My Gallery owner Amy at Caplan Art Designs had the idea to pair photos of the pets that inspired my Odditerrarium series portraits alongside my paintings! I swear I am so grateful to have her expertise! Two heads really are better than one sometimes.
The gallery has started doing posts like this. Isn’t this nice?!
I quickly followed her lead adding additional information such as how, like in this cat portrait, I refer to previous portraits I’ve done of this cat as well as alluding to other things relevant to the life of this cat and human. For all of my portraits I like to include something from the lives of pet and person. In this way my paintings can become a visual story.
As I wrote in my last post my hearing aid in my “good” ear had a problem. We went to the hearing aid repair place in hopes they could repair it while we waited. No luck. They asked me to leave it for a few days to see if another tech wizard could work a miracle. No luck again. So, long story short, when you’re reading this blog on Monday I’ll be at the audiologist getting a new hearing test, an evaluation and recommendations re hearing aids. Please wish me luck in the comments below!
Consequently this week has literally been quiet. I sketched a lot, much of it about perceptions, in my sketchbook as a self comfort. I shared the sketchbook pages in my email newsletter.
I read a lot, mostly Donna Leon mystery novels as I love those! Hearing is no issue when reading a book! Reading books was how I dealt with being a deaf child too! Here’s a picture of hearing-aid-less me in front of my books to cheer up by shelves (details here)
Luckily since I’m self employed hearing isn’t much of an issue really. My spouse and I now have either have a conversation or we do things, like cooking, we can’t do both at the same time as we did before. But that’s given both of us more attention to the conversations themselves and that’s been enjoyable!
I’ve also focused on my work and in the quiet I’ve made major progress on the cookbook I’m illustrating for Chef Kim Mahan of Class Cooking! I’m planning/hoping that will be available in early November in time to be a gift book for the holidays.
Here’s one part of the illustrated poetry book for children that I’ve been working on for Storyberries. Progress here!
Progress has been happening on my 3d box project too. As I worked on this side of the box cube I remembered to take photos of my stages of work! Aren’t you proud I remembered?! This box is being painted in acrylic so it will be durable enough to be in a kids room, handled, sat on etc.
One of my friends, Becky Ross Michael who writes a wonderful blog Platform No. 4, asked me last week if I had ever done an artist book about my hearing experiences. I have!! I will rummage around for it and take photos or do a video of it for sharing here next week.
Unlike ball obsessed dogs I get tired and need a break even from my most favorite activity in the world: making art. In my last post I talked of finishing most of the prep for my upcoming Odditerrarium exhibit a week or so early in order to give myself time to rest and recharge before the exhibit opens at Burnt Bridge Cellars via Caplan Art Designs.
Here’s one of my portraits for the exhibit titled “Unwearied Fancie”. It, like the others, is 10 x 8 inches created with ink, gouache and collage on board.
And here’s a closer look at what this dog is obsessed by er um I mean thinking about.
This week the massacre in Uvalde Texas happened. I’m so very tired of unnecessary deaths. I’m bone weary of gun violence. Generally I keep my comments about current events off of this blog but I’m very upset about all of the unnecessary deaths due to one word said by one political party in the U.S. One morning I grabbed a scrap of paper and wrote…
So more than just my hand and arm felt a need for rest this week…
Anyway, all of the frames have been filled with artwork now. Here’s some photos of just-framed works still on my work bench.
My dachshund has a bed near my work area. (See the photo below). As I finished framing the last painting I imagined…
“Is that number 20?” Asked my dachshund art studio supervisor.
“Yes! All 20 of the Odditerrarium series paintings are framed now!” I replied.
“Let’s order new artsupplies and then let’s go wander the yard, eat something, read books and rest.” says the dachshund.
“Great idea!” I said reaching for the phone to order new supplies.
I already have sketchbook notes (due to my almost daily sketchbook routine) and plans for other creative projects that I haven’t talked about on this blog – or anywhere on social media – because they’re in flux. But I know generally from these plans what art supplies I need to buy.
All of the Odditerrarium artwork is now packed in boxes ready to be delivered at the appropriate time. So it’s “all done except for the shouting” as I sometimes refer to the exhibit promotions. Tired ole me is very grateful to have help spreading the word about the exhibit from Burnt Bridge Cellars and the Caplan Art Designs gallery. I’m also beyond grateful to the fans of my work who share about it online. Your encouragement and support helps me a lot! Thank you!
