Numpurrs 12, 13, 14, 15

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I didn’t think it possible to be even busier this week than last week but I was. Still there’s been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.

Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs

Twelve spoons out all of the treats

Thirteen plans who will sit in which seats

Fourteen carries dishes piled so high

Fifteen slices the roasted magpie

As I worked on these cat portraits, in snatches of time, I chose the cats-to-be-illustrated from photos of cats that my friends have shared. My friends also shared stories about their cats – and both the stories and photos inspired which cat to pair with which number and poem line.

Also informing my work on these cat portraits are the books I’ve been reading. More details below. But did you know that magpies relate to math? So does carrying … math fiction as a genre to explore is lots of fun!

Anyway I don’t expect that the parents reading my Numpurrs to their kids will see all the math related research I’m putting in – the research is just a way for me to learn and enjoy this topic as I create my book Numpurrs. It helps keep me on track and inspired even when I’m not working on a cat portrait.

Anyway, I made these cat paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Both the small size of each portrait and my art media enable me to work in short bursts as time allows. If these works were in any other size or media I can’t imagine how I would have shoehorned this project into this week. As it was having this project to do in this way inserted a nice bit of relaxation and fun!

Part of what I have been so busy on can be seen here: https://sueclancy.com/portfolio/readings-from-the-heart/

The rest of what I have been so busy on would require lots of typing. Let it suffice to say that it’s very happy business (fine art commissions!) and that I enjoy it all very much!

Here in this blog my point is to show how I develop new projects and sustain my interest in them over a duration, despite a busy life. It’s a peek behind the scenes you can say in my creative life. So I’m trying to keep my writing here about the newest project under current development.

As I alluded to above here are some books that are helping me sustain my inspiration for this project. In addition to conversation with my friends about their cats I peek at one or the other of these books as I get a moment.

I’ve written about some of these books in my last posts but the book titles in the above photo are (from the top):

A Dictionary Of Color Combinations by Sanzo Wada – A link for this book in the bookstore Ampersand where I got my copy is here

I Am A Cat by Soseki Natsume – this link has a wonderful review/discussion of this book. The article mentions that this book was originally written serially, in installments. In addition to making this book readable for the busy times of life I also see it as informative on how to construct a story to be serialized. Besides all that it’s just a fun romp inside a cat’s mind!

Imaginary Numbers by William Fruct – I found my copy this book years ago in one of my local bookstores. I looked online just now for it and the best source for more information about this title that I could find is here at ABE Books.

Werner’s Nomenclature Of Colors by P. Syme. – The bookstore where I got my copy no longer has this title but you can see a fun article about this book, along with photos of the pages here.

So now you know how my week went: working on many projects, reading bits in books, thinking, musing, playing and adding new art progress, small bit by small bit, to my Numpurrs while also living life.

Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.

I hope your week is peaceful, fun and filled with your own creativity.

P.S. I also include photos of my other projects on my Instagram pages and elsewhere on www.sueclancy.com

Numpurrs 8, 9, 10, 11

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It’s been another busy week but there’s still been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.

Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs

Eight divides the large wheels of brie

Nine adds mice caught in the lea

Ten has a bird as big as the sky

Eleven bakes a vegetable pie

To create the illustrations I chose the cats-to-be-illustrated from the various photos of cats that my friends have shared. My happy thoughts of my friends – and their cat photos – inspired which cat to pair with which number and poem line. Life near-to-hand provides so much of my inspiration. I made these paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Just little savory slices of a good life…

As I wrote in my last post I’m still using the Dictionary Of Color Combinations as a playful inspiration source for my color schemes.

I’m also still reading the cat-themed book “I Am A Cat” by Soseki Natsume that I spoke of in my last post.

Speaking of slices – my last post also spoke of pizza…and I did manage to get that indulgence, and a movie worked into this busy week. It was so enjoyable! Here’s what my homemade pizza looked like

I used my simple sauce recipe from my published kitchen sketchbook “Favorites So Far” and topped it with mozzarella, gruyere and Comte cheeses. Simple pizza – sauce and cheese – but I adult-ed it, so to speak, with my homemade sauce and cheese choices. Here’s my sauce recipe:

This page is from “Favorites So Far
You can see the whole sketchbook here.

