This week was filled with photographing my illustrations for a new children’s book tentatively titled “This Rabbit” (as I wrote last week). Then I uploaded the photos checking the digital images against the original artwork for accuracy of color. Sometimes I had to retake a photo.
Once all of the illustrations were digitally correct, more or less, I uploaded them into the software I use to make the printed books. My art studio supervisor cat, as you can see, helped with the process.
What I’m aiming for as I process the photos: I want to make an album of my fine artwork that just happens to be for kids. Kids need fine art too, in my opinion. So I’m striving for digitally capturing as much of the range of color and detail in the original artwork as possible. No camera or screen matches the capability of the human eye but I do the best with what I’ve got. I’m also trying to keep the soft feel of the original artwork on the off-white handmade papers.
My root idea with this new book “This Rabbit” is cultivating the skill of enjoying the many things there are to like and do. So that is always in the back of my mind as I work.
Here are the two poem lines I wrote to go with the two illustrations below:
This rabbit likes pretty pearls
This rabbit likes doing curls
After the photos of all 32 illustrations were digitized to suit me, it takes me a lot of time to do the digitizing to suit because I am the original Ms. Picky, but when I had the images as I wanted them then I worked on the books graphic layout and design. As I proceed with the layout/design part of this project I may need to take new photos of some of the artwork depending on how they look as I place them side by side in the book design … we will see how things go.
This new book is part of a series of children’s books I’m creating. So it will have a have similar cover design (and other format elements) to fit with the book series. However, for “This Rabbit” I decided to make the illustration images on each page larger, filling two thirds of the page or perhaps a bit more, filling almost to the three edges of each page.
I chose this layout because I’ve included small details within many of the artworks that might be missed if the images were smaller. My poem text is one single line within a small white space on the bottom of each page.
I will serialize some of “This Rabbit” on my Instagram page and give you more details of my working process (and my creative life) here on this blog each week.
Anyway, now you know what a busy week I’ve had. Needless to say lunches were quick-fix affairs. Like this broccoli pasta dish.
Here’s the recipe – a loose guide or philosophy really rather than a recipe. When I made the dish this week I used short pasta and added spinach. But the rest of the recipe was followed. It’s a recipe from my Favorites So Far kitchen sketchbook.
Despite being busy I still carved out time to read most evenings. In my last post I was still reading “The Mexican Tree Duck” by James Crumley. I finished that book and loved it! I’ll miss the main character Sughrue. Sughrue was a decent guy, a good friend to other characters in the story, someone who cared. I liked that! Crumley’s character and his writing style will be a hard act to follow.
As I cast about for which book to read next I realize that I want another protagonist with a strong decency streak. Not moralistic, self righteous, preachy or anything like that. I want a character who is just plain caring and kind. Even if they have flaws, faults and difficulties I want there to be a core of goodness, a sense of concern for their community, at the heart of the main character.
I’m ready for the good people to win a few … damnit!
So from my book shelves I pulled this book selection for consideration: The Nine Tailors by Dorothy Sayers, Rumpole A La Carte by John Mortimer and Death of A Bore by M. C. Beaton.
A few more cups of coffee and I’ll decide which book to read more of later after my working day is done.
See you next Monday with more of my progress on “This Rabbit”? (And yes…so far my working title has stuck.)
I’m having fun with new combinations of colors. In a recent post I tried a yellow and grey color set. After posting about that a friend said she liked pink and grey together. So I tried that combination this week.
I’ve enjoyed playing with odd sized elements so I continued that in this new ink and gouache painting I’ve titled “The Comfort Was Indeed Beyond…”. Again I used some text collage from that falling apart copy of Jane Austen’s Pride and Prejudice I’ve spoken of.
As mentioned in a prior post I’d played with yellow and grey colors while doing a cup pattern for fabrics on my Spoonflower shop… here’s how that turned out. I titled my pattern “Cups Of Comfort”
And thinking of rabbits…I made an encouragement greeting card this week with a rabbit character. Everyone needs encouragement so by making this card I hope to help people encourage others in their life.
Speaking of encouragement to keep going: we have had some serious snow in the Pacific Northwest United States. Over 18 inches! So that’s encouraged me to continue my reading, working in my studio and puttering in the kitchen. Taking everything that happens in life as encouragement to keep going seems a helpful habit of mind.
