The text from the book is below each dog portrait.
In my last post I shared some of the books we’d ordered that came early for Jolabokaflod. Our house “rule” is that any adulting ceases and we open the book boxes when they come, pour the hot chocolate and give each book some attention even doing some sample reading. After that the books are put into the proper gift pile and, this is the hard part, left untouched until the evening of Jolabokaflod on Dec the 24th.
Here’s Judy opening one of the book boxes from Powell’s. She was pleased! I love her smile!!
We did our book gift piles on the couch this year. We chose that place because more than a few of the books will be enjoyed by both of us and our comfy chairs are just across from the couch.
So you can see the stacks better here’s another photo below. There’s one book, the Louise Penny title mentioned last post, that didn’t make it into the group photo because it had snuck out onto the kitchen table… oops. 😁
Adding to my pleasure of Jolabokaflod was hearing from the Aurora Gallery that people were enjoying my artist books there! It felt good like I was “giving back” to my local book-art-world from which I receive so much delight.
Because Jolabokaflod, in addition to being about books, is also about chocolate – here’s our hot chocolate recipe, again. 😁📚☕😁📚☕
I continued with my sketchbook playing practice and posted these pages on my social media.
Like last year instead of social gatherings we focused on sending cards, sharing on social media and doing whatever we could creatively think of as ways to be in touch with people while staying safe during a pandemic.
Most of our friends and family did the same. We loved getting cards from people, several different people dropped gifts off on our porch and many people sent me photos of the fine art I made that they’d gotten for Christmas! Some sent photos of their children with my artist books that they’d gotten for the holiday! And someone sent a precious photo of their new grandbaby wrapped in a blanket made with one of my fabric designs! All of that, plus comments on my social media and this blog has made this holiday feel special! My heart has grown 3 sizes!! Thank you all!!
I hope your holiday was good too and that the new year is gentle to us all. See you next Monday.
Here’s news about The Professional Dog and all of my projects that I couldn’t talk about in my last posts! First, this weeks sequence of dogs.
Below is a closer look at the artwork of each of those dogs with the book text beneath.
As I mentioned in another post I tend to work first and talk about the work later. This means all of the artwork is finished for The Professional Dog and I could work hard this past week on the book layout. Here’s a photo of me at my laptop doing the book layout.
I wanted this book to be able to be shipped by Christmas so I focused on getting the book design done – and uploaded – which altered my posting about the artwork itself or about my creative process surrounding the book but I think that’s okay. If you have questions just ask.
There’s a lot still to do for this project but the publication on the 16th of Nov was a big deal. There are 40 portraits in the book and this is the most pages I’ve created for any of my books so far! So I’m celebrating! Wahoo!
Because I made portraits of my friends dogs I plan to keep posting each dog in alphabetical sequence so that each dog gets to be featured and each friend has a chance to share the portrait of their dog if they want to. Mainly it’s just a bit of cheerfulness from me over the Thanksgiving holiday.
Speaking of small cheerful things: I took some more of my books, mug mats and postcards to the Aurora Gallery at their request.
The Caplan Art Designs Gallery did a studio visit and selected some artwork from my studio stash for the special Thanksgiving event the Gallery is doing Nov 26, 27 and 28th. Each of the artworks Caplan selected are autobiographical. I’ve been sharing details on my Instagram page for each of these pieces but generally speaking each painting is about some aspect of my life here in the Pacific Northwest. Like the time we went hiking in Forest Park and my bootlace broke and we discovered a wonderful coffee shop that also sold bootlaces! Or the Rainier cherries we enjoy eating by the sea. Or the fine dining we’ve enjoyed…my feeling is reflected in my choice of dog breed depicted. And the bookstores… There are many more artworks selected by the Gallery than I’ve included below but perhaps this gives you the idea? The Gallery event happens the 26th, 27th and 28th in Portland Oregon.
Why were the above artworks languishing in my studio? They didn’t fit neatly into a theme or a unified whole for any of my exhibits. And also they were still there because I forgot about them. This is an example of when it’s helpful to have someone outside my head – in this case a gallery owner – look at things with fresh eyes.
Another example of the value of “fresh eyes” is that my spouse looked at my digital book layout of The Professional Dog and caught a major mistake I had made before it went to print!! (I had one out of alphabetical order 😱) I thank her on the book info page seen below.
And now for what we’ve all been waiting for (drumroll please) the Holiday Box Project! The Box Project exhibit opens at Caplan Art Designs the first Thursday in December. That’s why we artists were asked to wait to post and to only do a “teaser” post now because the Thanksgiving gallery event happens first. We artists were each given by the Gallery a solid brown wooden box, 8 inches cubed, some time ago so we’d all have time to create art on them. Below are before and after photos of my box.