And yes, my cat shamelessly begged for bites of the cheeses.

Part of what I was busy doing this week was answering questions about my upcoming exhibit at the Caplan Art Designs gallery. One of the questions asked what inspired the artworks with birds in them. My answer: the poem from Emily Dickinson “Hope is a thing with feathers…” In these strange and interesting times maintaining one’s human spirit, hope and good mental health is crucial. So my entire exhibit is about that. You can see a virtual exhibit tour of sorts webpage here (hint: the very newest pieces have birds reading books) https://sueclancy.com/portfolio/readings-from-the-heart/

Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.

I wish you peace, a lap full of purrs and a plate full of good pizza.

Numpurrs 4, 5, 6, 7

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It’s been a busy week but there’s still been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” and it’s been popular with readers so Storyberries wants another book from me related to numbers and math.

In my last posts I’ve written about how I work in short bursts [Very Small Goals] until my idea has firmed up a bit. But this week let’s cut the chatter and get right to it…

Here are the finished poem lines that fit with my next 4 illustrations for Numpurrs

Four brings jugs of heavy sweet cream

Five fetches trout in from the stream

Six tallies the tables and chairs

Seven moves them from under the stairs

I chose the cats-to-be-illustrated from the various photos of cats that my friends have been kind enough to share. The cat photos themselves – and my happy thoughts of my friends – inspired which cat to pair with which number and poem line.

While painting these cat portraits with my gouache and ink method I’m still using the Dictionary of Color Combinations that I spoke of in my last post and playing around with colors. Working in small chunks steadily – and keeping it fun – gets things done despite all else.

As I said it’s been an extremely busy week but to keep myself in a feline fun frame of mind I found time to amuse myself with this quirky book about a cat. It’s an enjoyable read, the reviews that call it a “comic masterpiece” have it correctly I think. If you’re interested this link and this one tell more details about the book.

If you’re wondering what I’ve been so busy doing: I finished up some new fine art pieces for an upcoming exhibit at the Caplan Art Designs gallery – I also added my new art pieces to this virtual exhibit tour of sorts webpage here (hint: the newest pieces have birds reading books) https://sueclancy.com/portfolio/readings-from-the-heart/

I’ll post more of my Numpurrs progress during the week on my Instagram etc. social media pages and then sum up with more details about my creative process in a blog post next Monday.

But first let there be pizza, time to read books and watch movies.

Thanks for reading, commenting and buying my artist books – you help me keep going.

Numpurrs 0, 1, 2, 3

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Here’s this weeks progress on my new artist book for children to be titled Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” and it’s been popular with readers so Storyberries wants another book related to numbers and math from me.

As I wrote in my last post when I start a new project I work in short bursts [Very Small Goals] until my idea has firmed up a bit. By “firm up” I mean that there’s a draft nearly finished and all the research and other materials have been collected. Even some messy doodle-drawings have been done. There’s now a “there” there – something to work with.

Then my project moves into the “more serious” project slot within my day. Instead of only spending 10 or 20 minutes on my project I’ll spend 30 to 40. Adjustments to my idea are still happening, things are still uncertain but it’s becoming clearer. I rewrite my text drafts more in a more legible way. I begin doing the illustrations more carefully using ink and gouache on board. (And yes, I redraw and repaint, in short bursts, till I’m somewhat satisfied with each portrait.)

Here are the finished poem lines that fit with my first 4 illustrations for Numpurrs

Zero has nothing but wants to eat

One lists numbers of friends who can meet

Two proposes a potluck fondue

Three invites him, her, them and you

I selected the potential cats-to-be-illustrated from the various photos of cats that my friends have been kind enough to share. The cat photos themselves inspired which cat to pair with which number and poem line. Also in my inspiration mill where some things me friends told me about their cats.

