So far so good! 4 of the artworks in my Odditorium exhibit at Caplan Art Designs sold! 3 sold before the official opening! The exhibit is virtual but the gallery still had an “opening night” – as I wrote in my last post it wasn’t the same kind of party as pre-pandemic ones – this opening was careful of everyone’s health. I stayed home for several reasons: I’m deaf and can’t lip read when people wear masks. Also I really don’t want to pass along or get this virus, plus the Gallery wanted to minimize the foot traffic and stay safe.
So the night of the official opening both the Gallery and I monitored websites and social media. They monitored from inside the Gallery. I monitored from my studio. Thankfully there weren’t any technical glitches. That was a big plus!
The biggest bonus of all is that deaf – me actually got to “hear” (read) what people said about my work! The responses to my videos were also surprisingly pleasant- I made those videos in what I call “living dangerously mode” meaning I did the videos knowing that I don’t hear well and could quite easily mess up the sound recording aspect. So I was willing to fail spectacularly at making videos….and I didn’t fail! People liked them! One person even said they liked hearing me talk and that video was a great vehicle for me and I should keep it up!! 😮 That’s certainly something to consider!! Possibly best of all is that I heard from quite a number of people that my artwork-and the videos- cheered them up!!
As a result I am excited and encouraged to keep on keeping on and I appreciate that more than I can express in words.
In fact I was so excited that I started right away to brainstorm ideas for fine art for the future exhibits that are already scheduled for 2022!
Below is a quick look at all of the Odditorium art. More details on my portfolio page.
I signed 6 copies of my Odditorium book. 2 of those went home with people who visited the Gallery Thursday. This exhibit will continue through September.
During the same time of the Odditorium exhibit opening my coloring book poem How To Draw A Dragon went live on Storyberries! There is both an ebook and an audiobook version that is a slightly different from the print version of my book. The Storyberries ebook has the text typed rather than handwritten. This was done for ease of searching as I’d talked about in a previous post. One page was also wonderfully colored in using digital methods by someone at Storyberries!
I learned from the folks at Storyberries that it is possible to digitally color an ebook. If you use the notes function on your iBook and an Apple pencil you can color. Also if you use an app called Procreate you can take an ebook and color it. I am not speaking from firsthand experience here I’m just reporting what Storyberries tells me is possible with my How To Draw A Dragon ebooks.
I’ve done digital art – spent years doing digital art as part of my graphic arts career in the distant past – but I used other kinds of software. I’ve done a bit of digital art on my smartphone with a different app but frankly, I prefer getting my hands dirty with real life inks and paints.
I’ve also made a way you could download a pdf file and print the pages you want to color using your own printer and real life color pencils. For that click here.
Since this was another busy week it was easier to reheat magic beans and put them in a tortilla with veggies and cheese. Given the recent disturbing news out of Texas I was inspired to try Penzey’s Justice spice mix on my bean burritos. I like Justice.
My weekend was spent resting. But of course I drew in my sketchbook and wrote. There’s a new children’s book taking shape in my mind. I’ll tell you more next Monday. Till then keep sprinkling Justice on the beans.
Last week I took 3 boxes containing all of my Odditorium fineart into Burnt Bridge Cellars where it will be through the end of July. Everything I’ve done over the last year is now in the capable hands of the winery and the Caplan Art Designs art gallery!
My spouse took this photo as I paused with one of the boxes on my way into the back patio door of the winery.
Due to our state’s Covid19 protocols reservations are needed for drinking and eating indoors or outdoors at the winery. Masked people are welcome to drop in to see the fine art and buy bottles or growlers of wines. When not seated masks are required.
While not exactly a full art opening the winery took reservations for a special Friday night dinner: marinated salmon or chicken sate by Class Cooking and of course one could sit and enjoy a variety of wines!! Masks can be removed when seated it’s just when walking about that they’re needed.
Friday night there was live music outside on the winery patio. And you could go inside to see my fineart and artistbooks then you could go outside to hear the music or vice versa.
These photos below are a look at my Odditorium artexhibit on the winery walls before people came (there are more photos here).
Below is a photo of the artist books that are in the basket in the photo above.
And my green dragon bookplates did come in time!! I had hoped in my last post to sign a few of the bookplates for the exhibit in case someone wanted one in one of my books.
Anyway, I was very aware all week that in the best of times and conditions I don’t hear well. Add the masks worn sensibly during a fading pandemic and lip reading isn’t an option either. So I made the decision to stay home even though I could have made a reservation at Burnt Bridge Cellars and spent at least some time at the winery during the first Friday my Odditorium art exhibit was available.
