Writing and drawing while being human and using a thumb

A Creative Life, Art Word Combinations, artistic inspirations, books, creative thinking, drawing as thinking, life of the mind, mental health, reading, sketchbook, Sustainable creativity, writing and illustrating

Human brains have the ability to be imaginative and creative. This ability is used, for example, when you imagine that a flat tire could happen and then, after checking the spare tire for soundness, you creatively pack the car so that if you do have a flat you don’t need to remove all of your luggage to get to the spare. Imagination and creativity are used in any “if this then that” kind of thinking. Of course not every person uses their ability to imagine or be creative and some use it constructively and others destructively. More on that in a sec.

When I say all humans are creative I mean that human brains experience the real world and then we process it, we make it make sense to us as best we know how, via our use of language and our cognitive system. That’s just part of being human. It’s what human brains do as automatically as breathing. Humans make symbolic sense of what we experience in the real world via figments of our imagination. How well we’re able to use symbols in response to the external world correlates to the qualities of our inner life. But this concept is not rigid. Sometimes poop just happens in life and there’s no symbolic sense to be made of it we just have to cope.

Even so, frequently exercising your imagination is like exercising any other part of your body, it helps keep it in working condition so it has a better chance to be helpful when it’s needed. Fine tuning your cognitive system coping skills is like practicing an exercise with a trainer to make sure things are working well and skill is improving. This falls under the category of cultivating your inner life or the life of the mind.

Another Sketchbook by Clancy

Writing, drawing, cooking, gardening, singing, dancing, wood furniture making, rug weaving are all learnable skills. Culturally we call these “creative arts” and tend to speak of people who do those skills well (because they practice a heck of a lot) “creative” or “talented”. But even if someone doesn’t cultivate specific skills like any of those they still have an inner life, they’re still imaginative and creative simply because they have a human brain and need to process, make sense of whatever happens or might happen using both their physical body and their symbol making mind. For example even someone who doesn’t consider themselves a writer can get a mental health benefit from processing their daily life events by writing in a journal by hand.

Another Sketchbook by Clancy

Okay, let me back up. What’s inspired these thoughts is this blog post by my friend Audrey Driscoll and the comments there about AI, Artificial Intelligence being used for writing.

Also inspirational was a conversation I had with one of my college aged great nephews. We were talking about a video in which an older artist advises younger artists (and I’m paraphrasing) to ignore the people who just want to tear down whatever you’ve created by doing a version of the ‘no true Scotsman’ argument fallacy saying that your art “isn’t real art because it (fill in the blank)”. They are attempting to set themselves up as the one and only arbiter of what is/isn’t “real art” instead of you, the artist, deciding for yourself. You don’t have to accept anyone else’s definition of what art is. You can stay with your own feelings about your own art. My nephew said the video reminded him of a phrase he heard somewhere “obsession with hyper realism kills art”. That in turn reminded me of one of my adopted Dad’s favorite sayings “knowledge without imagination can be deadly.”

It’s nearly Father’s day so I’m going overboard on the Dad quotes – thank you for bearing with me.

Anyhoo, to be rigidly fixed on an idea (an imaginary notion), to think you “know” and to refuse to adjust or imagine that you might be wrong or that your ideas might not apply in a new situation or to fail to imagine that there could be anything bigger than what you think you know, well, that can be extremely harmful to yourself and everyone else around you. Misapplied cognition and rigid “knowledge” without some constructive imagination is woefully lacking in creativity, humility and humanity. It’s rather machine like really.

Which brings me to why I’m writing about this topic today. We care about our inner life because imagination and creativity are human attributes and we’re all we’ve got. Outsourcing human attributes, like letting someone else do your thinking for you, or letting someone (or something else) write your school essay for you doesn’t usually work out happily.

We’re here, we’re human, get used to being human, be the most fully human and the best human you can be!

Computers tend to have fixed ideas about many things like language, as anyone who has interacted with auto-correct or predictive text has experienced, and this often interrupts or even inhibits the flow of the human writer’s words. Have you ever tried to, on purpose, write a silly nonsense word using a computer? Yes, there’s a reason there are so many cartoons of a human frustrated with a computer!