I’ve titled my holiday box “All The Chances” – what are the odds you’d find 21 dogs named Chance? Anyway, are you teased? Lol! I will tell more details about “All The Chances” including about my working process after Thanksgiving.
It’s been a super busy week (no time for Creativity Chats or for much cooking creativity either) and frankly I am very tired from all of the activities. But at the same time I’m very happy! So I’ll rest up and share more this week on social media and on next Monday’s blog post.
I hope your week is a good one. Thank you for your many kind comments and your support! I am grateful for you and for the blogging community! Happy Thanksgiving!
The Professional Dog text for my in-progress childrens book is solid enough that this week I focused on the illustrations. I’ve done about 12 of them in ink and have established a pattern for the artwork that relates to the text. I’m working on bringing the illustrations up to the same semi solid level of preparation as the text.
As per my last post I’m still looking at this project somewhat sideways. It’s more in focus and it’s now moved into my “main project” work time slot but it is still becoming itself, so rather that looking at it head on and making declarative statements about it – it’s just a project I’m working on every day now. That attitude helps me keep it playful.
In my last post I spoke of picking up a box, a cube really, from the Caplan Art Designs gallery. The Gallery asked several of their artists to do something in their art style for what the Gallery is calling the “holiday box project”. Over this week I put 3 coats of gesso on my box. I also did some brainstorming in my sketchbook about what I might do with the cube.
Allowing time for gesso to dry between coats gave me time to think and try stuff with The Professional Dog project as I mentioned above and also experiment with other things…
… one of the things I thought about is this: It feels urgent to me to practice patience and to encourage decency as much as I can. The selfish meaness of a small group of people during this time in U.S. history is toxic. The majority of people are generous and kindhearted but I see the kind people, particularly my friends in the medical and teaching professions, being worn out by the few meanies. Sometimes even I feel worn out. So I have taken it as a creative challenge to do whatever I can to give the kind people a bit of care. Yes, my attempts to give care via art sometimes feels small, it feels like trying to refill a dry lake by the teacups full. But art is what I can do. And I do firmly believe this quote on my studio wall pictured below. Art is all we have. It’s certainly all I have.
Every time we’re kind, loving and supportive of each other – even in small ways – we’re enabling ourselves to not only survive but thrive. When we share art and beauty we help each others spirits – moment by moment. These moments add up. We are truly stronger together. And helping each other helps us feel better too. Self-care is community care and vice versa.
As I waited for gesso to dry I rummaged in my files, and my sketchbook for art pieces I’ve done that might encourage people. So I’m beginning a “For pleasant encouragement” art prints series on my Society 6 shop. Perhaps this series may also become a book someday? Anyway here’s one from this series.
Also while gesso dried I added a few more recipe postcards and odd cards to my collections on my Zazzle shop. I have been enjoying mailing cards to friends and they’ve seemed to like getting them – so these cards fit with my overall project of encouraging people.
This week my book This Rabbit was featured on the Read Aloud by Kidz Stories And More YouTube channel! I am honored to be called a “favorite author”! Kidz Stories And More reads childrens books aloud very well and they welcome submissions from self published childrens book authors. They can be contacted via social media.
As I mentioned above during one of my “gotta let the gesso dry” times I set up my new video thingamajig and did my first Creativity Chat!
I haven’t figured out how to embed video in blog posts yet so to view it you’ll have to click here.
I’ve written short scripts for about 15 of these chats so far and my main point of doing these is to encourage people and discuss the intersection I see between creativity and good mental health. Some time ago I had planned to do another version of Dr Bob’s Emotional Repair Program First Aid Kit and focus the new book on creativity. But other projects took precedence … so I’m excited about doing videos on this topic! I can squeeze a short chat on video into my busy life!
The yummy comfort food this week was homemade biscuits and gravy! See recipe postcards above or via these links: Judy’s Biscuits and Good Gravy. It was a fun collaborative brunch!
Some books I’m reading in the evenings: Death in D Minor by Alexia Gordon – a mystery novel with a ghost in it. (It is October after all.) I’m finishing A Swim In The Pond In The Rain by George Saunders. Both are very delightful to read and transport me to other worlds smoothly! Technically I’m rereading the Saunders – I read it first as an ebook and am rereading a print version now and making notes. Thank goodness, I say almost daily, for writers – how dismal our lives would be without good soul-satisfying books.