But I know myself and I know that if I saw someone looking at my art I’d want to pop up from my seat put my mask on and try to talk with them and try to hear what they’d say even knowing it wouldn’t be likely…. so I just chose to not put myself in that situation.
While it was a sensible decision I still had some upset feelings about it. So I worked on remembering this 👇
Bookstores and libraries have often been my places of consolation. So my spouse and I went and had our first in-person visit to a local independent bookstore Vintage Books ! We’ve both been buying online from Vintage Books for a year now…but the impulse buying when indiebookstore shopping in person can’t be beat!! https://www.vintage-books.net/
Here’s a selfie I snapped inside the store. At the time we went there were only two other customers and two store employees. We were all spread out throughout the store. It was silent (at least to my perception) except for one of the two store cats who sat up when I neared the shelf where she lay and said “meow”. Vintage Books has both new and used books so the store smelled like book heaven even though my mask. I loved the sights of the colorful book spines and book covers displayed on shelves from floor to ceiling. The staff write handwritten notes about books and I enjoy seeing the various handwriting styles in various places on the shelves. There were multiple spaces where books from different topics/genres had been collected together with staff comments like “if you like the topic in this book then you may like these too” – and that’s a sure way to get me to impulse buy! 🤣
Here’s a photo of my book haul.
Then after we got home I used my usual “how to pick a book” method. I’ve described it in Another Sketchbook and also included it on this coffee mug in my Zazzle shop.
It felt so good to have an extended length of time reading!!
Another soul satisfying restorative was finding that my order from Paperblanks came!!! (https://www.paperblanks.com/en/) Yippee!!! I buy blank books 5 or 6 at a time because it gives me the joyous feeling that I can write with impunity. I can draw with abandon. I can liberally spread the sunshine of my imagination. I can run around with my pen… I can…I can… I can…❤❤❤❤🖋🖋🖋☕☕❤❤❤❤
So this weekend I immersed myself in my books, I dipped into novels like a diver into a swimming pool. I also swam freely in my new orange poetry sketchbook book (mentioned last post). The orange book was the last unused book from my last order-of-5 books. Whenever I get to the last few books I order more immediately.
Several meals this week were quick sandwiches: cream cheese, various vegetables chopped up and some spring greens on lavash bread rolled up. A rolled sandwich only requires one hand to hold it which leaves the other hand free to hold a book! The Atoria Lavash are some of the best I’ve tasted and they ship directly from the bakery! Anyway here’s a link to the sandwich rolling technique https://www.atoriasfamilybakery.com/wrap-like-a-pro/
While my Odditorium exhibit will run through the end of July in subsequent posts I’m going to turn this blog towards new projects. I’ve already started new fine art that continues this Odditorium theme. The new art will be destined for exhibit in September. There’s also the children’s book version of my Odditorium exhibit book still to be released. So periodically on this blog I will probably return to this theme. But I’ve also got a different project in progress that I also want to share with you…
More about that next Monday. I hope your week is a good one!
Early this week I’m delivering all of the Odditorium fine art and books to Burnt Bridge Cellars! This weekend I made sure the art is ready to go and signed some of the artist books.
These artist books are stories within the Odditorium series fine art visual stories. First there’s the Odditorium exhibit catalog which tells the story of the exhibit itself and has images of all the fine art.
Then each additional artist book that I wrote and illustrated, whether for children or adults, contains an odd look at a household or mundane experience. Numpurrs is about a shared meal. Patch La Belle is a collection of whimsical poems about drawers, chairs, cake and much more. This Rabbit is about liking activities at home. Another Sketchbook is about enjoying books and ones own mind. Favorites So Far is a collection of my favorite recipes. Pembral Forgets, written by Steve Tubbs and illustrated by me is about fall leaves and good food.
I didn’t sign all of the books and I hope the green dragon bookplates, that I spoke of in a prior post, come from the printer soon. I plan to sign a few of those for Burnt Bridge Cellars to have on hand just in case someone wants a book signed that wasn’t already signed.
Here are boxes of fine art ready for delivery. One of the side benefits of working in a series on the same size art boards is the ease of packing for transportation.
It didn’t take long to double check that all of my exhibit ducks are in a row because I was basically ready a week ago. So I’ve begun to work on other projects and a starting point is to read about stories and imagination.
