of a bear. My main reasons for choosing a bear is that I could do a wordplay title for the finished art … but also the shape of bear, physically, could evoke the feeling and the relaxing-into-hybernation pose that I associate with the flavor of one of my favorite beers when it’s seasonally available at Bouy Beer.

Here’s a sketch I did when exploring my thoughts.

And below is the painting I did on one of the 4 inch round coasters I had collected during one of our trips to Bouy Beer (which I kept in a pencil box with the rest of my beermat collection – 🤣). I painted on the coaster with gouache and have titled it …wait for it… “Bear, Matt”

The back of my “Bear, Matt” painting has the title and other data written by hand.

I did seal the beermat with a clear primer before I began painting on it and when my painting was finished and dry I varnished the artwork. Plus the art will likely be framed at the Aurora Gallery. So what was once an ephemeral throw-away object now will potentially last quite a bit longer.

I think of this new project as fitting in with my recent household surrealism thinking: a mundane object was thought about in a new way.

With this thought, given my sense of humor, I simply couldn’t resist turning my original painting “Bear, Matt” back into ephemeral beermats. So on my Zazzle shop I made round paper coasters – beermats – that are copies or art prints of my original “Bear, Matt” artwork! The back of these printed coasters is blank. That’s one way you can tell the copy from the original. You can get these here.

https://www.zazzle.com/bear_matt_paper_coaster-256396249111967834

After finishing “Bear, Matt” and delivering the original to the Aurora Galley a few days ago – I visited, in masked-up person, another favorite local independent bookstore called Daedalus Books. This bookstore is especially alluring for me with my interests in literature, fine art, poetry, books about books, artist books, literary studies, culture, history and philosophy. You can see how tempting it was… in the photo below is my book haul!

Another new project in progress contains a crocodile. In the photo below you can see my orange poetry sketchbook and my crocodile poem written by hand. Also in the photo is a binder that holds my drawing attempts, book dummies and poem drafts. Yes, I’m working on a new children’s book. I plan to update this blog over the coming weeks with my progress…

My spouse’s garden has lots of garlic scapes and some radish greens so the memorable meal this week was the pasta with radish greens and garlic scapes recipe below!

Hope your week is full of fun memories and your own collections of beermats, pencils and pens!

See you next Monday?

Odditorium exhibit, lots of books and a sandwich technique

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, books, fine art, illustrated gifts, life of the mind, mental health, Odditorium, printed books, sketchbook, Sustainable creativity, whimsical art, words and pictures, writing, writing and illustrating

Last week I took 3 boxes containing all of my Odditorium fineart into Burnt Bridge Cellars where it will be through the end of July. Everything I’ve done over the last year is now in the capable hands of the winery and the Caplan Art Designs art gallery!

My spouse took this photo as I paused with one of the boxes on my way into the back patio door of the winery.

Due to our state’s Covid19 protocols reservations are needed for drinking and eating indoors or outdoors at the winery. Masked people are welcome to drop in to see the fine art and buy bottles or growlers of wines. When not seated masks are required.

Reservations can be made here:
https://www.burntbridgecellars.com/

(I see that I have new followers to this blog – welcome! – to catch you up to date more photos and info about this project, the art and access to the artistbooks is here https://sueclancy.com/portfolio/odditorium/)

While not exactly a full art opening  the winery took reservations for a special Friday night dinner: marinated salmon or chicken sate by Class Cooking and of course one could sit and enjoy a variety of wines!! Masks can be removed when seated it’s just when walking about that they’re needed.

Friday night there was live music outside on the winery patio. And you could go inside to see my fineart and artistbooks then you could go outside to hear the music or vice versa.

These photos below are a look at my Odditorium artexhibit on the winery walls before people came (there are more photos here).

Below is a photo of the artist books that are in the basket in the photo above.

And my green dragon bookplates did come in time!! I had hoped in my last post to sign a few of the bookplates for the exhibit in case someone wanted one in one of my books.