Speaking of habits of mind: I tend to blur the line between art studio work and my kitchen. Here’s my kitchen sketchbook and the meatball recipe I made this week. I make meatballs to freeze and store in my freezer to add as desired to future meals. I love having ingredients on hand that make other recipes easier.
As I mentioned in my last post I’m working on a new children’s book with lots of rabbit characters. I did the illustrations first this time…mostly. Here I am working on the poem couplets to go with the illustrations. There’s a cup of tea at my side. My spouse took this photo.
I spread out my illustrations on a queen size bed to sort, resort then sort again. As I sort I’m referring to my poetry and rewriting. I have far more illustrations and poetry bits than will fit in a 32 page kids book. So I have still more sorting and winnowing to do.
This is a physical way of creating a book. With real-life illustrations laid out I’ll write the poems on index cards for sorting purposes. After I get them all sorted then I’ll start photographing the illustrations and typing the poem. Lots to be done. More about this project in future blog posts.
When I was thinking of describing, for this blog, my working process towards a children’s book I thought of my recent reading. Here’s a shelf of books I’ve been collecting on the topic of how our physical world, the objects, technology, the environment affect the ways we think. And vice versa: the ways we think affects our physical world.
When I work on a children’s book using physical elements as opposed to abstract outlines, book dummies or computer files it feels much like what I do in the kitchen. It feels like having a full pantry, a stocked freezer and refrigerator to choose from for making meals. “It” exists and all I have to do is rummage till I find it.
The work feels easier this way…and more fun!
For my pleasure reading this week – with coffee, hot tea or hot chocolate depending on the time of day – I’ve been reading a hard-boiled detective mystery.
I hope you’re snug, cozy and are able to rummage for the good things in your life. See you next Monday?
In a prior post I showed a fabric design in progress. This week I got a fabric swatch proof, pictured below, which I approved and have made publicly available now. I like the bright colors of it.
In the most recent children’s book I illustrated, Pembral Forgets, I used a leaf motif thought the book. The story Steve Tubbs wrote was about fall leaves. good food and a mother’s love. So as I was doing a version of the leaf motif for fabric naturally my thoughts ran towards the possibilities of the leaf fabric as napkins and table runners – things for kitchens. Anyway, the fabric is on my Spoonflower shop now as well as on the Pembral Forgets portfolio page.
In my last post I talked of using things I enjoy as a guide for subject matter in my art.
Well, that also applies to the types of creative pursuits to which I choose to apply my artwork. For example I’ve been thinking for some time now about how much I enjoy sending and receiving greeting cards in the snail mail.
In the photo below you’re looking at my fireplace at home and the cards I’ve gotten by mail displayed there on the mantel. Some are handmade cards. Some are vintage cards. Some are postcards and folded cards found in stores. I like them all and love the connections with the people who sent them!
I have dabbled in card making most of my life. But only in the last few years have I been semi serious about it. This week, however, I had the thought “What if greeting cards are little illustrated story books?” and my dabbling is suddenly more focused.
Below are a few of my greeting cards which are now on my Zazzle shop here. Some of my cards have rabbit characters but there are other animals too.
I want to make more cards now, for many reasons. But I realized this week that there’s a big reason: my pleasant memories of whenever my adopted Mom, Dad and I met in a bookstore cafe for lunch.
In addition to looking at the books no visit was complete without a visit to the greeting card section of the store. Dad was a psychiatrist and he used to tell me that sometimes when he had a patient with depression he would prescribe weekly visits to stores that sold greeting cards. He would ask that the patient write down descriptions of the cards that amused them to share in future appointments with him. Bonus points (so to speak) if they bought a card and mailed it to someone.
So yes, I want to make more cards in addition to my other artwork – in the “Hi Mom and Dad. 👋” sense of things as well as for my “help others share their stories” sensibility with which I run my creative business.
(Btw: this reasoning is why I do my fabric designs too)
Anyway you’re the first to see the whole collection of cards I’ve done so far. Plus these below…
Needless to say I’ve been busy this week. Fortunately I made a big batch of my “Simple Sauce” and stored it in a jar in my fridge for quick easy to prepare meals. Naan bread makes such a nice pizza crust: just spread on a spoonful of sauce, chop and add desired toppings then bake in a 425 degree oven.