Speaking of poetry: I’ve started a new poetry sketchbook. I like the mini books from paperblanks.com with the unlined thicker paper as I can both draw and write on it. I don’t paint in this book as the paper isn’t suitable for watercolor or gouache. This is deliberate as the attributes of the paper in my poetry sketchbook helps me focus on the words and the illustration idea itself instead of getting focused on color too soon. I have a bound watercolor sketchbook for when it’s time for color considerations and serious ink work. This means I may start something in my poetry sketchbook and then try the same sketch in color in my watercolor sketchbook. The 3 photos below show the new (orange) poetry sketchbook, then one of the poems I wrote in the new poetry book. The 3rd photo shows my watercolor sketchbook and a color effort with my poetry idea. At this point I’m just playing.
Related to my household surrealism thoughts I wonder…Can poetry or short stories also be a mug or notecard? What if the mug is big enough to hold soup?
What if the card is itself a pun shared between people…?
I want to make things that help people connect with other people. This is part of why I enjoy having fine art exhibits at Burnt Bridge Cellars – via Caplan Art Designs – people connect over my art, the wine and food. It does feel strange – and anticlimactic – from my point of view to have an exhibit at the winery and not have a big blowout multiple hours long opening party due to the sensible covid restrictions. (The winery is at 50% capacity and reservations are necessary for eating and drinking at the winery. They welcome masked people dropping in to buy bottles of wine and see the art.)
But last year during the worst of the pandemic shutdown I was delightfully amazed at the many kind responses – virtual comments on social media – about my art, my books and my efforts at a virtual exhibit! (This years virtual exhibit is here) And because in the past exhibits I’d had trouble hearing in the winery when it was packed with people – during shutdown 2020 I actually enjoyed my online interactions with people because I could actually read what they said!!
Anyway, I have hopes that somehow it will all work this year too – and that people will go to the winery and enjoy the wine, the food and my art and books!
Speaking of food… Here’s a yummy soup I made this week. I like having soup in large mugs – makes it easier to get the last bite. The potato soup recipe I used is from one of my favorite cookbooks. I love thinking about things that build community: books, music, art and….soup!! This book is fun to read because it’s also a series of stories about food and friends in different communities.
A person doesn’t live by soup and bread alone we also need our personal green dragons, aka our imaginations, carefully nourished so we can deal with the emotional wolves inside us and be able to participate in life. What do you feed wolves? Stories, poems, music and fine art!
Here’s another sketchbook page somewhat related to this topic.
May your dragon and good wolf be well fed this week. See you next Monday?
Literature and art are forms of self care and of care work. I’ve thought of this as I have worked in my household surrealism projects. Home is where most of us practice self care and care for others. We all need regular care and comfort, including the care and comforts to be found all of the Arts, so it feels crucial to have fine art, literature and music in ones home.
With that in mind this week I did a short video about why I make art. Spoiler alert: I want to make the visual art equivalent of freshly baked cookies and a kind note. Video here: https://youtu.be/GYiby2CfySc
And as part of those thoughts I’ve changed my avatar for most of my social media to this green dragon reading a book. For me green dragons represent creativity/imagination and books represent love and caring.
When I can I’ve directly signed the artist books I’ve written and illustrated. Often I’ve also doodled something right on the page. Like this…
But there are many times when that isn’t possible so I’ve signed and doodled on a piece of label paper and mailed that to the book owner for the book owner to affix in the book. That’s seemed to work. Finally I had the notion to make a bookplate specifically for this purpose. Hence the green dragon. Will update about the bookplate when I get them from the printer…
Anyway, here’s a look at some of the Odditorium artwork in the frames. I get the frames made at a local frame shop Aurora Gallery (www.auroragalleryonline.com) but I put the art in the frames myself. I think of how my paintings might hang on someone’s wall and lift spirits.
Here below are some of the odd greeting cards I’ve made with some of my Odditorium art. I love the pun of creating household surrealism artwork and then using that to make household items like greeting cards, mugs and coasters. The collection of Odd Cards is here and you can find some of the other items in my Zazzle shop.
These cards are long and skinny and come with an envelope. A message can be written on the back. I imagine someone smiling when getting one of these cards in the mail.
Since I told about the green dragon avatar and upcoming bookplate here’s a look at the two other logos I use on my cards, books and mugs.
Here’s another Odditorium painting “Favorite Walk” in its frame. The idea for this painting was a combination of outdoor walks my spouse and I enjoy along with red shoes a fellow artist family member has depicted in her artwork. So the red shoes are a “hello” to a family member….and they’re just fun!