The paperwork for the Odditerrarium exhibit has been done and already sent in to the gallery. I’ve also finished the webpage about the exhibit which includes images of all of the art and access to the printed artist book. As I get photos of the exhibit on the winery walls I’ll add them and other related things to my portfolio page. All of these things are my efforts to make sharing about my exhibit easier plus the portfolio page and the book make it possible for people to participate in my exhibit without coming in person to the winery.
My ultimate point is that you, my dear blog reader, besides seeing behind the scenes in my studio as I have worked towards this exhibit are also the first to see all of the Odditerrarium artwork together and have early access to the book!
I hope you like it! Here’s a few photos of the book…
Here’s the visit to the yard my supervisor dachshund and I talked about earlier. The Japanese Iris’s are blooming now and I really love the odd shapes of them! The other flowers in my wife’s garden are pretty too.
In my last post I told about our dishwasher troubles… this week a new one was installed! To celebrate having a dishwasher again I made one of our favorites and served the Coddle in the big mugs that are hard to handwash. Our new dishwasher did a great job!
Here are pictures of my art studio supervisors resting.
My reading stack this week: I finished Christopher Moore’s “Island of the Sequined Love Nun” and P. M. Carlson’s “Murder Misread”. Both of those transported me to a better frame of mind.
Being upset about current events also has me reaching back in history for a somewhat similar past era and the artistic responses to the issues of that time and how, these many years later, that turned out…
Now I’m reading Alan Watt’s “Zen and the Beat Way” alongside some of the Beat writers work in Ann Charters’s “The Portable Beat Reader”. (Here’s a good link about the history of the Beat generation aka hippies.) It occurs to me that many discussions of the 1960’s and 1970’s have focused on pooh-poohing the long hair, the beadwork, the lack of shoe wearing, the organic vegetable growing/eating habits instead of grappling with the ideas contained in the written works of that era. Many of that generation’s artist’s were responding artistically, critically, via literature, poetry, music, etc, to the Mccarthyism, the Vietnam war, the various conventional cultural cruelties of that time period. The conservatives, or squares as they were called in the 60’s, said “no” a lot back then too.
In reading about all of it I wonder is peace, love and understanding really so radical, so threatening that we must distract from those ideas by ridiculing the clothing and eating habits of those advocating kindness?
On the topic of 1960 era food: here’s a review of a book by Jonathan Kaufman titled “Hippie Food”. And here’s another article about the healthy food (brown rice, beans, organic whole foods etc) efforts that began back then. I’m now aware of very real kitchen table progress that has been made because of the ideas originating in the countercultural 1960’s, things we benefit from today such as more food safety, better quality, more wide spread availability of fresh vegetables and more diversity of vegetables and grains.
I have ordered another book, that hasn’t come yet, about the women writers, poets and artists of the Beat era. I’m impressed, by what I’m reading in the titles by Watts and the Charters, with how much work the women of that era did to expand the life possibilities for women living, working, cooking and being creative – things we benefit from today. (See also this tangentially related article) I look forward to reading more. It may be a cliche but we do indeed stand on the shoulders of giants. And I’m finding comfort and hope from what turned out to be the many Beat generation countercultural successes despite the frustration they felt in the 1960’s and 70’s.
My newest artist book “A Scoop Of Letter Soup” was just released on Storyberries.com and you can see it for free here! Yippee!!!
A video look at the original book “A Scoop Of Letter Soup” is here on YouTube and I did manage to make an Instagram Reel of it too!! I wrote last post about learning about Reels so I’m still feeling “look I did it!” about my new skill!! 🤣 And I’ve made a portfolio page where my currently in progress series of short experimental art books will be collected as they appear as ebooks on Storyberries. At some future time I may gather them into a printed book but for now this portfolio page is where they’ll exist outside of Storyberries. I’m loving the pun of making books by hand that are distributed as ebooks!!