As with the above mentioned mean art-troll “critics” you don’t have to accept or be bound by a computer’s preferences either! A human is an emotional being from the era of Homer (either Homer the Greek or Homer Simpson) while the computer is more rigidly pedantic and more literal and much less caring than the Vulcan Spock in Star Trek ever was.

It is okay to be human!

Human brains when they’re working well (no organic diseases) are constantly – and I do mean all the time – using imagination to make sense of the world. We experience with our 5 senses the external world then we have internal conversations with ourselves about “what it means”. Sometimes these internal conversations are helpful and sometimes they aren’t. (We can learn to direct that!) Then our inner conversation, whatever it is, runs through our cognitive processes: our organic body, how we feel, whether we slept well, if we’re hungry, our habitual ways of responding to the world or to certain words, our past experiences, things we’ve learned etc. In a nutshell we apply to the event that happened in the external real world multiple layers of our feelings-based inner life, and then we react for better or worse. This is just what human brains do often in lightning fast ways without us realizing we’re doing it.

Now we’re living with Star Trek level, more or less, technology while using the emotional brains of the Homeric era. If we’re smart we are still learning and practicing how to deal well with our personal Homeric brains because life continually happens whatever the available technology. Social Emotional Learning (SEL) is a constant need for all humans at all ages and SEL is a vital ongoing aspect of our interior lives.

Another Sketchbook by Clancy

Troubles happen, to quote my Dad, when we forget that “feelings are guides not gods to be obeyed”. If you’ve ever gone to school or work when you didn’t feel like it you know what that quote means. But first we had to learn, somehow, that we could acknowledge the feelings and still do the hard stuff that we didn’t feel like doing. We developed coping strategies to help ourselves do that hard stuff… even if it’s an “ice cream afterwards” kind of deal. Even so sometimes due to events in life our emotions loom as large as a god… and in such times our cultivated inner life can be a solace.

My point is that even with the advanced  computers in our daily lives the physical human brains we have in our skulls constantly go back and forth, by degrees, from the pole of what happens in the external world and the pole of our imaginations. The trick, according to my Dad, is to remember that our imagination and inner life, i.e. language and our cognitive coping skills, are adjustable tools for dealing with stuff that happens in the real world. If your tools aren’t helping you cope with the real world then the tools may need adjusting or maybe repair.

Dr. Bob’s Emotional Repair Program First Aid Kit

The importance of language and our inner life is, I think, reflected in the fact that in most human groups it’s considered rude to finish people’s sentences for them, to put words in their mouth, to interrupt or talk over someone. Many groups use some variation of passing around a talking stick or some physical device by which we know who is to speak and for what duration of time. These devices signal who is speaking even if the speaker has paused quietly for a time to think.

Similarly, because language accuracy matters to the creating of shared meanings between people, it is considered rude to assume you know for certain (without double checking) what someone meant when they said that. Or to definitively declare – in the fashion of colonialism – that you and only you know what is/isn’t good and that your personal standards *should* be adopted by everyone everywhere instantly.

To quote my Dad again “Put the words should and shouldn’t on a 50 pound brick and carry it with you at all times”.

Cultivating your inner life, being careful, gentle, flexible and aware of your own connections between matter (the world) and your mind (imagination) can help your own mental health and aid with the stressors of being alive. Including giving you the mental strength to stand by your own thoughts about things.

Additionally it can be useful to be generally aware of real-life people or, nowadays the technologies, that may try to insert themselves, constructively or destructively, between the external world and your own inner life. Such awareness can inspire a focus on whoever or whatever that might help you make better (not worse) connections between the world and your imagination.

This awareness of matter/mind external world/inner world technique can even be a useful tool for the practicing writer or visual artist as I map out here.

True, within the matter/mind continuum there’s no shortage of people who will tell you what to think, what to feel, who will finish your sentences for you, who will try to colonize your inner life, who will claim to “know what you need” and otherwise try to affect your personal relationship between the world and your own imagination.

Sometimes such people do harmful things – the abuser who is gaslighting and manipulating a victim.

Sometimes such people do helpful things – the teacher who is enlightening and encouraging a student.

Mostly the people we typically encounter are somewhere between these two harmful/helpful extremes.