My “Simple Sauce” recipe is in my kitchen sketchbook Favorites So Far. The whole book can be previewed here and you’re welcome to capture my recipe below.
For one meal my spouse and I were in the mood for bell peppers, onions and olives on the Naan bread crust. Yummy!
Speaking of good things, books and rabbits: I’m starting a new children’s book. One question I get asked “which comes first the art or the words?” and in the case of this new book the art largely came first. Here’s an array of the illustrations I’ve done so far along with my legal pad on which I’m scribbling book text drafts by hand using my fountain pen. More about this project in future posts.
More too about a new painting currently in progress…
Hope your week is full of your favorites too. See you next Monday?
After finishing my Pembral Forgets project I was asked if I would make a fabric design from the leaf pattern I had created for the book Pembral Forgets which was written by Steve Tubbs and illustrated by me – (details here)
So this week I’ve been making a fabric pattern of leaves that I’m calling “Leaves From Pembral” and here’s my process…
First I cut out a 12 inch square area of the original hand stenciled paper I did for the Pembral Forgets book. Carefully I chose an area that wouldn’t have leaves touching the 4 edges of the paper. Then I used acrylic paints and created more stenciled leaves to fill in where there were gaps, trying to make the new design square balanced and interesting.
When the above was dry I “cut up my darling” – to borrow from advice given to writers about editing – and made all 4 outer edges now be on the inside of my 12 x 12 inch square paper. Basically I turn my design inside out.
Next I fill in the new gaps with more stenciled leaves.
Then when that was dry I photographed the finished design, trying to keep the soft creamy look of the original and keep the pattern square with my camera. This is easier said than done. After several attempts I was happy with this image below.
Next I uploaded my digital photos into my laptop and used the Spoonflower system to set up my pattern for a basic repeat…so my pattern will flow across any length of fabric without interruptions.
As I worked on the digital file I was thinking of leaves falling and then laying on a wet sidewalk.
What you see below is a screenshot of my finished pattern as I set it up to be repeated on a “fat quarter” an 18 x 21 inch area.
Now I’m waiting to get a proof sample from Spoonflower which I will approve – or not – before it gets added to my public shop on Spoonflower. https://www.spoonflower.com/profiles/sueclancy After that I will tell the person who requested this fabric pattern that it’s there and will hope they’re pleased. In the meantime I hope this blog post will amuse…
I enjoyed playing with leaves in my sketchbook, too, this week – with my rabbits. Another bit of advice for writers is to develop a character and use them to explore ideas and situations instead of creating a new character each time one sits down to write. This technique is most obviously used by mystery novelists who create a character (or two) that repeat over a series of books.
I’ve borrowed this concept for writing and applied it to my fine art and artist books… I have certain motifs and characters – selected species really – which repeat in various ways throughout my projects within a span of time.
In my sketchbook page below I have leaves, books and rabbits. For almost a year now rabbits have been a constant character… (previously I have done series of Dogs and Cats … click on the word Dogs or Cats to see a collection within an artist book)
I posted the above photo on my social media pages and someone asked for an art print of my sketchbook page. So I created an art print of the sketchbook page on my Society 6 shop. The unframed print looks like this (below)
In the evenings I’ve been reading about meditation and, of course, reading a mystery novel. Thinking of little things; leaves, drops of water, ones breath are ways of calming oneself for meditation. Little things; scraps of paper, drops of blood, air quality are often clues in a mystery novel. So I keep thinking of little things…
I broke up a chocolate mint and put it in my hot chocolate. It was a tasty little touch – Yum!
I know it’s not a holiday but little pleasures really do make an ordinary day feel special.
Mid November 2020 I was asked to illustrate Pembral Forgets by Steve Tubbs. It’s a story about fall leaves, good food and an absentminded boy who forgets something important.
In mid December I took a social media break in order to focus more intensely on my illustrations. (There’s 38 pages of illustrations!) I’m glad I took the break as I think my illustrations for Pembral Forgets are some of my best work so far. The story written by Steve Tubbs was great inspiration!