Here’s us on a recent windy rainy walk in one of our favorite spots. I imagine you can see a relationship between my painting “Favorite Walk” and the landscape in the photos below.
So I am glad people will get to see my art in person and will be able to buy some of my artist book titles while enjoying some very good wine! Even given this good news I am continuing my virtual art exhibit efforts with the printed picture book Odditorium and the new (still in progress) portfolio page. And I’m glad my art will also be accessible via Caplan Art Designs. I tell ya it takes a village…
Here are some of the artist books (many of them signed) that will be available during my Odditorium exhibit. All of my books are also accessible digitally here and here. I imagine people looking at my books and enjoying sharing them with others even if they don’t see my original art in person.
Of course I don’t know for certain how my fine art or anything else will be received. Rarely do I actually see my artwork hanging in someone’s home or office. I can only create and imagine and that’s enough motivation for me. I do treasure the comments and photos people have shared with me of their joy and delight in my work!
I like the thought that via my art I may be contributing to people’s happiness. Human minds need books, art, music anything that healthily feeds the imagination. Minds need good nutrition just like bodies do. Mental health also includes the comforts of homemade cookies.
In my studio I keep this quote where I’ll see it often. “One must care about a world one will never see.” Bertrand Russell
Speaking of love and caring: here’s a super yummy homemade cookie recipe of my spouse’s creation!
May you have many pleasant moments of comfort this week with cookies and storytime of your own! See you next Monday?
Frankly, I’m tired. But it’s the I’ve-played-hard good kind of tired. So more pictures and less text in this post and you get a special peek … I’ve been thinking about Kurt Vonnegut’s book If this isn’t nice what is? Here’s an article I enjoyed about this Vonnegut book. Here’s a photo of the book in my library with other Vonnegut titles.
Below is one of the poems I read during breakfast this week in a book called Animal Poems. It’s one of the titles in the Pocket Poetry series by Everyman’s Library. (I love this series! Especially with breakfast!) The poem in the photo is by Wiliam Cowper. I love the last line “The comfort of a reasonable joy.” So I’ve also been thinking how important it is to have regular reasonable enjoyments. I take the phrase “reasonable enjoyments” to mean the simple kind that don’t require lots of money, a travel agent or dressy clothes. Anyway, here’s the poem.
In my last post I talked about the pace of creative life. I’ve still been thinking about the skill of crafting daily rhythms and here’s a link to an inspiring article I read on the topic: https://www.wired.com/story/calendar-tips-post-pandemic-reentry-organization/ Maintaining a daily rhythm has enabled me – to get very tired 🤣 – but also to have nearly everything completely finished two weeks early prior to delivery of all the art and books for my Odditorium exhibit. Being early gives me flexibility to have time to rest as well as to deal with any unexpected issues.
Below are some of my sketchbook pages … and some kitchen gadgets I looked at and thought about as I worked on one of the last paintings for this exhibit.
Here’s a photo my spouse took of me working out how flamingos might carry things.
Below is the finished painting on my easel drying. Below that is a close up of the dry painting. I titled it “Is Not This Nice?” The title fits with my thoughts recently and echos the collage text I found in my falling apart copy of Jane Austen’s Pride and Prejudice. It was fun to find text written by Austen that was similar to what Vonnegut said.
If the background of my painting reminds you of the ocean….we went there recently and seeing the sea lingered in my mind. The Pacific Ocean isn’t far from our house. I find it soothing to visit.
The other way I’ve been earning my tired is that I’ve been working on the exhibit catalog aka a picture book of my Odditorium exhibit. In addition to that I’ve been working on a kid friendly version of my exhibit catalog. Children need fine art in their lives too in my opinion. When I was a kid I would have loved to see a book talking about looking at fine art. That’s why I took the extra steps to make a children’s book version too. I have sent the kid friendly version to Storyberries.com and they have an exciting plan for the book design! Below is a screenshot of a post they did on Instagram about it!
Here’s a special early peek into the Odditorium – at my exhibit book!!! And a link so you can see the whole book!!! Even in the midst of being tired I’m excited!!
One of my reasonable enjoyments this week was my spouse’s homemade biscuits for breakfast. The recipe is in my kitchen sketchbook Favorites So Far and you can see more of it here.
More next Monday about the Odditorium exhibit book and the other fun stuff…after I have a bit of rest. Hope you have a good week full of relaxation and reasonable enjoyments.
One of the gifts of travel is the awareness that things don’t have to be what you’re used to in order to be enjoyable.