Each of us have to figure out for ourselves ways to decide who or what is helpful, relevant or trustworthy.

Another Sketchbook by Clancy

Yes, your family, friends, a guru, a book, a politician, a cult leader may all queue up to give you the “correct” answers for this too. And you might or might not like the results. And you’ll still have to figure out some ways – apply imagination and creativity here – to decide what the results are, whether or not you like them, how you’ll respond and what you’ll do next. At the end of the day it’s up to you, it’s your choice of what kind of inner world you want to create and how it can help you deal with the external world.

And yet we are social beings. We need each other and we do learn from each other, all of our lives, various things about living. There’s a lot of trial and error involved. To quote dear Dad again…👇

Dr. Bob’s Emotional Repair Program First Aid Kit

For most things other people tell you about the world asking yourself the question “which wolf does it feed” is a useful guide. Also useful is the question “who benefits if I believe this?”. It can help to simply write regularly, daily, weekly, what happened, what so-and-so said, how that makes you feel, what it reminds you of, what you need or want or hope. It can help to watch both what someone says and what they do over time and evaluate for consistency and effects. (The CRAAP test is useful too)

Since processing the connections between the external world and our imaginations is reliant on our physical brains/bodies it also behooves us to eat well, to get enough sleep, to walk/exercise and to give ourselves the downtime needed to process our thoughts and feelings. It simply takes time to do something with our bodies that is expressive of our emotions.

To quote Dad again “Having feelings/thoughts? Write about it, draw about it, talk about it, make music or poetry about it…and by doing that with feelings you can name it, claim it and tame it.” There’s really no substitute for doing this yourself with your own hands and voice. Making these physical expressions of imagination and creativity is not about being perfect any more than playing tennis has to always be about becoming a professional tennis player. It is possible to practice an art form just for the fun, playful, inner life exercise in it.

Because I really do believe everyone has the capability to constructively use imagination and be creative – and that having a lively connection to your imagination is essential to good mental health – I’m beginning a series of tutorials for Storyberries.com like this one, Thumb Birds, that I shared on my email newsletter recently. Here’s a still photo of it.

Anyhoo, please play with your imagination often and keep it in good working condition. Carefully cultivate and care for your own inner life. You need you. This world needs you. I need you.

See you next Monday.

Hot times, cold tea, teaching and learning

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, books, fine art, humor in art, life of the mind, teaching, visual thinking, words and pictures, writing and illustrating

I’ve been thinking about the process of teaching and learning lately as I plan upcoming drawing tutorials for Nil-tech. I don’t think I’m an authority on drawing. I’m just fascinated by the subject and have done drawings almost daily for a really long time. It seems that there’s interest in me showing more of how I draw. So as I wrote in my last post I’m planning how to do that in simple, no-fuss, ways. Nil-tech has an online library of drawing tutorials and that’s where I’ll be adding my tutorials. I’ll also share them on my social media. If someone buys an art supply kit from my link I’ll get a small, but appreciated, royalty. We’ll see how this project goes … please wish me luck.

More than a decade ago I used to teach art in person in Oklahoma. For a number of years I even designed hands-on art exhibits for children and created teaching curriculums for a staff of teachers to teach from. Fun times except for experiencing the right-wing political opposition in Oklahoma to teachers teaching art (or even teaching reading and writing) and the general objections to the “intellectual eliteism” supposedly evident at any and all art exhibits and literary events. Suffice it to say that I can empathize all too well with teachers (plus librarians, booksellers, writers and artists) who are currently on the recieving end of right-wing anti-intellectual ire.

Yes, I have a bit of PTSD from my time in Oklahoma. There were some nice people there who were supportive of education and the arts in general – people I’m glad to know, people I’m still in touch with – but hooey the PTSD is real. And meanness selfjustified by anti-intellectualism still sucks.

Anyway, imagine my delight when, mere months after we had moved (12 years ago) to the West Coast, during my first in person art opening in Oregon, I was respectfully asked about my usage of metaphors in my work! After replying to the question I hurried to find my wife and, grinning from ear to ear, exclaimed excitedly “They used the M word!!!”

So, I keep reminding myself that as I contemplate a new art teaching opportunity that I’m not, emphatically not, in Oklahoma any more!