I finished the illustrations and uploaded the digital files for the artist book reproductions on December 21 and told the author Steve Tubbs that Pembral Forgets by Steve Tubbs was now available! (You can preview the reproductions of the artist book via this link here)
Then I shut off my screens and have since been recovering from my creative efforts. Reading books and cooking are my go-to restoration methods and it’s really helped to spend time deeply reading in a novel! And trying new-to-me recipes! Truth be told I’m still in this hibernate and recovery mode.
Still, because it may amuse, I wanted to share some of my working process on this artist book project.
Since fall leaves are a theme in Pembral Forgets I studied leaves I found in my yard and neighborhood. I both drew them in my sketchbook and photographed them….here’s two of the photos
Then out of thick mylar (a sheet of clear plastic) I drew the leaf shapes with a marker and then hand cut stencils in the shapes of several different kinds of leaves. The masking tape tabs on the edges of the mylar make it easier to lift and move the stencil when in use.
With a sheet of handmade paper taped to a board on my easel I set about using the 5 different stencils I’d made. I mixed acrylic paint colors and used a natural sponge to dab into the color and then onto the stencil. This overall leaf pattern was done over a multiple day period to allow for layers to dry.
My spouse snapped the above photos so they could be shared digitally with the author Steve Tubbs and his wife. The pandemic being what it is – the project discussions between the writer and myself were all virtual.
Here’s what the finished leaf pattern looked like while it was on my easel with still wet paint.
And here’s what the cover for the artist book reproductions looks like:
Variations of this leaf motif carries throughout Pembral Forgets….
When I create books I think of them, as an art object. With the attending artistic concerns about rhythm, balance, beauty and, in my case, pleasantness. For this project I was inspired artistically Steve Tubbs’s story Pembral Forgets and did my own artistic response to his story.
My way of working also means that most of the time my book creations have, in addition to the multiple print and ebook reproductions, a physical one-of-a-kind book-like-art-object.
Anyway, here’s the book-box for Pembral Forgets that I’m still in the process of constructing.
I will show pages and talk about my illustrations for Pembral Forgets in coming blog posts. My hand is still very tired so I will write more later…like next Monday.
If you’re curious: I’ve been reading the novel “European Travel for the Monstrous Gentlewoman” by Theodora Goss.
One of the meals I’ve enjoyed cooking recently is a pasta, cheese and pepper dish I’d read about on the Food In Books blog – https://wp.me/p75xYM-1bY – I don’t know if I’d read the novel talked about in that blog post but it’s fun to see the novel that inspired the blogger’s recipe. I can tell you, for certain, that the pasta, cheese and pepper recipe in the post is a winner!
Happy Jolabokaflod in advance! In my last post I hinted that I’d have a gift book for you. I have several! And some hot chocolate. Some assembly required… If you’re just joining this party – welcome! – and if you’re not familiar here’s another meme that tells what Jolabokaflod is.
As we fast approach the deadline for shipping presents I begin to oogle the coffee, the tea and the buns. Let the Jolabokaflod begin! Let the hot chocolate flow! Bring out the books!
Here’s a quick meme to explain what Jolabokaflod is in case you’ve not yet had the pleasure…
My family officially begins our Jolabokaflod festivities around the 13th or so of December – if not earlier. Okay, truth be told, we celebrate Jolabokaflod all December long.
We did this in the pre-pandemic Before Times because by mid December most of the art gallery exhibit openings and parties have already happened. So we could enjoy ourselves with more time to read books. This pandemic year things are, well, weird. So I’m reveling in the Jolabokaflod normalcy. Plus the whole idea of Jolabokaflod is tailor made for a pandemic.
The following books are all books that were Jolabokaflod gifts, starting in early December. These are the ones that have been opened already.
Whiskey Galore by Compton Mackenzie was a surprise in the mail gift from my spouse who knew I had wanted my own copy. I’d read the library copy several times and had listed this title as a “book to cheer up by”. This book paired well with English Breakfast tea blend and candied orange slices. And occasionally had a shot of whiskey on the side.
A friend suggested, and gifted, by no-contact dropoff, “The Strange Case of the Alchemist’s Daughter” because it was a book she really enjoyed. I paired this book with a strong French Roast coffee regularly and added this book to my “fun lighthearted reads list”. The cinnamon bread was good with it too! Now my spouse is reading this one…so we’ll not say more about the book.