Here are some still photos of the book
In one of the little concertina book blanks I made and talked about in last weeks post I am starting a new illustrated poem book. This will be a slow project to be worked on around the edges of other projects. But here’s how it goes: In my poetry sketchbook, seen in the upper part of the photo below, I have some poems that seem worth working with. After selecting one of my sketchbook poem rough drafts I did a few thumbnail doodles on a scrap of paper to try different placements of my poem text and artwork. The thumbnail doodle that I like best can be seen on the lower right in these photos. To the left is the concertina book blank and my efforts at doing the hand lettering and drawing “for real” aka neatly and possibly worthy for public viewing.
One benefit of working in a concertina book is that I can easily slip a bit of wax paper under the page I’m working on in order to prevent bleed-through of my inks or gouache paints.
Here’s the finished page.
A post ot two ago I wrote about one of my favorite books by Mary Lasswell “Suds In Your Eye” as one of the hopepunk style books I cheer up by. Lasswell was writing in the 1940’s so finding print copies of her work has been a bit of a personal quest.
One of my coveted Lasswell titles “One On The House” came via mail this week! A side benefit of being someone who creates artist books is that I have most of the tools for minor book repair on hand. The copy I could find (and afford) of “One On The House” was listed in acceptable condition but with a cover-spine issue. As you can see below the cover is barely hanging on by threads.
But the outside of the cover-spine is fine!
So I took a strip of archival mulberry paper and trimmed it to fit.
Then I laid the trimmed mulberry strip on wax paper and covered one side of the mulberry strip with archival neutral ph glue. I took the photo below while the strip was still wet after being put in place so it is still shiny in appearance. I used the bone folder to press the just glued paper into the cover spine fold. When the glue dries the mulberry paper will almost disappear and blend in with the books original paper.
I slipped clean wax paper in the crevice of the patch so if any glue oozes as I close the cover it won’t harm the rest of the book. Then I put some paper weights on the cover and let the book dry overnight. There were two other weak sections of the book spine that got this same repair treatment which is why you see three pieces of wax paper in the book in the photo below.
I am a professional artist who knows a lot about creating books by hand but that’s not the same thing as being a book conservation or restoration expert. My repair attempts on books are not on rare or valuable books. My repair attempts are on books for my own use. My copy of “One On The House” cost me 6 dollars and I repaired it because I want to easily read it without without causing more damage to the book. If I hadn’t done the repairs I’d bet that after the first read through the book would have fallen completely apart. I also want to keep this book on my “bookshelf to cheer up by” – more on that in a sec – so I want the book to be as hale and hearty as possible. Anyway, a very good resource book for such minor repairs is “The Care and Feeding of Books Old and New” by Rosenberg and Marcowitz. And a good source for book making or repair supplies is https://www.talasonline.com/
This photo below is of my “books to cheer up by” section I mentioned earlier. As you can see the book I repaired has taken its place on the shelf next to The Annotated Arabian Nights.
We poured a bit of bourbon and said “cheers” to the newcomers on our cheer-up bookshelf! For my own mental health sake it feels good to have a shelf full of reliable sources of good cheer.
As you see in the above photo one of the books there is titled “Mrs. Rasmussen’s Book of One-Arm Cookery”. Mrs. Rasmussen is one of Mary Lasswell’s reoccurring fictional characters who is famous for being able to cook very good meals while holding her beer in one hand.
I made Mrs. Rasmussen’s super yummy chili recipe and rice while holding my bourbon. But I did set my glass down when I chopped the onion. Even so I think Mrs. Rasmussen would have cheered my efforts. It did taste good!
One of our local independent bookstores, Powell’s, did a fundraiser for Ukraine. Naturally my wife and I ordered books. More than one box of books was mailed to us but the stack of books in the photo below was what was delivered while the chili cooked and the bourbon flowed.
Here’s hoping you too have a collection of books, soup, fur-friends and people that you love that can help cheer you up. So cheers! Till next Monday.
This week we had a fully vaccinated family gathering planned. So these pages of my “How To Draw A Dragon” were the only ones nearly finished this week.
Also just before the family visit the Aurora Gallery wanted more of my books and signed green dragon bookplates so delivery arrangements were quickly made. (Details about these books on my portfolio page.)