That’s why last Friday on A. M. Sketching I included a monument to teaching and learning.

On a lighter note: here’s a touching tribute to a UK music and dance teacher. https://www.msn.com/en-us/lifestyle/lifestyle-buzz/bride-thinks-its-time-for-wedding-vows-when-groom-says-to-look-at-guests-on-the-balcony/ar-AA106rYX

My art exhibit “For You by Sue the ABC’S: Art, Books and Cards” has been delivered to the Aurora Gallery! The exhibit officially opens August 5th. I’ve been updating the portfolio page about the exhibit and, for the fun in it, included all pages of my book “Coffee Please”. Coffee Please is an amalgamation from the sketchbooks I’d kept during our pre-pandemic travels. I looked in my sketchbook for all the times I recorded requesting coffee; what was said and the type of cup I was given. You can see part of this artist book at the bottom of the photo below and you can see the entire book page by page, in my portfolio here.

Apropos of nothing here’s some of the flowers from our garden.

And here are some books I’m reading because both of these humorists maintained their humor during difficult times. Robert Benchley (b. 1889 – d.1945) lived through WW1, the Spanish Flu and the Great Depression. P. G. Wodehouse (b. 1881 – d.1975) lived through the same events as Benchley plus WW2 – he was even held prisoner by the Germans – and lived through many other world events in his long life. Both continued to write – and be gently humorous – all of their lives.

Resilience and creativity seem to correlate. I find it comforting and encouraging to learn how other artists made it through hard times and maintained their creativity and sense of humor.

It’s been hot this week so the studio supervisor and I have made sun tea by the gallon…

… the sun brewed tea is added to a large lump of ice in glasses. The chilling tea glass is kept on a coaster covered with a bit of paper towel so that drips of condensation don’t fall onto books. Mustn’t drip on the books. Nope, mustn’t…

As Kurt Vonnegut (another artist who turned hard times into fodder for creativity) often said “and so it goes”.

Hope your favorite beverages are just the way you like them this week. See you next Monday.

Professional dogs, clutch pencils, fountain pens, writing and drawing

A Creative Life, art gallery, art techniques, artistic inspirations, children's book, creative thinking, Creativity Chats, dog portrait, Dogs in Art, pet portraits, Sustainable creativity, words and pictures, writing and illustrating

More progress this week on The Professional Dog, my latest childrens book project. Here are three together and like I mentioned in my last post perhaps you can see how the colors transition from one piece to the next?

Here are closer looks so you can see the details. I’m creating each portrait using ink and gouache on board. The text I plan to use for the book is below each artwork.

The Guidance Counselor’s dog is a generous dog.
The Guitarist’s dog is a gentle dog.
The Hairdresser’s dog is a happy dog.

This week a friend dropped by with a surprise! Her son had made the pencil I’m holding in this photo!

The pencil is a lead holder aka a “clutch pencil” that extends then holds 2mm lead by clutching the lead in its jaws so to speak. This gift pencil is thicker than the clutch pencils I’ve used in the past! Right away I drew with it in my sketchbook. It is nicely balanced and the thickness does make it easier for my hand!

This new clutch pencil has now joined my fountain pen in daily use. Both have thick barrels which are easy to hold for durations of time.

To play some more I used my new pencil to draw a portrait of my pencil. Then I added ink and gouache. I’m thinking this might be a fun image for a thinking-of-you note card … for my Zazzle shop eventually.

If I’ve made you curious about clutch pencils aka lead holders there’s a good blog here with juicy details https://www.jacksonsart.com/blog/2015/10/02/why-use-a-clutch-pencil/

One of the many things I like about both clutch pencils and fountain pens is the environmental friendliness of them. Both are refillable so there’s no trash to throw away! Below are a few of my favorite books about using pencils and fountain pens.

I think the creative writing process benefits from visual drawings and vice versa. If a writer can draw a floorplan in which the story action happens sometimes that will help the written descriptions flow more easily. If a painter can write a verbal description of what they see in their imagination that can help the visual image flow better.