And then another friend said one of his favorite authors is James Crumley and he mailed a copy of Dancing Bear to me. I opened it and was hooked right from the start. I read the first 3 chapters without hardly being able to put the book down. I did, however, at some point manage to tear myself away from the book and make a hot chocolate to go with my reading.
Naturally my sketchbook figures in prominently this time of year too. It’s a book too so I include it in the festival! And I see Jolabokaflod generally as a chance to doodle and play and share books with friends and read with no strings attached.
When reading books or sketching I like to have a coaster or Mug Mats as I call them under my cup so that my beverages don’t moisten a table or a book. Consequently my sketching practice lately has run to making coasters too… here’s a collection of my Mug Mat designs https://www.zazzle.com/collections/mug_mats-119756908126091756
Also as part of my sketchbook practice I’ve written a short story that explains what happens to beverages when you’re reading. It’s like this:
In case you’ve wondered where the coffee goes: There are tiny rabbits, who creep up while you’re busy reading, install a drain spigot on the side of your cup and dispense coffee to the entire tiny rabbit crew. When your cup has been completely drained they remove and repair the spigot hole and run away.
All of this happens so fast you usually can’t see it – you’re left with the “I swear I’d just poured myself a cup of coffee and now it’s gone” sensation.
Watch for the tiny rabbits. Here’s a new odd mug to help…
Tiny rabbits like to hide in fabric things like placemats and pillows. In the photo below the tiny rabbits are somewhat hidden. They’re lounging and drinking coffee on a pillowcase. If you look carefully you can see them.
So the moral of my visual story is to watch for the tiny rabbits!
And please put a coaster under your mug in case a tiny rabbit spills a bit when siphoning out of your cup.
If I see you here next Monday there may be a book gift to you from me…
Stockings were hung by the whimsy with care in hopes of the giggling soon to be there…
Okay so that’s not how the poem really goes. Still I’m thinking of ways to keep up my sense of humor and share a chuckle with other people. Imaginative play and laughter are crucial to mental health and humor seems more important this year, 2020, than ever.
My what a creative challenge this year has been on all levels. For example, instead of the usual holiday art gallery openings and parties my galleries are doing things differently: open by appointment, digitally showing work, shipping and delivering directly. Some are also doing limited hours “popup” shops with items that can be picked up curbside or quickly and safely in the gallery.
Through all of the changes my creative efforts still focus on hopefully making you grin.
Toward that goal here’s a few of my gouache and ink paintings available via the Caplan Art Designs gallery www.caplanartdesigns.com
Here, below, are a few paintings at the Joseph Gierek Fine Art Gallery in Tulsa, Oklahoma
And there are more than a few paintings – artwork that is reproduced in my artist books for children – many of my artist books (signed) and other stocking stuffers at the Aurora Gallery – www.auroragalleryonline.com
Besides fine art and artist books for the Aurora Gallery popup event, Dec 12 from 12 to 4 pm, I’ve created some small stocking stuffers: book mark ribbons, playing cards, drink coasters and other items not pictured below.
Besides paintings that include socks, I even made a few largish non holiday theme stockings that can hold smaller gifts.
Perhaps you’re noticing some common themes in my work: books, beverages, music and funky socks. All various comforts that can be enjoyed at home.
And it’s all whimsical. Humor is important to me because a sense of humor is one of our best tools for thinking and living well – despite circumstances.
Anyway, I’ve been enjoying the puns within puns… my fine art about reading books that becomes a bookmark ribbon for a reader. Or my fine art that includes a beverage becoming a drink coaster…
No, I don’t expect that everyone will understand all of my jokes – certainly not the “meta” ones – I’m just hoping you’ll get a surprise and a smile from my work.
Please do whatever you need to do this week to maintain your sense of humor and whimsy. Playfulness helps us cope.
A good laugh heals a lot of hurts – Madeline L’Engle
Since I’ve been asked by several people: here’s info about the art media gouache, why it makes me grin and my working cycles with it.