I decided to begin my poem-story with Zero because the concept of zero – nothing – was revolutionary in the early days of math. (A fun article about the history of Zero is here) Nothing is so often the start of something that it suits my sense of humor to have the catalyst (pun intended) for my story being a cat who has nothing…

The cat for number 1 was sent by a friend who told me the Japanese word for the numeral one – Ichiban. I toyed with the idea of using different languages, different kinds of clothing… for each numeral…

But as I drafted and doodled and read about numbers I decided to keep the illustrations simple, and each drawing similarly formatted, so as to keep my book focused on the numbers and the diversity of cats. This book is intended to amuse the adult fans of my work but also – primarily even – to help kids gain awareness of numbers. I plan to have the poem text have each number spelled out, such as, “Zero” while the illustrations have the matching number, i.e. “0,” in them. Since English is my primary language I decided to stick with that.

Where I’m playing visually in my Numpurrs project is with color combinations. Some time ago I got a book titled “A Dictionary Of Color Combinations” from one of my local bookstores, Ampersand Gallery and Fine Books. The book is primarily in Japanese with a smattering of English. Even though I don’t read Japanese this book has been a wonderful resource for color combination ideas. I’m using it much like I used a rhyming dictionary when composing my poem. Here’s some photos of this book:

I’ll post more of my Numpurrs progress during the week on my Instagram etc. social media pages and then sum up with more details about my creative process in a blog post next Monday.

Thanks for reading!

Beginning Numpurrs

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I’m starting a new artist book for children to be titled Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” and it’s been popular with readers so Storyberries wants another book related to numbers and math from me. So here goes…

As I mentioned in my last post I work in short bursts, 10 or 20 minute increments, small time segments that cover a Very Small Goal (VSG) towards a project. I do these short bursts of VSG’s almost daily. Other projects – and life – take up time so working in short bursts on VSG’s is my way to do some new creative project without requiring a large chunk of time.

For example on successive days my VSG’s were 10 minute tasks like; gather my legal pads, refill my fountain pen, look at past poetry about counting, brainstorm a “thesis”, write a list of VSG’s, gather reference photos, doodle possible illustrations, write drafts of a poem… and so forth.

For my “thesis” aka the root idea of my Numpurrs book I thought of how cats often bring presents to their humans of some, delectable morsel, from a cats point of view. Some mouse or bird brought as a gift to the human as a contributing dish for dinner. My cats have in the past been so, ahem, generous. I added that thought to the human concept of potluck dinners and how all the various contributions of dishes “add up” to an extravagant meal.

With that in mind I wrote draft after draft – sometimes in short bursts of 2 lines at a time – of my potential Numpurrs poem in my legal pad. Here’s a photo of my messy handwritten poem draft number 5 or so.

Longhand draft of Numpurrs by Clancy

During this time I reached out to several friends and asked for photos of their feline companions. I asked friends because many have shared or can share stories of their cats personality. These photos will inspire lines of my poem and the potential illustrations. This was also just a fun topic to share with my friends. Here are some of my sketchbook doodles of cats, a way to “warm up” and begin.

Cat sketchbook by Clancy
Cat sketchbook by Clancy

Here’s a photo of my cat Hawkeye.

Everything at this point is in flux. I’m quite okay with this uncertainty – it’s an exhilarating part of the creative process made achievable by working in small chunks.

My evening reading to relax before bed is also tangentially related to my Numpurrs project. There may be a bit of additional inspiration in it – who knows. Besides it’s fun reading.

I’ll post my progress on my Instagram page during the week and write more details about my creative process here on Monday. We’ll see how much I get done – or not. Among my upcoming Instagram posts about Numpurrs you’ll see posts about my fine art exhibits that are currently up – and one still to come. So I’ve a lot going on this week. Full details about all of the exhibits are on my portfolio project pages.

Oh, I almost forgot: you can see The Crow and the Water Jug on Storyberries.com and you can also preview the printed book here.

Chapter 3: Readings From The Heart

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I’ve been asked how I manage projects, like my “Readings From The Heart” exhibit, over a long duration. Half jokingly I replied “one bite at a time”. My joke is in reference to this saying I have thumbtacked to my art studio wall.

Seriously though when starting I create a general big picture, a kind of map for the entire project. Or, if you prefer, an outline. When I design a long project I do a hybrid blend of the two writing techniques: outlining and seat-of-pantsing. I apply these writing technique concepts to fine art making. I described in my last post what my big picture became for this exhibit that opens this week; the exhibit statement and the exhibit catalog Readings From The Heart. Here’s a few photos of the printed catalog. An ebook version is also available.