I’ve been thinking on this topic, the helpful cross-training effects on perception that comes from playing with words and pictures, for about a week. So almost the second the house was quiet and workmen had ceased hammering and sawing I did one of my Creativity Chat videos about this topic of seeing. https://youtu.be/4ljLOhgK30o

Creativity Chat: seeing https://youtu.be/4ljLOhgK30o

As I mentioned in my last post I’m still waiting for the go-ahead from the Caplan Art Designs gallery to post about my holiday box project. I varnished it this past week and will deliver it to the gallery soon. Here’s my art studio supervisor dachshund waiting … and wearing a sweater because it’s cold.

The food creativity this week now that the kitchen is back (Yay!) was a lentil stew over basmati rice. Yum! Here’s the recipe I used: https://mydominicankitchen.com/slow-cooker-lentil-stew/

Here’s hoping your week is full of fun play with words and pictures. See you next Monday.

Crows, writing, art and the odd sandwich

A Creative Life, animals in art, art exhibit, art gallery, Art Word Combinations, artistic inspirations, author illustrator, books, children's book, fine art, household surrealism, magic realism, publications - publishing, published art, recipe illustration, sketchbook, sketchbook suppers, visual thinking, whimsical art, wordless story, writing, writing and illustrating

This week in the Odditorium aka household  surrealism I thought of how often I use the same pens to write and draw with.

It’s not surprising really as elsewhere in this blog I have written about the similarities I see between art making and writing. Here’s a link about that… https://sueclancy.com/similarities-of-art-and-writing/

These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.

From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.

With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.

And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.

Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.

Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)

After I posted “Enjoyment” on social  media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.

Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.

It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )

The Crow and the Water Jug – a wordless Aesop counting story – by Clancy https://www.blurb.com/b/10109198-the-crow-and-the-water-jug

More details about this children’s  book project on my portfolio page.

As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium.  Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:

Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?

I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.

That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.

No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.

So I hope you have a very good week. See you next Monday?

8 Free downloadable artist books from Clancy

A Creative Life, artist book, author illustrator, Authors, books, Books In Art, ebook, food in art, Kim Cooks Sue Draws, kitchen art, life of the mind, publications - publishing, published art, recipe illustration, sketchbook, visual story, words and pictures, writing and illustrating

For those staying at home (thank you!) I’ve made 8 of my artist books free downloadable ebooks. Go to this page https://sueclancy.com/shop/ scroll all the way to the bottom of the page and you’ll find them. Add the books you want to a cart, check out and that process gives you the free downloadable file(s).

Some of my books, like “The Crow And The Waterjug” are for little kids. Other books adults will enjoy on an adult level while still being able to share with kids of any age. My book topics range from drawing cats, to cooking dinner, people and places in the PNW and of course mice who author books.

Here’s some photos of the original book art from which the free ebooks came.

I hope these free ebooks give you some smiles.

On being home and enjoying books

A Creative Life, art techniques, artist book, artistic inspirations, books, Books In Art, ebook, sketchbook, small things, Uncategorized, words and pictures

My family’s in self quarantine #stayhome and we’ve been talking (via phone/digital means) with friends who are doing the same. [If you are too – THANK YOU!]

Some of our friends say they’re viewing this quarantine time as a chance to read more books. That reminds me of how revolutionary it was for me to realize that if I started a book I did not have to finish it and that I could choose only fun books to read.

I think I realized this blinding flash of the obvious after graduating college…and no longer had to read for a grade.

Anyway, here’s some of my sketchbook pages with musings on reading fun books (both print and ebooks).

And here’s a link to over 3000 ebooks that are free to download. Surely there’s something fun to read in this lot!! 😁

Here, for any extra amusement in it, is a link to a YouTube video of me doing one of the drawings above: https://youtu.be/UJ_3ptI077s

On being at home and eating well

A Creative Life, art exhibit, art techniques, artistic inspirations, author illustrator, Authors, books, business of art, comfort food, drinks in art, fine art, food in art, functional art, illustrated recipe, illustration, kitchen art, life of the mind, publications - publishing, published art, recipe illustration, sketchbook, sketchbook suppers, story, Uncategorized, visual story, words and pictures

In times like these we need to do what kindnesses we can for each other so I’ve decided to release my kitchen sketchbook earlier than planned. The title of this new artist book is Favorites So Far – a kitchen sketchbook. Details follow.