Gouache is a water based paint. It’s more opaque than watercolor. Using gouache feels like spreading soft butter on toast. Applied gouache dries quickly but is easily made moist and workable again. It dries to a matte non sticky appearance which makes it suitable for use in bound sketchbooks, in folded artist books as well as for fine art to be framed. Gouache also reproduces well via various printing mechanisms on fabrics, in printed books and on many other surfaces.
In the studio, because I don’t have to worry about my gouache paints becoming unusable on my palette before I can use them (as is sometimes an issue with acrylics), gouache is suited to my busy life. I call this my gouache and grin cycle.
I prefer to work on multiple art projects at a time in “short bursts” on each project. Rather than count on a long span of uninterrupted time I dash in and work a bit on an art project, then go make lunch or do whatever stuff-of-life or other work matter that needs to be done. Then I cycle back to an art project…
To borrow a sports analogy I just try to advance the ball, my various art projects, a little bit each day rather than doing a project all at once. I try to amuse myself with whimsical art making, aka spreading color, for at least a few minutes every day no matter what else is happening in life. The qualities and attributes of gouache help me to do this, to keep my creative games in play – come heck or high water.
Here’s a series of photos showing my gouache working methods in my sketchbook. (This is also my work method for fine art and other projects.) In the first photo you see my 3 x 5 inch watercolor sketchbook held open with clips. Also pictured from the top left and rotating clockwise: paper towel, peppermint candy model, graphite pencil, 3 watercolor pencils, 2 waterproof ink pens, a water brush and my lidded paint palette with its wells of various dry gouache colors.
In the photo below I begin 3 demo peppermints: the top left mint is sketched in graphite pencil and waterproof ink pens. The bottom left mint is drawn in watercolor pencil only. The mint on the bottom right page was doodled in all of the above; graphite pencil, ink and watercolor pencil. [The quote was just on the sketchbook page I chose to use for this demo.]
So you can see what they look like here in the photo below are two tubes of gouache paints. I like the Holbein Artist Designers Gouache brand best but the Winsor and Newton brand is good too. (There’s a monster called “acryla gouache” also available on the market which I avoid like a character would avoid a flesh eating zombie in a horror film.)
I begin painting by laying down the local color – the general color an item is supposed to be. At this point I don’t worry about shadows or highlights or details. I just get the color shapes down – in this case for the peppermint candies.
I did not squeeze out new paint from my tubes when I began. I got my water brush wet and put a few drops of water on the dried red gouache already on my palette so I can use the newly moistened color. I add a small amount of moisture to a portion of the dried chunk of red gouache until that portion feels like soft butter, then I paint the candy stripes.
Here’s a closer look.
Now I get the general color and shape down for the wrapper in the same method. I put a drop or two of water on my blue gouache color, get my brush damp, dab at the blue paint a second or two to get a portion of it moistened and softened – then I paint.
Now I create the cast shadows using a watery mixture of the red and blue gouache colors. To make the watery mixture on the lid of my palette I dipped my brush on the now moist blue color, dab on an area of the lid, then dab the brush clean on the paper towel, then dipping into the now moist red and adding it to the tiny blue puddle, mixing till it’s a purple color I want for the shadow. Then I add a tiny bit of plain water to the newly mixed purple till it’s a small fingernail size puddle of watery purple – this enables me to do the cast shadows in a faint shadowy way.
Now I do squeeze out a tiny amount of the white gouache from the tube and use it, fresh from the tube, to make the highlights on the candy and wrappers. Note in the photo below how the white gouache can completely obscure the darkest ink lines. This is part of what I love about gouache – any mistake can be covered with the opaque paints. If an edge in a painting needs to be softened or a color edge blended all I need is a wet brush.
Then in a few minutes, perhaps the length of time it takes for a decent sip or two of coffee, when the paint is dry I go back over the paint with ink lines or watercolor pencil lines to snap the details into sharper focus.
Now that I’ve finished painting I leave my sketchbook and my palette open and let them dry completely. I even leave the shadow color mixture on my palette lid to dry. All I will need to do to reuse the mixed color in the future is to get my brush wet and dip in.
Peppermints are one of my guaranteed-to-make-me-grin art subjects that don’t require a lot of time or planning. I’ve learned over years of painting peppermints that different candy makers have their own peppermint candy look. And I don’t mean the wrapper.