Anyway, I was very aware all week that in the best of times and conditions I don’t hear well. Add the masks worn sensibly during a fading pandemic and lip reading isn’t an option either. So I made the decision to stay home even though I could have made a reservation at Burnt Bridge Cellars and spent at least some time at the winery during the first Friday my Odditorium art exhibit was  available.

But I know myself and I know that if I saw someone looking at my art I’d want to pop up from my seat put my mask on and try to talk with them and try to hear what they’d say even knowing it wouldn’t be likely…. so I just chose to not put myself in that situation.

While it was a sensible decision I still had some upset feelings about it. So I worked on remembering this 👇

Bookstores and libraries have often been my places of consolation. So my spouse and I went and had our first in-person visit to a local independent bookstore Vintage Books ! We’ve both been buying online from Vintage Books for a year now…but the impulse buying when indiebookstore shopping in person can’t be beat!!
https://www.vintage-books.net/

Here’s a selfie I snapped inside the store. At the time we went there were only two other customers and two store employees. We were all spread out throughout the store. It was silent (at least to my perception) except for one of the two store cats who sat up when I neared the shelf where she lay and said “meow”. Vintage Books has both new and used books so the store smelled like book heaven even though my mask. I loved the sights of the colorful book spines and book covers displayed on shelves from floor to ceiling. The staff write handwritten notes about books and I enjoy seeing the various handwriting styles in various places on the shelves. There were multiple spaces where books from different topics/genres had been collected together with staff comments like “if you like the topic in this book then you may like these too” – and that’s a sure way to get me to impulse buy! 🤣

Here’s a photo of my book haul.

Then after we got home I used my usual “how to pick a book” method. I’ve described it in Another Sketchbook and also included it on this coffee mug in my Zazzle shop.

https://www.zazzle.com/how_to_pick_a_fun_book_to_read_mug-168374730790857937
https://www.zazzle.com/how_to_pick_a_fun_book_to_read_mug-168374730790857937

It felt so good to have an extended length of time reading!!

Another soul satisfying restorative was finding that my order from Paperblanks came!!! (https://www.paperblanks.com/en/) Yippee!!! I buy blank books 5 or 6 at a time because it gives me the joyous feeling that I can write with impunity. I can draw with abandon. I can liberally spread the sunshine of my imagination. I can run around with my pen… I can…I can… I can…❤❤❤❤🖋🖋🖋☕☕❤❤❤❤

So this weekend I immersed myself in my books, I dipped into novels like a diver into a swimming pool. I also swam freely in my new orange poetry sketchbook book (mentioned last post). The orange book was the last unused book from my last order-of-5 books. Whenever I get to the last few books I order more immediately.

Several meals this week were quick sandwiches: cream cheese, various vegetables chopped up and some spring greens on lavash bread rolled up. A rolled sandwich only requires one hand to hold it which leaves the other hand free to hold a book! The Atoria Lavash are some of the best I’ve tasted and they ship directly from the bakery! Anyway here’s a link to the sandwich rolling technique https://www.atoriasfamilybakery.com/wrap-like-a-pro/

While my Odditorium exhibit will run through the end of July in subsequent posts I’m going to turn this blog towards new projects. I’ve already started new fine art that continues this Odditorium theme. The new art will be destined for exhibit in September. There’s also the children’s book version of my Odditorium exhibit book still to be released. So periodically on this blog I will probably return to this theme. But I’ve also got a different project in progress that I also want to share with you…

More about that next Monday. I hope your week is a good one!

An odditorium of books, walks, green dragons and cookies

A Creative Life, animals in art, art exhibit, art gallery, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, creative thinking, fine art, greeting cards, household surrealism, illustrated gifts, life of the mind, mental health, mundane and magical moments, Numpurrs, printed books, recipe illustration, whimsical art, words and pictures

Literature and art are forms of self care and of care work. I’ve thought of this as I have worked in my household surrealism projects. Home is where most of us practice self care and care for others. We all need regular care and comfort, including the care and comforts to be found all of the Arts, so it feels crucial to have fine art, literature and music in ones home.