And then family came! It was very good to see them all! At one point we had a mini family reunion of 10 people! Especially after hardly seeing them during 2020 it was a treat to get to visit in person! I was grateful we were all fully vaccinated. Still I worried about everyone’s health and safety. But everyone was careful of everyone else. (So proud of my caring loving family!) We spent almost the entire week outside on our patio and in our yard. When we were inside to sleep we had all of the windows open and fans running. I was grateful too for nice weather with the high temperatures in the low 80’s and low temperatures in the 60’s.
My morning sketchbook work more or less continued while I made and served breakfast. More on that later.
My brother-in-law Jim had a career in the military in electronics and was a Master Sargent in the Air Force before he retired. He noticed the first day of the visit that I was drawing and asked to see what I was doing. I showed him my drawing of a hedgehog sitting in a measuring spoon. I explained that I was combining the thought of how one weighs and considers books in a bookstore with the way one measures things in a kitchen. He grinned and said “That makes a lot of sense!”
After dinner the evening we had the most people at the reunion I drew sketches of our family members and shared them. The entire family seemed to enjoy seeing my drawings and I had fun loving everyone that way! After that evening during the rest of the week Jim and I regularly talked about my sketchbook work.
Over the next days I shared that my thoughts for these sketches pictured below were about drinks and my feelings about the drinks. That made sense to him too! It made me feel good that my art could be so easily understood by someone who self described as “knowing nothing about art”.
We also talked of colors and color mixing. We looked at the shirts other family members were wearing and talked of how colors are mixed with black or with white or other colors. I talked of what paint colors I’d use to mix the colors of various family members clothing. He talked of the importance of colors in electrical wiring or as identity marks on planes and military clothing.
I showed him the book about colors I’d shared here in my last post.
At some point I took a moment and called my local art supply store Artists and Craftsmen and ordered all the butterfly colors from this page below. Won’t it be fun to make butterfly colored worlds?
Within a day my order was delivered by mail!
I checked to make sure all of the colors I wanted were here. They were! Artist and Craftsman really did a great job filling my very specific color order!
During another spare moment I labled my new palette and each new paint tube with the color number listed in the book. During other spare moments I squeezed out paints into the palette well corresponding with the numbers and put the tube I’d just used into a small drawer on my supply shelf.
In another snatched moment of time I labled my drawer of the new paints the “butterfly drawer”.
Another moment included a quick sketch of a butterfly on sticky lable paper which I stuck on my new palette.
Such labels help me – in the midst of work – to be able to grab the proper palette and paints without having to stop to re-read or re-research my original source book.
I think Master Sargent Jim enjoyed seeing my organization skills. His wife enjoyed looking at the colors. We had lots of fun conversations and many of those were about art and creativity.
I will swear again that being creative is a normal facet of being alive and that labeling only certain activities “creative” is merely a cultural convention. What military man hasn’t creatively rigged something when necessary? What mother hasn’t done the same? Being creative simply means being a fully alive aware and thinking human.
Anyway, I also got to practice making brunch for 6 people! I learned how to bake bacon and sausage in the oven on parchment paper. When the meat was almost done I put English Muffins on another parchment covered sheet pan in the oven to toast them. Then all that was left was to make the scrambled eggs in my cast iron skillet. I managed to draw a little and have all of the food hot at the same time to serve breakfast buffet style! A good time was had by all I think! Wahoo!
I hope this week to do more on my Dragon book and to get to spread the new colors around on something using a brush or two! 😁
I hope your week is a creatively arranged buffet style selection of love, color and happiness! See you next Monday.
The inside of a book is made up of pages which are called “leaves”. The handmade box I’ve been constructing holds all of the “loose leaves” for Pembral Forgets. I love the pun…a story about fall leaves housed in a box covered with a pattern of leaves, containing loose leaf pages….
Yes, I know…🤣 … Anyway…
Pembral Forgets is a story, written by Steve Tubbs and illustrated by me, about fall leaves, good food and an absent-minded boy who forgets something very important.
Below is a photo of me remembering to spray fix all of the loose pages to prevent smudges.
When I talked with the writer, Steve Tubbs, he expressed concern about the pages being properly protected. So in addition to spray fixing them I slipped each page into an archival clear sleeve.
After making doubly certain that the pages in the archive sleeves would still fit in the book shaped box I set about giving the box an “old book” trompe l’oeil effect using layered acrylic paints over handmade papers.