Temperatures here in the Pacific Northwest are now cool to cold as the sun goes down so my reading evenings often have hot chocolate or hot tea to go with a book. Last night as I returned to my chair I thought “this is one of my happy places” so I took a photo.
I hope you get to spend time this week in one of your happy places. See you next Monday.
Bernadette from newclassicrecipe.com asked me to share my magic beans recipe with her readers – so I told my secrets and included sketches! The triple threat she mentions below is me…🤣😇🥳
My story and recipes from my college art school days are in the link below. Enjoy!
Fee-fi-fo-fum!I smell the blood of an English man.Be he alive, or be he dead,I’ll grind his bones to make my bread. Hi there, As a result of posting my claypot recipe, I have become friends with an amazing writer, artist and cook. It seems that claypots are always used by women who are triple threats. […]
Being creative is like cooking – you get one meal cooked and cleaned up then it’s time for another meal. It’s the slog – long live the slog! Hooray for the slog! Okay so the word slog can have a negative connotation… I also call it a a good working rhythm! There’s a wonderful article about slogs aka work, talent and audacity from The Painters Keys. [Spoiler: it’s not the talent so much as the willingness to see it through]
Here’s some of my more finished than unfinished Dragon pages. I still have to ink all of the poem text and fill in certain visual elements on many of the pages but the entire book has been penciled!! Feels like an accomplishment… which I celebrated (more on that later in this post)! Anyway here are some of the mostly inked pages!!
If you recognize some of the pages, well that’s because I go through the book penciling. Then I go through the book inking this bit then I go through the book inking that bit then I go through the book….
See what I wrote earlier about slogging. Writers most obviously slog – you hear about novelists working on a draft of a novel for years, decades even. You hear about it taking years to rewrite and edit a novel. The same is true of my visual artistic life too. But the public doesn’t often hear about the slogs of a visual artist. I’ve written in the past about the similarities I see between art and writing – what I write here today is of a piece with that idea. Anyway, I find that it helps to celebrate small milestones of creative projects.
I penciled the entire How To Draw A Dragon book!! Yippee! So I celebrated by having margaritas with my spouse on our backyard patio. I also did a small painting in color. I’ve been thinking of of color as I have been working on “How to Draw A Dragon” a black and white line drawn book for other people to color. Indulging in both an adult drink and some gouache paints was decadent!!
And while I was painting the light outside changed but I kept painting.
While this looks like a complete painting done during the duration of a drink – and it is – but it is also only one piece of my much larger Odditorium exhibit. You might say this is like novelist writing one decent short paragraph during the time it takes to drink a margarita. A paragraph is not a novel. One painting is not an exhibit.
On another day this week my spouse snapped a photo of me drawing in my morning sketchbook. Below the photo you can see what I was sketching.
The next morning I got one of my small art boards and re-sketched my thought. This is what I love about keeping a sketchbook – I can explore thoughts messily in my sketchbook then later pick the thought I really like and re-explore and repeat with variations. I can try it in different sizes, art mediums and colors. This way there’s no pressure to get it right the first time. And I get to play with a group of fun thoughts as long as I like. Some might call it “flitting about” but I call it normal creativity. (See also my last post) Can you see how similar the visual art creative process is to the writers process of rewriting? Below I basically “rewrite” my thought.
I’m thinking this artwork will be fun on a mug for a gardener to use. There I go again dedicating a gift for someone – whether they ever see it or not. I mentioned doing this gift making / dedications in my last post. This mug and a card with the same artwork are on my Zazzle shop now.
I’ve even thought about color when eating this week – inspired by a recipe in my kitchen sketchbook Favorites So Far.
Below is one of the books I’ve been reading in the evenings before bed titled Nature’s Palette. My spouse gave it to me for my birthday earlier! Do you notice that some botanical and zoological drawings look sortof coloring book-like? Well in part that’s because long ago books were illustrated using etchings which were often colored by hand before being bound into a book. And from my past experience as a biological illustrator often both black line drawings and color drawings are needed for the same plant – so color is filled in (so to speak) after one has an accurate line drawing. Is it really any surprise that I’ve been thinking of color and coloring books lately?
I hope your week is full of color and delights for your senses. See you next Monday.
In my last post I talked about how I manage art projects and time. I have an heretical approach and I was asked for more details. Here goes:
One of my longtime interests is in how humans think, learn and how to maintain good mental health. I read on the topics often. Here’s a few of my bookshelves full of books on these topics.
I’ve learned that humans tend to learn best by hearing stories or anecdotes or metaphors or allegories. Or by seeing examples or demonstrations. Rarely does a direction “do it like this” get followed. This includes self-directions related to art projects and time management. Even if the direction is followed often the purpose for “doing it like this” is rarely fully understood at the time. This includes self-directions.