But when I began, more than 8 months ago, my big picture for this project was extremely vague. It was akin to a map of a forest without many details. It was akin to a book jacket blurb, with barely a teaser of what might be inside. It was akin to a writer’s outline with whole sections labeled ‘more research needed’.

My big picture map/ loose outline, was handwritten on a legal pad. Vague as it was it still served as a starting point. I keep a notebook/file box for each project so I can store all of my notes in one spot for easy updating and consultation as I work by the seat of my pants and a lots of “Very Small Goals” (VSG) for the project.

Then with the vague map in hand I identified some Very Small Goals (VSG) that would help me start and proceed on my project. These VSG’s can be as small as ‘buy a new art boards by Friday’. The VSG’s change as the process develops. The trick with VSG’s is to make them absurdly small, easily achievable and very specific – including what and when. It’s important to also find some way make each VSG fun.

I think of the creative life as an Eco-system rather than an Ego-system – what’s important is participating, showing up and finding ways to keep things fun. I can’t stress enough the importance of playing and keeping things fun. That makes creativity over a long project sustainable. Here’s another saying I have thumbtacked to my studio wall.

As I proceed to work I know many changes to my big picture/exhibit design will happen. I also know I don’t live in the big picture. I move organically back and forth from big, medium and small pictures of a project. It’s okay to be uncertain, to experiment and play. I just remember to update my big picture map as I have new thoughts. Slowly over time the picture map comes into focus. A project also changes as life happens.

In this case I began my Readings series well over 8 months ago. Then the pandemic happened and threw a monkey wrenchs in my plans. For example I had to suddenly adapt the way I was artistically inspired: to change from being inspired by things I experienced out in the world to a stay-at-home life, things that I read about or only happened in my imagination.

So to think through how to cope with the pandemic and quarantine I reread Dr Bob’s Emotional Repair Program First Aid Kit, which I had created some time back, about mental health coping skills and wrote notes, drew pictures in my sketchbook in order to think.

I also worked daily in my sketchbook on the topic of how to adapt finding books to read, and the development of one’s mental life to a stay at home quarantine situation. Eventually this book was published as Another Sketchbook in order to share my entire process.

Being in quarantine meant cooking at home more so I consulted our Favorites So Far book. This is a sketchbook full of recipes that were enjoyable ways to feed body and mind. You could say that my work on these artist books/sketchbooks is the medium picture, the inset details within the bigger map, the more developed areas in the outline.

A look at the original sketchbook page which is included in Favorites So Far

All of this sketchbook work inspired my fine art, where I developed specific thoughts with ink and gouache on board. You can almost think of the fine art as the most visible leaves and fruits on the artist book “trees”. In the exhibit catalog I’ve tried to show the connections between the artist books and the fine art I created.

Sometimes, as the pandemic continued, the fine art on the topics of reading, cooking and thinking felt too serious. Needing some self comfort and to have some fun I began drawing portraits of dogs and cats. In order to organize these dog and cat drawings I decided to make them into a children’s book as a gift for some kids in our friends’ lives. Many of my adult friends enjoy my dog and cat portraits so I decided to share each pet portrait on my Instagram page as I finished it in hopes of cheering my friends as I created the kids book.

The finished artwork became an artist book titled Alphapets and was picked up by Storyberries.com. A sequel Alphapets Too followed. Many stories begin with love and an alphabet – so this portrait project felt fun, relaxed and like a small picture, a detailed map insert or a sample bit of text to be fitted into an outline. (In fact, I spoofed some of the pet portraits within my larger fine art paintings.) Here are the pages in the big picture book Readings From The Heart that tell about the smaller picture of Alphapets and how it fits in.

The original artwork for both Alphapets and Alphapets Too is on exhibit at the Aurora Gallery during August and September. More details about those projects here with lots of pictures of the artwork.

When all of the artist books and all of the artworks were finished I reread my notes and used those to create the exhibit statement I spoke of in my last post. I also used these notes to create the exhibit catalog Readings From The Heart. That was the very last thing I did for the August and September exhibits at Burnt Bridge Cellars, the Aurora Gallery and Caplan Art Designs. Well, the last thing besides the framing and art delivery.