Multiple layers were needed to create the well-thumbed golden edged book pages appearance to the box sides. (In the background of the photo below you can see some of my character sketches for this book. I keep all such sketches until a project is absolutely finished…just in case.)
Once my book-pages effect on the edges of the box was dry enough to handle I applied the cover title. I had hand lettered, with ink, the Pembral Forgets title onto some of the same tissue-thin delicate paper I had used to make the overall leaf pattern cover paper. [See my previous blog post for details] I applied my archival book glue to the back of the handlettered bit of paper and carefully placed it onto the box.
I wanted the lettering to have a matte look and blend into the cover so that the only shiny, bold, parts to the cover are the stenciled pattern of leaves. (The photos in this post are “in progress” pics. My portfolio page has more photos of the finished project)
Because the paper is thin the applied paper with lettering on it lies flush with the cover itself. Since this box/book may be stored on a shelf just like any other book I don’t want any edges sticking up to catch on anything.
In addition to showing the flatness of the cover the photo below also shows the box edges more clearly.
While the cover title lettering was drying I applied similar lettering to the spine of the book. And worked on a colophon page… more on that in a bit.
I use various sizes of paperweights to hold just-glued papers flat while they dry. (In case you’re wondering beanbags make great paperweights.)
While things dried I created another tree scene – with ink and gouache – this one with frost on the ground and a pond. This tree image is unique to this artist book box version of Pembral Forgets and doesn’t appear in the printed book reproductions.
There are many reasons for having unique pages in the box but the main reason is I have a more flexible page count in a one-of-a-kind book with loose leaves than I do when creating book reproductions.
The photo below shows my handmade box without the loose leaf content pages in it so you can see the bottom of the box. There’s a raised area (the leaf pattern to the right) that has a recessed “valley” near the box walls to allow fingers to pick up the last loose leaf page easily. Also attached to that raised area in the well of the box is a black ribbon for the pages to rest on so they can easily be lifted out.
Here’s the bookmark ribbon with the loose leaf content pages in place
Below is a close view of the colophon page. A colophon gives info about a book authorship, publication and any information that’s relevant to the book creation. I glued it onto the inside front cover aka the inside lid of the box. Since I handmade the box I signed the colophon page.
The box lid has a “tray” which fits inside the box when closed. (Yes, that was very tricky to measure and create. Have I mentioned that I like puzzles?)
Anyway, perhaps in the photo below you can see how that brown tray edge on the box lid fits into the inside of the box. Or perhaps clicking on the video link below the photo gives you a better idea.
This week wasn’t necessarily calmer politically speaking than I wrote of in my last post but in a personal sense I stayed busier. So that in itself was calming. I was glad to see that Trump was impeached for a second time. I am nervous about the upcoming inauguration of President Joe Biden – I want his administration to be safe…
So I will do creative work, read, cook, go for walks and find solace anywhere I can while I wait and hope.
As it’s getting colder here where I live in the Pacific Northwest- and since I’ve been staying so busy – reheating a pot of soup was simply easier to manage. Here’s a link to the soup recipe I enjoyed. Lentil Lemon Orzo Soup
I finished the Theodora Goss novel that I’ve been reading during my last several posts. I liked the way Goss writes and I found her monsters a pleasant diversion.
A friend kindly sent me some books by mail – so I’m enjoying them now!
I’ve been requested to make some art prints of a few of the pages from Pembral Forgets so this week I’ll do that and will update my Pembral Forgets portfolio page with those details! What fun!
See you here next Monday. Hope your week is as good as it can be.
A horrible but predictable insurrection happened in the US last week. My book shaped box to hold the original artwork for Pembral Forgets was at the needs-to-dry stage the day before, so Wednesday, January 6, 2021, the day of the attempted coup, I nervously read a lot of news. And thought of how a seditious insurrection was the inevitable outcome of the right-wing rhetoric of the last several weeks, months, years. But I don’t want to blog on that…. after time spent on the news Wednesday I drew in my sketchbook and read fiction to give myself a mental space from the violent seditious insurrection, to calm down and think.
So on to a more pleasant topic: here’s a few photos of the printed and bound version of Pembral Forgets – you can see more on my portfolio page. The print book is available on Blurb here.