Let me tell a story to illustrate what I mean: Once there was a mother, with a very tiny kitchen, who always cut her pot roasts in half before cooking them. She taught her daughter to cook pot roast by explaining and demonstrating. Her daughter grew up and had a daughter of her own. One day the grandmother was visiting. The daughter was in her very large kitchen demonstrating cooking a pot roast to her young daughter. She said proudly “In our family we always cut the roast in half first. Isn’t that right mom?” The grandmother replied “Oh, no! The only reason I cut my roast in half was that I didn’t have a pot or a stove big enough to hold a whole roast!”
Being aware of this attribute of human thought and attention I approach self-directions about my own art projects and time use rather sideways. More details below.
The other interesting thing I’ve learned about human thinking is that good mental health and happiness often happens while we’re busy doing something else. Often with, and for, other people. I think the same is true of creativity.
Similarly when humans feel good about, curious about or interested in something they’re more likely to do it. If we make activities we want to do fun and easier to do it increases the likelihood that they’ll be done.
So I give myself directions about my projects in terms of what I *want* to do rather than what I must do and I accept that I may not fully understand what I’m doing, or why, until after the project is completed. I’m also careful to keep lots of projects in various stages of production so that I’m “busy doing something else” and not as likely to get too focused (and too critical) about one project.
I’ve mentioned it before but my approach to creative projects and time management has it’s roots in a mental health book I illustrated “Dr Bob’s Emotional Repair Program First Aid Kit“. Below are a few of the pages that relate to what I’m blogging about today.
For much of my creative life I have taken these concepts about human thinking/emotional health and applied them to my overall approach to creative projects and time management. It has helped me to consistently get projects done in a sustainable and enjoyable way. I say my approach is heretical because I have known art coaches and art teachers who advocate, for example, “strict discipline to do one thing till it’s done” as if we are machines and I strongly reject that notion. That’s too much like lunging and grabbing at a stray cat. That’s a sure fire way to spook the cat – or the ideas – away!
My approach to creativity is similar to the method for befriending a shy cat. You see a cat hiding in the bushes and you can’t see enough of the cat to know what breed it is, whether it’s healthy or not or whether it’s wearing a collar. So you get some cat treats and with very slow movements place the treats strategically to coax the cat into visibility. You remove yourself, slowly, to a short distance where you do your best to act as if you’re *not* interested in the cat. With patience the cat will emerge at it’s own pace and you can see it. No lunging and grabbing is necessary on your part!
My morning work in my sketchbook is akin to the cat treats strategically placed. I wake up and I just play with words in my poetry sketchbook or with images in my mixed media sketchbook. I do *not* take these efforts seriously. This is just something fun to do while still half asleep waiting while the coffee percolates. Of course I hope something good will come from this work and often it does but that “good” is to be determined much later. At the time I’m drawing or writing in my sketchbook I’m thinking of it as a fun gentle way to ease into the day.
I literally keep these sketchbooks handy in my breakfast nook along with a few pens and a small gouache watercolor set. The sketchbooks and the watercolor set are small 3 x 5 inches or so. Seldom have I spent more than 10 minutes on these efforts. You see, I’m busy doing something else besides creating – I’m making breakfast and eating it with my spouse. But I have this regular habit of luring ideas into my sketchbook.
Here’s a few recent sketchbook pages.
When my idea-cat begins to emerge from several weeks of my sketchbook morning work I’ll begin gently, tentatively, feeding and petting the idea. I do this by reading books somewhat related to my idea, by writing about my idea on a legal pad, brainstorming in a what-if-I manner.
After doing enough sketchbook work and legal pad what-if work that I feel I’ve got something, some idea emerging into visibility, I’ll sometimes draw a series of thumbnail drawings on loose paper in color to try different color arrangements. Or perhaps I make a folded paper dummy of a book idea. Perhaps I’ll make larger drawings – redrawing images from my sketchbook onto art paper. I am still just playing around and seeing what could happen.
The intention is to test the idea in my sketchbooks to see if it might become something more than a sketch in my sketchbook. A bit more time is spent, 20 or 30 mins in this phase of idea attracting. These writings and drawings are kept in a 3 ring binder by topic or perhaps with a tentative working title related to what my idea may become: an art exhibit series? A childrens book? A greeting card??? Things are left very open ended.
Still I am busy doing other things – specifically my main art project of the moment – the binder is just a way to keep all of my notions on a theme handy in one spot. This is like giving that still shy cat a temporary foster home. This way we’ll keep track of kitty, give it some time to adjust, learn about kitty and see how it goes.