Here’s a fabric pattern I did of peppermints for my Spoonflower shop. I used the gouache techniques I describe above to create this pattern. But do you notice how these mints are different from the ones I did in the demo above? Different candy maker… yummy too!
To illustrate what I mean about working in short bursts despite life situations. A hot water pipe burst on our hot water heater recently. (Talk about heck and high water! 🤦♀️) After we got the immediate crisis dealt with I did little quick bouts of drawing as a self calming technique. Also while waiting for plumbers etc restoration crews I doodled and painted in my sketchbook. Gouache makes it easy for me do short bursts of spreading color which makes me smile. And having had a brief grin makes dealing with life much better.
Anyway, there’s a new artist book I’ve done for children called “B Mouse Reads A Book”. In it you can see my original ink and gouache artwork, and how the art media is on folded paper in this video on my YouTube channel. Because this book was meant to be handled in a gallery I used a spray fix varnish to make sure the gouache wouldn’t smear or run.
But since the pandemic hit there’s no going to art galleries to handle or view artist books in person. So I was lucky enough to have “B Mouse Reads A Book” published as an ebook here on Storyberries.com! They also included the book B Mouse is reading too…it’s another artist book I created as part of the B Mouse Reads A Book story…there’s a link at the bottom of the B Mouse book that you can click to see the companion book.
I’m sure you can recognize in the image above the ways I did my combinations of ink and gouache. The video shows how flexible gouache can be when applied on paper bound or folded as pages. The ebook shows how well the nuances of the colors show even as a digital image.
If you look at my portfolio pages you can see my ink and gouache work as both fine art framed in an art gallery setting as well as reproduced in printed books.
That reminds me to tell of another practical matter: if you apply gouache too thickly it can pop or flake off. Especially in a folded or bound paper book. And when scanning or photographing gouache artwork for reproduction a too-thick gouache application can cast shadows unrelated to the artwork subject. So I apply gouache as if I were basting bread with semi melted or melted butter.
I hope you’ve enjoyed reading this and found it helpful for when you try gouache yourself.
See you here next Monday. And in case you’d like to know even more about gouache – here below are a few links to more information about painting with gouache:
All 4 of these books are from my sketchbook keeping practice. All are about ways to take care of ourselves and others. The 2 book that are most obviously from my sketchbooks, and are also about finding comfort during difficult times, say “sketchbook” on the cover.
From the Dr Bob’s Emotional Repair Program First Aid Kit I learned that when in a difficult situation (like a pandemic) that’s beyond your control a strategy for dealing with it is to recognize the reality and the feelings – “I don’t like it” – but refrain from getting stuck there. Acknowledge what’s going on but then go on to find something you can enjoy despite the situation. In my sketchbook “Another Sketchbook” I tried to practice this.
For example the above sketchbook page says “eventually things will get better, in the meantime here are some drawings.”
That pretty well sums it up my way of coping.
More of the coping skills I practiced in a sketchbook format – and in the kitchen – were cooking related. Having a book of reliably good favorite dishes has been a solace.
A pot of soup cooking on the stove, good hot beverages and fun books to read really do restore my psyche. I find it helpful to remember this and deliberately revel in it.
So this week I started my Home Hare Care series again. This series celebrates the comforts of home. I had begun this series back in March 2020 during the first official lockdown. Now that my home state of Washington has sensibly begun another lockdown… it’s Home Hare Care season again.
So instead of the slaying dragons mode of response to feelings and difficulties I’m actively choosing a kinder more gentle way of responding.
It’s an “I see you” recognition of the dragon and then using calming techniques to soothe one’s self and peacefully cohabitate with the dragon.
So I drew a dragon, gave it a book to read and made a fabric pattern on my Spoonflower shop. Nice dragon, calm dragon, comfy cozy dragon, rest on this fluffy soft pillow dragon…😁
Since hot beverages feature on my list of soothing comforts it seems sensible to create a series of mugs. I’m calling it my Odd Mugs collection on my Zazzle store. I pretended the sides of mugs were sketchbook pages and reproduced some pages from Another Sketchbook.
See you here next Monday? In the meantime please take care of yourself and keep reading, cooking, drawing and doing whatever you do that’s soothing.