The printed book is slightly different from the original artist book. Same content just a different presentation and minor differences in the book-info pages and, most obviously, the cover. There’s several reasons for this: an original artist book can only be enjoyed in person. And we’re in a pandemic so going to galleries isn’t an option for most people. Multiple printed books can be mailed directly to someone and can be enjoyed by many.
Yet when I create a book to be printed and widely enjoyed I still end up with a physical one-of-a-kind set of paintings. Since I’m a fine artist first and foremost I gravitate towards making things that can be hung on walls or displayed on stands/shelves. But see aforementioned pandemic which has made the use of other means of art production and distribution i.e. Blurb.com or Zazzle.com or Society6.com or Spoonflower.com on-demand shops helpful.
Even so I love making handmade boxes and used to regularly make them for the artist Deloss McGraw and others. So I look for excuses to make boxes…and am loving this box for Pembral Forgets!
Below is a series of photos of the box for Pembral Forgets that you saw a bit of in my last post. In this first photo I have laid the naked box on the handmade hand stenciled paper that I’ll use to cover the box. I lay the box on the paper and try to position it so the paper will be placed well when I glue it on.
I “mark” my choice of placement by creasing the paper slightly. Pencil marks would show through this delicate paper.
Glue is applied to the paper within the crease “marks”, the open box is laid onto the glue, then the box now loosely covered with glue-y paper is gently closed. I use a roller to press the paper firmly in place, wiping away any excess glue. Next, as in the photo below, I add glue to the flaps of paper and fold them around the edges of the box using a bone folder to get the creases smooth.
Then after carefully gluing all edges I turned the box over to check the paper placement.
Inserting wax paper allows me to close the just glued box without accidentally gluing the box shut.
At this point, Tuesday evening, I let the book box dry for a few days. It will be dry to the touch within hours but I have learned the hard way that too much handling too soon can cause the paper to slip.
Then the next day saw the news of the insurrection…
Here’s the fiction book I read as a spirit restorative…
The beverage in the picture is Clancy’s Special Chocolate and here’s the sketchbook drawing I did about how to make it. Whenever I feel stressed it helps to draw whatever is in front of me.
In case you wonder: I get my archival glue and other book-box-making supplies from Twinrocker.com
A helpful technique book about making boxes by hand is by Franz Zeier titled Books, Boxes and Portfolios; binding, construction and design step by step.
There’s still more to do on this project. So I hope to see you here next Monday after, hopefully, a more quiet week – but I know it’s not likely to be quiet here in the US – but no matter what kind of week it is I wish you some calm creative moments.
I’ve illustrated Pembral Forgets written by Steve Tubbs and in my last post I talked about my process of creating the cover and my leaf motif that flows through the book.
Well here, below, are some of the finished illustrations with the text so you can see what I mean.
Later on in the story there are some really large leaves… but as you can tell from the images above I depict leaves from a distance as well as nearer to hand.
I also use leaf shapes as logos on story related objects… for example in the photo below look for the leaf on the sugar and the market sacks. I do this in multiple places within the story in order to emphasize the fall leaves aspect of the story – and to visually bring the leaf motif and good food motifs together.
There are illustrations on every one of the 38 pages of Pembral Forgets… lots of leaves blowing through this book!
Since the author Steve Tubbs was inspired by thoughts of himself as a kid and memories of his own mother – I wanted my illustrations to have a warm soft nostalgic feeling in addition to the colors of Fall. So I used a cream colored handmade watercolor paper for my ink and gouache illustrations.
Since the warm, creamy, yet fall colors are what I wanted for the pages in the artist book reproductions – I’m also making the original artist book box (talked about in my last post) have a similar cream color on the book-shaped box edges where pages are.
I still have lots of work to do on the one-of-a-kind artist book box that will hold all of the original illustrations and text. Also there’s a few more pages for the one-of-a-kind book to do…. more about that in future posts.
And I’m in the process of making a webpage about Pembral Forgets. It includes a short conversation with the author, Stev Tubbs, as well as images of more of the finished art. You can see it here: https://sueclancy.com/portfolio/pembral-forgets/
But in case you think I came up with the cover and these illustrations perfectly right from the first: Here’s a leaf motif pattern I tried before hitting upon the motif and color scheme I finished with.