With that in mind this week I did a short video about why I make art. Spoiler alert: I want to make the visual art equivalent of freshly baked cookies and a kind note. Video here: https://youtu.be/GYiby2CfySc

And as part of those thoughts I’ve changed my avatar for most of my social media to this green dragon reading a book. For me green dragons represent creativity/imagination and books represent love and caring.

When I can I’ve directly signed the artist books I’ve written and illustrated. Often I’ve also doodled something right on the page. Like this…

But there are many times when that isn’t possible so I’ve signed and doodled on a piece of label paper and mailed that to the book owner for the book owner to affix in the book. That’s seemed to work. Finally I had the notion to make a bookplate specifically for this purpose. Hence the green dragon. Will update about the bookplate when I get them from the printer…

Anyway, here’s a look at some of the Odditorium artwork in the frames. I get the frames made at a local frame shop Aurora Gallery (www.auroragalleryonline.com) but I put the art in the frames myself. I think of how my paintings might hang on someone’s wall and lift spirits.

Here below are some of the odd greeting cards I’ve made with some of my Odditorium art. I love the pun of creating household surrealism artwork and then using that to make household items like greeting cards, mugs and coasters. The collection of Odd Cards is here and you can find some of the other items in my Zazzle shop.

These cards are long and skinny and come with an envelope. A message can be written on the back. I imagine someone smiling when getting one of these cards in the mail.

Since I told about the green dragon avatar and upcoming bookplate here’s a look at the two other logos I use on my cards, books and mugs.

Here’s another Odditorium painting “Favorite Walk” in its frame. The idea for this painting was a combination of outdoor walks my spouse and I enjoy along with red shoes a fellow artist family member has depicted in her artwork. So the red shoes are a “hello” to a family member….and they’re just fun!

Here’s us on a recent windy rainy walk in one of our favorite spots. I imagine you can see a relationship between my painting “Favorite Walk” and the landscape in the photos below.

This week at Burnt Bridge Cellars we bought wine and asked about the pandemic protocol for my upcoming art opening. The gist is that they’ll be at 50% capacity and taking reservations. www.burntbridgecellars.com

So I am glad people will get to see my art in person and will be able to buy some of my artist book titles while enjoying some very good wine! Even given this good news I am continuing my virtual art exhibit efforts with the printed picture book Odditorium and the new (still in progress) portfolio page. And I’m glad my art will also be accessible via Caplan Art Designs. I tell ya it takes a village…

Here are some of the artist books (many of them signed) that will be available during my Odditorium exhibit. All of my books are also accessible digitally here and here. I imagine people looking at my books and enjoying sharing them with others even if they don’t see my original art in person.

Of course I don’t know for certain how my fine art or anything else will be received. Rarely do I actually see my artwork hanging in someone’s home or office. I can only create and imagine and that’s enough motivation for me. I do treasure the comments and photos people have shared with me of their joy and delight in my work!

I like the thought that via my art I may be contributing to people’s happiness. Human minds need books, art, music anything that healthily feeds the imagination. Minds need good nutrition just like bodies do. Mental health also includes the comforts of homemade cookies.

In my studio I keep this quote where I’ll see it often. “One must care about a world one will never see.” Bertrand Russell

Speaking of love and caring: here’s a super yummy homemade cookie recipe of my spouse’s creation!

May you have many pleasant moments of comfort this week with cookies and storytime of your own! See you next Monday?

Flamingos enjoying life in the Odditorium

A Creative Life, animals in art, art exhibit, art gallery, artist book, artistic inspirations, book design and layout, books, children's book, fine art, household surrealism, Odditorium, poetry, publications - publishing, sketchbook, visual thinking, words and pictures, writing, writing and illustrating

Frankly, I’m tired. But it’s the I’ve-played-hard good kind of tired. So more pictures and less text in this post and you get a special peek … I’ve been thinking about Kurt Vonnegut’s book If this isn’t nice what is? Here’s an article I enjoyed about this Vonnegut book. Here’s a photo of the book in my library with other Vonnegut titles.