Below is a photo of all of my artist books that relate to my Readings From The Heart exhibit. Additionally I’ve created a webpage with all of this projects more than 20 fine art pieces and details about each of the 3 exhibits here.

All 6 artist books related to the Readings From The Heart fine art exhibit

During this time period I was interviewed for a Doodlewash feature about my work in which I describe my working methods, the materials I use, how my daily work routine goes, images of my artwork, etc – you can see that here: https://doodlewash.com/sue-clancy-artist-whimsical-visual-stories/

Here’s a picture of me working in a sketchbook

Clancy at work in a sketchbook

I hope this look at how I work on long projects has been amusing for you. The exhibits open this week. Many of my upcoming Instagram posts will likely be about that. And I will update the above mentioned portfolio pages too.

Then next Monday when I post here I hope to be beginning a new long-ish project; an illustrated poem for a children’s book titled Numpurrs. I found I quite enjoyed the serialized posts I did for Alphapets and Alphapets Too. So I look forward to doing that again!

Chapter 1: Readings From The Heart

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My fine art exhibit schedule was thrown a loop this year. Three exhibits now happen in August and September. This is due to the global pandemic and the too slow response to the virus in the U. S. to which we’re all adapting. Changing exhibit schedules has been a challenge but one of the more easily dealt with.

Since March I’ve been processing, via my sketchbook and my fine art how to adapt to this new “at home” life and stay mentally healthy and creative. All of my artistic efforts have been about adaptation and maintenance of physical and mental health.

It amazes me to realize how much of my pre-pandemic mental stimulation relied on my travels away from my studio, relied on what I could see, hear, taste and experience “out there”, in the coffee shops, the restaurants, the museums and the gardens. Even when it was time to pick a new novel to read I’d rely on a trip to a physical library or bookstore to inspire what book to read next.

Yes, I was the kind of kid who got told “quit touching everything” when my grandmother and I’d go to stores. So how to change my habit of wanting to “be there”?

It was critical to begin my stay home adaptation process – because I couldn’t change the pandemic situation I had to change my attitude about it. For help I reread an artist book I created years ago titled Dr Bob’s Emotional Repair Program First Aid Kit.

Dr Bob’s Emotional Repair Program First Aid Kit – collected and illustrated by Clancy

I also drew every day in my sketcbook on the topic of books. Stories are how human brains process whatever happens in life so I felt I needed to get a firmer grip on my access to and my thinking about books and the life of the mind. You can see my process develop in my sketchbook because I’ve reproduced my sketchbook under this title: Another Sketchbook – more drawings from the heart

Another Sketchbook: more drawings from the heart – by Clancy

The self quarantine aspect of the coronavirus concerned me on a personal level but also on a communal one. Humans are social beings. I wanted to maintain my own mental health and possibly help others maintain theirs as the health of the community would help all of the individuals within it.

To clarify my thoughts about self comforting and to try to cheer people up – myself included – I made book themed fine art. Here are a few of the pieces:

Hare Heritage by Clancy – 8 x 10 inches – ink and gouache on board
Sheldon’s Way – by Clancy – 7 x 5 inches – ink and gouache on board
A History Of The Sock Monkey – by Clancy – 7 x 5 inches – ink and gouache on board
Slaughterhouse Chives – by Clancy – 24 x 18 inches – ink and gouache on board

These artworks, and others, will be physically exhibited at Burnt Bridge Cellars and Caplan Art Designs in August and September. The pandemic being what it is there are limited open hours, appointments necessary and other special arrangements for the safety and health of everyone. For example: at the winery, Burnt Bridge Cellars, it’s possible to pickup a bottle of wine and my books curbside.

Primarily I’m making my artist books available to be shipped directly from the printer. Or to be downloaded digitally.

Like I say, it’s been a strange pandemic – many creative adaptations have been required.