Here’s my shelf of 3 ring binders
Here’s some photos from the 3 ring binder for my currently in progress “How To Draw A Dragon” project. There are several folded paper book dummies, several rewrites of the poem and many drawings.
If a 3 ring binder project collection goes well and the idea begins to show promise – by ‘promise I mean ‘potential to be fun’ – then it may move to the “main project” status. The idea cat has been adopted…however we’re still in the probationary period. Anything could happen. This is where I currently am on my ” How To Draw A Dragon” project.
Here’s a few of the “Dragon” pages I did this week.
A main project has the serious art supplies out for it. It has the studio space devoted to it. Time during a day will be set aside for it, but not an entire day, I mean an hour or two. Time is set aside in a task-oriented way not a from-when-to-when on the clock way. I have a master list of tasks to be done on a main project and each day I pick from 1 to 3 of those tasks and set them as a goal to accomplish that day. That’s the establishing a working rhythm that I spoke of last post.
The main project is taken a tiny bit more seriously as in I will erase and redraw whereas in my sketchbooks, legal pads or binders I’ll leave a drawing however it is. I will also write and rewrite with attention to spelling and grammar on a main project. As I go I’m feeling my way along. The uncertainty is normal. Perhaps my idea cat isn’t ready for such attention. Or perhaps it will thrive on it. We will take it slowly and see. My “How To Draw A Dragon” so far seems to be thriving meaning it is still growing and becoming and I’m having fun with it.
Below is a studio photo showing that “How To Draw A Dragon” is filling my easel and overflowing into nearby surfaces. My art supplies used for this project are left out and handy. I don’t open windows in my studio so no breeze disturbs my papers. If you were to visit my house today we would stay far away from my studio because I have things in a careful order for my projects sake. My cat and dog are trained to not disturb things in my studio. There’s a door to my studio and I use it to remain undisturbed. A main project filling the studio is a tender kitten. I handle gently. I have heard art coaches speak of clearing ones working area at the end of each workday — that’s another area where I heretically scream *nooooo!*
Even with the extra attention given to a main project I carefully keep it fun and playful. I will find ways to “feed” a project- to feed my unconscious mind – for example by reading books related to the topic I’m making art about. For my current How To Draw A Dragon project I’m reading about creativity – about creating poetry in particular- and the interplay between our left brains and right brains, between our inner adult selves and our inner child selves. The topical reading is kept up for a duration of a project as it helps with my focus and fun. I simply cannot stress this enough *keep a project fun* and the project will likely get finished.
Another helpful way I keep going on a main project is that I *dedicate* the project to someone – I give the project a purpose, a reason for being (something *not* related to money or fame). I give it something beyond myself. The person or people I dedicate my work to often never know. But I am busy making my main project *for* somebody. During this pandemic openly dedicating works, or embedding symbols a friend might recognize, has been a fun way to stay in touch.
Here’s the dedication page for my Dragon book. Dedications for my fine art most often just happens in my mind.
It may be that I work on something as a main project for a while and it stalls. The stall could happen at the 3 ring binder stage or earlier in the sketchbook stage. A project may fluidly move back and forth between these three stages over a lengthy time period. This is another part of my business of art/creative heresy – I think this fluidity is perfectly normal and fine! Uncertainty is okay! I see it as part of the creative process, part of the ways a creative mind (and a subconscious mind) naturally works. Human brains are not linear machines! This is another reason I work on multiple projects – one stalls and I shift attention to another until the stalled one wants attention again.
Very carefully as I’m in the process of making artwork I avoid any sweeping declarative statements, to myself or anyone else, like “this is dumb” or “this is awesome”. I use moderate language statements, if a statement is needed and I can’t avoid it, I’ll say something like “so far so good” or “it’s a fun challenge”. To make a hard sweeping definitive declaration like “this is horrible” is to force a still-in-progress project into a labled pigeon hole. What may not work as a painting might be a good greeting card. I don’t know yet! When a project is in process I may think I am making X only to discover when I’ve finished that I’ve made Y instead. I deliberately leave linguistic and mental room for such progress! (See my pot roast story above) Harsh declarations make it hard to extract a project from the dispair/elation and continue. It makes it harder to allow a work to change from a painting to a greeting card. I prefer to leave room for discovering and being surprised by what a project becomes. It’s more fun that way. I would no more force an art project to become something than I would force a stray cat to accept a grooming before feeding it and earning its trust.
Here’s more from Dr Bob about being careful about self talk.