Below is one of the poems I read during breakfast this week in a book called Animal Poems. It’s one of the titles in the Pocket Poetry series by Everyman’s Library. (I love this series! Especially with breakfast!) The poem in the photo is by Wiliam Cowper. I love the last line “The comfort of a reasonable joy.” So I’ve also been thinking how important it is to have regular reasonable enjoyments. I take the phrase “reasonable enjoyments” to mean the simple kind that don’t require lots of money, a travel agent or dressy clothes. Anyway, here’s the poem.

In my last post I talked about the pace of creative life. I’ve still been thinking about the skill of crafting daily rhythms and here’s a link to an inspiring article I read on the topic: https://www.wired.com/story/calendar-tips-post-pandemic-reentry-organization/  Maintaining a daily rhythm has enabled me – to get very tired 🤣 – but also to have nearly everything completely finished two weeks early prior to delivery of all the art and books for my Odditorium exhibit. Being early gives me flexibility to have time to rest as well as to deal with any unexpected issues.

Below are some of my sketchbook pages … and some kitchen gadgets I looked at and thought about as I worked on one of the last paintings for this exhibit.

Here’s a photo my spouse took of me working out how flamingos might carry things.

Below is the finished painting on my easel drying. Below that is a close up of the dry painting. I titled it “Is Not This Nice?” The title fits with my thoughts recently and echos the collage text I found in my falling apart copy of Jane Austen’s Pride and Prejudice. It was fun to find text written by Austen that was similar to what Vonnegut said.

Is Not This Nice? By Clancy – acrylic and collage on board

If the background of my painting reminds you of the ocean….we went there recently and seeing the sea lingered in my mind. The Pacific Ocean isn’t far from our house. I find it soothing to visit.

By now my studio is chock full of boxes of framed art ready for exhibit at Burnt Bridge Cellars and Caplan Art Designs. This is part of how I earned my tiredness.

The other way I’ve been earning my tired is that I’ve been working on the exhibit catalog aka a picture book of my Odditorium exhibit. In addition to that I’ve been working on a kid friendly version of my exhibit catalog. Children need fine art in their lives too in my opinion. When I was a kid I would have loved to see a book talking about looking at fine art. That’s why I took the extra steps to make a children’s book version too. I have sent the kid friendly version to Storyberries.com and they have an exciting plan for the book design! Below is a screenshot of a post they did on Instagram about it!

Here’s a special early peek into the Odditorium – at my exhibit book!!! And a link so you can see the whole book!!! Even in the midst of being tired I’m excited!!

One of my reasonable enjoyments this week was my spouse’s homemade biscuits for breakfast. The recipe is in my kitchen sketchbook Favorites So Far and you can see more of it here.

More next Monday about the Odditorium exhibit book and the other fun stuff…after I have a bit of rest. Hope you have a good week full of relaxation and reasonable enjoyments.

The minutest concerns: poems, love, books and odd balls

A Creative Life, art exhibit, art gallery, art techniques, artistic inspirations, books, fine art, household surrealism, magic realism, mental health, Patch La Belle, poetry, sketchbook, This Rabbit, Uncategorized, words and pictures, writing and illustrating

This week in household surrealism I’ve been thinking of love. Love in the sense of the poetry, the food, the care for and cleaning of things, generally creating a gentle environment for ourselves and others. Perhaps an environment also filled with souvenirs of loving moments as I wrote in my last post.

My recent children’s book This Rabbit was about knowing what you like. Well, this week I’ve been thinking about how it can take practice as adults to remember to let ourselves love openly, wholeheartedly and to unabashedly enjoy things.

Among these thoughts is the fact that tulips are in bloom when I live in the Pacific Northwest. Here’s a photo from my spouse’s garden.

In the morning sometimes I read a bit of poetry while having my breakfast and coffee. The photo below is a poem by Mary Oliver, from “New and Selected Poems Vol 1”, I see this poem as talking about wholeheartedly living life. A life well lived is lived bit by bit in thousands and thousands of mundane moments. Many of those moments (even in pre-pandemic times) happen at home.