Since the beginning of the pandemic in 2020 I’ve been looking at household things with the eye of a traveler. I’m practicing being okay with things as they are, seeing them in new ways and enjoying them – like how I would enjoy things on a trip. Along the way it occurred to me that domestic arrangements are one place in life where things can be more or less to our preferences. Home is a place of fairly reliable comforts. There’s a gift of comfort in that.
The sketchbook I began this, ahem, journey in has been published as Another Sketchbook. I decided at first to view household things as if they were public monuments, things we might travel to see. Then I decided that was too distant…the people too small and far away. Then I decided I didn’t want to draw people after all because animals feel more comforting. Anyway, here are a few pages from Another Sketchbook…I’m hoping you can see how I got to my present Odditorium art series via this trail.
Here below is the book cover and a link where you can look through the entire book.
Of course after publishing Another Sketchbook I’ve kept on keeping a sketchbook. I post these new pages now and then on my social media. Here’s a few pages from my new sketchbook that are relevant to the painting you’ll see in this post.
While musing about the crows I often see in my yard I thought of how the kitchen gadgets I have are so useful. And I love herbs and spices – especially those from Penzeys. So I took a photo of the kitchen tools and spices I was about to use at that moment.
Then as the days progressed I began a new acrylic painting full of my thoughts about my ongoing efforts to dance and appeal, so to speak, to the various gods of good-food cooking. My spouse snapped this photo of me working.
As I worked I tried a new-to-me color scheme that includes magenta, an orange-red, a light pink, grass green, a grey-blue and a creamy yellow. The crows aren’t really black there’s a lot of dark purple and deep blues to their feathers. The color nuance shows more when you see the painting with a human eye. I have another camera that shows more of the color range that I use when taking pictures of the art for publication. Anyway, I’ve titled this new painting Domestic Comforts
Another thing I keep thinking about is the different speed of time at home. When traveling in the past I have tended to be very rushed and scheduled. But at home and in my art studio, which is in my house, I tend to be scheduled but usually much less rushed. In fact for quite some time – even before the pandemic – I have intentionally tried to maintain the habit of a steady but relaxed pace in my studio and home. Sustainability of energy is my focus. No, I don’t do this perfectly it’s an ongoing goal. During the pandemic this goal has strengthened as I’ve realized this habit also maintains a critical space for long-form thinking.
Long form thinking is a term usually applied to reading and literacy. It’s a discussion of cultivating the ability to pay attention. There’s an article by James Patterson here and another related article here on the long form thinking as it relates to literacy.
I think of the term long form thinking as applying more generally to creative efforts that stretch over a longer span of time. The actual work may be done in fits and starts or in short bursts of actual hands on time but a thought is held in mind, come what may, over an extended time period. Long-form thinking, in my opinion, allows for a sustained leisurely attitude towards time for art, for reading and writing. Creativity requires time to meander and travel in ones mind – even while cooking dinner or mowing the lawn one plays with the thought topics currently being considered.
Long-form thinking purposefully includes time for making homemade cookies or any other bits of meandering fun. This week I tried a cinnamon sugar cookie recipe. I cut this recipe in half, dumped all the ingredients in my Cuisinart (kitchen gadget!) blended the dough and otherwise followed the recipe directions.
The cookies turned out very yummy!! As hinted above taking the time to read books is an essential part of my creative process – with or without hot from the oven cookies and hot chocolate. Here’s one of the books I’m reading…
My art is a part of my life and vice versa. Creativity is a continuous thing I’m committed to doing within and amongst all of the various domestic concerns and that’s-life stuff.
In fact I view the public aspect of my creative life of making artist books and art exhibits as like the game of musical chairs. I do steady continuous studio work then about a month before the fine art exhibit goes up the music stops. As in the hands on action of creating paintings temporarily stops, and I start framing, photographing, publishing everything I finished up to that point.
It is exciting as I frame and publish the artwork to both see and feel my Odditorium series coming together. The work that I began last year will be exhibited this year in June and July at Burnt Bridge Cellars and when my work is on their walls that will add to my ongoing Odditorium thoughts. Then there’s another exhibit at the Caplan Art Designs Gallery in September. After delivering art to Burnt Bridge Cellars later this month the music (active painting) starts again – specifically the thoughts I have when seeing my works hung together will inspire more work in the series. Then I will begin making the new art in this Odditorium series with an eye towards the next exhibit. Some of the art at Burnt Bridge Cellars along with the freshly made new art will go to Caplan Art Designs when the music stops again at the end of August. This is the way my exhibits grow and travel.