Another example: due to the coronavirus there won’t be the typical art openings where lots of people come and visit with me about my work. So as an adaptation I have created an exhibit catalog, both printed and ebook versions, titled “Readings From The Heart” in an effort to share the big picture of my thinking behind my artwork in a safe and hopefully fun way….with images of the art of course. The catalog also explains how the other artist books relate to the fine art. Below is a look at the catalog cover:

Readings From The Heart: a fine art exhibit catalog – by Clancy

Since the prelude to any story is knowing the alphabet, as I worked on the fine art I also created two children’s books titled “Alphapets” and “Alphapets Too“. The original artwork for those books will be exhibited by the Aurora Gallery. Some of the Alphapets paintings appear in the background of the larger paintings. (I do love the painting within a painting playfulness)

Because all of my recent artwork is on the same theme – just slightly different perspectives – I’ve titled the three gallery exhibits that span two states “Readings From The Heart” and subtitled each Washington Chapter, Oregon Chapter and Alphapets.

I’m hoping my efforts will amuse you. All of it has helped me deal with this pandemic – and to smile. As Gerhard Richter says “Art is the highest form of hope.”

These exhibits open in early August and run through September. If you’re interested in any of the artworks – or in the wine – please contact each gallery. There will be images and virtual tours on social media if you follow each gallery online:

Caplan Art Designs (ebook versions of the exhibit catalog will be available as will access to my other books)

Burnt Bridge Cellars (it will be possible to curbside pick up bottles of wine and my artist books)

Aurora Gallery (copies of my artist books for children will also be available)

All of the six artist books related to my exhibits can be found online here. I will post again next Monday with another “chapter” of Readings From The Heart and exhibiting art during a pandemic.

Here’s a photo of me working on a painting.

Sue Clancy at work

Alphapets Too: Y, Z, the book cover and Storyberries

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This week I finished Alphapets Too my sequel to Alphapets by Clancy! It began at the request of my fans and Storyberries – the publisher/distribution house I’ve been working with! (See my last post for prior letters)

The Alphapets Too portrait project this week is brought to you by the letters Y and Z. Here’s my abecedarian poem to go with these letters and artwork :

Yaka yawns under the flap

Zorro zealously says “Zip it! Let’s nap!”

Here’s the artwork (somewhere on each piece is an alphabetical letter):

I did portraits of a mouse and a hermit crab.

The theme, loosely, in this book is creature comforts. One of my personal favourite comforts is to read before bedtime until I get sleepy. So I did a portrait of a mouse, named Yaka, yawning while reading.

Earlier in this project a friend suggested that I do a hermit crab named Zorro. Naturally the crabby crab would like us all to be quiet and have a nap.

As I completed the original artwork for my abecedarian poem I also worked on the graphic design of Alphapets by Clancy. That’s part of what makes this an “artist book” – it was conceived and constructed like an art object – by me. My spouse did proofread the text, make some book design suggestions. That, in my mind, is akin to submitting a bunch of artwork to a gallery for exhibit. Here’s a photo of me doing the graphic design hocus pocus.

You can see a bit of my book cover design in the above photo but here, below, is a better view of the front cover of the printed book.

Alphapets Too by Clancy is now available as both hardback or soft cover printed books or as an ebook. All versions can be accessed here: https://www.blurb.com/b/10195818-alphapets-too

And – drumroll please – Alphapets Too is now available for free on Storyberries.com here: https://www.storyberries.com/bedtime-stories-alphapets-too-by-sue-clancy-free-alphabet-books-for-kids/

Since AlphapetsToo is the sequel to Alphapets you can see that book on Storyberries here: https://www.storyberries.com/bedtime-stories-alphapets-free-books-online/

Thank you for riding this ride with me! I hope you had as much fun as I did! On to the next ride…

Alphapets Too: U, V, W and X

A Creative Life, Abecedarian, Alphapets, Alphapets Too, Ambassador for Small Frames, animals in art, art exhibit, art techniques, artist book, artistic inspirations, author illustrator, books, fine art, illustrated poem, miniature art, pet portraits, published art, visual story, visual thinking, words and pictures, writing and illustrating

My work this week on Alphapets Too my sequel to Alphapets by Clancy is in this post. It began at the request of my fans and Storyberries – the publisher/distribution house I’ve been working with! (See my last post for prior letters)

The Alphapets Too pet portrait project this week is brought to you by the letters Q, R, S and T. Here’s my abecedarian poem to go with these letters and artwork :

Ugo upsets the cart at a run

Vava vigorously twisted and spun

Waldo went outside for a bit

Xena excitedly moves flit flit flit

Here’s the artwork (somewhere on each piece is an alphabetical letter):

I did portraits of a miniature donkey, a Guinea pig, a bullfrog and an Axolotl.