Letting oneself wholeheartedly enjoy and love little parts of daily life – why is that so hard? Perhaps as adults we get caught up in the “gotta do’s” as I call them. We sometimes almost chain-smoke, metaphorically, one gotta-do duty after another forgetting that love and pleasure is often part of the reason we do things. By contrast it feels good to pay attention to whatever interests you and revel in that focused moment. This wholehearted enjoyment is a way to be gentle  and loving to yourself and the people you love. Anyway, I thought of that while I doodled in my sketchbook.

Then I worked several days in a row to flesh out my thought using acrylic paint on cradled board. Yes, this is another piece destined for upcoming art exhibits at Burnt Bridge Cellars and at Caplan Art Designs.

Below is the finished painting I titled “The Minutest Concerns”.

The label on the bottle of cleaning fluid the mouse is using in my painting is actually a bit of collage. I’ve been using a falling apart copy of Jan Austen’s book Pride and Prejudice as my collage source. (See my last posts here and here for details)

As I worked I also thought about and reread a passage in a book I illustrated titled “Dr. Bob’s Emotional Repair Program First Aid Kit“. The passage reads “love is clarity of perception and accuracy of response”. 

Basically, in the bigger universal sense, things are okay, you are okay, and it’s okay to relax and enjoy just being yourself and liking and loving the world around you.

For example this photo below is part of my world that I love; I love picking up one of the books and reading a bit, I love just looking at the books on the shelves and I even love dusting them. Of course I confess that often I get distracted and stop dusting to read 😁

I love having lots of books so much that it feels like heaven. So I did this drawing and made a print of it…just in case someone else feels the same way. (This is part of the gift making I talked of last post) Even if I’m the only person who feels like this making a drawing and a print was a fun way to fully enjoy and love the feeling.

Books are all we know of heaven – an art print by Clancy –https://society6.com/product/books-are-all-we-know-of-heaven4207368_framed-print?sku=s6-18617343p21a12v52a13v54

I also love the challenge of cooking. It took me a while to figure it out but I can now reliably make meatballs to store in the freezer for use whenever the odd meatball is wanted with pasta or rice or roasted vegetables.

Here’s my recipe as written in my kitchen sketchbook. Yes, this is another souvenir of love! Books and sketchbooks are the best souvenirs!

My sketchbook page will still be there long after the meatballs have all been eaten! Plus I can share this sketchbook page with people and thereby share the love.

That’s part of what I love about poetry, books, gardens and art they each nourish one’s spirit and are shareable. They’re part of how we know we’re loved and part of how we love other people and how we remember to love ourselves and the world around us. They’re part of how we connect emotionally with each other.

A dear friend loaned me this book “The 3000 Mile Garden”. It’s a wonderful almost voyeristic view of two people sharing their love of food and gardens with each other. And we readers get to see their intimate exchange of letters! The book has hand drawn maps and photos too! It’s a fun evening read.

These are the sorts of thoughts that inspire me as I work on my new household surrealism fine art series that I’m titling “Odditorium”. In addition to the art itself I’m also working on an exhibit statement- which is kindof like the synopsis on book covers – a short paragraph or two to interest viewers and help them understand what I’ve created. Wish me luck at crafting the sentences?

Anyway, I hope this week that you’ll remember to allow yourself to love whatever is commonplace in your world. See you next Monday?

P.S. my book Patch La Belle is going to be featured on Kidz Stories And More – and I’m excited!! I will update my social media and this space when I have a link to share… Here’s the link to the read-aloud video they made!! https://m.youtube.com/watch?v=rOyqdg0WUjQ

Well well odds are it’s a gift

A Creative Life, animals in art, art techniques, artistic inspirations, books, creative thinking, fabric design, fine art, Gifts, household surrealism, illustrated gifts, illustrated shorts, magic realism, pattern design, product design, sketchbook, visual story, whimsical art

While working on my new household surrealism art series I’ve been thinking of my art as souvenirs of special moments.

For example: a friends daughter and grandkids left a cup of daffodils for us on our porch. I photographed and sketched the flowers.