So yes I like long-form thinking. I like projects that stretch over a years time. This allows me to explore a topic from several angles as well as to change my approach as I’ve described in this post. It’s risky as I don’t know at the beginning where my thoughts will go. Plus I do all of the hands on work in short bursts of time each day so I “live in” small slices of my thoughts. My sketchbook is the way I both develop the exhibit idea and keep track of my thoughts – but still the uncertainty is there. I’ve just learned to ride with it.
My long-form working process is like reading a long novel – when you have a few minutes you read a paragraph or a page or two a day. When you begin reading you’ve no idea where the book is going. But if you keep reading a bit per day pretty soon you’ve read the whole book and you know the book conclusion. Same goes with creating an art exhibit.
There’s an excellent article here about the counterculture of commitment. It describes well what I’m talking about. I see this concept of long-form thinking (aka commitment) as similar to the idea of slow food/ home cooked food but about the subject of creativity. Inherent in this notion is the acceptance that things can develop slowly over time and that slowness allows for uncertainty and changes of mind.
I have a quote by Christopher Morley thumbtacked to my art studio wall. The quote applies, in my view anyway, to ones sense of time and space too.
It’s okay maybe even good to be a little odd. It’s not a goal to have domestic life or travel or art projects or life in general be perfect. The goal is to have the coping skills to deal well with imperfections when they happen. To be able to do the domestic dances and appeal well enough to the gods (metaphorically) of home cooking. Or to the gods of plumbing or whatever the household issues may be. To be relaxed and calm enough that one’s able to see the solutions, comforts and enjoyments near to hand. This is my approach to art projects too. Slow but steady, to have the coping skills to fix artistic mistakes, to adjust, to try something new.
Since this month began – besides framing the artwork a bit per day – I’ve been creating an exhibit catalog, a coffee table picture book of my exhibit. Last year during the worst of the pandemic it seemed to please fans of my artwork that they were able to get a printed book or an ebook of my entire art exhibit. So that’s why I’m doing a book this year too.
Additionally I’m doing a few greeting cards and coffee mugs with my art from this series. Both the cards and mugs are in keeping with the root idea of my Odditorium series – taking an uncommon view of ordinary household things and surreally creating souvenirs of pleasant moments. Here below is an example of a note card with the artwork I wrote about in my last post.
Yes, the temptation to stress, to worry, to rush is there, especially as the day nears to deliver all of the artwork. But I remember those pre-pandemic travels when I rushed mightily because the day the trip ended was coming nearer and I didn’t want to miss anything … what I remember now of those trips isn’t the scenery or the food but the stress and rush. So I try to remain calm now and go slowly as I continue towards the exhibit. And I rest knowing my thinking-work will continue …
Thanks for reading! I hope you have many enjoyable domestic comforts this week – and if you try the cookies I hope you like them. See you next Monday?
These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.
From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.
With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.
And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.
Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.
Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)
After I posted “Enjoyment” on social media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.
Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.
It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )
As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium. Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:
Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?
I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.
That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.
No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.
So I hope you have a very good week. See you next Monday?
This week in household surrealism I’ve been thinking of love. Love in the sense of the poetry, the food, the care for and cleaning of things, generally creating a gentle environment for ourselves and others. Perhaps an environment also filled with souvenirs of loving moments as I wrote in my last post.
My recent children’s book This Rabbit was about knowing what you like. Well, this week I’ve been thinking about how it can take practice as adults to remember to let ourselves love openly, wholeheartedly and to unabashedly enjoy things.
Among these thoughts is the fact that tulips are in bloom when I live in the Pacific Northwest. Here’s a photo from my spouse’s garden.
In the morning sometimes I read a bit of poetry while having my breakfast and coffee. The photo below is a poem by Mary Oliver, from “New and Selected Poems Vol 1”, I see this poem as talking about wholeheartedly living life. A life well lived is lived bit by bit in thousands and thousands of mundane moments. Many of those moments (even in pre-pandemic times) happen at home.
Letting oneself wholeheartedly enjoy and love little parts of daily life – why is that so hard? Perhaps as adults we get caught up in the “gotta do’s” as I call them. We sometimes almost chain-smoke, metaphorically, one gotta-do duty after another forgetting that love and pleasure is often part of the reason we do things. By contrast it feels good to pay attention to whatever interests you and revel in that focused moment. This wholehearted enjoyment is a way to be gentle and loving to yourself and the people you love. Anyway, I thought of that while I doodled in my sketchbook.