I decided this leaf pattern was too green and too uniformly regular. Then I proceeded to do the pattern I showed you in my last post and what you see on the Pembral Forgets finished book cover. But as a pattern design goes this more-green autumn leaf pattern was fine – it just didn’t fit the creamy nostalgic vibe I wanted for Pembral Forgets.
I’m still happily reading “European Travel for the Monstrous Gentlewoman” by Theodora Goss – and taking things a wee bit slower but I’ll see you here next Monday! Stay safe – and here’s hoping for a better new year for everyone.
Mid November 2020 I was asked to illustrate Pembral Forgets by Steve Tubbs. It’s a story about fall leaves, good food and an absentminded boy who forgets something important.
In mid December I took a social media break in order to focus more intensely on my illustrations. (There’s 38 pages of illustrations!) I’m glad I took the break as I think my illustrations for Pembral Forgets are some of my best work so far. The story written by Steve Tubbs was great inspiration!
I finished the illustrations and uploaded the digital files for the artist book reproductions on December 21 and told the author Steve Tubbs that Pembral Forgets by Steve Tubbs was now available! (You can preview the reproductions of the artist book via this link here)
Then I shut off my screens and have since been recovering from my creative efforts. Reading books and cooking are my go-to restoration methods and it’s really helped to spend time deeply reading in a novel! And trying new-to-me recipes! Truth be told I’m still in this hibernate and recovery mode.
Still, because it may amuse, I wanted to share some of my working process on this artist book project.
Since fall leaves are a theme in Pembral Forgets I studied leaves I found in my yard and neighborhood. I both drew them in my sketchbook and photographed them….here’s two of the photos
Then out of thick mylar (a sheet of clear plastic) I drew the leaf shapes with a marker and then hand cut stencils in the shapes of several different kinds of leaves. The masking tape tabs on the edges of the mylar make it easier to lift and move the stencil when in use.
With a sheet of handmade paper taped to a board on my easel I set about using the 5 different stencils I’d made. I mixed acrylic paint colors and used a natural sponge to dab into the color and then onto the stencil. This overall leaf pattern was done over a multiple day period to allow for layers to dry.
My spouse snapped the above photos so they could be shared digitally with the author Steve Tubbs and his wife. The pandemic being what it is – the project discussions between the writer and myself were all virtual.
Here’s what the finished leaf pattern looked like while it was on my easel with still wet paint.
And here’s what the cover for the artist book reproductions looks like:
Variations of this leaf motif carries throughout Pembral Forgets….
When I create books I think of them, as an art object. With the attending artistic concerns about rhythm, balance, beauty and, in my case, pleasantness. For this project I was inspired artistically Steve Tubbs’s story Pembral Forgets and did my own artistic response to his story.
My way of working also means that most of the time my book creations have, in addition to the multiple print and ebook reproductions, a physical one-of-a-kind book-like-art-object.
Anyway, here’s the book-box for Pembral Forgets that I’m still in the process of constructing.
I will show pages and talk about my illustrations for Pembral Forgets in coming blog posts. My hand is still very tired so I will write more later…like next Monday.
If you’re curious: I’ve been reading the novel “European Travel for the Monstrous Gentlewoman” by Theodora Goss.
One of the meals I’ve enjoyed cooking recently is a pasta, cheese and pepper dish I’d read about on the Food In Books blog – https://wp.me/p75xYM-1bY – I don’t know if I’d read the novel talked about in that blog post but it’s fun to see the novel that inspired the blogger’s recipe. I can tell you, for certain, that the pasta, cheese and pepper recipe in the post is a winner!
In times like these we need to do what kindnesses we can for each other so I’ve decided to release my kitchen sketchbook earlier than planned. The title of this new artist book is Favorites So Far – a kitchen sketchbook. Details follow.
I spend most of my time working at home. Now, with coronavirus, more people, especially here in Washington state, are too. Welcome to my world. There’s lots of work but also books, good meals, drinks and snacks.
So perhaps it will be kind to go ahead and share more of how cooking at home fits with my working at home life? Hope so…
I was going to wait until just before my one-person art exhibit in June 2020 to officially debut this memoir cookbook, Favorites So Far, as many of the recipes relate to my artwork. I’ve been dribbling out teaser recipes on my Instagram page especially as they relate to the artwork as I finish the art. My original intention was to build momentum toward my June exhibit, display the artwork at the physical exhibit and have this 48 page sketchbook, itself intended as artwork, available as an accessory to the exhibit. You know, big splash.