The tendency all humans have to take things too seriously- even obsessively – is another reason why I deliberately have multiple projects at various stages. One main studio project -or possibly two main projects- at a time but several other projects are being developed in my sketchbooks, legal pads and binders. This helps me not be too “precious” about any one of them. I work on something a while then stop working *while it’s still fun* and do something else. I find it helpful to try to stop working before I am too fatigued, while I’m still interested or enjoying my work and then move on to something else.
So I am always busy “doing something else” which allows my idea-cats space to breathe without micro-attention. This method allows my subconscious mind to work on my projects. I can trust that my inner voice will say “oh, let’s work on this!” when the next part of my idea is ripe. I can trust that I will keep returning to a project until it is finished.
When a main studio project is finished there is usually another project in a binder that’s developed enough that it’s ready for attention at my easel. No force to finish or start a project is needed. No strictness. No machine-like “discipline”. Knowing and accepting the way human minds are naturally has worked well for me. I work with my brain not against it. I am just playing around with topics that interest me. Like most real life fur covered cats I can trust that my idea-cats will tell me when it’s dinner time.
Speaking of dinner. The outstanding dinner of the week was broccoli pasta. I was out of fettuccine so I used short noodles but the recipe in my Favorites So Far kitchen sketchbook is still yummy!
Earlier this year I was asked to make some gender neutral fabric designs and put them on my Spoonflower shop so someone could get fabric with my designs and sew some bibs and blankets for a new baby.
Here’s a photo of me working at that time on the fabric pattern.
Here’s the finished original art
This week I was given, by the person who had requested the fabric patterns, pictures of some of the finished baby things they’ve made and permission to post about them! It was lovely having something fun like this to post about as my Dragon project is still becoming and is in the gawky teenage stage and camera shy.
Where I tend to run out of time in a day is the social media promotion thing. And frankly there are times, especially when I’m busy, that I’d rather just do my art projects than talk about them. But talking about them is necessary and most of the time I enjoy doing it so… Anyway, I really appreciate it when people share what I post or when someone sends me photos of themselves with my fine art or artist books or share photos of what they sewed with my fabric designs! It helps and is such fun to see!
Anyway, here’s the photos of a burp cloth and a few blankets my friend created with my fabrics! They turned out so well!! The sewing is marvelous!
Hope this description of how I manage my art projects and deal with time was interesting and even helpful to you as you do your own creative projects! Have a creative week and I’ll see you next Monday.
This week was filled with photographing my illustrations for a new children’s book tentatively titled “This Rabbit” (as I wrote last week). Then I uploaded the photos checking the digital images against the original artwork for accuracy of color. Sometimes I had to retake a photo.
Once all of the illustrations were digitally correct, more or less, I uploaded them into the software I use to make the printed books. My art studio supervisor cat, as you can see, helped with the process.
What I’m aiming for as I process the photos: I want to make an album of my fine artwork that just happens to be for kids. Kids need fine art too, in my opinion. So I’m striving for digitally capturing as much of the range of color and detail in the original artwork as possible. No camera or screen matches the capability of the human eye but I do the best with what I’ve got. I’m also trying to keep the soft feel of the original artwork on the off-white handmade papers.
My root idea with this new book “This Rabbit” is cultivating the skill of enjoying the many things there are to like and do. So that is always in the back of my mind as I work.
Here are the two poem lines I wrote to go with the two illustrations below:
This rabbit likes pretty pearls
This rabbit likes doing curls
After the photos of all 32 illustrations were digitized to suit me, it takes me a lot of time to do the digitizing to suit because I am the original Ms. Picky, but when I had the images as I wanted them then I worked on the books graphic layout and design. As I proceed with the layout/design part of this project I may need to take new photos of some of the artwork depending on how they look as I place them side by side in the book design … we will see how things go.
This new book is part of a series of children’s books I’m creating. So it will have a have similar cover design (and other format elements) to fit with the book series. However, for “This Rabbit” I decided to make the illustration images on each page larger, filling two thirds of the page or perhaps a bit more, filling almost to the three edges of each page.
I chose this layout because I’ve included small details within many of the artworks that might be missed if the images were smaller. My poem text is one single line within a small white space on the bottom of each page.
I will serialize some of “This Rabbit” on my Instagram page and give you more details of my working process (and my creative life) here on this blog each week.
Anyway, now you know what a busy week I’ve had. Needless to say lunches were quick-fix affairs. Like this broccoli pasta dish.