I spend most of my time working at home. Now, with coronavirus, more people, especially here in Washington state, are too. Welcome to my world. There’s lots of work but also books, good meals, drinks and snacks.

So perhaps it will be kind to go ahead and share more of how cooking at home fits with my working at home life? Hope so…

I was going to wait until just before my one-person art exhibit in June 2020 to officially debut this memoir cookbook, Favorites So Far, as many of the recipes relate to my artwork. I’ve been dribbling out teaser recipes on my Instagram page especially as they relate to the artwork as I finish the art. My original intention was to build momentum toward my June exhibit, display the artwork at the physical exhibit and have this 48 page sketchbook, itself intended as artwork, available as an accessory to the exhibit. You know, big splash.

But to heck with that. It seems kinder to share this book right now because people gotta eat.

Technically this book, Favorites So Far, is a printed 48 page memoir sketchbook – with my sketches on every page. That a meal could be made from it was just bonus. It’s suposed to be autobiographical amusement. But it really is a practical book, we refer to it for our own meals regularly.

Here’s a photo of the front and back covers of the printed book Favorites So Far:

Recently my co-author, Judy Sullens, and I got to talking: in the best of times what to cook/eat is a question. Door Dash and other innovative food delivery services are super helpful – but people suddenly being at home more… perhaps they’ll find it helpful to hear how a couple of busy creatives who’re not always flush with cash, not always remembering to get stuff at the store, how do they fill their belly’s?

So we decided to release the book now rather than wait. This link to the full color printed book has the entire book as a preview – and you can purchase it there too. https://www.blurb.com/b/9759759-favorites-so-far

The book is set up to be printed, 48 pages, full color, landscape format to showcase the artwork. And, since we’re not waiting to do a big splash at the exhibit, we’ve now set it up so the printed book can be shipped directly to you from the printer.

Perhaps even more helpfully we’ve set it up as an immediately downloadable ebook viewable on any device: Google Android devices, Kindle etc. It’s still 48 pages, full color with all the artwork. You can get the ebook version here. https://www.blurb.com/ebooks/709744-favorites-so-far (preview first 15 pgs)

Speaking of previews here’s some of the pages:

The title page
Book info page…. see, drawings on all pages!
Introduction page…how this book came to be.

And here are a few of the inner pages so you can see the memoir attributes.

More generally how I handle being a busy artist while not starving: after breakfast, before getting to work in my studio, I cut up veg and etc ingredients and throw them in a pot to slow cook until lunchtime. I work for several hours in my studio, take a short break to stir the pot. Back to work for another hour or so. Then lunch!

This is a pic of my sketchbook that Favorites So Far is a reproduction of – and a pot of just assembled stew:

And, yes, since it’s so near to St. Patrick’s Day I couldn’t resist posting this Irish stew recipe!

Oh, and we showed this sketchbook to a chef friend who said “I love it that a third of the book is cocktails!”

Hope you enjoy this book and that you eat well.

I see readers everywhere

A Creative Life, artistic inspirations, books, Books In Art, commonplace book, drawing as thinking, fine art, mundane and magical moments, reading in art, sketchbook, words and pictures

Living in the Pacific Northwest I see readers at the gym, at bus stops, in parks, sitting outside on benches, in the cafes, wineries, pubs and bistros – just about everywhere I look a book is in someone’s hand. Needless to say the library is a popular place as is the beloved locally owned bookstore, Vintage Books.

Below are a few of my sketches of people I’ve seen out and about. Along with quotes and musings.

Because I’ve been depicting people reading so much in my fine art it’s probably no surprise that in my sketchbook I’ve been drawing people reading. Anyway, here’s a few more drawings from my sketchbook:

Lately, however, I’ve thought that there’s perhaps a value in showing my sketchbook pages, putting a human face, so to speak, on creative doings and beings. I’m even thinking I might gather some of these into a book. What do you think? Do you like seeing my sketches too?

My loose sketchbook to fine art method

A Creative Life, art techniques, Art Word Combinations, artistic inspirations, books, commonplace book, creative thinking, drawing as thinking, sketchbook, visual thinking, words and pictures

Recently I blogged about my kichen sketchbook keeping method. Here’s my “running around loose” sketchbook method. Yes, this is a different sketchbook. Both books are related to my current fine artworks.