Then I worked several days in a row to flesh out my thought using acrylic paint on cradled board. Yes, this is another piece destined for upcoming art exhibits at Burnt Bridge Cellars and at Caplan Art Designs.
Below is the finished painting I titled “The Minutest Concerns”.
The label on the bottle of cleaning fluid the mouse is using in my painting is actually a bit of collage. I’ve been using a falling apart copy of Jan Austen’s book Pride and Prejudice as my collage source. (See my last posts here and here for details)
Basically, in the bigger universal sense, things are okay, you are okay, and it’s okay to relax and enjoy just being yourself and liking and loving the world around you.
For example this photo below is part of my world that I love; I love picking up one of the books and reading a bit, I love just looking at the books on the shelves and I even love dusting them. Of course I confess that often I get distracted and stop dusting to read 😁
I love having lots of books so much that it feels like heaven. So I did this drawing and made a print of it…just in case someone else feels the same way. (This is part of the gift making I talked of last post) Even if I’m the only person who feels like this making a drawing and a print was a fun way to fully enjoy and love the feeling.
I also love the challenge of cooking. It took me a while to figure it out but I can now reliably make meatballs to store in the freezer for use whenever the odd meatball is wanted with pasta or rice or roasted vegetables.
Here’s my recipe as written in my kitchen sketchbook. Yes, this is another souvenir of love! Books and sketchbooks are the best souvenirs!
My sketchbook page will still be there long after the meatballs have all been eaten! Plus I can share this sketchbook page with people and thereby share the love.
That’s part of what I love about poetry, books, gardens and art they each nourish one’s spirit and are shareable. They’re part of how we know we’re loved and part of how we love other people and how we remember to love ourselves and the world around us. They’re part of how we connect emotionally with each other.
A dear friend loaned me this book “The 3000 Mile Garden”. It’s a wonderful almost voyeristic view of two people sharing their love of food and gardens with each other. And we readers get to see their intimate exchange of letters! The book has hand drawn maps and photos too! It’s a fun evening read.
These are the sorts of thoughts that inspire me as I work on my new household surrealism fine art series that I’m titling “Odditorium”. In addition to the art itself I’m also working on an exhibit statement- which is kindof like the synopsis on book covers – a short paragraph or two to interest viewers and help them understand what I’ve created. Wish me luck at crafting the sentences?
Anyway, I hope this week that you’ll remember to allow yourself to love whatever is commonplace in your world. See you next Monday?
While working on my new household surrealism art series I’ve been thinking of my art as souvenirs of special moments.
For example: a friends daughter and grandkids left a cup of daffodils for us on our porch. I photographed and sketched the flowers.
Here’s one of my sketchbook pages that seemed most promising for a painting idea.
Here I am starting to paint in acrylic on board…while carefully looking at a flower model.
And so my painting progressed by building up layers of color. I chose a mouse character, a shy mouse offering gifts, because I was thinking of the emotional risk a gift-giver bravely takes. Also I was thinking of the gifts of nature, like flowers, that are there if we’re able to notice the subtleties of colors, patterns and textures as they change with the seasons. I chose yellow croc shoes for my mouse character to wear because waterproof footwear is useful for puttering about outdoors where I live in the Pacific Northwest. So there are gifts of culture too. Gifts are to be found everywhere if you remember to look.
Below is the finished painting I’ve titled “Well, well…”. I looked through my falling apart copy of Jane Austen’s Pride and Prejudice for any words that would relate to gift giving or receiving. Finding the collage text is a lot like doing Blackout Poetry – I scan the Austen pages looking for words and phrases that fit my painting topic. For this painting I chose the phrase “Well, well…” because sometimes people say, when recieving a gift, “well, well, what have we here?”
Painting the little wrapped gift in the lower corner of my artwork reminded me of how much I enjoy making designs for tea towels…and using the towel to wrap a gift.
My adopted mom, back in the early 1990’s, made fabric bags with a drawstring for use and reuse in gift giving. She was environmentally friendly before it was cool. So even though I don’t have Mom’s flair with a sewing machine I love designing fabric patterns and thinking of the fabric being used to wrap a gift!
Here’s a closer look at the art I did for the tea towel. These were drawn, over time, from real life.
Speaking of hot sauce: this week I got brave and baked hashbrowns! Yes, bacon, eggs, hashbrowns served with hot sauce! Turns out I really can imitate the not-quite-so-greasy-spoon diner at home! And keep the coffee coming! Here’s a link for the recipe I used for hashbrowns.