Here’s the recipe – a loose guide or philosophy really rather than a recipe. When I made the dish this week I used short pasta and added spinach. But the rest of the recipe was followed. It’s a recipe from my Favorites So Far kitchen sketchbook.
Despite being busy I still carved out time to read most evenings. In my last post I was still reading “The Mexican Tree Duck” by James Crumley. I finished that book and loved it! I’ll miss the main character Sughrue. Sughrue was a decent guy, a good friend to other characters in the story, someone who cared. I liked that! Crumley’s character and his writing style will be a hard act to follow.
As I cast about for which book to read next I realize that I want another protagonist with a strong decency streak. Not moralistic, self righteous, preachy or anything like that. I want a character who is just plain caring and kind. Even if they have flaws, faults and difficulties I want there to be a core of goodness, a sense of concern for their community, at the heart of the main character.
I’m ready for the good people to win a few … damnit!
So from my book shelves I pulled this book selection for consideration: The Nine Tailors by Dorothy Sayers, Rumpole A La Carte by John Mortimer and Death of A Bore by M. C. Beaton.
A few more cups of coffee and I’ll decide which book to read more of later after my working day is done.
See you next Monday with more of my progress on “This Rabbit”? (And yes…so far my working title has stuck.)
I’m having fun with new combinations of colors. In a recent post I tried a yellow and grey color set. After posting about that a friend said she liked pink and grey together. So I tried that combination this week.
I’ve enjoyed playing with odd sized elements so I continued that in this new ink and gouache painting I’ve titled “The Comfort Was Indeed Beyond…”. Again I used some text collage from that falling apart copy of Jane Austen’s Pride and Prejudice I’ve spoken of.
As mentioned in a prior post I’d played with yellow and grey colors while doing a cup pattern for fabrics on my Spoonflower shop… here’s how that turned out. I titled my pattern “Cups Of Comfort”
And thinking of rabbits…I made an encouragement greeting card this week with a rabbit character. Everyone needs encouragement so by making this card I hope to help people encourage others in their life.
Speaking of encouragement to keep going: we have had some serious snow in the Pacific Northwest United States. Over 18 inches! So that’s encouraged me to continue my reading, working in my studio and puttering in the kitchen. Taking everything that happens in life as encouragement to keep going seems a helpful habit of mind.
Speaking of habits of mind: I tend to blur the line between art studio work and my kitchen. Here’s my kitchen sketchbook and the meatball recipe I made this week. I make meatballs to freeze and store in my freezer to add as desired to future meals. I love having ingredients on hand that make other recipes easier.
As I mentioned in my last post I’m working on a new children’s book with lots of rabbit characters. I did the illustrations first this time…mostly. Here I am working on the poem couplets to go with the illustrations. There’s a cup of tea at my side. My spouse took this photo.
I spread out my illustrations on a queen size bed to sort, resort then sort again. As I sort I’m referring to my poetry and rewriting. I have far more illustrations and poetry bits than will fit in a 32 page kids book. So I have still more sorting and winnowing to do.
This is a physical way of creating a book. With real-life illustrations laid out I’ll write the poems on index cards for sorting purposes. After I get them all sorted then I’ll start photographing the illustrations and typing the poem. Lots to be done. More about this project in future blog posts.
When I was thinking of describing, for this blog, my working process towards a children’s book I thought of my recent reading. Here’s a shelf of books I’ve been collecting on the topic of how our physical world, the objects, technology, the environment affect the ways we think. And vice versa: the ways we think affects our physical world.
When I work on a children’s book using physical elements as opposed to abstract outlines, book dummies or computer files it feels much like what I do in the kitchen. It feels like having a full pantry, a stocked freezer and refrigerator to choose from for making meals. “It” exists and all I have to do is rummage till I find it.
The work feels easier this way…and more fun!
For my pleasure reading this week – with coffee, hot tea or hot chocolate depending on the time of day – I’ve been reading a hard-boiled detective mystery.
I hope you’re snug, cozy and are able to rummage for the good things in your life. See you next Monday?
In a prior post I showed a fabric design in progress. This week I got a fabric swatch proof, pictured below, which I approved and have made publicly available now. I like the bright colors of it.
In the most recent children’s book I illustrated, Pembral Forgets, I used a leaf motif thought the book. The story Steve Tubbs wrote was about fall leaves. good food and a mother’s love. So as I was doing a version of the leaf motif for fabric naturally my thoughts ran towards the possibilities of the leaf fabric as napkins and table runners – things for kitchens. Anyway, the fabric is on my Spoonflower shop now as well as on the Pembral Forgets portfolio page.
In my last post I talked of using things I enjoy as a guide for subject matter in my art.