Here’s one of my sketchbook pages that seemed most promising for a painting idea.

Here I am starting to paint in acrylic on board…while carefully looking at a flower model.

And so my painting progressed by building up layers of color. I chose a mouse character, a shy mouse offering gifts, because I was thinking of the emotional risk a gift-giver bravely takes. Also I was thinking of the gifts of nature, like flowers, that are there if we’re able to notice the subtleties of colors, patterns and textures as they change with the seasons. I chose yellow croc shoes for my mouse character to wear because waterproof footwear is useful for puttering about outdoors where I live in the Pacific Northwest. So there are gifts of culture too. Gifts are to be found everywhere if you remember to look.

Below is the finished painting I’ve titled “Well, well…”. I looked through my falling apart copy of Jane Austen’s Pride and Prejudice for any words that would relate to gift giving or receiving. Finding the collage text is a lot like doing Blackout Poetry – I scan the Austen pages looking for words and phrases that fit my painting topic. For this painting I chose the phrase “Well, well…” because sometimes people say, when recieving a gift, “well, well, what have we here?”

“Well, well…” by Clancy – 18 x 8 inches – acrylic, pencil and collage on board

Painting the little wrapped gift in the lower corner of my artwork reminded me of how much I enjoy making designs for tea towels…and using the towel to wrap a gift.

Using a tea towel for wrapping a gift is really a thing! It’s called Furoshiki …. and here’s a link to the general wrapping technique. And here’s one of my favorites – a link on how to use a towel to wrap a book!

My adopted mom, back in the early 1990’s, made fabric bags with a drawstring for use and reuse in gift giving. She was environmentally friendly before it was cool. So even though I don’t have Mom’s flair with a sewing machine I love designing fabric patterns and thinking of the fabric being used to wrap a gift!

Here’s a recent tea towel design I created on my Spoonflower shop … wouldn’t this be a fun gift wrapping?

Tacos Burritos Hot Sauce and Salsa- by Clancy- https://www.spoonflower.com/en/home-decor/dining/tea-towel/7816441-tacos-burritos-hot-sauce-salsa-by-sueclancy

Here’s a closer look at the art I did for the tea towel. These were drawn, over time, from real life.

Speaking of hot sauce: this week I got brave and baked hashbrowns! Yes, bacon, eggs, hashbrowns served with hot sauce! Turns out I really can imitate the not-quite-so-greasy-spoon diner at home! And keep the coffee coming! Here’s a link for the recipe I used for hashbrowns.

But back to the artwork. I have 4 more paintings that I hope to finish before mid May. I’m scheduled to have one-person fine art exhibits at Burnt Bridge Cellars and Caplan Art Designs later this year so I want to have at least 18 to 20 new works for the shows. Wish me luck?

I’m calling this new art series “Odditorium”… I chose this title because I intend the entire group of my works to be “odd” uncommon visual stories about common things. For my title I merged my thoughts of the word odd with the word auditorium. “Odd” means different from the usual. “Auditorium” means a building or space for an audience. I want to make a mental space for looking anew – or looking oddly – at mundane things.

As I work in my sketchbook I ponder things like: Perhaps those flowers, that towel, that coffee mug are really souvenirs of pleasant moments in life? What if dealing well with mundane life is itself a gift or even an art form?

In his book “Keep GoingAustin Kleon talks of making art as a gift. There’s also a wonderful book by Lewis Hyde titled “The Gift“. The message I get from both of these books is to remember the people. Both art making and gift giving are about emotionally connecting with people and sharing moments together.

Often when I’m creating I think of a person I know, or have known (even if they’ve died), and I make something they might like. Or I make something that reflects a feeling of connection. The person I have in mind is often never explicitly told that I thought of them. So, that thing you like … well, it just might be a gift for you.

So I make souvenirs of kind gentle moments in life by depicting common objects and animal characters in imaginative, surprising and whimsical ways that hopefully give a viewer pleasure. This, in my mind, is household surrealism.