But back to the artwork. I have 4 more paintings that I hope to finish before mid May. I’m scheduled to have one-person fine art exhibits at Burnt Bridge Cellars and Caplan Art Designs later this year so I want to have at least 18 to 20 new works for the shows. Wish me luck?
I’m calling this new art series “Odditorium”… I chose this title because I intend the entire group of my works to be “odd” uncommon visual stories about common things. For my title I merged my thoughts of the word odd with the word auditorium. “Odd” means different from the usual. “Auditorium” means a building or space for an audience. I want to make a mental space for looking anew – or looking oddly – at mundane things.
As I work in my sketchbook I ponder things like: Perhaps those flowers, that towel, that coffee mug are really souvenirs of pleasant moments in life? What if dealing well with mundane life is itself a gift or even an art form?
In his book “Keep Going” Austin Kleon talks of making art as a gift. There’s also a wonderful book by Lewis Hyde titled “The Gift“. The message I get from both of these books is to remember the people. Both art making and gift giving are about emotionally connecting with people and sharing moments together.
Often when I’m creating I think of a person I know, or have known (even if they’ve died), and I make something they might like. Or I make something that reflects a feeling of connection. The person I have in mind is often never explicitly told that I thought of them. So, that thing you like … well, it just might be a gift for you.
So I make souvenirs of kind gentle moments in life by depicting common objects and animal characters in imaginative, surprising and whimsical ways that hopefully give a viewer pleasure. This, in my mind, is household surrealism.
I also see a visual pun in putting my artwork onto ordinary household objects like fabric or mugs. By making my objects available digitally and via mail (see my gifts here) I’m musing about objects that enable people to emotionally connect in a socially distanced pandemic safe way. My thought is that my work is not just about the stuff; the objects or books, it’s about our connections and our perceptions within our mundane lives. Can we find love, comfort and even art in the ordinary?
Anyway, lots of work still to be done to get ready for my exhibits! I hope you have a pleasant week full of the gift of kind moments with people you love! See you here next Monday?
Behind these sketchbook thoughts is my ongoing thinking about Jane Austen’s work. In her novels – Pride and Prejudice most certainly – Austen writes of civility and the social comedy of manners. I see Austen’s work as exploring how stories affect civility and how the presence of civility, or lack thereof, in turn affects not just the individual but also the people around them and the larger society.
Here’s some of the books I’ve been looking at (besides the ebook murder mysteries on my phone): Living With Books by Helen E. Haines, Pride and Prejudice by Jane Austen (my new copy!), The Ghost Map by Steven Johnson, Art Matters by Peter de Bolla, In the Presence of Fear by Wendell Berry.
So in multiple ways I’ve been pondering the mundane roll-sleeves-up get-hat-gloves-boots-on kind of work it takes to have a humane civilization. Pleasantness takes effort, talent and perseverance. It can take effort to remember to notice and accept when something is pleasant and then to share it.
As Kurt Vonnegut said “I urge you to please notice when you’re happy and exclaim or murmur or think at some point “If this isn’t nice, I don’t know what is.””
The odd surprises which delight us in nature, in cooking, in art, in literature and in music help us to cope, to see things anew, to remember why we’re working so hard – and that’s what the Arts are for, I think, to help us remember our humanity, our capability to be humane.
Anyway, I eventually finished this painting and titled it “Of Civility”. As per my last post I used some collage text from my old falling apart copy of Pride and Prejudice. This is another piece for art exhibits later this year.
Yes, it may take effort sometimes to be civil and show civility … but forward looking pleasantness usually works out better. As Maya Angelou said “I’ve learned that people will forget what you said, people will forget what you did but people will never forget how you made them feel.”
Also while thinking on these topics I made a coffee mug design for my Zazzle shop. My hand lettering on the mug says “I love you…you’re probably thinking ‘but you don’t even know me’ … but if people can hate people they don’t even know then I can love…so, I love you.” (Yes, I consider this mug tangentially part of the “household surrealism” work I spoke of in my last post” – my whimsical enjoyment of mundane things which includes making items that could be given as gifts)
Speaking of mundane pleasures, thanks to “An Invitation To Indian Cooking” by Madhur Jaffrey, I have finally learned to consistently make good Basmati rice on the stovetop! (My rice cooker bit the dust so making rice stovetop became a project)
Some quotes I like about rice:
And here’s another sketchbook page … I keep thinking about this one…
I hope you have a pleasant week full of gentle stories, kindness, civility, some odd delightful surprises and a very good bowl of rice. See you next Monday?