My “running around loose” – aka “loosey” book (pronounced ‘Lucy’) – is a sketchbook measuring 3.5 x 5.5 inches and half an inch thick with a ribbon bookmark, an elastic closure and lightweight watercolor paper inside. Here’s a picture of it and my gouache palette which is the same size as my book. Also pictured is my water brush and a Tombow waterproof brushpen. Everything can fit in a small bag or jacket pocket.

When I’m out in the world, with my “loosey” book, I’m keeping an eye/ear open for things that catch my attention. Things I want to think more about. There are no strict rules, no pressure to make “art” in this book. I’m just noting what catches my attention. It’s like meditation in this sense.

Recently my spouse and I had lunch at a local bistro. My attention was caught by an accent I couldn’t place when a man at a table nearby spoke to a waiter. So using my glance-memory method I kept paying attention.

My glance-memory method is this – once my attention is caught I quick glance several times and jot random words: man, scar, blue, reads, coffee, space, reads, careful spaces for book/consumables, vertical spoon, triangle space, book arms length.

The above word list translates to: After the man ordered he pulled out a book and began to read. His coffee came and he very carefully sipped his coffee well away from his book. His careful use of physical space kept my attention. Then his soup came. He shifted the book so it was held at arms length from the bowl and coffee. What an interesting gesture! I also noticed other things: a scar on his cheek, the blue shirt he wore, the vertical way he held his spoon. His gestures and sense of space held my attention. So I pulled my “loosey” book out jotted the word list mentioned above and did some quick sketches. I didn’t worry about getting an exact likeness. What I tried to capture was the gesture. I used quick glances so I wouldn’t attract his attention to what I was doing.

I tried the drawing a few times.

This second sketch, with the triangle shaped space under his elbow best captured the gesture.

I wrote the phrases on each page because they came to mind while I was drawing.

I also noted that as I drew I thought about soup, the care/repair of books, Ray Bradbury’s “Fahrenheit 451” and, inexplicably, Kurt Vonnegut’s book “Slaughterhouse Five”.

Where all these thoughts will go I’m not certain but I’m starting a new 18 x 24 size fine art piece for my ongoing Readers Series this week. I’m sure these sketchbook notes will get used somehow.

I’ll also make soups at home. It’s going to be cold weather. And I have well used copies of both Bradbury’s “Fahrenheit 451” and Vonnegut’s “Slaughterhouse Five” which I’ll look at over the week.

Now you know the way of my “loosey” sketchbook adventures. I’ll share what happens next in upcoming posts.

the so-what art making technique

A Creative Life, art exhibit, art techniques, artistic inspirations, author illustrator, illustration, mental health, Sustainable creativity, visual thinking

Recently I’ve been super busy with fine-art exhibits and other illustration projects. But now I’m back to regular work on a new print version of “Dr. Bob’s Emotional Repair Program First Aid Kit”.  During my work on the pages about Dr. Bob’s S.W.I.F.T. finger therapy I remembered how valuable this concept is when I’m in the middle of an art project.

While a project is not a person all creative projects also have an ugly-duckling stage. A point in which they’re more “mess” than “masterpiece”. A point in which things are happening with the colors and shapes that may not be what I intended or hoped for.

I’ve found the S.W.I.F.T therapy helps me remember to calm down about the mess. If a creative person gets too angst-y about the in-progress project it stops the flow of creativity. Possibly leading to a creative block. Remembering to think of “So What If….” finger therapy helps me relax and to do nothing radical to the in-progress project during my don’t-like-it moment. It enables me to let go, and approach the project later with an open, playful, mind. Perhaps after lunch, perhaps the next day.

SWIFTtherapyremedySM2

Page from “Dr. Bob’s Emotional Repair Program First Aid Kit” collected and illustrated by Clancy

If you’ve just joined my blog (and thank you for that!) here’s the last post about this project. The last post covers another mental-health technique that relates, in my mind anyway, to living the sustainable creative life.

I began learning these mental-health techniques and applying them to my creative life back in the 1990’s. I’m still creating new artwork daily. Still loving it. Something works.

Hope this book and these posts will help you too. All the best…