But to heck with that. It seems kinder to share this book right now because people gotta eat.
Technically this book, Favorites So Far, is a printed 48 page memoir sketchbook – with my sketches on every page. That a meal could be made from it was just bonus. It’s suposed to be autobiographical amusement. But it really is a practical book, we refer to it for our own meals regularly.
Here’s a photo of the front and back covers of the printed book Favorites So Far:
Recently my co-author, Judy Sullens, and I got to talking: in the best of times what to cook/eat is a question. Door Dash and other innovative food delivery services are super helpful – but people suddenly being at home more… perhaps they’ll find it helpful to hear how a couple of busy creatives who’re not always flush with cash, not always remembering to get stuff at the store, how do they fill their belly’s?
The book is set up to be printed, 48 pages, full color, landscape format to showcase the artwork. And, since we’re not waiting to do a big splash at the exhibit, we’ve now set it up so the printed book can be shipped directly to you from the printer.
Perhaps even more helpfully we’ve set it up as an immediately downloadable ebook viewable on any device: Google Android devices, Kindle etc. It’s still 48 pages, full color with all the artwork. You can get the ebook version here. https://www.blurb.com/ebooks/709744-favorites-so-far (preview first 15 pgs)
Speaking of previews here’s some of the pages:
And here are a few of the inner pages so you can see the memoir attributes.
More generally how I handle being a busy artist while not starving: after breakfast, before getting to work in my studio, I cut up veg and etc ingredients and throw them in a pot to slow cook until lunchtime. I work for several hours in my studio, take a short break to stir the pot. Back to work for another hour or so. Then lunch!
This is a pic of my sketchbook that Favorites So Far is a reproduction of – and a pot of just assembled stew:
And, yes, since it’s so near to St. Patrick’s Day I couldn’t resist posting this Irish stew recipe!
Oh, and we showed this sketchbook to a chef friend who said “I love it that a third of the book is cocktails!”
I’ve learned that all fries are not the same; here in the Pacific Northwest the local brew pubs serve “Jojo’s”, which are often baked, not fried. From the plate of Jojo’s you could assemble whole potatoes Jenga game style and dip them in a special sauce as you eat the, ahem, game pieces. I’ve discovered that I like the Jojo’s much better than the limp, soggy with grease, loaded with salt, fries I remember from the past.
I’ve even tried cooking Jojo’s at home several times and had success! It was so easy to make I didn’t even do my usual kitchen sketchbook notes about the dish: briefly boil medium size unpeeled potatoes (one per person), let them cool. Preheat oven to 425 degrees. Cut each cool potato in half and then into thick strips. (The potatoes are still firm). Lay parchment paper on a baking sheet with a lip. (Or if only serving 2 people grease a casserole dish) Pile the cut potatoes on the pan, drizzle olive oil, garlic, and/or salt and/or pepper, and/or cheese and mix with hands. Spread out into a layer and bake for 20 to 30 minutes. Watch carefully and at the end of baking, broil to make the potatoes crispy to suit. Here’s a photo of one of my efforts (in a casserole dish, potatoes with garlic and cheese)
My growing awareness of methods of cooking potatos tumbled into current politics, as the news has been about behavior in the American White House that reminded me of William Golding’s book “Lord Of The Flies”. I checked the book out from my public library and reread sections of it. I read this book back in high school but I’ve slept since then. Yes, I was remembering the book well; the way the book depicts the conflict between savagery and civilization. I didn’t reread the whole book. Current events mirror the books conflict well enough. Let’s just say I’m in favor of civilization, rule-of-law and basic human decency. (And also in favor of good quality hot chocolate)
Anyway, my mind kept contrasting the extremely unhealthy fries from my past with the still indulgent but healthier Jojo’s here in the PNW; contrasting the horrifyingly savage qualities of the current American administration with the ideals of Democracy, civilization, human rights – and hoping things will end better than they did in Golding’s book.
Here’s the painting I did with all of these thoughts – titled “Lord Of The Fries” – I’m sure you’ll see that I made artistic use of looking closely at my homecooked Jojo’s.