Well, that also applies to the types of creative pursuits to which I choose to apply my artwork. For example I’ve been thinking for some time now about how much I enjoy sending and receiving greeting cards in the snail mail.
In the photo below you’re looking at my fireplace at home and the cards I’ve gotten by mail displayed there on the mantel. Some are handmade cards. Some are vintage cards. Some are postcards and folded cards found in stores. I like them all and love the connections with the people who sent them!
I have dabbled in card making most of my life. But only in the last few years have I been semi serious about it. This week, however, I had the thought “What if greeting cards are little illustrated story books?” and my dabbling is suddenly more focused.
Below are a few of my greeting cards which are now on my Zazzle shop here. Some of my cards have rabbit characters but there are other animals too.
I want to make more cards now, for many reasons. But I realized this week that there’s a big reason: my pleasant memories of whenever my adopted Mom, Dad and I met in a bookstore cafe for lunch.
In addition to looking at the books no visit was complete without a visit to the greeting card section of the store. Dad was a psychiatrist and he used to tell me that sometimes when he had a patient with depression he would prescribe weekly visits to stores that sold greeting cards. He would ask that the patient write down descriptions of the cards that amused them to share in future appointments with him. Bonus points (so to speak) if they bought a card and mailed it to someone.
So yes, I want to make more cards in addition to my other artwork – in the “Hi Mom and Dad. 👋” sense of things as well as for my “help others share their stories” sensibility with which I run my creative business.
(Btw: this reasoning is why I do my fabric designs too)
Anyway you’re the first to see the whole collection of cards I’ve done so far. Plus these below…
Needless to say I’ve been busy this week. Fortunately I made a big batch of my “Simple Sauce” and stored it in a jar in my fridge for quick easy to prepare meals. Naan bread makes such a nice pizza crust: just spread on a spoonful of sauce, chop and add desired toppings then bake in a 425 degree oven.
My “Simple Sauce” recipe is in my kitchen sketchbook Favorites So Far. The whole book can be previewed here and you’re welcome to capture my recipe below.
For one meal my spouse and I were in the mood for bell peppers, onions and olives on the Naan bread crust. Yummy!
Speaking of good things, books and rabbits: I’m starting a new children’s book. One question I get asked “which comes first the art or the words?” and in the case of this new book the art largely came first. Here’s an array of the illustrations I’ve done so far along with my legal pad on which I’m scribbling book text drafts by hand using my fountain pen. More about this project in future posts.
More too about a new painting currently in progress…
Hope your week is full of your favorites too. See you next Monday?
All 4 of these books are from my sketchbook keeping practice. All are about ways to take care of ourselves and others. The 2 book that are most obviously from my sketchbooks, and are also about finding comfort during difficult times, say “sketchbook” on the cover.
From the Dr Bob’s Emotional Repair Program First Aid Kit I learned that when in a difficult situation (like a pandemic) that’s beyond your control a strategy for dealing with it is to recognize the reality and the feelings – “I don’t like it” – but refrain from getting stuck there. Acknowledge what’s going on but then go on to find something you can enjoy despite the situation. In my sketchbook “Another Sketchbook” I tried to practice this.
For example the above sketchbook page says “eventually things will get better, in the meantime here are some drawings.”
That pretty well sums it up my way of coping.
More of the coping skills I practiced in a sketchbook format – and in the kitchen – were cooking related. Having a book of reliably good favorite dishes has been a solace.
A pot of soup cooking on the stove, good hot beverages and fun books to read really do restore my psyche. I find it helpful to remember this and deliberately revel in it.
So this week I started my Home Hare Care series again. This series celebrates the comforts of home. I had begun this series back in March 2020 during the first official lockdown. Now that my home state of Washington has sensibly begun another lockdown… it’s Home Hare Care season again.
So instead of the slaying dragons mode of response to feelings and difficulties I’m actively choosing a kinder more gentle way of responding.
It’s an “I see you” recognition of the dragon and then using calming techniques to soothe one’s self and peacefully cohabitate with the dragon.
So I drew a dragon, gave it a book to read and made a fabric pattern on my Spoonflower shop. Nice dragon, calm dragon, comfy cozy dragon, rest on this fluffy soft pillow dragon…😁
Since hot beverages feature on my list of soothing comforts it seems sensible to create a series of mugs. I’m calling it my Odd Mugs collection on my Zazzle store. I pretended the sides of mugs were sketchbook pages and reproduced some pages from Another Sketchbook.
See you here next Monday? In the meantime please take care of yourself and keep reading, cooking, drawing and doing whatever you do that’s soothing.