I also see a visual pun in putting my artwork onto ordinary household objects like fabric or mugs. By making my objects available digitally and via mail (see my gifts here) I’m musing about objects that enable people to emotionally connect in a socially distanced pandemic safe way. My thought is that my work is not just about the stuff; the objects or books, it’s about our connections and our perceptions within our mundane lives. Can we find love, comfort and even art in the ordinary?

Anyway, lots of work still to be done to get ready for my exhibits! I hope you have a pleasant week full of the gift of kind moments with people you love! See you here next Monday?

Of civility, books, odd art and rice

A Creative Life, art exhibit, art gallery, Art Word Combinations, artistic inspirations, author illustrator, Gifts, household surrealism, Narrative Art, rabbits in art, sketchbook, visual thinking, words and pictures

I got my 2nd dose of the covid vaccine this week and I’m very glad! It did slow me down some so I did more than my usual reading, sketching and thinking.

I avidly follow and read the letters written by historian Dr. Heather Cox Richardson. Often I use her letters on current events and past history as a prompt for my creative sketchbook work.

This week I read this letter by Dr Richardson https://heathercoxrichardson.substack.com/p/april-7-2021 and did this sketch.

The next day I read this letter by Dr. Richardson https://heathercoxrichardson.substack.com/p/april-8-2021 and did this sketch.

Behind these sketchbook thoughts is my ongoing thinking about Jane Austen’s work. In her novels – Pride and Prejudice most certainly – Austen writes of civility and the social comedy of manners. I see Austen’s work as exploring how stories affect civility and how the presence of civility, or lack thereof, in turn affects not just the individual but also the people around them and the larger society.

Here’s some of the books I’ve been looking at (besides the ebook murder mysteries on my phone): Living With Books by Helen E. Haines, Pride and Prejudice by Jane Austen (my new copy!), The Ghost Map by Steven Johnson, Art Matters by Peter de Bolla, In the Presence of Fear by Wendell Berry.

So in multiple ways I’ve been pondering the mundane roll-sleeves-up get-hat-gloves-boots-on kind of work it takes to have a humane civilization. Pleasantness takes effort, talent and perseverance. It can take effort to remember to notice and accept when something is pleasant and then to share it.

As Kurt Vonnegut said “I urge you to please notice when you’re happy and exclaim or murmur or think at some point “If this isn’t nice, I don’t know what is.””

The odd surprises which delight us in nature, in cooking, in art, in literature and in music help us to cope, to see things anew, to remember why we’re working so hard – and that’s what the Arts are for, I think, to help us remember our humanity, our capability to be humane.

Anyway, I eventually finished this painting and titled it “Of Civility”. As per my last post I used some collage text from my old falling apart copy of Pride and Prejudice. This is another piece for art exhibits later this year.

“Of Civility” – by Clancy- 10 x 8 inches- ink, gouache and collage on board

Yes, it may take effort sometimes to be civil and show civility … but forward looking pleasantness usually works out better. As Maya Angelou said “I’ve learned that people will forget what you said, people will forget what you did but people will never forget how you made them feel.”

Also while thinking on these topics I made a coffee mug design for my Zazzle shop. My hand lettering on the mug says “I love you…you’re probably thinking ‘but you don’t even know me’ … but if people can hate people they don’t even know then I can love…so, I love you.” (Yes, I consider this mug tangentially part of the “household surrealism” work I spoke of in my last post” – my whimsical enjoyment of mundane things which includes making items that could be given as gifts)

I Love You Mug by Clancy click here for more info and ordering this mug – or look for other fun stuff here https://www.zazzle.com/store/sueclancy/collections

Speaking of mundane pleasures, thanks to “An Invitation To Indian Cooking” by Madhur Jaffrey, I have finally learned to consistently make good Basmati rice on the stovetop! (My rice cooker bit the dust so making rice stovetop became a project)

Some quotes I like about rice:

And here’s another sketchbook page … I keep thinking about this one…

I hope you have a pleasant week full of gentle stories, kindness, civility, some odd delightful surprises and a very good bowl of rice. See you next Monday?