Dec 7th during my pop-up shop at Vintage Books https://www.vintage-books.net/ from noon to 4 I’ll be doing some “live drawing”; I’ll work in my sketchbook and if anyone wants a small portrait of their pet I’ll happily do one using a phone photo as inspiration.
These portraits I’ll do at the pop-up shop are what I call “quickie sketches” – less complex than the portraits I’m often commissioned to do via the Caplan Art Design Gallery or the Joseph Gierek Fine Art Gallery – more like what I do in my sketchbook and still a fun gift for the holiday. Each portrait I do will take about 20 minutes more or less. A command performance art piece! (What fun!!!)
Since I’ll be doing these portraits on-site at the Vintage Books bookstore I’m currently in the process of testing my portable art kit to make sure I’ll have everything I need. A dear friend let me come to her house with my art kit and do a practice session – on her kitchen table – with a pic of her dog on her phone! (pictured in this post)
I’m using my ink pens, my Pentel Water-Brushes (to minimize the need for a water source) color pencils and my gouache colors on handmade paper. During the practice session I discovered I need to pack a few more items – like more paper towels, some wax paper… – so I’ll practice some more between now and Dec. 7th!
I’ve enjoyed, this season, being commissioned to create several portraits of pets which included many elements that reflected the pet owners too! Thank you for the privilege of making something special for you and your loved ones – that was the wonderful gift you gave to me this Holiday season!
You can read juicy details about one of my commissioned portraits of two cats here.
And there is a wonderful newspaper article in my local paper, The Columbian, about commissioning a portrait from an artist and how it can become a treasured family heirloom – and how a portrait by an artist is different from a photograph. It’s true, at least by my experience, that people really do treasure portraits of pets and people that they know. Btw: portraits can be commissioned any time of the year – not just during Holidays.
As it may still be possible that some gifts have not yet been unwrapped in 2018 here, for your amusement, are a few commissioned portraits that I did in the past (and are thus safe to post!):
You can see more about my portraits, information about how to commission one, as well as more examples of my work on this page.
Thank you also for your support and encouragement of my work throughout the year! Happy Holidays and my best wishes for a Happy New Year!
In my studies of cats recently I’ve learned that cats are often employed on winery and beer brewery premises – especially here in the Pacific Northwest. There are also several local bookstores and music instrument shops that have cat “staff” members too. So in support of working cats today here are two portraits I’ve just finished that are drying on my table (a Siamese and a Tabby).
I think I’ll call the piano player “Scarlatti” after Domenico Scarlatti, the Italian composer of “The Cat’s Fugue” (google it!). I’ll call my better-mousetrap-builder “Handy”.
Last evening I was looking up something in a book called “Drawing Masterclass” and I read this (again): “Animals as subject matter for the visual arts have a longer history than any other subject. The first images drawn by the human race depicted the animals that were hunted for survival [cave paintings]…. There is no period in art when animals have not played a major role.”
In my fine art animals become characters; my creative process is much like the way a novelist creates a character, a compilation of authorial thoughts and observations – a “collage” of them you might say – merged into one person/character within their story. I create anthropomorphic animal characters because I see humans as part of the natural world and the natural world as part of humanity. I’m inspired by both nature and culture.
So when I do animal portraits, people are there too. When I do a portrait of a particular dog, for example, a particular person (someone, or several someone’s I saw in real life) is also reflected. It becomes a visual story of that animal and that person. I define “story” as a plot where there is some surprise. The surprise in one of my visual stories might be the realization of how a human can be like a dachshund.
For example in my artwork titled “Happy Hour” (see image below) inside I sometimes feel happy and excited like my dachshund Rusty looks when he is bouncing around wagging his tail and dancing for his supper. (Places and objects enter in to my visual story creation too but that’s another discussion.)
My gallery agents often explain to clients that I create (as special commissions) portraits of pets as their pet owners; an imaginative merging of pet and person. And that’s true.
Here, so you can see what I’m talking about, are some of my animal portraits currently available at either Caplan Art Designs www.caplanartdesigns.com and at Joseph Gierek Fine Art www.gierek.com – please contact each gallery for more details.
Cool Licks By Sue Clancy 6 x 6 x 2 inches hand dyed paper, handmade paste paper, found paper and acrylic on cradled board
“Pour Me A Song”By Sue Clancy 6 x 6 x 2 incheshand dyed paper, handmade paste paper, found paper and acrylic on cradled board
“Pug A Cherry On Top” By Sue Clancy 7 x 5 x 1.5 inches Hand dyed paper, hand marbled paper, ink and acrylic on cradled board
“Making Time” by Sue Clancy 12 x 9 x 2 inches – hand dyed paper, handmade paste paper, found paper and acrylic on cradled board
“His Marbles” by Sue Clancy 8 x 8 x 2 incheshand dyed paper, hand stenciled paper, and acrylic on cradled board
“The Read Hat” By Sue Clancy 14 x 11 x 2 inches Hand dyed paper, handmade paper, hand stenciled paper, found paper and acrylic on cradled board
“Soapy Smooth” by Sue Clancy, 6 x 6 x 2 inches, handmade paper, hand dyed paper, ink, watercolor and acrylic on cradled board