Some of my extended family have full size donkeys and they were on my mind as I chose a character for the letter U. I decided on a miniature donkey named Ugo as miniatures have smaller heads that I thought I could more easily fit on my art board.

As part of my work on this project I’ve been learning the visual distinctions between gerbils, hamsters and Guinea pigs. In my researches the Guinea pigs seemed inclined to turn about in circles more than hamsters. So Vava twisted and spun.

On past walks in local natural areas I’ve seen and heard bullfrogs speak. To my ear it sounds as if they’re saying in a deep voice “Wall-doe! Wall-doe!” I couldn’t resist naming my bullfrog portrait Waldo.

When talking with Jade at Storyberries about doing this book, Alphapets Too, she joked about me doing a portrait of an Axolotl. I’d never heard of such a being and was instantly off to do fun research! A fish that walks! Wow! Xena was my result!

Like my first series “Alphapets” this artwork, too, is created with ink, gouache and color pencil. I do these portraits on board, size 3.5 x 2.5 inches. The original art will be framed…eventually … and be a miniature art exhibit at the Aurora Gallery.

I will also be making an artist book titled Alphapets Too – in a format like “Alphapets by Clancy”. You can see print and ebook versions of “Alphapets” by clicking here.

And when I get it all done “Alphapets Too” will be available on Storyberries.com (Btw: there are two different stories by me currently on Storyberries.com- search the site by my name)

You can follow my progress during the week on my Instagram pages and see the details of my creative process here in my Monday blog posts.

Thanks for your encouragement and support as I’ve worked on this project! You’ve helped!

Alphapets Too: Q, R, S and T

A Creative Life, Abecedarian, Alphapets, Alphapets Too, Ambassador for Small Frames, animals in art, art exhibit, art gallery, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, fine art, illustrated poem, miniature art, pet portraits, poetry, publications - publishing, words and pictures, writing and illustrating

This weeks work on Alphapets Too my sequel to Alphapets by Clancy at the request of my fans and Storyberries – the publisher/distribution house I’ve been working with! (See my last post for details)

The Alphapets Too pet portrait project this week is brought to you by the letters Q, R, S and T. Here’s my abecedarian poem to go with these letters and artwork :

Quinn qualifies for the fun race

Rico really likes outer space

Sailor stares right at the thumb

Toodles tries bites of the plum

Here’s the artwork (somewhere on each piece is an alphabetical letter):

I did portraits of a turtle, butterfly, goldfish and an iguana.

While I was rereading Aesop I was also thinking about possible characters for the letter Q. So Quinn is a turtle who is a foot race enthusiast.

My portrait of Rico was inspired by the expression “the butterfly effect” which, roughly, is about how we are not alone in this world and our actions, however small, affects others. Also in my mind as I painted was the idea that we are literally made of stardust, that chemically humans are no different than the rest of the natural world. We are all interrelated.

While I was reading inspirational quotes and etc spirit-lifters I read, again, this quote from Albert Einstein “If you judge a fish by its ability to climb a tree it will live its whole life believing itself to be stupid”. So here’s Sailor whose name reflects his true abilities.

Long ago on a planet far far away (or so it seems now) I worked as a biological illustrator. One of the many animals I shared an office with was an iguana. Often I would bring food scraps from home to share with my animal office mates. The iguana seemed particularly happy when I brought fruit. So Toodles is portrayed as enjoying a plum and possibly plotting to get more.

Like my first series “Alphapets” this artwork, too, is created with ink, gouache and color pencil. I do these portraits on board, size 3.5 x 2.5 inches. The original art will be framed…eventually … and be a miniature art exhibit at the Aurora Gallery.

I will also be making an artist book titled Alphapets Too – in a format like “Alphapets by Clancy”. You can see print and ebook versions of “Alphapets” by clicking here.

And when I get it all done “Alphapets Too” will be available on Storyberries.com (Btw: there are two different stories by me currently on Storyberries.com- search the site by my name)

You can follow my progress during the week on my Instagram pages and see the details of my creative process here in my Monday blog posts.

Thanks again for your support and encouragement as I work on this project!