In Slaughterhouse Five by Kurt Vonnegut, the (ahem) text, for my recent painting (last post) Vonnegut talks of Tralfamadore another planet where time is viewed panoramically by the Tralfamadorians.
After posting about my painting “Slaughterhouse Chives” some friends said they’d like to see my view of Tralfamadore. So here, below, are several views of my artist book titled “Clancy’s View Of Tralfamadore * a homage to Kurt Vonnegut and other intervals of time”.
Including, (wink) a panoramic photo of the inside contents of my book. The book is 7 inches tall and 4.5 in wide when closed. It opens to span 36 inches. I made this book with ink and gouache on handmade paper.
In my artwork generally I think about time a lot, about the importance of the present moment, how we create – or curate – our present moments to our good or ill or something between. I think of how books are time capsules, messages from another era, another geographic region, another lived duration.
One of my favorite quotes is from a book called A Sideways Look At Time by Jay Griffiths the quote goes “The French philosopher Henri Bergeson, who greatly influenced Proust, understood the sublime importance of the present moment “time is creation or it is nothing at all” and lived durations are not simply intervals but are the very stuff of reality.”
I put that quote as a long-running phrase across the entire 36 inch accordion format that makes up “Clancy’s View Of Tralfamadore…” Around that phrase I’ve included references to the intervals of lived durations, Vonnegut (of course) and other authors I’ve read recently who’ve passed on to the eternal library in the sky. Also included are meaningful time intervals related to flowers/plants and soup. Each duration mentioned is an important part of this interval I’m living in. (For example; I’m aware that without flowers we wouldn’t have vegetables and other soup ingredients, or paper or…)
And for any extra amusement in it here’s a video of “Clancy’s View Of Tralfamador * a homage to Kurt Vonnegut and other intervals of time”
Thank you for sharing this present moment with me.
Recently, end of September or early October my wife and I went on one of our wander-walks – I had my sketchbook in hand. On Officer’s Row in Vancouver WA I walked through a field full of blue-purple flowers… here are some of the sketches I did that day.
Sue Clancy’s sketchbook page of the overall view of the field on Officers Row.
Sue Clancy’s sketchbook page – details of flowers seen on Officers Row
The field was full of flowers; a patch here was full of blue ones, a patch there was white, another one there was magenta….it reminded me of curling up under/on a color-block quilt having a hot chocolate and reading a good book with a comforting lap cat/dog.
Then my work and life in general went on at a very busy pace and all the while in the back of my mind I was remembering that cozy quilt-like pattern of flowers seen on our walk…and thinking of how best to re-create that comfy feeling within pattern design and how that could be used in my fine art, or as a scarf or…???
Probably after the last chicory flower had faded from the real-life field I finally found time to create a pattern. In my studio I played around, designing several patterns using the chicory flower as a motif. As I worked I thought of several of our friends who garden, who like to go for walks/hikes and the upcoming winter season so I decided to make my pattern design into a scarf. I’m thinking it might be cozy to be able wear “end of summer” flowers during winter.
I used some paper I’d previously dyed and cut out the flower shape with an Xacto knife and glued it together. Then I cut up that just-created flower and re-glued it together in such a way that my finished design will digitally replicate as an overall pattern on fabric. The last step is to do a bit of detail here and there on the flower petals with my color pencils. Here are photos of two of my multi-step process of pattern design creation:
The pattern seems a bit lighter on the fabric – but that is because it is on a white/sheer type of fabric and the fabric type affects the “look” of the design. I do my best to keep in mind that this will happen when I’m creating my pattern design.
My Chic Chicory pattern turned out nicely … what do you think?